THE DIAPASON AN INTERNATIONAL MONTHLY DEVOTED TO THE ORGAN, THE HARPSICHORD AND CHURCH MUSIC

Sixty.Sixth Year, No.5 - Whole No. 785 APRIL, 1975

Historic Marklove Organ Cited by OoHoSo

In a special program January 21, 1975, thus recognized will be the subJect of a Saint Mark's Episcopal Church of Candor. comprehensive article describing It with full New Yorle, was the recipient of a citation technical details and with biographical recognizing its hi~Ofic orgon built in 1867 material about its builder to be published by John Markleve of Utica, New York. the in the Organ Historical Society magazine, citation was the first to be awarded by The Trcu:ker. the Historic Organs Commitlee of the Or­ The Marklove organ in Saint Mark's was gon Historical Society. Committee chairman, originally built for Trinity Church In Elmira, George Bouman. Jr., made the presenta­ New Yo,Ie, and was moved to Candor in tion, 1922. Except for some trimming of the sides the program was opened with welcoming of the case made necessary by the size of remarks by the Reverend Culver l. tIiowers, the opening. the organ remains essentially pastor of Saint Mark's. after which organ· in its original condition. It possesses are· builder A. Richard Strauss of Ithaca, New marktlbly rich, eliciting tone, with dis­ YOlk, goYe a demonstration of the fooal tingUished voicing throughout, and is a features of the argon iIIvstrated by 0 col· fine memorial to John Marklove's skill as ledion of representative pipes on view for an orgonbuilder. It is by far the largest rhe audience. Following each sedion of his of same 30 surviving Morklove instruments. eJCplanatlons Donald R. M. Paterson, unlver' sity organist of Cornell University improvised GREAT (C. .... ) on the stops iust discussed. After presenta. Op~n Diaposon B' sa pipes tion of the citation plaque by Mr. Bozeman, Stopped Diapason Ball B' 12 pipes Melodia TC B' 046 pipes the Organ Histrical Society tape-slide pro­ Viol de Gamba TC 8' 46 pipes gram was presented, illustrating in sight Octave 4' 58 pipes and sound the history of Amerkan organ· Boehm Flute te 4' 4' pipes building. A capacity crowd lOng thr" hymns Nazerd l' sa pip~s to Professor Pa~er$On's spirited accompani· Super Dcteve 2' 58 pipes ment. Sesquieitera III 1.1/S' 170f pipe. The purpose of the Organ Historical Trumpet 8' 58 pipes Clarinet TC 8' of6 pipal Society citations is to recognize American SWELL (Coil"·) organs of unusual hislorkol significance and Bourdon Te 1&' '" pipes to ellCouroge appreciation, proper core, Open Diaposon Te a' -46 pipes and preservation of such organs. An ini­ Stopped Diapason Ball 8' 12 pipes tial roster of 19 organs, located in all ports Stopped Diapason treble B' 46 pipes of the United States, has been selected for Dulciana te B' 46 pipes Princip.1 4' 58 pi~s the first .series of awards, and eoch organ Cornet TC 2 2/3' 1)8 pipes Hautbois lC 8' 46 pipes Clarion 4' 58 pipes

PEDAL (Ce) Double Open Diapason 16' 29 pipes Left: Console af the 1867 MOfklove Ofgan Bourdon I"~ 29 pipes 01 CCHMlor, N.Y. Phota by C. L Mowefs, Principal 8' 29 pipes

The internationally known competition has Bruce Bengtson Wins been a part of the Music Series of First Presbyterian Church In Foci Wayne for the past 16 years and is partially underwritten by a grant from the Fint Presbyterian Church Fort Wayne Competition foundation. Members of the music staff In­ clude lloyd Pinkerton. minister of mu sic; Jack Ruh l. organist; and Paul Cochran. in· te rim orgon1.t. The Rev. George R. Malher 8ruce A. Bengt!WJn, 21 . a notive of Salem. College in Peter, Minnesota uncler St. David Is senior pallor of the church. Oregon. was named winner of the Sixteenth Fienen; James Higdon, a doctor of musical Notional Organ Playing Competition in the arts student at Eastman School of Music finals held March ht at First Presbyterian under Dovld Craighead; James Jones of Ann Church, Fort Wayne, Indiana. Mr. Bengtson Arbor, Michigan, working towards a master competed ogolnst soYen others in the finals, ot music degree in argon under Robert wMch hod been redlJCed from on original Glasgow; Joan Rollins, a teaching assistant field of 60 conlellonls. He was awarded working towards a malter's degree in organ a cash prize of $500 and will give a recital at Wichita Slate University. Kan~s, under Below: Conte.tont. (Front row) Jame. Hig. Above: Judge. kim Kosllng, Roberta Gory, at First Presbyterian Church in Fort Wayne Robert Town; Dnd Martha Stiehl, a student cion, John Hook.r, Thomo. Froelich, Robert ond Garth Peacock. on May 6 os on~ of the artish in the Church of Wolfgang Riibsam at Northwestern Uni· Churchill; (bade row) Jame. Jones, Joan Music Series. Mr. Bengtson is presently Q venity. Rallifts. 8ntce augtsoR (winner), CIIn" musk $ludent at Southern Methodiu Univer­ Judging the conlest finals were Roberto Mortho Stl.hl. sity in Oollos. Texas, studying towards a Gary. professor of organ and head of the bachelor of music degree In organ under keyboard divj, ion at the College-Conserva­ Robert Andenon. His early organ study was tory of Music, University of Cincinnati; Kim with William Fawk of Solem. A senior at Kasling, auociate professor of music and SMU. he is alsa organist and choir director university organist at Weslern Michigan Uni· of Oak Cliff lutheron Church in Dallas. In versity. Kalamazoo. Mkhigan; and Garth recent years Bengtson has concertized ex· Peacock ,auociate professor of music 01 the tenslvely in capital cities in North America Conservatory of Mvslc, Oberlin College, and Europe. Ohio. Runner-up In the competition was John The contestants WIIre chosen from entries Hooker of ChaHanoogo, tenneuee. Mr. covering 30 states and Canada. Each con­ Hooker was 0 finalist in the same competi­ teslant was required to perform a composi­ tion in 1973. third place wa~ awarded to tion of the Baroque or pre·Baroque ero, a Thomas Froelich of Appleton, Wisconsin, composition from the Romantic era. and a currently a leaching assbtont in the organ work by a contempOrary composer. Bengt. department of Northwesteln Univenlfy. son's winning se~ions were the Vivace whele he studies wllh WoHgang Rvbsam. from Trio Sanola No.2 by Bach; the Fugue Other f i na ~ sls in the competition Induded from the Choralphanlasle No.3, "Hallelujah, Robert Churchill of Huron. South Dakota, Gatt" by Reger; and "Drap, Drop Slow currently a student of Gustavus Adolphus Teors" by Persichelfi. A Checklist of THE DIAPASON EsttJblished in 1909

Summer Activities An International Monthly DnJOted to the Or,an, the Harpsichord and Chureh Mwie

Summer Danc. Fe.tiyal National festival APRIL. 1975 fclltor North Texos Stote University Hymn Society of America ROBERT SCHUNEMAN Denton, T.xos Wittenberg University June 2-20 Springfield, Ohio FEAl'1IRES au';" ... Manoge, May 2'" 50ma hrlonacm.c» PraeUH DOROtHY RORR "Music Dnd Donce at the Court of louis Sugg.. Uous lor Iba Orqcm WorD 01 Geocy Mutfa' A,,'''an' XIV" is the title of a summer festi val to For the first time in its 5Q..year existence Etlllor (I.53-17G4'1 Pl. 1 WESlEY vas be held at the North Texas Stote University the Hymn Society of America will hold its br Georve Dazap ... in Denton under th,,' direction of Michael annual meeting outside the New York aly Contributing EtIIton Collins and Wendy Hilton. Th. various ac­ a rea. Pastors, choir directors, organists, loy REVIEWS LARRY PALM.. tivities planned will be of inter.,t to both leoders in worship. leac:hers, students, semi. Harpllc"fH'rI musklons and dancen. Claues will be of. narlans and people who loVe hymns regard­ H.w Dt9aa Muale 2 fered doily in the technique and style of less of denominalional bod:gro und or. in­ VICTotl W.... court dancing during Ihe reign of Louis XIV. vi ted 10 the fest ival to held at the be NEWS Chorol Mu. In addition, there will be lectures cnd work­ Springfield campus of Wittenberg University. Historic Ma:r1d0ft Orgcm shops in the history of donee types Dnd their Hymn sings, ledures, seminars, organ re· Cited hr CAS. " artltulation in music for Instruments, key· citals, concerts, massed choirs. display of Bruc:tt BeDvt-u WiDlI Fort Wcrr». CompetlUDIl "rlca.: board. and voice. in interpretation and im­ ra re hymnals, a rt axhibits. displays from I y,.-$7.50 provisation of French Baroque ornamenta­ publishers, and much more wi ll be offered A Ch.cldbt of Summer Aetlritl.. 2 Hare & neN 2 ",• .-$J3.oo tion, and in lhe reolizoliQ n 01 continuo in 01 the festival. Or. Erik Routley will be the •• • the franch style. A series of evening events kaynete speaker, and olher leaders will in­ Appolntmea", Competltl-... • s.."r. Copy-$I.OO will include lectures Dnd films on paintings clude Jon Bender. Eugene Brand, Theodore Retl,.meu" Badr NllmlHr-$J.15 Nunc Dlmlttb • and arch it eduu~, drama. and the aesthetic DeLoney, J. Vincent Higginson, Paul Manz, • 1m.,. ,ltan 2 old' philosophy of the era of Louis XIV. and Frederick Reiss, James A. Rogers, Stanley Manaqemeuls 8. 11, 13 "n. concerts of yocal. harpsichord. and argon Yoder, Groce Brame, V. Earle Copes, Wilbur Harpsichord Hew. 12·13 music of the perioo. Held, Frederick Jockisch, Ellen Jane Porter, Dr. Mk hoel Collins is a spedalist in the William Reynolds, and Bli ll Wianl. NEW ORGANS I, ID, 14-15, 1.. 17 performance proctices of Baroque music and Subjeds for lectures and discussions will CALEHDAll II-II THE DlAPilSON he has lectured and pUblished Widely on include "John Wesley, Where Are You Now ORGAN RECITAL PROGRAMS 20.21 434 South Wnb4J/1 Avenue, such aspects of French music as arnamenta· Thai We Need You?" , "The Persiste nce of CLASSlnED ADVERTISEMENTS 22.23 Cllico,o, 111. 60605. Phon. (512) .27·31.9 tion. nates in' gales. oyer-dotting, and the the Primitive in America n Hymnody," " States Seeond·elllSS postage paid lit articlil loti:m of dance rhythms in music of of Consciousness in Hymns," "Sha ped Notes Chim,o, Ill., and a' addilioMI the Baroque period . in Early American Hymnody," "Contemp­ mailing olllee. Wendy Hilton has been oc.claimed for her orary Hymns in Today's Worship," and performance of French Baroque court donces probJems of creating new hymns (with hymn fUlled monthl,. throughout the U.S•• Canada, and England. writers and composers on the panel). The She teaches at the Juilliard School and at festival will also feature a great festival of The D,ap41on Ollice 01 Publication, Douglas College, and she has choreographed hymns with Paul Monz. AU rublcriben .... urged 10 _ 434 South Wab4Jh AVerllle, dances for sueh productions as Marco Gag­ For information: Dr. L David Miller, Pre5-­ cbangoo of addral prompdy 10 lb. Chicago, 111. 60605. liano's opera "La Dafne" for the New ident, Ohio Chapter Hymn Society of Ameri­ office of The DlDpuon. Cbaoges YOf"k Pro MuUc:o. ca, School of Music. Willenbarg Unl versHy, must reach US before the lOth 0( the Charles S. Brown, associate profel.S()( at Springfield, OH 45501. moolb preadiac \he clale of lb. Routine items lor publicaUon mwt be North Texas, will teach the conllnua course received not icier than the 10th 01 the and offer an eVening redial of harpsichord lint laue Co be malJcd &0 the new address. The Diapak,n cannot pro. month to assure insertion in the wue music. Norma Sleyli ngson will present a lor the next month. For redial pro­ recital of French Baroque argon music_ Ms_ Summer Study Program in \'ide dupUcale copies mhoed because Keyboard OrganaJagy and Literature grams and advertising eopy, the dos­ Stevling$On recently received the DMA d .... of a tublcriber's failure &0 notify. in Germany ing dale is 'he 5th. Materials lor re- 9ree at North Texas State University. view should reach the olliee Iry the 1st. Further information: Prof. Michael Gel· July l ·Aug. 15 Hm, School of Music. North Texas Stole University. Denton. Texas 76203. The State University College a t Brockport will run a complete summer session In Ger· many (in two sessions) in the study of key· board instruments and their literature. Ma_ Summer Academy far Orga"ilis jor emphasis will be placed upon the clavi· F. J . Haydn (3fT. Wyatt Insko), Tlllelue High Sct-ool Organ Camp Haarlem, Th. Netherlands Cassatioll P;uel (Cray/ Belwin, $2.50) chord, harpsichord, the many types of early July 6-26 Univeriity of lllinal. piana, and the early organ. The Inlh u­ SHelll, bUI tuneful, pieces in trio lex­ Urbana, I'tinoH. menls, a, a whoJe, $pOn a period of a bout lUre. July 13.25 The 21 st summer acadftmy is open to 350 yea rs, from a boul 1500 to 1850. Stu­ organists who have fi nished advonced stud-­ dents may enroll for ono or both of the Franchi Jackson, Scmntn GiocOln. (Ox­ Illinois Summer Yaulh Music. a program iet and wont to specialite on specific sub­ two sellions and may earn from thr&e to ford, $8.75) . Commissioned for the of the Offjce of Continuing Education and jects_ Teachers this year are Kenneth Gilbert six semester hours credit. The progra m is Builders' Fcsth'!ll in York Minster in Public Service in Music of the University of (harpsichord), Hans HOWlI b&k (I mprovise. II nder the direclian of Dr_ Oowell Multer of J\pril, 19i2. this occasional piece would illinois, announces the filth annual camp tion). Anton Hei/ler {J. S. Boch), Werner the deportment of music at Brockport. bcnerit frol11 being reduced to some· for hlgh Khool "udents. It Is open 10 all Jacob (Mox Reger, notw argon music), Don­ Tke fi nt session (Jury 1·22) will be held what less th ::t n its p resent 18 minute juntor and Mnlar high school students I~ iel Roth ff renc.h Roman'idsml, and Luigi length. with residency in Stuttga rt, a nd will include terested in the pipe organ and desiring an Ferdinanda Tagliavinl raid Spanbh and studies at the famous keyboard instrument opportunity to develop or expand a knowl­ Ita lia n argon musicl. This year the course Tomas Marco, ASlrolabio (Editions Sa· edge of the Instrument. Students at all calloction at the Landesgewerbe Museum. on Max Reger ond new organ music wi ll The second session (July 25-Aug. IS) will labert. 11 0 price listed) . An improvisa­ levels are invited to apply_ Professors Paul be expanded with a 2.day course on elec­ lory, aleatoric piece designed to show Pe"inga and Jerald Hamilton of Ihe Uni· incl ude study a nd Iravel at the famous key· tronics in relation to the organ_ For further board instru ment collections in West Berli n, off a la rge II C\\' organ in Darcelon!l . versify will SIIrve as advisors 10 the camp, information write; Stichting InternollonDOI Bonn, Frankfurt, Nuremberg, Stuttga rt, and with Andrew SoIl serving os head moster. Ot-gelconcoors. Townhall. Hoorlem, The Munkh_ Jean J OSt.'p h Mourel (a rr. Ela ine C_ In addition to individual and group Instrue· Netherlarm. Studenls who would Ji ke to participale in Gardncr) • Sill/D llies de Fa"lares for or· tion in organ playing, daily closses will be such a session, a nd those who would desire gan and optional trumpet (Gray/ Ucl­ given in music theory, organ literature, and Will , $2'()0) . T rumpet part is incl uded. more information should write Or. Dowe ll organ construction and design. Further in­ Those who watch public TV's " Master­ formation ond applications can be obtained Multer, Department of Music, State Unlver· piece Theatre" will recognize Mo nrcl's sity College at Brockport. Brockport. N.Y. by writing Illinois Summer Youlh Music, Rondeau as the theme mlbic • University of illinois, 608 South Mathews. 14420; or phone Or. Multer at (71 6) 395· 2332 or (7 161 637-3604. New Organ Music Urlxlna, lItinob 61801. J l'an I'asquet. comp. T welve Sendee (m el 101111(.'5 Bocringcr, cd. Christmas M,u;c Recital Piect!J lor Org,,,, (l'Iammer. lor Solo Juslnwltmt fwd Keyboard (Con­ $3.50). We fail to scnsc the rationale G.I.A. Workshops cordia, $5.50. Separate instrumental of this collection, most of which is al­ Internationale" Orgeltagung 197.5 parts, $4 .75) • Compositions and arrange­ ready a\'ailablc in (better) modem C(li· Zurich, Switurland Two workshops for organists, chair dlrec· ments from thirtc.ocn ,..H££e rent composers. lions. July 27.Aug. 2 tOf'S, cantors, song leaders, and instrumenta­ Easy to moderate. lists who lake the matter of music for worship Flor PeelCfs, Arioso for olJoc and organ The 23rd meeting of the GeWl llschaff der seriously will be held In August. The first Marcel Dupre. l'nr;ntiolu Oll "Adelle (Gray/DelWin. $2..!iO) . Oboe part in­ Orgelfreunde (Friends of the Organ) In will be held 01 Lone Mountain College, San Fieleles" (Grny/Bclwin, $2.50) . Rollin chided. Arranged hy Mr. Peeters (rom Germany will be held during the interna­ francisco, California, Aug_ 11 . 15, and the Smith has reconstructed this hnprovisa­ his own Concerto for Organ and }liano. tional argon days in the area surrounding secand at Borromeo College, Wickliffe, Ohio lion froll1 a Skinner Organ Co. Pipe Zurich, Switter/ond. "Switzer/and as Organ (Cleveland), Aug_ IB·22. The stoff for both Organ roll, and his own pcrfonllancc Clifford Vaughan. Semice MUl;e lor Or· Country" will be Ihe theme, and the festivol workshops will include Robert J. Bataslini, or it is available all Rl'pcrloirc Record· gall (Western Intemationitl. $3_00) . A will include visits to many organs, historic workshop director; Richard Proulx; the Rev. ing Societ)' Records, RRS 1/ 2. deccpth·cly bhmd title for a rolk'i:tion and modem, in the city of Zurich. and the Robert H. Oldershaw, specialist in the litur­ of eight ((wei)' picces usillg intricate surrounding areas_ All tours to nearby cities gy; and Daniel G_ Reuning, resident choral Grahalll Ceorge, fl'ed,Uug Music lor harmonics based (lll, among other things, and towns are arranged through bus trans-­ director. Sponsored by the Gregorian Insti­ Orgall &: TrumJItU (Gray/Delwin. $2.00). eleventh and thirtl"Cuth chords. portation, and the 25 or so organs seen tute of America, the workshops are directed A festi\'e a tm05phcre is created, while and heard on the agenda make this the to Roman Catholic musicians, both amoteur amiding the diehL'S orten found in such kobcrt Wetzler, The Hcaveru Declare largest "organ crawl" held annually any­ and professional. but ecumenical participa_ repertory. (Atlgsburg. $1.25). where. If you want to Jeom mote about Swiss tion Is more than wokomed, as Is evi denced organJ, write for further 'nfDlmalion about by the ei:umenical stoff of the workshops. Dadd S. Harris, Tell Hymn Prdrulel S. Drummond Wolff, arr. Suile lor Or­ this festival to Herrn Musikdirektor Jakob Further information may be obtained from i" Trio Style (Gray/lklwiu, $2.50) . Ele­ ~a " /rolll Ille flaUm, IJ4roque (Concord­ Kobelt, Institut fijr Kirchenmusik, Hirschen­ the Gregorian Institute of America, 7404 mentary triu.!! all well-known lunes, with Ia, .$l!..50) , and " em!lia" Suitt: lor Orgall graben 7, BOOI Zurich, Switzerland. So. Mason Avenue, Chicago. IL 60638. an ex:pn."SS pedagogical intent. (Concordia. $2.75) .

