Nick Cave Is Now the Subject of His Own Exhibition
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Masaryk University Faculty of Arts
Masaryk University Faculty of Arts Department of English and American Studies Teaching English Language and Literature for Secondary Schools Petr Husseini Nick Cave’s Lyrics in Official and Amateur Czech Translations Master‟s Diploma Thesis Supervisor: Mgr. Renata Kamenická, Ph.D. 2009 Declaration I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. .................................................. Author‟s signature 2 Acknowledgements I would like to thank my supervisor, Mgr. Renata Kamenická, Ph.D., for her kind help, support and valuable advice. 3 Table of Contents Introduction ..................................................................................................................... 5 1. Translation of Lyrics and Poetry .............................................................................. 9 1.1 Introduction ................................................................................................... 9 1.2 General Nature of Lyrics and Poetry ........................................................ 11 1.3 Tradition of Lyrics Translated into Czech ............................................... 17 1.4 Conclusion ................................................................................................... 20 2. Nick Cave’s Lyrics in King Ink and King Ink II ................................................... 22 2.1 Introduction ................................................................................................. 22 -
Full Results of Survey of Songs
Existential Songs Full results Supplementary material for Mick Cooper’s Existential psychotherapy and counselling: Contributions to a pluralistic practice (Sage, 2015), Appendix. One of the great strengths of existential philosophy is that it stretches far beyond psychotherapy and counselling; into art, literature and many other forms of popular culture. This means that there are many – including films, novels and songs that convey the key messages of existentialism. These may be useful for trainees of existential therapy, and also as recommendations for clients to deepen an understanding of this way of seeing the world. In order to identify the most helpful resources, an online survey was conducted in the summer of 2014 to identify the key existential films, books and novels. Invites were sent out via email to existential training institutes and societies, and through social media. Participants were invited to nominate up to three of each art media that ‘most strongly communicate the core messages of existentialism’. In total, 119 people took part in the survey (i.e., gave one or more response). Approximately half were female (n = 57) and half were male (n = 56), with one of other gender. The average age was 47 years old (range 26–89). The participants were primarily distributed across the UK (n = 37), continental Europe (n = 34), North America (n = 24), Australia (n = 15) and Asia (n = 6). Around 90% of the respondents were either qualified therapists (n = 78) or in training (n = 26). Of these, around two-thirds (n = 69) considered themselves existential therapists, and one third (n = 32) did not. There were 235 nominations for the key existential song, with enormous variation across the different respondents. -
Full Music Credits
Music Supervisor Chris Gough Mana Music Mushroom Licensing Ann-Marie Meadows Music Mixer Robin Grey Alan Eaton Studios Original Music Recorded at Hot House - Craig Harnath Original Music Mix Ross Cockle FX & Music Editor Craig Carter Original Music Composed by Martin Lubran David Bowers "Jackson" (Wheeler/Rodgers) EMI Music Publishing Australia, Performed by Catherine Wearne and Andrew Travis, Produced by Jim Bowman, Recorded at Electric Avenue "Don't It Get You Down" (Kennedy/Palmer/Jones) Mushroom Music, Performed by Dead Star, Courtesy of Mushroom Records "Goldfinger" (Wheeler) PolyGram Publishing, Performed by Ash, Courtesy of Infectious/Mushroom Records "Fun