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Don't Try This at Home: Lessons from America's War on Drugs
Transcript Don’t Try This at Home: Lessons from America’s War on Drugs Eugene Jarecki Filmmaker; Director, The House I Live In Chair: Professor Alex Stevens Professor in Criminal Justice and Deputy Head of School, School of Social Policy, Sociology and Social Research, University of Kent 21 May 2013 The views expressed in this document are the sole responsibility of the author(s) and do not necessarily reflect the view of Chatham House, its staff, associates or Council. Chatham House is independent and owes no allegiance to any government or to any political body. It does not take institutional positions on policy issues. This document is issued on the understanding that if any extract is used, the author(s)/ speaker(s) and Chatham House should be credited, preferably with the date of the publication or details of the event. Where this document refers to or reports statements made by speakers at an event every effort has been made to provide a fair representation of their views and opinions, but the ultimate responsibility for accuracy lies with this document’s author(s). The published text of speeches and presentations may differ from delivery. Transcript: Lessons from America’s War on Drugs Alex Stevens: Good evening, everyone. Welcome to this fascinating event at Chatham House. My name is Alex Stevens; I’ll be chairing the event. I’m professor in criminal justice at the University of Kent and I’ve been working with Chatham House for the last year or so on their project on drugs and organized crime. I’m also a board member of the International Society for the Study of Drug Policy, and I’m just back from Bogota, Colombia, where we had our annual conference and discussed many of the issues that Eugene’s fascinating film touches upon. -
The King Premieres on Independent Lens Monday, January 28 on PBS
FOR IMMEDIATE RELEASE CONTACT Tanya Leverault, ITVS 415-356-8383 [email protected] Mary Lugo 770-623-8190 [email protected] Cara White 843-881-1480 [email protected] For downloadable images, visit pbs.org/pressroom The King Premieres on Independent Lens Monday, January 28 on PBS Climb into Elvis’s 1963 Rolls-Royce for a Musical Road Trip and Timely Meditation on Modern America Online Streaming Begins January 29 (San Francisco, CA) — Forty years after the death of Elvis Presley, two-time Sundance Grand Jury winner Eugene Jarecki takes the King’s 1963 Rolls-Royce on a musical road trip across America. From Tupelo to Memphis to New York, Las Vegas, and countless points between, the journey explores the rise and fall of Elvis as a metaphor for the country he left behind. What emerges is a visionary portrait of the state of the American dream and a penetrating look at how the hell we got here. The King premieres on Independent Lens Monday, January 28, 2019, 9:00-10:30PM ET (check local listings) on PBS. Far more than a musical biopic, The King is a snapshot of Credit: David Kuhn America at a critical time in the nation’s history. Tracing Elvis’ life and career from his birth and meteoric rise in the deep south to his tragic and untimely end in Hollywood and Las Vegas, The King covers a vast distance across contemporary America, painting a parallel portrait of the nation’s own heights and depths, from its inspired origins to its perennial struggles with race, class, power, and money. -
PSYC 165) Fall 2012
Course Syllabus Drugs, Behavior and Society (PSYC 165) Fall 2012 Instructors: John Monterosso TAs: Lectures: Tue & Thur 8:00 – 9:20 pm, SGM Room 124 FINAL EXAM: Tuesday, December 18 4:30-6:30 p.m. {Note that this is late in the final exam period. If you cannot make this date, please do not take this course.} *Minor revisions may be made to the syllabus – when this occurs, a message will be posted on Blackboard. Drug use can be looked at from many perspectives. Although we will consider several, our emphasis will be on a psychological and physiological perspectives. We want you to leave this course with a better understanding of why people use drugs, what effects drugs have on people, and how individuals think about drug use. Besides learning about drugs and their use, we hope you will learn how to critically evaluate scientific research and the benefits (and limitations) of using this research to inform personal choices and public policy. As a Cat 4 GE class, this larger goal is most important. We recognize that use and abuse of drugs is a topic that touches the everyday lives of people, and we hope this will energize the course. However, please do not look to the faculty or TAs for personal and professional opinions or counsel. Information about available resources is on an informational page posted on Blackboard. Readings The primary course text is: Drugs, Society, and Human Behavior. By Carl Hart & Charles Ksir, 2010. McGraw-Hill 14th edition. It is available for Kindle, and there look to be cheaper options to me at Amazon than the bookstore, but I don’t know what the Bookstore buy-back program is (or if there even is one). -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