2 THE DIAPASON Here & There Appointments

The OHawG Centre of the ReeD learned The Hammond Castle, a registered land­ Robert Page will become heod of the de­ to use Its feef in a new musical endeavor at mark with the Notional Trust for Historic portment of music at Carnegie.Melion Uni­ Its January 25th meeting. Members danced Preservation, has been bought from the Ro­ versity, Pittsburgh, Pennsylvania effective the minu!!t. Accompanied by the Buxtehude man Catholic Archdiocese of Baston. A five­ September 1. 1975, succeeding Sidney Harth. Trio, six doncers from the Classical Bollet member trusteeship headed by Virgil Fox Mr. Page currently teaches at Temple Uni­ Sch':lOl of Ottawa demonstrated the govotte, took possession of the castle and its museum versity where he has been diredor of choral minuet, sarabande and gigue to a large au­ of medieval and classic art on the shore of activities since 1956. Previously he taught dience of mUSICians long accustomed to Gloucester, Massachusetts in February. The at Odessa College and Eastern New Mexico playing Baroque dances without seeing any castle. built between 1925 and 1928 by the University. Mr. Page has been guest can­ "odicn." Harpsichordist and donce re­ late inventor. John Hays Hammond. Jr., In­ dudor for Ihe Philadelphia and Pittsburgh searcher Elizabeth Graham.Smith led Reeo cludes the famous Hammond pipe argon. symphony orchestra, and he Is on the con­ members and visitors in the basic minuet Mr. Fox has token up permanent residence dUding stoff of the Cleveland Orchestra step after a cogent address on the charac­ in the castle and he will dired' an interna­ where he is director of choruses. In 1967 teristics of the donces and the notation of tional school of the concert organ. with con­ Mr. Page won a Grammy award for his their historic movements. comitant library, museum and research facili­ performance of Orff's " Catulll Carmina" In cooperation with the Ottawa Board lies and concert programs. Mr. Fox also plans with the Philadelphia Orchestra. He has of Education Adult Education Division and to add within the next year the former mode over 20 other recordings on the Co­ the eastern Ontario region of the Onlorio Aeolian-Skinner organ from Harvard Unl· lumbia and RCA lobe Is. Mr. Page has twice Choral Foundation. the Ottawa Centre has versity's Appleton Chapel, which he pur­ received Danforth Teachers Study Grants. he Initiated a 12-week course for amateur choral chased two years ago, to Ihe existing Ham­ has received the lindbach Award for Dis­ conducters. The classes are under the direc mond organ, built under Mr. Hammond's tlnguished Teaching. and he has been named tian of Melva Treffl nger Graham. direction over a period of 20 years. outsta nding alumnus of both Abilene Chris­ tian College. where he graduated magna !;um laude, and Indiana University, where he received his masters degree. lost year shallway Foundation has established a The Pocono Bay Singers under the direc­ he was appOinted to the Music Advisory boy singers' clearing house as a free service tion of K. Bernard Schade, sang the first American performance of "Paul Revere," a Comille Thomas has been appointed or­ Committee of the Notional Endowment for to opera and musical show producers re­ work scored for 4'parl boys' chorus, piano, ganist and musk assistant to Jock H. Camp­ the Arts. He is a former president of the quiring boy sololsts_ The foundation conducts and side drum, by Arwel Hughes. The work, bell. minister of music. at First Baplist eastern division of the ACDA. a continuous talent search for good boy commissioned by the Pocono Boy Singers in Church, Morganton, North Carolina. She sopranos and altos to meet the demand for succeeds Mrs. John Whitener in the position. both professional and amateur boy perform­ honor of the American Bicentennial was first heard in performance by the Singers under Ms. Thoma! studied at Mercer University for ers. Parents and teachers of boys under the Schade'S direction on July 27. 1974 at Bre­ two yeors with James Carmichael. She then Frederick J. Merrick has been appointed age of 14 who have exceptionally good can Cathedral in Wales, and the American transferred to Mars Hill College where she assistant conductor of the Pocono Bay Sing­ voices or are good actors are invited to send premiere was at East Stroudsburg State Col­ has studied organ with Oonna Robertson, ers. He holds degrees from Wilkes College names and photos of the boys to the faun· lege in Pennsylvania on March 2, 1975. A and where she has completed the require­ and Syracuse University. He will work with dation. There is no charge for registration subsequent performance of the work by the ments for her degree in performance. She the training choirs and accompany the choir for any services of the foundation. some performers was given at the Kennedy has been organist for Talnall Square Bap­ on tours. The foundation has also prepared a bulle­ Center in Washington, D.C. on March 31 tist Church, Macon, Georgia, and organist­ tin on ''The boychoir School, a learning as port of Pennsylvania Day, sponsored by choirmaster for the Bloomfield United Meth­ Center for Musical Boys" and is offering it the Notional Federation of Music Clubs. odist Church of Macon before assuming her free In rough-draft farm to any choral dl· current position. rectors who are willing to send comments or suggested revisions. The bulletin lists al­ ternative organization structures for a "mu­ The Portland (Oregon) Chapter of the Competitions sic elementary schoo'" such as those now AGO presented a Festival Ecumenical Cele­ existing in Europe, and suggests methods of bration at the First Unitarian Church, Port­ starting either day or residential schools land on Feb. 9. The celebration was planned within American public and prlvote school and directed by Douglas l. Butler. The theme Corredion: In a news Item on page 8 systems. The bulletin is available free from was a modern mixture of music, li turgy, and of the February, 1975 issue. we reported the shollway Foundation, ConnellsVille. Po. dance. The Rev. Rodney Page, associate di­ incorrectly that Jonathon Wright, a student 15425. redor of Ecumenical Ministries of Oregon at the Curtis Institute of Music. hod won gave on address on "Unity and Renewal in first prize in the Yaung Artist's Competition the Church and Wider Community." A mixed held by the Philadelphia Chapter of the adult choir from the choirs of First Uni­ AGO lost November. We are informed by The Americas Baychair Federation will hold tarian and Trinity Episcopal Church with a the Philadelphia Chapter that there was Its annual performing arts camp for boys. separate choir of men and boya from the no first or second prize, but there were in ages 6-15. in three one-week periods from Parish of St. Mark the Evangelist song with foci two winners: Mr. Wright and also July 27 to Aug. 16 at Seton Hall College. brass ensemble. Three dancers interpreted Joseph Kimbel, a freshman student of James Greensburg, Pennsylvania. John B. Shallen­ the first movement of Bach's Brandenburg Baeringer at Susquehanna University. Selins­ berger will be camp director. Department Concerto III. grove, Pennsylvania. Both Mr. Wright and heads will be Francis Delvin of lessines, Mr. Kimbel played a jOint recital for the Belgium (voice). Ph ilip Reder of london, PhiiadelFhia Chapter on March 8th at Saint England tmusic theory). Mario Melodia of Manica's Rrman Catholic Church. Ph iladel· Sewlckly, Po. {dance), and Merle Stutzman Claire Cod will make her second recital J. Thomas Strout has been appointed a phia. of Scottdale, Po. (musical theater). Camp tour to Japan during April. Her first was in port·time instrudor in organ at the Univer­ literature may be obtained from the Ameri­ September and October of 1973. Dr. Coci. sity of Redlands for the Spring semester of cas Boychoir Federation, 1000 South Fourth now on the organ faculty of Hartwick Col· St., Connellsville. Po. 15425. lege, will be performing at the Omori Me­ 1975. He will teach organ during the ab­ gumi Church In Tokyo, at the Kita sendoi sence of Raymond Boese, who is on sabbati­ Deborah Louth, a senior at lutheran West Church in sendai (where she will dedicate cal leave from the university. Dr. Strout is High School in Cleveland, Ohio, and resi­ a new Schuke organ), at the Miyagi Ga­ a graduate of the University of Redlands dent of Rocky River, Ohio, was the winner William Fawk, organ teacher of Salem, kuen School in Sendai. and at the Tomo­ and he received his moster's degree from of a $500 scholarship to Bawling Green Oregon, will conduct organ workshops on gowa Gakuen school. She will also make Eastman School of Music. He received the State University as winner in the UniverSity's methods for teaching the very young In two tsve radio broodcasts and tope for fur­ DMA degree from the University of South­ organ competition. Miss Louth has studied for Germany, France and Italy in May and th l!l r broodcasls. Upon her return to the ern California. A recipient of a Fulbright five years with Mrs. Emerle Vanderheide. June. Mr. Fawk has hod unique succes.s in U.S., Dr. Coci will be making a concert tour scholarship. Dr. Strout studied with Flor Competing with students from Cincinnati, teaching very young people argon (os can to South Amerk a. Peeters in Belgium. and he won the First Toledo, Fostoria, and Solem. Ohio, Miss be witnessed by the success of his former Prize "avec Grand Distinction" at the Royal louth performed Boch's Fantasia in G, student, Bruce Be~gtson. in this year's Fort Conservatory in Belgium. Dr. Strout Is pres­ pieces from the Suite du Deuxieme Tone by Wayne organ playing competition), and lost ently organist at the First United Methodist Clerambault, and the chorale prelude on year he was sponsored in such workshops in Lois Rowell, music cataloger at Ohio State "lobt Gatt den Herrn'" by Walcha. Judges University. is currently preparing a discog. Church, Whittier, California, ond a member Turin, Itoly, and by the Eugene, Oregon of the faculty at Rio Hondo College. for the competiUon were Bowling Green AGO chapter. He will be accompanied to raphy of argon music by American composers College of Musical Arts faculty members Europe by his ll-yeor old organ student, for publkation. Related information and Wolter Boker, Wallace DePue, and Vernon John Millon, who will play recitals in Aus­ notices of recorded performances of Ameri­ Wolcott. tria, Italy, Germany, France. and Sicily. can organ music will be gratefully received, particularly concerning discs unavailable Steven Egler was appointed organist and through commercial recording outl. ts. letters choirmaster at the First Presbyterian Church, may be sent to lois Rowe ll. Music Library, Detroit, Michigan in September of 1974. Mr. • Emmanuel Episcopal Church, Baltimore. Ohio State University. 1899 No. College Rd., Egler is a graduate of the University of Maryland, presented a varied program of Columbus, OH 43210. Michigan, receiving the MMus degree if' music for chorus and organ on March 2 1974, and where he is now working toward Retirements under the direction of MerrUl German and the DMA degree as a student of Robert Glasgow. He also studied at Illinois Wes­ m:mmpanled by Verle larson and soloists. Grace Church, Elmira, New York held a leyan University under lillian Mercherle Mc­ Included on the program were the Magnifi­ small Bach festival on Feb. 23-24. A com­ Cord. Prior to his appointment at First Henry Woodford will retire on May , cat a sei voci from the Vespers of 1610 by plete performance of Bach's St. John Pas­ Church in Detroit, Mr. Egler was organist for after 45 years as organist and choir direc­ Monteverdi, Inscriptions from the Catacombs sion was presented by the church's cantata five years at Rosedale Gardens United tor at the Terryville Congregational Church, by Norman lockwood, Scene lyrique by singers, solois\1 and orchestra under the Presbyterian Church in livonia, Michigan. Terryville. Connecticut. During his tenure in Claude Debussy, the Choralpartita on liEs direction of Robert D. Het,ema. On the ist ein Ros entsprungen" by Hugo Distler, the position, Mr. Woodford organized a following evening, Kent Hill, orga~lst and youth choir, and many of these peopJe are Charles Ives's Psalm 90. and three pieces choirmaster of the church presented on or­ by Brahms. still singing in his adult choirs. Under his gan recital including works by Bach. Wolter Weber has been appointed busi_ direction a great variety of Christmas and ness manager of the Pocono Boy Singers. His Easter cantatas have been presented by academic training has been at Kings Col­ his choirs along with numerous choral con­ Gillian Weir and David Craighead were Gaylord Carter (''The One and Onlyl") lege, Scranlon. Pennsylvania. He has worked certs. The music program at the church wos featured at the Tri-Chapter Conclave spon­ played the ("Mighty") Schlicker pipe organ with opera, theater, and choral groups in developed under his direction to include sored by the los Angeles area AGO chap­ at St. Mark's Episcopal Church. Glendole, the Scranton area, and he Is presently a senior choir, a junior choir. and two bell ters on March 7 and 8. The event Included California on March 27 to accompany Cecil president of the Scranton Choral Club. Prior choirs. His present assistant, Kosha Zurowell, concerts by both featured performers, a B. De Mille's silent film dassie, ''The King to his appointment he was associated with will auume charge of the music program workshop by Ms. Weir, and a banquet. of Kings." the Northeastern National Bonk, Scranton. upan his retirement.

APRIL, 1975 3 Some Performance Practice Suggestions For The Organ Works Of Georg Muffat (1653-1704): Part I

By George Damp

The lIJt!n/Jaris of war and ils causes ate 5·1/ 3' Quint Copula, 2', Zimbel SlOp lists do suggest definite limits for dislant from tne; notes, pages, looeiy of' Superoktav Copula, FIOIe (4') , 1-1/ 3' the seledion of stops at one's disposal mllsical torlt~s gifle tnt: my purpose. Here IV Mixtur Viola, Mixtur (as long as one does not cany too fur 1 am IlnWrig the art 0/ France, Gamml)' 8' Posaune For playing !a,,'as;as (impro\ ising) : the implications of merely seeing - as and Italy. No war is instigated, and An organ constructed for the rear SpltzOote a substitute for allral experience - an iJttrhaps this can lead to a welcome Copula (+4,) , Zimbel organ specification) . Furthennore, Sam­ 1 gallery of the Salzburg Cathedral (by unanimity of IIat;ollS, to ludoved peace. Joseph Christoph Egedacher, 1702-08; Viola, Flute (4') ber's suggestions for regiltration do em­ In these words, Georg Muffat ex­ Muffat's pupil, Johann Samber had be­ For " toccatas": brace a wide variety of possibilities, as presses a moving extra-musical goal for come organist there) had the following Copula, Ok.tav (4') , Zimbel long as we remember that there is his amalgamation of styles in the string specification.' Notice the basic similarity F"II combinatiotlS: presently no proof that Murfat would suites. Florilcgimn 1 ( 1695) . His organ of design to the preceding instrument Principals (Le., excluding the Viola. have endorsed them. works. the ~111fJaratus mlls;co.organ;sti­ - large principal manual, smaller sec­ Copula, and Flotc 4') Muf[at left us no suggestions for the ellS (1690) . contain a similar synthesis ondary manual, no manual reeds, and Pedal combinations: actual usc of the organ. He did indicate, of national styles,l and present a fasci­ a small but substantial pedal division: Subbass (16') may be used alone with however, in an entirely different con­ nating and rewarding Challenge to the I the Viola (in the manuals) text, a special concern for coherence and present day organist. The complete S' Praestant For continuo passages (figured bass) continuity in multi·movement structures. A/Jpnrallts consists of 12 toccatas, a brief S' HolzprinzipaI one may usc the POS3une [sic.] Speaking about the perfonnance of his chaconnc (G Major). an especially £inc S' Copula Fun pedal for full combinations in concerti grossi o[ the AlIserlt!Sene 1n­ stnlmenlal·Mwih Pas.'I3caglia in G Minor (reminiscent of S' Quintadena the manuals (1701), he said: the French Chnconne en Ror,denll) and 4' Okta\, Samber also includes sporadic com· Inasmuch III the force and chann of tllCSI! the Norm Cyclopeins Harmonica! 4' Nachthom For those tlufamilar with Murrat's or­ ments about individual stops. For ex­ compositiolll largel, depenm on the connec­ 4' Flute ample: lion beween luttl!!lSive movemenb, lpecial gan works. it is important to assert that 2-2/3' Quint care: is to be talr.en that, after a sonata, air, each of his 15 compositions for this in­ 2' Superoktav Prirlcipal ••. also called Regula pri. or interpolated Grave. no noticCible wait O&' stnnllent is a unique and separate or­ VI Mixtur "",ria or FJ"01Jlispicillm. and is made silenee, above all no annoying tuning of the ganism and is by no means a mechani­ violins. Ihould interrupt the continuOUI or­ ]V Zimbcl of good tin / in large organs, also cal fuUiUment of a stereotyped formal der; on the contrary, •.• it is eatneltl, IV Horn (Comet) called Praestant, it sounds well whether rc:qUl!!lted that the listeners be maintained in design. Furthennore, although Muffat's alone I or also with other stops.t1 toccatas are usually a series of short II continuous attention hum besinnins to end sections of contrasUng tempo and tex­ 8' SaHzional Co/nda, Cope' ••• a stopped rank made ." 8' Viola of wood / may be used to accompany ture, it is rarely possible either to im­ u agine the sections in any other order or 4' Oktav one or two voices. The applimtion of such an attitude 1';ola ••• very lovely by itself / the 10 omit any one of the sections. Because 4' Rohr[Jutc to organ registration implies a definite of this interdependence of sections, it 2-2/8' Quint pipes are pointed at the top and wide streamlining of, and concern for, realis· 2' Waldflute below / may be used to accompany tic stop combinations. Even though is interesting to speculate whether Fres­ u cobaldi's casualness still applies to Muf­ PEDAL one or two voices. many variations of individual taste are 32' ]Ilfrabass possible on an organ such as that which fat in 1690: "In the Toccatas, I have The description of one other stop by tried not only to prm'ide plenty of di­ 16' Bourdon (prnspckt) Muffat played. there are stylistic bound­ S' Prinzipal Samber and ron finned by Peter Wil· aries. Some of the temptatiolls to avoid. \ isions and expressive variations, but Iiams contradicts 'Valter's translation also to arrange the different sections so 4' Oktav as supported by the above facts, arc: VIII Mixtur in the specification of the Passau Cathe­ they call be performed separately from dral organ of 168S. Walter claims that one another, in such a way that the per­ I) The bunding .. up of effects of any Another instrument, which Muffat the 16' Portun in the pedal is the kind for their own sake, e.g., fonner, without being compelled to per­ equivalent of a Bourdon (i.e., a stopped, form them complete, can stop where\'er may even have played in his travels to a) sudden, dramatic changes of Vienna Uohannes Woeckerl. 1642; Vi­ probably wooden, rank). The "Portu­ stops; he prefers,'" The present writer would nen" for Samber was a 16' open stop of assert that the casualness ad\'ocated by enna, Franziskanerkirche):7 b) use of "full organ" to support tin.u Samber also says "Portunen Oder climaxes; especially on 19th and Frcscobaldi, if applied to Muffat, would [or] Dulcian." William's entry [or "Dul­ frequently result in a rupture of fonnal I 20th·century organs; 8' Prinzipal cian," in his superb glossary of stop­ c) use of the swell or "crescendo" unity and b;l1ance_ The age·old question names, is: of unitY-\'ariety must be posed lD rela· 8' Gedackt pedal; tion to Muffat's organ works and an­ 8' Quintadena DULClAN. DULCIANA ••• Properly, sen.. 2} Pedal doubling in places other than swered by each perfonner. There should ·1' Okta\' tie nue 1I0ps or indetenninate pipe-form those indicated (or implied) 1. by be as many different responses as there 4' Gedackt found north of a line Venice-Brussels, espe­ Muf[at; 2-2/8' Quint dally in the 18th ~ lI t.; ••• Samber (1707): 3) "Soloing out" individual lines for are performers ] t is in this spirit of in­ • • . tin "Prinzipal," perhaps in the Case.U dividual awareness and spontaneity that 2' Superoktav greater prominence; the following thoughts are offered, V] l\.lixtur Considering that many south-German 4) The use of prominent reed stops in II organs of Muffat"s day did possess inde­ the manuals; REGISTRATION 8' Copula pendent pedal divisions, it might ap­ 5) Extensive stop changes within sec­ -I' Prinzipal pear surprising that Muffat used the tions. Rudolf Walter provides us with the -I' Spitzflule pedal so rarely, and usually for sustain­ actual specification of an instrument at 2' Oktav ing long bass pitches. ]t must be reo On the positive side, one should be which Mu££at presided from 1690-95.' }' Oktav mem bered, howt \'er, that the typical encouraged, especially by Samber's suJ;­ The instnllnent was completed ip 16SS ]11 Mixtur pedal compass of the instrumen15 he gestions, to experiment with creative by l.eopold Freundt, resident Passau ManualkoppeI would have known was extremely re­ registrations appropriate to specific tex­ organ buHder, for the Passau Cathedral. Pedal stricted (rarely more than an octave and tures. Fugues, for example, might be Although Murrat may not ha\'e com­ 16' Offen bass a half, and often Jess). played with either soft principal com­ posed his ApparatllS while ncar this in­ 8' Prinzipal Muffat docs indicate the use of the binations, transparent regtstrations (e.g., stnllnent, nor did he share in the de· 4' Oktav pedal in his original edition (which 8' &: 2'; 8', 4' &: 1'; etc.), or, if not too signing of it, the o\'erall layout of the 2-2/ !I' Quint "'alter follows in the 1957 edition). assertive, larger combinations of prin­ instrument is typical for southern Ger­ IV Mixtur Mu[fat's imtructions TCld as follows: cipals through mixtures. Quiet sections many and Austria during the late 17th 8' Trompete "the letters P.M. mean that one may may be played on appropriate individ­ century: Pedalkoppel double the manuals in the pedal; p.s. ual stops, or 8' and 4' combinations. indicates pedal only; M.s. = manuals I Aside from the obvious inEIuence o[ only:"" In his ]888 edition Samuel de S' Prinzipal Georg Muffat upon his subsequently l.ange observed: RHYTHM: S' Copula illustrious son Gottlieb,' it is probable ACCENT " THE MEASURE 8' Flote that Muffat had some influence upon TIle common fauh to be found among OJ-.. pnisb of Southern countril!!l, that the pecbJ 4' Ok.tav his succeS50r in Salzburg, Johann Bap'­ In addition to considering specific 2-2/ 3' Quint is but little used. is also obsc:tVlllble with Muf­ tist Samber (1654-1717). The only avad· fat. I have added a Pedal part wherever it conventions of rhythmic alteration such 4' Okta\'oopula able eddence of Samber's legacy is a leemed practical to me. When this ,hall be as the notes inegales. I shall endeavor 2' Superoktav treatise on music theory, figured bass, used, the under part in the Manual can to articulate certain general attitudes V] Mixtur and keyboard playing: Manuductio ad natu~ly be Idt ouL If one does not plaT toward rhythm and hierarchy of pulse Trcmulant organum (Salzburg, 1707). The 1704 the small printed Pedal part. one hal the original.17 which are applicable to a re·creation of II section of the treatise contains very lit­ Muffat's compositions. 8' Copula tle specific infonnation about organ In writing about keyboard playing, St. 8' Spitzviolin To "fault" Muffat for not using the playing. The 1707 section is quoted at pedal more extensively was, of course, Lambert urged the following (1702): 4' Prinzipal length by Hans Haselblkk on the mat­ 4' Spitz[Jote absurd. However, de Lange showed a ter of organ registration .. His sugges­ most atypical concern among late ]9th­ Above all observe that which mudcians call 2' Superolaav tions for stop combinations include:1' "measure" - that it, the J'hythm {"_Je",,.} I' Quintadecima century compilers of pcrfonning edi­ of the piece. Thil consisb in treatins aD tions that the original text would even Manualkoppel Jo'm- playing !llglles (in addition to full notes of the urne value with perfect equal­ be decipherable. ily of movement and .11 notes in seneral PEDAL combinations) : with equality of proportion, ror whether one IG' Portun (Bourdon) Copula, 2-2/3', 2' The above evidence concerning regis­ plays it ,Iowl,. one ousht always to play it S' Oktav Copula. Mixtur tration could hardly be called extensive. rhythmicall,. For in this na itl soul and 8' Puner (Pommer) Copula. 2-2/8', 2' Mixtur or even conclusive. Nevertheless, the that which it can do last withouL-

