DOCSLIB.ORG

DECEMBER, 2007 the Brick Presbyterian Church New York City

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
DECEMBER, 2007 the Brick Presbyterian Church New York City THE DIAPASON DECEMBER, 2007 The Brick Presbyterian Church New York City Cover feature on pages 30–32 Dec 07 Cover.indd 1 11/8/07 8:39:21 AM a total cleaning and releathering. Given siderably smaller than the Trinity organ the prices that have been bandied about (about 100 ranks). St. John the Divine THE DIAPASON for the “temporary” instrument, it prob- (another historic Aeolian-Skinner from A Scranton Gillette Publication ably would have cost the same or less to the 1950s, 150 ranks) is being rebuilt for Ninety-eighth Year: No. 12, Whole No. 1177 DECEMBER, 2007 restore this legendary organ with up-to- about $5 million after the disastrous gift date retrofi tting and new consoles in the shop fi re. Established in 1909 ISSN 0012-2378 Skinner tradition. My advice would be to store the his- An International Monthly Devoted to the Organ, 5) Dr. Burdick will not be at Trin- toric Aeolian-Skinner intact for many the Harpsichord, Carillon, and Church Music ity forever. Given the prestige of Trin- years, with the intention of reinstalling it ity Wall Street, when a replacement is at a later date with upgrades. It would be hired, I am sure the new director of a shame to sell it piecemeal, as the organ music will want a real pipe organ to had its own integrity and worked as an CONTENTS Editor & Publisher JEROME BUTERA [email protected] replace the current digital organ. New integrated musical unit. 847/391-1045 pipe instruments (even with some digi- I have worked with many organ com- FEATURES tal voices because of space or budgetary panies in sales, construction and consult- In celebration of the 100th birthday, concerns) are being installed around the ing for the last 35 years. There is a time October 27, of Helmut Walcha: Associate Editor JOYCE ROBINSON city for an average of $26,000 per rank. and place for digital organs. Trinity is not Artist-Teacher—Part 3 [email protected] This would put the cost of the Trinity’s one of them. by Paul Jordan 21 847/391-1044 real organ (with two consoles and chan- Regarding St. Paul’s Chapel, the The University of Michigan cel/gallery divisions) at about $4.5 mil- Schlicker organ was really never satisfac- Historic Organ Tour 54 Contributing Editors LARRY PALMER lion in today’s money. A new Casavant tory. Perhaps a new mechanical-action by Jeffrey K. Chase 24 Harpsichord at Brick Church, NYC of 118 ranks was pipe organ built in the early American recently installed at about $2.5 million; style to suit the building historically or a Stylistic Features of Frescobaldi and Froberger in St. James, Madison Ave. has a $5 million pipe organ with some digital voices could Buxtehude’s Ciacona in C minor, BuxWV 159 JAMES MCCRAY by Marijim Thoene 27 Choral Music Schoenstein under contract ($3 million be installed there. for the organ, $2 million for the case Frederick A. Tripodi BRIAN SWAGER and structural work), which will be con- Greenwich, Connecticut NEWS & DEPARTMENTS Carillon Letters to the Editor 3 Here & There 3, 4, 5, 6, 8, 10, 12 HERBERT L. HUESTIS OrganNet Forum Nunc Dimittis 8 Osiris Organ Archive Carillon News by Brian Swager 12 www.mdi.ca/hhuestis/osiris Here & There In the wind . by John Bishop 12 e-mail: [email protected] On Teaching by Gavin Black 14 Watch for The Diapason’s 2008 Re- Ohnstad. For information: REVIEWS Prepress Operations DAN SOLTIS source Directory, which will be mailed <www.stlouiskingoffrance.org>. Music for Voices and Organ 16 with the January issue. The only compre- hensive directory and buyer’s guide for The First Church of Christ, Book Reviews 18 THE DIAPASON (ISSN 0012-2378) is published monthly New