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Mahler 5 & Music You Know
CONCERT PROGRAM Friday, January 22, 2016, 10:30am Saturday, January 23, 2016, 8:00pm David Robertson, conductor Timothy McAllister, saxophone JOHN ADAMS Saxophone Concerto (2013) (b. 1947) Animato; Moderato; Tranquillo, suave Molto vivo (a hard driving pulse) Timothy McAllister, saxophone INTERMISSION MAHLER Symphony No. 5 in C-sharp minor (1901-02) (1860-1911) PART I Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt Stürmisch bewegt, mit größter Vehemenz PART II Scherzo. Kräftig, nicht zu schnell PART III Adagietto. Sehr langsam— Rondo-Finale. Allegro 23 ACKNOWLEDGMENTS These concerts are part of the Wells Fargo Advisors Orchestral series. These concerts are presented by St. Louis College of Pharmacy. David Robertson is the Beofor Music Director and Conductor. Timothy McAllister is the Ann and Paul Lux Guest Artist. The concert of Saturday, January 23, is underwritten in part by a generous gift from Rex and Jeanne Sinquefield. The concert of Friday, January 22, 10:30am, features coffee and doughnuts provided through the generosity of Community Coffee and Krispy Kreme, respectively. Pre-Concert Conversations are sponsored by Washington University Physicians. Large print program notes are available through the generosity of Bellefontaine Cemetery and Arboretum and are located at the Customer Service table in the foyer. 24 ON EDGE BY EDDIE SILVA Their music is made of the worlds around them, Gustav Mahler and John Adams. Mahler of that thrilling age, the shift from the 19th to the 20th century, the speed of the modern beginning to TIMELINKS change how people think and act. Also a time of anxiety, especially for a Jewish artist in an anti- Semitic Vienna. -
Press Release April 30 Paul Sacher
! 6 Meyersville Road Chatham, New Jersey 07928 USA Ph/Fax 800.706.4182 [email protected] www.orchestranextcentury.org ! ! ! FOR IMMEDIATE RELEASE Contact: Gary Schneider 973-457-5724 March 15, 2013 [email protected] To the Point: Orchestra for the Next Century pays tribute to Paul Sacher in concert at New York’s Merkin Concert Hall. Orchestra for the Next Century, Gary M. Schneider, Music Director, follows up its acclaimed NY debut in February at the Ecstatic Music Festival with a tribute to the great Swiss conductor and musical philanthropist Paul Sacher in a concert on April 30, 2013 at 8:00 pm at Merkin Concert Hall in New York City. The concert features two works Sacher commissioned from Stravinsky and Martinů paired with recent works by distinguished American composers Margaret Brouwer and Paul Moravec. Tickets are $25 / $20 for students. For information and tickets, call 212- 501-3330 or online at www.kaufmanmusiccenter.org. Igor Stranvinsky’s Concerto in D for String Orchestra and Bohuslav Martinů’s Double Concerto for Two String Orchestras, Piano and Timpani are among the many important works Sacher commissioned for his Basel Chamber Orchestra. Through his commissioning of new works from many of the most important composers of the 20th century, Sacher is responsible for the existence of an amazing number of landmark compositions, many of which entered the repertory and are performed every year in concert halls around the world. The concert will also include the New York premier of Margaret Brouwer’s Concerto for Violin and Orchestra, featuring the acclaimed Japanese-American violinist Michi Wiancko, for whom it was written. -
Citymusic Cleveland Schedules Hybrid Chamber Music Concerts by Daniel Hathaway
CityMusic Cleveland schedules hybrid chamber music concerts by Daniel Hathaway Pivoting from its customary chamber orchestra concerts, last September CityMusic Cleveland announced a series of chamber music programs curated by members of the ensemble celebrating the centenary of the 19th Amendment to the U.S. Constitution, which decreed that “The right of citizens of the United States to vote shall not be denied or abridged by the United States or by any State on account of sex.” Initially offered as live, in-person events for a reduced audience of 100 at the Shrine Church of St. Stanislaus, the series went online after the first two programs due to the progress of the pandemic. Subsequent