PALO ALTO, CA 94302 (650) 326-8210 PUBLISHER Our William S

Total Page:16

File Type:pdf, Size:1020Kb

PALO ALTO, CA 94302 (650) 326-8210 PUBLISHER Our William S Palo 6°Ê888]Ê ÕLiÀÊ£ä£ÊUÊ"VÌLiÀÊÎ]ÊÓäänÊN 50¢ Alto Reprieve for JJ&F Page 3 www.PaloAltoOnline.com WILL PALO ALTO SINK OR SWIM? Local businesses, residents unsettled over fi nancial meltdown Page 21 Title Pages 17 Eating Out 31 Movies 34 Crossword 68 NA&E Teachers gain music insights in master class Page 25 NSports Palo Alto girls’ volleyball faces tough stretch Page 39 NHome & Real Estate Nuts and bolts of green interior design Page 45 ALBERTO ONCE HELD BACK BY WEIGHT CURRENTLY: DIVES RIGHT IN JUST ANOTHER REMARKABLE DAY IN THE NEIGHBORHOOD. At 13 years old, Alberto was one of more than 2 million overweight kids in this country. The good news is, he chose to do something about it. Since he enrolled in the Packard Pediatric Weight Control Program last year, Alberto has lost over 30 pounds and is now an active and healthy kid. Rather than focus solely on © 2007 Lucile Packard Children’s Hospital calorie intake and weight loss, our program helps families maintain lifelong healthy eating and exercise habits. In fact, Alberto’s mom was so inspired, she lost 12 pounds herself. Alberto is still headed toward his weight goals. The way we see it, his loss is truly Lucile Packard his gain. To find out more about the Packard Pediatric Weight Control Children’s Hospital Program call 650 -725 - 4424 or visit pediatricweightcontrol.lpch.org. AT STANFORD Page 2ÊUÊ"VÌLiÀÊÎ]ÊÓäänÊUÊ*>ÊÌÊ7iiÞ UpfrontLocal news, information and analysis Early morning crash kills two young men Speeding van in Palo Alto wraps READ MORE ONLINE www.PaloAltoOnline.com around a tree near Peers Park For the latest information on this story, by Don Kazak and Jay Thorwaldson go to Palo Alto Online. wo young men were killed ized Traffic Reconstruction Team land avenues was closed during the when their speeding minivan (STAR) is investigating the crash, STAR Team’s investigation, Ryan T ran a stop sign at 3:39 a.m. Agent Dan Ryan reported. He said said. Thursday morning at Park Boule- a preliminary finding suggests that A patrol officer reported seeing a vard and Stanford Avenue in Palo the vehicle was speeding north on similar van, a Mercury Villager, at Alto. The van hit a curb and a tree Park, and the driver failed to stop the Jack-in-the-Box at Cambridge and spun out of control, wrapping at the stop sign at Stanford Avenue. Avenue and El Camino Real shortly around a second tree at the south The vehicle struck the curb and a before the crash. It had five young end of Peers Park, police reported. tree as the road curved to the left men in it, the officer reported. If it Sadoughi Marjan The driver was pronounced dead just past the intersection. was the same van, apparently three at the scene and the passenger was The occupants were identified had gotten out of the van prior to still alive at the scene but badly in- only as Peninsula residents in their the crash. N jured. He later died at Stanford Hos- early 20s, with identities withheld Editor Jay Thorwaldson can pital, police said. Firefighters took until the Santa Clara County Coro- be e-mailed at jthorwaldson@ about 45 minutes to extract the oc- ner’s Office can notify families. paweekly.com. Senior Staff Writer Rex Morgan, of Ed’s Tow & Cradle, helps load the wrecked van onto a tow cupants, removing the van’s roof. All vehicle and pedestrian traffic Don Kazak can be e-mailed at dka- truck Thursday morning. Both the driver and the passenger died as a result The Police Department’s Special- on Park between Stanford and Le- [email protected]. of the crash at Park Boulevard and Stanford Avenue, near Peers Park. PALO ALTO Tourism plan to appear before council Marketing ‘overlooked treasures’ could bring extra taxes to city coffers, rep says by Arden Pennell aris, Portland ... Palo Alto? If pancy partially because