Who Were the Ancient Greeks? the Ancient Greeks
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Creating the Past: Roman Villa Sculptures
��������������������������������� Creating the Past: Roman Villa Sculptures Hadrian’s pool reflects his wide travels, from Egypt to Greece and Rome. Roman architects recreated old scenes, but they blended various elements and styles to create new worlds with complex links to ideal worlds. Romans didn’t want to live in the past, but they wanted to live with it. Why “creating” rather than “recreating” the past? Most Roman sculpture was based on Greek originals 100 years or more in the past, but these Roman copies, in their use & setting, created a view of the past as the Romans saw it. In towns, such as Pompeii, houses were small, with little room for large gardens (the normal place for statues), so sculpture was under life-size and highlighted. The wall frescoes at Pompeii or Boscoreale (as in the reconstructed room at the Met) show us what the buildings and the associated sculptures looked like. Villas, on the other hand, were more expansive, generally sited by the water and had statues, life-size or larger, scattered around the gardens. Pliny’s villas, as he describes them in his letters, show multiple buildings, seemingly haphazardly distributed, connected by porticoes. Three specific villas give an idea of the types the Villa of the Papyri near Herculaneum (1st c. AD), Tiberius’ villa at Sperlonga from early 1st century (described also in CHSSJ April 1988 lecture by Henry Bender), and Hadrian’s villa at Tivoli (2nd cent AD). The Villa of Papyri, small and self-contained, is still underground, its main finds having been reached by tunneling; the not very scientific excavation left much dispute about find-spots and the villa had seen upheaval from the earthquake of 69 as well as the Vesuvius eruption of 79. -
THE MAIN RULES of TRIBUTE PAYMENT in MID 5Th CENTURY ATHENIAN ARCHE ACCORDING to CLEINIAS DECREE
GRAECO-LATINA BRUNENSIA 20, 2015, 1 LUKÁŠ KUBALA (MASARYK UNIVERSITY, BRNO) THE MAIN RULES OF TRIBUTE PAYMENT IN MID 5th CENTURY ATHENIAN ARCHE ACCORDING TO CLEINIAS DECREE The main priority of my paper is to point out, through epigraphic sources and evidence from the 5th century Athens, one of the most characteristic features and objectives of Athenian “imperialism” during the last two decades of the period called Pentekontaetia (the period of fifty years – 479–431 B.C.). I will especially focus my attention on one of the most important epigraphic sources from this period – Cleinias decree (448/7, 425/4(?) B.C.). The impor- tance of this decree is significant, because it puts an exact view on the process of collection of the tribute (foros) in the mid-5th century Athenian arche. The financial regulations pre- scribed in the decree were valid for all members of the Athenian arche, and had a great im- pact on restriction of their autonomy at the expense of growth of Athenian dominance in the symmachy. The main objective I want to achieve in this paper, the importance of epigraphic material and evidence as one of the most important (and in some cases irreplaceable) sourc- es of information about the image of Athenian “imperialism” and Athenian relationship towards their subject-allies in the 5th century B.C. The reason why I choose particularly this decree as a representative type of epigraphic evidence, is to show how important the annual collection of the tribute was for the Athenians, and how the Athenians used the collection of the foros, as Isocrates mentions to “publicly humiliate” the allies and how they strengthened their hegemonic position in Delian symmachy transforming it into their own thalassocratic “empire” and allies into their “subjects”. -
Year 5 It's All Greek to Me Knowledge Organiser
Year 5 It’s All Greek To Me Knowledge Organiser Map of Ancient Greece Greek Timeline Key Vocabulary 3000 BC Greek civilisation begins. acropolis The citadel of an ancient 776 BC The first Olympic games are Greek city locates in Athens. held. architecture The art of planning, designing 508 BC Democracy is introduced in and constructing buildings. Athens. citadel A strong building in or near a 490 BC Persia invades Greece at the city, where people could battle of Marathon. Athenians shelter for safety. defeat Persians city states Ancient Greek cities which had 450 BC Athens becomes a very their own laws, governments powerful city and controls an and armies. empire! coastal Somewhere which is at or near 432 BC The Parthenon in Athens is to the coast (sea). finished being built. continent A very large area of land that 431 BC – War between Athens and consists of many countries. Olympics 404 BC Sparta. Spartans defeat Europe is a continent. The Olympic games began over 2,700 Athenians. culture Activities such as the arts and years ago in Olympia, Greece. The Games 336 BC Alexander the Great becomes philosophy, which are were part of a religious festival, held king. considered to be important for in honour of Zeus, king of the gods and 146 BC Romans conquer Greece. End of the development of civilisation. took place every four years at Olympia. Greek empire. democracy A fair political system where People from all over the Greek world came 0 AD Jesus Christ was born all adults vote for an elected to watch and but only men were allowed to 1896 AD Modern Olympic games begin. -