THE DIAPASON ,

£1:. I. Passacaglia, m. 1-8. There 15. no mystery about the care· Willi Apel cites this passage as poten· free, and perhaps even carrless attitude tially dangerous [or a performer who 11 , ~ , t ~ _ L t _t, ~ t" which Frescobaldi and his contemporar. would not understand the proportional ies sharro about consistency of barring. significance of S/ 1. In the original edi­ - In Frescobaldi's own words, "This kind tion, the passage appean as in Ex. a. ~ ~ . I "'!. of playing [i.e., of toccatas). just as In Apel then cites the version given in -"r rr= T t ~ modem madrigal practice. should not Ex. 4 as a clarification of the temporal " -, 'r q stress the beat. Although these madigals relationship between the two sections. , I i'1 'J l ~ I [toccatas] are difficult, they will be In other words, three whole notes in made easier by taking the beat some· the a/ I section equal one whole note of - times slowly, sometimes qUickly, or even the preceding section. "1 , I . , , 1 pausing, depending on the expression r or sense o[ the words.'otS (Examples 3, 4) In keyboard tablature of rarHer times, and even into the 17th century, the Walter has adapted these 1690 ves­ -l1iW: bar-line had bttn more a \'isual aid for tiges of mcnsural notation to confoml lining up the parts than a symbol of to modern day practice. Although these beat, let alone, accent. Although Frcs­ adaptations are understandable from T IT cobaldi's Secondo libro was ,Printed on the standpoint of a per[onning edition six and eight-Hne staves, vestiges of tab· the scholar-perfomler o[ today should lature remain. The notes of the middle be interested in these manifestations o[ voices, [or example, migrate flcely from a temporal notation in transition [rom ~9ib S' L HE u ~?Mrf:=p9f5I~ one practice to another. H right·hand staff to left-hand starr, ac­ cording to fingering possibilities. Muf­ [at's 1690 edition of the Apparahu uscs TEMPO our modem·day fh'e-1ine staves for both hands; but there is nt vertheless, the As we have previously observcd, Muf. Ex. 2. Pduacaglia. Ill. )·8. same carefree attitude about voice lead· fat uses abundant tempo indications for the various sections of his toccatas; and ~ ing=- and about "regularity" of baiTing . - , RetuTiling to the Murrat Paum:agl;'1 since these tempo indications are not - t- I " ..... ~--- ;:;-,..,. .1 theme: the original edition shows, with arbitrary. but rather correspond to logi­ only one exception among the nve state· c.!.1 changes of texture and stl'le, they ments of the thcme, no bar-liue at all arc indeed to be taken serious y. • ~ Would Frescobaldi's license in this T J .,... between "measures" three and four; and t I in all five statements, thcl·c is no bar­ matter still be applicable?: "The tcmpo 1\ ~f. 1 should be strongly retarded on the ca. QJ . r"T i line between "measures" seven and ~ eight.- Although this [act may not he dences, although wriuen in small note enormously significant, it is further \'alues, and equally. when the conclu­ I I r 1 \;.I 1 proof of the greater il11l}()rlanct.' of na­ sion is near, the passage or cadence • tural phrase accents rather than regular should be played &lower.''ft Curt Sachs bar-lines as determinants of rhythmic answers this question as [ollows: - ... ------~~... ., ....~ stress. The write!" would \'enturc 10 notate It Ihould be understood that Mace'. "bruken his interpretation of an appropritlte ac­ time," Fruberpr'1 Jiscrdio., and particu. Iarly Frcscobaldi', rite.uto cadences were centuation of this Passacaglia theme. conlpletely al variance with Georg Mufial'. u T However, the danger of committing a contradictory prohibition of 1698, only a crime against spontaneity or inventh'e­ few decades laler: "One mUll take care," ness is very real at the precise moment Muffat says, "nol to dwell longer or Iell when one begins to attempt the nota­ un cadenees than the notes imply." Muffa' tion of subtlety. Altllough a scholarly insists. indeed, on maintaining a uniform tempo thruushout a piece. And he also pD. musician would probably not wish hi" lories Ihe abuse of playing a piece incUs­ score to be so cluttered, Ex . 2 includes criminately, the Hnt time slowly. the second the following interpreth'e symbols of time faster, and the third tUne very fuLl- the writer: Ex. 3. Toccala U"decimn. III. 39·45.- Sachs continues by summarizing Muf­ _ ••l1 d flt U "9 of ItrlSS; fat's historical and cultural position on ,,:,\ Q...l1"A.t. ' the maUer of tempo: "' - ...... ~. wi th' lIttl, _ore Intl"l l t1 .- ( _____ , .0'11"9 (---+ ) The adherents of free tempo, Fresc::obaldi and ~- dlrlct1, Into ud.nc.; his pupil Fruberger. belonSftl to the early r~ r ~ -~ rrrrtr Baroque with its subjective, emotional U"emb. ) • br•• th lat r ,pIC');. In their anti-clauiciltic attitudes, they avoid­ J t'I 1 . .~--!!:AD l1li ~ I """". ttn1 Itrltch. Kltar It9n.ture, ed polyphony and concentrated upon the . f.-re . rhapsodic and .lmOlt improvisatory fonn bu-It .. u and / 'I (clrclld In b.1) of the toccata. Muftat, the enemy of yield. u rrllp. nd to thl! lno ditton, ing tll'mpi, on the other hand, represented 1:1 the French-inspired classicism at the end of (Example 2) the century, the lISe of Louis XIV. To him, a well-wrousht, often polyphonic rorm wa& par.ul1ount,Q Ex. 4. 1'UCCtJlIl U,uluima, III. 39·45.- TEMI'ORAL INDICATIONS Also concerning steadiness of tempo. Murrat cxhorts: "One should not be r:\ ,01._J Several \'estiges of the proportional " I "'I ..... to.. .J. --I frightened by the sight of eighth notes - - system of rhythmic notation arc (ound or sixtLocnth notes. nor press ahead when in Muffat's Apparatus. For extll1lple. in -11 '= diminished note values appear. but in· I" -.:.- the opening ohthe Lwelfth toccata, Muf­ stead one should play slowly with'stead­ i ~ rat uses 12/8 in one staff and 4/ 4 in iness and acclllacy.''3t Thus we have J W~ another, and when the 12/8 passa .."cs wnside111ble evidence o[ Murrat's con­ ItlJ • 11 il L ,J dissolve into 4/4, he cancels out the cem for consistent tempi without ex­ 12/8 with 8/12.- There is an especially aggerated alterations, even at Final ca­ ~~~ curious instance of this kind in the dences. .;, I ninth toccata. The final aUcgro section In dt.'SCribing spccificaUy Italian style, (m. 86 If.) begins with a 9/8 symbol in both staves. Yet, in succeeding mt.... s­ Murrat suggt."5ts the follOWing concern­ ures, as the rhythmic colltext shifts from ing contrasts of tt.-mpo: ternary to duple to ternary sub·divisions In directing t ~ lt: me~ure or beat. olle ,hould IIccents. and on no account to be milled Although tllis statement of St. Lam· (i.e., 9/8 vs. 11/4), the 1690 edition for the IIIOSI pari follow Ihe Italians, who bert contains little: of potential contto· into Jiving an accent merdy on the "ac­ shows alternations of 9/i tlud 6/9. cented poIition," of the bar,n are accustomed 10 proceed much more sluw­ veny, nor has there often been a style Viewed in relation to mensural nota­ Iy than we do at the directions AdtJlio, in the history of western music in which tion, these symbols are perfectly logical. GrtJve, Lar,o. elC" so .Iowly sometimes that the rhythmic parameter did not have The theme of Muffat's Passacaglia, even though they make no sense at all one can learcdy wait for them, but, al the some such fundamental imporlance. for example, presents an interesting am­ as metric symbols. directions Alle,ro, Vivace, PreJlo, Pi. prrltu. biguity of bar-lines vs. natural accents: The evolution of the 9/ 6 proportion. and PreJliuimo much more rapidly and in there is a great deal morc beyond the a more lively manner. For by c:xactIy obIerv­ written page we must attempt to dis­ al indication to the 9/ 8 metric symbol (Example I) ins this opposition or rivalry or the .Iow and cover. is presented by Donington with refer­ the fust, the loud and the 10ft , • • die The function of the measure and of ence to John Playford: car is ravished by a ungular astonishment, There are two distinct phrases. both o[ the bar. line. for examplc was not as as tIle eye by the opposidon of lisht and t 011 which begin the second beat o[ the There is another IOrt of Time which is used lhade.- obvious or consistent as the eyes of a measure; and in addition to the fint and 2Oth.century perfonner might assume in btJrrllmenral Mwid., called Nine 10 Jix, fifth measures (in which the two marked thus 9/6, each Bar containing Nine them to be. Donington has expressed phrases begin) •.there is a strong rhyth­ Qllllven or CrolciaelJ, six to be Play'd with Although the otlr.!.n \\'OIks are not as this ambiguity as follows: mic the Foot down, and three up: nlis I al$o consistently Italian in style as the LUll ­ reckon amonpt Triplll.Time. because there certos of the A IUt!'It!se,,e. Murrat did The c::orrec::t ac:c::entuation of Baroque music is is as many more down as up.n ob\'iousl)' attribute importance to cou ~ more dependent on its division into bar-units ) i 1'! trasts of tempi within a multi·movement than that or Renaissance music, where the TIlcsc explanations are siven as pruportions. work. One should rcmember, howe\'er. bar, if it appcan at all, " 01 little or no By the next (13th) edition of 1697, the lig­ tlnd hanllonic elllphasis 011 the secolU..! metrical lignificance; but less dependellt nature 9/6 (as 9 :6 ) has been replaced by that the above pIt'il for contrast was than it • usually thought to be. It is the beat in the second, fourth, sixth, and 9/8 (as nine quavers) in tacit acknowledge­ addressed to late-17th-century perfoml­ natural peaks and ,ttel5CI of the phrase, not eighth measures. Furthermore, the writer ment or the later reckonins by fractions of ers to whom thc concept was relatively the banins, which must govern the posi­ has some doubt about the wisdom 01 the leIJIibreve.1I new, not to 2Oth.century performers who tions of the accented notes. The c::ommonest adding barlines for the sake o[ regularity be too modem fault, against which lOme Baroque might only ready to exaggerate authorities warn UI ,pcciftcally, is to ac:c::ent and consistency in the Passacaglia There is an instance in tlle original his suggestions. mechanically: e,s, at the besinnins of every theme. (Walter has [ollowed this typical edition of the Apparatus where thc pro­ MuUat's organ toccatas present several bar • • • It is of the utmost importance to present-day practice in his 1957 edi­ porti()n 5/1 is indicated for an Adagio instances in which it is possible to de­ aUow each phruc to IUqcst its own natur.'! tion.) ° section [ollowing an Allegro in 4/4. (Continued, page 6)

APRIL, 1975 5 Mutfat 'the readrr is also refened to pp. 73-17 ot Peter Williams' es.aJlent book, Tit. Eu,op,.,. New Organs (Continued /Tom p. ~) Or,.". 100-1850 for further considention of the IOU th·German organ in lenual, and .bo T ABI.E I - T EMPORAL INDICAT IONS IN TOCCATA UNDECIMA for a brief menlion of Samber. H Johann Samber, C,lIItj,.ll.Itlio .tI mlf".d.e. M•• aure Indloat1on Orl- Walter Int_rpra_ t;o",,,,, (Sahbwy, 1'107) . quoted In HaIU HOO· Inte."rj- hoed, O"HJtA.'l i" o~ t_pe glnal tatton) Metric &"u." Ni,J"olJt,,­ t.tlon "ith (VienM: ManutiusJtfCllt, 1912' , pp. !i~ T.. - II1Jobol 56. The writer has taken tm libut, of orpn· poral (1957) b in! the SUlltlUotll inlo ItOUP'_ (S;.mber'. II1Jobol original is r.unbling_ ' 11,0) Ill-b.sdboedc, p. 56 : " Prineipal, wird aueb 1-14 , @rav'!J -alla pulle J'enenet Rqularia primaria, oder ~mntupicium , ¢ J10 und !~machl \'on !Uten Zinn / hat in !fUIlen breYe- OTBeI-Wen:lr.en aucll den Namcn }InCitant, in 15-40 alleini! IUt xu hoe~n 1 und auch im Gebrauch t (AllegroJ J- proS J. preVlous J xu mchrern Slimmen." C Ylous C U lbid., p. 167 : "Copula, Copel ••• dn sededtes Rqister ~- Yom Holtz letnaclat I 10 41-12 Maslo perfect J. proVloua 1 xu einrr odeI' zw~ Vocal-Stinunrn Ir.an Ie­ O~ time, 1m- srauchet werden. II perfect I' lbid., p. 55 t " Die Viola •. • ut cin sehr liebliches Rqister alleill zu hourn . ilt oben prolatlon; xugtlpitz und unlen writ I die Viola xu dn· lJt»-pre- * uder zwey Slimen isl d !UI xu aebraudlen." Jeremy Cooper (Concord, N.H.) and Ylaus IfI 11 Peter Williams, p. 285. Richard Hamar (New Hartford, Conn,) : II Ibid., p. 276. Fint Church of Christ, Congregational, 7)-98 Allegro 4), tlUuft'tl ill Dullill!(tUlI, hl"prdlftiuII, proportions ill rclOltion to tempi renlOlins as related 10 texture, mood unt) sur· Nasat 2-2/3' &1 pipes p. "'Y. Italian P,iadpal 2' &1 pipes valid. One must abo remember that iD DoninJfoft, 11ft. &it .. rounding sections. Ten. 1·1/5' 47 pipes time worm such as adagio and allegro :. The Uleasure aumben rel~r t(l Wahet' Gemsho rll I' ' I pipes (1957 edilioa) . He IranKribcs Ihe in rrfkctcd mooc.1 as ""cll as tc:mpo during (To be cOlld udefi) Ausio x harf III· IV 22S pipet 3/2 metcr wilh twice ld rtumy b:t.r I:IICI. Mufrat's time. Thus, a change such as Krum mho rn !I' 61 pipes the shift to AdOlgiO ill the end of the Nons :10 WUJi Apd, Tit, NoIlJl ju 0/ Pul""',,i& Tremolo penultimate Allegro section (m. 99·101 MJUit (Cambrid,c; Mrdiewl Academy, 19.53) , p_ 195_ SWELL of m. 73.101 ) may suggest a change of I Georl Mutrat, FJoril"ilun I (1695) , print. Rohrfl oele 8' 61 pipei 31 Frcscobaldi, Secondo LibTQ (1637 ). ('d in: Waller Kolneder, C,or, Mulla' zu, Au/. Salicion,, 1 8' &1 pipes mood (allegro=cheerfully. to adagio " Curt Sachs, Rhythm If"d T,nlpo (New /u,h,,,,,,,/muis (Stnsbou,..: Heitz, 1970), p. VOi l Celeste 8' 49 pipes =at ease) more than a change of tempo Yu:- Ir. : Norton, 1953 ) , p. 2791 lrom Ceo... 2.... Translated frvm the Gennan by the Pri ncipal 4' &1 pipes -especially when this tempo change is MuHal, "Tempo," Florii"ium II (1 698 ). wriler: "Die Nolen, die Seiten, die liebliche Spiltfloete 4' &1 pipes accompanied by 01 lessening of rhythmic lIS Ibid., pp. 279-280. Music-Thonen seben mil' meine Venichtungen, Nachthorn 2' &1 pipe$ und da ich di FranUM:Iilche Nt dEl' Teullchen :w Georg Mlllfat, Ftoril4,ium II, tran•• subdivisionli: Klein-Nasat 1. 1/3' 61 pipes und Welschen einmenle, kdnen Kriel anstihe, Kenneth Cooper and Julius Zlako, " Georg Midura IV·V 292 pipes (Example 5) JOndem vielleicht deur Voelker erwuensdller Muflal'. Obtervations on the Lully Slyle of Fago" 1&' &1 pipes Zusammen~ti mmun!, dem lieben Frirdrn et· Perlormallce," Mlu irol QlUlr'ttly XIIl (I967 ) , The question of tempo flexibility Schalmei 8' &1 pipe, lIIitliin sections is espcdaUy huerL.,ting wann vnnpiele." p, 231 . • TIle nature of this .tylbtic .nythesu i. con· • MuHat, AUJ,r/es,,,, lJU'nl mutaJ.AI",jA:, Tremolo PEDAL and elusive as Olpplied to sequential siderrd in the author', disterlation, Tltl! A,p.­ trans, Slnmlr., SOUft~ R",di",t, p, 451. Principal 1&' 12 pipe$ paSS3ges in Muffat's organ works. In ,oflu nI",ieo'or,oll",'it"l II/ Gf!O'I Mul/al ( 1653. M There is eotllMierable doubt thai one can speak.ing of luch a pOWOlge ill 'ruccata I 17(4) : A S'MJy 0/ S,ylu ,je S,,,,ltnis .,.J AI· apply mensural eoncepts with total conHdence Subbau 1&' 32 pipes (In. 52.46) . Wilti Apel ;werts: "[this is] "cl1 0/ ",,/orm.Fle, P,acrin ( DMA, wIman throvlhoul thia or any MJllat toecata. NeYer· Octll'le 8' 32 pipe. Matolgededt 8' 32 pipes Sc:hool of Millie. 1973). thed, lince Muffat was obviolUly Ulinl :II a disturbing passage, which announces Choriliban 4' 32 pipes :I Unfortunatrly, Ihis latler work is omitted rhythmic notation ill t,aJUiflll, Ihe notion u the dt."Qdenre of organ music with se· !llocl:lloeta 2' 32 pipes quclliial n:pelhlons of cheap formll' in the mOll rttCnl and best ~rlonninlJ reiitwlI wurth colllidrrini. cspeca..lIy if a JuJicaI in­ uf Mulral'. Ap",r.,tU: Vol. 111 of SII'''­ Irrpretalion Dlar be fOtlnd . Mi"u~ IV 128 pipes lae."37 This writer considers it insuf· Konl,a·PosauRe ]2' 12 pipes Jf!ululu O",tllf,ul" d" S.'Ot }, M'lIllI;vuial .n Willi Apd, TIt, Hillury u/ Kt}'6ufml M~ric fi cient, howcver, to vic", such passage! Alfred Coppenralh, Ahuettin! (fl!. Rudolf ,. 1700 (Bluomil1Rton: lud'uaua UniVC'nitr Hobposaune I" 32 pipes solely on the basis of their Iite .... l up' Waller). It Ls incluckd ill the S. drLunse 1'Tn', 1972), p. 5111. Trompete 8' 12 pipet Jk'ar.mcc. Fint of aU . il is entirely pm. 1888 rditMUI (Pden #6(20) . .. C , I'. f~ Bad., Blury o. tA, 1'r., A" 0/ C ~ f ~ n 4' 12 pip" sible thal such pass:lgt.'S would have been • Girolamo Frescobaldi, Totca"" ( Rom", 11.,;", K,yhOlJ,J t,ul,,,,,u,,ts ( New Yurk elllbellislu:d further. Scamdly, one must 1614 ) , quoted in Robert Doninlton, 1II1t,p,,­ Nu,t,,", 1949), p, Hi1. remcmber that the organs Muffat would 'atio" tI/ &n, M~lit (Lolldon! Fabrr a: FalH-r. ha\'e played were 1I0t (.'qual.tempered, so 19(3) , pp. 3 .... ·]15. I Georg Muflat, Ap".,a,1U ( Cop~nrath , dlat sequential explor.ltions into differ· 1957 ) , preface by Rudolf Wll.lter, Here & There ent pitch levels and harmonies would be • As found in Hermann Spieg, Dj. S,./;:bu"" accompanied by cbanges of chord quality ,'OIU" Domo"d" (AufPburg: F iber V~rla! , as well. Finally, it is 01150 possible that 1929). pp_ 19-20. Jozef Sluys, titular organist 01 the Cathe­ 1'Gotthold Frotscher, D"dult, O"t1Jis/lot j. one may push and pull slightly with dral of Sf. Michael in Brussels and director .WI /"e,,/ jah,Ja""4"",, ( WolrenbueUeh the pUISt! to accentuate mltural curves 'i""." at the Rij ksmuziekacodemie in B,ussob, r. in the texture. C,P.E. Bach documents G. Kallmeyer, 1939) , p. 23. • Gottlieb wu only fourteen when hit father cenlly made a concert tour of Ruula. It this type of Oedbility at a later date, died ( 17D-1) . He left Paasau two yeAn later lor George Damp ;.J a member of the music was his SOCCInd Invitotion 10 perform In RUi­ althougb his commenlS may be applied Vienna, where he .tudied for many yean with faclIlty at Carleton College, Nor'hfield, sia, Dnd 11 included concerts in MoKcw. discreetly to Baroque tempi: "[Certain Johann Joseph Fux ( 1~1741 ). M;rIFlejota. Alma-Ata, Bakou and Erjvan.

6 THE DIAPASON NEW NOTES fROM AbiNGdoN "Enduring Faith" by Dorothea Brandt. Meditative "Behold the Saviour of Mankind" by Allen O. Gibbs. anthem with easy melodic line. Organ or piano. SATB. Uses a familiar text for Lenten seasons. For SA TB with Moderate. APM-899. 30¢ organ or piano. Moderate. APM-796. 30¢ "Zion Said" by Walter Ehret. Baroque style. Organ or "The Head That Once Was Crowned With Thoms" piano. Moderately difficult. German text included. by Paul L. Thomas. An Easter folk-style anthem for uni­ SATB. APM-538. 95¢ son treble voices with handbells. Moderate. APM-895. 40¢ "Father, Lead Me Day By Day" by John Schroeder. For two-part youth choirs. Organ or piano. "Suite for Handbells" by William H. Brown. For the APM-824. 30¢ average junior or senior high bell choir. Moderate. APM-954. 70¢ "Praise the Lord Through Every Nation" by Richard Slater. General or festival anthem for adult and children's "No Help" by Janet Wilson and Helen Midkiff. A folk voices. Piano, organ, 2 trumpets, string bass. Moderate. musical with the theme of Christians who care. For APM-922. 95¢ almost any size choir. Piano, electric organ, percussion. "I Bind Unto Myself Today" by M. Lee Suitor. Moderate Moderately easy. APM-945. $ 1.75 difficulty. For SATB and Jr. choirs. Organ or piano. Music Our Forefathers Sang. Ellen Jane Lorenz has APM-816. 75¢ collected fifteen early American hymns for church or "Have Faith in God" by Joseph Roff. Moderately easy school use. Unison and two-part voices with narrator. anthem for SATB. Organ or piano. APM-734. 50¢ Organ or piano accompaniment. Easy. Great for "The Lord Is King" by George Brandon. An exhuberant the bicentennial celebration! $1.95 anthem for SAB. Easy. Organ or piano. APM-461 . 50 \, A Guide to Improvisation. James Conely suggests a simple "God of the Earth" by Edward G. Mead. A popular five-step method for organists learning and improv- poem with ecological overtones. An anthem for SATB ing the improvisation technique. $2.95, paper using organ or piano. Moderate. APM-815. 35¢ "Prayer Intonations" by Jack C. Goode. Provides nine Extra! Afiiflgdon will. send you, one ifree copy of any responses or calls to prayer. Organ or piano accompani­ anthem you, onQOSe. Send youil nam~ , Iftidress, affili3tion, ment. Easy to moderate difficulty. For unison or solo tlii!> ad, I\nd the'n@lI!6 and APMbfturfi ~ l of\ the anthem. voices. APM-516. 60¢

"Jesus Christ Is Risen Today" by R. Evan Copley. 01 your book or muSiC store An Easter anthem for SA TB, accompanied by organ or piano. Moderate. APM-842. 45¢ abingdon Nunc Dimittis solid-state combination action by Rolls Royce* theM travels led to membenhi p In the Wran Sodety of London, the English-Speaki ng Union. and the Medieval Acade my of Amer· ica. His trips abroad. beginning In 1926. fa· cilltated his extensive study of art, a rchl· tecture, and particularly pipe organs. Mr. Covell Is survived by a brother. Rob· ert R. Covell of Newport, a sister. Mrs. EUzo· beth C. Ramsey of Alexandria. Virginia; and sbe nieces. funeral services were held on Feb. 26 at Channing Memorial Church In Newpart. where Mr. Covell hod been a IIf... long member.

Herbert Aus"n Stimpson of Stoneham, MassochUMtts died of a heart attock on January I I. 1975. Mr. Stimpson, 049, wos the head reed volar for the forFlHH' Aealian­ Skinner Organ Company. Incorporated. BefOfe going to the Aeolian-Sk lnnllr tom­ pany In February, 1957. Mr. Stimpson ked worked for the Dennison Organ Company and the Kershaw Orgon Company. At Aeo­ William Kino Coyell d ied FobrlXJry 23. lion·Sklnner. he voiced reeds for many large 1975 In Newport. Rhode Island. He was 70, Instruments built by the company. He was Long known to readers of THE DIAPASON mode head reed voicer in September of as an avid pi pe organ fan. organist and 1968. working in that position until the com· author, Mr. Covell 's Interests and work as pony declared a financial reorganization in historian and collector contributed to a lif. June, 1971. During the post several years of varied activilies. he did voicing in his awn shop for various Borll Mcnch 9, 1904 In Newport, Rhode organ firms. He wos a member of All Island. Mr. Cavell. a bachelor. lived In a Saints' Church, Stoneham. house purchased in 1895 by Mr. Covell's Mr. Stimpson Is survived by his wife. grandfather. Mr. Cavell took porUcular in­ Ruth, and five children. terest in maintaining the home In its original condition. and he deeded the e ntire prop­ erly to the Society for the Preservation of New England Antiquities of 8o£lon. whase founder. William Sumner Appleton. was a James McxCOftn.1I W.dd.lI. 91 . died re' personal friend of Mr. Covell during his cently in Galesburg. Illinois, where hll 'WOS college years. a resident for oYer a half c.entury. Or. Wed· After graduation from Rogers Htgh School dell hod been a faculty mll mber of Knox *Not really by Rolls Royce but the outstanding in Newport. Mr. Covell received hh bache- College in Galesburg from 1909 until his 5or's and moster's degrees from Harvurd retirement In 1956. design and proven trouble free operation is University in the field of art history and Dr. Weddell was born In New WlI~ng­ deserving of such comparison. All modular archltedure. He looght for one and a ha lf ton. Po., and was graduated from the West· construction provides easy in stallation, great years at Harvard. and also for ten years minster College deportment of music In his flexibilily for expansion, and an ease of lrouble in the history department of Rogers High home town . He later studied piano and or· School in Newport. gan at the New Eng land Conservatory of shooling nol found in any olher syslem. All this Mr. Covell was for many years organist Music. His organ teachers were Wallace for probably Ihe lowesl cosl in Ihe induslry. Why and choir director at C'hoRnlng Memorial Goodrlc.h and Charles Courboin. for two not write for more detailed information now? We Church. Newpart. and also at the Church years he was head of the deporlment of are staking our reputation as the largest manufacturer of St. John the Evangelist. Very int erested music at the Synodical College for Young and active in pipe organ design, he collab. Women at Fulton. Mo. , before g::)ing to of solid slale switching syslems for pipe organs Ihal orated with Edward B. Gammons on the Knox Coll ege. Kn ox College conferred 'he you'll never go back to your present system once design of the 1931 instrument for Memorial Mus.D. degree on him in 1936. you have used ours! Chapel at Harvard. He owned 0 small in­ Dr. Weddell was organist of the First strument in his own home. and frequently United Methodist Churc.h of Gale$burg for advised churches and sc.hools about the 2S yeats, the Central Congregational Church peterson design of new or rebuilt organs. He was an of Galesburg for 30 yeats, and he also Electro·Musical Products I Dept. 27. Worth, Illinois 60482 active participant of the Newport Tunas served os organist for Groce Episcopal and loMinls. a musical club which eneaur· Church for many yea". He was 0 member oges and helps young people in'erested in o f Groce Church He WG S a fell ow in the fonnol musical 'raining. He WGS a life·Jopg A.G.O. friend of the lale Aubrey lhompM)R .Allen. Or . Weddell was unmarded . His nearest curator of orgons at Yale Un ivenlty, and relatives a re a nephew in Cl eveland , Ohio. he maintained a specia l inlere,r in the and a niece in Euclid. Ohio, THE CHURCH OF pipe organs to be found in sma ll parnh churches throughout England, He was the author of at least two articles on Ihe fa mous ST. PAUL Walcker organ for Boston Music Ha II. now at Methuen. and a ma jor article on the early days of the baroque movement. Mr. Covell's Interest in steamboat's led Managements to his authoring a short history of the f all River line and to collecting memorabilia and Albert Bolliger. organist of the Neumun· equipment from the fall River line now ster. Zurich, Switzerland, has loined Arts owned by the Marine Museum in fall River, Image ltd. g)ncert management. and will Massachusetts. He was a charter member of tour the U.S. and Ca nada in spring of 1976. HIGHLAND, the Steambcat Historical Society, the Great Mr. Bolliger was a student of Andr' Mar­ lakes Historkal Society, and the U.S. Naval chal, Mme. Andree Honegger-Vaurabourg. Institute. As a historian, Mr. Covell was on and Hans Vollenweider. He has performed IUINDIS active me mber in the Association for Core throughout Europe, and in 1973 he served and Preservallan of the Old Sto:e House. 0$ guest professot' of interpretalion and the Art Assodatlon 01 Newport, the Newport orgon literature at the Chicago Muskol Historical Society, the Rhode Islond HbfDficol College of Roosevelt Unlveuity. Mr. Bolli· Society, and other local hislarkal societies, ger spen, much of 197 .. in Mexko. teaching en well as the American Histaricol Auoclo­ at the National Conservatory of Musk: in tion, He travelled frequently abrood. and Mexko City.

