Sum of Us the Music Credits
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The Victorian Music Business Career Life Cycle
Career Paths The Victorian Music Business Career Life Cycle The Victorian Music Business Career Life Cycle PREPARED BY DR CATHERINE STRONG, DR FABIAN CANNIZZO AND DR IAN ROGERS FOR THE VICTORIAN MUSIC DEVELOPMENT OFFICE Contact VMDO Level 2, 77 Southbank Boulevard Southbank VIC 3006 (03) 9686 3411 [email protected] Dr Catherine Strong School of Media and Communication RMIT University GPO Box 2476 Melbourne VIC 3001 [email protected] Suggested citation: Strong, C., Cannizzo, F. and Rogers, I. (2020) The Victorian Music Business Career Life Cycle, RMIT University, Melbourne for the Victorian Music Development Office 2 Foreword A message from the VMDO The music industry will always evolve and so will career prospects. This study provides a genuine insight into how change can be managed in an uncertain industry. The skills, knowledge and experience demonstrated by passionate Victorian music industry professionals and businesses are imperative – they solidify and bind so many possibilities for musicians and artists in the music sector. It’s also evident that this extensive and nimble skillset is transferable across many sectors – creative, corporate and non-for-profit. These unsung heroes could include artist managers, record label owners, promoters, publicists, agents, marketing and publishing practitioners (amongst others) who may work for organisations or within their own small or micro music businesses. The Victorian Music Development Office (VMDO) co-designed the Victorian Music Business Career Life Cycle study with RMIT University and Doctor Catherine Strong from the School of Media and Communication, which looks at gaining a deeper understanding of what skills and strategies people need to be successful as a music professional. -
The Future of Copyright and the Artist/Record Label Relationship in the Music Industry
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Saskatchewan's Research Archive A Change is Gonna Come: The Future of Copyright and the Artist/Record Label Relationship in the Music Industry A Thesis Submitted to the College of Graduate Studies And Research in Partial Fulfillment of the Requirements for the Degree Of Masters of Laws in the College of Law University of Saskatchewan Saskatoon By Kurt Dahl © Copyright Kurt Dahl, September 2009. All rights reserved Permission to Use In presenting this thesis in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other use of material in this thesis in whole or part should be addressed to: Dean of the College of Law University of Saskatchewan 15 Campus Drive Saskatoon, Saskatchewan S7N 5A6 i ABSTRACT The purpose of my research is to examine the music industry from both the perspective of a musician and a lawyer, and draw real conclusions regarding where the music industry is heading in the 21st century. -
Full Music Credits
Music Supervisor Chris Gough Mana Music Mushroom Licensing Ann-Marie Meadows Music Mixer Robin Grey Alan Eaton Studios Original Music Recorded at Hot House - Craig Harnath Original Music Mix Ross Cockle FX & Music Editor Craig Carter Original Music Composed by Martin Lubran David Bowers "Jackson" (Wheeler/Rodgers) EMI Music Publishing Australia, Performed by Catherine Wearne and Andrew Travis, Produced by Jim Bowman, Recorded at Electric Avenue "Don't It Get You Down" (Kennedy/Palmer/Jones) Mushroom Music, Performed by Dead Star, Courtesy of Mushroom Records "Goldfinger" (Wheeler) PolyGram Publishing, Performed by Ash, Courtesy of Infectious/Mushroom Records "Fun For Me" (Brydon/Murphy) Chrysalis Music/Mushroom Music, Performed by Moloko Courtesy of Echo/Liberation "Puppy Love" (Anka) Chrysalis Music/Mushroom Music Performed by Banana Oil, Courtesy of Mushroom Records "Cruise Control" (Matthews/Lawry/Nevison/Fell/Sweeny/ McDonald) Flying Nun