LAST TRAIN HOME” by Lixin Fan
Critical Acclaim For “LAST TRAIN HOME” By Lixin Fan “The future of global capitalism, in China and elsewhere: a family tragedy in the form of a documentary, as full of anger, dignity and pathos as a play by Arthur Miller.” — A.O. Scott, The New York Times “Moving. There’s drama, misunderstanding and heartbreaking. [This family’s] pain really hits home when you think that the pants you might be wearing could have contributed to it.” — Michael O'Sullivan, The Washington Post “A stunning documentary about the modern China. This is human drama, and it is real. Fan resists the urge to embellish and simply allows . [it] to unfold in front of your eyes.” — Roger EBert, Chicago Sun-Times “Beautifully explored . an exceptional documentary. An expert, unobtrusive observer, Fan disappears inside his own film and allows us to get completely inside his subjects’ lives.” — Kenneth Turan, Los Angeles Times “A miniature masterpiece of documentary observation.” — Ty Burr, Boston Globe “Last Train Home might just break your heart.” — MSNBC.com “Today Show” Best Bets “This is essential viewing for understanding our world.” — Lisa Schwarzbaum, Entertainment Weekly “An incredibly powerful story that should be seen and discussed around the world.” — Kristin McCracken, The Huffington Post “Chinese-Canadian director Lixin Fan presents the human cost of China's economic rise in terms any parent or child can understand.” — Colin Covert, Minneapolis Star Tribune “A remarkable documentary. Gorgeously composed shots.” — G. Allen Johnson, San Francisco Chronicle “A moving and near-perfect piece of art. Do not miss Last Train Home. [It] is not a travelogue, a polemic or a history lesson, but simply a story of people, told with elegance and care. -
Game Changer
SEPTEMBER | OCTOBER 2018 GAME CHANGER HOW COACH BUDDY TEEVENS ’79 TURNED LOSERS INTO CHAMPIONS—AND TRANSFORMED THE GAME OF FOOTBALL FOREVER FIVE DOLLARS H W’ P B B FINE HANDCRAFTED VERMONT FURNITURE CELEBRATING 4 5 YEARS OF CRAFTSMANSHIP E E L L C C 5 T G, W, VT 802.457.2600 23 S M S, H, NH 603.643.0599 NH @ . . E THETFORD, VT FLAGSHIP SHOWROOM + WORKSHOP • S BURLINGTON, VT • HANOVER, NH • CONCORD, NH NASHUA, NH • BOSTON, MA • NATICK, MA • W HARTFORD, CT • PHILADELPHIA, PA POMPY.COM • 800.841.6671 • We Offer National Delivery S . P . dartmouth_alum_Aug 2018-5.indd 1 7/22/18 10:23 PM Africa’s Wildlife Inland Sea of Japan Imperial Splendors of Russia Journey to Southern Africa Trek to the Summit with Dirk Vandewalle with Steve Ericson with John Kopper with DG Webster of Mt. Kilimanjaro March 17–30, 2019 May 22–June 1, 2019 September 11–20, 2019 October 27–November 11, 2019 with Doug Bolger and Celia Chen ’78 A&S’94 Zimbabwe Family Safari Apulia Ancient Civilizations: Vietnam and Angkor Wat December 7–16, 2019 and Victoria Falls with Ada Cohen Adriatic and Aegean Seas with Mike Mastanduno Faculty TBD June 5–13, 2019 with Ron Lasky November 5–19, 2019 Discover Tasmania March 18–29, 2019 September 15–23, 2019 with John Stomberg Great Journey Tanzania Migration Safari January 8–22, 2020 Caribbean Windward Through Europe Tour du Montblanc with Lisa Adams MED’90 Islands—Le Ponant with John Stomberg with Nancy Marion November 6–17, 2019 Mauritius, Madagascar, with Coach Buddy Teevens ’79 June 7–17, 2019 September 15–26, 2019 -
Perspectives on Opioid and Heroin Use in South Central Pennsylvania
Perspectives on opioid and heroin use in south central Pennsylvania Criminal Justice Trends and initiatives in opioid and heroin abuse: A panel discussion RESEARCH BRIEF The contours of the convened to discuss the issue in 2017-18 Pennsylvania state depth, and to identify current budget (Madej, 2017). problem: Overdose initiatives to address the problem. Narcan is also now widely and death available to citizens over- The panel was comprised of: the-counter. Drug overdoses are the leading Police officers cause of accidental death in the Treatment providers The police officers on the U.S. having surpassed Researchers panel credited equipping shootings and traffic accidents police and other first almost a decade ago (Centers Initiatives responders with Narcan as a for Disease Control and key factor in keeping the opioid overdose death rate Prevention [CDC], 2016). From A key initiative gaining increasing in Pennsylvania from 2014-2015, overdose deaths traction in managing opioid overdose climbing even higher than rose by 11 percent, to 52,404, in Pennsylvania and the greater sixth in the nation, and with