For Me" (Brydon/Murphy) Chrysalis Music/Mushroom Music, Performed by Moloko Courtesy of Echo/Liberation "Puppy Love" (Anka) Chrysalis Music/Mushroom Music Performed by Banana Oil, Courtesy of Mushroom Records "Cruise Control" (Matthews/Lawry/Nevison/Fell/Sweeny/ McDonald) Flying Nun Music/Mushroom Music Performed by Headless Chickens Courtesy of Flying Music/Mushroom Records "Help Yourself" (Donida/Mogol/Fishman) Mushroom Music Performed by Tom Jones, Courtesy of PolyGram "No Reason" (Salmon/Perkins) PolyGram Publishing, Performed by Beasts of Bourbon, Courtesy of Red Eye/Polydor Records "Lemonsuck" (Handley) Mushroom Music, Performed by Pollyanna, Courtesy of Bark/Mushroom Records "So Long Marianne" (Cohen) Chrysalis Music/Mushroom Music Performed by The Stone Cold Boners & Hugo Weaving "Rock and Roll" (Reed) Oakfield Avenue/EMI Music Ltd Performed by The Stone Cold Boners & Hugo -
Songs by Artist
DJ Song list Songs by Artist DJ Song list Title Versions Title Versions Title Versions Title Versions -- 360 Ft Pez 50 Cent Adam & The Ants Al Green -- 360 Ft Pez - Live It Up DJ 21 Questions DJ Ant Music DJ Let's Stay Together We -- Chris Brown Ft Lil Wayne Candy Shop DJ Goody Two Shoes DJ Al Stuart -- Chris Brown Ft Lil Wayne - DJ Hustler's Ambition DJ Stand And Deliver DJ Year Of The Cat DJ Loyal If I Can't DJ Adam Clayton & Larry Mullen Alan Jackson -- Illy In Da Club DJ Theme From Mission DJ Hi Chattahoochee DJ -- Illy - Tightrope (Clean) DJ Just A Li'l Bit DJ Impossible Don't Rock The Jukebox DJ -- Jason Derulo Ft Snoop Dog 50 Cent Feat Justin Timberlake Adam Faith Gone Country DJ -- Jason Derulo Ft Snoop Dog DJ Ayo Technology DJ Poor Me DJ Livin' On Love DJ - Wiggle 50 Cent Feat Mobb Deep Adam Lambert Alan Parsons Project -- Th Amity Afflication Outta Control DJ Adam Lambert - Better Than I DJ Eye In The Sky 2010 Remix DJ -- Th Amity Afflication - Dont DJ Know Myself 50 Cent Ft Eminem & Adam Levin Alanis Morissette Lean On Me(Warning) If I Had You DJ 50 Cent Ft Eminem & Adam DJ Hand In My Pocket DJ - The Potbelleez Whataya Want From Me Ch Levine - My Life (Edited) Ironic DJ Shake It - The Potbelleez DJ Adam Sandler 50Cent Feat Ne-Yo You Oughta Know DJ (Beyonce V Eurythmics Remix (The Wedding Singer) I DJ Baby By Me DJ Alannah Myles Sweet Dreams DJ Wanna Grow Old With You 60 Ft Gossling Black Velvet DJ 01 - Count On Me - Bruno Marrs Adele 360 Ft Gossling - Price Of DJ Albert Lennard Count On Me - Bruno Marrs DJ Fame Adele - Skyfall DJ Springtime In L.A. -
Olivia Rodrigo's 'Sour' Returns to No. 1 on Billboard 200 Albums Chart
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE JUNE 28, 2021 Page 1 of 24 INSIDE Olivia Rodrigo’s ‘Sour’ Returns to • BTS’ ‘Butter’ Leads Hot 100 for Fifth No. 1 on Billboard 200 Albums Chart Week, Dua Lipa’s ‘Levitating’ Becomes BY KEITH CAULFIELD Most-Heard Radio Hit livia Rodrigo’s Sour returns to No. 1 on five frames (charts dated Jan. 23 – Feb. 20). (It’s worth • Executive of the the Billboard 200 chart for a second total noting that Dangerous had 30 tracks aiding its SEA Week: Motown Records Chairman/ week, as the album steps 3-1 in its fifth and TEA units, while Sour only has 11.) CEO Ethiopia week on the list. It earned 105,000 equiva- Polo G’s Hall of Fame falls 1-2 in its second week Habtemariam Olent album units in the U.S. in the week ending June on the Billboard 200 with 65,000 equivalent album 24 (down 14%), according to MRC Data. The album units (down 54%). Lil Baby and Lil Durk’s former • Will Avatars Kill The Radio Stars? debuted at No. 1 on the chart dated June 5. leader The Voice of the Heroes former rises 4-3 with Inside Today’s Virtual The Billboard 200 chart ranks the most popular 57,000 (down 21%). Migos’ Culture III dips 2-4 with Artist Record Labels albums of the week in the U.S. based on multi-metric 54,000 units (down 58%). Wallen’s Dangerous: The consumption as measured in equivalent album units. Double Album is a non-mover at No. -
Dr. Richard Brown Faith, Selfhood and the Blues in the Lyrics of Nick Cave
