NICK CAVE &The Bad Seeds
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Pm Nick Cave 14.02.2013
FKP Scorpio Konzertproduktionen GmbH Große Elbstr. 277 a · 22767 Hamburg Tel. (040) 853 88 888 · www.fkpscorpio.com PRESSEMITTEILUNG 14.02.2013 Nick Cave & The Bad Seeds am 10. November in der Sporthalle Nick Cave begnügt sich bekanntermaßen nicht damit nur ein künstlerisch-kreatives Feld zu bestellen. Im Gegenteil: die Vielfältigkeit seines Saatguts ist in den letzten Jahren immer noch gewachsen. So tat Cave sich in den letzten Jahren nicht nur als Buchautor hervor, sondern wagte sich auch an das Schreiben von Drehbüchern und lieferte gemeinsam mit seinem Bandkollegen Warren Ellis die Filmmusik zu Andrew Dominiks „Die Ermordung des Jesse James durch den Feigling Robert Ford“. Im Konglomerat seiner Nebenprojekte nicht zu vergessen: sein musikalisches Nebenprojekt Grinderman, mit dem er zeigte, dass er sich auch vortrefflich auf sachlich-nüchternen Rock’n’Roll versteht. Egal welches Feld Cave gerade beackert, Beifall von Fans und Presse erntet er dafür immer. Aktuell hat seine Band Nick Cave & The Bad Seeds oberste Priorität: Mitte Februar erscheint das neue Album „Push The Sky Away“. Ein Werk subtiler Schönheit, über das Cave sagt: „Wenn ich die abgedroschene Metapher verwenden wollte, dass Alben wie Kinder sind, dann wäre „Push The Sky Away“ das Geisterbaby im Brutkasten und Warrens Loops wären der Rhythmus seines winzigen, zitternden Herzens“. Im Herbst 2013 kommen Nick Cave & The Bad Seeds auf Deutschlandtournee. Die Zeiten, da man sich im Anschluss eines Konzerts, Geschichten eines Frontmanns erzählte, der vollkommen zugedröhnt von der Bühne gestürzt war oder sich minutenlang auf dem Boden gewälzt hatte, gehören der Vergangenheit an. Der Familienvater Cave hat den Drogen lange abgeschworen. -
Midnight Oil in the Valley Mp3, Flac, Wma
Midnight Oil In The Valley mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: In The Valley Country: France Released: 1993 Style: Alternative Rock MP3 version RAR size: 1770 mb FLAC version RAR size: 1593 mb WMA version RAR size: 1999 mb Rating: 4.6 Votes: 645 Other Formats: TTA WMA TTA MP4 MMF AUD VQF Tracklist 1 In The Valley 4:40 2 Ships Of Freedom 3:14 3 My Country (Live) 4:51 4 Blue Sky Mine (Live) 4:23 Credits Engineer, Mixed By – Mike Walter, Nick Launay Producer – Midnight Oil (tracks: 1, 2), Nick Launay (tracks: 1, 2) Written-By – Jim Moginie (tracks: 1), Midnight Oil (tracks: 4), Peter Garrett (tracks: 1), Rob Hirst (tracks: 1, 2, 3) Notes Taken from the album "Earth And Sun And Moon" Tracks 3 & 4 recorded live at Ronnie Scotts, London, June 23rd 1993. Tracks 1 & 4 used by kind permission of the BBC. ℗ & © Midnight Oil 1993 Barcode and Other Identifiers Barcode (Label Code): 5099765978025 Other (Label Code): LC 0162 Other versions Category Artist Title (Format) Label Category Country Year 659906 2 Midnight Oil In The Valley (CD, Maxi) Columbia 659906 2 Australia 1993 659849 6 Midnight Oil In The Valley (12") Columbia 659849 6 Europe 1993 XPCD 334 Midnight Oil In The Valley (CD, Single, Promo) Columbia XPCD 334 UK 1993 659849 7 Midnight Oil In The Valley (7", Single) Columbia 659849 7 Europe 1993 659849 2 Midnight Oil In The Valley (CD, Maxi) Columbia 659849 2 UK & Europe 1993 Related Music albums to In The Valley by Midnight Oil Midnight Oil - Blue Sky Mine Midnight Oil - Midnight Oil Midnight Oil - Tracks From The Forthcoming Album "Breathe" Midnight Oil - Place Without A Postcard Midnight Oil - Truganini Midnight Oil - Les Indispensables De Midnight Oil Midnight Oil - 10, 9, 8, 7, 6, 5, 4, 3, 2, 1 Midnight Oil - Earth And Sun And Moon Midnight Oil - Sometimes London After Midnight - Selected Scenes After Midnight. -
Issue 189.Pmd