Recordings 18 by Scranton Gillette Communications, Inc., 3030 W. Salt the organ and church music fi elds, the Wethersfi eld, Connecticut, continues 3 ″ ″ New Organ Music 20 Creek Lane, Suite 201, Arlington Heights, IL 60005-5025. Directory is printed in a 5 ⁄4 x 8 hand- its music series: December 9, Christmas Phone 847/391-1045. Fax 847/390-0408. Telex: 206041 book format, and features an alphabeti- concert (Holst, Christmas Day; Rutter, New Handbell Music 20 MSG RLY. E-mail: <[email protected]>. Subscriptions: 1 yr. $35; 2 yr. $55; 3 yr. $70 (Unit- cal listing of companies and individuals, Gloria), choirs, brass, percussion, hand- CALENDAR 33 ed States and U.S. Possessions). Foreign subscrip- with complete contact information, in- bells; January 27, Super Bell XV Concert, tions: 1 yr. $45; 2 yr. $65; 3 yr. $85. Single copies $6 cluding web and e-mail addresses, and a the fi ve handbell choirs of First Church; ORGAN RECITALS 36 (U.S.A.); $8 (foreign). product/service directory. February 17, Colonial concert, sights Back issues over one year old are available only CLASSIFIED ADVERTISING 38 from The Organ Historical Society, Inc., P.O. Box 26811, Additional copies of the Directory are and sounds of 18th-century America. Richmond, VA 23261, which can supply information on available for $5 each. For information: For information: 860/529-1575, ext. 209; availabilities and prices. 847/391-1045; <[email protected]>. <www.fi rstchurch.org>. Periodical postage paid at Rockford, IL and additional Cover: Casavant Frères, Saint-Hyacinthe, mailing offi ces. POSTMASTER: Send address changes Quebec, Canada; The Brick Church, to THE DIAPASON, 3030 W. Salt Creek Lane, Suite 201, St. Paul’s Church, Doylestown, Camp Hill Presbyterian Church, New York, New York 30 Arlington Heights, IL 60005-5025. Pennsylvania, presents its series of Ad- Camp Hill, Pennsylvania, has announced Routine items for publication must be received six vent recitals on Tuesdays at 12:30 pm: its music events: December 9, Advent weeks in advance of the month of issue. For advertising copy, the closing date is the 1st. Prospective contribu- December 4, Richard Spotts; 12/11, Lee Lessons & Carols; 12/24, Lessons & tors of articles should request a style sheet. Unsolicited Milhous; 12/18, Lee Milhous, with so- Carols; April 13, 2008, Anthony Leach www.TheDiapason.com reviews cannot be accepted. prano. The music series continues: 12/16, and Christyan Seay. For information: This journal is indexed in the The Music Index, an- notated in Music Article Guide, and abstracted in RILM Lessons & Carols; January 5, Schola Can- 717/737-0488; <www.thechpc.org>. Abstracts. torum. For information: 215/348-5511; Send subscriptions, inquiries, and ad- Copyright ©2007. Printed in the U.S.A. <www.stpaulsdoylestown.org>. Music of the Baroque presents its dress changes to THE DIAPASON, holiday brass and choral concerts: De- 3030 W. Salt Creek Lane, Suite 201, THE DIAPASON accepts no responsibility or liability St. Peter in Chains Cathedral, Cin- cember 13, Grace Lutheran Church, Arlington Heights, IL 60005. for the validity of information supplied by contributors, cinnati, Ohio, continues its music series: River Forest, Illinois; 12/14, St. Michael’s vendors, advertisers or advertising agencies. December 2, Advent Lessons & Carols; Church, Chicago; 12/22 and 23, Divine 12/9, Vocal Arts Ensemble of Cincinnati, Word Chapel, Techny. For information: No portion of the contents of this issue may be reproduced in any form without the specifi c written permission Canterbury Brass Quintet, Jubilate and <www.baroque.org>. of the Editor, except that libraries are authorized to make photocopies of the material contained herein for the purpose of course reserve reading at the rate of one copy for every fi fteen students. Such