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The Straight Path: Islam Interpreted by Muslims by Kenneth W. Morgan
Islam -- The Straight Path: Islam Interpreted by Muslims return to religion-online 47 Islam -- The Straight Path: Islam Interpreted by Muslims by Kenneth W. Morgan Kenneth W. Morgan is Professor of history and comparative religions at Colgate University. Published by The Ronald Press Company, New York 1958. This material was prepared for Religion Online by Ted and Winnie Brock. (ENTIRE BOOK) A collection of essays written by Islamic leaders for Western readers. Chapters describe Islam's origin, ideas, movements and beliefs, and its different manifestations in Africa, Turkey, Pakistan, India, China and Indonesia. Preface The faith of Islam, and the consequences of that faith, are described in this book by devout Muslim scholars. This is not a comparative study, nor an attempt to defend Islam against what Muslims consider to be Western misunderstandings of their religion. It is simply a concise presentation of the history and spread of Islam and of the beliefs and obligations of Muslims as interpreted by outstanding Muslim scholars of our time. Chapter 1: The Origin of Islam by Mohammad Abd Allah Draz The straight path of Islam requires submission to the will of God as revealed in the Qur’an, and recognition of Muhammad as the Messenger of God who in his daily life interpreted and exemplified that divine revelation which was given through him. The believer who follows that straight path is a Muslim. Chapter 2: Ideas and Movements in Islamic History, by Shafik Ghorbal The author describes the history and problems of the Islamic society from the time of the prophet Mohammad as it matures to modern times. -
Day 7 Thursday March 10, 2022 Temple Mount Western Wall (Wailing Wall) Temple Institute Jewish Quarter Quarter Café Wohl Museu
Day 7 Thursday March 10, 2022 Temple Mount Western Wall (Wailing Wall) Temple Institute Jewish Quarter Quarter Café Wohl Museum Tower of David Herod’s Palace Temple Mount The Temple Mount, in Hebrew: Har HaBáyit, "Mount of the House of God", known to Muslims as the Haram esh-Sharif, "the Noble Sanctuary and the Al Aqsa Compound, is a hill located in the Old City of Jerusalem that for thousands of years has been venerated as a holy site in Judaism, Christianity, and Islam alike. The present site is a flat plaza surrounded by retaining walls (including the Western Wall) which was built during the reign of Herod the Great for an expansion of the temple. The plaza is dominated by three monumental structures from the early Umayyad period: the al-Aqsa Mosque, the Dome of the Rock and the Dome of the Chain, as well as four minarets. Herodian walls and gates, with additions from the late Byzantine and early Islamic periods, cut through the flanks of the Mount. Currently it can be reached through eleven gates, ten reserved for Muslims and one for non-Muslims, with guard posts of Israeli police in the vicinity of each. According to Jewish tradition and scripture, the First Temple was built by King Solomon the son of King David in 957 BCE and destroyed by the Neo-Babylonian Empire in 586 BCE – however no substantial archaeological evidence has verified this. The Second Temple was constructed under the auspices of Zerubbabel in 516 BCE and destroyed by the Roman Empire in 70 CE. -
An Alternative Explanation of the Royal and Select Master Degrees
An Alternative Explanation of the Royal and Select Master Degrees by Sir Knight Gene Fricks The legends behind the ritual of the Royal and Select Masters degrees are among those with only a vague basis in biblical antecedents. Unlike the legend of Hiram and the building of the first temple or that of Zerubabbel and the second temple, we have only a passing mention of Adoniram as the first overseer of King Solomon and a listing of Solomon's chief officers in I Kings 4:4. We do not find the secret passageway or the nine arches described in the II Kings story of the temple's construction. Recognizing that the writers of the original rituals were men steeped in classical learning, we should look elsewhere for the