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Mahamayuri Vidyarajni Sadhana” E‐Book
ACKNOWLEDGEMENTS The Padmakumara website would like to gratefully acknowledge the following individuals for contributing to the production of “Mahamayuri Vidyarajni Sadhana” e‐book. Translator: Alice Yang, Zhiwei Editor: Jason Yu Proofreader: Renée Cordsen, Jackie Ho E‐book Designer: Alice Yang, Ernest Fung The Padmakumara website is most grateful to Living Buddha Lian‐sheng for transmitting such precious dharma. May Living Buddha Lian‐sheng always be healthy and continue to teach and liberate beings in samsara. May all sentient beings quickly attain Buddhahood. Om Guru Lian‐Sheng Siddhi Hum. Exhaustive research was undertaken to ensure the content in this e‐book is accurate, current and comprehensive at publication time. However, due to differing individual interpreting skills and language differences among translators and editors, we cannot be responsible for any minor wording discrepancies or inaccuracies. In addition, we cannot be responsible for any damage or loss which may result from the use of the information in this e‐book. The information given in this e‐book is not intended to act as a substitute for the actual lineage and transmission empowerments from H.H. Living Buddha Lian‐sheng or any authorized True Buddha School master. If you wish to contact the author or would like more information about the True Buddha School, please write to the author in care of True Buddha Quarter. The author appreciates hearing from you and learning of your enjoyment of this e‐book and how it has helped you. We cannot guarantee that every letter written to the author can be answered, but all will be forwarded. -
English Index of Taishō Zuzō
APPENDIX 2: TEXTS CITED FROM THE TZ. TZ. (Taisho Zuzobu) is the iconographic section of the Taisho edition of the Chinese Tripitaka. The serial numbers of the Hobogirin are given in brackets. Volume 1 1. (2921) Hizoki ‘Record kept secretly’: 1. Kukai (774-835). 2. Mombi (8th cent.). 2. (2922) Daihi-taizd-futsu-daimandara-chu - Shoson-shuji-kyoji-gydso-shoi-shosetsu-fudoki ‘Observations on the bljas, symbols, forms, and disposition of the deities in the Garbhadhatu-mandala’, by Shinjaku (886-927). 3. (2923) Taizo-mandara-shichijushi-mon ‘Seventy-four questions on the Garbhadhatu’, by Shinjaku (886-927). 4. (2924) Ishiyama-shichi-shu ‘Collection of seven items at Ishiyama’, by Junnyu (890-953). The seven items are: Sanskrit name, esoteric name, blja, samaya symbol, mudra, mantra and figure. 5. (2925) Kongokai-shichi-shu ‘Collection of seven items of the Vajradhatu’, by Junnyu (890-953). 6. (2926) Madara-shd ‘Extract from mandala’, by Ninkai (955-1046). No illustration. 7. (2927) Taizo-sambu-ki ‘Note on three families of the Garbhadhatu’ by Shingo (934-1004). 8. (2928) Taiz5-yogi ‘Essential meaning of the Garbhadhatu’, by Jojin (active in 1108). No illustration. 9. (2929) Ryobu-mandara-taiben-sho ‘Comparison of the pair of mandalas’, by Saisen (1025-1115). No illustration. 10. (2930) Taizokai-shiju-mandara-ryaku-mo ndo ‘Dialogue on the fourfold enclosures of the Garbhadhatu’, by Saisen (1025-1115). No illustration. 11. (2931) Kue-hiyo-sho ‘Extract of the essentials of the nine mandalas’, author unknown. 12. (2932) Ryobu-mandara-kudoku-ryakusho ‘Extract on the merit of the pair of mandalas’, by Kakuban (1095-1143). -
OR the BASIC VOW of a BODHISATTVA HAYASHIMA Kyosho
A STUDY IN THE THOUGHT OF 'HNAN' OR THE BASIC VOW OF A BODHISATTVA HAYASHIMA Kyosho I. The thought of the basic vow and the path of religious practice in Buddhism. One of the outstanding features of Mahayana Buddhism lies in its clarification of the religious life of the bodhisattva, the seeker after enlightenment. His religious life consists in the two aspects of benefiting oneself' (seeking after enlightenment for himself) and benefiting others' (imparting the Teaching to others, and aiding them in their quest for enlightenment). As a result, the numerous Buddhas as preached in the Mahayana are those creatures who have thus