Student ID: XXXXXX ENGL3372: Dissertation Supervisor: Dr. Richard Brown Faith, Selfhood and the Blues in the Lyrics of Nick Cave Table of Contents Introduction 2 Chapter One – ‘I went on down the road’: Cave and the holy blues 4 Chapter Two – ‘I got the abattoir blues’: Cave and the contemporary 15 Chapter Three – ‘Can you feel my heart beat?’: Cave and redemptive feeling 25 Conclusion 38 Bibliography 39 Appendix 44 Student ID: ENGL3372: Dissertation 12 May 2014 Faith, Selfhood and the Blues in the lyrics of Nick Cave Supervisor: Dr. Richard Brown INTRODUCTION And I only am escaped to tell thee. So runs the epigraph, taken from the Biblical book of Job, to the Australian songwriter Nick Cave’s collected lyrics.1 Using such a quotation invites anyone who listens to Cave’s songs to see them as instructive addresses, a feeling compounded by an on-record intensity matched by few in the history of popular music. From his earliest work in the late 1970s with his bands The Boys Next Door and The Birthday Party up to his most recent releases with long- time collaborators The Bad Seeds, it appears that he is intent on spreading some sort of message. This essay charts how Cave’s songs, which as Robert Eaglestone notes take religion as ‘a primary discourse that structures and shapes others’,2 consistently use the blues as a platform from which to deliver his dispatches. The first chapter draws particularly on recent writing by Andrew Warnes and Adam Gussow to elucidate why Cave’s earlier songs have the blues and his Christian faith dovetailing so frequently. -
Laura Harker & Paul Sullivan on Nick Cave and the 80S East
Behaviour 11 Extr me LaurA HArKer & PAul SullIvAn On Nick CAve AnD THe 80S East KreuzBerg SCene Photography by Peter gruchot 10 ecords), 24 April 1986 Studio session for the single ‘The Singer’ (Mute r Cutting a discreet diagonal between Kottbusser Tor and Oranienplatz, Dresdener Straße is one of the streets that provides blissful respite from east Kreuzberg’s constant hustle and bustle. Here, the noise of the traffic recedes and the street’s charms surge subtly into focus: fashion boutiques and indie cafés tucked into the ground floors of 19th Century Altbauten, the elegantly run-down Kino Babylon and the dark and seductive cocktail bar Würgeengel, the “exterminating angel”, a name borrowed from a surrealist film by luis Buñuel. It all looked very different in the 80s of course, when the Berlin Wall stood just under a kilometre away and the façades of these houses – now expensively renovated and worth a pretty penny – were still pockmarked by World War Two bulletholes. Mostly devoid of baths, the interiors heated by coal, their inhabitants – mostly Turkish immigrants – shivered and shuffled their way through the Berlin winter. 12 13 It was during this pre-Wende milieu that a tall, skinny and largely unknown Australian musician named Nicholas Edward Cave moved into no. 11. Aside from brief spells in apartments on naumannstraße (Schöneberg), yorckstraße, and nearby Oranienstraße, Cave spent the bulk of his seven on-and-off years in Berlin living in a tiny apartment alongside filmmaker and musician Christoph Dreher, founder of local outfit Die Haut. It was in this house that Cave wrote the lyrics and music for several Birthday Party and Bad Seeds albums, penned his debut novel (And The Ass Saw The Angel) and wielded a sizeable influence over Kreuzberg’s burgeoning post-punk scene. -
Murder Ballads.Pdf
This is an Open Access document downloaded from ORCA, Cardiff University's institutional repository: http://orca.cf.ac.uk/104313/ This is the author’s version of a work that was submitted to / accepted for publication. Citation for final published version: Newman, Daniel 2017. Murder ballads: Nick Cave and his approach to killing in song. Musicology Australia 39 (2) , pp. 96-115. 