Edinburgh Festival News Snippets
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Edinburgh Festival News Snippets 2012-2013
Home Festival History News Pre-Festival Stuff Festival Time Newbie? Witterings Links Site Map News Snippets - August 2012 to August 2013 2011-2012 | 2010- 2011 | 2009-2010 Edinburgh International Festival 2013 statistics posted September 2nd, 2013. updated September 3rd, 2013. Edinburghguide.com provides the released figures for the 2013 festival. In essence, the number of tickets issued rose from 141,544 in 2012 to 158,500 this year. However, box office income was down from £2.83m in 2012 to £2.43m. It is claimed that a greater number of free and discounted tickets account for these changes. The EIF states that 80% of all tickets were "sold" with 48% of performances being sold out. A later article appeared in The Stage. Venue news from Summerhall, Assembly Roxy & Traverse posted August 30th, 2013. The Herald has been reporting over the last couple of days that the company which runs the Summerhall venue is currently being pursued by HMRC for unpaid income tax and VAT amounting to around £200K. Thom Dibdin mentions that Assembly Roxy is to receive a grant of £30K from Creative Scotland to help it to turn the venue into a permanent 200 seater theatre. He also relays the statement made by Orla O'Loughlin on the BBC's programme to celebrate 50 years of the Traverse that they are considering a new home. The programme can be found on the BBC's iPlayer. Edinburgh Festival Fringe 2013 statistics posted August 27th, 2013. The 2013 Edinburgh Festival Fringe finished yesterday. As has become traditional the Fringe Society published this year's statistics part way through the final day. -
Image: Brian Hartley
IMAGINATE FESTIVAL Scotland’s international festival of performing arts for children and young people 6-13 may 2013 TICKETS:0131 228 1404 WWW.TRAVERSE.CO.UK Image: Brian Hartley IMAGINATE FESTIVAL FUNDERS & SUPPORT ABOUT IMAGINATE Every year Imaginate receives financial and in kind support from a range of national and international organisations.We would like to thank them all for their invaluable support of the Imaginate Festival. Imaginate is a unique organisation in Scotland,leading in the promotion,development If you would like to know more about our supporters or how to support us,please visit: and celebration of the performing arts for children and young people. www.imaginate.org.uk/support/ We achieve this through the delivery of an integrated M A J O R F U N D E R S BEYONDTHE FESTIVAL annual programme of art-form development, learning supported through the partnerships and performance, including the world Imaginate believes that a high quality creative Scottish Government’s Edinburgh Festivals Expo Fund famous Imaginate Festival, Scotland’s international development programme is the key to unlocking festival of performing arts for children and young people. creativity and supporting artistic excellence in the performing arts sector for children and young people in THE IMAGINATE FESTIVAL Scotland. This programme creates regular opportunities for artists and practitioners, whether they are students, T R U S T S A N D F O U N D AT I O N S PA R T N E R S Every year the Festival and Festival On Tour attracts established artists or at the beginning of their career. -
Scottish Leftreview
ScottishLeft Review Issue 108 November/December 2018 - £2.00 'best re(a)d' 'best feedback comment leading figures from the left writing about what their positions are on Brexit Brexit breakdown beckons and what their preferred options are his was an issue of Scottish Left lexicon but they seem increasingly apt after Britain has left the EU (or not). But Review we could not put off any as the ever more likely deleterious and we also cover the likely ramifications of Tlonger. Since the referendum disruptive impact of a Brexit under the Brexit for politics and economics. These in June 2016, we have covered the Tories becomes clear. The issuing of articles cover issues of both process and decision of Britain to leave the EU and its statements by the government on various reviewsoutcome. Of course, there is much we attendant prospects every so often and matters in the event of a ‘no deal’ as well still don’t know, especially concerning with one or two articles. But until now we as the impact on workers’ pay and jobs as what any Westminster government have not made it the theme of an issue a result of employers’ recent decisions on will do with powers repatriated from – because while we might harbour our investment and production have headed the EU and where it might place them particular suspicions and thoughts about up the trouble ahead. That is why the (Westminster or Holyrood, Cardiff Bay how things might turn out, this would title to this editorial comment, ‘Brexit or Stormont). Much will depend here on have been little more than a combination breakdown beckons’, seems appropriate. -