concerts have been streamed from the Maltz Performing Arts Center. Beginning this week, CityMusic will present pairs of performances — one in-person concert at St. Stan’s, followed by a second performance of the same program streamed from the Maltz. Executive director Eugenia Strauss noted in a press release that the chamber music format will be continued in 2021-2022, when seven groups will be invited to build programs around the themes of peace, equality, and justice, drawing largely on works by female composers and including commissioned pieces. “We hope to return to present orchestral programs in the 22-23 season,” Strauss wrote. NOTE: In-person programs will be performed at the Shrine Church of St. Stanislaus for a limited, socially distanced audience of 100 people. CityMusic Cleveland follows all Center for Disease Control and State of Ohio health guidelines with respect to the safety of our audiences and performers. -
Victor Stanislavsky Is Hailed As One of the Most Outstanding Young Israeli Pianists Today
Victor Stanislavsky is hailed as one of the most outstanding young Israeli pianists today. His international career has taken him to many countries in Europe, north and south America, China, South Korea and Australia. In the past concert season, he has given over 70 performances as a soloist, recitalist and a chamber musician to critical acclaim. As an avid chamber musician he has collaborated with such artists as violinists Christian Tetzlaff and David Garrett, cellist Gary Hoffman and Soprano Chen Reis. His major festival appearances include “Ravinia” (Chicago), “Meet in Beijing”, “Shanghai piano Festival” and the “Israel Festival”. Mr. Stanislavsky has performed in prestigious venues including Carnegie Hall and the 92Y in New-York, Chicago Arts Center, Bass performance hall in Fort Worth, Berlin Philharmonie, the Concertgebouw in Amsterdam, St. Martin in the Fields Church in London, “Tsarytsino” Palace in Moscow, National Performing Arts Center in Beijing, Forbidden City concert hall in Beijing, Shanghai Conservatory, Qintai Grand Theater in Wuhan, Harbin Opera House and the Seoul Arts Center to name a few. In addition he regularly performs in all the major concert halls in Israel. He performed as a soloist with Milan’s Symphony Orchestra, China’s National Symphony Orchestra, China’s national Ballet Symphony Orchestra, KBS Symphony orchestra of South Korea and others as well as with leading orchestras in Israel collaborating with such conductors as Yoel Levi, Jose Maria Florencio, Kainen Johns, Li Xincao, Uri Segal, Gil Shohat and many others. Mr. Stanislavsky holds both bachelors and masters degrees summa cum laude, in music performance from the Buchmann-Mehta School of Music at Tel-Aviv University, where he studied with Mr. -
Georgia's International Representatives
AWARD-WINNING TRADE SERVICES 2015 GEORGIA’S INTERNATIONAL REPRESENTATIVES CONNECTING GEORGIA TO THE WORLD’S KEY MARKETS A MESSAGE FROM THE COMMISSIONER GLOBE AWARD As you know, Georgia is a leader in the global marketplace. A critical component hing O nc p u po to maintaining this status is our international footprint. Our international a r L t a u Georgia’s second annual GLOBE (Georgia Launching Opportunities By i representatives not only market Georgia as the No. 1 state in the nation to do n g i Exporting) Award recognizes 44 companies who entered into a new r business, but as a leader in international trade, innovation, workforce, tourism, t o i e e international market in 2014. The 2015 winners from 17 different Georgia arts, music and film. By having such a significant international presence, we can G s G .L counties collectively expanded into 214 new markets, representing 104 continue to create jobs and investment opportunities in communities across .O.B.E. different countries and territories. Among the winners, a few of the most Georgia. b y d popular new markets included Colombia, Korea and the United Kingdom. r ex a p w This past year, state representatives traveled to all of our strategic markets orting a for activities ranging from gubernatorial and trade missions to trade shows, conventions and high-level business meetings. Last summer, Governor Nathan Deal led a delegation of government, philanthropic and business leaders to Israel, and I led an education and agriculture-focused mission to China. In addition to numerous other countries, GDEcD’s International 2015 GLOBE Award Winners Trade division exhibited at tradeshows in Brazil, Canada, Chile, Colombia, Germany and Mexico while our International Investment team called on companies in Canada, China, Europe, Japan, Korea and the United Kingdom. -