10.1080/08145857.2017.1393149 file Publishers page: https://doi.org/10.1080/08145857.2017.1393149 <https://doi.org/10.1080/08145857.2017.1393149> Please note: Changes made as a result of publishing processes such as copy-editing, formatting and page numbers may not be reflected in this version. For the definitive version of this publication, please refer to the published source. You are advised to consult the publisher’s version if you wish to cite this paper. This version is being made available in accordance with publisher policies. See http://orca.cf.ac.uk/policies.html for usage policies. Copyright and moral rights for publications made available in ORCA are retained by the copyright holders. Daniel Newman, Cardiff Law School To be published in Musicology Australia Murder Ballads: Nick Cave and his approach to killing in song Abstract Violence and murder have a strong cultural currency the implications of which should be pursued by those with an interest in law and society, crime, and justice. Murder ballads are songs about death and killing with a history stretching back to the nineteenth century. Drawing out the major themes of this genre can help scholars gain a handle on how murder has been treated in popular culture, thereon providing an enhanced understanding of the human condition. -
NICK CAVE &The Bad Seeds
DAustrAlisk A NyA ZeeläWNNdskA väNskApsföreNiNgeN www.AustrAlieN-Ny AZeelANd.se UNDER NR 1 / 2013 NICK CAVE & THE BAD FISKEÄVENTYR SEEDS i Auckland intervju + recension Husbils- SEMESTER på Nya Zeeland THE GRAND B.Y.O, Barbie & Beetroot? CIRCLE Nyheter & medlemsförmåner Tasmanien runt The Swan Bell Tower / Whitsundays Hells Gate i Rotorua / Stewart Island VÄNSKAPSFÖRENINGENS NYA HEMSIDA På hemsidan hittar du senaste nytt om evenemang, nyheter, medlemsförmåner och tips. Du kan läsa artiklar, reseskildringar och få information om working holiday, visum mm. Besök WWW.AUSTRalien-nYAZEELAND.SE I AUSTRALISKA NYA ZEELÄNDSKA VÄNSKAPSFÖRENINGEN Medlemsavgift 200:- kalenderår. Förutom vår medlemstidning erhåller du en mängd rabatter hos företag och föreningar som vi samarbetar med. Att bli medlem utvecklar och lönar sig! Inbetalning till PlusGiro konto 54 81 31-2. Uppge Bli namn, medlem ev. medlemsnummer och e-postadress. 2 Det känns The Grand Circle - Tasmanian runt 5 & att få skriva årets första ledare i detta nr 1 år 2013. Nytt år och ny layout på Down Under, dessutom en massa spän- nande aktiviteter på gång i kalendern.inspirerande Jag vet att många av er un- der våra kallaste månader, november till februari varit på besök i våra länderfantastiskt Australien och kul Nya Zeeland. Jag tycker det är lika spännande varje gång att få höra om vad ni upplevt och varit med om. Skriv gärna och berätta om era resor till oss på Down Under. Den 10 februari hade vi årsmöte i Lund, ett möte som även inne- höll en spännande föreläsning av vår ordförande Erwin Apitzsch. Föreningens samarbete med Studiefrämjandet gjorde att vi kunde använda oss av deras lokaler, något vi är mycket tacksamma över. -
IN the STUDIO with Melbourne Ska Orchestra
IN THE STUDIO WITH Melbourne Ska Orchestra Muso ! nds the Melbourne Ska Orchestra kneep deep in recording their debut album, due out in March 2013. Sean Pollard dug Nicky Bomba out of the trenches for a chat. version of Pro-Tools through an iMac. Perched next to the studio’s huge in-house mixing console is an API-6B lunchbox with a JLM HPM500 mixer, four JLM TG500 mic preamps and two JLM PEQ500 EQs. This sits atop a collection of Golden Age Pre-73s. Also in play is a Shadow Hills Mastering Compressor (belonging to Nicki) that features two compressors and a selection of three classic console output transformers. “When we record we’ll bring in stuff like the Shadow Hills, JLMs, bits and pieces and our engineer (Robin) and they’ll stay here,” Nicky details, although Mai is obviously free to come and go as he pleases. “When we’re not here though, there’s still the converters, all the amps, the lines in alking down Johnston Street in Fitzroy, “Adelphia has been the brothers put in their time, we pooled our touch has allowed the and everything. It’s all eighty per cent there and if there’s a street sign just opposite a in the family for many microphones, Robin’s gear, my gear and everything Orchestra to track as you want to bring in the extras - which we did - you row of bizarre furniture shops (one years, ten or fifteen and created our own studio right here.” fast as they can in a live can.” All of these compressors and pre amps are presumptuously decked out for Christmas trading in years,” Bomba explains, environment, netting the W Bomba himself is a man who thrives on big working to serve the sound fed in by Bomba and early November) that reads ‘Juddy Roller’. -
