Venues North Edinburgh Fringe 2019
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Edinburgh Festival News Snippets 2012-2013
Home Festival History News Pre-Festival Stuff Festival Time Newbie? Witterings Links Site Map News Snippets - August 2012 to August 2013 2011-2012 | 2010- 2011 | 2009-2010 Edinburgh International Festival 2013 statistics posted September 2nd, 2013. updated September 3rd, 2013. Edinburghguide.com provides the released figures for the 2013 festival. In essence, the number of tickets issued rose from 141,544 in 2012 to 158,500 this year. However, box office income was down from £2.83m in 2012 to £2.43m. It is claimed that a greater number of free and discounted tickets account for these changes. The EIF states that 80% of all tickets were "sold" with 48% of performances being sold out. A later article appeared in The Stage. Venue news from Summerhall, Assembly Roxy & Traverse posted August 30th, 2013. The Herald has been reporting over the last couple of days that the company which runs the Summerhall venue is currently being pursued by HMRC for unpaid income tax and VAT amounting to around £200K. Thom Dibdin mentions that Assembly Roxy is to receive a grant of £30K from Creative Scotland to help it to turn the venue into a permanent 200 seater theatre. He also relays the statement made by Orla O'Loughlin on the BBC's programme to celebrate 50 years of the Traverse that they are considering a new home. The programme can be found on the BBC's iPlayer. Edinburgh Festival Fringe 2013 statistics posted August 27th, 2013. The 2013 Edinburgh Festival Fringe finished yesterday. As has become traditional the Fringe Society published this year's statistics part way through the final day. -
Image: Brian Hartley
IMAGINATE FESTIVAL Scotland’s international festival of performing arts for children and young people 6-13 may 2013 TICKETS:0131 228 1404 WWW.TRAVERSE.CO.UK Image: Brian Hartley IMAGINATE FESTIVAL FUNDERS & SUPPORT ABOUT IMAGINATE Every year Imaginate receives financial and in kind support from a range of national and international organisations.We would like to thank them all for their invaluable support of the Imaginate Festival. Imaginate is a unique organisation in Scotland,leading in the promotion,development If you would like to know more about our supporters or how to support us,please visit: and celebration of the performing arts for children and young people. www.imaginate.org.uk/support/ We achieve this through the delivery of an integrated M A J O R F U N D E R S BEYONDTHE FESTIVAL annual programme of art-form development, learning supported through the partnerships and performance, including the world Imaginate believes that a high quality creative Scottish Government’s Edinburgh Festivals Expo Fund famous Imaginate Festival, Scotland’s international development programme is the key to unlocking festival of performing arts for children and young people. creativity and supporting artistic excellence in the performing arts sector for children and young people in THE IMAGINATE FESTIVAL Scotland. This programme creates regular opportunities for artists and practitioners, whether they are students, T R U S T S A N D F O U N D AT I O N S PA R T N E R S Every year the Festival and Festival On Tour attracts established artists or at the beginning of their career. -
Edinburgh International Festival Society Papers
Inventory Acc.11779 Edinburgh International Festival Society Papers National Library of Scotland Manuscripts Division George IV Bridge Edinburgh EH1 1EW Tel: 0131-466 2812 Fax: 0131-466 2811 E-mail: [email protected] © Trustees of the National Library of Scotland BOX 1 1984 1. Venue letting contracts. 2. Australian Youth Orchestra. 3. BBC Orchestra. 4. Beckett Clurman. 5. Black Theatre 6. Boston Symphony 7. Brussels Opera 8. Childrens Music Theatre 9. Coleridges Ancient Mariner 10. Hoffung Festival BOX 2 1984 11. Komische Opera 12. Cleo Laine 13. LSO 14. Malone Dies 15. Negro Ensemble 16. Philharmonia 17. Scottish National 18. Scottish Opera 19. Royal Philharmonic 20. Royal Thai Ballet 21. Teatro Di San Carlo 22. Theatre de L’oeuvre 23. Twice Around the World 24. Washington Opera 25. Welsh National Opera 26. Broadcasting 27. Radio Forth/Capital 28. STV BOX 2 1985 AFAA 29. Applications 30. Amsterdam Baroque Orchestra/Netherlands Chamber Orchestra 31. Balloon Festival. 32. BBC TV/Radio. 33. Le Misanthrope – Belgian National Theatre 34. John Carroll 35. Michael Clark. BOX 3 36. Cleveland Quartet 37. Jean Phillippe Collard 38. Compass 39. Connecticut Grand Opera 40. Curley 41. El Tricicle 42. EuroBaroque Orchestra 43. Fitzwilliam 44. Rikki Fulton 45. Goehr Commission 46. The Great Tuna 47. Haken Hagegard and Geoffery Parons 48. Japanese Macbeth 49. .Miss Julie 50. Karamazous 51. Kodo 52. Ernst Kovacic 53. Professor Krigbaum 54. Les Arts Florissants. 55. Louis de France BOX 4 56. London Philharmonic 57. Lo Jai 58. Love Amongst the Butterflies 59. Lyon Opera 60. L’Opera de Nice 61. Montreal Symphony Orchestra 62. -
Survival Guide