copies may be reused for Lyric Choirs of the Cincinnati Children’s other courses or for the same course offered subsequently. Choir. For information: 513/421-2222; Trinity Wall Street presents early <www.stpeterinchainscathedral.org>. music with the Trinity Choir and the Rebel Baroque Orchestra: December The Cathedral Church of St. John, 16 and 18, Handel, Messiah; January 29, Albuquerque, New Mexico, continues its Monteverdi, Vespers of 1610. For infor- Letters to the Editor music series: December 2, Advent Les- mation: <www.trinitywallstreet.org>. sons & Carols; 12/21, Polyphony–Voices of New Mexico; 12/23, Christmas Les- Bryn Mawr Presbyterian Church, Virtual organ 1) The four-manual Aeolian-Skinner sons & Carols; January 6, Choral Even- Bryn Mawr, Pennsylvania, continues its After reading John Bishop’s column was a rebuild, with many new pipe addi- song. For information: music series: December 16, Christmas in the September issue, along with the tions, and one of the largest pipe organs <www.stjohnsabq.org>. concert, Bryn Mawr Chamber Singers announcements in the “Here & There” in New York. The rebuild even incor- and Youth Chorale. For information: section about the fate of the historic porated some pipework from the origi- Trinity Episcopal Church, Santa 610/525-2821 ext. 836; Aeolian-Skinner organ at Trinity Church nal Henry Erben instrument in the late Barbara, California, presents Advent <www.bmpc.org/fi nearts>. Wall Street, I felt compelled to respond. 1800s and some unique stops from the organ recitals: December 2, Mahlon Please note that I have no vested interest E. M. Skinner rebuild, which in my mind Balderston; 12/9, Charles Talmadge; The Friends of the Kotzschmar fi nancially or in my reputation concern- have never been replicated. 12/16, Emma Lou Diemer; 12/23, David Organ (FOKO) continue their concerts ing this matter. 2) The 1970s rebuild included a new Gell; also on December 14, Christmas in Portland, Maine’s Merrill Auditorium: I worked on the design (both tonal deluxe console in the gallery (the chancel carol sing-along and wassail party. For December 18, Ray Cornils, with brass; and placement) and assisted in voicing console had already been replaced when information: <www.trinitysb.org>.
Load more

Recommended publications
  • Ie Sauer-Orgel D Der Thomaskirche Zu Leipzig 1889 | 1908
    ie Sauer-Orgel D der Thomaskirche zu Leipzig 1889 | 1908 Thomasorganist Ullrich Böhme Max Reger · Eugène Gigout · Franz Liszt · César Franck · Marcel Dupré ie Sauer-Orgel D der Thomaskirche zu Leipzig 1889 | 1908 Thomasorganist Ullrich Böhme Max Reger (1873 —1916) César Franck (1822 — 1890) Fantasie und Fuge d-Moll op. 135b 9 Cantabile H-Dur aus „Trois Pièces pour („Meister Richard Strauss in besonderer le Grand Orgue“ 7 : 04 Verehrung“) 1 Fantasie 7 : 25 Marcel Dupré (1886 —1971) 2 Fuge 9 : 13 Variations sur un Noël op. 20 10 Moderato 1 : 04 Eugène Gigout (1844 —1925) 11 Ire Var. Larghetto 0 : 57 3 Marche religieuse 12 IIe Var. Poco animato 0 : 47 (à Monsieur A. Cavaillé-Coll) 3 : 29 13 IIIe Var. Canon à l’octave, Cantabile 1 : 25 4 Menuet 3 : 59 14 IVe Var. Vif 0 : 32 5 Communion 15 Ve Var. Vivace 0 : 54 (à mon ami Ch. M. Widor) 4 : 13 16 VIe Var. Canon à la quarte et à la 6 Scherzo 5 : 00 quinte, Plus modéré 1 : 11 7 Toccata 3 : 34 17 VIIe Var. Vivace 0 : 48 18 VIIIe Var. Canon à la seconde, Franz Liszt (1811 — 1886) Cantabile 1 : 30 8 Variationen über den Basso continuo 19 IXe Var. Animé 0 : 54 des ersten Satzes der Cantate: 20 Xe Var. Fugato, „Weinen, Klagen, (Sorgen, Zagen,) Non troppo vivace − Presto 3 : 18 Angst und Noth sind des Christen Thränenbrod“ und des Crucifixus der h-Moll-Messe von Sebastian Bach 15 : 57 Gesamtspielzeit / total time 73:14 4 5 Max Reger (1873 —1916) César Franck (1822 — 1890) Fantasie und Fuge d-Moll op.
