Critical Acclaim for “THE OATH” by Laura Poitras
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A Wishy-Washy, Sort-Of-Feeling: Episodes in the History of the Wishy-Washy Aesthetic
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-22-2014 12:00 AM A Wishy-Washy, Sort-of-Feeling: Episodes in the History of the Wishy-Washy Aesthetic Amy Gaizauskas The University of Western Ontario Supervisor Christine Sprengler The University of Western Ontario Graduate Program in Art History A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Amy Gaizauskas 2014 Follow this and additional works at: https://ir.lib.uwo.ca/etd Recommended Citation Gaizauskas, Amy, "A Wishy-Washy, Sort-of-Feeling: Episodes in the History of the Wishy-Washy Aesthetic" (2014). Electronic Thesis and Dissertation Repository. 2332. https://ir.lib.uwo.ca/etd/2332 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. A WISHY-WASHY, SORT-OF FEELING: EPISODES IN THE HISTORY OF THE WISHY-WASHY AESTHETIC Thesis Format: Monograph by Amy Gaizauskas Graduate Program in Art History A thesis submitted in partial fulfillment of the requirements for the degree of Master of Art The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Amy Gaizauskas 2014 Abstract Following Sianne Ngai’s Our Aesthetic Categories (2012), this thesis studies the wishy- washy as an aesthetic category. Consisting of three art world and visual culture case studies, this thesis reveals the surprising strength that lies behind the wishy-washy’s weak veneer. -
LAST TRAIN HOME” by Lixin Fan
Critical Acclaim For “LAST TRAIN HOME” By Lixin Fan “The future of global capitalism, in China and elsewhere: a family tragedy in the form of a documentary, as full of anger, dignity and pathos as a play by Arthur Miller.” — A.O. Scott, The New York Times “Moving. There’s drama, misunderstanding and heartbreaking. [This family’s] pain really hits home when you think that the pants you might be wearing could have contributed to it.” — Michael O'Sullivan, The Washington Post “A stunning documentary about the modern China. This is human drama, and it is real. Fan resists the urge to embellish and simply allows . [it] to unfold in front of your eyes.” — Roger EBert, Chicago Sun-Times “Beautifully explored . an exceptional documentary. An expert, unobtrusive observer, Fan disappears inside his own film and allows us to get completely inside his subjects’ lives.” — Kenneth Turan, Los Angeles Times “A miniature masterpiece of documentary observation.” — Ty Burr, Boston Globe “Last Train Home might just break your heart.” — MSNBC.com “Today Show” Best Bets “This is essential viewing for understanding our world.” — Lisa Schwarzbaum, Entertainment Weekly “An incredibly powerful story that should be seen and discussed around the world.” — Kristin McCracken, The Huffington Post “Chinese-Canadian director Lixin Fan presents the human cost of China's economic rise in terms any parent or child can understand.” — Colin Covert, Minneapolis Star Tribune “A remarkable documentary. Gorgeously composed shots.” — G. Allen Johnson, San Francisco Chronicle “A moving and near-perfect piece of art. Do not miss Last Train Home. [It] is not a travelogue, a polemic or a history lesson, but simply a story of people, told with elegance and care. -
Game Changer
SEPTEMBER | OCTOBER 2018 GAME CHANGER HOW COACH BUDDY TEEVENS ’79 TURNED LOSERS INTO CHAMPIONS—AND TRANSFORMED THE GAME OF FOOTBALL FOREVER FIVE DOLLARS H W’ P B B FINE HANDCRAFTED VERMONT FURNITURE CELEBRATING 4 5 YEARS OF CRAFTSMANSHIP E E L L C C 5 T G, W, VT 802.457.2600 23 S M S, H, NH 603.643.0599 NH @ . . E THETFORD, VT FLAGSHIP SHOWROOM + WORKSHOP • S BURLINGTON, VT • HANOVER, NH • CONCORD, NH NASHUA, NH • BOSTON, MA • NATICK, MA • W HARTFORD, CT • PHILADELPHIA, PA POMPY.COM • 800.841.6671 • We Offer National Delivery S . P . dartmouth_alum_Aug 2018-5.indd 1 7/22/18 10:23 PM Africa’s Wildlife Inland Sea of Japan Imperial Splendors of Russia Journey to Southern Africa Trek to the Summit with Dirk Vandewalle with Steve Ericson with John Kopper with DG Webster of Mt. Kilimanjaro March 17–30, 2019 May 