Edinburgh Festivals SURVIVAL GUIDE Introduction by Alexander McCall Smith INTRODUCTION The original Edinburgh Festival was a wonderful gesture. In 1947, Britain was a dreary and difficult place to live, with the hardships and shortages of the Second World War still very much in evidence. The idea was to promote joyful celebration of the arts that would bring colour and excitement back into daily life. It worked, and the Edinburgh International Festival visitor might find a suitable festival even at the less rapidly became one of the leading arts festivals of obvious times of the year. The Scottish International the world. Edinburgh in the late summer came to be Storytelling Festival, for example, takes place in the synonymous with artistic celebration and sheer joy, shortening days of late October and early November, not just for the people of Edinburgh and Scotland, and, at what might be the coldest, darkest time of the but for everybody. year, there is the remarkable Edinburgh’s Hogmany, But then something rather interesting happened. one of the world’s biggest parties. The Hogmany The city had shown itself to be the ideal place for a celebration and the events that go with it allow many festival, and it was not long before the excitement thousands of people to see the light at the end of and enthusiasm of the International Festival began to winter’s tunnel. spill over into other artistic celebrations. There was How has this happened? At the heart of this the Fringe, the unofficial but highly popular younger is the fact that Edinburgh is, quite simply, one of sibling of the official Festival, but that was just the the most beautiful cities in the world. -
Schools Programme
Schools Programme WELCOME A recent study found that children who regularly attended theatre with their school had higher aspirations and better hopes about their future lives. This news sent my heart soaring as this is what this job is all about! The productions presented this year are surprising and eclectic, taking the spectator along visually interesting pathways. The works include a wide variety of theatrical genres from spoken text to puppetry, from dance theatre and musical explorations to acrobatics. Many of the productions are non-text based making them accessible to a broader audience. Central to the Festival are four exciting shows by Scotland based companies as well as a regional focus on Flanders, the Dutch-speaking northern part of Belgium, one of the world’s leaders in producing innovative theatre and dance for young audiences. We have also extended the dates of the Festival to accommodate the increased demand from schools with three international productions opening in the week prior to the main Festival week. In line with our mission, this will allow more children access to high quality theatre. I hope that the 2020 Edinburgh International Children’s Festival is full of special moments for you and your students. Exquisitely theatrical experiences that encourage children and young people to wish, desire and aspire beyond their own lives and immediate neighbourhoods, into their potential future selves. Focus on Flanders supported by: Noel Jordan Festival Director Beyond the Festival: • Creative learning project Imaginate -
10 Things I Hate About Taming of the Shrew
10 Things I Hate About Taming of the Shrew Comedy PBH's Free Fringe @ Voodoo 17:55 Rooms 1 hour Suitability: 16+ (Guideline) Group: Gillian English / PBH's Free Fringe M T W T F S S M T W T F S S 29 30 31 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 01 100% Cotton Comedy Paradise in The Vault Times vary. Click 'Dates, times and prices' to view the calendar 1 hour Suitability: 16+ (Restriction) Group: Liz Cotton M T W T F S S M T W T F S S 29 30 31 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 01 About Time / Bully Comedy Laughing Horse @ City Cafe 19:10 1 hour Suitability: 14+ (Guideline) Group: Sian Davies and Thanyia Moore / Free Festival M T W T F S S M T W T F S S 29 30 31 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 01 Agatha Is Missing! Comedy Gilded Balloon Teviot 14:30 1 hour Suitability: 12+ (Guideline) Group: Fringe Management, LLC M T W T F S S M T W T F S S 29 30 31 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 01 Age Fright: 35 and Counting Comedy PQA Venues @Riddle's Court 17:00 50 minutes Suitability: 18+ (Restriction) Group: Jaleelah Galbraith M T W T F S S M T W T F S S 29 30 31 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 01 Algorithms Theatre Pleasance Courtyard 12:45 1 hour Suitability: 14+ (Guideline) Group: Sadie Clark & Laura Elmes Productions M T W T F S S M T W T F S S 29 30 31 -
The Daniel Wilson Scrapbook