perfected themselves in this religious life. And the bodhisattva takes as his ideal that Buddha which most closely resembles himself in his practice of the religious life. The bodhisattva first produces the determination or the will to strive after enlightenment, referred to as 'hotsu bodai-shin', or the produc- tion of the mind of 'bodhi' or enlightenment. Next, in order that they may make more concrete their individual bodhisattva-paths, each one of them puts forth a 'hon-gan' or basic vow (miila-pranidhana, purva-pra- nidhana), and then continues his religious practices in accordance with this vow. And it is the unity of this religious. practice and the aim of this vow that constitutes the perfection of the bodhisattva's religious life, and when this takes place the bodhisattva's promise is fulfilled that all other creatures attain to Buddhahood at the very same time. Bodhisattvas put forth vows that are common to all bodhisattvas, as well as their own, individually unique vows. -
Cinta, Seks Dan Pernikahan 19
Cinta, Seks Dan Pernikahan 1 Cinta, Seks Dan Pernikahan “Hidup bersama-sama di kehidupan lalu dan karena kebajikan dalam kehidupan kali ini, cinta lahir bagaikan teratai di atas air. Dengan hidup bersama, dengan pandangan, dengan senyuman, cinta lahir di antara pria dan wanita. Ketika cinta masuk ke dalam pikiran maka hati menjadi gembira.” (Sang Buddha, Mahavastu Avadana) 2 Cinta, Seks Dan Pernikahan KATA PENGANTAR Puji syukur atas berkah dari Triratna [Buddha, Dharma, Sangha], sehingga penulis dapat menyelesaikan tulisan ini. Tulisan ini tidak akan terlalu memberikan kajian detail mengenai cinta dan pernikahan. Pada tulisan kali ini, penulis berusaha untuk menyajikan kutipan-kutipan dari kitab Buddhis yang isinya bagaimana menjalani kehidupan cinta, seks dan pernikahan yang sesuai dengan Dharma serta penjelasan singkat penulis. Dan tanpa disadari, kutipan-kutipan sutra tersebut dengan sendirinya sudah memberikan penjelasan yang cukup detail. Dalam mengutip teks-teks, penulis mengambil dari teks-teks Theravada, Sarvastivada, Mahasanghika, Vatsiputriya, Pudgalavadin, Mulasarvastivada, Mahayana dan Vajrayana, sehingga dengan demikian anjuran Sang Buddha yang sesungguhnya, dapat ditemukan, selain juga menjunjung prinsip Ekayana. Penulis sendiri ketika menulis karya ini menjadi sadar, bahwa kitab Buddhis adalah kitab agama yang paling banyak menceritakan tentang cinta dibanding dengan kitab- kitab agama lain. Anjuran mengenai bagaimana melangsungkan kehidupan suami istri yang harmonis ataupun menjalankan kehidupan cinta yang romantis namun -
LỊCH SỬ PHẬT VÀ BỒ TÁT (Phan Thượng Hải)
LỊCH SỬ PHẬT VÀ BỒ TÁT (Phan Thượng Hải) Lịch sử Phật Giáo bắt đầu ở Ấn Độ. Từ Phật Giáo Nguyên Thủy sinh ra Phật Giáo Đại Thừa. Đại Thừa gọi Phật Giáo Nguyên Thủy là Tiểu Thừa. Sau đó Bí Mật Phật Giáo (Mật Giáo) thành lập nên Đại Thừa còn được gọi là Hiển Giáo. Mật Giáo truyền sang Trung Quốc lập ra Mật Tông và sau đó truyền sang Nhật Bản là Chơn Ngôn Tông (Chân Ngôn Tông). Mật Giáo cũng truyền sang Tây Tạng thành ra Kim Cang Thừa. Ngày nay những Tông Thừa nầy tồn tại trong Phật Giáo khắp toàn thế giới. Từ vị Phật có thật trong lịch sử là Thích Ca Mâu Ni Phật, chư Phật và chư Bồ Tát cũng có lịch sử qua kinh điển và triết lý của Tông Thừa Phật Giáo. Bố Cục Phật Giáo Nguyên Thủy Thích Ca Mâu Ni Phật (trang 2) Nhân Gian Phật (Manushi Buddha) (trang 7) Đại Thừa Tam Thế Phật (trang 7) Bồ Tát (trang 11) Quan Tự Tại - Quan Thế Âm (Avalokiteshvara) (trang 18) Tam Thân Phật (trang 28) Báo Thân và Tịnh Độ (trang 33) A Di Đà Phật và Tịnh Độ Tông (trang 35) Bàn Thờ và Danh Hiệu (trang 38) Kim Cang Thừa Tam Thân Phật và Bồ Tát (trang 41) Thiền Na Phật (Dhyana Buddha) (trang 42) A Đề Phật (trang 45) Nhân Gian Phật (Manushi Buddha) (trang 46) Bồ Tát (trang 46) Minh Vương (trang 49) Hộ Pháp (trang 51) Hộ Thần (trang 53) Consort và Yab-Yum (trang 55) Chơn Ngôn Tông và Mật Tông (trang 57) PHẬT GIÁO NGUYÊN THỦY Phật Giáo thành lập và bắt đầu với Thích Ca Mâu Ni Phật. -
The Pure Land Thought of Chan Master Jixing Chewu (1741-1810)