B THE DIAPASON •

M-ea.venlY music a C(\)fifii Ol~ic Oligan Christian GentlJFy Church, ~ll>wens bam, ~entueky. New Organs

~ I I.. THE CHRISTMAS STORY -Lllke 2:1-20 with Christmas Casavant Fr're, limit'a: St. John', Mllsic b,\' William Bi/lillgs. Compi/ed and edited by lutheran Church. Easton, Pennsylvania. ]. Leonard Van Camp. No. 97-5258 $2.00 manual and p.d.l. .1.drapn.um.tic key action, solid shit. switching on stop action. Designed by Gerhard Brunt.ma of Ca,e. vant In cO''Ilult.fion with John Ferguson, THE PASSION AND RESURRECTION OF OUR LORD­ Of'gllnist of church: tonal finishing by Pau' An E(,,/)' Americlln Selling from the Anthems of Willialll Proulx of Casavant. imt.n.tion by Bur­ , Billings. Compiled lind edited h.,· uO/lcrrd ValJ Camp. ness Auoci.fe, of Abingdon, P• • No. 97-5268 $2.75 GREAT Bordun 1&' 5& pipes Prinlipal B' 56 pipes Hohlf1 5fe g' SO pipes \ CHRISTMAS SPIRITUAL COLLEC TlON- Dm'id Walker QUave -4' 5& pi'pe. With Orff-like Instruments. Nachthorn 4' 56 pipes Waldf ate 2' 56 pipes I. The LillIe Cradle Racks Tonight in Glory Mi.lur IV 1, 11l 124 pipes Trompele 8' 56 pipes 2. Mary Had a Bob)' SWELL 3. Rise Up. Shepherd. t/lld Follow Rohtfl6te S' 56 pipes Sartional S' 56 p·pes 4. 0 Mary. Where Is YOllr Bab)'? VOl coolesti. ISS) 8' <49 pipes 5. Spiriltlal Qllodlibet for Christmas Spitrll51c <4' 56 pipes Gabriel Kney: Grace Episcopal Church, Prinzipel 2' 5& pipes Carlsbad, New Mezico. 2.manual and Also tll'ai/able separtltely. N o. 97-5204 SI.OO Scharf UI I' 1&8 pipes pedal, 10 stops, cas. of solid oak, Oboe 8' 56 pipes mechanical kel end stop edion. Organist. Tremulent choirmaster 0 church, Roy H. Carey, Jr.j RUCKPOSITIV MATCHLESS IS THY FORM ­ Godadt 8' 56 pipes design and vo1cing by S.briel Kney. Pnnzipel 4' 5& pipes HAUPTWERK A Christmas Cantata f rom Koppelfl51e 4' 56 pipes Colonial America by William Gemsftom 2' 56 pipes Gededf 8' 61 pipes Sesquielfera II 2.21l' 112 pipes PrhlCipal 4 '61 piptls Selby. N o.97-5094 $ .85 Zimbel III 2/3' 168 pipe. 81od:lloele 2' 61 pipes KllImmhotn 8' 56 pipes Loriqot II 122 pipes Tremulent Zimbelsfern PEDAL BRUSTWERK 5ubbe" 16' 32 pipes Quintedena 8' 61 pipe, Prinzipal 8' 32 pipes Rohrtlcele 4' 61 pipes Sedacklpommer 8' 32 pipes Octave I' &1 pipes Choral ban -4' 32 pipes Regel 8' 61 pipes t.4brlur III 2' " pipes Tremulenl Posaune II.' J2 pipes PEDAL Trompe'e t' 32 pipes 5ubbalS J&' 11 piP'" Schalmei 4' J2 pipet Flute 8' 12 pipe.

Seminary Chapel Wilfrid Laurier University Waterloo, Ontario

- HAUPTWERK- I Hohltlote 8 56 2 Prinzipal 4 56 3 Waldtlote 2 56 -l Sesq uialtera Il ranks 22 , 1 12 5 Mixtul' IV ranks '1' 224 - BRUSfWERK- 6 Gedackt 8 56 7 Rohrflote 4 56 8 Prinzipll i 2 56 9 Quinte 1'. 56 10 Regal 8 56 -PEDAL- I I Subbass 16 32 12 Prinzipal 8 32 13 Oktave 4 32 14 Trompete 8 32

10 THE DIAPASON , Managements THE STANDING COMMISSION ON CHURCH MUSIC of the EPISCOPAL CHURCH presents SIX CHILTON POWELL INSTITUTES workshops exploring the role Lawrence Robinson, associate professor of SUlCI" 'ngrief Ferre, orgonist and horps(· OI'gon at Virginia Commonwealth University, chordiu. has befln odd.d to the roster of of ' Richmond. Virginia. hos been added 10 the organists represented by McFarlane Concert roster of artists represented by Arts Image Artists. Miu Ferri! is presently a teoching ltd. A graduate of the University of South fellow at North Texas State University. whe rl!t music and Iituru Carolina in his home state, Mr. Robln~n she is completing requiremenb for Ihe DMA holds a master's degree from the Univenlty degree. She has earned previous degrees a t in the church of Michigan where he studied with Marilyn Texas Christian University and at the East· MoJOn. He has abo done further study 01 man School of Mude. She also holds a d iplo· Northwestern Universlty. Eastman Scltool ot me in Ofgon and impfOVbotion from the June 15-19 Episcopal Divinity School Music, and 01 the Orgelconcourse in Hoor­ Sehola Contorum in Paris. A former Ful· Cambridge, Massachusetts lem, Holland. He was a featured performer bright scholar. Miu Ferre studied organ Church Divinity School of the Pacific at the Second Congress of the Notional with David Craighead. Marcel Dupre, Jean Berkeley, California Union of Organists of Mexico in 1967, Dnd langlais, Emmet Smith and Donald Willi ng. lotor toured that country under auspices of Her harpsichord study has been with Larry June 22-26 St. Paul's Church the Union. Palmer. Mobile, Alabama It. Fr.d.rick Mooney is now being repreJent. "f SUlCln Landale, organist of Sf. George's June 29-July 3 The Protestant Theological Seminary in Virginia ed by Arts Image Ltd. concert monag.ment. Anglican Church, Paris, France, will tour the Alexandria, Virginia The Canadian redtallst Is organIst and mas- U.S. In November of 1975 under the man· ter of the choristers at the Anglican Calh. agement of McFarlane Concert Artists. Born July 6-10 Seabury-Western Theological Seminary dral of the Holy Trinity in Quebec City, in Seat kind, a graduate of Edinburgh Uni- Evanston, Illinois where he has served for the past five years. \le tslty. and a pUpil of Andre Marchal. Min The Evergreen Conference A natl\le of Guelph, Ontarlo, he took his Landa!e Is one of Europe's busiest recitalists. studies at the Royal Conservatory of Music Among her regular broadcasts for the BBC Evergreen, Colorado in Toronto where he won the conservatory's and the ORTF. she ga\le in one season twa Gotd Medal in 1967. That some yeor h. out of four redtals devoted to the complete For brochure, write to: went on to win first prlze In improvlsotlon organ works of Messiaen for the BBC at Office of the Coordinator at the International Congress of Organists, Coventry Cathedral. Min Landole Is a form- Standing Commission on Church Music and to begin a two year period of study In er winner of the organ playing competition Paris with Maurice Duruf~. He is a frequenl at the St. Alban's International Organ Fe$- 865 Madison Avenue CBC broodcost recitallst. flvol. New York, New. York 10021

AFTER 25 EVENTFUL YEARS WITH COLUMBIA RECORDS E. POW'ER· BIGGS IS IN RAGS! SCOTT JOPLIN ON TIffE PEDAL HARPSICHORD

Volume I M32495

including: S<09opLJ~ 0rigIn0I Rage Maple LaafRag IOWIIt III TWO EJIIe THE ENTERTAINER SyncopoIiono HETlCRAI l1I:SIr

APRIL. 1975 _1;1 Harpsichord News

Euaenao Earle, of the focully af r.acher. F. Couper!n. On February 23 he was joined College. Columbia Unlveruly, hen hod a by Arthur Lawrence for an Dl'gon-harpllchord bUly SOOMln both as Ml~st 000 os harpsE. duo program at Howe Military School. Howe, ch:H'dist wlth the Fiori Muskall Trio; Included IndIana: Concerto VI. Soler, Sonota 'n F. have been appearances at the fltst Presby· F.l0. W. f. Boeh, Ut Re MI Fa Sol la, Byrd; terian Church. New York; In farmington. Concerto III. Soler (organ and harpsichord); Conn.; at Trenton State College; at 51. The Nightingale In lOYIII, Couperl" (harpsl· Mary's Abbey. Delbarton; Madison Avenue chord solo), KYlle. Christa, Kyrie. from Presbyterian Church. New Yatlc, The Inter· Clovlerubung, III, 80ch (organ 1010). church Center, New York: and Mveral con· certs at Teochers College. For her January Larry Palmer, Southern Methodist Univer­ 13 program In Columbus. Ohio, spon'"sored sity, gave the Inaugural concert on the new by CapHal University and the Central Ohio Kingston French double harpsichord at SMU Chapter, AGO. Ms. Earle played, Three on February 16. The programl Sonote pour Fantasias. Telemann; Partlta on "Ach wie Clovecin. Martinu; Coranla Kingston, The nichtlg," Boehm; selections from Pikes de King" Hunt. John Bull; De 10 Moro', Po· Clavecin. Romeaul "French" Suite In E Ma· vane, Sir Hugh's Gaillard (Lambert's Clovl­ jar, BWV 817, Boeh; and Sonolo,. K. 175, chord), Howe lts. l'Arlequlne au 10 Adom, 208, 209. 28. Domenico Scarlatti. l'Affligee, Armand·louis CouperlnJ Lo FOI­ queroy, Mild6e. Duphly; Prelude and Fugue Larry Cartner of the faculty of mu,ic. In 0 Major, WTe, II (8WV B7.4,. and. from University of West.rn Ontario, oppearad as the "Goidberg" Variations. BWV 988, Arlo, harpsichord soloilf with the lando" (On· Variations 1-8,. 25, 9. 10, and Aria, J. S. Iorio) Symphony on Ja.nuory 29 and 30. He B

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12 THE DIAPASON The Choate Organ Horp~Ord Seminan the most recent Ea,ly Music (January, 19751. will feature Bernard and Mireille Lagace an issue which continues the distinguished and Roberta Gary again this summer. Dates format of this fine Engllsh Journal. Other The Royal Canadian College of Organists are June 15-28. Theodore Diehl, harpslchard items of Interest include articles on the builder from Boston will conduct a harpsi­ renaissance flute {Bernard Thomosl. Renols­ chord workshop, and Mireille Lagaclt will sance and baroque recorders (C hristopher 1975 NATIONAL CONVENTION ledure dally on harpsichord repertoire. For Ball). The Roessler recorder {K. J. Sayers}, further Information, contad Duncan Phyfe, Playing the serpent (Alan Moore). Giovanni Paul Mellon Arts Center, Wallingford. Conn. Gabrleli: guide to Instrumental performance TORONTO JULy 7-10 06492. (BartleH and Holman), Introducing the hurdy·gurdy {Francis Balnesl. Wanda Lan­ The revised, second edition of Donald H. dowska and her repertOire (TImothy Baln· BoaJch's classic Makers of the Harpsichord bridge), and The diversily of medieval fid· and Clavichord 14.40-18.40 is now available dies (Mar( Remant). from Oxford University Press. This book Is an indispensible reference tool for harpsichord. ists. and you are advised to have the requl. Features and news items are always wel­ site number of dollars (in the neighborhood come for these columns. Address them to Dr. of $32) and purchase It. Howard Schott has Larry Palmer, Division of Music. Southern a perceptive review of the new edilion In Methodist University, Dallas. Texol 75275.

Managements

Earle has performed throughout the U.S. with groups such as the New York Baroque Ensemble. and as harpsichordist·pianist for French flutist Jean:Plerre Rampal. as well as in solo concerts. She has recorded for RCA. the Musical Heritage Society. Master Virtuosi Recording Society. and Apple Records.

Nicholas Danby, professor of organ at the Royal College of Music and the Guild· hall School of Music.. London, England, will make a recital tour of the U.S. and Canada in Odober of 1976 under the exclusive North American representation of Arts CBC Concerto Concert. Choir ond Organ Workshops. Eugenia Earle. harpsichordist, hQs been Image ltd. Mr. Danby is also titular organ· Toronto Donce Theatre. Commissioned Anthems. added '0the roster of artists represented by ist of the Jesuit Ch ~ rch of the Immacula'e Recitals. Boot Trip. Builders and Publishen Display Area. McFarlane Concert Artists. A faculty member Conception in the Mayfair sedlon of lon· of Teachers College, Columbia University, don, organist to the University of the City Miss Earle was also formerly on the faculty of london, and organist to the University Monday July 7th: of the Union Theological Seminary School of the City of York. A frequent recitalist. 10:00 Finals of National organ-playing competition of Sacred Musk unt il 11 closed In 1973. Miss he has made several commercial rec:ardlngs. 4:30 Reception by Lt. Governor of Ontario 8 :30 CBC Concerto Concert with Frederick Swann (New York)

Tuesday July 8th: 9:30 R.C.C.O_ Annual meeting 12: 15 Government of Ontapo'luncheon 2:00 New music for small organ Workshop by Conrad GriDjes (Winnipeg) 3:45 Bach organ recital by William Wright 4:45 College Service, with. Bach cantata 8 :30 Recital by Wilhelm Krumhach (Germany)

Wednesday July 9th: • 5UMMER SCHOOL 9:30 What is happening to the Frenc~ organ ioday? Lecture by Andre Isoir"" "'t" (Paris) ;; . '. , Of CHURCH Mll SIC 10:45 Concert by The Huggett Family (Ottawa) 2: 15 Choral workshop. Derek Holman (Toronto) Includes first performances of three SESSION I-Jul~Z8-Jl.u3Jo commissioned anthems. (CO)o\PREHEI{SIVE) 7 :30 Toronto Dance Theatre. SE$IONJ[ -Au.gI1sl: ((i-I 0 9:00 Recital by Melville Cook (Toronto) (co~ee~rR~~~·rED) _. Thursday July 10th: 10:00 Recital of music for choir, brass and organ. Pr: U'Ihuy J{eld., DEAr( St. Simon's Cboir (Toronto) '1he 'Rev:l;;'illillm /t!a/otike, Cllaplain Toronto Brass Quintet 11:45 Ferry to Royal Ca!)adian Yacht Club, Toronto 1Jr. ru.gene t.1i'ra'id,laurC3~. Iitutgits Islands, for lunch. 1lrof. iouis }{.TJierks, ~horc1l, vac.al 3:00 Recital: Music for the Mass 1)r. dames J1oeser; organ . Andre Isoir (France) )(r. Lester (}rooTII, special sbd.ies 6 :30 Convention Banquet. Speaker: Dr. Alec Wyton (New York)

For 'Brochure, write. Convention booklet now available with full details, ~onvention 'P. O.Bo)( 3.Gb, regislration forms, etc. # Write: Miss Belen Gauley, 224 Jedburgb Road, Toronto, Ontario, )Ever9reen,CO.gO~39 Canada M5M 3K2

APRIL. 1975 13 New Organs

M. P. MOlt.r. IftC.: Gum" Auditorium 'EDAl and R.UgiotJI Education Cenf.r. louisiana Coni,a aourdon )2' 7 pipes Principol '" 12 pipes College, Pin • .,ttr., la. s.m."" .. ' and p.del, 8ourdon 16' )2 pipes .r.dropneumatlc action, dedicated S.p" Gemshorn 16' (Greot) o .emb." I,n. Moll., repre"ntativ.I, J.d Roh,fl6te 16' (Swell) St.r.y and John Wonel. Octaye 8' )2 pipes Pommer 8' 12 pip" GREAT Gemshorn S' (Greet) Gemshorn 16' &1 pOpes Chorelbou 4' 32 pipes Principal g' £1 pipes Cho,albllS$ 2' 12 pipes .~II;IIIf;III.III;1 ':t. Roordon B' 6' pipes Rlluschquinte II I 96 pipes Gemshorn 8' 12 pipes Ac;u tll II 24 pipes Octave -1' &1 pipet Co ~l rll Pmllune 32' 32 pipes S!!y'!~i~ehool I SpitzllBle oi' 61 pip" Pourune 16' 12 pipes Twelfth 2.2/3' 61 pipes Dubian 16' (Pos'n yl CHAUTAUQUA NEWVORK SECOND CENTURY 1975 Fifteenth 2' 61 pipes Posaune B' 12 pipes Flachfla,. 2' 61 pipes Oubian 4' IPositiy] Seventeenth 1·]/ 5' &1 p i ~1 SPECIAL WORKSHOPS Fournlture IV 244 pipes Scharf III 183 pipes KUMUD R. BANERJEE, Indian ROGER GROVE, Progressive Trompe"" 8' 61 pipes Classical Music, July 8·18 Piano Clinic, July 3,4,5 Klarine 4' &, pipes Chimes JAMES BENNER, Coaching ANASTASIA JENTELIS, Suzuki Tremulenl Oratorio & Opera/Diction for Method, JulV 14-18 SWELL Rohrflate 16' 1.1 pipes Singers, June 3()'Aug. 15 ADEN LEWIS, Kodaly, JulV 7·11 Rohrflale 8' 12 pipes PAUL CHRISTIANSEN, Choral GEORGE SHEARING, Jazz, Viole de Gllmbe a' I., pipes Viole Celeste S' 61 pipes Aug. 17·22 Aug. 4·8 Prestan' 4' 61 pipes CLAIRE COCI, Organ, Aug. 18·22 BUNYAN WEBB, Classical Waldllole 2' 61 pipes FRANCES COLE, Harpsichord, . lilrigot I· III &1 pipes guitar & Beginning gu itar, Plein Jeu IV 244 pipet July 14·25 June 3().July 12 Cymbale III 181 pipes ALICE PARKER, Introduction to BIISloon 16' 61 pipes Trompeite 8' &I p'pes Choral Arranging, July 28·Aug. 1 Vox Humana S' 61 pJpes Clairon 4' 61 pipes Enjoy Chautauqua's concerts, symphony, operas, plays, lectures and Tremulant sports at America's original summer school & festival. POSlTIV Hobgededt S' &I pipes For catalog, write: Principill 4' 61 pipes Chautauqua Institution, Box 28, Dept. AG, Chautauqua, N.Y. 14722 Koppelflote 4' 61 pipes Notll rd 2·2JJ' &1 p i ~s Prinlipill 2' 61 pipes lIod:f1ote 2' &1 pipes Ten 1.1/5' 61 pipes limbelflOhl I' &1 pipes limbel IV 244 pipes Reuter Org.n Comp.ny: P.II. luther.n Klein Mirtute III III pipes Dubian 1&' &1 pipes CIIurch. W.upiln. Wiu:oMin. 2oman"a' .nd CHOIR pedal, 24 stopt, 29 rank., Specification by Flute Conique !!I' &1 pipes John Thom •• in collabar.lion with Fr.nk. Flaulo Dolce Celesle 8' " 110 pipes li n Mitchell of ReLlter: negoliation. h.n· Viola Pomposa 8' &I pipes died by Don D.ist.lm.i.r, Director of Viole Celeste 8' 6' pipes music of church, Edward H. aernth.1. Preslllnt 4' 61 pipes Flute Ttiangulaire 4' &I pipes Zauberflate 2' &I pipes GREAT Hobregel 16' 61 pipe1 Pommer 16' 61 pipes Krumm horn S' &I pipes Bourdon 8' 61 pipes Trichter Reglll 4' &1 pipes Gemshorn 8' 61 pipes Tremulont Principel 4' 61 pipes FANFARE Spitdl61e 04' 61 pipes Grand Cornel V 11104'1) 18S pipes Super Oct .... ve 2' 61 pipu Grllnde Fourniturc V lOS pipel Mirture IV 2.... pipes Krumm" orn S' 61 pipes Bomborde 16' 61 pipes Trompette Harmonique 8' 61 prpes SWEll Violo!! B' 61 pipe& Cliliron Hermonique 4' 61 pipts eefR Viola Celelte S' (TC) 049 pipu Coronel Tremulant Hohgededt 8' 61 pipe& &.t RohrfUi te 4' 61 pi pes Nosard Z.2/l' 61 pipes • has it NEW ~ Gemshorn 2' 61 pipes ..Iglnal TWO PART TIerce 1.)/5' 61 pipes TrompeU. 8' &1 pipe& ~ ANTHEM Sc.halmci t' &I pipes ... Tremolo -- PEDAL that speaks to ~ Subbllss 16' 32 pipes everyone. The Organ StopIist Pommer 16' (Grlla') Prjnc'pol B' 32 pipes Fillchflote 8' 32 p' pes Choral Bess 4' 32 pj~ LOVE Mixture III f6 pipel Fagott 16' 32 pipes MARIE-LOUISE JAQUET ONE ANOTHER Trumpet B' 32 pipes ~ Krummhorn 4' (Great) • .• a French artist who won many admirers during her debut U.S. tour. Next avail· abi lily: Sept. & Oct 1975. Now at your local music store or IIMane·Loulse Jaquet brought write direct for a free sa mple copy the rich French organ tradi· tlon 10 Los Angeles ... and of A 480' LOVE ONE ANOTHER showed formidable lechni­ in 2 Parts By Natahe Sleeth 35.: .-- cal and Inlerpretive skill ..." Pub*lshed Bv (Los Angeles Times, Feb. 74) HOPE PUBUSHING COMPANY "• • • made a colorful debut H. G. Klais • •• played with lechnical as· DEPT. D6 surance and musical vilali ty CAROL STREAM. IL 601B7 D • •• her command of the in­ The slrument was authoritative E and her Interpretive idenlity Organ Stoplist definite.' (The Plain Dealer, L Cleveland, March '74) Illustrated A W REPRESENTED BY STEINER $15.00 pastpaid A O"GAN COMPANY. INC. Phillip Truchenbrod Send check with order R TONAWANDA, NIIW YORK ORGANS IOhio resldenls odel 6Ic .01.. 10_1 ••• 80 (2011 484·2632 Incorpol'Jted E THE PRAESTANT PRESS Member ApOBA ~~B~~t~9Imag!. P.o. Box 43 1131 CaMn Place NEWARK, N. J. 07101 Delaware, Ohio 43015 LoulMlle, Kentucky 40203

14 THE ·OWASON Gedockt 8' 1Z pipes .....,.. Oc'ay ,.' 12 pipe• Nach.horn 2' 32 pipu June 22·29 Bam;nc III 5· 1/ 3' " pipes Midure YI 2' 191 pipes Fagott 32' 31 pipes ORGAN Posaune '" 3Z pipes T",mpet 8' lZ pjpes Schalmei 4' 32 pipes STUDIES with COCI An opportunity for continuing studies for Intermediate and advanced organ students. Beglrmers accepted with three years piano. Seminar. and private lessons. with: CLAIRE COCI -MediaUe d'argent, Academia francoise -foundar, American Academy of Music HARTWICK COLLEGE ... . - ~ write: D. J. LAWRENCE, HARTWICK COLLEGE, Rieger Org.lbau (SchwaruchIVorarl.-- ONEONTA, NEW YORK 13820 berg, Austria ): St. James's Episcopal Church, Richmond, Virginia. 3-manual and pedal, mechenical k.y action, electrical 'IRSTCOHGREGATIOHALCHURCH OF LOS ANGELES stop and combination action, free-standing pr ...nl. and encased, d.tached console, 56-note Rudolf yon Back.t.th: Fint Presbyter­ manuals, 30· not. ped.I compess. Designed 1975 ORGAN PLAYING ien Church, Nashville, Tenness ••. 3-man­ by Josef von SI.tter-6on of Rieger, ulil and ped.I, mechanical ~.Y ection, voiced by Seorg J.nn on wind pressures of 55 to 7S mm. Organist of church: Peggy COMPETITION .Iectrical stop .dian. captur. tyr com­ Open 10 .N ore-nisi. uncMr lhe •• 0128 b, A\IIltSll, IWS bination .dion. mechanical swe ped.I, H.as. Dediceted Marc.h 3, 1974. HAUPTWERK PftlZES' '''-$150 2.,."'400 3rd·1250 49 stops. 74 renb. Wind pressures: Gr•• t Gem,hOf n ' 6' . th_SII... ,.... • ..,..,... lo 1m 70 mm; Riickpositiv 65 mm ; Swell n mm; Principal 8' 0._''''-10 fK..... comsHIed eppIicetlon fomI " , P.d.1 10 mm. Manu.1 c.ompe" 58 notu, Holznoel. 8' FRIDAY. AUGUST to t97S pedal CDmpns 32 "of." fr •••standing en­ Ocla.., ,.' I'lMfcompeItUottllt "-"""", e •• ement in r •• r 4jaUery. Ot91nist and Nachlftorn ... WUJHESOAY. SEPTEMllEIt 10.1115 choirmaster of church. Henry Futnar. Oclev Z' !1, ...1I . wfllMf'. -'laI, Sesquielfet II ·IY Z·2./l' 6IMT SUHDAY, SEPTEMBER \4, 1915 Querte 11 I-I]' Conl ••IMl".mpa.y ... _gnlilcent Sdlllck.r at.- Pommer '" 51 pipel Mixtur VI 1·1/] ' Principal B' 58 pip. Trompele 8' For complete details Mite at once 10_ Spl. "'~t. " 58 pipes Trompe'e ,.. QlvanCompelilion. First COngregahonalChlreh Octave