Music/Mushroom Music Performed by Headless Chickens Courtesy of Flying Music/Mushroom Records "Help Yourself" (Donida/Mogol/Fishman) Mushroom Music Performed by Tom Jones, Courtesy of PolyGram "No Reason" (Salmon/Perkins) PolyGram Publishing, Performed by Beasts of Bourbon, Courtesy of Red Eye/Polydor Records "Lemonsuck" (Handley) Mushroom Music, Performed by Pollyanna, Courtesy of Bark/Mushroom Records "So Long Marianne" (Cohen) Chrysalis Music/Mushroom Music Performed by The Stone Cold Boners & Hugo Weaving "Rock and Roll" (Reed) Oakfield Avenue/EMI Music Ltd Performed by The Stone Cold Boners & Hugo -
Hard Knocks Music Credits
(Cast) Maple Leaf Jazz Band Drums Roger Kennedy Bass Gary Dunbier Banjo John Withers Trombone Don Santin Trumpet Rob Green Alto sax Kim Rushworth Music Editor Zbigniew Friedrich Music Consultant Greg Pickhaver Hard Knocks Performed by Paul Kelly & the Dots Written by Kelly Published by Mushroom Courtesy of Mushroom Records Evie Part 1 Performed by Stevie Wright Written by Vanda/Young Published by Alberts Courtesy of Albert Productions Most People I Know Performed by Aztecs Written by Thorpe Published by Rock of Ages Courtesy of Havoc Records Who Listens To The Radio Performed by Sports Written by Cummings/Pendelbury Published by Antipodes/Mushroom Courtesy of Mushroom Records My Little Angel Performed by William Shakespeare Written by Vanda/Young Published by Alberts Courtesy of Albert Productions Take A Long Line Performed by Angels Written by Brewster/Neeson/Brewster Published by Alberts Courtesy of Albert Productions Where The Action Is Performed by John Paul Young Written by Vanda/Young Published by Alberts Courtesy of Albert Productions Birmingham Performed by John Paul Young Written by Vanda/Young Published by Alberts Courtesy of Albert Productions High Voltage Performed by AC/DC Written by Scott/Young/Scott Published by Alberts Courtesy of Albert Productions I Remember When I Was Young Performed by Matt Taylor Written by Matt Taylor Published by Mushroom Courtesy of Mushroom Records Breakfast at Sweethearts Performed by Cold Chisel Written by Walker Published by Rondor Courtesy of W.E.A. Records When The Heat's Off Performed by Richard Clapton Written by Richard Clapton Published by Gypsy Courtesy of Infinity Records High Class Women Performed by John St. -
Kylie Minogue Kylie's Remixes Volume 2 Mp3, Flac, Wma
Kylie Minogue Kylie's Remixes Volume 2 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Pop Album: Kylie's Remixes Volume 2 Country: Australia Released: 1993 Style: Europop, Hi NRG, Synth-pop MP3 version RAR size: 1310 mb FLAC version RAR size: 1808 mb WMA version RAR size: 1629 mb Rating: 4.1 Votes: 528 Other Formats: ASF AHX VOX VQF MIDI WMA MP3 Tracklist Hide Credits Better The Devil You Know (U.S. Mix) A1 –Kylie Minogue 6:06 Remix – Keith 'KC' Cohen* Step Back In Time (Walkin' Rhythm Mix) A2 –Kylie Minogue 8:01 Mixed By – Phil Harding & Ian Curnow What Do I Have To Do? (U.K. Remix) A3 –Kylie Minogue 7:10 Remix – Pete Hammond Shocked (DNA Mix) A4 –Kylie Minogue 6:16 Remix – DNA Word Is Out (12" Version) A5 –Kylie Minogue 5:53 Mixed By – Phil Harding If You Were With Me Now (Extended Version) A6 –Kylie Minogue Duet With Keith Washington 5:11 Mixed By – Phil Harding Keep On Pumpin' It (12" Version) B1 –Visionmasters* Featuring Kylie Minogue 7:25 Mixed By – Phil Harding Give Me Just A Little More Time (12" Version) B2 –Kylie Minogue 4:36 Mixed By – Dave Ford Finer Feelings (Brothers In Rhythm 12") B3 –Kylie Minogue 6:51 Remix – Brothers In Rhythm Do You Dare (NRG Mix) B4 –Kylie Minogue 7:07 Mixed By – Dave Ford Closer B5 –Kylie Minogue 6:47 Mixed By – Dave Ford Companies, etc. Phonographic Copyright (p) – Mushroom Records International BV Copyright (c) – Mushroom Records International BV Credits Producer – Stock And Waterman* (tracks: 5 to 11), Stock Aitken Waterman* (tracks: 1 to 4) Written-By – Wayne* (tracks: 8), Washington* (tracks: 6), Minogue* (tracks: 6, 7, 10, 11), Dunbar* (tracks: 8), Stock & Waterman (tracks: 5 to 7, 9 to 11), Stock, Aitken & Waterman (tracks: 1 to 4 ) Notes This Compilation ℗ © 1993 Mushroom Records International B.V. -