source of this story. I suggest that the writings of the 15th century Arab historian, Mudjir ad-Din, may have been that source. What prompted this thought was the celebration of the 3000th anniversary of Jerusalem several years ago and the renewed interest in its ruins that the commemoration sparked. Let us review some of Jerusalem's history after the Roman destruction of Herod's Temple in 70 A.D. to set some background. Titus and his son Vespasian conquered Jerusalem after a long and bloody siege. Determined to bring the recalcitrant Jews to heel, the Roman 10th Legion, left to garrison the city, were ordered to level the temple down to its foundations. What we see today in Jerusalem is the temple mount platform upon which the temple sat, all that remains of Herod's imposing construction project. -
The Temple Mount/Haram Al-Sharif – Archaeology in a Political Context
The Temple Mount/Haram al-Sharif – Archaeology in a Political Context 2017 March 2017 Table of contents >> Introduction 3 Written by: Yonathan Mizrachi >> Part I | The history of the Site: How the Temple Mount became the 0 Researchers: Emek Shaveh Haram al-Sharif 4 Edited by: Talya Ezrahi >> Part II | Changes in the Status of the Temple Mount/Haram al-Sharif 0 Proof-editing: Noa Granot from the 19th century to the Present Day 7 Graphic Design: Lior Cohen Photographs: Emek Shaveh, Yael Ilan >> Part III | Changes around the Temple Mount/Haram al-Sharif and the 0 Mapping: Lior Cohen, Shai Efrati, Slava Pirsky impact on the Status Quo 11 >> Conclusion and Lessons 19 >> Maps 20 Emek Shaveh (cc) | Email: [email protected] | website www.alt-arch.org Emek Shaveh is an Israeli NGO working to prevent the politicization of archaeology in the context of the Israeli-Palestinian conflict, and to protect ancient sites as public assets that belong to members of all communities, faiths and peoples. We view archaeology as a resource for building bridges and strengthening bonds between peoples and cultures. This publication was produced by Emek Shaveh (A public benefit corporation) with the support of the IHL Secretariat, the Federal Department for Foreign Affairs Switzerland (FDFA) the New Israeli Fund and CCFD. Responsibility for the information contained in this report belongs exclu- sively to Emek Shaveh. This information does not represent the opinions of the above mentioned donors. 2 Introduction Immediately after the 1967 War, Israel’s then Defense Minister Moshe Dayan declared that the Islamic Waqf would retain their authority over the Temple Mount/Haram al-Sharif compound. -
Dangerous Grounds at Al- Haram Al-Sharif
One of the most sacred sites on earth has become Dangerous a place of episodic chaos and cacophony, a Grounds at al- place where hatred and contempt are openly expressed, and where an unequal battle is being Haram al-Sharif: waged over incompatible claims. Spearheaded by “Temple Mount” groups, The Threats to the various Jewish “redemptionists” have mounted Status Quo a calibrated campaign for major unilateral Israeli changes to the Status Quo on the Haram Marian Houk al-Sharif (which Jews prefer to call the Temple Mount) in order to advance toward their goals “millimeter by millimeter”. The time has come, these organizations say, to brush aside what’s left of the inconvenient Status Quo arrangements, inherited from the Ottoman period and adapted by Moshe Dayan in June 1967, which left administration of the mosque esplanade in the hands of the Islamic Waqf (or “Trust Foundation”). The truth is, the Status Quo has already been tweaked a number of times – two of the most dramatic changes were in June 1967, after Israel’s conquest of the West Bank and Gaza, and again on 28 September 2000, when Ariel Sharon wanted to make a point, accompanied by about 1,000 armed Israeli soldiers and police. A third moment of change is occurring as this is written, with Israeli officials ordering the exclusion of Palestinian Muslim worshippers in order to make the Jewish visitors more comfortable, and Palestinians desperately trying to devise strategies to retain their acquired rights. What exists, now, on any given day, is a precarious balance of political and diplomatic interests as defined at any given moment by Israel’s Prime Minister Benyamin Netanyahu. -