22–June 1, 2019 September 11–20, 2019 October 27–November 11, 2019 with Doug Bolger and Celia Chen ’78 A&S’94 Zimbabwe Family Safari Apulia Ancient Civilizations: Vietnam and Angkor Wat December 7–16, 2019 and Victoria Falls with Ada Cohen Adriatic and Aegean Seas with Mike Mastanduno Faculty TBD June 5–13, 2019 with Ron Lasky November 5–19, 2019 Discover Tasmania March 18–29, 2019 September 15–23, 2019 with John Stomberg Great Journey Tanzania Migration Safari January 8–22, 2020 Caribbean Windward Through Europe Tour du Montblanc with Lisa Adams MED’90 Islands—Le Ponant with John Stomberg with Nancy Marion November 6–17, 2019 Mauritius, Madagascar, with Coach Buddy Teevens ’79 June 7–17, 2019 September 15–26, 2019 -
Har Sinai Temple Bulletin
HAR SINAI TEMPLE BULLETIN FOUNDED 1857 TammuzlAvlElul5754 Vol. CXXXVII No.1 lIAR SINAI INSTALLS 1994-1995 Summer services began in late June and will continue through July EXECUTIVE BOARD & and August until the beginning of the High Holy Days. Summer ---- BOARD OF TRUSTEES ---- services begin at 8:00 P.M. and are held in Har Sinai's air-conditioned Social Hall. Dress is casual and congregants are encouraged to participate in the services. If you are interested in delivering a Dvar Torah or a short sermon or helping to lead the service, contact the rabbi or the cantor. Pictured above at the June 20th Annual Meeting is the 1994-95 Har Sinai Executive Board: Front, left to right, are Ariel Perelmuter, Dr. Don Millner, • Lauren Schor, Roberta Frank, and in back are Dr. Howard Welt, Nancy Frost, Simon Kimmelman, and Dr. Steve Sussman. Photo by Don Lowing New Executive Board Members Howard Welt, Treasurer A native of New York City, Howard has lived in Yardley for the past twenty two years. He is a Phi Beta Kappa graduate of Cornell University and graduated from the New York University School of Medicine where he was elected to the Alpha Omega Alpha Medical Honor Society. Howard is a senior partner and Secretary of Radiology Affiliates of Central New Jersey, P.A. He has been the Chairman of the Department of Radiology of the Robert Wood Johnson University Hospital at Hamilton for the past 14 years. He is also an Attending Radiologist on the staffs of St. Francis Medical Center, St. Mary Hospital in Langhorne, and St. -
FOR IMMEDIATE RELEASE CONTACT Voleine Amilcar 415
FOR IMMEDIATE RELEASE CONTACT Voleine Amilcar 415-356-8383 x 244 [email protected] Mary Lugo 770-623-8190 [email protected] Cara White 843-881-1480 [email protected] For downloadable images, visit pbs.org/pressroom/ THE HOUSE I LIVE IN PREMIERES ON INDEPENDENT LENS ON MONDAY, APRIL 8, 2013 “I’d hate to imply that it’s your civic duty to see The House I Live In, but guess what — it is.” — Ty Burr, The Boston Globe (San Francisco, CA) — Winner of the Grand Jury Prize at the Sundance Film Festival, Eugene Jarecki’s The House I Live In builds a compelling case for the complete failure of America’s war on drugs. For the past forty years, the war on drugs has resulted in more than 45 million arrests, one trillion dollars in government spending, and America’s role as the world’s largest jailer. Yet for all that, drugs are cheaper, purer, and more available than ever. Filmed in more than twenty states, The House I Live In captures heart-wrenching stories from those on the front lines — from the dealer to the grieving mother, the narcotics officer to the senator, the inmate to the federal judge — and offers a penetrating look at the profound human rights implications of America’s longest war. The House I Live In premieres on Independent Lens, hosted by Stanley Tucci, on Monday, April 8, 2013 at 10 PM on PBS (check local listings). The film recognizes drug abuse as a matter of public health, and investigates the tragic errors and shortcomings that have resulted from framing it as an issue for law enforcement. -
2008 Annual Report