Journal of the International Association of Buddhist Studies Volume 23 • Number 1 • 2000 n JIKIDO TAKASAKI In memoriam Prof. Hajime Nakamura 1 DANIEL BOUCHER On Hu and Fan Again: the Transmission of "Barbarian" Manuscripts to China 7 ANN HEIRMAN What Happened to the Nun Maitreyl? 29 CHARLES B. JONES Mentally Constructing What Already Exists: The Pure Land Thought of Chan Master Jixing Chewu (1741-1810) 43 JAN NATTIER The Realm of Aksobhya: A Missing Piece in the History of Pure Land Buddhism 71 REIKO OHNUMA The Story of RupavatI: A Female Past Birth of the Buddha 103 BHIKKHU PASADIKA A Hermeneutical Problem in SN 42, 12 (SN IV, 333) and AN X, 91 (AN V, 178) 147 OSKAR VON HINUBER Report on the Xllth Conference of the IABS 155 Accounts of the Xllth IABS Conference 161 CHARLES B, JONES Mentally Constructing What Already Exists: The Pure Land Thought of Chan Master Jixing Chewu fflmWfig (1741-1810) L INTRODUCTION One aspect of Chinese Pure Land history that has begun receiving atten tion during the past twenty years is the existence of a widely-recognized series of "patriarchs" (zu whose number stands at thirteen (although one list I have seen contains fourteen names).1 These are figures whom Pure Land devotees acknowledge as shapers, defenders, and revivers of the tradition. Twelfth in this series is the mid-Qing dynasty figure of Jixing Chewu |£|IfS(ti§, a Chan monk in the Linji line who, in mid-life, abandoned the practice of Chan and devoted himself exclusively to the Pure Land path. After this change of direction, he put his energy into building up his home temple, the Zifu Temple |f^§# on Hongluo Mountain HiiULl in Hebei, into a center for Pure Land practice, and his talks and essays focused on issues related to Pure Land practice, philoso phy, and apologetics. -
The Bhutanese Iconography of Vaisravana
THE BHUTANESE ICONOGRAPHY 0F VAISRAVANA Thesis for the Degree of M. A. MICHIGAN STATE UNIVERSITY BONNIE HERMAN SIGREN 1969 ‘4 amomcav ' II unnsasm ; annx mum mo. LIBRARY BINDERS ' SIIIIMII. IICII‘g \ LIVV W ABSTRACT THE BHUTANES , ICONOGRAPHY 0F VAI RAVANA/ by Bonnie Sigren I/ The Lokfipala. Vaisravana. originated in India from the indi- genous popular beliefs in Yaksas. These were powerful earth deities whom the Asian peoples regularly propitiated and appeased in order to avert calamities and acquire good fortune. Vaisifivana was their ruler and the custodian of riches. When the Iryan invaders. and later- Buddhism, adopted him into their.cosmology. VaierVana became the Guardian of the North. His iconography in India continued in the form of a Yiksa. In central Asia and Tibet. VaierVana was assimilated into the figure of the warrior King from the North“ Indigenous papular religious be- liefs from Tibet and Bhutan added other iconographical elements. He was identified with the God of Wealth and with the cult of the moun-w tain gods. His subjects became the Himalayan earth deities. further enriching his iconography. Other aspects of iconographical associations developed from Buddhist doctrines and symbolism. Some conventions were derived from the general body of Buddhist symbols; others were based on the god's attributes and functions in Buddhist_cosmologyo The elements from popular traditions were recognized by'Buddhismrand assimilated into Bonnie H. Sigren the god's iconography. There is a possibility that some iconographi- cal elements are disguised symbols relating to yogic practice and, as such,fully understood only by the initiated. THE BHUTANES ICONOGRAPHY 0F VAI RAVANA by Bonnie Herman Sigren A THESIS Submitted to Michigan State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Department of Art History 1969 For the Buddha faced by foemen His disciples don their armour. -
7408 a Wood and Gilt Sculpture of Amida Nyorai (Amitābha) Seated on a Lotus Stand with a Zukō (Halo)
