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The Heritage of India Series Bengali Lyrics
T HE HERITAGE O F INDIA SERIES Z A IA T he Right Reverend V . S . A R H , LL . D . o . ( Cantab . Bisho p of D rnakal A A . D . itt . J . N . F R QU H R , M . A , L A lready publi c/zed. h M A he of udd sm . SA UND R T Heart B i K J . E S , . M M A A o . A I s ka J CPH L , A E W C c u d . RINC I P L P R CY R N In ian Painting P B O , al tta . 2 d e d E A s u . I C B . Kanare e Literat re , n P R E , h T h am S m . A . I e s k ya yste BERR EDA LE KE ITH , D . Litt . h N M A m of M S . I C O L CNI C L M .A . Psal s arat a aints O , , D Litt . A s o of d u . A Hi t ry Hin i Literat re F . E KE Y , M D . Litt . m - T he M m ms . A . RRI DAL L Kar a i a a BE E E KEITH , D . C . D . Litt . m of the S mi S . I N B UR B A H ns Ta a e a n s GS , . y l ivit i t F K Y , nd I M a G . E . PH LLI P S , A . Ra r M C . b ind an at h T o . -
Regional Language Books
September 2010 Regional Language Books BENGALI 1 Bagchi, Moni, ed. Patra satak / edited by Moni Bagchi.-- Kolkata: Kishore Gyan Bigyan, 2002. 248p.; 21cm. B 080 BAG-p C68391 2 Bandopadhyay, Rathin Premavatar gour dev / Rathin Bandopadhyay and Tapati Bandopadhyay.-- Howrah: Prachi Publications, 2008. 112p.; 21cm. B 294.5 P8 C68363 3 Pal, Nimaichandra, ed. Upanishad samgraha / edited by Nimaichandra Pal; translated by Rammohan Roy [etal].-- Kolkata: Saraswatkunga, 2008. v.p.; 22cm. Translated from Sanskrit from Bengali. B 294.59218 P8 C68423 4 Ray, Gautam Sudra jagaran / Gautam Ray.-- Kolkata: Gangchill, 2008. 190p.; 22cm. ISBN : 978-81-89834-22-7. B 305.5680954 P8 C68434 5 Majumdar, Bimalendu Rava janjivan o lok kahini / Bimalendu Majumdar.-- West Bengal: Lok Sanskriti O Adivasi Sanskriti Kendra, 2008. 568p.; 22cm. ISBN : 978-81-89956-05-9. B 307.772095423 P8 C68367 6 Kavyathirtha, Panchanan Ray Ghatalerkatha (ghatal mahakumar itihas o samajchitra) / Panchanan Ray Kavyathirtha and Pranab Ray.--Rev. ed.-- Kolkata: Swadesh, 2007. 430p.; 21cm. ISBN : 81-8282-132-0. B 320.5095423 P7 C68365 7 Singh, Sukumar Bharater sishu / Sukumar Singh.--2nd rev. ed.— Kolkata: Mass Entertainment, 2008. 208p.; 21cm. B 331.310954 N7;P8 C68433 8 Sukumar Singh Gram samaj panchayati raj daityaniom o niti / Sukumar Singh.--3rd ed.-- Kolkata: Mass Entertainment, 2008. 319p.; 22cm. B 352.170954 N1;P8 C68432 9 Chakravarti, Dhyanesh Narayan, ed. Mahakavi kalidaser mahakavya sadhana [Raghuvamsham] / edited by Dhyanesh Narayan Chakrabarti.-- Kolkata: Anandam, 2008. 520p.; 22cm. Translated from Sanskrit into Bengali. B 891.21 KAL-c C68429 10 Sankrityayan,Rahul Volga Theke Ganga : dui parba ekatre / Rahul Sankrityayan; translated by Kamala Sankrityayan.-- Kolkata: Chirayata Prakashan, 2007. -
The Rise of Shyama Sangeet in Bengal: Domestication of the Ferocious Kali Through Songs
ISSN 2664-8067 (Print) & ISSN 2706-5782 (Online) South Asian Research Journal of Arts, Language and Literature Abbreviated Key Title: South Asian Res J Art Lang Lit | Volume-3 | Issue-5 | Sep-Oct- 2021 | DOI: 10.36346/sarjall.2021.v03i05.001 Review Article The Rise of Shyama Sangeet in Bengal: Domestication of the Ferocious Kali through Songs Sudeshna Saha Roy* M.A Literary Arts and Creative Writing (2019-21), Ambedkar University Delhi, Lothian Road, Kashmere Gate, Delhi- 110006, India *Corresponding Author Sudeshna Saha Roy Article History Received: 22.07.2021 Accepted: 30.08.2021 Published: 03.09.2021 Abstract: In this paper, I will be focusing on Ramprasadi Shyama Sangeet - how Ramprasad‟s songs were beyond his subject, bringing in several contexts that emphasized the portrayal of his subject, Kali. Ramprasad Sen (1718-1775) wrote and composed almost 300 Shakta songs in Bengali dedicated to Maa Kali. Other poets like Kamalakanta Bhattacharya, Mahendranath Bhattacharya were other notable poets who followed Ramprasad Sen. Their written poems were sung and performed in the villages