2008 Annual Report Public Radio. In Your Community. Online at tpr.org About Texas Public Radio TEXAS PUBLIC RADIO BOARD OF DIRECTORS exas Public Radio was organized in 1988 and formally incorporated BOARD CHAIR t DORA ANN VERDE* the following year. The broadcaster grew out of a merger of two separate VICE CHAIR KAREN RAYZOR* organizations, the Classical Broadcasting Society of San Antonio (owner of PRESIDENT & KPAC-FM) and San Antonio Community Radio (owner of KSTX-FM). TPR is GENERAL MANAGER DAN SKINNER* an independent, non-profit organization governed by a Board of Directors TREASURER DOGAN PERESE* composed of San Antonio and Hill Country residents. SECRETARY PAT McGOWAN* KPAC specializes in broadcasting programs. Its weekday schedule is In 1998 Texas Public Radio added MEMBERS classical music and fine arts composed mainly of programs a third station to the family. FREDA FACEY information. For the most part, its produced by National Public Radio, Transmitting from a site near MARY FLANAGAN JAY FORREST programming is created from its own such as NPR’s flagship newsmagazines Kerrville, KTXI-FM serves listeners in KLEE KLEBER library of classical music recordings All Things Considered and Morning the Hill Country with simultaneous MicHael W. Lackey, P.E. – a collection that provides varied Edition. Opportunity for listener broadcasts of programs on the KPAC JOHN McLAUGHLIN and comprehensive opportunities to comments and questions on a wide and KSTX schedules. JANET McNUTT MARILYN MOLL sample the entire range of music. range of subjects is offered during HUYEN NGUYEN, M.D. The schedule also includes live NPR’s Talk of the Nation and The Diane San Antonio and the neighboring STEWART REUTER, M.D. -
Critical Acclaim for ‘THE LOOK of SILENCE’ by Joshua Oppenheimer
Critical Acclaim For ‘THE LOOK OF SILENCE’ By Joshua Oppenheimer “A painful, profoundly empathetic work of moral reckoning.” —A.O. Scott, The New York Times “A shocking and significant film, a further illumination of one of recent history's great horrors, a documentary that will make a difference in the world.” —Kenneth Turan, Los Angeles Times “In a way, I wish I'd never seen The Look of Silence, because now I won’t be able to forget it. But that’s the point.” —Joe Morgenstern, The Wall Street Journal “Profoundly shattering.” —Stephanie Merry, The Washington Post “Painful and unforgettable.” —Michael Phillips, Chicago Tribune “Piercingly and authentically horrifying. a must see. arresting and important filmmaking.” —Peter Bradshaw, The Guardian “Powerful.” —Newsday “Over and over in The Look of Silence, we hear people tell the filmmakers, ‘The past is past.’ The wound is healed, they say, and if you don’t want trouble, don’t reopen it. The movie itself proves otherwise.” —Ty Burr, The Boston Globe “Stunning. a highwire achievement. [with] crushing emotional impact. The film reveals Oppenheimer to be a documentary stylist of evolving grace and sophistication.” —Guy Lodge, Variety “Every scene weighs on the audience. But Oppenheimer and [subject] Adi manage to locate a lightness as well that lessens the burden.” —Lenika Cruz, The Atlantic “The Look of Silence is perhaps even more riveting for focusing on one man’s personal search for answers as he bravely confronts his brother’s killers. In the end, the real value of [The Act of Killing and The Look of Silence] is the anguishing new light they cast on the darkest reaches of human evil.” —Deborah Young, The Hollywood Reporter “Manages to burrow deep into your soul . -
Jigsaw: Torture Porn Rebooted? Steve Jones After a Seven-Year Hiatus
Originally published in: Bacon, S. (ed.) Horror: A Companion. Oxford: Peter Lang, 2019. This version © Steve Jones 2018 Jigsaw: Torture Porn Rebooted? Steve Jones After a seven-year hiatus, ‘just when you thought it was safe to go back to the cinema for Halloween’ (Croot 2017), the Saw franchise returned. Critics overwhelming disapproved of franchise’s reinvigoration, and much of that dissention centred around a label that is synonymous with Saw: ‘torture porn’. Numerous critics pegged the original Saw (2004) as torture porn’s prototype (see Lidz 2009, Canberra Times 2008). Accordingly, critics such as Lee (2017) characterised Jigsaw’s release as heralding an unwelcome ‘torture porn comeback’. This chapter will investigate the legitimacy of this concern