Alexander Jones Calendrica I: New Callippic Dates
ALEXANDER JONES CALENDRICA I: NEW CALLIPPIC DATES aus: Zeitschrift für Papyrologie und Epigraphik 129 (2000) 141–158 © Dr. Rudolf Habelt GmbH, Bonn 141 CALENDRICA I: NEW CALLIPPIC DATES 1. Introduction. Callippic dates are familiar to students of Greek chronology, even though up to the present they have been known to occur only in a single source, Ptolemy’s Almagest (c. A.D. 150).1 Ptolemy’s Callippic dates appear in the context of discussions of astronomical observations ranging from the early third century B.C. to the third quarter of the second century B.C. In the present article I will present new attestations of Callippic dates which extend the period of the known use of this system by almost two centuries, into the middle of the first century A.D. I also take the opportunity to attempt a fresh examination of what we can deduce about the Callippic calendar and its history, a topic that has lately been the subject of quite divergent treatments. The distinguishing mark of a Callippic date is the specification of the year by a numbered “period according to Callippus” and a year number within that period. Each Callippic period comprised 76 years, and year 1 of Callippic Period 1 began about midsummer of 330 B.C. It is an obvious, and very reasonable, supposition that this convention for counting years was instituted by Callippus, the fourth- century astronomer whose revisions of Eudoxus’ planetary theory are mentioned by Aristotle in Metaphysics Λ 1073b32–38, and who also is prominent among the authorities cited in astronomical weather calendars (parapegmata).2 The point of the cycles is that 76 years contain exactly four so-called Metonic cycles of 19 years. -
Parthenon 1 Parthenon
Parthenon 1 Parthenon Parthenon Παρθενών (Greek) The Parthenon Location within Greece Athens central General information Type Greek Temple Architectural style Classical Location Athens, Greece Coordinates 37°58′12.9″N 23°43′20.89″E Current tenants Museum [1] [2] Construction started 447 BC [1] [2] Completed 432 BC Height 13.72 m (45.0 ft) Technical details Size 69.5 by 30.9 m (228 by 101 ft) Other dimensions Cella: 29.8 by 19.2 m (98 by 63 ft) Design and construction Owner Greek government Architect Iktinos, Kallikrates Other designers Phidias (sculptor) The Parthenon (Ancient Greek: Παρθενών) is a temple on the Athenian Acropolis, Greece, dedicated to the Greek goddess Athena, whom the people of Athens considered their patron. Its construction began in 447 BC and was completed in 438 BC, although decorations of the Parthenon continued until 432 BC. It is the most important surviving building of Classical Greece, generally considered to be the culmination of the development of the Doric order. Its decorative sculptures are considered some of the high points of Greek art. The Parthenon is regarded as an Parthenon 2 enduring symbol of Ancient Greece and of Athenian democracy and one of the world's greatest cultural monuments. The Greek Ministry of Culture is currently carrying out a program of selective restoration and reconstruction to ensure the stability of the partially ruined structure.[3] The Parthenon itself replaced an older temple of Athena, which historians call the Pre-Parthenon or Older Parthenon, that was destroyed in the Persian invasion of 480 BC. Like most Greek temples, the Parthenon was used as a treasury. -
Rule Book T a B L E O F C O N T E N T S
HELLENES: Campaigns of the Peloponnesian War 1 RULE BOOK T A B L E O F C O N T E N T S Introduction .................................................................. 2 12.0 Peace of Nicias ................................................ 12 1.0 The Map ............................................................. 2 13.0 Persian Aid ....................................................... 12 2.0 The Blocks ......................................................... 3 14.0 Victory ............................................................. 13 3.0 The Cards ........................................................... 4 15.0 Scenarios .......................................................... 13 4.0 Actions ............................................................... 5 15.1 The 431 Campaign .................................. 13 5.0 Movement .......................................................... 6 15.2 The Sicily Campaign .............................. 14 6.0 Combat .............................................................. 7 15.3 The 413 Campaign .................................. 14 7.0 Siege .................................................................. 8 15.4 The 415 Campaign .................................. 15 8.0 Siege Combat ..................................................... 9 Strategy Notes ............................................................ 15 9.0 Winter .............................................................. 10 Credits ....................................................................... 15 10.0 -