Survival Guide
Edinburgh Festivals SURVIVAL GUIDE Introduction by Alexander McCall Smith INTRODUCTION The original Edinburgh Festival was a wonderful gesture. In 1947, Britain was a dreary and difficult place to live, with the hardships and shortages of the Second World War still very much in evidence. The idea was to promote joyful celebration of the arts that would bring colour and excitement back into daily life. It worked, and the Edinburgh International Festival visitor might find a suitable festival even at the less rapidly became one of the leading arts festivals of obvious times of the year. The Scottish International the world. Edinburgh in the late summer came to be Storytelling Festival, for example, takes place in the synonymous with artistic celebration and sheer joy, shortening days of late October and early November, not just for the people of Edinburgh and Scotland, and, at what might be the coldest, darkest time of the but for everybody. year, there is the remarkable Edinburgh’s Hogmany, But then something rather interesting happened. one of the world’s biggest parties. The Hogmany The city had shown itself to be the ideal place for a celebration and the events that go with it allow many festival, and it was not long before the excitement thousands of people to see the light at the end of and enthusiasm of the International Festival began to winter’s tunnel. spill over into other artistic celebrations. There was How has this happened? At the heart of this the Fringe, the unofficial but highly popular younger is the fact that Edinburgh is, quite simply, one of sibling of the official Festival, but that was just the the most beautiful cities in the world. -
A Sheffield Hallam University Thesis
Reflections on UK Comedy’s Glass Ceiling: Stand-Up Comedy and Contemporary Feminisms TOMSETT, Eleanor Louise Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/26442/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/26442/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Reflections on UK Comedy’s Glass Ceiling: Stand-up Comedy and Contemporary Feminisms Eleanor Louise Tomsett A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy October 2019 Candidate declaration: I hereby declare that: 1. I have not been enrolled for another award of the University, or other academic or professional organisation, whilst undertaking my research degree. 2. None of the material contained in the thesis has been used in any other submission for an academic award. 3. I am aware of and understand the University's policy on plagiarism and certify that this thesis is my own work. The use of all published or other sources of material consulted have been properly and fully acKnowledged. 4. The worK undertaKen towards the thesis has been conducted in accordance with the SHU Principles of Integrity in Research and the SHU Research Ethics Policy. -
Threeweeksin EDINBURGH
YOUR DAILY SHEET OF EDINBURGH FESTIVAL REVIEWS: #18 MONDAY 23/TUESDAY 24 AUG IN EDINBURGH ThreeWeeksGET THREEWEEKS CHILDREN’S SHOWS Dig for Victory Sketch Show - Free Dig For Victory/ PBH’s Free Fringe DIRECT TO YOUR IN-BOX The I Hate Children Children’s Show To keep this review simple, sand to reflect There are even more reviews in the Comedy on the Square the nature of the show itself, I shall begin with the good points. One joke stood out as the ThreeWeeks eDaily email. First a confession: the jaded cynicism funniest, a sketch about the after-effects of a expressed in this show’s title may have Sign up right now for free at Facebook rape; the punchline caught me off resonated with me a little too much prior to www.ThreeWeeks.co.uk/subscribe guard and consequently caused a meaningful viewing. Nevertheless, it is now with confident laugh. And thus ends my list of good points. objectivity that I attest to the genuine all Consistently, the material was of a type that, round wonderfulness of this comedic show! if jokingly told to your friend on the spur of Magician Paul Nathan exudes unpretentious the moment, might evoke a grin or perhaps charisma by the bucket load and, assisted by even dig up a chuckle. The show simply didn’t his equally personable sidekick Al, each and pack enough intelligence in the writing, or every child is invited to partake in at least conviction in the delivery, to really deal a one of his mesmerising magic tricks. Sharp Last night’s audience professional blow. -
Classes Residencies Workshops