business a city plan were to succeed, visitors don’t always stay in town. P Palo Alto would become a Yet if informed of where to shop desirable tourist destination and and dine, visitors might extend their reap the fiscal benefits thereof. stays, Lonnquist said. Their sales The city-promotion plan, dubbed tax would pay for city services and “Destination Palo Alto” and ear- everybody would benefit, she ex- marked for $240,000 annually in plained. city funding, will appear once more before the City Council Monday. The plan’s goals include increas- Colleen Cummins ing tourism, attracting more busi- The promotional push ness visitors to the city and boosting would help make hotel occupancy on weekend nights. Begun in 2006 and shepherded by visitors aware of the former City Manager Frank Ben- city’s ‘overlooked est, Destination Palo Alto brought Arborist Dave Muffly uses his laptop at Coupa Cafe about twice a week, to help maintain his nomadic together businesses, Stanford Uni- treasures’ ... Palo business. Coupa Cafe now offers Mizoon, a new social networking tool to help connect users with fellow- versity, the Palo Alto Arts Center Alto is packed with users in the same cafe. and other stakeholders in an effort historical gems. to promote the city, particularly to TECHNOLOGY business visitors. — Sandra Lonnquist, Chamber Having already green-lighted the of Commerce CEO budget, the Council Monday will Love and lattes: vote on whether to approve a pro- posal from the San Mateo County She predicted the program would Online networking comes to life? Convention and Visitors Bureau, the more than recoup its costs in the Palo Alto Chamber of Commerce first year. Riding trend, startup aims to spread worry-free networking in cafes, bars and the Palo Alto Weekly to run the The currently proposed three-way by Arden Pennell program. partnership would divide responsi- The promotional push would help bilities. riendster, Facebook, MyS- trump the others. Mizoon, a Palo the people are [instant-messaging] make visitors aware of the city’s Out-of-town promotion to travel pace — Sonia Cheng has Alto-based network launched last others. But they’re disconnected “overlooked treasures,” according agents and planners would be han- F tried them all. A self-de- week, holds a heady promise other from the people right around to Chamber of Commerce CEO dled by the San Mateo bureau. The scribed “techphile,” the Palo Alto networks don’t, Cheng said — re- them,” Cheng said. Sandra Lonnquist. bureau has netted more than $72 resident is an early adopter of each ality. Mizoon aims to bridge the gap Average weekend hotel occupancy million for San Mateo County in the new Web-based social network. “Any cafe you go to, everyone is — and the tax revenue thereof — is Now she’s found one that could on a laptop. Ninety-nine percent of (continued on page 11) lower than average weekday occu- (continued on page 10) *>ÊÌÊ7iiÞÊUÊ"VÌLiÀÊÎ]ÊÓäänÊU Page 3 703 HIGH STREET, PALO ALTO, CA 94302 (650) 326-8210 PUBLISHER Our William S. Johnson EDITORIAL $ ! Jay Thorwaldson, Editor Jocelyn Dong, Managing Editor Middle School Open Houses: 11/2/08 1:00 pm; 12/4/08 6:30 pm Allen Clapp, Carol Blitzer, Associate Editors Keith Peters, Sports Editor Town Upper School Open Houses: 10/16/08 6:30 pm; 12/7/08 1:00 pm Tyler Hanley, Online Editor by Don Kazak Rebecca Wallace, Arts & Entertainment Editor Rick Eymer, Assistant Sports Editor Don Kazak, Senior Staff Writer Arden Pennell, Becky Trout, Staff Writers A place to belong Sue Dremann, Staff Writer, Special Sections Editor ! Karla Kane, Editorial Assistant little bit of history is being conductor Pops Fielder. Marjan Sadoughi, Veronica Weber, Staff rebuilt on Ramona Street Natis returned to Palo Alto in " Photographers Jeanne Aufmuth, Dale Bentson, Colin Becht, A between Homer and Chan- 1946 and then spent more than Kit Davey, Iris Harrell, Jack McKinnon, ning avenues near downtown Palo 30 years