DOCSLIB.ORG

Full Music Credits

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Full Music Credits Music Supervisor Chris Gough Mana Music Mushroom Licensing Ann-Marie Meadows Music Mixer Robin Grey Alan Eaton Studios Original Music Recorded at Hot House - Craig Harnath Original Music Mix Ross Cockle FX & Music Editor Craig Carter Original Music Composed by Martin Lubran David Bowers "Jackson" (Wheeler/Rodgers) EMI Music Publishing Australia, Performed by Catherine Wearne and Andrew Travis, Produced by Jim Bowman, Recorded at Electric Avenue "Don't It Get You Down" (Kennedy/Palmer/Jones) Mushroom Music, Performed by Dead Star, Courtesy of Mushroom Records "Goldfinger" (Wheeler) PolyGram Publishing, Performed by Ash, Courtesy of Infectious/Mushroom Records "Fun For Me" (Brydon/Murphy) Chrysalis Music/Mushroom Music, Performed by Moloko Courtesy of Echo/Liberation "Puppy Love" (Anka) Chrysalis Music/Mushroom Music Performed by Banana Oil, Courtesy of Mushroom Records "Cruise Control" (Matthews/Lawry/Nevison/Fell/Sweeny/ McDonald) Flying Nun Music/Mushroom Music Performed by Headless Chickens Courtesy of Flying Music/Mushroom Records "Help Yourself" (Donida/Mogol/Fishman) Mushroom Music Performed by Tom Jones, Courtesy of PolyGram "No Reason" (Salmon/Perkins) PolyGram Publishing, Performed by Beasts of Bourbon, Courtesy of Red Eye/Polydor Records "Lemonsuck" (Handley) Mushroom Music, Performed by Pollyanna, Courtesy of Bark/Mushroom Records "So Long Marianne" (Cohen) Chrysalis Music/Mushroom Music Performed by The Stone Cold Boners & Hugo Weaving "Rock and Roll" (Reed) Oakfield Avenue/EMI Music Ltd Performed by The Stone Cold Boners & Hugo Weaving "The Ship Song" (Cave) PolyGram Publishing/Mute Song Performed by The Stone Cold Boners & Hugo Weaving "Radar Love" (Kooyman/Hay) Sony Music Publishing Australia, Performed by The Stone Cold Boners & Matthew Dyktynski "At First Sight" (Mariani) Mushroom Music Performed by the Stems, Courtesy of Mushroom Records "Girl from Mars" (Wheeler) PolyGram Publishing, Performed by Ash, Courtesy of Infectious/Mushroom Records "My Family" (Bomba/Wraight/Tabone) Mushroom Music Performed by Banana Oil, Courtesy of Mushroom Records "Heart of Glass" (Harry/Stein) Chrysalis Music/Mushroom Music, Performed by Blondie, Courtesy of EMI Records, under licence from EMI - Capitol Music Special Markets and EMI Music Australia Pty Ltd "From My Eyes" (Willoughby) Mushroom Music, Performed by No Fixed Address, Courtesy of Mushroom Records "Rock This Town" (Setzer) Windswept Pacific/Mushroom Music Courtesy of EMI Records, under licence from EMI-Capitol Music Special Markets and EMI Music Australia Pty Ltd "One of Us Cannot Be Wrong" (Cohen) Chrysalis Music/Mushroom Music Performed by Hugo Weaving "That's The Way I Like It" (Casey/Finch) Windswept Pacific/Mushroom Music, Courtesy of Pioneer Entertainment U.S.A. "Union City Blue" (Harry/Harrison) Chrysalis Music/Mushroom Music, Performed by The Stone Cold Boners & Miranda Otto "Wreckage" (Wilson) Mushroom Music, Performed by Chris Wilson, Courtesy of Mushroom Records "Venus" (Van Leeuwen) Dayglow Music/Mushroom Music, Performed by Shocking Blue, Courtesy of Red Bullet Productions BV "Throwing Fire at the Sun" (Nova) Big Live Music/Mushroom Music Performed by Heather Nova, Courtesy of Big Life Records/Liberation "She's a Lady" (Anka) Chrysalis Music/Mushroom Music Performed by Tom Jones, Courtesy of Chrysalis Records/EMI Music Australia Pty Ltd "Djapana" (Yunupingu) Yothu Yindi Music/Mushroom Music, Performed by Yothu Yindi, Courtesy of Mushroom Records "Turtle's Head" (Coghill/Collins/Haug/Middleton/Fanning) PolyGram Publishing, Performed by Powderfinger, Courtesy of Polydor Records "Let Love In" (Cave) PolyGram Publishing/Mute Song Performed by Nick Cave & The Bad Seeds, Courtesy of Mute Records/Liberation "Bird On A Wire" (Cohen), Chrysalis Music/Mushroom Music Performed by Leonard Cohen, Courtesy of Sony Music Entertainment Canada Inc. Composers: The bulk of the music was sourced from disc, but Martin Lubran and David Bowers received co-composer credits for the underscore: Martin Lubran: Lubran was profiled by Khali Hegarty in The Age on 3rd September 2004 under the header “Cracking the big time” (the original is online here): Martin Lubran, the trio's guitarist, looks at the dictaphone sitting on the table and asks: "It doesn't actually capture your thoughts, does it?" Coming from Crackpot, this question isn't entirely unusual. On the liner notes of their debut album, Shelf