Gerald Deslandes March 2018
The Religious Art of Sicily: 600 BC – 1200 AD A study day comprising three lectures by Gerald Deslandes 7 March 2018: 10.30 - 15.30 Perseus Slaying Medusa c 550 B.C. from Temple C at Selinunte Winchester Art History Group www.wahg.org.uk 1 Phoenician Libation Bowl, 8�� Century BC The traditional way of describing the early religious art of Sicily is to present it as a product of distinct political and religious cultures and as part of a wider narrative of conflict between east and west. It is true that there is evidence of a struggle between Greek and Phoenician influences from about 750 BC, which is mirrored in the rivalry of the Carthaginians and the Romans from 264 BC. After the fall of Rome in 476 the island came under the sway of the Byzantines in 728 AD and of the Arabs in 840 AD. The conversion of Byzantine churches to Islamic mosques that took place was then reversed during the Norman era from 1038 to 1194 AD. The difference was that instead of reverting to Byzantine authority, they came under the aegis of the Lateran tradition of the pope in Rome. For these reasons it is tempting to compare Count Roger’s seizure of Palermo in 1071 to the reconquest of Cordoba in 1080 or the launching of the first Crusade in 1095. Yet the political and religious identity of Europe that these struggles helped to define was still largely undetermined at the 2 end of the Norman era. In the ancient world the links between all four corners of the Mediterranean are evoked by Plato’s description of the great cultures of antiquity as grouped around it ‘like frogs around a pond’. -
The Calendars of India
The Calendars of India By Vinod K. Mishra, Ph.D. 1 Preface. 4 1. Introduction 5 2. Basic Astronomy behind the Calendars 8 2.1 Different Kinds of Days 8 2.2 Different Kinds of Months 9 2.2.1 Synodic Month 9 2.2.2 Sidereal Month 11 2.2.3 Anomalistic Month 12 2.2.4 Draconic Month 13 2.2.5 Tropical Month 15 2.2.6 Other Lunar Periodicities 15 2.3 Different Kinds of Years 16 2.3.1 Lunar Year 17 2.3.2 Tropical Year 18 2.3.3 Siderial Year 19 2.3.4 Anomalistic Year 19 2.4 Precession of Equinoxes 19 2.5 Nutation 21 2.6 Planetary Motions 22 3. Types of Calendars 22 3.1 Lunar Calendar: Structure 23 3.2 Lunar Calendar: Example 24 3.3 Solar Calendar: Structure 26 3.4 Solar Calendar: Examples 27 3.4.1 Julian Calendar 27 3.4.2 Gregorian Calendar 28 3.4.3 Pre-Islamic Egyptian Calendar 30 3.4.4 Iranian Calendar 31 3.5 Lunisolar calendars: Structure 32 3.5.1 Method of Cycles 32 3.5.2 Improvements over Metonic Cycle 34 3.5.3 A Mathematical Model for Intercalation 34 3.5.3 Intercalation in India 35 3.6 Lunisolar Calendars: Examples 36 3.6.1 Chinese Lunisolar Year 36 3.6.2 Pre-Christian Greek Lunisolar Year 37 3.6.3 Jewish Lunisolar Year 38 3.7 Non-Astronomical Calendars 38 4. Indian Calendars 42 4.1 Traditional (Siderial Solar) 42 4.2 National Reformed (Tropical Solar) 49 4.3 The Nānakshāhī Calendar (Tropical Solar) 51 4.5 Traditional Lunisolar Year 52 4.5 Traditional Lunisolar Year (vaisnava) 58 5. -
Meet the Philosophers of Ancient Greece
Meet the Philosophers of Ancient Greece Everything You Always Wanted to Know About Ancient Greek Philosophy but didn’t Know Who to Ask Edited by Patricia F. O’Grady MEET THE PHILOSOPHERS OF ANCIENT GREECE Dedicated to the memory of Panagiotis, a humble man, who found pleasure when reading about the philosophers of Ancient Greece Meet the Philosophers of Ancient Greece Everything you always wanted to know about Ancient Greek philosophy but didn’t know who to ask Edited by PATRICIA F. O’GRADY Flinders University of South Australia © Patricia F. O’Grady 2005 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Patricia F. O’Grady has asserted her right under the Copyright, Designs and Patents Act, 1988, to be identi.ed as the editor of this work. Published by Ashgate Publishing Limited Ashgate Publishing Company Wey Court East Suite 420 Union Road 101 Cherry Street Farnham Burlington Surrey, GU9 7PT VT 05401-4405 England USA Ashgate website: http://www.ashgate.com British Library Cataloguing in Publication Data Meet the philosophers of ancient Greece: everything you always wanted to know about ancient Greek philosophy but didn’t know who to ask 1. Philosophy, Ancient 2. Philosophers – Greece 3. Greece – Intellectual life – To 146 B.C. I. O’Grady, Patricia F. 180 Library of Congress Cataloging-in-Publication Data Meet the philosophers of ancient Greece: everything you always wanted to know about ancient Greek philosophy but didn’t know who to ask / Patricia F. -
Applying Modern Immunology to the Plague of Ancient Athens