working for the Stanford ! # Susan Tavernetti, Robert Taylor, Contributors Megan Rawlins, Johanna Toivio, Kris Young, Alto. Research Institute. ! " Editorial Interns A spot-on replica of a church is His memories of that early Jill Kimball, Arts and Entertainment Intern rising as part of a development of church on Ramona Street are ! Colleen Cummins, Photography Intern new office buildings. strong. DESIGN ! !! Shannon Corey, Design Director But it isn’t just any church. Ruth Anne Grey also has ties Diane Haas, Sue Peck, Senior Designers The University AME Zion to the church that go back to the $ ! Dana James, Paul Llewellyn, Scott Peterson, Church was founded in 1918 by early years. Grey, who lives in Designers the city’s African-American fami- Sunnyvale, now goes to another " PRODUCTION Jennifer Lindberg, Production Manager lies so they would have a place of church, but University AME Zion Dorothy Hassett, Blanca Yoc, their own to worship. has been a big part of her family’s Sales & Production Coordinators The congregation used several history. 7BMQBSBJTP"WFOVF "UIFSUPO $"tFYU ADVERTISING buildings in the early years until a Her grandfather was a founder Walter Kupiec, Advertising Director Cathy Norfleet, Display Advertising Sales Asst. plot of land was bought on Ramo- and her family had ties to the Judie Block, Janice Hoogner, Gary Whitman, na Street and a church was built, community before Palo Alto was Display Advertising Sales which opened in 1925. incorporated in 1894. Kathryn Brottem, Real Estate Advertising Sales Joan Merritt, Real Estate Advertising Asst. The congregation left to build a Her great, great grandfather, a David Cirner, Irene Schwartz, new church on Middlefield Road former slave from North Carolina, Inside Advertising Sales in south Palo Alto in 1965, where moved to the community in 1887, Alicia Santillan, Classified Administrative Asst.
Recommended publications
  • Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
    BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales.
    [Show full text]
  • Underserved Communities
    National Endowment for the Arts FY 2016 Spring Grant Announcement Artistic Discipline/Field Listings Project details are accurate as of April 26, 2016. For the most up to date project information, please use the NEA's online grant search system. Click the grant area or artistic field below to jump to that area of the document. 1. Art Works grants Arts Education Dance Design Folk & Traditional Arts Literature Local Arts Agencies Media Arts Museums Music Opera Presenting & Multidisciplinary Works Theater & Musical Theater Visual Arts 2. State & Regional Partnership Agreements 3. Research: Art Works 4. Our Town 5. Other Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Information is current as of April 26, 2016. Arts Education Number of Grants: 115 Total Dollar Amount: $3,585,000 826 Boston, Inc. (aka 826 Boston) $10,000 Roxbury, MA To support Young Authors Book Program, an in-school literary arts program. High school students from underserved communities will receive one-on-one instruction from trained writers who will help them write, edit, and polish their work, which will be published in a professionally designed book and provided free to students. Visiting authors, illustrators, and graphic designers will support the student writers and book design and 826 Boston staff will collaborate with teachers to develop a standards-based curriculum that meets students' needs. Abada-Capoeira San Francisco $10,000 San Francisco, CA To support a capoeira residency and performance program for students in San Francisco area schools. Students will learn capoeira, a traditional Afro-Brazilian art form that combines ritual, self-defense, acrobatics, and music in a rhythmic dialogue of the body, mind, and spirit.
    [Show full text]
  • 1997 Sundance Film Festival Awards Jurors
    1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J.