Hypnosis, the band promise to help listeners "put (their) fingers on someone's temples and control their mind" and "abseil past the ladder of success". Imagine a self-help venture between Deepak Chopra and Monty Python and it starts to make sense. The music is no different. It's a merging of styles equally influenced by Burt Bacharach and DJ Premier. "People who haven't heard us before are generally looking for a foothold," says Lubran. "That's just a symptom of modern music." It's early on a Saturday night. Lubran and fellow band member DJ Ransom (Phil Ivanov) are getting a bite to eat in Windsor. Crackpot's vocalist, Jade Dadrenz, is absent. Shelf Hypnosis has been available in Europe for more than two months on Tim "Love" Lee's cult label, Tummy Touch. Extraordinarily, the first pressing sold out within a couple of weeks. The buzz around Crackpot has been created not so much by hype or overreaching marketing campaigns but by damn good music. "We specifically chose Tummy Touch as an educated guess," explains Ivanov. "It was to do with how we felt about Tim personally, and the music, his artists and the label. Every artist on his label we liked." The band's first single, released in 2000, was championed by British DJs such as Gilles Peterson and Groove Armada's Tom Findlay. Similarly, in Australia, Crackpot found fans through Triple J and public radio. But it wasn't simply a matter of being the newest kids on the block with an overseas record deal. Despite Shelf Hypnosis being their debut album, Crackpot's members have been creative powerhouses for years. Ivanov is one of Melbourne's most respected DJs and producers, with accolades ranging from DMC titles to decade-long club residencies and starting Australia's first independent hip-hop label in 1992. Lubran's musical CV is equally illustrious. As a young guitarist he was recruited into Hunters and Collectors in his teens. He's been a session player on too many locally produced albums to list. Dadrenz's background is equally varied and includes everything from playing in art-rock bands in Perth to the occasional vocal for a television campaign. Dadrenz and Lubran were already writing songs together when they teamed up with Ivanov on another artist's project. "After a delightful experience in the studio, we realised we were more suited to working with each other than with this other person," recounts Lubran. "Nothing ever came of it, but throughout we realised we were complementing each other." With such varied backgrounds, it's no wonder Crackpot have turned critics' heads. Their combination of beats, vocals, solid musicianship and songwriting is as infectious as it is innovative. Just as Howard Arkley merged aerosol art with Australian landscapes, Crackpot have taken hip-hop beats and moulded them into a unique brand of Australian soul. According to Lubran, however, there's been no attempt on the band's part to make anything left-field or quirky. "You hear a lot of mission statements from artists, now so more than ever," he says. "It's mostly to do with secondary industry producers who are taking existing elements and recombining them. It makes great copy. There's not enough letting it come naturally going on in music anywhere - and that's maybe our most courageous stand." But, according to Ivanov, it's also been an obstacle to overcome. "Not modifying ourselves to make ourselves identifiable with an existing scene, especially one that's being marketed with some vigour, that's actually our biggest handicap," he says. "We just do what we do and that's how it comes out - but that's actually the tallest hurdle." And the band know about hurdles. Shelf Hypnosis may be their debut, but they've been together for more than seven years. Thieves hit their studio in 1997, taking most of their equipment, tapes and a good portion of Ransom's record collection. Then, two years ago, Tummy Touch had to deal with a court case brought by an artist whose sample appeared on a track released by the label; this pushed the Crackpot album's release back by at least two years. Since the band's year-long Sunday night residency at Revolver in 1999, the wait for the album has been agonising - for the artists as well as local music fans. "There is a big sense of relief - the release is a relief," says Ivanov. "You know what it was like? It was like when you've had some sort of injury and you don't want to have to put up with the aftermath of the injury, but there's no avoiding it. There were times when it was testing, but there