9 September – 8 December 2017 PROFESSIONAL DANCE classes residencies workshops dancebase.co.uk WELCOME Autumn Term 2017 Welcome to our always surprising and inspiring professional programme – full of newly embodied ideas and opportunities for the dancers and makers of the nation. This term we have a true legend coming to visit and personally the first and so possibly the most influential guru of mine: The great Lindsay Kemp will be in the house in October. Lindsay was mentor to many including Kate Bush and David Bowie – the latter even came to stay at the mad and glorious basement flat in Drummond Street here in Edinburgh whilst writing his album Hunky Dory. I was scullery maid and gin pourer but also a devoted student of Lindsay’s. His shows were like something from another fabulous, glittering, over-made-up planet. A planet I’ve been visiting regularly ever since! As well as this amazing news, we will be welcoming our new DEBS (graduate dancers) who will be mentored by Al Seed, one of our great Scottish artists of physical theatre. Add to this up to two free classes a week for professionals and countless residency showings on Fridays, and it all starts to add up to a pretty awesome Autumn. As always, I’ll remind you that our Friday afternoon showings by companies in residence are open to all and free to attend. I hope to see you there, as well as |at the Lindsay Kemp-led autumn showcase and our Youth Dance showcase at the Traverse in November. Morag Deyes MBE, Artistic Director [email protected] BOARD Chairman Edward ACrozier Members -
Presenting at the Edinburgh Festival Fringe
Presenting at the Edinburgh Festival Fringe ARTS COUNCIL OF NEW ZEALAND TOI AOTEAROA March 2017 Edinburgh Fringe Festival | General Planning March 2017 1 Guide to presenting A message from the British Council The Edinburgh Festivals, which take place in August in Scotland each year, are the premiere global arts markets, at the Edinburgh enabling artists and producers to sell works which can go on to tour internationally for years. Festival Fringe To support New Zealand’s wonderful artists, arts companies We have collated advice and tips to and organisations to access the festivals and form connections in a big way through the Momentum programme help you prepare a general plan for helps confirm Edinburgh as the Arts Capital of the world. the Edinburgh Festival Fringe. All this More importantly, though, it contributes to the significant information has been generously provided difference that the arts make to a world where voices count, and where creativity explores, nurtures and expresses the by New Zealand artists and companies notion of connection. In these troubled times, it is connection, who have performed at the festival and/or not exclusion, that will make the difference. participated in the Momentum Programme, It is our privilege to be able to support the artists and a capability building programme jointly communities who, through their endeavours, all hold a mirror to our humanity. supported by Creative New Zealand, British Council and Creative Scotland. Graham Sheffield Director Arts Supporting New Zealand artists and British Council companies at Edinburgh Creative New Zealand is proud to support New Zealand artists and companies at the Edinburgh Festivals. -
National Endowment for the Arts Annual Report 1989
National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1989. Respectfully, John E. Frohnmayer Chairman The President The White House Washington, D.C. July 1990 Contents CHAIRMAN’S STATEMENT ............................iv THE AGENCY AND ITS FUNCTIONS ..............xxvii THE NATIONAL COUNCIL ON THE ARTS .......xxviii PROGRAMS ............................................... 1 Dance ........................................................2 Design Arts ................................................20 . Expansion Arts .............................................30 . Folk Arts ....................................................48 Inter-Arts ...................................................58 Literature ...................................................74 Media Arts: Film/Radio/Television ......................86 .... Museum.................................................... 100 Music ......................................................124 Opera-Musical Theater .....................................160 Theater ..................................................... 172 Visual Arts .................................................186 OFFICE FOR PUBLIC PARTNERSHIP ...............203 . Arts in Education ..........................................204 Local Programs ............................................212 States Program .............................................216 -
Media Kit 2020