    [Show full text]
  • David Adams Dissi
    VRIJE UNIVERSITEIT ‘Modern’ Organ Style in Karl Straube’s Reger Editions ACADEMISCH PROEFSCHRIFT ter verkrijging van de graad Doctor aan de Vrije Universiteit Amsterdam, op gezag van de rector magnificus prof.dr. L.M. Bouter, in het openbaar te verdedigen ten overstaan van de promotiecommissie van de faculteit der Letteren op vrijdag 23 november 2007 om 10.45 uur in de aula van de universiteit, De Boelelaan 1105 door David William Adams geboren te Dublin, Ierland promotor: prof. dr. E. Kooiman copromotor: prof. dr. H.J. Busch ii for Mary A man that looks on glasse On it may stay his eye; Or if he pleaseth, through it passe, And then the heav’n espie. ( George Herbert) The art of performance only begins when the player learns to read ‘between the lines’, when the ‘unspoken’ comes to light. ( Max Reger ) iii iv Contents Chapter Subdivisions vi List of Tables xi Abbreviations xii Preface xiii Acknowledgements xiv Chapter 1 Max Reger and Karl Straube: Straube’s Reger Editions 1 Chapter 2 The Walze 7 Chapter 3 The Swell 41 Chapter 4 Sound and Registration 71 Chapter 5 Touch, Texture and Tempo 107 Chapter 6 The Survival of ‘Modern’ Organ Style: Straube and Reger Performance in the 1930s and 1940s 147 Chapter 7 Idealism and Resignation 169 Appendix 1 Chronology 187 Appendix 2 Organ Dispositions 190 Appendix 3 Early Performances of Max Reger’s Organ Music 196 Appendix 4 Reger’s Organ Works Listed 204 Appendix 5 An extract from Reger’s original and Straube’s 1912 edition of 206 Kyrie , op.
    [Show full text]
  • Georgia's International Representatives
    AWARD-WINNING TRADE SERVICES 2015 GEORGIA’S INTERNATIONAL REPRESENTATIVES CONNECTING GEORGIA TO THE WORLD’S KEY MARKETS A MESSAGE FROM THE COMMISSIONER GLOBE AWARD As you know, Georgia is a leader in the global marketplace. A critical component hing O nc p u po to maintaining this status is our international footprint. Our international a r L t a u Georgia’s second annual GLOBE (Georgia Launching Opportunities By i representatives not only market Georgia as the No. 1 state in the nation to do n g i Exporting) Award recognizes 44 companies who entered into a new r business, but as a leader in international trade, innovation, workforce, tourism, t o i e e international market in 2014. The 2015 winners from 17 different Georgia arts, music and film. By having such a significant international presence, we can G s G .L counties collectively expanded into 214 new markets, representing 104 continue to create jobs and investment opportunities in communities across .O.B.E. different countries and territories. Among the winners, a few of the most Georgia. b y d popular new markets included Colombia, Korea and the United Kingdom. r ex a p w This past year, state representatives traveled to all of our strategic markets orting a for activities ranging from gubernatorial and trade missions to trade shows, conventions and high-level business meetings. Last summer, Governor Nathan Deal led a delegation of government, philanthropic and business leaders to Israel, and I led an education and agriculture-focused mission to China. In addition to numerous other countries, GDEcD’s International 2015 GLOBE Award Winners Trade division exhibited at tradeshows in Brazil, Canada, Chile, Colombia, Germany and Mexico while our International Investment team called on companies in Canada, China, Europe, Japan, Korea and the United Kingdom.