and they later found their way to the cities. Shyama Sangeet is one of the most integral parts of Bengali culture. This experience has found a continuous representation in all his songs. He wrote songs for farmers, businessmen mirroring the social crises, debts that a common man has. These brought in the social and economic aspects of the Bengal province of Colonial India. The rise of these songs took place in an extremely volatile political state. On one level, it was used as a tool for creating an anti-Mughal attitude on the other level it created an anti- colonial mindset by grasping the roots of power and motherhood of the nation. -
Vidyasagar University Music
VIDYASAGAR UNIVERSITY Curriculum for 3-Year B.A. (General) in MUSIC Under Choice Based Credit System (CBCS) [w.e.f 2018-2019] 1 Downloaded from Vidyasagar University by 157.43.191.46 on 28 June 2020 : 13:05:18; Copyright : Vidyasagar University http://www.vidyasagar.ac.in/Downloads/ShowPdf.aspx?file=/UG_Syllabus_CBCS_FULL/BA_GENERAL/Music_general.pdf VIDYASAGAR UNIVERSITY BA (General) in Music [Choice Based Credit System] Year Semester Course Course Course Title Credit L-T-P Marks Type Code 1 I SEMESTER-I CA ESE TOTAL Core-1 Theory of Indian Music 6 5-1-0 15 60 75 (DSC-1A) Core-2 Other Discipline( Discipline-2)/TBD 6 15 60 75 (DSC-2A) AECC-1 English-I 6 5-1-0 15 60 75 (Core) AECC-1 English/MIL 2 1-1-0 10 40 50 (Elective) Semester - I : Total 20 275 II SEMESTER-II Core-3 History of Indian music –I 6 5-1-0 15 60 75 (DSC-1B) Core-4 Other Discipline(Discipline-2)/TBD 6 15 60 75 (DSC-2B) AECC-2 MIL- I 6 5-1-0 15 60 75 (Core) AECC-2 Environmental Studies 4 20 80 100 (Elective) Semester - 2 : Total 22 325 2 Downloaded from Vidyasagar University by 157.43.191.46 on 28 June 2020 : 13:05:18; Copyright : Vidyasagar University http://www.vidyasagar.ac.in/Downloads/ShowPdf.aspx?file=/UG_Syllabus_CBCS_FULL/BA_GENERAL/Music_general.pdf Year Semester Course Course Course Title Credit L-T-P Marks Type Code 2 III SEMESTER-III CA ESE TOTAL Core-5 Practical knowledge of Rabindra Sangeet 6 0-0-12 15 60 75 (DSC-1C) (Practical) Core-6 Other Discipline(Discipline-2)/TBD 6 15 60 75 (DSC-2C) AECC-3 English-II 6 5-1-0 15 60 75 (Core) SEC-1 SEC-1: Knowledge of Tala -
Ramprasad Sen - Poems
Classic Poetry Series Ramprasad Sen - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Ramprasad Sen(1718 - 1775) Ramprasad Sen was a Shakta poet of eighteenth century Bengal. His bhakti poems, known as Ramprasadi, are still popular in Bengal—they are usually addressed to the Hindu goddess Kali and written in Bengali. Stories of Ramprasad's life typically include legends and myths mixed with biographical details. It is said that, Ramprasad was born into a Tantric family, and showed an inclination towards poetry from an early age. He became a disciple of Agamavisha, a Tantric scholar and yogi. Ramprasad became well known for his devotional songs, eventually becoming the court poet for the king Krishna Chandra of Nadia. His life has been the subject of many stories depicting his devotion to, and relationship with, Kali. Ramprasad's literary works include Vidyasundar, Kali-kirtana, Krishna-kirtana and Shaktigiti. Ramprasad is credited with creating a new compositional form that combined the Bengali folk style of Baul music with classical melodies and kirtan. The new style took root in Bengali culture with many poet-composers combining folk and raga- based melodies, mixing every common style of music from classical to semi- classical and folk. His songs are sung today, with a popular collection—Ramprasadi Sangit ("Songs of Ramprasad")—sold at Shakta temples and pithas in Bengal. <b>Biography</b> Biographies of Ramprasad are a mixture of biography, metaphor, and legend. <b>Early Life</b> Ramprasad was born in Halisahar, a village on the banks of the Ganges about thirty-five miles north of Kolkata, into a Tantric Vaidya-Brahmin family. -