was never any thought of giving up." "The process of making music is always good," says Lubran, "no matter what circumstances you do it under. The process is satisfying, even if it turns out to be a piece of shit." Surprisingly, the band are calm about their trials; they feel neither bitter nor hard done by. They don't even feel their luck has been exceptionally bad. "It's always bad luck getting robbed," Lubran says. "There are artists who go through very little and actually sound very angry." Shelf Hypnosis is out this week on Tummy Touch/Inertia Lubran is the lead guitarist in the cover band featured in the film. See below for photos of Lubran as he appears in the film. David Bowers: David Bowers turned to art and was profiled in the Moonee Valley Leader on 7th December 2014 under the header Flemington pop artist Dave Bowers holding retrospective exhibition at Marios cafe in Fitzroy: From icypoles and tractors to the tar snakes created by road repairs, Flemington artist Dave Bowers sees beauty in unlikely places.
Load more

Recommended publications
  • Masaryk University Faculty of Arts
    Masaryk University Faculty of Arts Department of English and American Studies Teaching English Language and Literature for Secondary Schools Petr Husseini Nick Cave’s Lyrics in Official and Amateur Czech Translations Master‟s Diploma Thesis Supervisor: Mgr. Renata Kamenická, Ph.D. 2009 Declaration I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. .................................................. Author‟s signature 2 Acknowledgements I would like to thank my supervisor, Mgr. Renata Kamenická, Ph.D., for her kind help, support and valuable advice. 3 Table of Contents Introduction ..................................................................................................................... 5 1. Translation of Lyrics and Poetry .............................................................................. 9 1.1 Introduction ................................................................................................... 9 1.2 General Nature of Lyrics and Poetry ........................................................ 11 1.3 Tradition of Lyrics Translated into Czech ............................................... 17 1.4 Conclusion ................................................................................................... 20 2. Nick Cave’s Lyrics in King Ink and King Ink II ................................................... 22 2.1 Introduction ................................................................................................. 22
    [Show full text]
  • Songs by Artist
    Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S.
    [Show full text]
  • The Victorian Music Business Career Life Cycle
    Career Paths The Victorian Music Business Career Life Cycle The Victorian Music Business Career Life Cycle PREPARED BY DR CATHERINE STRONG, DR FABIAN CANNIZZO AND DR IAN ROGERS FOR THE VICTORIAN MUSIC DEVELOPMENT OFFICE Contact VMDO Level 2, 77 Southbank Boulevard Southbank VIC 3006 (03) 9686 3411 [email protected] Dr Catherine Strong School of Media and Communication RMIT University GPO Box 2476 Melbourne VIC 3001 [email protected] Suggested citation: Strong, C., Cannizzo, F. and Rogers, I. (2020) The Victorian Music Business Career Life Cycle, RMIT University, Melbourne for the Victorian Music Development Office 2 Foreword A message from the VMDO The music industry will always evolve and so will career prospects. This study provides a genuine insight into how change can be managed in an uncertain industry. The skills, knowledge and experience demonstrated by passionate Victorian music industry professionals and businesses are imperative – they solidify and bind so many possibilities for musicians and artists in the music sector. It’s also evident that this extensive and nimble skillset is transferable across many sectors – creative, corporate and non-for-profit. These unsung heroes could include artist managers, record label owners, promoters, publicists, agents, marketing and publishing practitioners (amongst others) who may work for organisations or within their own small or micro music businesses. The Victorian Music Development Office (VMDO) co-designed the Victorian Music Business Career Life Cycle study with RMIT University and Doctor Catherine Strong from the School of Media and Communication, which looks at gaining a deeper understanding of what skills and strategies people need to be successful as a music professional.