    [Show full text]
  • April Newsletter
    Newsletter American Guild of Organists Utah Valley Chapter 2009-2010 April 2010 No. 8 Chapter Officers Dean’s Message I’ve had a personal goal in the back of my mind ever since I began my term as dean Dean in September 2008. That goal was to have at least 20 new members join our chap- Mike Carson ter to bring our total membership to 50. Well, the news came this month that the [email protected] 50th member had joined us: Jennifer Morgan of Lehi. Since then J. Cordell Bott has Sub-Dean come on board as no. 52. Welcome, Jennifer and Cordell! Each of you is to be Gayle Farnsworth congratulated, because it is really everyone’s accomplishment. Many of you have [email protected] invited friends and associates to consider membership, and I thank you for your Newsletter Editor efforts. But we still have our work cut out for us. With over 1,000 LDS wards and Carol Dean, CAGO branches in Utah Valley and with most units having more than one organist, that [email protected] adds up to a lot of organists! Secretary/Treasurer Joan Barnett On April 24, our chapter will have the opportunity to host many area church organists [email protected] at our annual “Super Saturday: Training for the Church Organist.” The event, which will be held in the Harris Fine Arts Center at BYU, will focus on introducing pianists to Web Master the skills of organ playing and helping church organists improve and enhance their DeeAnn Stone service playing skills. [email protected] Historian The keynote speaker will be Herbert Klopfer, member of the LDS Church General Florence Hawkinson Music Committee since 1983.
    [Show full text]
  • The Music of Randall Thompson a Documented
    THE MUSIC OF RANDALL THOMPSON (1899-1984) A DOCUMENTED CATALOGUE By Carl B. Schmidt Elizabeth K. Schmidt In memory of RANDALL THOMPSON ' for VARNEY THOMPSON ELLIOTT (†) CLINTON ELLIOTT III EDWARD SAMUEL WHITNEY THOMPSON (†) ROSEMARY THOMPSON (†) RANDALL THOMPSON JR. HAROLD C. SCHMIDT (†) and for E. C. SCHIRMER MUSIC COMPANY a division of ECS Publishing Group © 2014 by E. C. Schirmer Music Company, Inc., a division of ECS Publishing 1727 Larkin Williams Road, Fenton, MO 63026-2024 All rights reserved. Published 2014 Printed in the United States of America ISBN 978-0-911318-02-9 Library of Congress Cataloging-in-Publication Data Schmidt, Carl B. The music of Randall Thompson (1899-1984) : a documented catalogue / by Carl B. Schmidt [and] Elizabeth K. Schmidt. pages cm Includes bibliographical references and index. ISBN 978-0-911318-02-9 1. Thompson, Randall, 1899-1984--Bibliography. I. Schmidt, Elizabeth K. II. Title. ML134.T42S36 2015 016.78092--dc23 2014044640 Since I first went to Rome in 1922, Italian culture, the Italian people and the Italian language have been the strongest single influence on my intellectual and artistic development as a person and as a composer. So true is this that I cannot imagine what my life would be without all the bonds that bind me in loyalty and devotion to Italy and to my Italian friends. 13 June 1959 letter from Thompson to Alfredo Trinchieri Thompson always makes you think there is nothing as beautiful, as rich, or as varied as the sounds of the human voice. Alfred Frankenstein, San Francisco Chronicle (24 May 1958) It is one of the lovely pieces our country has produced, that any country, indeed, has produced in our century.
    [Show full text]
  • Alumni Recital
    Dr. Bobbie Bailey & Family Performance Center Anniversary Celebration Saturday & Sunday, October 7 & 8, 2017 at 3 pm Dr. Bobbie Bailey & Family Performance Center, Morgan Hall Twentieth & Twenty-first Concerts of the 2017-18 Concert Season alumni recital Saturday, October 7, 2017 FELIX MENDELSSOHN (1809–1847) Rondo capriccioso in E Major, Op. 14 Huu Mai, piano CAMILLE SAINT-SAËNS (1835–1921) Fantasie for Violin and Harp, Op. 124 Ryan Gregory, violin Tyler Hartley, harp HALSEY STEVENS (1908–1989) Sonata for Trumpet and Piano Mvt. I Justin Rowan, trumpet Judy Cole, piano J. S. BACH (1685–1750) Concerto for Two Violins Mvt. I & II Grace Kawamura, violin Jonathan Urizar, violin Huu Mai, piano GIOACHINO ROSSINI (1792–1868) la calunia from il barbiere di Siviglia Eric Lindsey, bass Judy Cole, piano GIUSEPPE VERDI (1813–1901) Caro nome from Rigoletto Amy Smithwick. soprano Judy Cole, piano CÉSAR FRANCK (1822–1890) Violin Sonata in A minor Mvt. IV Grace Kawamura, violin Huu Mai, piano ANDREW LIPPA (b. 1964) What is it about her? from Wild Party Nick Morrett, tenor Judy Cole, piano MICHAEL OPTIZ (b. 1995) Two Weeks Brian Reid, piano Janna Graham, vibraphone Brandon Radaker, bass Robert Boone, drums Michael Opitz, tenor saxophone Luke Weathington, alto saxophone Michael DeSousa, trombone BRANDON BOONE (b. 1994) Last Minute Brian Reid, piano Janna Graham, vibraphone Brandon Radaker, bass Robert Boone, drums JANNA GRAHAM (b. 1992) Nayem, I Am Brian Reid, piano Janna Graham, vibraphone Brandon Radaker, bass Robert Boone, drums Michael Opitz, tenor saxophone Luke Weathington, alto saxophone Michael DeSousa, trombone FRÉDÉRIC CHOPIN (1810–1849) Ballade No.