    [Show full text]
  • LAST TRAIN HOME” by Lixin Fan
    Critical Acclaim For “LAST TRAIN HOME” By Lixin Fan “The future of global capitalism, in China and elsewhere: a family tragedy in the form of a documentary, as full of anger, dignity and pathos as a play by Arthur Miller.” — A.O. Scott, The New York Times “Moving. There’s drama, misunderstanding and heartbreaking. [This family’s] pain really hits home when you think that the pants you might be wearing could have contributed to it.” — Michael O'Sullivan, The Washington Post “A stunning documentary about the modern China. This is human drama, and it is real. Fan resists the urge to embellish and simply allows . [it] to unfold in front of your eyes.” — Roger EBert, Chicago Sun-Times “Beautifully explored . an exceptional documentary. An expert, unobtrusive observer, Fan disappears inside his own film and allows us to get completely inside his subjects’ lives.” — Kenneth Turan, Los Angeles Times “A miniature masterpiece of documentary observation.” — Ty Burr, Boston Globe “Last Train Home might just break your heart.” — MSNBC.com “Today Show” Best Bets “This is essential viewing for understanding our world.” — Lisa Schwarzbaum, Entertainment Weekly “An incredibly powerful story that should be seen and discussed around the world.” — Kristin McCracken, The Huffington Post “Chinese-Canadian director Lixin Fan presents the human cost of China's economic rise in terms any parent or child can understand.” — Colin Covert, Minneapolis Star Tribune “A remarkable documentary. Gorgeously composed shots.” — G. Allen Johnson, San Francisco Chronicle “A moving and near-perfect piece of art. Do not miss Last Train Home. [It] is not a travelogue, a polemic or a history lesson, but simply a story of people, told with elegance and care.
    [Show full text]
  • Game Changer
    SEPTEMBER | OCTOBER 2018 GAME CHANGER HOW COACH BUDDY TEEVENS ’79 TURNED LOSERS INTO CHAMPIONS—AND TRANSFORMED THE GAME OF FOOTBALL FOREVER FIVE DOLLARS H W’ P B B FINE HANDCRAFTED VERMONT FURNITURE CELEBRATING 4 5 YEARS OF CRAFTSMANSHIP E E L L C C 5 T G, W, VT 802.457.2600 23 S M S, H, NH 603.643.0599 NH @ . . E THETFORD, VT FLAGSHIP SHOWROOM + WORKSHOP • S BURLINGTON, VT • HANOVER, NH • CONCORD, NH NASHUA, NH • BOSTON, MA • NATICK, MA • W HARTFORD, CT • PHILADELPHIA, PA POMPY.COM • 800.841.6671 • We Offer National Delivery S . P . dartmouth_alum_Aug 2018-5.indd 1 7/22/18 10:23 PM Africa’s Wildlife Inland Sea of Japan Imperial Splendors of Russia Journey to Southern Africa Trek to the Summit with Dirk Vandewalle with Steve Ericson with John Kopper with DG Webster of Mt. Kilimanjaro March 17–30, 2019 May 22–June 1, 2019 September 11–20, 2019 October 27–November 11, 2019 with Doug Bolger and Celia Chen ’78 A&S’94 Zimbabwe Family Safari Apulia Ancient Civilizations: Vietnam and Angkor Wat December 7–16, 2019 and Victoria Falls with Ada Cohen Adriatic and Aegean Seas with Mike Mastanduno Faculty TBD June 5–13, 2019 with Ron Lasky November 5–19, 2019 Discover Tasmania March 18–29, 2019 September 15–23, 2019 with John Stomberg Great Journey Tanzania Migration Safari January 8–22, 2020 Caribbean Windward Through Europe Tour du Montblanc with Lisa Adams MED’90 Islands—Le Ponant with John Stomberg with Nancy Marion November 6–17, 2019 Mauritius, Madagascar, with Coach Buddy Teevens ’79 June 7–17, 2019 September 15–26, 2019
    [Show full text]
  • FOR IMMEDIATE RELEASE CONTACT Voleine Amilcar 415