International Viola Congress
CONNECTING CULTURES AND GENERATIONS rd 43 International Viola Congress concerts workshops| masterclasses | lectures | viola orchestra Cremona, October 4 - 8, 2016 Calendar of Events Tuesday October 4 8:30 am Competition Registration, Sala Mercanti 4:00 pm Tymendorf-Zamarra Recital, Sala Maffei 9:30 am-12:30 pm Competition Semifinal,Teatro Filo 4:00 pm Stanisławska, Guzowska, Maliszewski 10:00 am Congress Registration, Sala Mercanti Recital, Auditorium 12:30 pm Openinig Ceremony, Auditorium 5:10 pm Bruno Giuranna Lecture-Recital, Auditorium 1:00 pm Russo Rossi Opening Recital, Auditorium 6:10 pm Ettore Causa Recital, Sala Maffei 2:00 pm-5:00 pm Competition Semifinal,Teatro Filo 8:30 pm Competition Final, S.Agostino Church 2:00 pm Dalton Lecture, Sala Maffei Post-concert Café Viola, Locanda il Bissone 3:00 pm AIV General Meeting, Sala Mercanti 5:10 pm Tabea Zimmermann Master Class, Sala Maffei Friday October 7 6:10 pm Alfonso Ghedin Discuss Viola Set-Up, Sala Maffei 9:00 am ESMAE, Sala Maffei 8:30 pm Opening Concert, Auditorium 9:00 am Shore Workshop, Auditorium Post-concert Café Viola, Locanda il Bissone 10:00 am Giallombardo, Kipelainen Recital, Auditorium Wednesday October 5 11:10 am Palmizio Recital, Sala Maffei 12:10 pm Eckert Recital, Sala Maffei 9:00 am Kosmala Workshop, Sala Maffei 9:00 am Cuneo Workshop, Auditorium 12:10 pm Rotterdam/The Hague Recital, Auditorium 10:00 am Alvarez, Richman, Gerling Recital, Sala Maffei 1:00 pm Street Concerts, Various Locations 11:10 am Tabea Zimmermann Recital, Museo del Violino 2:00 pm Viola Orchestra -
CCG Program October 2018
Upcoming Performances CLEVELAND COMPOSERS GUILD CLEVELAND OPERA THEATRE {NOW} FESTIVAL THURSDAY, FEBRUARY 7, 2019 | 7PM New Opera Forum panel featuring Guild members and composer Jake Heggie 2018-2019 SEASON Baldwin Wallace Gamble Auditorium (free admission) 96 Front Street |Berea SATURDAY, FEBRUARY 9, 2019 | TBD Operatic works by Guild members in workshop performance Location to be announced (free admission) CHAMBER MUSIC 334 E. Hines Hill Rd|Boston Heights ContactUs·FollowUs WWW.CLEVELANDOPERATHEATER.ORG WEB FRANK WILEY CHAMBER MUSIC SOCIETY OF OHIO CLEVELANDCOMPOSERS.COM SUNDAY, FEBRUARY 10, 2019 | 3PM EMAIL JAMES WILDING Fairmount Presbyterian Church (free admission) [email protected] 2757 Fairmount Blvd|Cleveland Heights FACEBOOK STEPHEN GRIEBLING CLEVELAND COMPOSERS GUILD SUNDAY, FEBRUARY 17, 2019 | 3PM TWITTER | INSTAGRAM Steinway Piano Gallery (tickets req’d) ERIC CHARNOFSKY @CLECOMPOSERS 334 E. Hines Hill Rd|Boston Heights #CLECOMPOSERS Works by Guild members for flute, oboe, horn, cello, and piano LARRY BAKER #CLENEWMUSIC WWW.CMSOHIO.ORG CREATIVITY: LEARNING THROUGH EXPERIENCE XXVII STEPHEN STANZIANO SUNDAY, MAY 5, 2019 | 3PM The Music Settlement (free admission) NICHOLAS PUIN 11125 Magnolia Dr|University Circle Young music students perform pieces written specially for them by Guild members. SEBASTIAN BIRCH 2018-2019 SEASON Watch CLEVELANDCOMPOSERS.COM for news about upcoming performances and collaborations. Acknowledgements OCTOBER 7, 2018 \ 3:00PM Many thanks to the Bascom Little Fund for its continuing support of these concerts. Please listen to Innovations! on WCLV 104.9FM with host Mark Satola, featuring music by Northeast DRINKO RECITAL HALL Ohio composers, Sunday evenings at 9:00. Supported by the Bascom Little Fund. These concerts are also made possible in part by support from The Cleveland Foundation. -
Beethoven with Violinist Tessa Lark (May 20) by Daniel Hathaway