DESIGNED FOR T HE CHURCH SERVICE AND THE ORGAN LITERATURE

SIMPLICIT Y RELIABILITY ACCESSIBILITY LEATHERLESS A CTIONS

SINCE 1"3 MEMBER "POI" H"RUOIID. CONNECTICUT 06101

PIANO TUNING learn Plano tuning ond repair with ""''''-- easy to follow home study course. Wid. open field with good eornlngs. .to '" rr-I ....,. Makes excellent ".xtro" lob. Write ok.~INCO" .. ORATIED American School af Plano Tuning ... JMo[. SIIok... Dm Draan ",. moen IIoIIo..t Haserslown. Maryland 21740 Phone: 301-733·9000 17050 T.II., 0. .• DIot.DI IIa

APRIL, 1975 15 New Organs THE DIAPASON A MUST FOR EVERY ORGANIST ($7.50 a year-$13.DO for two y.an) Lewis and Hitchcock: First Presbyterian Do nol send cash Church, Annandale, Vlrg inial 2·manu.1 and ped.I, mechanical .ction, organ encased in oak on platform .boVe choir area, con­ Send THE DIAPASON for yaar(s) to sale below end detach.d, portions of ac· tion exposed, four no ps on Man. I en­ Name -- Enclosed Is $ closed, P.d.,1 stops

City 434 Sauth Wabash Ave. MAN UALI Principal a' Chicago, III. 60605 Bourdon S' State Zip Gemshorn 8' Octave 'I' Rohrfl u+e 04' Mixture II I 1-1/3' Edward D. Berryman, SMD Warren L Berryman. SMD Trumpet B' MANUAL B E R R V M A N Gedeckt B' 5pitzflute 4' " Organlsf.ChotrnKllter Head. Organ-Church Music Dep•• Principel 2' WESTMINSTEI PRESBYTERIAN CHURCH BALDWIN.WALLACE COLLEGE Zimbel III·IV " Mlnn.upon, a.rea, Ohio Cornet II (TC) 2.2/3' Tfemulant PEDAL Margaret Melvin FauxBourdon 32' GedecU 16' Spitdlute 8' Die K I NSO N Principal "' . U.lvonlty 01 LooItvU" Zimbel III 2' Trumpet 16' LooltvUle Bado Socl.ty Caivory Episcopal 51. hands-l._RoIU EpI_paI

WAYNE FISHER THE TEMPLE Chairman, Organ Department MARTHA FOLTS Cleveland, Ohio 44106 College Conservatory of Music University of Cincinnati 45221 Traditional DAVID Recitals: GOODING DAVID HEWLETT Avant-garde THE CLEVELAND ORCHESTRA MARSHALL BUSH MUSICAL HERITAGE SOCIETY _ U.1venIty Trinity Church Made Dept., Iowa RECORDINGS Mortba's Vineyard A..... Iowa 50010 - Vemon de Tor George Wm. Volkel THOMAS MURRAY F.A.G.O., Mus. Doc., S.M.D. SAC. MUS. DOC., FAG.O. Church of the Ascension ST. PAUL'S CATHEDRAL BOSTON 02111 Fifth Avenue at t.nth Stre.t New York. N. Y. 10011 POMPANO lEACH The Jullliard School FLORIDA Recita Is Fir" Prasbylerlon Church GEORGE MARKEY Organ and Cho ral Workshops Records Markey Enterprises 201-762-7674 Recitals 42 Maplewood Avenue Instruction Maplewood, N.J. 07040 LAWRE NeE Dwight Oarr Recitals MARl L YN MASON ROBINSON Wells CoUege CHAlIIMAN, DEPARTMENT OF ORGAN YlitGINIA COMMONWEALTH UNIVEISITY UNIVUSITY OF MICHIGAN RICHMOND, VIlsaNIA Aurora, New York 13026 ANN AIlOR dMi.. Moton phqed wit" aulf.rify ami reserve, clemonllroflng .... Ite, ."MardllHlry IfIdIity •• :' D" Motn .. R-aid.... Octob.r 5. 1964

r - Richa rd robert anderson •B fMD FAGO c ~OHN HOLTZ ANDER SON I Sotrthom __ uoIvonIty T BenneH Co liege II Faculty. HARTT COLLEGE, University of Hartford L Greensboro, N. c. Dallao, r.... 75275 S Organls" CENTER CONGREGATIONAL CHURCH, Hartford

Oswald G. CHARLOm AND WIWAM D. M. A- HEINZ A RNOLD F.A.G.O. DoMulo ATKINSON R A G A T Z STEPHENS COLLEGE FIRST PRESBYTERIAN CHURCH Prof...., of Organ 2001 EI Camino Real COLUMBIA , MO. Oceansld., California 92054 Recital. INDIANA UNIVUSITY lectur..

Classified Advertisements John Barry in THE DIAPASON pOCOrlO Beq SIJ2Cie~S ST. LUKE'S CHURCH STATE COLLEGE, fAST STROUDSBURG, PENNSYLVANIA 18301 LONG BEACH, CALIFORNIA bring results K. BERNARD SCHADE, FOUNDER AND MUSICAL DIRECTOR

16 THE- DIAPASON >

Monlre B 61 pipes Flute a chem l n~e 8' 61 pipes Predant -i' 61 pipes Flute conique -i' 61 pipes Harry E. Cooper MICHAEL CORZINE DoubleHe 2' 61 pipes School of Music Cornet (TC) III 2-2/3' 147 p;pes Mus. D., F.A.G.O. Fourniture IV 1·1/3' 2+i pipes Florida State University TrompeHe 8' 61 pipes RALEIGH, N. CAROUNA Tallahassee POSITIF Bourdon S' bI pipes Preslollnt -i' 61 pipes Flute a fuseau -i' 61 pipes Nasard 2.2/3' 61 pipes DAVIDSON Quarte de nollSllrd 2' 61 pipes WALLACE M. COURSEN, JR. Tierce 1-1/5' 61 pipes F.A.G.O. ladgo! 1·1/3' 61 pipes J.rry F. Susan L Cymbale IV I' 2+i pipes CHRIST CHURCH M5M, AAGO. ell ... MSM. ChM Hilrp.r CoIl..... T.. ',Mbrl.,t... Churda Cromorne 0' 61 pipes BLOOMFIELD AND GLEN RIDGE, NJ. Tremulant P.I.1fln., 1111101. ..rriit9fon" n"lIOl. - RECIT Flute ouverte 8' 61 pipes Viole de gambe 8' 61 pipes Voill dlesle (TC) 8' 49 pipes KATHRYN ESKEY Odave 4' 61 pipes DELBERT D1SSELHORST Flute octaviollnte 4t 61 pipes Odav!n 2' 61 pipes DMA The University of Plein ieu V 2' 305 pipes University of Iowa 8011non 16' 61 pipes North Carolina HautboIs 0' 61 pIpes Iowa City 1.- at Greensboro Trem ul o11nt Casavant Fr.res limit6e: Christ Church. PEOAlE Monfre 16' 32 pipes United Methodist. Glens Falls. New Yort Soubasse 16' 12 pipes 3.manual and pedal. 36-stop, 51·rank. Octavebasse 0' 12 pipes GEORGE ESTEVEZ eledropneumatic action. Dedicated Dec. 80urdon 8' 32 pipes EARL EYRICH 8, 1974. Org.nist of church: Norma B. Octave 4' 32 pipes ch.m. Fourniture IV 2' 128 pipes Dixon, Director First Unitarian Church Bomharde 16' 32 pipes Rhode College GRAND ORGUE Trompette 8' 12 pipes Island Bourdon 16' 61 pipes Clairen -i' 32 pipes CHICAGO CHAMBER CHOIR Providence

GEORGE FAXON SUSAN INGRID FERRE LARRY PALMER ~l~~~o. TRINITY CHURCH Teaching Fellow FINEST IN NATURAL PERCUSSION North Texas State University BOSTON Harpsichord - Orga. Danian Solid Soathor. Mothodld Uolvenlty Cathedral Chimes Electric Charle. H. Ph. D., FAG.O. Orga.lst-Cllolr.asfer Actions Robert Finster AMPliFIED TOWER CHIMES Salet Lak.'s EpllCopal Ch.rch FINNEY lIMA Cholnaan, Dlvlolon 01 Mo ... & A.. Dallal, T.xas LAKEYIUE Houghton Col ...., Houghtott. N.Y. St, John" Cathedral CONNECTICUT 06039 Houghton W.... yon MetItocIltI Church Denv.r

Wm.G. BLANCHARD Antone Godding Peter J. Basch ORGANIST HENRY FUSNER School .f Mullc: POMONA COUEGE 5.M.D.. A.A.O,O. Wildwood Road CLAREMONT GRADUATE SCHOOL B;ohop W. Angle SmIth Chopel THE CLAREMONT CHURCH Flnt Presbyt.rian Church Califon, New Jersey 07830 Clar.mont California Nashvnr., Tenn ..... 37220 Oklahoma City Unlvenhy

no.1 LESTER GROOM ROBERTA BITGOOD CHARLES BOEHM GOEMANNE TRINITY LUTHERAN CHURCH compa.. r.mu_. eIIr. Seattle Hldmill., N.Y. Firat Congregatiorud Church CHRIST the KING CHURCH Seattle Pacific Cturc& or the NASSAU COMMUNITY COLLEGE 8017 Prestan Road College AscemIon BATTLE CREEK, MICHIGAN Garden C1ty. N.Y. DALLAS, TEXAS 75225 98119 98199

DAVID BOWMAN ETHEL SLEEPER IlRETT E. LYLE HAGERT DAVID S. HARRIS D.M.A. Church of Our SavIour Organist and Recitalist Gellucm.ne EpismpaI OIurch Alabama Slate Unlvenlty Akron, Ohio fint MrthOOisl Church, Sacramento. CaL Mlnncapolu, MInn.... ta ~ Montgomery, Alabama Organ ,wILFRED BRIGGS JOHN BULLOUGH WILL O. HEADLEE Yuko Hayashi A.B. M.s.M_ ChoM. SCII()OI. OF ~ILSIl! M.5.. CK.M. Farleigh Diclclnson Univ.nity new england conservatory St. John's In the Village THn.cIt, N.w J.ney SYRACUSE UNIVERSITY Memorial M•• hodls. Church old west church SYRACUSE, ~EW YORK 13210 New York U, N.Y. Whl •• Plolnl, N.w Yorlc baston - GrurDiteln Award SPODlOl' ARTHUR CARKEEK SAMUEL HILL GUICAGO ., M.S.M. A.A.G.O. WILBUR HELD CLUB OF SM.D., F.A.G.O. SL Paul'. Church Chicago, IUioois DePauw University Organist W OMEN Ohio Stata Unlvanlty Gobin Memorial Church OROANISTS Trinity Church carthage Con ... Grcrncastle, Indiana Lots lohman, Presldcal COLUMBUS, OHIO Kenosha, Wisconsin

EARL CHAMBERLAIN lIobert ClarA Harry H. Huber d. deane F.T.C.L School 0/ M usic 1\1. Mus. Kansas Wesleyan University hutchison ST. STEPHEN'S CHURCH UnIversity of Michigan University Methodist Church partland, aregan Cahone. M""""' ...... Ann Arbor SALINA, KANSAS

APRil, 1975 17 New Hanover H S Cholra, Jane Price, dlr, 18 APRIL CALENDAR First Presbyterian. Wllmi~ton, NC 5 pm Rlmord Webb, Presbyterian Cotlego, Clin­ Michael Schneider, first Presbyterian Bur- ton, SC 8d5 pm DHelU"e for this calendar Wa. Morch 10 lington, NC 5 pm ' 8ernard lagace, SI Martins In the Fields Dale Peten, First United Methodist, Brev­ Episcopal, Columbia, SC B pm ard, NC 3 pm Joan Lippincott, St John's EpIscopal. 5 Al'RIL Virgil Fall, RevelOllon Ughh, Virginia Samuel J Swartz, lor Roc:hestltl', NY AGO Youngstown, OH Gerre Hancock, AGO masterclass, Nor­ Technological Institute, Blocksburg, VA 8 pm ICarel Paukert. Museum of Art, Cleveland, G Dene Barnard, Central Presbyterian, wich. CT lOam Michael Radulescu, mosterela", First Pr. OH 2130 pm MassUon,OH Arthur Pobter. AGO most.reloss, Dayton, byterian, Challanoogo, TN Jack Ruh!, Flnt Wayne Sireet Methodist, Ren' Saorg1n, U of Oregon, Eugene, OR OH JCkws-ChrCsthart Kralzerulein, aU·Boeh, Fort Wayne, IN 7130 pm Lynn Zeigler, Church of ,the AscensJon. George Ritchie, RLDS Auditorium, Ind .. Rice U, Houston, TX 8 pm 19 APRIL Chicago, IL 7:30 pendenee. MO 8 pm Richard Morris, organ; Martin Berinbaum, Robert Boker, masterclass, Bridgewater William Kuhlman. Faith Lutheran, Glen El­ Joan Lipplntoft. mosterclou TexOs Wo­ trumpet; U of WiK:Dnsln, Grltfln Boy, WI College, Bridgewater, VA lyn, Il 7:30 pm men', College, Denton. JX 10 ~m 8:15 pm Bernard lagaci, masterdass, St Manins In Edith Ho, Stodtklrche, Unne. Germany Jerald HamUtan, Ftrst Church of Christ, Dexler Boiley, Trinity Episcopal, Highland Park, IL 3:30 pm the Fields Episcopal, Columbia, SC 10 am Scientist, Denver, CO 4 pm and 2 pm Theodore W Ripper, first United Metho­ 6 APRIL dist, Decatur, IL 4 pm Joan lippincott, workshop, SI John" EpIs­ Michael ltodUIeKu, Groce Church, Provl· 10 Al'RIL copal, Youngstown, OH Bruce Hen~y, St Thomas Church, New Gerre HOlKOCk, Fint Presbyterian, Ottum­ dence. RI 8 pm wa, fA .. pm Michael RaduleKu, mosterdou, Mankato Atlanta Boy Choir, fletch.r Wolfe, dlr, York, NY 12:10 pm State U, Monkato, MN I pm Mildred Alexander, Theatre Organ Can­ Rosalind MohnMn, first United Methodist, Sprague Hall, Vale U, New Haven. CT -4 pm Clorinda. lA, recital 4 pm, workshop 8 pm Rene Saorgln, workshop, U of Oregan, cert, The IClrk. Dunedin, FL 8d5 pm Eugene, OR Choir of New College, (Oxford, England), Carlene Neihart, St Phillip's Episcopal. [)(wId lumsden, d/rl St Thomes Church, Now R... i Saorgin, Louislooo Col~e, Plne'tille, LA Joplin, MO 7 pm Yotlc, NY 110m and -4 pm Susan Ferre, Norma Stevlingson, organ 20 APRIL Judith Otten, soprano, Church of the Holy George M Williams, Community Church, Northfield. IL B pm and harpsichord; Christ Episcopal, Dallas, Christopher lCane, St John the Evangelist, Name. New York, NY 3 pm TX .. pm Boslon, MA 4130 pm James A Slmmt, Chopel of the Interte.. Reni Saorgin. Weber Slote College, Og· larry Allen, Immanuel Congregational, sion, New York, NY -4130 pm II APRIL David 800. Memorial Church, Harvarllll U, den, UT Hartford, CT 3 pm Jetef Serafin, Sf Stephen's Eplscopol, Mill­ Robert Anderson, Fint Unlled Methodist, Edith Ho. Dwight Chapel, Yale U, New burn, NJ .. pm Cambridge, MA 8:30 pm Jomf Serafin, Chris' Church, Philadelphia, Albuquerque, NM 4 pm Ho'ten, CT 8130 pm Pocono Bay Singers, Bethany United Pres­ Jome, Moeser, Old St Mary's Church, San John AIYes, Grace Church, Utica, NY 6 pm byterian, lonca.ster, PA 7 pm PA Michael Radulescu, for Gr.. nville, SC Francisco, CA 3 pm Hendricks ChopeJ Choir, Craig A Otto Jephthah by Corlsslml, Trinity Church. Arthur Wills, Groce Cathedral. San fran­ dirl Syracuse U, Syracuse, NY B pm ' Swarthmore, PA 4 pm AGO Ren' Saorgin, mostercloss, Louisiana Col. cisco, CA 5 pm "Music for the Church," conlerence for William French, Cathedral of Mary Our John Weaver. Naval Weapons Center, organists and choirmasters, David Lumsden; Quee". Baltimore, MD 5130 pm l.go, Pine'tille, LA lynn Ze~ler, Our lody of Bethlehem Con· China Lake, CA 7 pm St l homas Church. New York NY (Ihru Ap' JoMph Ste\lens, harpsichord, alJ..Boch; 22) • \lent, LaGrange Patk, IL 8 pm U', Getting late ,Iotk·rock oratorio; La Cathedral af the Incarnation, Boltimore, MD Jolla Presbyterian. lo Jolla, CA 7:30 pm Terry Charles, theatre organ concert, Lang B pm Hermon Pedtke, organ-Scalatron recital. DePaul U, Chicago, Il 8:15 pm Do'tld Bruce-Payne, Christ Church Cathe­ Island U, Brooklyn, NY 2 pm Bruce B Stenns, St James's EptKopal, dral, Ottawa. Onlorio Eugene Hancock, Chapel. of the IntercH- Richmond, VA 4;30 pm Joan Lippincott, Westminster PrOJbytelton. Oklahoma City, OJC 8 pm Edith Ho, Ohm,'edeJOkienburg, Germany sicn, New York, NY 4:30 pm I Virgil Fox, Revelation l1ghts, Duke U, West Side Madrigalists, St Petfll', luther­ Durham, NC John Weaver, First United Methodist, Palo Alto, CA 8t15 pm 14 APRIL an, New YOlk. NY 7:30 pm Dhdt Dominu. by Handel, Downtown Pre.. John Rose, Melody Crest, Somerville, NJ byterion, RodulSfer, NY 7130 pm Jerald Hamilton, UCLA, Los Anljleles, CA John Holtz, AGO lecture on 20th century DovkI Bruce·Paynfl, SI Catherines, Ontario organ music; Our Lady of lourdes Church, Jozef Serafin, S, George's Episcopal, Marilyn lCelser, Westminster Presbyterian, Helmetta, NJ 7 pm BuHolo, NY 8115 pm Gales Ferry, CT 6130 pm 12 APRIL St Luke's Singing Lads, George N Tucker, Princeton Community Orchestra. Joseph lCarel Poukert, Museum of Art, Cleyeland, 1C0vocs, dir, All Saints Church PrlnCllton NJ OH 2:30 pm Atlanta Boy ChOir, First Church. Cam­ die; Howe Military School. Howe, IN 6 pm 8 pm ,. Wilma Jensen and K Dean WatJcer, organ bridge, MA 8:30 pm Huw lewis, St Paul's Church, flint. MI 8 Vidor Hili, harpsichord, Williams Cal­ pm Special Musical Service, Emmanuel Epb­ and percussion, Tabernade Presbyter/on, In­ copal, Bahimore, MD II am dlonopolis, IN 8 pm lege, WilliamstoWn, MA (also Apr 13) Metropolitan Chamber Ensemble, Ron Karl Richter, Alice Tully Hall, Lincoln Holleman, dir; Grace Episcopal. Oak Park, Joseph Stephens, harpsichord. Cathedral University Choir, Gordon Brode, dlr; Val­ of Mary Our Queen, Baltimore, MD 5:30 pm paraiso U. Valparaiso, IN 8115 pm Center, New York, NY IL 8 pm SU)Qn L Stone, Haddonfield United Meth­ Wa Ugang Rub$Om. Southef"1t Methodist U, Donald Sutherland and Phyllis Bryn-Julson, Lynne Davis, Central United Methodist, Christ Lutheran, Bethesda, MO Lansing, MI -4 pm odist. Haddonfield, NJ 8 pm Dallas, TX Michael Schneider, masterd ass. First Pre.. T1!d Alan Worth, Redfield, SO 8: IS pm Arthur Polster, mosterclass for Washing. John Rose, Ebenezer Lutheran, Chicago, ton. DC AGO IL,( pm byterian, Burlington, NC George Boker III. All Saints Eplscopof, Frederick Swann, Trinity EpllotOpol, Miami, Pasodenca. CA 8130 pm Robert Boker, Bridgewater College, David Bruce-Payne, for Peoria., IL AGO 8ridgewatflr, VA 3:30 pm Anita Werling, First Union Congregation­ fL 2 pm Richard Peek, Douglas ZeUer, music lor al, Quincy, IL .. pm Cantatas 39 and 161' by Boeh, lwo Mo­ 15 Al'RIL t.Is, Opus 93 (world premiere) by Kurt Hes­ Phyllis Bryn·Julson and Donald Suther­ 2 harpsichords, CoYenant Presbyterian, Rene Soorgin, Christ Church Cathedral. Charlotte, NC 3:30 pm St Louis. MO 4 pm senberg; Mass in G by Schubert; Louisville land, Hendricks Chapel, Syracuse U, Syra­ Usa Crawford, harpsichord, Chrht EpiSCO­ Bach Society, St Agnes Calholic Church, cuse, NY 8 pm Jeanne Rizm, Church of Betheido by the Sea, Palm Beach, fL 8 pm pol, Dallos, TX .. pm louisville, KY 8 pm Ray Ferguson, f ifth Ave Presbyterian, Susan Ingrid Ferr' and Lutz de Moura­ Myron Braun, first United Methodist, New York, NY Pocono Boy Singers, St John', United Castro, Texas Christian U, Fort Worth, TX Perry. IA 7130 pm Samuel J Swartz, Cathedral of the Sacred Church of Christ, Emmaus, PA 7:30 pm 7,30 pm Gerry Hancock. moaterclass, First Prewy. Heart. Newark. NJ 8:30 pm • Ellen and lCenneth Landis, fiut Presbyter. Adorns State College Choir, St John's terian, Ottumwa, fA David Bruce·Payne. Elan College, NC Ion, IUoomsbt.lrg, PA Cathedral, Denver, CO .. pm Worth-Crow Duo. Lyon. KS 8 pm David Lowry. "Music for Church Wed­ Karel Paukert, Museum of Art, Cleveland, Clyde Holloway, First Congregational, los Joan Uppincoh, workshop, Westminster dings," Winthrop College, Rock Hill, sc 8 OH 2,30 pm Angeles. CA 8 pm Presbytelian. Oklahoma City. OK pm Robert Griffin, Redumer Lutheran Flint, MI 8 pm ' Edith Ho, Nicolalkirche, Bielefeld, Ger· Douglas L But~r. Delbert Saman. works Joze' Serol.,., Sf Paul's Cathedral, Pilt ... manYI Also levern, Germany for 2 o rgans; Fl tst Unitarian, Portland, OR burgh. PA Death of the Bishop of Brindisi by Men­ B pm University Singers, Concert ChOir, Cham­ oW; Yesperaa Solenne, de CanleMOre ICV ber Singen; Eastern lCentucky U. Richmond, 339 by Mozart, Second Presbyterian Indian- 7 APRIL KY 7,30 pm apolis, IN B pm ' 13 APRIL Michael Schneider, First Congregational, Three Organ Sonata, by Hindemlth, lee. William Eifrlg, ValparailO U Valparaiso Pittsfield, MA 8 pm Ram Isla nd Arts Cenler Dance CompanYI ture-recltal, Anita Werling; faith Presbyter_ IN 4 pm " Tempest (feu·rock group); Cathedral of S. Richard Morris, organ; Mortln Berinbaum, ian. Monmouth, IL 8 pm Frederick Swann, fourth Presbyterian, trumpeh Fint Presbyterian, Naples, FL 8 luke, Portland, ME 4 pm Chicago, IL 6:30 pm Cantori do Camerq, Immanuel Congtego. Vi rgil Fox. U of Wisconsin, Stevens Point, pm WI 8 pm Wolfgang Riibsam, Groce Lutheran, Albert Tfld Alan Worth. Iron Mountain. MI 8,15 lIanal, Hartford, CT 4 pm leo, MN 7,30 pm DaVid Lumsden, UnUed ChulCh on the Reni Soorgin. Plymouth Congregational, pm Seattle, WA 8 pm Michael Rodulescu, Mankato State U George Baker III, Wheaton College, Green. New Hav~n. CT 5 pm . Mankato, MN 8 pm • Wheaton, IL 8 pm WIIUam Whitehead, Christ Church, Water­ 16 APRIL CQ(lene Neihart. St Andrews EpiKopal, Da\lid Bruce.Payne, SI Paul's Eplscopal, town, CT 7130 pm 1C0nsas City. foAO 4 pm Pekin. IL Donald Sutherland and Phyllis Bryn-Jul­ Ri<:ho.rd Coffey, South Congregational, New &ntoln, CT 12 05 pm Glori.a, Concerto for Organ, StrlnSis and Edith Ho, Ibbenbeuren, Germany son, Christ Episcopal, Binghamton, NY 1 TImpani by Poulenc; Rodney A Giles, organ; Roy Ferguson, US Military Academy, West Romantic Music, St Thomas Church. New York. NY 12:10 pm Harold Neal. dir; First Boptist, lCansos City. POint, NY MO 04 pm 8 APRIL Wilma Jensen. Riverside Church, New . Albert Russell, St John's Epbcopol, WO$h­ Robert McDonald. Cathedral of thfl Sacred mglon, DC 12:)0 pm George Baker 111, Trinity Presbyterian, York, NY 2.30 pm Tucson, AZ Heart, Newark. NJ 8:30 pm Harry Wilkinson, St Thomas Church. New Alvin Gustin. Christ Church, Alexandria, Winthrop Chorale. Robert Edgerlon, dir; VA 12110 pm Susan Ingrid Ferri, Grace Episcopal York, NY .. pm Carlsbad, NM • Winthrop College, Rode. Hili, SC 8 pm Musleo Eterna, E Power Biggs, Catharine Korel Pauhrt, Museum 01 Art, Cleveland, Women's Chorale and Chamber Singers. OH 8130 pm William Osborne, Cathedral of SI John Crozier, Thomas Schippers; Alice Tully Hall, the Evangelist, Spokane, WA 4 pm David A Wehr, dir; Eastern Kentucky U. lincoln Center, New York, NY 8 pm Mithael Radulescu, masterciaS$, U of Kan­ Richmond. ICY 7130 pm sos, Lawrence, KS Reni Saorgln, Lewis and Clark College Robert Smart, Swarthmore College, Portland, OR 8 pm ' Mkhoel Radu5escu. First Presbyterian, Swarthmore, PA 8: 15 pm Worth-Craw Duo. fox Theatre, Billings, Chattanooga, TN MT 8115 pm Te'd Alan Worth, Mount Shasta, CA 8.15 Reginald Lunt, Trinity lutheran. Lancaster. pm Wilma Jensen, mastertloS$, U of Michigan, PA 6 pm Ann Alb"", MI Symphony 3 by Salnl·Soons; John fenster­ Pocono Boy Singers. Topton Lutheran 17 APRil maker. Berkeley Proroenade Orchestra Church Home, Topton, PA 3 pm Ray Chenault. SI Thomas Church, New Thomas Rarkk, dlr; Grcx:e Cathedral So~ 9 APRIL Jozef Serafin, Market Square Presbyter. York, NY 12:10 pm Francisco, CA 8 pm ' Allan Sternfield, piano, South Congrega­ ian, Harrisburg, PA Ray ferguson, Trinity Church, New York Whittier College Concert Choir, E M Rid­ tional, New Britain, CT 12r05 pm Raynalda Reyes, Cathedral of Mary Our NY 12:45 pm ' dle. dir; first United Methodist. SonIa 8or. Musk 01 Thomas Tomkins, St Tho",os Queen. Boltlmare, MD 5i30 pm Oa'tid Bruce·Payne, First Presbylerian, Dur­ baro, CA .. pm Church, Ne~ York, NY 12110 pm John Marcellus and Hafg Mardirosian. ham, NC Chapman College Concert Chorale, Wil­ Andr' Marchal, Alice Tully Hall, lincoln trombone and organ; Lutheran Church of Virgil FolC, Re\lelotion Lights, Northern liam Hall, dir, La Jolla Presbyterian, La Center, N,yt York, NY the Reformation, Washington, DC 3 pm Illinois U, DelCo lb. IL 8 pm Jolla, CA 7130 pm James Frazier, St John's Episcopal, Wash­ Peter Hurford, All Souls Churth, Wash­ Andrew Crow, Washoe Theatre, Anacon­ St George's Day Fesllval Evensong St il\gtan, DC 12tl0 pm Ington, DC pm .c da, MT 8f15 pm Paul's Episcopal, Son Dlego, CA ,(130 ~~