    [Show full text]
  • Composers for the Pipe Organ from the Renaissance to the 20Th Century
    Principal Composers for the Pipe Organ from the Renaissance to the 20th Century Including brief biographical and technical information, with selected references and musical examples Compiled for POPs for KIDs, the Children‘s Pipe Organ Project of the Wichita Chapter of the American Guild of Organists, by Carrol Hassman, FAGO, ChM, Internal Links to Information In this Document Arnolt Schlick César Franck Andrea & Giovanni Gabrieli Johannes Brahms Girolamo Frescobaldi Josef Rheinberger Jean Titelouze Alexandre Guilmant Jan Pieterszoon Sweelinck Charles-Marie Widor Dieterich Buxtehude Louis Vierne Johann Pachelbel Max Reger François Couperin Wilhelm Middelschulte Nicolas de Grigny Marcel Dupré George Fredrick Händel Paul Hindemith Johann Sebastian Bach Jean Langlais Louis-Nicolas Clérambault Jehan Alain John Stanley Olivier Messiaen Haydn, Mozart, & Beethoven Links to information on other 20th century composers for the organ Felix Mendelssohn Young performer links Fanny Mendelssohn Hensel Pipe Organ reference sites Camille Saint-Saëns Credits for Facts and Performances Cited Almost all details in the articles below were gleaned from Wikipedia (and some of their own listed sources). All but a very few of the musical and video examples are drawn from postings on YouTube. The section of J.S. Bach also owes credit to Corliss Arnold’s Organ Literature: a Comprehensive Survey, 3rd ed.1 However, the Italicized interpolations, and many of the texts, are my own. Feedback will be appreciated. — Carrol Hassman, FAGO, ChM, Wichita Chapter AGO Earliest History of the Organ as an Instrument See the Wikipedia article on the Pipe Organ in Antiquity: http://en.wikipedia.org/wiki/Pipe_Organ#Antiquity Earliest Notated Keyboard Music, Late Medieval Period Like early music for the lute, the earliest organ music is notated in Tablature, not in the musical staff notation we know today.