Ian's Songlist
1300 738 735 phone [email protected] email www.blueplanetentertainment.net.au web www.facebook.com/BluePlanetEntertainment Ian’s Songlist 3am Matchbox Twenty Across The Universe The Beatles Dancing In The Street Marther & Vandellas All Along The Watch Tower Jimi Hendrix Dancing Queen ABBA All I Want Is You U2 Daydream Believer The Monkees All Shook Up Elvis Presley Diamonds On The Inside Ben Harper Alphabet Street Prince Diary Bread Amazing Alex Lloyd Distant Sun Crowded House And I Love Her The Beatles Do Do Do Da Da Da The Police Angel Of Harlem U2 Do It Again Steely Dan Angels Robbie Williams Dock Of The Bay Otis Redding Angie The Rolling Stones Don’t Dream It’s Over Crowded House Another Day In Paradise Phil Collins Don’t Look Back In Anger Oasis April Sun In Cuba Dragon Don’t Panic Coldplay Baby I Love Your Way Peter Frampton Don’t Stop Now Crowded House Back To You Bryan Adams Down Town Petula Clark Bad Day Daniel Powter Dream Catch Me Newton Faulkner Bad Moon Rising Creedence Drive Incubus Beautiful Day U2 Drops Of Jupiter Train Behind Blue Eyes Limp Bizkit (The Who) Dumb Things Paul Kelly Better Be Home Soon Crowded House Easy The Commodores Better Days Pete Murray End Of The Line Travelling Wilburys Better Man Pearl Jam Eternal Flame The Bangles Better Man Robbie Williams Every Breath You Take The Police Better Screaming Jets Every Time You Go Away Paul Young Big Yellow Taxi Joni Mitchell Fall At Your Feet Crowded House Bigger Than My Body John Mayer Father And Son Cat Stevens Black Betty Ram Jam Feel Like Making -
Puberty Blues Music
(Head credits) musical director theme song "Puberty Blues" Les Gock By Tim Finn (Tail credits) Songs 'Puberty Blues' 'I Hope I Never' 'Nobody Takes Me Seriously' Tim Finn 'Girl With Stars in Her Eyes' James Manzie and Jarryl Wirth 'Lipstick and Leather' James Manzie and Kim Fowley Tim Finn, who composed the title song, is well represented on the internet. He has an official site here, and a relatively detailed wiki here, and the bands in which he and his brother were leading members retain devoted cult followings, with frenz.com possibly the most detailed of the fan sites. (Below: Tim Finn in his Split Enz days and in later life) James ("Jimmy/Jim") Manzie, who contributed a few songs to the film, was well known as a member of the revival band Ol' 55. He has a relatively short wiki here. Manzie went on to write a number of feature film scores, mainly in the horror genre and a limited edition of his film music was released in two volumes: The DVD provides this bit of trivia: Manzie was a member of The Breakers, which ran over the years 1979-1982, which weren't credited in the film (in fact in one line a cast member hopes the Sunnyboys are playing). (Below: performing Lipstick and Leather in the film) (Below: performing Girl with Stars in her Eyes for the film) The title song by Tim Finn runs over the head and tail credits. The version in the film is sung by Sharon O'Neill, though she isn't given a screen credit. -
Split Enz the Best of Split Enz - History Never Repeats (30Th Anniversary Edition) Mp3, Flac, Wma