18 THE DIAPASON Cordon Atkinson and Barrie Cobena, John Van Sant, U S Naval Academy, An­ I MAY 6 MAY horpslchc,rd and organ; First-St Andrew" napolis, MO -4 pm W Elmer lancaster, St Thomas Church, Virgil Fox, Revelation lights, Calderone United Church, london, Ontario 8 pm Doniel Roth, St Luke Lutheran, Silver New York, NY 12110 pm Theatre, Mineola, NY Spring. MD 8 pm Aron Vartanian, Old West Church, Bas­ Archdiocesan Festival Chorale, Cathedral 21 APRIL American U Singers, Vito Mason, dir; Lu­ ton, MA 12 noon of the Sacred Heart, Newark, NJ 8:30 pm Aron Vartanian, Old West Church, 80s-­ theran Church of the Reformallon, Wash­ Robert Anderson, Groce Episcopal, Mans­ Bruce Bengtson. NOlkHlal Organ Playing ton. MA 8 pm ington, DC 3 pm field, OH 8 pm Competition winner's recital; First Presbyter. Cantata 29 by Bach, Mass in TIme of War Requiem by Faure; Rejoice in the Lamb National Festival, Hymn Society of AmerI­ Ion, Fort Wayne, IN 8 pm by Haydn; Bach Choir and Orchestra of by Britten; River Road Presbyterian, Rich· ca: at Wittenberg U, Springfield, OH (thn. Pittsburgh, W William Wagner, dir; Mt Leb­ mond, VA 4130 pm Moy 4) 7 MAY anon United Methodist, Pittsburgh, PA 8 pm Robert Wolfersteig, Cathedral of St Philip, John Weaver, Zion Lutheran, Wausau, WI Richard Mumford, United Church gn the Marianne Webb, Southern Illinois U, Car­ Atlanta, GA 5 pm 7:30 pm Green. New Hoven, CT 12 noon bondale, Il 8 pm Mass In Honor of 51 Sebastian by Villa­ Baylor Chorale, Spring Concert, Bayl Of' Lobet den Herrn by Boch, 51 ThomOl Robert Triplett. Centenary United Metho­ Lob05, Independent Presbyterian, Birmingham, U. Waco, TX 8115 pm ~ Chwch, New York, NY 12110 pm dist, St louis, Ma AL 4 pm Duo Trompeto Real, Fred Sau"er and Jogn lippIncott, First Presbyterian, Phila­ Kathleen Thomerson, St James Episcopal, Douglas L Butler, trumpets and organ; St delphIa, PA 7:30 pm 22 APRIL Alexandria, LA Mark's Cathedral, Seattle, WA Joseph Wozniak, Cathedral of the Sac.­ Susan Ingrid Ferre, Christ Church Episco­ 10th Annual Convention, Associgtion of 8 MAY red Heart. Newark, NJ 8:30 pm pal. Temple, TX 3 pm Anglican Musicians, Grote Cathedral, Son Terry Charles, theatre organ requesh, Winthrop Chorus, Robert Edgerton, dir; Chamber Singers, Spring Concert, Baylor Francisco, CA (thru May 4) The Kirk, Dunedin. FL 8:15 pm Winthrop College, Rock HIli, SC 8 pm U. Waco, TX 3 pm (also Apr 28, 8:15 pm) John VanderbYI St Paul's Epi~a l, San Chorley Olsen, Museum of Art, Cleveland, Karel Poukert, Museum of Art, Clevelgnd, Diego, CA 7:30 pm 9 MAY OH 8:30 pm OH 2:30 pm David Lennox Smith, First United Metho­ Rene Soorgin, Andrews U, Berrien Springs, Carlene Neihart, First Baptist, Bedford, 3 MAY dist. Santa Barbaro, CA 8 pm MI OH Gerre Hancock, masterclass, Christ Church, Michael Radulescu, Bays Town. NE Eastertlde Choral Vespers, Concordia Sen­ Claire Coci, St Peter's Episcopal, Del Mar, Alexandria, VA 100m CA Richard Morris and Martin Berinbaum, ior College, Fort Wayne, IN 8 pm organ and trumpet; Modesto Jr College, William Shoat, Second Presbyterian, In­ tv'.odesto, CA 8 pm dianapolis, IN 8 pm 4 MAY 10 MAY Chorgl Concert, Cathedral of 51 James, John Daney, South Congregational, New Bach Festival; Cantatas 189 and 51. Lobe 23 APRIL Chicago, IL Britgin, CT 3 pm den Herrn, Easter Oratario b'y Bach; St Sharon Ferguson, soprano; Tho mas Herbert P Adams Jr, First United Metho­ Danald Armitage, Church of the Ascen­ John's Cathedral. Jacksonville, FL (abo May Schmutzler, piano; Sauth Congregational, dist, Glen Ellyn, lL 3:30 pm sion, New York, NY 4 pm II) New Britain, CT 12:05 pm Robert Ladine, carillon demonstration and Ephesus Boy Choir, Wolter Turnbull, dlr; 7th International Orggn Festival, Morello, Blessed Be the God by Wesley, St Thomas recital, St Chrysostom's Episcopal, Chicago, Chapel of the Intercession, New York, NY Mexico (thru May 18) Church, New York, NY 12110 pm IL -4 pm 4:30 pm John Rose, Union Congregational, Upper Children's Choir Festival, 51 John's Cathe­ Motet Labet den Herrn by Bach, St 1homos II MAY Montclair. NJ dral, Denver, CO 4 pm Church, New York, NY -4 pm; followed by Te Oeum by Dvorak; This Son Sa Young Albert Russell, 51 John's Episcopal, Wash­ U of Redlands Chamber Choir, Jeffery Judith and Gerre Hancock, duo organ re­ by White; Psalm 129 by Baulanger, Church ington, DC 12:10 pm Rickard. dirl at 51 Mark's Episcopal, Glen­ cital, 5: I 5 pm of the Ascension, New Ygrk, NY 11 am Eileen Morris Guenther, Christ Church, dale, CA 4 pm Robert E Smith, harpsichord, Melody The West Side Madrigalists, Church of Alexandria, VA 12:10 pm Whittier College Choir, First Presbyterian, Crest, Somerville, NJ 4 pm the Holy Name, New York, NY 3 pm Ren~ Soorgln, masterclass, Salem College, Oceanside, CA John Rose, Market Square Presbyterian, Jegn Paul Imbert, Church gf the AKen­ Wlnston.Salem, NC 4 pm Jane Howe, contralto; Janie Prim, pigno; Harrisburg, PA sian, New York, NY 4 pm KJaus-Christhart Krotzenstein, all-Bach; St St Paul's Episcopal, San Diego. CA 7:30 pm Phyllis Vogel, piano, Cathedral of Mary Create In me 0 Gad by Brahms, St Vincent de Paul Church, Houston, TX 8 pm Our QUeen, Ballimore, MD 5:30 pm Thgmas Church, New York, NY 4 pm; fol. Cantatas by Buxtehude; Janice Harsanyi, lowed by Judith Hancock, 5115 pm 24 APRIL 28 APRIL students from NC School of the Arts, Rich­ Music for organ, voice, women's choir Aran Vartanian, St Thomas Church, New A Wguhlp Redtal, (senior recital), Edwin ard Neubert. dir; Augsburg Lutheran, Wins-­ and violin, Trinity Lutheran, Lancaster, PA York, NY 12:10 pm R Taylor, Westminster Choir College, Prince­ Ion-Solem, NC 10:45 am 6 pm ton, NJ 7:30 pm Choir Recognition Program, Covenant Oonno Lerew, Violin; Neil Tllklns, piano; Presbyterian, Charlotte, NC 4 pm Cathedral of Mary Our Queen, Baltimore, 25 APRIL MD 5:30 pm Noye's Fludd. by Britten, First Presbyter­ Choral Concert with Orchestra, Cathedral ian, Binghamton, NY (abo Apr 26) 29 APRIL of St Philip, Atlanta, GA 8 pm Festival Evensong, Christ Church, Alexan-­ dria, VA .. pm Jotef Serafin, Shrine of the Immaculate Jozef Serafin, Milton Academy, Milton, Spring Festival Concert, Christ Church, Cincinnati, OH 8 pm Conception, Washington, DC MA Religious Arts festival, Independent Pres­ Robert Anderson, First Wayne Street byterian, Birmingham, Al (thru May 18) Marilyn Keiser. first United ~thodist. Rene Saorgin, South Congregational, New Methodist, Fort Wayne, IN 7:30 pm Parkersburg, WV Britain, CT 8 pm Chorgl Concert, First Wayne Street Math. Kathleen Tltomerson, St Charles Ave Bap­ Barbarg Harbach George, Cathedral of Spring Choral Concert, Valparaiso U, odlst, Fort Wayne, IN 7130 pm Valparaiso, IN 4 pm tist, New Orleans, LA the Sacred Heart, Newark, NJ 8:30 pm William Osborne, Groce Cathedral, San Noye's Fludd. by Britten, Central United Francisco, CA 5 pm St luke's Choristers, George N Tucker, Art of Fugue by Bach, Edith Ho, Dickinson Methodist, Lansing, MI 4 pm dir; Kalamazoo College, MI 8: 15 pm College. Carlisle, PA Dione Thomas, mezzo-soprano, with organ Junior Choir Festival, Faith Lutheran, 100% Chance of Rain, jazz cantata by Dgvid Craighead, masterclass. Pennsyl­ and instruments; St Mark's Episcopal, Glen.­ Glen Ellyn, IL 4 pm dale, CA 4 pm Wolter Horsley; Blessed Sacrament Church, vania State U, University Park. PA John and Marianne Weaver, Our Soy.. Hollywood, CA 7,30 pm 100% Chonce of Rain by Horsley, Fair­ iour Lutheran, Milwaukee, WI 3;30 pm 12 MAY Michael Rodulescu, St John's Episcopal, mount Presbyterian, Cleveland Heights, OH William Whitehead, First Presbyterian, los Angeles, CA 8:30 pm 7:30 pm Kathleen Forr, harpsichord, Neighborhood Edward Mandella, RockeFeller Chapel, Davenport, IA Church, PO$Qdenda, CA B:30 pm Chicago, IL 8 pm Carlene Neihgrt, St Mary's Catholic, Fort 26 APRIL Festival Chorus Spring Concert, Richard Scott, KS 7 pm 13 MAY Trinity Concert Choir, Jonathon B Reilly, Robinson, dir, ioylor U, Waco, TX 8: 15 pm Susan Ingrid Ferre, Holy Cross Episcopal, dir; Trinity College, Hartford, CT 8:14 pm John Rose, Cgthedral of the Sacred Heart, David Lennox Smith, St. Maria Gorettl, Paris. TX 3 pm Newark, NJ 8:30 pm Marilyn Keiser, workshop, First United ScotsCIale, AZ 7:30 pm Gerold Frank, Christ Episcopal, Dallas, Methodist, Parkersburg, WV TX pm Gerre Hancock, University Church cf 4 14 MAY U of Wisconsin Choir, 01 Valparaiso U, Seventh-Day Adventists, Lomo linda, CA Colorado State U Singers and Bross, St Vglparaiso, IN 8:15 pm John's Cathedral, Denver, CO 4 pm Dena Trump, United Church on the Green, New Haven, CT 12 noon Lutheran Choir of Chicago, Thomas Gi~ lDwell H 5 Orchestra, Grace Cathedral, schen, dir; Grace Lutheran, River Forest, Il 30 APRIL Son Francisco, CA The W1!derneu by Wesley, St Thoma.s 8 pm Sh.aron Hanjlan, harp, Sauth Congerga. "Music fgr Englgnd," St Bede's Episcopal, Church, New York, NY 12110 pm tional, New Britain, CT 12:05 pm Menlo Park, CA 8 pm Festival Music for Organ and Brass, Con-­ 27 APRIL Susan Morchant, United Church an the 71h Annual Festival of Choirs, La Jolla certo II for organ and orchestra by Rhein­ berger; E Power Biggs, Kansas City Phllhor. Rene Saorgin, Old West Church, Baston, Green, New Hoven, CT 12 noon Presbyterian, La Jolla, CA 9:30 and 11 am Mi$$CI Brevis by Britten, St Thomas Church, Special Benefit Concert, St Paul's Choris­ monic Orchestra, Maurice Peress, dlrl The MA Auditorium, Independence, MO Jotef Serafin, First United Presbyterian, New York, NY 12:10 pm ters, St Paul's Episcopol. San Diego, CA 4;30 David Craighead, mosterdoss, Mansfield Cortland, NY pili - ,-"'1/ Sacred and Secular Choral Music, All State Colhtge, Mansfield, PA 15 MAY Saints Cathedral, Albany, NY 5 pm Joan Uppincott, Hamilton College, Clin-­ Lynn Zeigler, St Thomas Church, New Benjamin Von Wye. Bethesda Episcopal, ton, NY 5 MAY York, NY 12:10 pm Saralggo Springs, NY 8 pm Bannie Woodward, flute, St John's Epis­ Kim R Kasling, St Mark's Episcopal, Cold­ Pocono Boy Singers, Convention of Penn­ Annual Choir Concert. 51 Paul's Cathe­ copal, Washington, DC 12:)0 pm water, MI 7;30 pm sylvania Federotlgn of Muslt Clubs,. Strouds­ dral, Buffalo, NY 5 pm Albert Wagner, Christ Church, Alexandria, James Moeser, Second Uniled Methodist, burg, PA 7 pm Jacqueline Pierce, mezzo-soprano, Church VA 12:10 pm KnoXVille. TN 8: I 5 pm Duo Trompeto Real; Fred Sau"lIr and of the Holy Name, New York. NY 3 pm Kathryn Loew, Third Christian Reformed Lee Jessup, SI Paul the Apostle Church, Oouglas l Butler, trumpets and organ; Un. Michael Bort. Sf Thomas Church. New Church. Kg lomazoo. MI 8 pm West Los Angeles, CA 8:30 pm field College, McMinnVille, OR York, NY 5: 15 pm James Moeser, First Presbyterian, Cold- well, NJ ALEXANDER BOGGS Recital. and Mast.r Cla_ Barbaro Harbach-George, 51 Timothy's Lu- Recordings: theron, Wayne, NJ Organ Consultation Pocono Bay Singers. Tamaqua H S, Tamg. AEolian-Skinner (5326) quo, PA RYA N Cathedral Church af Christ the King Ra ndall Mullin, Ca thedral of Ma ry Our • Aural Press Queen, Baltimore, MD 5:30 pm CONCERT ARTIST Kalamazoo, MI