The Daniel Wilson Scrapbook Illustrations of Edinburgh and other material collected by Sir Daniel Wilson, some of which he used in his Memorials of Edinburgh in the olden time (Edin., 1847). The following list gives possible sources for the items; some prints were published individually as well as appearing as part of larger works. References are also given to their use in Memorials. Quick-links within this list: Box I Box II Box III Abbreviations and notes Arnot: Hugo Arnot, The History of Edinburgh (1788). Bann. Club: Bannatyne Club. Beattie, Caledonia illustrated: W. Beattie, Caledonia illustrated in a series of views [ca. 1840]. Beauties of Scotland: R. Forsyth, The Beauties of Scotland (1805-8). Billings: R.W. Billings, The Baronial and ecclesiastical Antiquities of Scotland (1845-52). Black (1843): Black’s Picturesque tourist of Scotland (1843). Black (1859): Black’s Picturesque tourist of Scotland (1859). Edinburgh and Mid-Lothian (1838). Drawings by W.B. Scott, engraved by R. Scott. Some of the engravings are dated 1839. Edinburgh delineated (1832). Engravings by W.H. Lizars, mostly after drawings by J. Ewbank. They are in two series, each containing 25 numbered prints. See also Picturesque Views. Geikie, Etchings: Walter Geikie, Etchings illustrative of Scottish character and scenery, new edn [1842?]. Gibson, Select Views: Patrick Gibson, Select Views in Edinburgh (1818). Grose, Antiquities: Francis Grose, The Antiquities of Scotland (1797). Hearne, Antiquities: T. Hearne, Antiquities of Great Britain illustrated in views of monasteries, castles and churches now existing (1807). Heriot’s Hospital: Historical and descriptive account of George Heriot’s Hospital. With engravings by J. -
Edit Summer 2007
60282_Edit_Summer07 2/5/07 02:01 Page 1 The University of Edinburgh INCLUDING BILLET & GENERAL COUNCIL PAPERS SUMMER 07 Zhong Nanshan honoured Zhong Nanshan, who first identified SARS, received an honorary degree at a ceremony celebrating Edinburgh’s Chinese links ALSO INSIDE Edinburgh is to play host to the first British centre for human and avian flu research, while the Reid Concert Hall Museum will house a unique clarinet collection 60282_Edit_Summer07 2/5/07 02:01 Page 2 60282_Edit_Summer07 2/5/07 09:35 Page 3 Contents 16xx Foreword Welcome to the Summer 2007 edition of Edit, and many thanks to everyone who contacted us with such positive feedback about our new design. A recent ceremony in Beijing celebrated the University’s links with China and saw Professor 18 Zhong Nanshan receiving an honorary degree; Edit takes a closer look at our connections – historical and present-day – to that country (page 14). The discovery of H5N1 on a turkey farm in Norfolk earlier this year meant avian flu once 14 20 again became headline news. Robert Tomlinson reports on plans to establish a cutting-edge centre at the University to research the virus Features (page 16). The focus of our third feature is the Shackleton 14 Past, Present and Future Bequest, an amazing collection of clarinets Developing links between China and Edinburgh. recently bequeathed to the University that will be housed in the Reid Concert Hall Museum 16 From Headline to Laboratory (page 20). Edinburgh takes lead in Britain’s fight against avian flu. Anne Borthwick 20 Art meets Science Editor The remarkable musical legacy of the paleoclimatologist Editor who championed the clarinet. -
Giggle Beatsis
Giggle Comedy in the North | gigglebeats.co.uk A regional comedy platform, offering a wide range of online content covering all aspects of the comedy industry. Giggle Beats is regarded as one of the most respected sources of comedy news, features and reviews on the web, and, as the only publisher Beats is... providing a voice on the burgeoning stand-up scene in the North of England, is ideally placed to reach your target audience. What we can provide you rate card Targeting the 21-34 market, Giggle Beats gives you direct access to active, socially- BaNNer TyPe sePTemBer To JuNe JuLy/augusT aware comedy fans, specifically those in the cultural districts of Newcastle, Leeds and Leaderboard £2cpm (cost per thousand views) £4cpm Manchester. Giggle Beats’ visitors are professionals with cash - and they are keen to MPU/Skyscraper £1cpm £2cpm spend it. Standard banner £1cpm £2cpm Who we’ve worked with Newsletter sponsor £25 (per issue) £25 Giggle Beats has delivered advertising campaigns for a number of local, national and Bespoke ad campaign Email for details Email for details international organisations. additional services BraNds: BBC, UKTV, ITV, Dave, Costa Coffee. Giggle Beats offers a free design service for all advertisers who pay in full within 24 Comedy LaBeLs & maNagemeNT: Avalon, Off the Kerb, Chambers hours of agreement. A sponsorship package is also available and includes above the Management, PBJ, Invisible Dot, Dawn Sedgwick, United Agents, RBM, Comic Voice, fold advertising, sponsored social networking posts and credible editorial. CKP, Objective. PromoTers: Phil McIntyre, Brett Vincent, Bound and Gagged, Mick Perrin, Contact GSOH Comedy, Get Comedy, Ditto Productions, Live Nation, Gag Reflex, Highlight, To discuss your advertising requirements, please call Andrew Dipper on 07916 426 Mirth Control, The Grinning Idiot, Silly Billies. -
A Brief Look at the History of the Deaconess Hospital, Edinburgh