email: [email protected] NIGHTSHIFTwebsite: nightshift.oxfordmusic.net Free every Oxford’s Music Magazine month. Issue 189 April 2011 YYYYYYoungoungoungoung KnivesKnivesKnivesKnives Go Pop! Out on their own and back with a brilliant new album photo: Cat Stevens NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net WILCO JOHNSON AND listings for the weekend, plus ticket DEACON BLUE are the latest details, are online at names added to this year’s www.oxfordjazzfestival.co.uk Cornbury Festival bill. The pair join already-announced headliners WITNEY MUSIC FESTIVAL returns James Blunt, The Faces and for its fifth annual run this month. Status Quo on a big-name bill that The festival runs from 24th April also includes Ray Davies, Cyndi through to 2nd May, featuring a Lauper, Bellowhead, Olly Murs, selection of mostly local acts across a GRUFF RHYS AND BELLOWHEAD have been announced as headliners The Like and Sophie Ellis-Bextor. dozen venues in the town. Amongst a at this year’s TRUCK FESTIVAL. Other new names on the bill are host of acts confirmed are Johnson For the first time Truck will run over three full days, over the weekend of prog-folksters Stackridge, Ben Smith and the Cadillac Blues Jam, 22nd-24th July at Hill Farm in Steventon. The festival will also enjoy an Montague & Pete Lawrie, Toy Phousa, Alice Messenger, Black Hats, increased capacity and the entire site has been redesigned to accommodate Hearts, Saint Jude and Jack Deer Chicago, Prohibition Smokers new stages. -
Sydney 18 Våra Medlemmar
AZeelAnd.se UNDER A ZeeländskA vänskApsföreningen www.AustrAlien-ny DAustrAlisk A ny WN nr 4 / 2012 the sAints AustrAlien där och sverige regnskogen långt emellAn men möter revet ändå likA dykning på nyA ZeelAnd • NYHETER • samaRbETE mEd sTudiEfRämjaNdET • KaNgoRoo HoppET • LäsaRfRågoR Besök vänskApsföreningens nyA hemsidA på hemsidan hittar du senaste nytt om evenemang, nyheter, medlemsförmåner och tips. du kan läsa artiklar, reseskildringar och få information om working holiday, visum mm. www.AustrAlien-nyAZeelAnd.se Bli medlem i AustrAliskA nyA ZeeländskA vänskApsföreningen medlemsavgift 200:- kalenderår. förutom vår medlemstidning erhåller du en mängd rabatter hos företag och föreningar som vi samarbetar med. att bli medlem utvecklar och lönar sig! inbetalning till plusgiro konto 54 81 31-2. uppge namn, ev. medlemsnummer och e-postadress. 2 D WN UNDER Det sprakar från elden i kakelugnen och förs- ta adventsljuset är tänt när jag skriver denna ledare. Den första snön har redan fallit, det nal- kas mot jul och vi närmar oss ett nytt och spän- nande år. År 2012 har varit alldeles fantastiskt oRdföRaNdEN HaR oRdET 4 för egen del. Jag har börjat på ett nytt arbete som verksamhetsutvecklare hos Studiefrämjan- däR REgNsKogEN möTER REvET 5 det Bohuslän Norra med inriktning på musik och kultur. Vågar nog påstå att det är det mest inspirerande arbete KaNgoRoo HoppET 7 jag hittills haft. Inspirerande är också att just Studiefrämjandet och Vänskapsföreningen under hösten inlett ett samarbete som jag hoppas DykniNg på NYa ZEELaNd 8 ni kan ha mycket glädje och nytta av. Som vanligt går man omkring och längtar till vänner och platser på andra sidan jordklotet. -
Fewer Funds for Fountain
Serving the San Jose State University Community Since 1934 \ ohm le YU. xl [Ill I si \ rrir Fewer funds 'Lectric car for fountain A.S. allocates interest only By Jeff Elder A.S. President Michael McLen- Daily staff writer nan said Tuesday night that Ringe After being asked to donate approached him last semester with $15,000 to help get SJSU's fountain the idea of renovating the fountain flowing again, the Associated Stu- with a senior class gift. dents voted Wednesday to donate the "Bob Ringe approached me back interest of a $6,(XX) A.S. account to during football season and said. 'We pay for maintenance of the fountain. want to do a senior class gift to get The fountain has been dry for two the fountain running.' He wanted to years, shut off by President Gail Ful- get a telemarketing drive going," lerton. who said a standing pool of McLennan said. water at the bottom of the fountain Dan McIntosh, director of aca- was a liability for the university. demic affairs and a senior who has which could be sued if a child worked to get the fountain flowing drowned there. again, presented the A.S. Board of This semester Bob Ringe, director Directors on Wednesday with a pro- of development and relations for posal to set aside $10.000 from the SJSU. has appeared at A.S. meet- A.S. general fund with which to fi- ings with a proposal supported by nance the fountains maintenance. Fullerton that the A.S. set aside It was first said our money funds to help redesign the fountain. -