    [Show full text]
  • Berlin-Wilmersdorf Goethe-Gymnasium User Manual V1.0.0 2
    Berlin-Wilmersdorf Goethe-Gymnasium User Manual v1.0.0 2 Goethe-Gymnasium Berlin-Wilmersdorf User Manual v1.0.0 Organ built by Wilhelm Sauer (Frankfurt/Oder, Germany) (1904) Goethe-Gymnasium Berlin-Wilmersdorf User Manual version 1.0.0 © 2021 Hauptwerk-Organ.com 3 The information contained in this user guide may be subject to change without notice. No part of this document may be transferred or reproduced, digitally or otherwise, including photocopying and recording without prior consent from Hauptwerk-Organ.com. Copyright © 2021 Hauptwerk-Organ.com. All rights reserved. ’Hauptwerk’, ’Hauptwerk Virtual Pipe Organ’, ’Milan Digital Audio’ and the Hauptwerk logo are trademarks of Milan Digital Audio LLC. Visit Hauptwerk-Organ.com on the Internet at https://www.hauptwerk-organ.com. Goethe-Gymnasium Berlin-Wilmersdorf User Manual version 1.0.0 © 2021 Hauptwerk-Organ.com 4 Table of Contents Welcome 6 The Organ 7 History of the Organ . .7 Specification . .9 Original Stop List (1904) . .9 Current Stop List (2021) . .9 Requirements 10 Hard- and Software Requirements . 10 RAM Requirements . 10 Installation 11 Un-Installation . 11 Using the Sample Set 13 Compass . 13 Screens . 13 MIDI Learn (Settings Auto-Detection) . 13 Blower...................................................... 13 Pistons . 13 Forte.................................................... 14 Settings . 14 Contact 17 Credits 18 Changelog 19 v1.0.0 (March 2021) . 19 Goethe-Gymnasium Berlin-Wilmersdorf User Manual version 1.0.0 © 2021 Hauptwerk-Organ.com 5 List of Figures 1 Rank Audio/Memory Options and Routing Screen . 12 2 Console screen . 14 3 Stops screen . 15 4 SimpleScreen . 15 5 Info screen . 16 List of Tables 1 RAM Requirements . 10 Goethe-Gymnasium Berlin-Wilmersdorf User Manual version 1.0.0 © 2021 Hauptwerk-Organ.com 6 Welcome Welcome to the sample set of the Goethe-Gymnasium Berlin-Wilmersdorf (Germany).
    [Show full text]
  • Wolfgang J. Brylla Wilhelm Sauer – Budowniczy Organów
    Wolfgang J. Brylla Wilhelm Sauer – budowniczy organów Nadwarciański Rocznik Historyczno-Archiwalny nr 3, 208-210 1996 Wolfgang J. Brylla Zielona Góra WILHELM SAUER- BUDOWNICZY ORGANÓW Kiedy finalizowała się budo­ wa nowego kościoła ewangelickie­ go w Witnicy, pomyślano też o po­ stawieniu nowych, dużych orga­ nów. Zarząd parafii kościoła zwró­ cił się do znanej i popularnej w No­ wej Marchii firmy organowej “Wil­ helm Sauer”, mającej swoją siedzi­ bę we Frankfurcie nad Odrą przy ówczesnej ulicy Park 13. Na pod­ stawie zawartego kontraktu, firma postawiła w roku 1877, za sumę 17 395 marek, trzymanuałowy in­ strument z pedałem, z 35 głosami Z zachowanych, niestety niekompletnych, materiałów archiwalnych wynika, że witnicki instrument zalicza się do niewielkiej grupy największych instru­ mentów Sauera powstałych w tamtym czasie. W ciągu dwudziestu lat samo­ dzielnej organomistrzowskiej działalności Sauer zbudował ponad 250 orga­ nów (witnickie organy mają numer 257), w tym tylko około 8 proc. instru­ mentów dużych (powyżej 35 głosów). Witnicka realizacja zamówienia w dużej części oparta była na doświad­ czeniach zebranych w trakcie budowy podobnej wielkości organów w Toru­ niu (1873 - 34 głosy), Sankt Petersburgu (1875 - 35 głosów), a także w Ośnie Lubuskim (1876 - 31 głosów), organy w Ośnie Lubuskim są instrumentem dwumanuałowym. ftilhelm Sauer - budowniczy organów 209 Interesujące nas organy są charakterystyczne dla lansowanej przez Wil­ helma Sauera estetyki brzmieniowej, na którą niebagatelny wpływ miał jego pobyt w Paryżu i praktyka u najsłynniejszego francuskiego budowniczego organów Aristide Cavaille-Colla. Wilhelm Sauer, urodzony 23 marca 1831 r. w Schónbeck (Meklembur­ gia), organomistrzowstwem zainteresował się późno, mimo że jego ojciec od 1835 r. budował organy. Pierwotne zainteresowania Wilhelma miały się zre­ alizować w studiowaniu rysunku na Bauakademie w Berlinie.