Pursuit - The Journal of Undergraduate Research at The University of Tennessee Volume 10 Issue 1 Article 7 May 2020 Applying Modern Immunology to the Plague of Ancient Athens Juhi C. Patel University of Tennessee, Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/pursuit Part of the Ancient History, Greek and Roman through Late Antiquity Commons, Disease Modeling Commons, and the Epidemiology Commons Recommended Citation Patel, Juhi C. (2020) "Applying Modern Immunology to the Plague of Ancient Athens," Pursuit - The Journal of Undergraduate Research at The University of Tennessee: Vol. 10 : Iss. 1 , Article 7. Available at: https://trace.tennessee.edu/pursuit/vol10/iss1/7 This Article is brought to you for free and open access by Volunteer, Open Access, Library Journals (VOL Journals), published in partnership with The University of Tennessee (UT) University Libraries. This article has been accepted for inclusion in Pursuit - The Journal of Undergraduate Research at The University of Tennessee by an authorized editor. For more information, please visit https://trace.tennessee.edu/pursuit. Applying Modern Immunology to the Plague of Ancient Athens Cover Page Footnote The author would like to thank Dr. Aleydis Van de Moortel at the University of Tennessee for research supervision and advice. This article is available in Pursuit - The Journal of Undergraduate Research at The University of Tennessee: https://trace.tennessee.edu/pursuit/vol10/iss1/7 1.1 Introduction. After the Persian wars in the early fifth century BC, Athens and Sparta had become two of the most powerful city-states in Greece. At first, they were allies against the common threat of the Persians. -
As the Peloponnesian War Drew to a Close Early in 404 BC, Athens' Enemies Blockaded Piraeus, the City's Main Port
WHAT ATHENIAN FORTIFICATIONS WERE DESTROYED IN 404 BC? DAVID H. CONWELL As the Peloponnesian War drew to a close early in 404 BC, Athens' enemies blockaded Piraeus, the city's main port. In March of that year, reduced to starvation, the Athenians formally capitulated. 1 Some· weeks later, Lysander sailed into Piraeus to supervise the destruction of parts of the Athenian fortification system in accordance with the peace terms dictated by the Spartans. 2 While it is clear from the numerous ancient accounts that Athenian fortification walls were demolished in 404, there is substantial disagreement among the ancient reports as to which walls exacdy were destroyed. Generally, modern opinion follows Thucydides and Xenophon, who report the demolition of the Long Wails and the circuit wall of Piraeus only. It is often forgotten, however, that many ancient sources, including Lysias, Andocides, Plutarch, and Pausanias, iden tify the walls in question differendy. Moreover, well-known modern scholars from Lenschau to Bengtson to Knigge, who hold that the Athenian city wall was destroyed in 404, reflect certain of the alter native accounts but remain unchallenged. The lack of uniformity in the ancient tradition and the continuing disagreement among mod ern scholars demand a thorough examination of the evidence. A full review of the ancient and modern evidence demonstrates that Thucydides and Xenophon provide our most accurate evidence. In 404, the Spartans razed the Long Walls and the enceinte of Piraeus, while they left Athens' city wall in place. 1 On dating the surrender in March, see Munro (1937) 32, 37; Gomme (1945-81) 4.12. -
ANCIENT TERRACOTTAS from SOUTH ITALY and SICILY in the J
ANCIENT TERRACOTTAS FROM SOUTH ITALY AND SICILY in the j. paul getty museum The free, online edition of this catalogue, available at http://www.getty.edu/publications/terracottas, includes zoomable high-resolution photography and a select number of 360° rotations; the ability to filter the catalogue by location, typology, and date; and an interactive map drawn from the Ancient World Mapping Center and linked to the Getty’s Thesaurus of Geographic Names and Pleiades. Also available are free PDF, EPUB, and MOBI downloads of the book; CSV and JSON downloads of the object data from the catalogue and the accompanying Guide to the Collection; and JPG and PPT downloads of the main catalogue images. © 2016 J. Paul Getty Trust This work is licensed under the Creative Commons Attribution 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042. First edition, 2016 Last updated, December 19, 2017 https://www.github.com/gettypubs/terracottas Published by the J. Paul Getty Museum, Los Angeles Getty Publications 1200 Getty Center Drive, Suite 500 Los Angeles, California 90049-1682 www.getty.edu/publications Ruth Evans Lane, Benedicte Gilman, and Marina Belozerskaya, Project Editors Robin H. Ray and Mary Christian, Copy Editors Antony Shugaar, Translator Elizabeth Chapin Kahn, Production Stephanie Grimes, Digital Researcher Eric Gardner, Designer & Developer Greg Albers, Project Manager Distributed in the United States and Canada by the University of Chicago Press Distributed outside the United States and Canada by Yale University Press, London Printed in the United States of America Library of Congress Cataloging-in-Publication Data Names: J.