CityMusic: all Beethoven with violinist Tessa Lark (May 20) by Daniel Hathaway Surely it was just a coincidence that CityMusic Cleveland’s final series of concerts mostly duplicated works The Cleveland Orchestra had played the week before in the third concert of its all-Beethoven Prometheus Project at Severance Hall. The unique piece on CityMusic’s program was the Violin Concerto, which received a glowing performance by Tessa Lark and the ensemble on Sunday afternoon, May 20 in St. Noel Church in Willoughby. Music director Avner Dorman opened the program with the gloomy Coriolan Overture, a piece whose dramatic rests are nearly as important as its notes. Dorman kept the tension flowing between the opening chords, assisted by the lively acoustic of the modern building. A lyrical melody only temporarily brings sunlight into the piece, which ends with portentous pizzicatos. Though not the most challenging of Beethoven’s orchestral works, CityMusic embellished the overture with a patina of professionalism. A program change moved the Eighth Symphony to the center of the concert. A compact, witty piece, the work is laced with subtle Beethovenian humor and self-parody, including a scherzo-like second movement suggested (or maybe not) by Maelzel’s ticky-tocky metronome, a backward-looking minuet with an elaborate trio featuring solo clarinet plus cello and two horns (ending dangerously on a high F for the clarinet), and a wild finale that veers off into unrelated keys and almost refuses to end, inspiring one of the composer’s longest and funniest codas. Everything in CityMusic’s performance was tidily in place, but Dorman seemed content to lead a straightforward reading that passed up numerous opportunities to bring out the symphony’s special moments. -
New Jersey Symphony Orchestra Presents Mozart's Requiem
New Jersey Symphony Orchestra Press Contact: Victoria McCabe, NJSO Senior Manager of Public Relations & Communications 973.735.1715 | [email protected] www.njsymphony.org/pressroom FOR IMMEDIATE RELEASE New Jersey Symphony Orchestra presents Mozart’s Requiem Music Director Xian Zhang conducts Mozart masterwork Montclair State University Singers take center stage for pair of a cappella works NJSO Accents include #ChoraleYou, food drive Thu, Mar 15, at NJPAC in Newark Fri, Mar 16, at Richardson Auditorium in Princeton Sat, Mar 17, at NJPAC in Newark Sun, Mar 18, at Mayo Performing Arts Center in Morristown NEWARK, NJ—The New Jersey Symphony Orchestra and Music Director Xian Zhang present Mozart’s Requiem, March 15–18 in Newark, Princeton and Morristown. A trio of vocal pieces, including a pair of a cappella works performed by the Montclair State University Singers, open the program. Performances take place on Thursday, March 15, at 1:30 pm and Saturday, March 17, at 8 pm at the New Jersey Performing Arts Center in Newark; Friday, March 16, at 8 pm at the Richardson Auditorium in Princeton; and Sunday, March 18, at 3 pm at Mayo Performing Arts Center in Morristown. Continuing a multiyear partnership with the Curtis Institute of Music to present its finest student musicians, the NJSO welcomes a quartet of vocal soloists from the Institute—soprano Emily Pogorelc, mezzo-soprano Kendra Broom, tenor Roy Hage and baritone Doğukan Kuran—for Mozart’s masterwork. The program opens with Mozart’s Ave verum corpus, followed by Joseph Rheinberger’s Abendlied and Ben Parry’s Flame—two a cappella works showcasing the Montclair State University Singers under the direction of Heather J. -
The Music of Randall Thompson a Documented
THE MUSIC OF RANDALL THOMPSON (1899-1984) A DOCUMENTED CATALOGUE By Carl B. Schmidt Elizabeth K. Schmidt In memory of RANDALL THOMPSON ' for VARNEY THOMPSON ELLIOTT (†) CLINTON ELLIOTT III EDWARD SAMUEL WHITNEY THOMPSON (†) ROSEMARY THOMPSON (†) RANDALL THOMPSON JR. HAROLD C. SCHMIDT (†) and for E. C. SCHIRMER MUSIC COMPANY a division of ECS Publishing Group © 2014 by E. C. Schirmer Music Company, Inc., a division of ECS Publishing 1727 Larkin Williams Road, Fenton, MO 63026-2024 All rights reserved. Published 2014 Printed in the United States of America ISBN 978-0-911318-02-9 Library of Congress Cataloging-in-Publication Data Schmidt, Carl B. The music of Randall Thompson (1899-1984) : a documented catalogue / by Carl B. Schmidt [and] Elizabeth K. Schmidt. pages cm Includes bibliographical references and index. ISBN 978-0-911318-02-9 1. Thompson, Randall, 1899-1984--Bibliography. I. Schmidt, Elizabeth K. II. Title. ML134.T42S36 2015 016.78092--dc23 2014044640 Since I first went to Rome in 1922, Italian culture, the Italian people and the Italian language have been the strongest single influence on my intellectual and artistic development as a person and as a composer. So true is this that I cannot imagine what my life would be without all the bonds that bind me in loyalty and devotion to Italy and to my Italian friends. 