in order to determine what ‘torture porn’ is and means in the Jigsaw era. ‘Torture porn’ originates in press discourse. The term was coined by David Edelstein (2006), but its implied meanings were entrenched by its proliferation within journalistic film criticism (for a detailed discussion of the label’s development and its implied meanings, see Jones 2013). On examining the films brought together within the press discourse, it becomes apparent that ‘torture porn’ is applied to narratives made after 2003 that centralise abduction, imprisonment, and torture. These films focus on protagonists’ fear and/or pain, encoding the latter in a manner that seeks to ‘inspire trepidation, tension, or revulsion for the audience’ (Jones 2013, 8). The press discourse was not principally designed to delineate a subgenre however. Rather, it allowed critics to disparage popular horror movies. Torture porn films – according to their detractors – are comprised of violence without sufficient narrative or character development (see McCartney 2007, Slotek 2009). -
Unclassified Fictions: the CIA, Secrecy Law, and the Dangerous Rhetoric of Authenticity
Unclassified Fictions: The CIA, Secrecy Law, and the Dangerous Rhetoric of Authenticity Matthew H. Birkhold* ABSTRACT Zero Dark Thirty , Kathryn Bigelow’s cinematic account of the manhunt for Osama bin Laden, attracted tremendous popular attention, inspiring impassioned debates about torture, political access, and responsible filmmaking. But, in the aftermath of the 2013 Academy Awards, critical scrutiny of the film has abated and the Senate has dropped its much-hyped inquiry. If the discussion about Zero Dark Thirty ultimately proved fleeting, our attention to the circumstances of its creation should not. The CIA has a longstanding policy of promoting the accuracy of television shows and films that portray the agency, and Langley’s collaboration with Bigelow provided no exception. To date, legal scholarship has largely ignored the CIA’s policy, yet the practice of assisting filmmakers has important consequences for national security law. Recently, the CIA’s role in Zero Dark Thirty’s creation and the agency’s refusal to release authentic images of the deceased Osama bin Laden reveals its attitude toward fiction and how it impacts the CIA’s legal justifications for secrecy. By conducting a close analysis of CIA affidavits submitted in FOIA litigation and recently declassified records detailing the CIA’s interactions with Bigelow, this article demonstrates how films like Zero Dark Thirty function as workarounds where the underlying records are classified. These films are “unclassified fictions” in that they allow the CIA to preserve the secrecy of classified records by communicating nearly identical information to the public. Unclassified fictions, in other words, allow the CIA to evade secrecy while maintaining that secrecy—to speak without speaking. -
An Interfaith Conversation on Sunday
A Monthly Publication for Temple Beth-El, Las Cruces, New Mexico NOVEMBER 2015 (CHESHVAN-KISLEV 5776) Shabbat Services Ever Grateful— (Full Schedule on Page 2) Friday, November 6 An Interfaith Conversation FAMILY SHABBAT SERVICE at 6:00 pm led on Sunday, November 22, 2015 by Marieka Brown, Jeanne Abkes and Pearie Bruder. Dairy/vegetarian potluck dinner at at 2:00 pm 6:40 pm. Regular Shabbat service led by Join us at Temple Beth-El for an interreli- Erich Zameret at 7:30 pm. gious discussion on thankfulness and grati- Friday, November 13-Shabbat Service at tude on Sunday, November 22, 2015. Spiritu- 7:30 pm—the Temple choir will participate, and al leaders and representatives from a variety we will welcome to Temple attendees of the New of local faith communities and congregations Mexico Jewish Historical Society Conference. will share their approach to giving thanks Friday, November 20–Welcoming Shabbat at from their traditions and perspectives. Rabbi 7:20 pm; Shabbat Service at 7:30 pm Larry Karol will serve as moderator and those Friday, November 27-Shabbat Service for Renewal of Spirit-Welcoming Shabbat who attend will have a chance to ask ques- at 7:20 pm; Shabbat Service at 7:30 pm. tions and to share their thoughts as well. This **************** event will serve as a community lead-in to the Saturdays holiday of Thanksgiving several days later. It Talmud Study at 9:00 am; Shabbat Service is sponsored by the Adult Education Commit- at 10:15 am, followed by a potluck Kiddush tee and is free and open to the public. -