Transcreations by Tagore a Music Program by Bodhi, IIT Kanpur
Transcreations by Tagore A Music Program by Bodhi, IIT Kanpur Introduction For Tagore, the initial training of setting his lyrics to a tune started at a very young age with his beloved Jyoti-dada (Jyotirindranath Tagore). Jyoti Dada would create tunes on Piano. He and Akshay Babu would set lyrics to these tunes. What started as a playful exercise would eventually bloom into a separate genre known as Rabindrasangeet. Based on the poetic themes, Tagore songs are typically divided into five categories: Prakriti, Puja, Prem, Swadesh and Bichitro. There may be sub-divisions such as, songs belonging to Prakriti may be sub-divided into six different seasons. In addition, there are several musical (or dance) drama and other collections of songs for special occasions (Anushthanik). Altogether, the collection Gitabitan has 2233 songs. Tagore songs have dual importance as poetry and music. One cannot be seen without the other. In his life, Tagore came in close contact with many different forms of music in different parts of India and the world. He liberally borrowed from all musical forms that he liked. He would often create melodies based on tunes he heard. Occasionally, the exact tune would be reflected in his song but that is rare. More often, he would adapt the tune to suit his lyrics and create the mood for his poetry. Thus, the word ‘Transcreation’ or creative transcription. The adaptations were always with creative musical modifications. Today, we celebrate the musical journey of Rabindranath Tagore by presenting samples of various genres of music that are reflected in Tagore songs. -
Offering Flowers, Feeding Skulls : Popular Goddess
Offering Flowers, Feeding Skulls: Popular Goddess Worship in West Bengal JUNE McDANIEL OXFORD UNIVERSITY PRESS Offering Flowers, Feeding Skulls This page intentionally left blank Offering Flowers, Feeding Skulls Popular Goddess Worship in West Bengal june mcdaniel 1 2004 1 Oxford New York Auckland Bangkok Buenos Aires Cape Town Chennai Dar es Salaam Delhi Hong Kong Istanbul Karachi Kolkata Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Sa˜o Paulo Shanghai Taipei Tokyo Toronto Copyright ᭧ 2004 by Oxford University Press, Inc. Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data McDaniel, June. Offering flowers, feeding skulls : popular goddess worship in West Bengal / June McDaniel. p. cm. Includes bibliographical references. ISBN 0-19-516790-2; ISBN 0-19-516791-0 (pbk.) 1. Kali (Hindu deity)—Cult—India—West Bengal. 2. Shaktism—India—West Bengal. 3. West Bengal (India)— Religious life and customs. I. Title. BL1225.K33 W36 2003 294.5'514'095414—dc21 2003009828 987654321 Printed in the United States of America on acid-free paper Acknowledgments Thanks go to the Fulbright Program and its representatives, whose Senior Scholar Research Fellowship made it possible for me to do this research in West Bengal, and to the College of Charleston, who granted me a year’s leave for field research. -
Bengali Language Handbook
R E- F 0 R T RESUMES ED 012 911 48 AL 000 604 BENGALI LANGUAGE HANDBOOK. BY- RAY, FUNYA SLOKA AND. OTHERS CENTER FOR APPLIED LINGUISTICS, WASHINGTON, D.C. REPORT NUMBER BR-5 -1242 PUB DATE 66' CONTRACT OEC -2 -14 -042 EDRS PRICE MF$0.75 HC-$6.04 15IF. DESCRIPTORS-*BENGALI, *REFERENCE BOOKS, LITERATURE GUIDES, CONTRASTIVE LINGUISTICS, GRAMMAR, PHONETICS, CULTURAL BACKGROUND, SOCIOLINGUISTICS, WRITING, ALPHABETS, DIALECT STUDIES, CHALIT, SADHU, INDIA, WEST BENGAL, EAST PAKISTAN, THIS VOLUME OF THE LANGUAGE HANDBOOK SERIES IS INTENDED TO SERVE AS AN OUTLINE OF THE SALIENT FEATURES OF THE BENGALI LANGUAGE SPOKEN BY OVER 80 MILLION PEOPLE IN EAST PAKISTAN AND INDIA. IT WAS WRITTEN WITH SEVERAL READERS IN MIND-.