    FOR IMMEDIATE RELEASE CONTACT Voleine Amilcar 415-356-8383 x 244 [email protected] Mary Lugo 770-623-8190 [email protected] Cara White 843-881-1480 [email protected] For downloadable images, visit pbs.org/pressroom/ THE HOUSE I LIVE IN PREMIERES ON INDEPENDENT LENS ON MONDAY, APRIL 8, 2013 “I’d hate to imply that it’s your civic duty to see The House I Live In, but guess what — it is.” — Ty Burr, The Boston Globe (San Francisco, CA) — Winner of the Grand Jury Prize at the Sundance Film Festival, Eugene Jarecki’s The House I Live In builds a compelling case for the complete failure of America’s war on drugs. For the past forty years, the war on drugs has resulted in more than 45 million arrests, one trillion dollars in government spending, and America’s role as the world’s largest jailer. Yet for all that, drugs are cheaper, purer, and more available than ever. Filmed in more than twenty states, The House I Live In captures heart-wrenching stories from those on the front lines — from the dealer to the grieving mother, the narcotics officer to the senator, the inmate to the federal judge — and offers a penetrating look at the profound human rights implications of America’s longest war. The House I Live In premieres on Independent Lens, hosted by Stanley Tucci, on Monday, April 8, 2013 at 10 PM on PBS (check local listings). The film recognizes drug abuse as a matter of public health, and investigates the tragic errors and shortcomings that have resulted from framing it as an issue for law enforcement.
    [Show full text]
  • Critical Acclaim for ‘THE LOOK of SILENCE’ by Joshua Oppenheimer
    Critical Acclaim For ‘THE LOOK OF SILENCE’ By Joshua Oppenheimer “A painful, profoundly empathetic work of moral reckoning.” ​ ​ —A.O. Scott, The New York Times ​ ​ “A shocking and significant film, a further illumination of one of recent history's great horrors, ​ a documentary that will make a difference in the world.” ​ —Kenneth Turan, Los Angeles Times ​ ​ “In a way, I wish I'd never seen The Look of Silence, because now I won’t be able to forget it. But ​ ​ ​ that’s the point.” ​ —Joe Morgenstern, The Wall Street Journal ​ ​ “Profoundly shattering.” —Stephanie Merry, The Washington Post ​ ​ “Painful and unforgettable.” —Michael Phillips, Chicago Tribune ​ ​ “Piercingly and authentically horrifying. a must see. arresting and important filmmaking.” ​ ​ —Peter Bradshaw, The Guardian ​ ​ “Powerful.” —Newsday ​ “Over and over in The Look of Silence, we hear people tell the filmmakers, ‘The past is past.’ The ​ ​ wound is healed, they say, and if you don’t want trouble, don’t reopen it. The movie itself proves otherwise.” —Ty Burr, The Boston Globe ​ ​ “Stunning. a high­wire achievement. [with] crushing emotional impact. The film reveals Oppenheimer to be a documentary stylist of evolving grace and sophistication.” —Guy Lodge, Variety ​ ​ “Every scene weighs on the audience. But Oppenheimer and [subject] Adi manage to locate a lightness as well that lessens the burden.” —Lenika Cruz, The Atlantic ​ ​ “The Look of Silence is perhaps even more riveting for focusing on one man’s personal search for ​ ​ answers as he bravely confronts his brother’s killers. In the end, the real value of [The Act of ​ Killing and The Look of Silence] is the anguishing new light they cast on the darkest reaches of human ​ ​ ​ evil.” —Deborah Young, The Hollywood Reporter ​ “Manages to burrow deep into your soul .