Tree of Souls: the Mythology of Judaism
96 MYTHS OF CREATION 124. THE PILLARS OF THE WORLD The world stands upon pillars. Some say it stands on twelve pillars, according to the number of the tribes of Israel. Others say that it rests on seven pillars, which stand on the water. This water is on top of the mountains, which rest on wind and storm. Still others say that the world stands on three pillars. Once every three hundred years they move slightly, causing earthquakes. But Rabbi Eleazar ben Shammua says that it rests on one pillar, whose name is “Righteous.” One of the ancient creation myths found in many cultures describes the earth as standing on one or more pillars. In this Jewish version of the myth, several theories are found—that the earth stands on twelve, seven, or three pillars—or on one. Rabbi Eleazar ben Shammua gives that one pillar the name of Tzaddik, “Righteous,” under- scoring an allegorical reading of this myth, whereby God is the pillar that supports the world. This, of course, is the central premise of monotheism. Alternatively, his comment may be understood to refer to the Tzaddik, the righteous man whose exist- ence is required for the world to continue to exist. Or it might refer to the principle of righteousness, and how the world could not exist without it. Sources: B. Hagigah 12b; Me’am Lo’ez on Genesis 1:10. 125. THE FOUNDATION STONE The world has a foundation stone. This stone serves as the starting point for all that was created, and serves as a true foundation. -
The Temple Mount in Jerusalem - a View of the Areas That Are Closed to the Public Photos & Edit: Ron Peled 2008
The Temple Mount in Jerusalem - A view of the areas that are closed to the public Photos & Edit: Ron Peled 2008 www.feelJerusalem.com The Temple Mount is open to tourist, but only for an excursion around the open plaza Entrance to the al-Aqsa Mosque, the Dome of the Rock, Solomon's Stables and other sitesbelow the Mount itself, are off limits to any non-Muslims. So, let's go in… The structure of the Dome of the Rock is called, in Arabic, Qubat al-Sakhra (which is not the Mosque of Omar, and in fact, not a mosque at all.). It was built in 691 by the Caliph Abd al-Malik (who founded the first Arab town in Israel – Ramla), and is believed to be the oldest and most intact Muslim structure in the Middle East. The interior of the dome is gilded and adorned with beautiful art Gold… The rock in the center of the structure is called the Foundation Stone. According to the Jewish and Muslim faiths, this is where the world was founded. It is where Abraham nearly sacrificed his son Isaac (Mount Moriah), it is where the very center of the Temple, the Holy of Holies, was located (give or take a few feet – but who’s counting?) and according to Islam, from this very place, Mohammad ascended to heaven. According to Islamic tradition, from this very place, Muhammad ascended to Heaven accompanied by the angel Gabriel Below the Foundation Stone is a cave where, according to tradition, Mohammad prayed. The pillars seen in the picture are of secondary use, from the Crusade period when the Templar Knights lodged at the temple mount The Mihrab at the entrance to the cave is in honor of King Solomon and is probably one of the first prayer niches in the Muslim world The al-Aqsa Mosque, above the southern wall of the Temple (Hulda Gates) was first built at the beginning of the 8th century by the Caliph al-Walid. -
Casablanca Jungle Music and Positive Youth Development in Morocco