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APRil, 1975 19 JOHN HUSTON EllEN KURTZ ORGAN RECITALS FIRST PRESBYTERIAN CHURCH JACOBSON MoM ... A.A.O.O. TEMPLE EMANU·EL Cha,lotte and William Atkln.on - Fittt Ro nald Ebrecht - shldant of Robert Andel' New York Cicy Concord, California Presbyterian, Oceanside, CA Feb 2: Obra de MJ II, senior recital. Southern Methodist U, octavo fono alto (En,alada), de Heredia; Dalles, TX Jen 31: Te Deum, Buxtehude: Allein Scherzo CGh, Langlais; Prelude end FuQue in Gatt 5676, Prttlude and Fugue in C 5547, Bach: D, Sonata II in £.flat, Bach; Sy,inx, Clair de Reverberations, Perera; FantGisie en Ie majeur, KIM R. KASLING lune, Minstrels, Debussy; Danse de la Che·o/fe. Franck: Final (Sym 111), Vierne. James Kibbie HonegQer; The Hills of Homle, Oscar Fox; D.M.A. Sonata VII opus 13, Beethoven; Fantasia-1m· John CElli. - Cathedral of St John the Wut.m Michigan Univenlty promptu, Chopin; la Danza Tonta, Mark Hoder; Evangelist, Spokene, WA Feb 23: Prelude aDd Holy Family Church InKription to Night, Mader; Sonatine, Dutil­ Fugue In C SS47, Bach: Priertt, FrGncll; Tanz. Flr.t Congregational Church leux. Toccata, Heillel: Sonata on the 94tft P.alm, Kalamaz_, Michigan Fort Worth, Texas Kenneth L Axalson - West Liberty State Reubke. Coll ege, West Liberty, WV Jan 28: Vom Himmel hoch, Pachetbel; Toccata in F S54O, Judith Ellis - .tudent recital, Virginia In. Wo soli ich mehen hin 5646, Meine Seele termont College, Bristol, VA Feb 6: Fugue in orhebt den Herren 5648, Bach: Sonata 111 in A, G minor SS7B, Toccata and Fugue in 0 minor SHARON KLECKNER GEORGE E. KLUMP Mendelssohn: Five Vo luntaries, Pinkham; Fourth S565, Bach: Flute Solo, Arne; 3 setti~1 Ein House of Hope of J ul y, Hewitt; Silent Night, Barber; Piece feste Burg, Scheidt, Luther end Walcha; Sonata DIVISION OF THE ARTS H6roique, Frenck. II , Mendeluohn: CGntabile, Franck: Toccata Presbyterian Church (Sym V), WHor. Dexte, Ban • ., - Trinity Episcopal, Highland St. Paul, MN 55105 DALLAS BAPTIST CoLLEGE Park, Il Mer 9: My lOul doth magnify the Rob.rt Elmor. - longwood Gardens, Ken· Recitals DALLAS. TEXAS 75211 lord, Lord Jesus Christ with us abide, Praise to the Lord the Almighty, Bech; Organ Sonata, nett Squall!:, PA Jan 29: Wo all believe in Distler; Sonata on the 94th Psalm, Reubke. one true God, Concerto in E-flat, Bach; Prelude and Fugue in A minor, Brahms: Les Eeux de ROftolld E Balla,d - Christ Episcopal, Little la Grece, Combat d. la Mort et de la Vie, Rock, AR Feb 28: We all be ~ ieve in one true Messiaen; Gigue, Bossi: Fint Concert Shldy, God 5680, When in the hour of utmost need Yon, Rhythmic Suite, Elmore. Arthur laMirande ARTHUR LAWRENCE 5641, Bach; In Paradisum, Daniel.Lesur; Trum­ pet Tune in D. Johnson; Andante cantabile Doc. Mu .. Art., A.A.G.O.. Ch.M. "'arci.;a Hilnnah farm.r - St Mark's EpiKG­ Church of the Holy Hame of Jesus (Sym lV I, Widor; Variations on Veni creator, pel. Glendale, CA Feb 16: Komm Heiliger Saint Mary's Colle.e Durun6: Drop drop slow tears, Persichetti. Geist Sb51, An Wasserfliissen Babylon 5653, New York, N.Y. 10025 Rodn.y L Barbour - student of Robert lobe den Herren S65D, Va' deinen Thron Sb6II, Notr. Dame, Indiana 46556 Wolff, honors recital, Marshall U, Huntington, Toccata in F S540, Bech: FGntasy KV 608, WV Feb ID: Prelude and Fugue in A minor, Mozart: Le iardin suspendu, Litanies, Alain; a Lamm Gottes, Trio Sonate I, Bach; Sonata The lest Supper, Weinberger; Elegy, William I, Hindemith; Lyric Rhapsod." Wright; Cerillon Grent Still; Psalm 131, Zimmermann; Allegro RICHARD W. LlTTERST David Lowry de Westminster, Vierne. and Allegro auai from '4th Psalm, ReuMe. uri hrr - Hamline Methodist, Sf Peul, School of J\1u~ic Susan Ingrid F.rr' - dDdDr.1 re eilal, NortlI M. S. M. MN Feb 9: Peean, leighton; Flourish, Held: TC"las State U, Denton, TX Jan 26: Parephrase­ SECOND CONGREGATIONAL CHURCH Willthrop Collt'~w Partita for English Horn and Organ, Koehier: Carll!!;, n (from l'Orgue Mystique opus ~/l5, Sketches in F minor end D·flet, Schumann; Assomption), Toumemire; Cinq M~itations sur ROCKFORD. IUINOIS Hock lIill. South C.lTolina 297:n Blessed are ye, Brahms; Introduclion and Fugue " Apocalypse, langlais. on Ad nos, Lisll. - Wayne Flsh.r - leclure·recital for Dayton, Milrl. Vldorla Blech - stutlent of Herbert OH Chapter AGO Feb 3: Allegro (Sym VI ). l White Jr, Sherwood Music School, Chicago, Wide r; Allegro vivGce (Sym I). Vierne: The IL J an 29: Kleine Priiludien und Intenneui. W(H'ld Aweiting the Savior, Crucifixion (Passion Eric McDonald William MacGowan Schroeder; Allegro vivace (Sym I), Vierne: Symphony) , Oupr6; Repons pour Ie temps de Fentesia end Fugue in C minor, Bach. Paques, Demessieux: Saga IV. Guillou; Final Han. FRSCM . _...to-by-_ Rhepscdique (Suite Francaise), langlais: Pra­ Jamlls IoSHrt - St Mark's Episcopal, Glen­ lude and Danse FUQue6, Utaite. Saint LoW.. Mi.oourl 63115 dale, CA Feb 23: Wer nur den lieben Gott 5647, Palm Beach, florida 642, " settings Allein Gatt in der H8h S 715, 662, &lA, and W, Fugue in G minor SS42, Rob.rt Glesgow - First Presbyterian, Fort Bach; In Memoriam, "Till" Remembered (12 Wayne. IN Feb 4: " Noels, Dandrieu: Canon Concert Preludes), JO$eph Wagner; Prelude, in B, Sketch in D·flat. Schumann: Fantasia Gnd Fugue and Variation, Frond. Fugue in G minor 5542, Bach; Second, Fourth. FREDERICK L. MARRIOTT Fifth, Sixth and Seventh Word from Chorals­ Hinson Mikell John Brock - First lutheren, Knolville. TN Poemes sur les sept pGroles du Chhst opus OlGANIST - CAJUllOHHlUl Recitals Feb 3: Concerto in 0 minor. Albinoni·Alain; 67, Tournemire; Man et Resurrectio, langlais. St. Paul', Episcopal Church Fantasy on Komm Heiliger Geist, Tunder; KIRK·IH·THE.HILlS Prelude end Fugue in B minor S544. Bach; Willlilm Goff - Heinz Chapel, Pittsburgh, BLOOMFIELD HIlJ.S, MICH. _13 Old York and Ashhourne Roads Fentasy for Trumpet and Orgen, SowerbYi PA Mar 4: Prelude Gnd Fugue in E minor, OAthens, MO Fe b 9: Prelude and Trumpetings. Roberts; WV Feb 4: Litanies, Alain: Pertitas on Two Fugue in A·fI.,t minor, Br.,hmsi Musk al Clocks, Christmas Carols, Drischner; Wechet auf 5645, CARLENE Haydn: Fantasy on BACH, Reger; Sonate III, Fantasia Gnd Fugue in G minor S542, Bech; Hindemith; Postlude for CcMpline, Alain; Pre. Allegro (Sym VI), Widor: AndGnte (Sonata NORLING VI), Mendelssohn ; ",elude and Fugue in B. lude and Fugue in B, Dup re. Dupre. NEIHART SL John's Episcopal Church St. And ...... Epb

20 THE DIAPASON > AUgust Humer - Shrine of the Immaculat. Kar.1 P.ukert - Museum of Art, Cleveland, Conception, Washington, DC Feb 28: Prelude OH Mar 2: Toccate and Fugue in 0 minor 5565, and Fugue in 0 minor, Fuga sopra iI Magnificat, Bach; Chromatic Study on BACH, Piston: Passacaglia in C minor, Bach; Toccata seHima, Toccata in D minor opus 59, Jesus Christ my MYRTLE REGIER Muffat; excerpts from Passio pro organo, sure defense, Reger, litonies, Alain. ole JeJgwa'l Horst Maltheus; Trinity.Triptych, Kropfreiter; Mount Holyoke Coliq. Fantasia super sol, la, re, Frogerber; TanzI!­ D.le Peten - Southern Methodist U, Dallas, Trinity Episcopal Clturd Toccata, Heiller. TIC Feb 2: Fantasia (1941), Hilding Rosenberg: Top_le/d, MallCKbuH". Ricerc:are XI, Froberger; Praeludium in 0 South Hadrer. MallClchu ..... 0.'" D..,id J Hurd Jr - Chapel of the Inter· minor. LUbeck; Partita on Sei gegrGslet 576B, Redia'. cession, New York, NY Feb 2: Prelude, Fugue Bach; Fantasia on the 6th Tone, Gabrieli: and Chaconne in C, Canzono in C, Prelude Reflection (1971), Walter Watson; Pastorale, and Fugue in F, Canzonetta in E minor, Roger.Oucllsse; Fantasia and Fugue in 0 K. BERNARD SCHADE Buxtehude; Canzona in D minor, Toccato, Ado· minor opus 135B. Reger. Robert Shepfer gio ond Fugue in C, Boch. SoM.M. Marvin E Peterson - Anderson Hills United STAlE COUEGE Organllf • Chotrmatfer John Hudon - Temple Emanu·EI, New York, Methodist, Cincinnati, OH Feb 16: Toccata on NY Feb 23: Moderato and Andante sodenuto the First Tone, A Scarlatti; Duet for Organ, EAST mOUDSBURG. PA. SECOND 'RaYlEllIAN CHURCH (Symphonie Gothique), Widor; Prelude and Wesley: Cantata Sing We to Our God, Oela­ Worbhop. ancl lectur.. Indlanapell.. India ... 46260 Choral (Suite opus 14), Maleingreau; Carillon, marter; The Seven LlIst Words, Ridout; Choral Th. Koclolr Choral Methacl Sowerby; 3 Psalm Preludes (Second Set), in E. Franck. Assisted by organid Robin Howells. Knowles, and soprano Doris Harry. Constance Molrie Juger - student of Wolter leonilrd Rave, - Temple Emanu.EI, New - A Eichinger, U of Washington, Suttle Feb Yor', NY Feb 16: Fantasia and Fugue in G L. ROBERT SLUSSER ROBERT SMART 13: Lo Vierga at l'Enfant, Les Berge", Dieu minor, Bach; Parable for Organ, Persichetti; Swartbmo... , Pemuylftllla parmi nous (Lo Nativitli), Messiaen, Adagio. Allegro and Adagio 'I:t/ 594, Mozort; MUS. M., A.A.G.O. Reverberations, Perera; Fantasia KV 608, Mozart. Trinity Epbcopal CJurch Polul Jenkins - Harvard University, Cam­ LA JOLLA PRlSaYTIRIAN CHURCH Swarthmore CoUege bridge, MA Mar 7: Ciacona in F minor, Cherry Rhodes - Glendale Presbyterian, Congrogatlon Rodb\'!' Shalom Pachelbel; Prelude and Fugue in C S547, 6 Glendale, CA Feb 10: Noel, Oandrieu: Prelude LA JOLlA, CAUFORNIA Schubler Chorales, Prelude and Fugue in G and Fugue in E minor S548, Bach; When the PblIaddp 5541, Bach; Prelude, Fugue and Variation, Morning Stars Sang Together, Pinkham; Orpheus, Franck; Fantosia and Fugue in 0 minor opus Lint-Guillou; Allen, Guillou. 13SB, Reger. George Ritchie - Lama Linda University, Celia Grasty Jones - U of North Alabama, Riverside. CA Feb I: Nova, Roberts; Nun bitten Carl Staplin Florence, AL Feb 21: Allegro vivace (Sym V), wir, Passacaglia in 0 minor, Budehude; Fugue ROLLIN SMITH Ph.D .. A.A.G.O. Widor; a Lamm Gottes unschuldig, Toccata, in G ssn, Ricercar a 6 (Musical Offering), Adagio and Fugue, Boch; Deux Oanses a Agni Bach; Prelude, Fugue and Varietion. Franck; Drake University Yavishta, Deuxi~me Fantaisie, Alain; Pageant. Blllck Host, Balcom. RECITALS University Christian Church Sowerbv· 1150 Fort,..nnt Street, Brooklyn, NY 11218 J Marcus Rlfchle _ First Un ited Methodist, DB MOINES, IOWA Alicl. D KnIght - Seventh.day Adventist Montgomery, AL Feb 4: Alleluias. Preston; Church, St Helena, CA Jan 25: Prelude and Partita on a Golt du frommer GoH 5767, Fugue in G, Pa55acaglia ond Fugue in C Prelude and Fugue in E minor 5548, Bach; Mu •• Dac.. F.A.B.D. minor, Bllch; Concert Piece, Peete ... ; Prelude Master Tallis's Testament, Howells: Offerfoire elK! Fugue on BACH. Lint; Final, Vierne. (Parish Mass), Couperin; Second Fantasy, ADOLPH STEUTERMAN FREDERICK SWANN Alain; Prelude and Fugue on ALAIN, Ouruflli, Southw..,.,n al Memphis Paul Koch - Church of the Advent, Pitts­ The Rlvenlde Church burgh, PA Feb 9: Chaconne, l Couperin; A John ROle - All Saints Episcopel, Palo Alto, Calvary Episcopal Church Madrigal, Anthony Jawelak; Volunhuy in D, CA Jan 25: Sonata II, Mendelssohn: Prelude, Boyce; Prelude and Fugue in C, Boch; Flute Fugue and Variation, Franck; liHle Carols of Memphts, T... n..... New York Oty Clocks, Haydn; 2 settings a Sacred Head, the Saints. Williamson: 3 seHings Lobe den Bach and Brahms; Choral in A minor, Franck; Herren, Walther, Reger end Micheelsen; Flute Chant de Paill, Langlais; March for Joyous Tune, Anile ; Inlermetto. Final (Sym III), Occasions, Peloquin. Vierne. George Norman Tucker W. WILLIAM WAGNER Arthur Lawrence - First United Methodist, Robert Roubos - Christ Church Cathedral, Mus. Bach. Mishawaka, IN Jlln 30 ; Offertoire on a Filii et Ottllwa. Ontario hb 9: S.ite for Organ, ST. LUKE'S CHORISTERS Filiae Dllndrieu; Sicilienne, Durufl6; Antiphons Nellr; The leaves on the trees spoke, Finney; MT. LEBANON METHODIST CHUllCH opus '18, Dup~; Reeks.veranderingen I, Cor Shimah B' Koli, PersicheHi; Variations on Ameri· Kalamazoo Keej Herr Galt nun schleu" den Himmel auf co, Ives: Prel.u de ond Fugue in D 5532, PittlbufI'h, PeoDl)'ivaaia 5617, a lamm GoHes S 618, In dir ist Freude Fantasia and fugue in G minor S542, Bach; BOY CHOIRS 5615, Passacaglia and fugue in C minor SS82, Partita on Was Gatt tut, Pachelbel. Bach. Assisted by Madrigal Singers of St Mary's College in Dandrieu, Dupr.S, end Bach chorales. Harald Rummier - Concordia Senior College, Fort Wllyne, IN Mar 9: Ricercar brevis, Rob.rt S lerd - Heinz Chapel. Pittsburgh, Sweelind; Passacaglia in 0 minor, Ach HeN' sally slade warner PA Mar 18: Seyen last Words lrom the Cross, mich armen Sunder, Buxtehude; If thou but WA-Ll-RO rournemire; Passacag li ll and Fugue in C minor, suffer God to guide thee. Dorian Toccala BOY CHOIR LLr.o. cb.m. Bach. and fugue, Bach; Fantasy in A minor, Saint· CHURCH OF SliEns; Fllntasy on With High Delight, Bender. WAIUIIH C. MILlER - DIRECTOR Kenneth Lowenberg - US NltvlIl Academy, ST. JOHN THE EVANGELIST Annapolis, MD Feb 23: Fanfare. Cook; Arimo, Wilbur F Russell - First Presbyterian, Santa Christ Chur. $ha", Helth•• 22, Ohio Beamn HUt Sowerby: Toccotlt in F, Bach; Vis:on of the Barbara, CA Feb 9: 6 Pieces for Mechanical Eternal Church, Messiaen: 3 seHings a Houpt Organ, C P E Bllch; Fantosy KV 608, Mozart: voll Blut und Wunden, Bach, Pachelbel and Andante, Beethoven: Prelude and Fugue in Brahms; Carillon.Sortie, Mulet. - E.flat, Voter unser, Jesus ChrithiiS unser Heiland, C. GORDON a t.,mm GoHes, Jesu me'ne Freude, Bach. David lowry - Winthrop College, Rod: Hill, CLARENCE WAITERS SC Jan 28: Prelude and Fugue on a Theme of David C Stills - Cathedral of St Philip, ViHoria, BriHen: Toccata, Froberger: Variations Atlanto, GA Feb 23: Magnificat primi toni, RECITALS WEDERT% on a Theme of Jannequin, Alltin; Fugue in Buxtehude: Were you there, Stills; Fanfare, St. John's Church 2554 W... IIBth s~ G S5n, Bach: Prelude on Adaste Fidelis, Cook; Vision of the Bernal Church, Messillen; Vllrilltions on America, Ives: Fantasy on Wie Sarabande (Baroque Suite), Bingham; Fantasia W. Hartford, CDnnectlcut CHICAGO Ii0655 IChon leucht uns der Morgenstern, Reger. and Fugue in G minor, Bach. Norman Molckemie - Holy Trinity Episcopal, Hunter Tillman - Temple Emanu.EI. New Philadelphia, PA Feb II: Concerto in A minor, York, NY Feb 9: Toccata and Fugue in 0 DAVID A. Vivaldi-Bech; The Celestial Bllnquet, Messiaen; minor, Prelude and Fugue in E-flat, Bach; HARRY ARTHUR WELLS Prelude on The King of love my shepherd is. Concerto IV in F, Handel; Sonata I, Mendels· Elmore; Final (Sym I), Vierne. sohn: Pastorale, Franck. W.... lngtan St ... Unly.....,. Alice M.HhIIlS - graduate recitel, Eastern WEHR Robert Toth - St Mark's Lutheran, Bowling Illinois U, Charleston, IL Jan 26: Concerto in l!a5tem K""u~ Untrcnlty o minar, Vivaldi-Bach: Noel Suisse, Dequin; Green, OH Feb 9: Intrada, Sibeliusi Pariorale, Richmond, enma, Pullman "163 Alililuias serelns, Transports de ioie, Messiaen: Fran r:.k: Sonate V in C, Prelude and fugue in Prelude and fugue in E minar, Bruhns: Canta­ o S532, Bach: Sonate I, Hindemith: Fantasy bile, Franck: laudation, Della Joio. KV 600, Mourt. Kenrick Met'f'l ... - Trinty Lutheran, Norris­ Richard Webb - First Methodist. J ohnson RUSSELL G. WICHMANN town, PA Jan 26: Introduction and AlleQro City, TN Mar 21: Stations of the Cross. Dupr&. (Sonata I), Guilmant; Dominic III Adventus I1D.6 WJzitl1l1J Chatham College (Prelude), Toumemire: Tocceta, Mervine: Fa ... ,.trlcl. Whlkeholrt - doctoral recital, U of fare, Proulll; Jesus accop" la souffrnco, Iowa, Iowa City Apr I]: Prelude and fugue in CHAPS. FOX EPISCOPAL CHURCH , Shadyside Presbyterian Messiaen: Carillon de Westminster, Viarne: E minor 5548. Bach; PeSSAcaglia from Symphony Adagio, Toccata (Sym V), Widor. in G, Sowerbv: Variations on Warum betrGbst Fax Chapel, '1Ibbu.. h. 'a. 15231 du dich mein Herz, Scheidt: Hymne a l'Univers, PIHsburgh, Pa. 15232 Jolivet. EIiUlbeth AdIIlS Miller - Forest Hills P~ byterlan. High Point, NC Jan 26: Fentasia and Herbert L WhUe Jr - Pullman Method'st, Fugue in A minar, Bach: Musical Clocks, Chicago, It Feb 16: Psalm 19. Merceflo: Flute Haydn. Trum pet Tune, Purce ll ; Song of Peace, Solo, Arne: Toccata in E minor, Pachelbel: HARRY WILKINSON DONALD WILLING Heroic Song, lanvlais; Were you there, Pur-­ Prelude and Fugue In G minor, Bach; Basse et Ph.D., FAG.O. ,...." vis; Wondrous Love, Barber: Prelude lind fugue dossus de trompette, C"tamb..ull; Andonte on ALA IN, Ourufl6. ST. MARTlN.IN.THE.FIELDS cantabile (Sym IV), Widor; Variations on North Ta. Slate Unfvenlty America, IVH. Ch.stnut Hill, PhiladelphIa Phyllis Moore - student of Walter A WEST CHESTER STAlE COUEGI!, PA. Eichinger, U of Washington, SeeUle Feb 13: WIIII.m Whlteh •• d - Temple Emanu.EI, Partito on Nun komm de, Heiden Heiland, New York, NY Feb 2: Preiude and Fugue -.. Distler. Tn B minor, Bach: Choral in E, Pike HIi~ique, Choral in B minor, Choral in A minor, Franck. Karl E Moyer - lutheran Church of the Good Shepherd, Lancaster, PA Jan 19: How John E Williams - lourinburg Presbyterian, Gary Zwicky brightly shines the morning ster, Buxtehude Laurinburg, NC Feb 23: Variations on Mein barclay wood lIMA FAOO lind Manz; We three kings, Wyfon: Prelude junges leben. Sweelinck; Fantasia and fugue and Fugue in E.flet, Bach: Sonata in F, in G minor S542, Bach: Fontasia KV 608, Mozart: E.... m 1111_ UoIvonIty Handel: Ronde Francoise, Boillmann: Fantasy Oieu parmi naus, Meniaen: God of the Ell. FIRST BAPTIST CHURCH on How brighHy shines, RlIger. Assisted by ponding Universe, Felcieno; Sonota on the w...... Charl ...on Carolyn S Moyer, violin. 94th Psalm, Reubke. ~-

APRIL, 1975 21 CIa"ified adv.rtlsing rat": per word, $.2Q; minimum charge. $2.50; box number, additional $1.00. CLASSIFIED ADVERTISEMENTS Rep".. to box numbers should be Hnt c/o The Diapason. 434 S. Wabash Avenu., Chicago, III. 60605.