7408 A wood and gilt sculpture of Amida Nyorai (Amitābha) seated on a lotus stand with a zukō (halo) The head is adorned with crystals representing the byakugō (white spiralling hair) on the forehead and the nikkei-shu (red jewel on the protrusion on top of the Buddha's head). The right arm raised and the left arm extended with the forefinger and thumb of each hand forming a circle in the raigō-in mudra, welcoming the believer into Amida's Great Western Paradise. Japan 11th/12th century Heian period Dimensions: Figure: H. 88cm x W. 71cm x D. 49.5cm (34¾” x 28” x 19½”) Stand: H. 30cm x W. 95cm x D. 77cm (12” x 37½” x 30½”) Figure with stand and halo: H. 134cm x W. 95cm x D. 77cm (53” x 37½” x 30½”) Inscription inside the figure: hrīḥ, (Sanskrit: Amitabha) Eshin onsaku zazō ni…go sun, Kyōhō jūyon tsuchinototoridoshi sangatsu mikka, Imei hason kashūho mononari Nanshō-in zendaisōjō Keiyu (Seated figure made by Eshin and measuring twenty five (?) sun*. 3rd March 1729. Repair of damage was ordered by the former Abbot of Nanshō-in, Keiyu**) Provenance: Most probably from the collection of Nansho-in, Eshin-in temple, Kyoto, Japan, circa 1729 * 1 sun is approximately 3.03 cm. The character is worn and partially illegible but appears to be twenty five sun in which case the reading translates to approx. 75cm. Therefore it is interesting to note that, in the traditional measurement system, the height of Buddhist sculpture was measured from the base to the forehead of the figure. -
Cha Sum Bklta4
Cha Sum The Ritual of the Three Parts translated by Carol Savvas and Lodro Tulku Foundation for the Preservation of the Mahayana Tradition FPMT Education Services FPMT Inc. 1632 SE 11th Avenue Portland, OR 97214 USA www.fpmt.org Educati on Services at FPMT Internati onal Offi ce off ers a vast range of Buddhist study programs, prayer books, and practi ce materials from © 2009 FPMT Inc. the Gelugpa lineage. Our study programs meet the needs of beginners All rights reserved. through to the most advanced students, from courses introducing Bud- dhism to the study of Tibetan and the highest philosophical texts. No part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying, record- As the Dharma takes root in the West, we make clear translati ons of Bud- dhist texts, prayers, and teachings available through our study programs ing, or by any informati on storage and retrieval system or tech- and publicati ons. We work with translators around the world to provide nologies now known or developed, without permission in writi ng texts in English, Spanish, Chinese, French, German, and many others. from the publisher. Working in collaborati on with the Lama Yeshe Wisdom Archive, we pub- Set in Calibri 12.5./15, Century Gothic, and Lydian BT. lish Buddhist prayer books, sadhanas, retreat materials, and practi ce texts, many with commentary by Lama Thubten Yeshe and Lama Zopa Rinpoche. We also off er DVDs and CDs of prayers and teachings that in- Printed in the USA. spire and inform. -
5883 a Lacquer and Gilt Wood Figure of Dainichi Nyorai (Mahāvairocana) Wearing Flowing Robes and Seated in Kekka-Fusa (
5883 A lacquer and gilt wood figure of Dainichi Nyorai (Mahāvairocana) wearing flowing robes and seated in kekka-fusa (lotus position), his hands in Hokkai jō-in mudra (concentration of the Dharma-realm), the hair is arranged in a tall standing top knot, gyokugan (inlaid crystal eyes), the forehead adorned with a crystal representing the byakugō (white spiralling hair), arms and wrists accessorised with gilt metal armlets and bracelets Japan 17th century Edo period Inscribed and dated: Kyo-busshi Kani Yoyaku Tomon, Kanbun juni, koyomi ne no shôgatsu kichijitu kore (o) tsukuru (Made by Kani Tomon the Buddha sculptor of Kyoto. On the first month of Kanbun 12th year of the rat (1672) Dimensions: H. 60cm x W.42cm x D.37cm (23¾" x 16¾" x 14¾") Dainichi (Great Sun) is the central and supreme deity of the pantheon of Esoteric Buddhism. In origin he has been linked to an ancient sun cult and to the Zoroastrian god of light, Ashura Mazda. In Brahmanical literature the appellation Vairocana (primordial or supreme Buddha) appears, for example, as the name of a legendary king and of the king of the Ashura. In Buddhism he assumes a central role in Esoteric Buddhism he eventually took the place of Shaka (the Historical Buddha), as expositor of the Buddhist teachings, becoming the central figure in the Esoteric Buddhist pantheon as represented by the Taizokai Mandara (Womb World Mandala) and Kongokai Mandara (Diamond World Mandala). In Japan Dainichi also figures among the so-called Jusanbutsu (Thirteen Buddhas), presiding over the memorial service held on the 12th anniversary of a person's death. -