Casablanca Jungle Music and Positive Youth Development in Morocco Figure 1. Audience of L'Boulevard 2018 (i.e. music festival in Casablanca) A master thesis in International Development Written by Maha Rhannam ID: 11598891 Under the supervision of Dr. Oliver Seibt Second reader: Dr. Olga Nieuwenhuijs Graduate School of Social Sciences University of Amsterdam 2 Abstract This thesis will be discussing the impact of music engagement on urban youth in Morocco, and more particularly the ways in which music contributes to the empowerment of this population. It will also explore its implications on development strategies in the country. Multiple studies have discussed the evolution of hip-hop in Morocco, however they have failed to encompass the impact of this genre (and other genres as well) on the urban youth of the country. For these purposes, this research aims at uncovering the imprints of music in this day and age on the Moroccan urban youth, both musicians and music aficionados, in the current political and social climates of Morocco. This research is based on an ethnographic study of music-related events (concerts, workshops and open mics) in Casablanca. In order to understand this population segment, qualitative interviews were conducted; all of which demonstrate to some extent the ways in which music empowered, individually or collectively, the aforementioned participants. It seems that music acts more as a “bandaid” for the Moroccan urban youth, as shall be presented throughout this research. Considering the inexistence of a functioning music industry in the country as well as a brittle educational system, this thesis calls for governmental strategies to re-evaluate the importance of arts within education, setting them at the forefront of development strategies in light of the development pathways this could open up for Morocco. -
Hebron Church Other Names/Site Number Hebron Lutheran Church; Hebron Evangelical Lutheran Church
to5r NPS Form I 0-900 10024-0018 (Oct. 1990) j-REcavED22 ·· i""° United States Department of the Interior National Park Service I OCT 3 1 i'014 I AT :1STFR tlr'1ISTOfilCPLr\CES National Register of Historic Places fot,'?1~1~;__ ?AR/ SHMCE Registration Form ---- 1. Name of Property historic name Hebron Church other names/site number Hebron Lutheran Church; Hebron Evangelical Lutheran Church 2. Location street & number 10851 Carper's Pike/ CR 259 D not for publication city or town Yellow Springs [8] vicinity state West Virginia code WV county Hampshire code 027 zip code 26865 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this 181 nomination D request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and me l~ the proccduml and profesJ -~1a-cqulrements set for in 36 CFR Part 60. In my opinion, the property 181 meets D does not m the Nation· gistcr criteri . I r rnrnend that this property be considered significant D natiou ly D statewid I c · 11:,,. ~ continuacfon sheet for additional comments.) S igna re of certifying officiaVfitle West Virginia State Historic Preservation Office State or Federal agency and bureau In my opinion, the property D meets D does not meet the National Register criteria. (0 See Continuation sheet for additional comments.) Signature of certifying officiaVTitle Date State or Federal agency and bureau 4. National Park Service Certification I hercb~ ify that the property is: Date of Action H entered in (h e National Register. -
Pilgrimage to the Holy Land – Israel (Con’T)
Pilgrimage to the Holy Land – Israel (Con’t) 163. Drive to Mount of Olives. View from the road of eastern side. 164. Mount of Olives, Church of the Ascension. Currently run by the Muslims, thus our guide did not take us inside. This was the place where Jesus ascended into the heavens. There is a footprint marking the spot! 165. On Mount of Olives, looking toward the Old City of Jerusalem in the background. The mountain is first mentioned in the Bible when King David, fleeing from Absalom, “went up by the ascent of Mount Olivet” (2 Samuel 15:30). During Second Temple times, Jewish pilgrims would bring their red heifers here to be burnt for the ashes of purification (Leviticus 16; Heb. 9:13) and signal fires were lit at the new moon to inform Jews of the new month’s coming. Here Ezekiel viewed the heavenly chariots, and Zechariah (14:4) prophesied the End of Days: “And his feet shall stand in that day upon the mount of Olives.” https://youtu.be/0n8lBAJp01w (Mount Olives, Jerusalem) 166. The prominent feature of the view is the Dome of the Rock, the Muslim mosque that now stands on the Temple Mount where the Temple of Solomon and the Second Temple once stood. "Then returned they unto Jerusalem from the mount called Olivet, which is from Jerusalem a Sabbath day’s journey” (Acts 1:12). Sabbath day's journey definition - It is supposed to be a distance of 2,000 cubits, or less than half-a-mile, the distance to which, according to Jewish tradition, it was allowable to travel on the Sabbath day without violating the law (Acts 1:12; comp. -