    [Show full text]
  • The Creative Conver
    TWO PETERRAINMAKERS EDGETHE CREATIVE CONVERSATION s chief of RCA, Peter Edge has presided over one of the splashiest rosters in the biz, which has culminated in big chart successes, top-tier Grammy love and, occa- sionally, pop-cultural godhead for his acts. Edge’s keen A&R chops Aand artist whispering have been integral to his reign, and he has been acutely sensitive to the shifting winds of the marketplace. “I’m always looking for a unique propo- sition,” Edge said a decade and a half ago, and it clearly resonates today. “I’m really attracted to people who have an abundance of talent because I’m just in awe of that, being a music fan.” “Peter Edge loves music so much, it’s his heart and soul,” notes one of Edge’s Grammy-winning, chart-topping signings, Switch, where he booked artists such as Sade Khalid. “I’ve had such meaningful artistic and Grace Jones. His work there caught conversations with him, and I’m always in the eye of Simon Fuller, who hired him as awe of his knowledge and his passion.” an A&R rep at Chrysalis Music Publishing; “I have known and worked with Peter he subsequently moved to the label side at since I first started in this business,” says Chrysalis and was tasked with launching the manager Brandon Creed, “and he has London-based Cooltempo imprint in 1985, always been a very kind and soulful leader in tandem with producer Danny D. and personal mentor to me. His taste and In the U.K., the label would release talent are inspiring, and he’s as authen- music by Erik B and Rakim, EPMD, tic and genuine as an executive as he is a The Real Roxanne, Slick Rick and Doug human being.” E.
    [Show full text]
  • The Future of Copyright and the Artist/Record Label Relationship in the Music Industry
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Saskatchewan's Research Archive A Change is Gonna Come: The Future of Copyright and the Artist/Record Label Relationship in the Music Industry A Thesis Submitted to the College of Graduate Studies And Research in Partial Fulfillment of the Requirements for the Degree Of Masters of Laws in the College of Law University of Saskatchewan Saskatoon By Kurt Dahl © Copyright Kurt Dahl, September 2009. All rights reserved Permission to Use In presenting this thesis in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other use of material in this thesis in whole or part should be addressed to: Dean of the College of Law University of Saskatchewan 15 Campus Drive Saskatoon, Saskatchewan S7N 5A6 i ABSTRACT The purpose of my research is to examine the music industry from both the perspective of a musician and a lawyer, and draw real conclusions regarding where the music industry is heading in the 21st century.