    [Show full text]
  • Sundance Institute Selects Eight Firsttime Filmmakers for Directors
    FOR IMMEDIATE RELEASE Media Contact: May 5, 2016 Chalena Cadenas 310.360.1981 [email protected] Sundance Institute Selects Eight First­Time Filmmakers for Directors Lab, May 30­June 23 Filmmakers Head to Mountains of Utah for Month of Hands­On Project Development; ​ Advisors, Actors and Crew Include Robert Redford, Catherine Hardwicke, Kasi Lemmons, Ira Sachs Frances Bodomo | Annie Silverstein | César Cervantes | Kibwe Tavares | Eva Vives | Sandhya Suri | Pippa Bianco | Boots Riley Los Angeles, CA — Sundance Institute has selected eight first­time filmmakers for its signature Directors ​ Lab, which helped launch the careers of award­winning filmmakers Cary Fukunaga, Dee Rees, Marielle Heller, Benh Zeitlin and Quentin Tarantino. Taking place May 30­June 23 in the mountains of Sundance Resort in Utah, the annual Lab supports the next wave of independent filmmakers exploring new ideas and shaping the future of storytelling. At the Directors Lab, under the leadership of Sundance Institute Feature Film Program Founding Director Michelle Satter, Labs Director Ilyse McKimmie and the artistic direction of Gyula Gazdag, the Fellows will work with an accomplished group of creative advisors, professional actors and production crews to shoot and edit key scenes from their screenplays. Through this concentrated, hands­on process, the Fellows workshop and make key discoveries about their scripts, collaborate with actors and find a visual storytelling language for their films. Michelle Satter, Founding Director of the Sundance Institute Feature Film Program, said, “Our Directors ​ ​ Lab and other programs play a critical role in discovering diverse artists and launching their careers, and this year's filmmakers are our most diverse group ever in terms of their backgrounds, experiences and perspectives.
    [Show full text]
  • Introduction to Cloud Computing
    Introduction to Cloud Computing Business & Technology Timothy Chou © 2010 by Active Book Press 2nd Edition All rights reserved. ,6%1 Printed in the United States of America Contents ACKNOWLEDGEMENTS..........................................................................V INTRODUCTION.................................................................................... VIII SEVEN BUSINESS MODELS......................................................................1 MODEL ONE: TRADITIONAL.........................................................................3 MODEL TWO: OPEN SOURCE........................................................................5 MODEL THREE: OUTSOURCING....................................................................7 MODEL FOUR: HYBRID. ...............................................................................9 MODEL FIVE: HYBRID+ .............................................................................14 MODEL SIX: SOFTWARE AS A SERVICE ......................................................15 MODEL SEVEN: INTERNET .........................................................................17 COST OF SOFTWARE...................................................................................18 SUMMARY..................................................................................................22 APPLICATION CLOUD SERVICES .......................................................24 COLLABORATION .......................................................................................25 WEBEX STORY .............................................................................................26
    [Show full text]
  • Uneasy Assembly: Unsettling Home in Early Twentieth-Century American Cultural Production
    Uneasy Assembly: Unsettling Home in Early Twentieth-Century American Cultural Production Camilla Perri Ammirati Canton, NY B.A., Carleton College, 2000 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of English University of Virginia August, 2013 Table of Contents Acknowledgements……………………………………………………………………………….i Introduction: “Come Right In”: Situating Narratives of Domecility…………………………………………….1 Chapter One: Solid American Spaces: From Domestic Standardization to Dilemmatic Democracy…………………………………….30 Chapter Two: “Their Only Treason”: Domestic Space and National Belonging in Djuna Barnes’ Ryder………………………………………………..68 Chapter Three: “Honor Bilt”: Constructions of Home in Absalom, Absalom!..………………………………...147 Chapter Four: “Home Thoughts”: Domestic Disarray and Buffet Flat Belonging in Claude McKay’s Home to Harlem………………………………..…216 Chapter Five: Lock and Key Blues: Mobile Domecility in the Recorded Works of Bessie Smith………………………………………………………..242 Coda: Talking With the House Itself…………………………………………………………………..314 Works Cited …………………………………………………………………………………...321 Acknowledgements I would first like to thank my wonderful committee. Deborah McDowell has been an incredible director and mentor, not only providing invaluable intellectual guidance throughout this process but offering true insight and kindness beyond the bounds of the project that kept me going at critical moments. Victoria Olwell has worked closely with me through countless rough pages, offering vital feedback and support and re-invigorating my thinking at every step. In my first term of the program, Eric Lott ignited my enthusiasm and set me on an intellectual path that keeps me always thinking about the next set of questions worth asking. Our conversations over the course of this project have been essential both in shaping my thinking and in encouraging me to take the chance of pursuing ideas I believe in.