Split Enz The Best Of Split Enz - History Never Repeats (30th Anniversary Edition) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: The Best Of Split Enz - History Never Repeats (30th Anniversary Edition) Country: New Zealand Released: 2002 Style: New Wave, Pop Rock MP3 version RAR size: 1729 mb FLAC version RAR size: 1984 mb WMA version RAR size: 1122 mb Rating: 4.5 Votes: 386 Other Formats: APE XM AA RA VOC MP2 MMF Tracklist Hide Credits History Never Repeats 1 2:58 Engineer – David TickleProducer – David Tickle Dirty Creature 2 4:03 Producer – Hugh Padgham, Split Enz I See Red 3 3:14 Producer – David Tickle, Split Enz My Mistake 4 3:01 Producer – Geoff Emerick, Split Enz I Walk Away 5 3:49 Producer – Jim Barton*, Split Enz I Got You 6 3:29 Engineer – David TickleProducer – David Tickle Shark Attack 7 2:58 Engineer – David TickleProducer – David Tickle One Step Ahead 8 2:53 Engineer – David TickleProducer – David Tickle Pioneer 9 1:30 Producer – Hugh Padgham, Split Enz Six Months In A Leaky Boat 10 4:21 Producer – Hugh Padgham, Split Enz Poor Boy 11 3:26 Engineer – David TickleProducer – David Tickle I Hope I Never 12 4:31 Engineer – David TickleProducer – David Tickle Message To My Girl 13 4:02 Producer – Eddie Rayner, Hugh Padgham Strait Old Line 14 4:00 Producer – Eddie Rayner, Hugh Padgham Late Last Night 15 4:02 Producer – Phil Manzanera Give It A Whirl 16 2:52 Producer – Mallory Earl, Split Enz Charlie 17 5:46 Producer – Eddie Rayner, Nigel Griggs Companies, etc. -
Songs in the Key of Melbourne; Melbourne in the Key of Song
Songs in the key of Melbourne; Melbourne In the Key of Song. Research assignment SRA744 - Urban Patterns and Precedents Matt Novacevski, 2013 “Representations of a city and its life in the arts can be narrative ‘portraits’, local or ‘synoptic’ descriptions, ac- cording to Shapiro. Choosing a particular city—[...your A1 city ?...]— as the object of such representation, examine and discuss what can be learned about the nature of that city from any of those descriptions. Use specific examples for you inferences to give them credibility.” It has been claimed that Melbourne is the subject of popular song more than any Australian city (1). Since the 1970s, the city has been an incubator for the Australian music scene, growing some of Australia’s biggest artists and music industry players (2). In this context, it is natural that this music would that tell us much about the nature of Melbourne. Melbourne has been a muse to musicians and songwriters, which have in turn left to the city a series of cultural portraits in their songs that have not only described Melbourne; they have shaped its reality. Melbourne and its songwriters can be seen to have developed a symbiotic relationship where songwriters are inspired by the many faces of the city, while their songs are cultural documents that influence the way people view and interact with the city. As Keeling says, music acts “as a mirror to and for society, and it plays a very important role in shaping both our social identity and the identity of places” (3). While this project demonstrates the importance of popular music in reflecting and shaping the Melbourne’s sense of place, it does not seek to provide a comprehensive account of all this material - partly because songwriting focused on and inspired by Melbourne has been so prolific. -
Songs by Artist
73K October 2013 Songs by Artist 73K October 2013 Title Title Title +44 2 Chainz & Chris Brown 3 Doors Down When Your Heart Stops Countdown Let Me Go Beating 2 Evisa Live For Today 10 Years Oh La La La Loser Beautiful 2 Live Crew Road I'm On, The Through The Iris Do Wah Diddy Diddy When I'm Gone Wasteland Me So Horny When You're Young 10,000 Maniacs We Want Some P---Y! 3 Doors Down & Bob Seger Because The Night 2 Pac Landing In London Candy Everybody Wants California Love 3 Of A Kind Like The Weather Changes Baby Cakes More Than This Dear Mama 3 Of Hearts These Are The Days How Do You Want It Arizona Rain Trouble Me Thugz Mansion Love Is Enough 100 Proof Aged In Soul Until The End Of Time 30 Seconds To Mars Somebody's Been Sleeping 2 Pac & Eminem Closer To The Edge 10cc One Day At A Time Kill, The Donna 2 Pac & Eric Williams Kings And Queens Dreadlock Holiday Do For Love 311 I'm Mandy 2 Pac & Notorious Big All Mixed Up I'm Not In Love Runnin' Amber Rubber Bullets 2 Pistols & Ray J Beyond The Gray Sky Things We Do For Love, The You Know Me Creatures (For A While) Wall Street Shuffle 2 Pistols & T Pain & Tay Dizm Don't Tread On Me We Do For Love She Got It Down 112 2 Unlimited First Straw Come See Me No Limits Hey You Cupid 20 Fingers I'll Be Here Awhile Dance With Me Short Dick Man Love Song It's Over Now 21 Demands You Wouldn't Believe Only You Give Me A Minute 38 Special Peaches & Cream 21st Century Girls Back Where You Belong Right Here For You 21St Century Girls Caught Up In You U Already Know 3 Colours Red Hold On Loosely 112 & Ludacris Beautiful Day If I'd Been The One Hot & Wet 3 Days Grace Rockin' Into The Night 12 Gauge Home Second Chance Dunkie Butt Just Like You Teacher, Teacher 12 Stones 3 Doors Down Wild Eyed Southern Boys Crash Away From The Sun 3LW Far Away Be Like That I Do (Wanna Get Close To We Are One Behind Those Eyes You) 1910 Fruitgum Co. -
UNIVERSAL MUSIC • Jimmy Rankin – Back Road Paradise • Enrique
Jimmy Rankin – Back Road Paradise Enrique Iglesias – Sex And Love Avicii – True: Avicii By Avicii New Releases From Classics And Jazz Inside!!! And more… UNI14-11 UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 Artwork shown may not be final UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: Stompin’ Tom Connors / Unreleased: Songs From The Vault Collection Volume 1 Cat. #: 0253777712 Price Code: SP Order Due: March 6, 2014 Release Date: April 1, 2014 File: Country Genre Code: 16 Box Lot: 25 Tracks / not final sequence 6 02537 77712 9 Tom and Guitar: 12 songs 10. I'll Sail My Ship Alone 1. Blue Ranger 11. When My Blue Moon Turns to Gold 2. Rattlin' Cannonball 12. I Overlooked an Orchid 3. Turkey in The straw ( Instrumental ) 4. John B. Sails Tom Originals with Band: 5. Truck Drivin' Man 1. Cross Canada, aka C.A.N.A.D.A 6. Wild Side of Life 2. My Stompin' Grounds 7. Pawn Shop in Pittsburgh, aka, Pittsburgh 3. Movin' In From Montreal By Train Pennsylvania 4. Flyin' C.P.R. 8. Nobody's Child 5. Ode for the Road 9. Darktown Strutter's Ball This is the Premier Release in an upcoming series of Unreleased Material by Stompin' Tom Connors! In 2011, Tom decided after what ended up being his final Concert Tour, that he would record another 10 album set with a lot of old songs that he sang when he first started out performing in the 50's and 60's.This was back when he could sing, from memory, over 2500 songs in his repertoire and long before he wrote many of his own hits we all know today. -
Snapshot Music Credits
Music composed and conducted by Brian May Music Studio Armstrong Audio/Video Engineer Roger Savage "There" and "Can't Stop Rock and Rolling" by arrangement with Mushroom Records "Angela" and "Magazine Madonna" performed by Sherbet by arrangement with Roger Davies Management Born 28th July 1934, Brian May began life in music studying piano, violin and conducting at the Elder Conservatorium in Adelaide. He joined the ABC in 1957, and formed the ABC Adelaide Big Band, and when he was 35, he moved to Melbourne to take charge of the ABC's Show Band there, making his radio debut with the band in 1969. May started to record television underscore, most notably arranging and recording George Dreyfus's score for the ABC goldfields drama Rush. May became interested in composing for feature films, and The True Story of Eskimo Nell was his first score. It also marked the beginning of a collaboration with director Richard Franklin, perhaps most successful in the 1977 thriller Patrick. In turn, this led to other film scores for producer Antony Ginnane, including Snapshot, and perhaps most importantly to the score for Mad Max (though cultists will have a soft spot for Turkey Shoot in 1982). The story goes that Bryon Kennedy and director George Miller were convinced there was no one in Australia who could compose the score for their film, but when they were having dinner one evening with Franklin, Miller asked what Bernard Hermann score was playing on Franklin's stereo. It turned out that it was May's score for Patrick, and so May got the gig.