J R Coll Physicians Edinb 2018; 48: 78–84 | doi: 10.4997/JRCPE.2018.118 PAPER A brief look at the history of the Deaconess Hospital, Edinburgh, 1894–1990 HistoryER McNeill1, D Wright2, AK Demetriades 3& Humanities The Deaconess Hospital, Edinburgh, opened in 1894 and was the rst Correspondence to: establishment of its kind in the UK, maintained and wholly funded as it E McNeill Abstract was by the Reformed Church. Through its 96-year lifetime it changed and Chancellor’s Building evolved to time and circumstance. It was a school: for the training of nurses 48 Little France Crescent and deaconesses who took their practical skills all over the world. It was a Edinburgh EH16 45B sanctum: for the sick-poor before the NHS. It was a subsidiary: for the bigger UK hospitals of Edinburgh after amalgamation into the NHS. It was a specialised centre: as the Urology Department in Edinburgh and the Scottish Lithotripter centre. And now it is currently Email: student accommodation. There is no single source to account for its history. Through the use [email protected] of original material made available by the Lothian Health Services Archives – including Church of Scotland publications, patient records, a doctor’s casebook and annual reports – we review its conception, purpose, development and running; its fate on joining the NHS, its identity in the latter years and nally its closure. Keywords: Charteris, Church of Scotland, Deaconess Hospital, Pleasance Declaration of interests: No confl ict of interests declared Introduction Figure 1 Charteris Memorial Church, St Ninian’s and the Deaconess Hospital, 1944 On a November morning in 1888, two men stood in the Pleasance area of Edinburgh looking across the street to an old house, which 200 years before had been the town residence of Lord Carnegie. -
Introduction to Ecovenue Ecovenue Is a Signifi Cant Theatre-Specifi C Environmental Project Being Run by the Theatres Trust
Introduction to Ecovenue Ecovenue is a signifi cant theatre-specifi c environmental project being run by The Theatres Trust. It aims to improve the environmental performance of forty-eight London theatres and raise awareness of how to make theatres greener. Ecovenue is promoting the sustainability of theatres and the reduction of carbon emissions through the provision of free theatre-specifi c, environmental advice. The project started in 2009 and runs until 2012. Forty-eight venues each undergo an Environmental Audit, and receive a Display Energy Certifi cate (DEC) and Advisory Report. They track their energy use through SMEasure. Each venue receives a second DEC a year after their fi rst to measure progress. Ecovenue includes a ‘DEC Pool’ of performing arts venues across the UK that have obtained DECs. The DEC Pool helps us to evaluate the project and share best practice and information, establish meaningful benchmarks, and provide a better understanding of energy use of theatres. Any theatre can join the DEC Pool. The Trust’s Theatres Magazine provides quarterly reports on the participants and the work of the Ecovenue project. The Theatres Trust Ecovenue project receives fi nancial support from the European Regional Development Fund. Participating Theatres Albany Theatre Etcetera Theatre Old Vic Arcola Finborough Theatre Orange Tree Theatre Arts Theatre Gate Theatre Pleasance Islington artsdepot Greenwich & Lewisham Young Polka Theatre Brockley Jack People’s Theatre Putney Arts Theatre Bush Theatre Greenwich Playhouse Questors Camden People’s -
At Bedlam Fringe, We Aim to Honour Our Ethos of Inclusivity by Making
Welcome! At Bedlam Fringe, we aim to honour our ethos of inclusivity by making our venue as accessible and welcoming as possible! We recognise that, as an A-listed, historic building, our venue presents certain access challenges. We hope, though, to improve our accessibility by providing clear and detailed information about our space, access policies and access projects. As part of this process, we welcome all and any feedback regarding your experiences of the space and this online access page. Feedback can be emailed to [email protected]. We look forward to hearing from you! How to get in touch? If you wish to speak to someone about venue access, email [email protected] with your name and phone number and one of our Access Officers will get back to you within 1-3 days. Our Access Officers Access Contact: Assisted Performance Contact: Esmée Cook Eleanor Crowe Venue Manager Assistant Venue Manager +44 (0)7879 555215 +44 (0)7772 432694 Let us know how we can improve our access page by sending us an email, titled ‘Access’, to [email protected]. Venue Description An audio-described video tour of our venue, its access routes and their dimensions will be uploaded to www.bedlamfringe.co.uk/access by July 31st. P a g e 1 | 8 Ramp Access: The venue has a permanent, concrete ramp suitable for manual and electric wheelchairs. This entrance is clearly sign-posted and accessed from the pavement at the Forrest Road side of the building, next door to MUMS Great Comfort Food. This ramp provides entrance to the theatre via the auditorium.