POSITIONS WANTED WANTED - Ml5CEllANEOU5 MI5CEllANEOUS HARPSICHORDS

ATIENTIOH: MUSIC COMMITIEES, CLERGY, USED REISNER OR KLANN ELECTRIC AC­ EXPERT RECOVERING Of ANY MAKE PNEU. DOUBLE HARPSICHORD: S.OCTAVE RA NGE cle.-Prominent west coast organist, condudor, tion stopknobs. Reasonable. Dt!lvid McCt!l in, matics, pouchbot!lrds and primaries, with Poly­ F 10 F, Clt!lyton and Garrott (L ym'nger, En9- recitalist wishes to relocate by FilII, '75. Broad 1529 West TOLlhy , Chicago. III. 60626. (l121 urethane. Plastic nuts used on primary "t!llve land) 1965. 5 reg;sfe" operated by pedt!lls: Up. church. concert, and academic erperience. 7M·6~. wires. Melvin Robinson, II Park Ave., Mount per 8' and lute; l ower 8', -4' and Buff stop. Fair Topes I!Ind excellent references. Reply C·3, THE Vernon, N.Y. I05SO. condition. $2,000 or best offer. Department of DIAPASON. MUSI C ROL LS FOR AUSTt N, WELTE, SKIN. Music, Bowdoin College Brunswick. Maine net, Aeolian Duo-Art and Estey p'pe organ PNE UMATICS AND POU CH BOARDS OF AN Y 00111. ORGANIST·CHOIRMASTER, EXPERIENCED, players. J. V. Mt!lcartney, 0406 Haverford Ave., make recovered with Polvurathene \plastic. Write "lllie 27, single, NYC area. Re or Episcopal Narbeth, Pet. 190n. for quotation. Church Organ Co., IB Wt!llton HARPSICHORD, HUBB ARD TWO-MAN UAL preferred. Teaching privileges. Sacred music St., Edison, NJ 08817. kit. 2 x 8', I x -4'. Professiont!lll y assembled, degree. Address 0·2, THE DIAPASON . new instrument, immediate delivery. $·tlOO. MISCELLANEOUS ORGAN SERVICEMEN : WE Will RECOVER Robert Hart, 1251 Dickinson Drive, I-4F, Cort!ll ATIENTION MUSIC COMMlmES:-.---;p"A-:Sr::O::.:::s Casavt!lnt and Skinner pouchboards, primary Gables, Fl 3lI2-4. - Exp. choirmaster-organist, broad blldground, TERRY CHARLES PLAYS "SNAZZY RHYTHM " t!lnd offset actions. Write Burness Associates, voclIl, chorlll, full time chun::h/school, Catholic/ in concert Sunday, April 20, 2 p.m. at -4/26 1907 Susquehanna Rd., Abington, Pat 19001. HARPSICHORDS AND CLAVICHORDS, FINE Protestllnt. Avt!lilllble now, ex. refs. J.V.l., 2 Wurlih:er in long Island University in Brooklyn. instruments by Sab"thit and Neupert. Historic Conn. Ave., Enfield, CT. 06082. 2Ol-7-45-JOM. QUALI TY All ELECTRIC CHESTS MADE TO copies by Bill Dowling. Kits by Zuckermann. 25TH ANN UAL CHAMBER MUSIC CO NFER_ order, good delivery. AiBn Associates, Box 1-43, John W. Allen. 500 Glenway Avenue, Bristol, Brooklyn. P .... 18813. ence. Harpsichord building and performt!lnce Va. 2-4201 . ( 703 ~ 669-B3'16. workshop; piano and string master classes; AVAILABlE pOSITIONS concerts; specit!ll study. With Eugene list, con­ TH E NEW 7-0CTAVE PETERSON CHROMA. SAB ATHll HARPSICHORDS, PEDAL HARP· ('ert pianist; Ct!lrroll Glenn, violinist; Concord tic Tuner, model 320 is now available from sichords and C!avic; hordu mod re!iable and ORGANIST, REGULAR POSITION, AUGUST stocl::. Continuously variable Vernier control al­ I. Trllcket IIdion pipe orglln. Auditions April String Quartet; keith Hill. harpsichord build. beaulifully sounding, fro m $1 ,195.00. Brochure er; George lucktenberg, professor of piano lows you to com pensate for temperature or $1.00. Stereo lP $5 fro ," Dept. 0, 1084 Homer, lind et!lrly Mt!ly_ F i ~t Chur~h of Christ, Scientist, tune celeste ranks wa h ease. For more details: -401 South Evergreen, Ariing f'Q n Heights, III. and harpsichord. For teache" : college stu­ Vancouver, B.C., Canada. dents; amateur and profeuiont!ll musicians. Au. Peterson Electro-Musical Products, Dept. l l, 60004. Write or call (312) 25].-4595_ gust 19 to 26, 1975. Far more information, Wort h, III. 60482. HARPSICHORDS, PEDAL HARPSICHORDS, write Adult Music Confe rence, Dept. 0, Na ­ Clavichords , custom made. Jan H. Albarda, H CATHOLIC MUSICIANS FOR AREA PAR· REED ORGAN TUNING AND REPAIR ING. tional Music Camp. Interlochen, MI -49Ml, or Riverdale Dr., Th isUetown IRexda le l, Ont., ishes. lead congregation, choir, and plt!ly. Edgar A. Rodeau . Albt!lny Ave., Westmont, call {6161 276-9221. -tnl Canada M9V·2Tl. School music work in some jobs. Apply Music NJ 08108. Commission, Diocese St. Pete~burg, P. O. "THE MANY VOICES OF THE ORGAN" SPERRHAKE HARPSICHORDS AND CLAV I_ Box IlI09, St. Pete~burg, Fla. 3lnl. stereo lP. First Presbyterian Church of PUBliCATIONS chords. Excel ent, dependable, beautiful. Robert LAWRENCE PHELPS AND ASSOCIATES IS Deerfield Il.. Noehren organ, 5& ranks. lee S. Tt!lylor. 8710 Garfiefd St ., Bethesda, Mary. expllnding further and hilS openings for quali. Nelson, Organist. $5.SO postpaid. Pt!lyable to BELT-STEIN FORTEPIANO KIT MAN UAL: land 200]-4. fed organ draftsmen, cqnsole lind IIction tech­ lee Nelson, Box 2-4l, Deerfield, Il 60015. The or>gin'" step.by·step instruction book with illustrations. Phi ip Belt, Bt!lttle Ground, In­ HARPSICHORDS, BEA UTI FUllY MADE AND nicians, cllbinet make~, chest makers, yOice~ NOEL MAN DER OFFERS FA IT HFUL REPR O. diana -47920. elt!lborately decorated instrumenls based on and pipe mt!lkers. There are t!llso t!I limited num­ duction of Haase Regal organ (16MI, l stops ber of opportunities for young people with h'storic prototypes. Knight Vernon, Harpsichord £lISO. Medieval Porit!ltive £l6O. Portable full "THE AMER ICAN REED ORGAN" - CON­ mec:ht!lnict!ll abi,ity who would like to learn Mt!lker, Constantine, Michigan -49042. compass 3.stop trader £28SO in kit form. New tains history, music. restoration, tuning, hun­ orgt!lnbuilding. Contt!lel lllwrence Phelps or booklet on Sf. Paul's Cathedrt!ll rebuilding one dreds of Wl ustrations. $10.95 postpaid. Robert Ken list lit (BH) -454.019l, or P.O. Box H21, HARPSICHO RDS , CLAV ICHORDS BY NEU­ dollar. New organs of all sizes exported to all Gellerm"n, 8007 Birnam Wood, Mclean, Vir­ Erie, PA 16512. paris of World. Noel Mander, St. Peter's Or­ ginia 22101. pert, world's finest, oldest maker. Ct!li"logs on gt!ln Worh, london E.2, Englt!lnd. request. Mt!lgnamusic, Sharon, Conn. 06069. PIANOS WANTED - MISCEllANEOUS IVO RY, ROSEWOOD AND EBONY DRAW. IBTH CENTURY FRENCH HARPS ICHORD IN stops, made to any pattern. Engraving in script STEINWAY SQUARE GRAND (1 877), COM­ l:it form. We offer t!ln authentic reproduction " THE ORGAN," VO L I THRO UGH 45 or to order. Existing work faithfully copied, the pletely restored and refinished. Rosewood case, of an antique French double manual harpsi. singly or bound. Quote price to include de­ most personal and careful service in the Reasont!lbly priced. Contact Michael Bare, chord for amateur construction. The instrument livery by UPS. James M. MOh!lghan, M.D., B5 world. Thos Ht!lrrison and Sons (Established 3m Sugt!lr Grove Road. lancaster, Ohio has four registers and bun stop wah a range WoocIlt!lnd Road, Short Hills, New Jersey 1830), 66 Ad. Street, Londo", E.B., England. -43Il0. Phone (61 -4 1 65-4·BI68. of FF-g • , '. All pt!lrts are "ccurately pre-cut 0707B. and read.,. for t!luembly. The kit includes de­ CUSTO M MADE SLI DER CHESTS, MECHAN­ AUTHEN TI C FORTEPIANO REPLI CAS: STEIN, tailed draw'ngs and instructions t!lnd t!l 1I neces· AUSTI N STRAIGHT 2-MA NUAl CONSOLE, ical console chassis, bellows, wood pipes, wood Walter. Silbermann, Cristofori, Schmidt pedal sary m"terjt!l ls. For brochure wr ite Frank Hub­ It!lrge enough fOr 1-4·rank Swell. Will consider squt!lres, casework. Qut!llity materials, workman· piano. "'iM p BeH, Fadep't!lno Milker, Box 96, bard. IB 5J lyman Street, Waltham. Massachu­ Mo ller. Must be in good condition throughout. ship. B.G, 68 Washington St., lowell, MA Battle Ground, Indiana -47920. setts 0215-4. Send stoplist and price. Bentschneider, 10617 01851 . (617) 453·-403l. Sha ron Va lley Rd., Brooklyn , Michigan -492]0. "T HE HARPSICH O RD ," INTER NATIONAL TUNERS THROW AWAY MESSY COnONI HARPSICHORDS quarte ~ .,. for lovers of early keybot!lrd instru· USED SPOTIED METAL AND OLD SPOTIED Mixture tuning is et!lsier and less frustrating ments and mus;c. Articles, inlerviews, photo. metal pipes. 70 cents per pound. Contt!lct, Trivo with all felt K. D. kaps. Starter set (tunes up HARPSICHORDS, CLAVICHORDS, MOZART graphs and illustrations by today's foremost Compt!l ny In corporated, Manuft!lcture~ of Qut!ll_ to -4 ranks) SJ.SO, Deluxe set (5 ranks & morel Pianos, by Neupert, sale or rental. Financing artists. Per annum: $10 Idomestic), $11 (non. ity Reed Pipes, Bo x 101 , Hagerstown, Mt!l ryland $B.OO. K. D. kaps, 2H Ot!lkland St., Manc hester, avt!lil able. Write or clIlI Wally Pollee, 1955 West US). "The Harpsichord," Box -4]23 0, Denver, 217-40. Conn. 06040. John Beers ROll d, Stevensville, Mkhiglln -49127. Colo. 8020-4.

Builders of Fine Tracker and Electro·Pneumatic Pipe Organs McMANIS ORGANS Inquiries are Cordially Invited Incorporated w. ZiIllIller & Sons 10th & Garfield INCORPORATED .. . f .... . -. KANSAS CITY, KANSAS

M.lllnfl Add,.,,: P. O. Box 11024. ChlrioUl, N. C. 28208 66104 NATIONS FORD ROAD· CHARLOTTE, N. C.

CREATIVE ORGAN BUILDING FOR ARTISTIC MUSICAL RESULts "PRAISE YE THE LORD WITH ORGANS" Greenwood Organ Company GUELPH PIPE ORGAN BUILDERS, Ltd. CHARLOTTE, NORTH CAROLINA 28205 ~ "THREE GENERATIONS 01 ORGAN 8U,LD.NGII 50 Crimea Street (519) 823-2480 Guelph, Ontario NIH·2Y6 BERKSmRE ORGAN COMPANY INC. ORGAN LEATHERS 68 SO. BOULEVARD, WEST SPRINGFIEW, MASSACHUSE'ITS WHITE, SON COMPANY Member: Inlenualional Soeiel1 DC Orgon Builders + 592 Eas. Firat Street South Boston, Mauoclnuet15 02127 LOUIS F. MOHR & COMPANY G. F. ADAMS E. H. HOLLOWAY FOR SALE: Used organ paris. ORGAN CORPORA liON Many of antique value. Send MAINTENANCE Organ Builders, Inc. $1.00 for complete list. 2899 Valmtlne A... Build.,.. of New York 58. N. Y. 204 West Houston Street Electro-pneumatic Tdephone: SEdgwick 11-5628 Wicks Organ Compony Em~DCJ' Service Yearly Coatracts New York, New York 10014 .Iider chest organ. Harps - Chimes - Blowen Highland, illinoIs 62249 Expert OverhaUliDI INDIANAPOLIS, INDIANA Telephone ORegon 5-6160 823 MonochuHH. Ave. (618) 654-2191 "An 0,,_ Propnl, Meinl.".,,1 M ••ns T.I: 637.. 2029 Bdln Music" , 22 THE DIAPASON ClaMifi'" adverti. ina rates: per ward, $.20, minimum charg_, $2.50; box number. additional $1 .00. CLASSIFIED ADVERTISEMENTS R.,u.. ta be. numb." shGukl ... sant c/o Th. Diapa. on. 434 S. Wabash Avenue, Chk ago, la. 6060',

HARPSICHORDS fOR SALE - PIPE ORGANS fOIl SALE - MISC. fOR SALE - MISC.

NEWMAN HARPSICHORDS. FI NE INSTRU. VON BECK ERATH MANUAL TRACKER USED ENGliSH/ EUROPEAN MUSIC/ RECORDS lI­ 8' RO HRFlOTE, as PIPES, ROOSEVELT 1810. menh at reasonable prices. 2159·loth Wed, 2 yrs as interim organ in rm seeting 300. brG ry, instrumantGI, or;an, sacred mUlic, ,cores, stopped wood ' ·29, re,t plGin metel, 4"·5" Seattle, Washington 98119. Split manuGI, pedal couplar. GedecU B' muitipla copies. Ordar from london, low Eu· wind, $125. 4' Harmanic Flule, 61 pipes, 4"S' Roh rfl <4 ' P, in 2' Quint ,·1/3 ' S<.harl III. rOpean prices, ,'" _eh delivery. Add,eu B.2, wind, US. 2' Flageolet.Piccolo, 61 pipes, Itoole' HARPSICHO RDS, CLAVICHORDS, KITS AND Subbon I&' (pad' . Oa k ca$e. UPlel prica THE DIAPASON. ...elt IBBI. 4"·5" wind, $70. 4' Tuba, 32 pipes, cud om assemb lies by New England craftsmen. $12,IXX)' Buyer remove. !lidding closes 15 low C 3'12" dio., hGrmonic starting 7th pipe, Showroom in Basion area. Agent for Zuder. June. Photo lend $1. lutheran Church of 19&5 THREE·MANUAl AEOLIAN·SKINNER 5"·6" wind, $70. Plus milc pipes, send SASE mIJnn HOfpsichords. WilKIn Barry !!Ind Co., Inc., Honolulu, 1730 PunGhou 5t, Honolulu, HI conwle, in excellent conditian, aak caUl and far camplate lid. Donold D. Curry, 4 Ramo Dept. 0, P.O. Box 152, Ballllfdvale Station, 96816. will be available in Jate 1975. CGn be seen Court, lincroft, NJ. 07738. Phone (101) 842. Andover, Moss. 01810. and pleyed anytime in New Yark City. Sand 0037 hame, or 5]5·1746 offic • • PElOUBET REED·PIPE ORGAN BUilT IN stamped'Ullf addressed en ... elope for details. HARPSICHORDS, CLAVICHORDS AND VIR. Franco Irn, tabuilt by lyon. Healy, 1895. Two· Rabert 10.4, Turm:r. Organbuilder, 5) Railroad WURlfTZER 8' TIBIA, I' STaING AND qinoh. AutheAlic danicol designs, for home: mGnuol, 29 pedall, elechiliad, 12 POPI, ~". Plate, Hopewell, NJ Ols.zs. co",lruciion by the ama'eur builder, Write for plen. Hand PGintad pipes. Beoutiful instrument Siring C~esle, 8' DiG pelOn, B' Va'll, I' free brochure. Zudermann Harpsichords Inc., in excellent dLape. Appraised -4000.00. Offers Concert Flute, 16' Diaphona, off5et chest for FOUR·MANUAl 1'52 AEOllAN·SKINNER above pipes. $'125.00 takes all. H. March, 117 12 Grand Street, P.O. Box 121, Stonington, open. Moving forces sale. Picturel available. consale. 85 drewknobs, 29 tilt·tablet couplers. Conn. 06378. ContGct C. R. !lentler, 106 11th A... e. E., No. Belmill Rd., Bellmare, l.t., N.Y, 11710. (516) MGhogany case. Good candition. With remote 7BI·4161. B, 5aGttle, WG,him~ton 98101. Phone (206) 325· control mGchines if desirad. AVGil.bla after HARPSICHORD PATTERNS, PRECISION FUll 985]. Eader. $6,900.00. Write Dr. RichGrd Peek, Cava· sized drawings of antique harpsichordl, for 1948 WICKS FAGOT B', 61 PIPES: I PilCHER nul PresbyteriGn Church, 1000 East Morehead MelodiG 4', 6/ pipes; I Or<;lon Supply wind· fha builder or orqanoloqist. PricH: $15 in TWO.MANUAL MARSHAll·BENNm PIPE Street. CharloHe. HClrth CerolinG 28204. ~par, other medio 10 $140 in mylar. Send $1 orgon, 13 tanh. Call Of write Oakoyen chest fCir S stops, 2', 2.2/l', 1.1/5'. Miriure IV, for de&Cripli"e brochura. R. K. lee. 3,) School Foundation for Church WOI'k, 000 2ht Street, Regel. P.O. So, 22128, DGlias, Te.as 7S222. AUSTIN (MAHoGANY) :z,)04ANUAL IJ· RANK St., Watertown, Mas~chLlletts 021n. Racim:, Wi. SJ-tOO. (41 4, 63).6401. cOMole, bench $1000. Built 1942 mint condition. B' TIBIA, 4' PIPES, COMPLETE. FOR IN. HARPSICHO RD OWNERS: A FULL LI NE OF LA RGE MO llER TWO.MAN UAl, TIDEWA· Spencer 2 H.P. I phGse 5" blawar $75. Moller farmGtion write W. L. DrGughan, l West audio and visual Chromatic Tuners is now ter. Va. Inquire lewis Gnd Hitchcock, Inc., Ball militGry trumpet 5'" wind, triple hGrmonic 5" BrGman Ct., Fl., Myafl. Flo. 33901. available to help you with your tun'ng require. 9191, Richmond , YA 2]227. at S' cc. 61 natel $-400. 7 ranb of pipes menh, For more infarmation write Peterson (camplate) open di.PlLson, Melodi., 16' Baur· dan, SolI licionel. 1 Celestes, $300. Photos. AiI stin 4 PEDAL 12· NOTE CHESTS $&S EACH, 72. Electro.Musical Products, Dept. 20. Warth, Itl. 3-STO P MO llER ARTI STE, liKE NEW nahi manuel ches! $ISO {a ll eleclropneuma lic). may be plo~. Fot-d's, 1I117 Conton St ., RDIW'ell, 10482. $.6500.00. Southeast. Addren M·2, THE olA· 4·ro nk h oder thest with pneumGtic , Iider GeO/gio :ioo7s. (404) "].)6)8 ar '19).6455. PASON. pulls UOO. -, yeG r old ventil chest 1 and 5 l /IO WURlITZER THEATRE O RGAN , STY LE rk , 1/2 orig ina l cosl. Rese rvoirs, tremolos, swell fOR SALE - PIPE ORGANS FOUIt· MAN UAL MOllER CONSOLE, I;M, motars and shades, ralay un its Gnd individual H, Opus 1745. Complete with toy counter and eledropneumatic, 'I2.drGwk~b , derk olLk, GVGiI. percussions, 6 sets swelj shades, IS-inch, 5 ma'ilneh. 12 nate strin; base edension 16' SMAll MECHAN ICAL ACTION ORGANS, abla in April, $2000. West Presbylerion Church, $200. Othor pipe wark. C Allmon, 67 Hillside HP b lower, plus edras. Remaved from American 90 Main 51., BinghGmton, N.Y. 11905. (607) Pasili"'el, practice orqans, residence and small Thaaire Rouoke, Va., Feb. 1972. Asking Drive, Cor/isle, Mass. 01741. (617) ·369·1568. church argus. 1M from $]900. IM+P from n2-S171. $11,000.00. (311) !I15·m6. $6300, 2M+P from $6800. BrOod:ure. Sf. Thomas O RGAN 8l0 WER.GENERATOR UNIT, 2HP. CONSO LES, KEYiO"IDS, BLOWERS, Org"n Co., Ba, 422, Gordner, Ir.4A 01440. (617) 1. MAN UAl, 21·RANK KIM.AlL..WURlITZEIt 115/2)0 volt, singla phase motar, 28 Amp. 6)2·BI81 . chests, reeds, flutes. Write for prices. Southeast. generator, 6" static. Good for 8 to 10 r.nh. IS-inch wind theGlre pipe onilon, church can· Address M~], THE DIAPASON. sole. Best oUar aver $4,000.00. Kinodam Bapli,t $ISO.oo, croting Gnd shipping extra. (Bll) PAUL orr CONTINUO ORGAN, 5 SUPERB· 867·2148 Evansville, Indiana. Church, ]01 Norlh CentrGI, Chicago, 111. CONSOLE; :Z~ MAN U A L AND PED. WITH Iy voiced dauic,,1 r"nks: Gedacf:t B' , Rohrflote 60644. (312) 1711·1419 or (111 ) ]78· 1251. 4', Printipal 2' , Quinte 1. 1/3', Oklav I'. bench, hOl"Seshae slyla, built by Schanh 1942, HP I PHASE KINET IC BioWER $100:00. tripper type comb. action, 11 coup. 11 stop" :z T•• chr edion, light aa\: c"se, modern ROBERT 1o.401lT0N PIPE ORGAN. 7 RANKS Must pick up. H. A. Howell Pipe Org.ns, aICidro.ptieum., OGk cau:, $]sa.OO. Two pallet design, portable. Nat much larger than in 2 chambers indefled in church. Remave Ba. 404, oilon, Illinois 61021. pull down odian', a!lached type,. S6 noles spinet piana. Two yaan; from facto,., and by Jl)ne. Make offer, E. Gnen, l Yale Rd., used only for occasional demonstration. Price primary adion$ will need some work, $2.50.00. Wilmington, Del. 19800. 'I.' lieb Gad. 12 noles with chest $100.00. S' 1/3 H). SMALL BLOWER, W ILL HANDLE $6BOO. Brochure on request. Richard Minnich, ranh. 2 keyboards, gong switches, pedel­ 10 Ellis Place, Ossinin;, N.Y. 10561. Sol. 61 pipes $100.00. Reservoir with curtain valva $SO.OO. 16' Wood Double Open built by board. David McCGin, IS29 West Touhy, Chi. fOR SALE - ELECFRON/C ORGANS :Ggo, III. 60626. (112) 764:67011. . ROOSEVELT PIPE ORGAN, REBUilT 1927 BY w. H. Johnsan, jo notes $150.00. Buyer to lo.4idmer.losh. 7 ranh, IS slaps harp and ARTISAN ElECTRONtC ORGAN, l :MAN UAl, remova. D. F. Pilteder and Co., 527 Federman + WURlITZER RELAYS AND SWITCH STACKS, chimes. Best offer owr $5.000. A ... GilGble April drGwknob (.O n$D.e . fu ll ped.1. Twelve 10'" St., Taleda, Ohia 43609. 2/6. $SOD: 4/32 from Denver Civic Auditarium. I. PurchGUlr to ~move . Write Ihe Re .... LGwfence Warfdale ond two IS'" Uteh speekers. Church McCoombo, St. Ann's Churdt, 262 So. Main St., NEW ORGAN PIPES,' EXCELLENT WORK· $1200. Milin Dollinger, 700 Vi" Somonle, Palos ... oicing. Prite $4!iOO.OO. Tel (213 ) 348·5668. Verdes EitGtes, CoUf. 90274. (2131 378:4059. SGyvilla, NY 11782. Canoga Park, CA. mandLip and e.pertly voiei'd. Formady super. ...isor of Aeolian:Skinner pipas~ap. Hens Rolher, BARKOFF TRACKER, :z MAN UALS , Il RANKS, NEW ORGAN KIT BUilDERS MAN UAL GermGn OrgGn Pipetraft, 34 Standard Str" SEVEN 1972 HEUSS SLIDER MOTORS, NEVER disauGmbled and darad in awner's hame. $3.00. Circuits, block d JGgrems, detoils on Mittapan, MGIS. 0212'. used. $]50. M. A. loris, RFD 2, BGrre, Yermant Buyer to remova. $1000.00 or best offar. Ed diade keyad IC d'vider and Independent ascii· OS6-t I. Hastic, &48 Colia lone, lellinglon, Ky. 405(H. lator desiC)nl. Meny new kih Gnd modiils. Key. GOTTFRIED REEDS - :z SETS, r PRESSURE, boords abo for synthesilen. Manu.1 cost fe· "~8' CarllapeGn, 5'" scole, full langth, aad .VOCALION REED ORGAN BY MASON AND 1'" RUUll.1 14·"ANK HOLLOWAY WITH fundobl~ with purchale. Da'lfronil Ol'9an Prod. M!I' TubG, Silt" scale mitered to 5'0. aeit DUet. Ri,th, 2M/9R slrol6ht ped~lboord, Iratler chimes. W r, te 2]) 5. 17th Ave., West !lend, ucts, Dept, 0, 5Bn AmGpolo Dr. , SolIn Jos~, CA Po·Chedley and Son, Inc., 32'1 NOrlh Ellicott adion to pressure the'ill, OGk case with fiCi'de Wis. 53095. 95129. Creek Rd., Tonawanda, New yOrk 14150. pipes. $300. (312) 'l29.{)615,

CHESTER A. RAYMOND, INC. QUALITY - COMPLETE PIPE ORGAN BUILDERS PIP E ORGAN SUPPLIES Rebuilding, Maintenance and Additions P.O. Box 55 Princeton, N.J. 08540 DURST ORGAN SUPPLY CO., INC. Phone: 609·924-0935 P.O. Box 1165 Erie, Pennsylvania 16512 CANNARSA WENDHACK ORGANS ' ~ organs INC. All ELECTRIC CHESTS NEW SElECTIVE g ElECTRO PNEUMAnC PEDAL CHESTS ORGANS REBUILDING 1300 Plnetree Orive -0..."" w&h P.O. BOX 238 Indian Harbour Beach. Florida 32937 AIKEN ASSOCIATES Hollidavsburg. Pa. 1664B lAlBJ -..,.. Tolaphone: 13051773·1225 lox: 10 ....kIyn. P•. 11113 717·289-4132 B14~69S·1613

WANT A PRACTICE ORGAN? DO IT YOURSELF PIPE ORGAN KITS JULIAN E. BULLEY Build you. own - UM. 6o-1'.yuu".K Custom spednc.tloM for churdl lit New Organs - Rebuilding PEMBROKE ORGAN KIT rukMACe. complete Of' pern, fvll "'­ Service fuU ktlf,lfdion. - AeaNfto!tly priced by bullden. II NcHons est.blIJhed orqu SINCE 1906 THE ORGAN LOFT COlKlT MFG. CO. P.O. lOX 112 1376 Ha.,arcl II"d.-Dayton, Ohio 45406 GOS5VtLLE, NEW HAMPSHIRE 03234 HUer Station, luHalo, N.Y. 14221 513.276-2~1 " j, do.",', flav. pjp •• - It i. no' an organ

I ORGAN SERVICE -J. E. Lee, Jr. I Felix Schoenstein R. A. MULLER Pipe Organ Co. ANDOVER ORGAN COMPANY, INC. KNOXVIUE. TENNESSI!E 37901 lox 36 lox 2061 Pipe Organ Bullde .. 118 N. Walnut St. Methuen, MaaochuMlh 01144 I Sons Tuning - Malntenanc. - Rebuilding Von Wert, OH 45891 419-23"5090 mod.m mechanical odlon Consultanh SAN FRANCISCO, CALIF.

APRIL, 1975 23 LILIAN MURTAGH BOX 272 CANAAN CONNECTICUT 06018 203-824-7877 I- 2 w Robert Anderson Robert Baker Charles Benbow David Craighead Ray ferguson :E w r; ~il , ..~ , ~ "~'. . &' i,I . ~ ' ' I!J Jerald Hamilton Gerre Hancock Clyde Hollaway Wilma Jensen Joan lIpplncoH ct 2

ct Marilyn Mason Donald McDonald :E James Moeser EUROPEAN ARTISTS

Available Season 1975 - 76

SIMON PRESTON Sept. 24 - Nov. 5 Frederick Swann Donald Sutherland

I- MONIKA HENKING Oct. 5 - Nov. 7

II MARTIN NEARY W Oct. 19 - Nov. 16 GILLIAN WE I R U Nov., Feb. and Mar. William Teague Ladd Thomas LIONEL ROGG 2 April FRANCIS JACKSON 0 Apr. 20 - May 20 U John Weaver William Whitehead