-(1) A -LINGUIST INTERESTED IN BENGALI BUT NOT HIMSELF A SPECIALIST INTHE LANGUAGE,(2) AN INTERMEDIATE OR ADVANCED STUDENT WHO WANTS A CONCISE'GENERAL PICTURE OF THELANGUAGE AND ITS SETTING, AND (3) AN AREA SPECIALIST WHO NEEDS BASIC LINGUISTIC OR SOCIOLINGUISTIC FACTS ABOUT THE AREA. CHAPTERS ON THE LANGUAGE SITUATION, PHONOLOGY, AND ORTHOGRAPHY. PRECEDE THE LINGUISTIC ANALYSIS OF MORPHOLOGY AND SYNTAX. ALTHOUGH THE LINGUISTIC DESCRIPTION IS NOT INTENDED TO BE DEFINITIVE, IT USES TECHNICAL TERMINOLOGY AND ASSUMES THE READER HAS PREVIOUS KNOWLEDGE OF LINGUISTICS. STRUCTURAL DIFFERENCES 'BETWEEN BENGALI AND AMERICAN ENGLISH ARE DISCUSSED AS ARE THE DIFFERENCES BETWEEN SADHU STANDARD AND CHALIT STANDARD BENGALI. THE DACCA DIALECT AND THE CHITTAGONG DIALECT ARE BRIEFLY TREATED AND THEIR GEOGRAPHICAL DISTRIBUTION IS SHOWN ON A MAP OF BENGALI DIALECTS. FINAL CHAPTERS SURVEY THE . HISTORY OF BENGALI LITERATURE, SCIENCE, AND LITERARY CRITICISM. THIS HANDBOOK IS ALSO AVAILABLE FOR $3.00 FROM THE CENTER FOR APPLIED LINGUISTICS, 1717 MASSACHUSETTS AVENUE, WW., WASHINGTON, D.C., 20036. -
Vidyasagar University
VIDYASAGAR UNIVERSITY Curriculum for 3-Year B.A. (HONOURS) in Music Under Choice Based Credit System (CBCS) w.e.f 2018-2019 1 Downloaded from Vidyasagar University by 157.43.191.46 on 28 June 2020 : 13:04:35; Copyright : Vidyasagar University http://www.vidyasagar.ac.in/Downloads/ShowPdf.aspx?file=/UG_Syllabus_CBCS_FULL/BA_HONS/Music_Hons.pdf VIDYASAGAR UNIVERSITY BA (Honours) in Music [Choice Based Credit System] Year Semester Course Course Course Title Credit L-T-P Marks Type Code CA ESE TOTAL Semester-I 1 I Core-1 CT1: Elementary Knowledge of Music: 6 5-1-0 15 60 75 Terminologies and Concepts Core-2 CP2: Thata-Raga Swaramalika Lakshman 6 0-0-12 15 60 75 giti in different Talas (Practical) GE-1 TBD 6 5-1-0/ 15 60 75 4-0-4 AECC-1 English/MIL 2 1-1-0 10 40 50 (Elective) Semester –I: total 20 275 Semester-II II Core-3 CT3: Introduction of Rabindra Sangeet and 6 5-1-0 15 60 75 Theoretical Knowledge of Ragas, Talas and Notations Core-4 CP4:Rabindra Sangeet: Themetic Variations 6 0-0-12 15 60 75 (Practical) GE-2 TBD 6 5-1-0/ 15 60 75 4-0-4 AECC-1 ENVS 4 20 80 100 (Elective) Semester-II : total 22 325 2 Downloaded from Vidyasagar University by 157.43.191.46 on 28 June 2020 : 13:04:35; Copyright : Vidyasagar University http://www.vidyasagar.ac.in/Downloads/ShowPdf.aspx?file=/UG_Syllabus_CBCS_FULL/BA_HONS/Music_Hons.pdf Year Semester Course Course Course Title Credit L-T-P Marks Type Code CA ESE TOTAL Semester-III 2 III Core-5 CT5: History of Indian Music – I 6 5-1-0 15 60 75 Core-6 CP6: Practical Knowledge of Indian Music 6 0-0-12 15 60 75 -
Bilingualism, Language Contact and Change: the Case of Bengali and English in India by Tridha Chatterjee a Dissertation Submitt
Bilingualism, language contact and change: The case of Bengali and English in India by Tridha Chatterjee A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Linguistics) in the University of Michigan 2015 Doctoral Committee: Professor Marlyse Baptista, Co-Chair Professor Acrisio Pires, Co-Chair Professor Madhav Deshpande Professor Sarah G. Thomason Acknowledgements This dissertation would never have been possible without the immense support and guidance of my co-advisor, Marlyse Baptista. Her role in my professional development has been tremendous. Her high standards for methods, analysis, and writing have been vital in the completion of this dissertation. My other guide and mentor, my co-advisor, Acrisio Pires has influenced my graduate career immensely with his continuous encouragement, support and insights on my work. I owe a deep gratitude to Sally Thomason for her indispensible guidance and insightful comments on my project, which have made me a better writer and clearer thinker. Thanks also to Madhav Deshpande for his expertise in Indo-Aryan languages and interest in my work. In addition to my committee, many other members of the Linguistics Department have supported me over the years. My first mentor in graduate school, Carmel O’Shannessy helped me immensely in understanding the basics of linguistics research and academic writing. I also thank Andries Coetzee for being an approachable graduate chair; the members of the SoConDi discussion group for their valuable feedback on my research; the past and present support staff of the Linguistics department, Sylvia Suttor, Tim Moore, Jen Nguyen and Sandee Petee for their help. -