13 June 1959 letter from Thompson to Alfredo Trinchieri Thompson always makes you think there is nothing as beautiful, as rich, or as varied as the sounds of the human voice. Alfred Frankenstein, San Francisco Chronicle (24 May 1958) It is one of the lovely pieces our country has produced, that any country, indeed, has produced in our century. -
DECEMBER, 2007 the Brick Presbyterian Church New York City
THE DIAPASON DECEMBER, 2007 The Brick Presbyterian Church New York City Cover feature on pages 30–32 Dec 07 Cover.indd 1 11/8/07 8:39:21 AM a total cleaning and releathering. Given siderably smaller than the Trinity organ the prices that have been bandied about (about 100 ranks). St. John the Divine THE DIAPASON for the “temporary” instrument, it prob- (another historic Aeolian-Skinner from A Scranton Gillette Publication ably would have cost the same or less to the 1950s, 150 ranks) is being rebuilt for Ninety-eighth Year: No. 12, Whole No. 1177 DECEMBER, 2007 restore this legendary organ with up-to- about $5 million after the disastrous gift date retrofi tting and new consoles in the shop fi re. Established in 1909 ISSN 0012-2378 Skinner tradition. My advice would be to store the his- An International Monthly Devoted to the Organ, 5) Dr. Burdick will not be at Trin- toric Aeolian-Skinner intact for many the Harpsichord, Carillon, and Church Music ity forever. Given the prestige of Trin- years, with the intention of reinstalling it ity Wall Street, when a replacement is at a later date with upgrades. It would be hired, I am sure the new director of a shame to sell it piecemeal, as the organ music will want a real pipe organ to had its own integrity and worked as an CONTENTS Editor & Publisher JEROME BUTERA [email protected] replace the current digital organ. New integrated musical unit. 847/391-1045 pipe instruments (even with some digi- I have worked with many organ com- FEATURES tal voices because of space or budgetary panies in sales, construction and consult- In celebration of the 100th birthday, concerns) are being installed around the ing for the last 35 years. -
Website Bio Goldstein
Alon Goldstein Artistic Director and featured performer at the Abby Bach Festival 2019 Alon Goldstein is one of the most original and sensitive pianists of his generation, admired for his musical intelligence, dynamic personality, artistic vision and innovative programming. He has played with the Philadelphia orchestra, the Chicago Symphony, the San Francisco, Baltimore, St. Louis, Dallas, Houston, Toronto and Vancouver symphonies, as well as the Israel Philharmonic, London Philharmonic, Los Angeles and Radio France Orchestra. He played under the baton of such conductors as Zubin Mehta, Herbert Blomstedt, Vladimir Jurowski, Rafael Frübeck de Burgos, Peter Oundjian, Yoel Levi, Yoav Talmi, Leon Fleisher and others. His 2018-19 season includes appearances with the Kansas City, Ann Arbor, Illinois, Spokane, Bangor, Augusta, and Pensacola Symphony Orchestras, as well as a performance of Beethoven’s Emperor Concerto on fortepiano with Mercury Houston. He will play in Mexico with the Xalapa Symphony Bernstein’s "Age of Anxiety” to celebrate the composer’s centennial, and perform the New Year’s concert with the Beijing symphony in China. He will also perform recitals and chamber music, including tours with the Goldstein-Peled-Fiterstein Trio, the Tempest Trio, and the Fine Arts Quartet at the Mendelssohn International festival in Hamburg Germany, as well as in Cleveland, Washington D.C., New York, Burlington, Key West, Sarasota, Melbourne, Duluth, and other cities. This season will also include a CD release of Mozart Piano Concerti Nos. 23 and 24 with the Fine Arts Quartet (a follow-up to their critically acclaimed recording of Nos. 20 and 21) and Scarlatti Piano Sonatas on the Naxos label.