MEDIA KIT 2020 +44 (0)131 467 4630 [email protected] theskinny.co.uk COVER TO COVER The Skinny exists to develop, celebrate and support creativity. We work with local and international illustrators and photographers to design bespoke, striking covers that draw in the reader. Scotland’s free, monthly magazine . CO .UK INDEPENDENT CULTURAL JOURNALISM covering all things cultural with a August 2019 Issue 167 FREE grassroots focus. EMBRACE THE CHAOS REFLECTING THE WORLD TODAY AT EDINBURGH'S FESTIVALS WITH FRINGE OF COLOUR, JOSIE LONG, SOPHIE DUKER, TRAVIS ALABANZA, MATT WINNING, DERAY MCKESSON, SOFIE HAGEN, KATE TEMPEST, SHARON VAN ETTEN, CORIN SWORN AND... FRINGE DOG The Skinny celebrates creativity. SHORTLISTED FOR PPA SCOTLAND COVER OF THE YEAR 2019 MUSIC | FILM | CLUBS | THEATRE | ART | BOOKS | COMEDY | TRAVEL | FOOD & DRINK | INTERSECTIONS | LISTINGS . CO . CO .UK “One of .UK INDEPENDENT CULTURAL JOURNALISM INDEPENDENT CULTURAL JOURNALISM FREE December 2019 Issue 171 “Being featured on the success FREE April 2019 Scotland Issue 163 the cover of The stories in Skinny was a very independent significant moment CHRISTMAS, NEW YEAR, AND A 2019 RECAP journalism” for us. The feature That's a Ninja Tune Wrap (Tom Adcock, MUSIC | FILM | CLUBS | THEATRE | ART | BOOKS | COMEDY | TRAVEL | FOOD & DRINK | INTERSECTIONS | LISTINGS delved deeper than MUSIC | FILM | CLUBS | THEATRE | ART | BOOKS | COMEDY | TRAVEL | FOOD & DRINK | INTERSECTIONS | LISTINGS senior publicist) just skimming the . CO . .UK CO .UK INDEPENDENT CULTURAL JOURNALISM INDEPENDENT -
Performance Suitable for Audiences with Profound and Multiple Theatre Learning Disabilities
Show Title: Home Dates: Aug 21-24, 26-28 Age Suitability: PG Venue: Pleasance Courtyard Performance Suitable for Audiences with Profound and Multiple Theatre Learning Disabilities A tale of unexpected friendship. Exploring a new and unknown world, Home immerses audiences with Profound and Multiple Learning Disabilities (PMLD) in a multisensory story of discovery. Home is the latest bold and exciting production from Frozen Light. The world is not how they remember it. Where are they now and where is their home? Scarlet and Olive must learn how to survive and create a future together in an environment that is full of surprises. Will the stars shine on this unexpected friendship? And how will they face the challenges that lie ahead? See below for our list of relaxed performances Relaxed Performance Show Title: Adventurers Wanted: A 250-Hour Epic Tabletop Role-Playing Game Dates: 2nd-28th of August Age Suitability: 14+ Venue: Sweet Holyrood Theatre Watch the most ambitious tabletop role-playing game ever attempted: an improvised epic brought to life over a whole month. Experience live storytelling at its most legendary in a fun and informal setting. Adventurers Wanted is designed to be accessible – whether you’ve played role-playing games before, or have no idea what they are, the adventure is open to all to watch and play. What happens is down to the players: there’s no way of knowing where the adventure will end up, but it’s guaranteed to be unlike anything else at the Fringe! Show Website: www.adventurers250.wordpress.com/ Relaxed Performance Show Title: AnimAlphabet the Musical Dates: 14-Aug Age Suitability: U (0 and older) Venue: Pleasance Dome Children's Shows Treble Clef Island is a wonderful land of music, song and dance, but there's a problem. -
Venues North Edinburgh Fringe 2019
Venues North Edinburgh Fringe 2019 Welcome to the Venues North Venues North members: Edinburgh Fringe Festival guide! Venues North is not a closed network or an exclusive group of venues, but open to any venue in the North that shares our commitment to artist development and new work. Venues North is a network of venues from across the North of England who are committed to supporting artists to create new work. Our aim is to work together as Current members include: venues to support new and emerging artists from the North to get their work more widely seen regionally, nationally and internationally. ARC , Stockton Royal Exchange Theatre, Manchester Over the course of the year, Venues North members support many artists and companies to create new work, and we are pleased to see so much of this on show Bolton Octagon, Bolton Sheffield Theatres, Sheffield at the Edinburgh Fringe Festival this year. Brewery Arts Centre, Kendal Slung Low’s HUB, Leeds Carriageworks, Leeds Square Chapel Arts Centre, Halifax Each of the shows featured in this guide has been supported by one of our Cast, Doncaster Stephen Joseph Theatre, Scarborough members, and we are proud to be collectively presenting such an outstanding Contact , Manchester Sunderland Culture Company, Washington programme of work. Creative Scene, Kirklees The Civic, Barnsley We hope you choose to see some of it in Edinburgh this year. Gala Theatre, Durham The Dukes, Lancaster Gosforth Civic Theatre, Newcastle The Edge Theatre and Arts Centre, Chorlton Harrogate Theatre, Harrogate The Lowry,