Singing-To-The-Goddess.Pdf
Singing to the Goddes s This page intentionally left blank Singing to the Goddess Poems to Kali and Uma from Benga l Rachel Fell McDermott OXFORD UNIVERSITY PRES S 2OO1 OXFORD Oxford Ne w York Athens Aucklan d Bangko k Bogot a Bueno s Aires Calcutt a Cape Town Chenna i Da r e s Salaam Delh i Florenc e Hon g Kong Istanbu l Karachi Kual a Lumpur Madri d Melbourn e Mexic o City Mumba i Nairobi Pari s Sa o Paulo Shangha i Singapor e Taipe i Toky o Toront o Warsa w and associated companies in Berlin Ibada n Copyright © 2001 by Rachel Fell McDermott Published by Oxford Universit y Press , Inc. 198 Madison Avenue, New York, New York 1001 6 Oxford i s a registered trademar k o f Oxfor d Universit y Press , Inc. All rights reserved. No par t of thi s publication may be reproduced , stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without th e prior permission of Oxfor d Universit y Press. Library of Congres s Cataloging-in-Publication Dat a McDermott, Rachel Fell. Singing to the goddess : poems to Kali and Uma from Bengal / Rachel Fel l McDermott. p. cm . Includes index. ISBN 0-19-513433-8—ISBN 0-19-513434-6 (pbk.) 1. Kali (Hind u deity)—Poetry. 2 . Parvati (Hindu deity)—Poetry . 3. Devotional poetry , Bengali—Translations into English. 1.Title . PK1714.5.E5 M33 7 200 0 891.4'4104083829452114—dc21 99-08818 9 135798642 Printed in the United States of America on acid-free pape r For Narendra Nath Bhattacaryy a and Minati Kar Sakta experts mentors friends This page intentionally left blank Acknowledgments Singing t o the Goddess: Poems t o Kali an d Um a from Bengal derives its lifeblood fro m its muc h large r companio n volume , Mother o f My Heart, Daughter o f My Dreams: Kali an d Um a i n th e Devotional Poetry o f Bengal (Ne w York: Oxford Universit y Press, 2001). -
Autobiographical Perceptions of Nirad C Chaudhuri
India at the End of the British Raj: Autobiographical Perceptions of Nirad C Chaudhuri PhD Thesis submitted by Asma Chowdhury PhD Student Department of English, Dhaka University Registration No: 82 Session: 2011-2012 Department of English Faculty of Arts and Humanities Dhaka University May 2015 Dhaka University Institutional Repository India at the End of the British Raj: Autobiographical Perceptions of Nirad C Chaudhuri A Thesis submitted to the Faculty of Arts and Humanities of Dhaka University In partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of English by Asma Chowdhury Reg No: 82, Session: 2011-2012 Dhaka May, 2015 Dhaka University Institutional Repository Certificate It gives me immense pleasure to certify that the Thesis entitled India at the End of the British Raj: Autobiographical Perceptions of Nirad C Chaudhuri is a genuine research work undertaken and completed by Asma Chowdhury as a full time research student under my supervision. I have carefully and thoroughly examined the Thesis, found it satisfactory and up to the standard, and I am pleased to recommend the submission of the thesis for the Degree of Doctor of Philosophy at Dhaka University. (Dr. Syed Manzoorul Islam) Professor, Department of English Dhaka University Dhaka PhD Supervisor ii Dhaka University Institutional Repository Declaration I hereby declare that the Thesis entitled India at the End of the British Raj: Autobiographical Perceptions of Nirad C Chaudhuri is my original research work. I also declare that I have not submitted this Thesis either in part or in full or in any other form to any other University or any other Institution for any degree or for any other purpose.