Played 2013 IMOJP
Reverse Running Atoms For Peace AMOK XL Recordings Hittite Man The Fall Re-Mit Cherry Red Pre-Mdma Years The Fall Re-Mit Cherry Red Voodoo Posse Chronic Illusion Actress Silver Cloud WERKDISCS Recommended By Dentists Alex Dowling On The Nature Of ElectricityHeresy Records And Acoustics Smile (Pictures Or It Didn't Happen) Amanda Palmer & TheTheatre Grand Is EvilTheft OrchestraBandcamp Stoerung kiteki Rmx Antye Greie-Ripatti minimal tunesia Antye Greie-Ripatti nbi(AGF) 05 Line Ain't Got No Love Beal, Willis Earl Nobody knows. XL Recordings Marauder Black Pus All My Relations Thrill Jockey 1,000 Years Black Pus All My Relations Thrill Jockey Records All Out of Sorts Black Pus All My Relations Thrill Jockey Abstract Body/Head Coming Apart Matador Records Sintiendo Bomba Estéreo Elegancia Tropical Soundway #Colombia Amidinine Bombino Nomad Cumbancha Persistence Of Death Borut Krzisnik Krzisnik: Lightning Claudio Contemporary La noche mas larga Buika La noche mas largaWarner Music Spain Super Flumina Babylonis Caleb Burhans Evensong Cantaloupe Music Waiting For The Streetcar CAN The Lost Tapes [DiscMute 1] Obedience Carmen Villain Sleeper Smalltown Supersound Masters of the Internet Ceramic Dog Your Turn Northern-Spy Records track 2 Chris Silver T & MauroHigh Sambo Forest, LonelyOzky Feeling E-Sound Spectral Churches Coen Oscar PolackSpectral Churches Narrominded sundarbans coen oscar polack &fathomless herman wilken Narrominded To See More Light Colin Stetson New History WarfareConstellation Vol. 3: To See More Light The Neighborhood Darcy -
Here Is a Printable
Ryan Leach is a skateboarder who grew up in Los Angeles and Ventura County. Like Belinda Carlisle and Lorna Doom, he graduated from Newbury Park High School. With Mor Fleisher-Leach he runs Spacecase Records. Leach’s interviews are available at Bored Out (http://boredout305.tumblr.com/). Razorcake is a bi-monthly, Los Angeles-based fanzine that provides consistent coverage of do-it-yourself punk culture. We believe in positive, progressive, community-friendly DIY punk, and are the only bona fide 501(c)(3) non-profit music magazine in America. We do our part. An Oral History of The Gun Club originally appeared in Razorcake #29, released in December 2005/January 2006. Original artwork and layout by Todd Taylor. Photos by Edward Colver, Gary Leonard and Romi Mori. Cover photo by Edward Colver. Zine design by Marcos Siref. Printing courtesy of Razorcake Press, Razorcake.org he Gun Club is one of Los Angeles’s greatest bands. Lead singer, guitarist, and figurehead Jeffrey Lee Pierce fits in easily with Tthe genius songwriting of Arthur Lee (Love), Chris Hillman (Byrds), and John Doe and Exene (X). Unfortunately, neither he nor his band achieved the notoriety of his fellow luminary Angelinos. From 1979 to 1996, Jeffrey manned the Gun Club ship through thick and mostly thin. Understandably, the initial Fire of Love and Miami lineup of Ward Dotson (guitar), Rob Ritter (bass), Jeffrey Lee Pierce (vocals/ guitar) and Terry Graham (drums) remains the most beloved; setting the spooky, blues-punk template for future Gun Club releases. At the time of its release, Fire of Love was heralded by East Coast critics as one of the best albums of 1981. -
June 1984 Kansas City's Free Music and Entertainment Newspaper Issue 42 Modern English: from Punk to Classical