1 April 2017 Double A-Side Celebrates the Energy and Creative Spirit of Artists Who Have Played in Bands
DOUBLE A-SIDE 4 March - 1 April 2017 Double A-side celebrates the energy and creative spirit of artists who have played in bands and musicians with a visual art practice. ARTISTS: Sean Bailey Tina Havelock Stevens Travis MacDonald Greta Balog Carolyn Hawkins Dean Manning Glenn Barkley Amy Hill Julia McFarlane Jon Campbell M.P. Hopkins Rick Milovanovic Leo Coyte Tamsen Hopkinson Peter Oxley Tristan Davies Steph Hughes Jannah Quill Violetta Del Conte-Race Laura Hunt Mara Schwerdtfeger Chris Dolman Brendan Huntley Darren Sylvester Douglas Lance Gibson Anna John Torben Tilly Jason Greig Danius Kesminas Jensen Tjhung Matthew Griffin Alex Kiers Ronnie van Hout Matlok Griffiths Marcin Kobylecki Xanthe Waite Uji 'Hahan' Handoko Eko Angus Lord Paul Williams (Sydney) Saputro Del Lumanta Paul Williams (Melbourne) BANDS: ADAWO Half High Punkasila Bad Statistics Hate Club Quoit Bed Wettin’ Bad Boys Head Cleaner Raw Prawn Belladonna Heavy Petal School Damage Big Bikini Holidays On Ice Shy Impostors Big Supermarket Holy Balm Sleepless Nights Blank Statements Hot Topic Soccer Riot Blood Plastic Ice Claw Sparklers Boomgates Into the Void Spod Calamari Girls Jaguar is Jaguar Spores of the Golden Beard Carpet Snakes Jannah Quill St.Helens Chicks on Speed John Cage Fighter Sunnyboys Chook Race King Jerklews Tax Colonial V Knees Knitted Abyss Terry Constant Mongrel Lakes The Altamonts Crow Leonardo's Bride The Bills Crying in Bed Loin Groin The Bowles Darren Sylvester Lower Plenty The Donkey's Tail Deaf Wish Lupa J The Fiasco Deep Heat LZONE The Garbage and -
Words That Transform, Vibrate and Glow: 13 Paintings Inspired by the Lyrics of Nick Cave Emma Bennett, Daniel P
336 Old Street, London EC1V 9DR, United Kingdom | +44 (0)20 7739 4055 | [email protected] | charliesmithlondon.com | @CHARLIESMITHldn Wednesday–Saturday 11am–6pm or by appointment Words that transform, vibrate and glow: 13 paintings inspired by the lyrics of Nick Cave Emma Bennett, Daniel P. Carter, Nadine Feinson, Maggi Hambling, Florian Heinke, Sam Jackson, James Johnston, Susanne Kühn, Concha Martinez Barreto, George Shaw, Dominic Shepherd, George Stamatakis, Rose Wylie Curated by Angela Koulakoglou PRIVATE VIEW Thursday 16 January 2020 6:30-8:30pm EXHIBITION DATES Friday 17 January – Saturday 8 February 2020 GALLERY HOURS Wednesday-Saturday 11am-6pm or by appointment CHARLIE SMITH LONDON is delighted to invite curator and collector Angela Koulakoglou to present Words that transform, vibrate and glow: 13 paintings inspired by the lyrics of Nick Cave. The exhibition was conceived over a year ago and its timing is prescient; Cave’s latest album, Ghosteen, was released with a hallucinatory painting as its cover in October 2019. Unprecedented in their visuality and striking in their ability to conjure apocalyptic landscapes, all the songs on Ghosteen are visions. As Cave embarks on a world tour in 2020, a conversation between his lyrics and painting becomes all the more relevant. ‘I can’t write a song that I cannot see’, Cave once stated in an interview. Having started his career as a painter, he soon turned to song writing and over several decades has produced a body of lyrics unparalleled in their consistent richness, unforgettable imagery, and unique combinations of darkness, humour, despair and hope. Drawn from songs written throughout his career, from the famed Peaky Blinders signature tune Red Right Hand to the early and more obscure Release the Bats, the thirteen paintings included in this exhibition are testimony to the fertile but often unexplored territory that lies between the arts.