Uneasy Assembly: Unsettling Home in Early Twentieth-Century American Cultural Production
Uneasy Assembly: Unsettling Home in Early Twentieth-Century American Cultural Production Camilla Perri Ammirati Canton, NY B.A., Carleton College, 2000 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of English University of Virginia August, 2013 Table of Contents Acknowledgements……………………………………………………………………………….i Introduction: “Come Right In”: Situating Narratives of Domecility…………………………………………….1 Chapter One: Solid American Spaces: From Domestic Standardization to Dilemmatic Democracy…………………………………….30 Chapter Two: “Their Only Treason”: Domestic Space and National Belonging in Djuna Barnes’ Ryder………………………………………………..68 Chapter Three: “Honor Bilt”: Constructions of Home in Absalom, Absalom!..………………………………...147 Chapter Four: “Home Thoughts”: Domestic Disarray and Buffet Flat Belonging in Claude McKay’s Home to Harlem………………………………..…216 Chapter Five: Lock and Key Blues: Mobile Domecility in the Recorded Works of Bessie Smith………………………………………………………..242 Coda: Talking With the House Itself…………………………………………………………………..314 Works Cited …………………………………………………………………………………...321 Acknowledgements I would first like to thank my wonderful committee. Deborah McDowell has been an incredible director and mentor, not only providing invaluable intellectual guidance throughout this process but offering true insight and kindness beyond the bounds of the project that kept me going at critical moments. Victoria Olwell has worked closely with me through countless rough pages, offering vital feedback and support and re-invigorating my thinking at every step. In my first term of the program, Eric Lott ignited my enthusiasm and set me on an intellectual path that keeps me always thinking about the next set of questions worth asking. Our conversations over the course of this project have been essential both in shaping my thinking and in encouraging me to take the chance of pursuing ideas I believe in. -
PALO ALTO, CA 94302 (650) 326-8210 PUBLISHER Our William S
Palo 6°Ê888]Ê ÕLiÀÊ£ä£ÊUÊ"VÌLiÀÊÎ]ÊÓäänÊN 50¢ Alto Reprieve for JJ&F Page 3 www.PaloAltoOnline.com WILL PALO ALTO SINK OR SWIM? Local businesses, residents unsettled over fi nancial meltdown Page 21 Title Pages 17 Eating Out 31 Movies 34 Crossword 68 NA&E Teachers gain music insights in master class Page 25 NSports Palo Alto girls’ volleyball faces tough stretch Page 39 NHome & Real Estate Nuts and bolts of green interior design Page 45 ALBERTO ONCE HELD BACK BY WEIGHT CURRENTLY: DIVES RIGHT IN JUST ANOTHER REMARKABLE DAY IN THE NEIGHBORHOOD. At 13 years old, Alberto was one of more than 2 million overweight kids in this country. The good news is, he chose to do something about it. Since he enrolled in the Packard Pediatric Weight Control Program last year, Alberto has lost over 30 pounds and is now an active and healthy kid. Rather than focus solely on © 2007 Lucile Packard Children’s Hospital calorie intake and weight loss, our program helps families maintain lifelong healthy eating and exercise habits. In fact, Alberto’s mom was so inspired, she lost 12 pounds herself. Alberto is still headed toward his weight goals. The way we see it, his loss is truly Lucile Packard his gain. To find out more about the Packard Pediatric Weight Control Children’s Hospital Program call 650 -725 - 4424 or visit pediatricweightcontrol.lpch.org. AT STANFORD Page 2ÊUÊ"VÌLiÀÊÎ]ÊÓäänÊUÊ*>ÊÌÊ7iiÞ UpfrontLocal news, information and analysis Early morning crash kills two young men Speeding van in Palo Alto wraps READ MORE ONLINE www.PaloAltoOnline.com around a tree near Peers Park For the latest information on this story, by Don Kazak and Jay Thorwaldson go to Palo Alto Online.