All the Bulk rate news US Postage that's fH paid permit to pitch no. 2419 C PITCtI KCMO June 1984 Kansas City's free music and entertainment newspaper Issue 42 Modern English: From punk to classical is time and is at Worlds of Fun on June 8. Bassist Conroy talked with KC Pitch about the band. how it began and the hard-to-define Modern sound. all met in Culchester, England, 50 miles outside London. We thought it would be a real good to be in a band, so we all went out and thought we After two That British band Modern English performs at Worlds of Fun on music. It's something we've always wanted to do and we really got the chance on this his own words, "Ever- record." changing. Very hard to I wouldn't really are quite con These distinct of touring on the mind like to what we are like because tomorrow way we write our songs. We English and and loss of love ("Heart") I'd we were absolutely like it." don't want to do two songs the same, describe, and last year's "I Melt Listen to their new album and for sound like a young man struck with yourself. Modern English. with all of it's diver of fever. Lead vocalist sify and different dimensions. is a band that lyrics "He's the deserves to heard Trivial pursuits with Rhino Records Annette, the Monkees and "the world's only senior citizen Jewish rock band" words are the By Steve Walker the soundtracks to Blood Feast and 2000 surmise, platinum records do not crowd the eccentric in Maniacs with music by Herschell Gordon walls of Rhino's Santa Monica offices. -
Girls Like Us: Linder
Linder Sterling is a British These include her 13-hour artist and performer whose NICOLE EMMENEGGER improvised dance perfor- career spans the 1970s WORDS mance piece Darktown Cake- B Manchester punk scene to Y walk and her most recent her current collaborations work, The Ultimate Form, a with Tate St. Ives and The 'performance ballet' inspired Hepworth Centre in north- at the photographed by Barbara Hepworth, fea- west England. turing dancers from North- PORTRAITS PORTRAITS ern Ballet and costumes by She has worked in a variety B arbara Pam Hogg. of mediums – from music H B Y DEVIN (as singer/songwriter/gui- Ives St. Tate Museum in epworth We met at the The Barbican B tarist for post-punk band LAIR Centre in London on a crisp Ludus) and collage (using March morning, just days a steady scalpel to splice after the opening of her first pornographic images into big retrospective at Le Musée feminist statements), to her d’Art Moderne in Paris. current durational works. Linder 18 19 Nicole Emmenegger: First off, thank you for send- Yes, I used to have this fascination for the mid-fifties. People ing through the preparatory text about you and your I know at every age seem to have this fascination about the work. It ended up being ten pages in 10-point font! culture that you were born into, climbed into. It’s your own personal etymology and you have to go back and work it Linder: How strange, I don’t even enjoy writing! out. It’s good detective work. It makes sense and how lucky for you that 1976 was such a great year. -
Ellie Wyatt Is a BAFTA Nominated Songwriter, a Composer, String
Ellie Wyatt is a BAFTA nominated songwriter, a composer, string arranger and violinist whose music and songs have been used on a wide array of Film, TV and advertising. She collaborates with talented producers and singers from all over Europe. Film/ TV /Game Song Synch credits include: Promos- Desperate Housewives, E!, Wimbeldon, Shameless and Showtime. TV- Black Mirror, Stranger Things, Harlots, Greys Anatomy, Degrassi, Men In Trees, The Ghost Whisperer, South of Nowhere, MTV, Wimbeldon, The Alan Carr Show Theme Movies-Touch The Wall, Haze the trailer for Disney’s Cars2 and Assassins Creed. Kids TV: Scored Music and Theme Song for BBC Worldwide mixed media pre-school science show Kit and Pup (52 episodes). Songs and series scored music for CBeebies show Tee & Mo (50 episodes) with BAFTA winning animation company Plugin Media. The animated song ‘Are we ready to go’ won a 2016 award at the international festival Prix Jeunesse and the animated song ‘Come On, Get Up’ was nominated for a 2016 BAFTA for best children’s shortform. 28 songs, including theme song, for CBeebies in house series Feeling Better (26 episodes). Theme Song and integrated songs for BBC Scotland production Molly and Mack. Theme re-brand and various songs for Milkshake TV. Songs for Totems, Sesame Street. Various stand alone songs for CBeebies House and Sesame Street. Songs and nursery rhymes for Tiny Pop. Music for the 2016 BAFTA winning website for CBeebies Big & Small. Advertising campaign credits include: Instax Sponsors New Girl on E4, Nivea, Evian, Monoprix, VW, Chanel, Johnsons, HugoBoss, YSL, Peugeot, Lancome, Nokia, Aveeno, Sears, Auchann, Safeway, Amex, Carnival, Comcast, Powerade, Douwe Egberts Senseo and L’Or, RBS, Antibiotics for Public Health England and Transport for London. -