    [Show full text]
  • Songs by Artist
    DJ Song list Songs by Artist DJ Song list Title Versions Title Versions Title Versions Title Versions -- 360 Ft Pez 50 Cent Adam & The Ants Al Green -- 360 Ft Pez - Live It Up DJ 21 Questions DJ Ant Music DJ Let's Stay Together We -- Chris Brown Ft Lil Wayne Candy Shop DJ Goody Two Shoes DJ Al Stuart -- Chris Brown Ft Lil Wayne - DJ Hustler's Ambition DJ Stand And Deliver DJ Year Of The Cat DJ Loyal If I Can't DJ Adam Clayton & Larry Mullen Alan Jackson -- Illy In Da Club DJ Theme From Mission DJ Hi Chattahoochee DJ -- Illy - Tightrope (Clean) DJ Just A Li'l Bit DJ Impossible Don't Rock The Jukebox DJ -- Jason Derulo Ft Snoop Dog 50 Cent Feat Justin Timberlake Adam Faith Gone Country DJ -- Jason Derulo Ft Snoop Dog DJ Ayo Technology DJ Poor Me DJ Livin' On Love DJ - Wiggle 50 Cent Feat Mobb Deep Adam Lambert Alan Parsons Project -- Th Amity Afflication Outta Control DJ Adam Lambert - Better Than I DJ Eye In The Sky 2010 Remix DJ -- Th Amity Afflication - Dont DJ Know Myself 50 Cent Ft Eminem & Adam Levin Alanis Morissette Lean On Me(Warning) If I Had You DJ 50 Cent Ft Eminem & Adam DJ Hand In My Pocket DJ - The Potbelleez Whataya Want From Me Ch Levine - My Life (Edited) Ironic DJ Shake It - The Potbelleez DJ Adam Sandler 50Cent Feat Ne-Yo You Oughta Know DJ (Beyonce V Eurythmics Remix (The Wedding Singer) I DJ Baby By Me DJ Alannah Myles Sweet Dreams DJ Wanna Grow Old With You 60 Ft Gossling Black Velvet DJ 01 - Count On Me - Bruno Marrs Adele 360 Ft Gossling - Price Of DJ Albert Lennard Count On Me - Bruno Marrs DJ Fame Adele - Skyfall DJ Springtime In L.A.
    [Show full text]
  • Songs by Title Karaoke Night with the Patman
    Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P.
    [Show full text]
  • Hard Knocks Music Credits
    (Cast) Maple Leaf Jazz Band Drums Roger Kennedy Bass Gary Dunbier Banjo John Withers Trombone Don Santin Trumpet Rob Green Alto sax Kim Rushworth Music Editor Zbigniew Friedrich Music Consultant Greg Pickhaver Hard Knocks Performed by Paul Kelly & the Dots Written by Kelly Published by Mushroom Courtesy of Mushroom Records Evie Part 1 Performed by Stevie Wright Written by Vanda/Young Published by Alberts Courtesy of Albert Productions Most People I Know Performed by Aztecs Written by Thorpe Published by Rock of Ages Courtesy of Havoc Records Who Listens To The Radio Performed by Sports Written by Cummings/Pendelbury Published by Antipodes/Mushroom Courtesy of Mushroom Records My Little Angel Performed by William Shakespeare Written by Vanda/Young Published by Alberts Courtesy of Albert Productions Take A Long Line Performed by Angels Written by Brewster/Neeson/Brewster Published by Alberts Courtesy of Albert Productions Where The Action Is Performed by John Paul Young Written by Vanda/Young Published by Alberts Courtesy of Albert Productions Birmingham Performed by John Paul Young Written by Vanda/Young Published by Alberts Courtesy of Albert Productions High Voltage Performed by AC/DC Written by Scott/Young/Scott Published by Alberts Courtesy of Albert Productions I Remember When I Was Young Performed by Matt Taylor Written by Matt Taylor Published by Mushroom Courtesy of Mushroom Records Breakfast at Sweethearts Performed by Cold Chisel Written by Walker Published by Rondor Courtesy of W.E.A. Records When The Heat's Off Performed by Richard Clapton Written by Richard Clapton Published by Gypsy Courtesy of Infinity Records High Class Women Performed by John St.