roughly 63 percent of region, is the equipping of emergency lauded it as a sort of wonder those deaths involving an medical technicians, police, and other drug. opioid such as heroin, fentanyl, first responders with the opioid or other prescription opioids overdose reversal drug naloxone like Vicodin or Percoset (often (trade name: Narcan), which has been Misconception #1 prescribed legally for routine on the market since 1971. pain management). The Addiction propensity significant increases in drug In 2014, Pennsylvania passed Act overdose deaths were seen While productive discussion 139, which allows first responders ensued, key misconceptions primarily in the northeast, acting at the direction of a health care midwest, and mid-south emerged that were endorsed professional to prescribe Narcan and by several of the panelists. -
The Drugs of War—Captagon and the Islamic State
REPORT CRIMINAL JUSTICE The Drugs of War—Captagon and the Islamic State APRIL 15, 2016 — PATRICK RADDEN KEEFE PAGE 1 One perennial challenge of writing about illicit narcotics is the dearth of hard data. While drug-trafficking organizations often maintain scrupulous records of their transactions, they have a pronounced disincentive to open these books to outsiders. And for a variety of reasons, the media, the counterdrug law-enforcement establishment, and elected political leaders all have incentives to overplay the problem. In a dismayingly typical scenario, drug warriors will fill this information vacuum by conjuring up back-of-the-envelope figures, which the press will then gleefully repeat—at which point, the drug warriors will seek a budget increase, citing the press account, which has now accorded their data points the aura of established fact. (This configuration of mutually affirming incentives is sometimes described—by federal bureaucrats who are clear-eyed enough to admit it—as a self- licking ice cream cone.) If there is fog in the drug war, there is more still in the actual armed conflagration that has consumed Syria, which is now entering its fifth year. And the violent fluidity of this conflict makes it all the more difficult to assess a wave of reports over the past several years about the significance of a little pill known as Captagon—an amphetamine that is said to play a significant part in the civil war. According to numerous accounts, Captagon has become immensely popular with the fighters of the Islamic State. According to numerous accounts, Captagon has become immensely popular with the fighters of the Islamic State. -
Critical Acclaim for ‘THE LOOK of SILENCE’ by Joshua Oppenheimer
Critical Acclaim For ‘THE LOOK OF SILENCE’ By Joshua Oppenheimer “A painful, profoundly empathetic work of moral reckoning.” —A.O. Scott, The New York Times “A shocking and significant film, a further illumination of one of recent history's great horrors, a documentary that will make a difference in the world.” —Kenneth Turan, Los Angeles Times “In a way, I wish I'd never seen The Look of Silence, because now I won’t be able to forget it. But that’s the point.” —Joe Morgenstern, The Wall Street Journal “Profoundly shattering.” —Stephanie Merry, The Washington Post “Painful and unforgettable.” —Michael Phillips, Chicago Tribune “Piercingly and authentically horrifying. a must see. arresting and important filmmaking.” —Peter Bradshaw, The Guardian “Powerful.” —Newsday “Over and over in The Look of Silence, we hear people tell the filmmakers, ‘The past is past.’ The wound is healed, they say, and if you don’t want trouble, don’t reopen it. The movie itself proves otherwise.” —Ty Burr, The Boston Globe “Stunning. a highwire achievement. [with] crushing emotional impact. The film reveals Oppenheimer to be a documentary stylist of evolving grace and sophistication.” —Guy Lodge, Variety “Every scene weighs on the audience. But Oppenheimer and [subject] Adi manage to locate a lightness as well that lessens the burden.” —Lenika Cruz, The Atlantic “The Look of Silence is perhaps even more riveting for focusing on one man’s personal search for answers as he bravely confronts his brother’s killers. In the end, the real value of [The Act of Killing and The Look of Silence] is the anguishing new light they cast on the darkest reaches of human evil.” —Deborah Young, The Hollywood Reporter “Manages to burrow deep into your soul . -
Uneasy Assembly: Unsettling Home in Early Twentieth-Century American Cultural Production