    [Show full text]
  • Ally Available in the High School
    American comfort, European handling. They meet in Monte Carlo. Monte Carlo S Coupe at Glen Haven, Michigan. Monte Carlo has always ment panel reflect Monte been a car unlike any other. Carlo's individuality. Yet, our 73 Monte Carlo S The new flow-through is even more unique. power ventilation system Chassis, frame and sus­ adds to its quietness. pension geometry were Power front disc brakes, extensively redesigned to power steering and a big V8 achieve special handling are standard of course. traits like those found in the A power-operated sky roof great road cars of Europe. can be added. Coach windows, molded Monte Carlo S. We think full foam seats, rich uphol­ you'll find it one of the best stery and a classic instru­ road cars you've ever driven. Art for everyone's sake More than a repository, The Atlanta Memorial Arts Center continues its forward thrust, its dedicated presentation of the arts as a force in today's life, an inspiration for tomorrow's. Rich's salutes the gifted men and women who have made this so. Of Sp ecial interest AT THE CENTER ATLANTA SCHOOL OF ART Don’t go Spring Semester of Special through Program Begins January 8 life The Atlanta School of Art Special Program has been conceived and is pro­ without vided as a service to the greater Atlanta your own community. Its purpose is to broaden public understanding of the visual arts personal and their necessity in our cultural life. life Courses are conducted at basic, interme­ diate and advanced levels in a variety of visual arts media, including: design, drawing, painting, photography and print­ making.
    [Show full text]
  • Mormon Tabernacle Peace Like a River Download Album Lyrics Peace Like a River
    mormon tabernacle peace like a river download album Lyrics Peace Like a River. I've got peace like a river, I've got peace like a river, I've got peace like a river in my soul. I've got peace like a river, I've got peace like a river, I've got peace like a river in my soul. I've got faith like a river, I've got faith like a river, I've got faith like a river in my soul. I've got faith like a river, I've got faith like a river, I've got faith like a river in my soul. I've got hope like a river, I've got hope like a river, I've got hope like a river in my soul. I've got hope like a river, I've got hope like a river, I've got hope like a river in my soul. I've got love like a river, I've got love like a river, I've got the love like a river in my soul. I've got the love like a river, I've got the love like a river, I've got love like a river in my soul. I've got faith like a river, I've got hope like a river, I've got love like a river in my soul. My soul. Peace in my soul. Peace Like a River ( 2004 ) Choose your shipping method in Checkout. Costs may vary based on destination. Seller's Description: Fair. A CD that has been played but remains in acceptable condition with little or no scratching.
    [Show full text]
  • The Diapason an International Monthly Devoted to the Organ, the Harpsichord and Church Music
    THE DIAPASON AN INTERNATIONAL MONTHLY DEVOTED TO THE ORGAN, THE HARPSICHORD AND CHURCH MUSIC Sixty.Sixth Year, No.5 - Whole No. 785 APRIL, 1975 Historic Marklove Organ Cited by OoHoSo In a special program January 21, 1975, thus recognized will be the subJect of a Saint Mark's Episcopal Church of Candor. comprehensive article describing It with full New Yorle, was the recipient of a citation technical details and with biographical recognizing its hi~Ofic orgon built in 1867 material about its builder to be published by John Markleve of Utica, New York. the in the Organ Historical Society magazine, citation was the first to be awarded by The Trcu:ker. the Historic Organs Commitlee of the Or­ The Marklove organ in Saint Mark's was gon Historical Society. Committee chairman, originally built for Trinity Church In Elmira, George Bouman. Jr., made the presenta­ New Yo,Ie, and was moved to Candor in tion, 1922. Except for some trimming of the sides the program was opened with welcoming of the case made necessary by the size of remarks by the Reverend Culver l. tIiowers, the opening. the organ remains essentially pastor of Saint Mark's. after which organ· in its original condition. It possesses are· builder A. Richard Strauss of Ithaca, New marktlbly rich, eliciting tone, with dis­ YOlk, goYe a demonstration of the fooal tingUished voicing throughout, and is a features of the argon iIIvstrated by 0 col· fine memorial to John Marklove's skill as ledion of representative pipes on view for an orgonbuilder. It is by far the largest rhe audience.
    [Show full text]