    [Show full text]
  • Grzanka Dissertation
    ABSTRACT Title of Document: WHITE GUILT: RACE, GENDER, SEXUALITY AND EMERGENT RACISMS IN THE CONTEMPORARY UNITED STATES Patrick Ryan Grzanka, Doctor of Philosophy, 2010 Directed By: Associate Professor Sheri L. Parks, Department of American Studies White guilt is a culturally and historically contingent emotion rooted in White people’s recognition of unearned privileges and collective and/or individual roles in the perpetuation of racism. Situated within the context of neoliberal multiculturalism, this interdisciplinary dissertation investigates contemporary manifestations of White guilt in popular discourse and the lived experiences of young White adults in the United States. As a form of identity-based affect, White guilt may aid in the development of antiracist White people; however, because White guilt retains a focus on the White subject, it may offer limited potential to transform social relationships and systems of inequity. Three interrelated studies compose the methodological work of this project and undertake the task of empirically grounding White guilt so that we may better understand its forms, limits and consequences. The first study interrogates journalists’ coverage of three moments of controversy in the early 21st century: Anderson Cooper’s “emotional” reporting during the aftermath of Hurricane Katrina, the Don Imus-Rutgers University basketball scandal and Isaiah Washington’s firing from Grey’s Anatomy after allegedly calling a co-star a “faggot.” Reporting on these episodes illustrates how multiculturalism manages and defers racial guilt and shame while simultaneously eliding the intersections of identity that structure experience. The second study is the creation and initial validation of a survey-based measure of White guilt (the Test of White Guilt and Shame or “TOWGAS”), which attempts to reconcile several limitations of extant research on racial affect – namely, the persistent conflation of guilt and shame.
    [Show full text]
  • The Dysphoric Style in Contemporary American Independent Cinema David C
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2005 The Dysphoric Style in Contemporary American Independent Cinema David C. Simmons Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES THE DYSPHORIC STYLE IN CONTEMPORARY AMERICAN INDEPENDENT CINEMA By DAVID C. SIMMONS A Dissertation submitted to the Program in the Humanities in partial fulfillment of the requirements for the degree of Doctorate of Philosophy Degree Awarded: Spring Semester, 2005 Copyright (c) 2005 David C. Simmons All Rights Reserved The members of the Committee approve the dissertation of David C. Simmons defended on April 11, 2005. ____________________________________ Karen L. Laughlin Professor Co-Directing Dissertation ____________________________________ Mark Garrett Cooper Professor Co-Directing Dissertation ____________________________________ Valliere Richard Auzenne Outside Committee Member ____________________________________ William J. Cloonan Committee Member Approved: ___________________________________ David F. Johnson Director, Program in the Humanities The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGMENTS This dissertation would not have been possible without the assistance of Sandefur Schmidt and my mother, Rita Simmons. I gratefully acknowledge both of them for the immense kindness and help they’ve provided me. iii TABLE OF CONTENTS Abstract ................................................................... v INTRODUCTION: THE DYSPHORIC STYLE IN CONTEMPORARY AMERICAN INDEPENDENT CINEMA ................. 1 1. TRYING TO HOLD ONTO A PIECE OF PI: THE DYSPHORIC STYLE’S STRUCTURING OF CAUSAL RELATIONS ......... 7 2. FACT OR PULP FICTION: THE DYSPHORIC STYLE AND TEMPORAL RELATIONS .................... 26 3. “THE COOKIE STAND IS NOT PART OF THE FOOD COURT”: THE DYSPHORIC STYLE AND SPATIAL RELATIONS ......................
    [Show full text]