Temple Mount Faithful – Amutah Et Al V
Catholic University Law Review Volume 45 Issue 3 Spring 1996 Article 18 1996 Temple Mount Faithful – Amutah Et Al v. Attorney-General, Inspector-General of the Police, Mayor of Jerusalem, Minister of Education and Culture, Director of the Antiquities Division, Muslim WAQF - In the Supreme Court Sitting as the High Court of Justice [September 23, 1993] Menachem Elon Aharon Barak Gavriel Bach Follow this and additional works at: https://scholarship.law.edu/lawreview Recommended Citation Menachem Elon, Aharon Barak & Gavriel Bach, Temple Mount Faithful – Amutah Et Al v. Attorney-General, Inspector-General of the Police, Mayor of Jerusalem, Minister of Education and Culture, Director of the Antiquities Division, Muslim WAQF - In the Supreme Court Sitting as the High Court of Justice [September 23, 1993], 45 Cath. U. L. Rev. 866 (1996). Available at: https://scholarship.law.edu/lawreview/vol45/iss3/18 This Symposium is brought to you for free and open access by CUA Law Scholarship Repository. It has been accepted for inclusion in Catholic University Law Review by an authorized editor of CUA Law Scholarship Repository. For more information, please contact [email protected]. Catholic University Law Review [Vol. 45:861 TEMPLE MOUNT FAITHFUL-AMUTAH ET AL. v. ATTORNEY-GENERAL INSPECTOR-GENERAL OF THE POLICE MAYOR OF JERUSALEM MINISTER OF EDUCATION AND CULTURE DIRECTOR OF THE ANTIQUITIES DIVISION MUSLIM WAQF In the Supreme Court Sitting as the High Court of Justice [September 23, 1993] Justice Menachem Elon, Deputy President, Justice Aharon Barak, Justice Gavriel Bach V. THE PARTIES Petitioners Petitioner 1: Temple Mount Faithful Amutah Petitioner 2: Chairman, Temple Mount Faithful Amutah Petitioners 3, 4, 5, 6: Members of Temple Mount Faithful Amutah Respondents Respondent 1: Attorney-General Respondent 2: Inspector-General of the Jerusalem Police Respondent 3: Mayor of Jerusalem Respondent 4: Minister of Education and Culture Respondent 5: Director of the Antiquities Division Respondent 6: Muslim Waqf Petition for an order nisi. -
MAIREAD O'heocha Irises in the Well 20
mother’s tankstation 41-43 Watling Street, Usher’s Island, Dublin, D08 NP48, Ireland Morley House, 26 Holborn Viaduct, 4th Floor, London EC1A 2AT, United KingdoM +353 (1) 6717654 +44 (0) 7412581803 [email protected] [email protected] www.motherstankstation.com MAIREAD O’HEOCHA Irises in the Well 20 September – 27 October 2018 Things conFlate. We are standing in Mairead O’hEocha’s studio, there are changes since I was last here. The paintings for starters, are generally a little bigger, thinner, apparently ‘Freer’ – that’s the First Mis-footing - a subtly diFFerent colour palate certainly - leMon yellow and ultraMarine have been Mysteriously excluded - I wonder what oFFence they have coMMitted? Otherwise, a new barer order rules; brighter, whiter space, has replaced the physical and visual language oF studio previously filled visual clues, with intensive working clutter -organized, it must be said. The artist has gained an adjoining room… wherein neat, new cupboards and shelving systems, invisibly encase the intensity oF O’hEocha’s working processes. She wonders what colour to paint the cupboard doors, I want to know what secrets, what Future history, they secretly stow. I Mention all this, why? Well, it ForMs a reasonable Metaphor For the artist’s modus operandi, in that coMpleted paintings seeM to the viewer as though beaMed down directly FroM planet art, in perFect, coolly calculated, architectonic, and conceptual realization. Balanced between freedoM and constraint - to the point oF no longer trusting quite which is which, and all without the Merest sign oF how iMpossibly hard-won the path to coMpletion, has actually been.