Dr. Richard Brown Faith, Selfhood and the Blues in the Lyrics of Nick Cave
Student ID: XXXXXX ENGL3372: Dissertation Supervisor: Dr. Richard Brown Faith, Selfhood and the Blues in the Lyrics of Nick Cave Table of Contents Introduction 2 Chapter One – ‘I went on down the road’: Cave and the holy blues 4 Chapter Two – ‘I got the abattoir blues’: Cave and the contemporary 15 Chapter Three – ‘Can you feel my heart beat?’: Cave and redemptive feeling 25 Conclusion 38 Bibliography 39 Appendix 44 Student ID: ENGL3372: Dissertation 12 May 2014 Faith, Selfhood and the Blues in the lyrics of Nick Cave Supervisor: Dr. Richard Brown INTRODUCTION And I only am escaped to tell thee. So runs the epigraph, taken from the Biblical book of Job, to the Australian songwriter Nick Cave’s collected lyrics.1 Using such a quotation invites anyone who listens to Cave’s songs to see them as instructive addresses, a feeling compounded by an on-record intensity matched by few in the history of popular music. From his earliest work in the late 1970s with his bands The Boys Next Door and The Birthday Party up to his most recent releases with long- time collaborators The Bad Seeds, it appears that he is intent on spreading some sort of message. This essay charts how Cave’s songs, which as Robert Eaglestone notes take religion as ‘a primary discourse that structures and shapes others’,2 consistently use the blues as a platform from which to deliver his dispatches. The first chapter draws particularly on recent writing by Andrew Warnes and Adam Gussow to elucidate why Cave’s earlier songs have the blues and his Christian faith dovetailing so frequently. -
Laura Harker & Paul Sullivan on Nick Cave and the 80S East
Behaviour 11 Extr me LaurA HArKer & PAul SullIvAn On Nick CAve AnD THe 80S East KreuzBerg SCene Photography by Peter gruchot 10 ecords), 24 April 1986 Studio session for the single ‘The Singer’ (Mute r Cutting a discreet diagonal between Kottbusser Tor and Oranienplatz, Dresdener Straße is one of the streets that provides blissful respite from east Kreuzberg’s constant hustle and bustle. Here, the noise of the traffic recedes and the street’s charms surge subtly into focus: fashion boutiques and indie cafés tucked into the ground floors of 19th Century Altbauten, the elegantly run-down Kino Babylon and the dark and seductive cocktail bar Würgeengel, the “exterminating angel”, a name borrowed from a surrealist film by luis Buñuel. It all looked very different in the 80s of course, when the Berlin Wall stood just under a kilometre away and the façades of these houses – now expensively renovated and worth a pretty penny – were still pockmarked by World War Two bulletholes. Mostly devoid of baths, the interiors heated by coal, their inhabitants – mostly Turkish immigrants – shivered and shuffled their way through the Berlin winter. 12 13 It was during this pre-Wende milieu that a tall, skinny and largely unknown Australian musician named Nicholas Edward Cave moved into no. 11. Aside from brief spells in apartments on naumannstraße (Schöneberg), yorckstraße, and nearby Oranienstraße, Cave spent the bulk of his seven on-and-off years in Berlin living in a tiny apartment alongside filmmaker and musician Christoph Dreher, founder of local outfit Die Haut. It was in this house that Cave wrote the lyrics and music for several Birthday Party and Bad Seeds albums, penned his debut novel (And The Ass Saw The Angel) and wielded a sizeable influence over Kreuzberg’s burgeoning post-punk scene.