    [Show full text]
  • Blondie the Platinum Collection Mp3, Flac, Wma
    Blondie The Platinum Collection mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: The Platinum Collection Country: Netherlands Released: 1994 Style: New Wave, Pop Rock MP3 version RAR size: 1987 mb FLAC version RAR size: 1233 mb WMA version RAR size: 1660 mb Rating: 4.7 Votes: 725 Other Formats: DMF MP2 VOX AAC WAV ADX AUD Tracklist Hide Credits X Offender 1-1 3:12 Producer – Richard GottehrerWritten-By – Deborah Harry, Gary Valentine In The Flesh 1-2 2:31 Producer – Richard GottehrerWritten-By – Chris Stein, Deborah Harry Man Overboard 1-3 3:21 Producer – Richard GottehrerWritten-By – Deborah Harry Rip Her To Shreds 1-4 3:21 Producer – Richard GottehrerWritten-By – Chris Stein, Deborah Harry Denis 1-5 2:18 Producer – Richard GottehrerWritten-By – Neil Levenson Contact In Red Square 1-6 2:00 Producer – Richard GottehrerWritten-By – Jimmy Destri Kung Fu Girls 1-7 2:31 Producer – Richard GottehrerWritten-By – Deborah Harry, Gary Valentine, Jimmy Destri I'm On E 1-8 2:13 Producer – Richard GottehrerWritten-By – Chris Stein, Deborah Harry (I'm Always Touched By Your) Presence, Dear 1-9 2:43 Producer – Richard GottehrerWritten-By – Gary Valentine Poets Problem 1-10 2:20 Producer – Richard GottehrerWritten-By – Jimmy Destri Detroit 442 1-11 2:28 Producer – Richard GottehrerWritten-By – Chris Stein, Jimmy Destri Picture This 1-12 2:56 Producer – Mike ChapmanWritten-By – Chris Stein, Deborah Harry, Jimmy Destri Fade Away And Radiate 1-13 4:01 Producer – Mike ChapmanWritten-By – Chris Stein I'm Gonna Love You Too 1-14 2:08 Producer
    [Show full text]
  • American Songbook
    Shocking Blue in 1970 American Songbook ‘Het nummer Venus zou het drie keer tot nummer één in de Venus Amerikaanse hitparade schoppen’ In American Songbook nemen we evergreens, muzikale iconen en songs, Kijkend naar een goed gesprek met Shocking Blue zangeres Mariska Veres is teruggaan in de die een tijdgeest belichamen onder de loep. Wie op een roadtrip door de tijd naar terug in de tijd. Een broodnuchtere vrouw, met een dode kat met stroboscoopogen Verenigde Staten een rockstation opzoekt, heeft kans de horizon tegemoet om haar nek, wordt geïnterviewd door een ontwapenende jongeman. Deze vraagsteller te rijden onder begeleiding van de stem van Mariska Veres met dat blijkt geen oor te hebben voor primeurs. Pri- meurs gedeeld door een beschonken drummer wereldberoemde deuntje: Venus. die denkt dat hij zijn mond voorbijpraat, maar zijn geheimen mixt alsof het cocktails zijn. Het Een nummer dat zelfs driemaal op is 1988. Welkom in De (wondere) Wereld van Boudewijn Büch. nummer één in de Amerikaanse Trut hitlijsten zou prijken. De drie hoofdrolspelers in bovenstaande aflevering van het VARA-programma zijn TEKST ROBERT DE KONING (JOURNEYLISM.NL) inmiddels overleden. Net als de tijd waarover ze FOTOGRAFIE WIKIMEDIA COMMONS praten. Een tijd waarin plagiaat inspiratie werd genoemd. Waarin de manager zonder blikken of blozen over de zangeres van een wereldhit kon De single Venus is echt stukgedraaid zeggen “Als Mariska maar taartjes kan kopen, 72 ZOMER 2019 AmericanS thee kan drinken en kan borduren, dan is ze wel tevreden.” Een tijd waarin je na een maanden- lange tour door de VS weer thuis bij je ouwelui in de pan keek om te zien wat de pot schaftte: “Ik dronk alleen thee en jus d’orange en kon niet tegen drugs.