Korean Single-Sheet Buddhist Woodblock Illustrated Prints Produced for Protection and Worship
religions Article Korean Single-Sheet Buddhist Woodblock Illustrated Prints Produced for Protection and Worship Jahyun Kim Department of History and Culture, University of Ulsan, Ulsan 44610, Korea; [email protected] Received: 24 October 2020; Accepted: 28 November 2020; Published: 2 December 2020 Abstract: This paper examines the characteristics and production background of major examples of single-sheet Buddhist woodblock illustrated prints. In the form a single sheet of paper, the original first prints were not easily handed down, and in most cases the date and place of production are not clearly known. These factors made systematic research difficult, but the release of various related materials has recently enabled comprehensive study of the subject. As materials substantiating Buddhism’s religious role in society and the propagation activities of temples, single-sheet Buddhist prints hold great value. Research showed that two major types of single-sheet Buddhist prints were made: dharani-type prints used as talismans and prints used for worship or spiritual practice. The former type was likely made for self-protection or Buddhist enshrinement in statues for their protection and to seek blessings for this meritorious deed or to protect the dharma. The latter type was used as a visual aid in worship and chanting. They can be divided into prints featuring universally loved icons and prints featuring icons reflecting the trends of certain periods. They were analyzed in relation to popular beliefs and methods of spiritual practice in the Buddhist circle as well as trends in faith among the ordinary people. Keywords: single-sheet woodblock illustrated Buddhist print; dharani; talismans; protection of the dharma; objects of worship or spiritual practice; Three Gates Buddhist Practice 三門修m; Suryukjae 4xK ritual; belief in Chilseong 七星 1. -
OF BUDDHISM Alia Jawad
Ancient Pakistan, Vol. XIX - 2008 MAITREYA OF GANDHĀRA―AN ANTICIPATED SANGUINE OF BUDDHISM Alia Jawad The Maitreya Boddhissatva,‘the unconquered, the invincible is the one who is free of the three poisons of greed, anger and stupidity’ (Bell, 1998). Abstract Maitreya enjoys the unique distinction of the only Bodhisattva being recognized throughout the entire Buddhist World, including the Theravada sect. The prophecy of the arrival of Maitreya is found in the canonical literature of all Buddhist sects and is accepted in most Buddhists sects as an actual event that will take place in the distant future. The article presents a short summary of the concept of Maitreya as a ‘future savior of the world’. A short description of other boddhissatvas (recognised by the Theravada texts) is also presented in this paper. The paper presents an analytical review of how Maitreya cult has provided a ray of hope for a better future to the common masses. Moreover, throughout centuries, the same cult has initiated several schools/societies, that yearn for promulgation of a global moral and ethic decree. A bodhisattva is the symbol of compassion who seeks enlightenment while also trying to save all sentient beings by spreading the Buddha’s teachings. In early Buddhism the term boddhisattva (on the way to enlightenment) was used to identify Siddharta autama before he became a buddha (the enlightened one). Nonetheless, some other boddhissatvas were known as early as the early Buddhism, before its schism in several sects. The boddhissatvas in Hinayana were limited in their number and function. They began to gain greater importance for the Mahāsamghīkas1.