Uneasy Assembly: Unsettling Home in Early Twentieth-Century American Cultural Production Camilla Perri Ammirati Canton, NY B.A., Carleton College, 2000 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of English University of Virginia August, 2013 Table of Contents Acknowledgements……………………………………………………………………………….i Introduction: “Come Right In”: Situating Narratives of Domecility…………………………………………….1 Chapter One: Solid American Spaces: From Domestic Standardization to Dilemmatic Democracy…………………………………….30 Chapter Two: “Their Only Treason”: Domestic Space and National Belonging in Djuna Barnes’ Ryder………………………………………………..68 Chapter Three: “Honor Bilt”: Constructions of Home in Absalom, Absalom!..………………………………...147 Chapter Four: “Home Thoughts”: Domestic Disarray and Buffet Flat Belonging in Claude McKay’s Home to Harlem………………………………..…216 Chapter Five: Lock and Key Blues: Mobile Domecility in the Recorded Works of Bessie Smith………………………………………………………..242 Coda: Talking With the House Itself…………………………………………………………………..314 Works Cited …………………………………………………………………………………...321 Acknowledgements I would first like to thank my wonderful committee. Deborah McDowell has been an incredible director and mentor, not only providing invaluable intellectual guidance throughout this process but offering true insight and kindness beyond the bounds of the project that kept me going at critical moments. Victoria Olwell has worked closely with me through countless rough pages, offering vital feedback and support and re-invigorating my thinking at every step. In my first term of the program, Eric Lott ignited my enthusiasm and set me on an intellectual path that keeps me always thinking about the next set of questions worth asking. Our conversations over the course of this project have been essential both in shaping my thinking and in encouraging me to take the chance of pursuing ideas I believe in. -
Eugene Jarecki's
26 CHICAGO READER | FEBRUARY 17, 2006 | SECTION ONE Letters continued from page 3 No More Find it! Where That Came From Dear sirs: Z Michael Miner’s excellent overview of the issues involving Great Lakes water resources [“They Need It. We Waste It,” January 13] left out one pertinent fact: The New Reader Classifieds 90 percent of all the water chicagoreader.com | section 4 in the five lakes is the result of runoff from receding glaciers during the time when the Ice Age ended. Thus in the intervening 10,000 years only 10 percent of the water volume of the Great Lakes is due to rainfall and inflow from rivers and streams. The inadvisability of any large-scale diversion of Great Lakes water to both future freshwater supplies and to commercial navigation is obvious. All of us who are residents of the Great Lakes basin, whether Canadian or American, should take an active role in advocating for the passage of the Great Lakes- Saint Lawrence River Basin Water Resources Compact by contacting our respective elected representatives. Chet Alexander Alsip PS: This is not a new issue. While vacationing in a number of western states in 1982 and 1984 (both election years) I read and heard of a number of candidates for public office who advocated diverting Great Lakes water to the west. One proposal envisioned the construction of a pipeline from the western tip of Lake Superior at Duluth, Minnesota, that would supply water to the Dakotas, Montana, and Wyoming. Weekly Wackadoo Hola, I must tell you of my intense pleasure, which is your weekly columnist gone wackadoo .. -
PALO ALTO, CA 94302 (650) 326-8210 PUBLISHER Our William S
Palo 6°Ê888]Ê ÕLiÀÊ£ä£ÊUÊ"VÌLiÀÊÎ]ÊÓäänÊN 50¢ Alto Reprieve for JJ&F Page 3 www.PaloAltoOnline.com WILL PALO ALTO SINK OR SWIM? Local businesses, residents unsettled over fi nancial meltdown Page 21 Title Pages 17 Eating Out 31 Movies 34 Crossword 68 NA&E Teachers gain music insights in master class Page 25 NSports Palo Alto girls’ volleyball faces tough stretch Page 39 NHome & Real Estate Nuts and bolts of green interior design Page 45 ALBERTO ONCE HELD BACK BY WEIGHT CURRENTLY: DIVES RIGHT IN JUST ANOTHER REMARKABLE DAY IN THE NEIGHBORHOOD. At 13 years old, Alberto was one of more than 2 million overweight kids in this country. The good news is, he chose to do something about it. Since he enrolled in the Packard Pediatric Weight Control Program last year, Alberto has lost over 30 pounds and is now an active and healthy kid. Rather than focus solely on © 2007 Lucile Packard Children’s Hospital calorie intake and weight loss, our program helps families maintain lifelong healthy eating and exercise habits. In fact, Alberto’s mom was so inspired, she lost 12 pounds herself. Alberto is still headed toward his weight goals. The way we see it, his loss is truly Lucile Packard his gain. To find out more about the Packard Pediatric Weight Control Children’s Hospital Program call 650 -725 - 4424 or visit pediatricweightcontrol.lpch.org. AT STANFORD Page 2ÊUÊ"VÌLiÀÊÎ]ÊÓäänÊUÊ*>ÊÌÊ7iiÞ UpfrontLocal news, information and analysis Early morning crash kills two young men Speeding van in Palo Alto wraps READ MORE ONLINE www.PaloAltoOnline.com around a tree near Peers Park For the latest information on this story, by Don Kazak and Jay Thorwaldson go to Palo Alto Online.