    [Show full text]
  • NOW That's What I Call Party Anthems – Label Copy CD1 01. Justin Bieber
    NOW That’s What I Call Party Anthems – Label Copy CD1 01. Justin Bieber - What Do You Mean? (Justin Bieber/Jason Boyd/Mason Levy) Published by Bieber Time Publishing/Universal Music (ASCAP)/Poo BZ Inc./BMG Publishing (ASCAP)//Mason Levy Productions/Artist Publishing Group West (ASCAP). Produced by MdL & Justin Bieber. 2015 Def Jam Recordings, a division of UMG Recordings, Inc. Licensed from Universal Music Licensing Division. 02. Mark Ronson feat. Bruno Mars - Uptown Funk (Mark Ronson/Jeff Bhasker/Bruno Mars/Philip Lawrence/Devon Gallaspy/Nicholaus Williams/Lonnie Simmons/Ronnie Wilson/Charles Wilson/Rudolph Taylor/Robert Wilson) Published by Imagem CV/Songs of Zelig (BMI)/Way Above Music/Sony ATV Songs LLC (BMI)/Mars Force Songs LLC (ASCAP)/ZZR Music LLC (ASCAP)/Sony/ATV Ballad/TIG7 Publishing (BMI)/TrinLanta Publishing (BMI)/ Sony ATV Songs LLC (BMI)/ Songs Of Zelig (BMI)/ Songs of Universal, Inc (BMI)/Tragic Magic (BMI)/ BMG Rights Management (ASCAP) adm. by Universal Music Publishing/BMG Rights Management (U.S.) LLC/Universal Music Corp/New Songs Administration Limited/Minder Music. Produced by Mark Ronson, Jeff Bhasker & Bruno Mars. 2014 Mark Ronson under exclusive licence to Sony Music Entertainment UK Limited. Licensed courtesy of Sony Music Entertainment UK Limited. 03. OMI - Cheerleader (Felix Jaehn Remix radio edit) (Omar Pasley/Clifton Dillon/Mark Bradford/Sly Dunbar/Ryan Robert Dillon) Published by Ultra International Music Publishing/Coco Plum Music Publishing. Produced by Clifton "Specialist" Dillon & Omar 'OMI" Pasley. 2014 Ultra Records, LLC under exclusive license to Columbia Records, a Division of Sony Music Entertainment. Licensed courtesy of Sony Music Entertainment UK Limited.
    [Show full text]
  • Singles 1970 to 1983
    AUSTRALIAN RECORD LABELS PHILIPS–PHONOGRAM 7”, EP’s and 12” singles 1970 to 1983 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 PHILIPS-PHONOGRAM, 1970-83 2001 POLYDOR, ROCKY ROAD, JET 2001 007 SYMPATHY / MOONSHINE MARY STEVE ROWLAND & FAMILY DOGG 5.70 2001 072 SPILL THE WINE / MAGIC MOUNTAIN ERIC BURDON & WAR 8.70 2001 073 BACK HOME / THIS IS THE TIME OF THE YEAR GOLDEN EARRING 10.70 2001 096 AFTER MIDNIGHT / EASY NOW ERIC CLAPTON 10.70 2001 112 CAROLINA IN MY MIND / IF I LIVE CRYSTAL MANSION 11.70 2001 120 MAMA / A MOTHER’S TEARS HEINTJE 3.71 2001 122 HEAVY MAKES YOU HAPPY / GIVE ‘EM A HAND BOBBY BLOOM 1.71 2001 127 I DIG EVERYTHING ABOUT YOU / LOVE HAS GOT A HOLD ON ME THE MOB 1.71 2001 134 HOUSE OF THE KING / BLACK BEAUTY FOCUS 3.71 2001 135 HOLY, HOLY LIFE / JESSICA GOLDEN EARING 4.71 2001 140 MAKE ME HAPPY / THIS THING I’VE GOTTEN INTO BOBBY BLOOM 4.71 2001 163 SOUL POWER (PT.1) / (PTS.2 & 3) JAMES BROWN 4.71 2001 164 MIXED UP GUY / LOVED YOU DARLIN’ FROM THE VERY START JOEY SCARBURY 3.71 2001 172 LAYLA / I AM YOURS DEREK AND THE DOMINOS 7.72 2001 203 HOT PANTS (PT.1) / (PT.2) JAMES BROWN 10.71 2001 206 MONEY / GIVE IT TO ME THE MOB 7.71 2001 215 BLOSSOM LADY / IS THIS A DREAM SHOCKING BLUE 10.71 2001 223 MAKE IT FUNKY (PART 1) / (PART 2) JAMES BROWN 11.71 2001 233 I’VE GOT YOU ON MY MIND / GIVE ME YOUR LOVE CAROLYN DAYE LTD.
    [Show full text]