Media Kit 2020
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Edinburgh Festival News Snippets
Home Festival History News Pre-Festival Stuff Festival Time Newbie? Witterings Links Site Map News Snippets - August 2008 to August 2009 2007-2008 | 2006-2007 Fringe 2009 ticket sales and other statistics posted September 1st, 2009. Initial statistics have been put out by the Fringe Society for the 2009 festival. They are summarised in The Guardian and The Scotsman. The headline figure is a new record of 1.85m tickets sold. This beats the previous record of 1.7m in 2007 by 9%. Other stats include: 18,901 performers in 34,265 performances of 2,098 shows; comedy made up 35% of the overall programme, theatre 28% and music 16%. While there is no breakdown of audience figures so far the feedback from some venues appears to indicate that increases in attendances at comedy shows may well be attributable to the Scots. As previously stated, despite apprehension in various quarters buoyant ticket sales are not totally unexpected this year. 2010 and 2011 will be more problematic years as the effects of the recession impact on employment numbers. Comedy is least likely to be affected as its audience tends to be younger and is more likely to have the necessary disposable income. Fringe venues complain about costs posted August 30th, 2009. The Scotsman reported that Fringe chief, Kath Mainland, is to meet venue chiefs who are concerned about rising costs and the future viability of medium-sized venues. More on the expense of putting on shows at the festival posted August 30th, 2009. This time it is Tommy Sheppard, director of The Stand Comedy Club, writing in The Scotsman on the difficulties faced by comedians. -
Comedy and Distinction: the Cultural Currency of a ‘Good’ Sense of Humour
Sam Friedman Comedy and distinction: the cultural currency of a ‘good’ sense of humour Book (Accepted Version) Original citation: Comedy and distinction: the cultural currency of a ‘good’ sense of humour, Abingdon, Oxon: Routledge, 2014, 228 pages. © 2017 The Author This version available at: http://eprints.lse.ac.uk/59932/ Available in LSE Research Online: September 2017 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s submitted version of the book section. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. Introduction: Funny to Whom? In January 2011, the scheduling plans of Britain’s biggest TV station, BBC 1, were leaked to the press. After the recent success of BBC comedies such as Outnumbered and My Family, BBC1 Controller Danny Cohen apparently told his team of producers that BBC Comedy was becoming ‘too middle class’, and failing in its responsibility to appeal to working class viewers (Gammell, 2011; Revoir, 2011; Leith, 2011). -
A Simple Space by Gravity & Other Myths
A Simple Space By Gravity & Other Myths MARKETING PACK Seven acrobats thumb their noses at the rules of gravity. AGENT CONTACTS Europe, UK, Canada & South America: United States: Wolfgang Hoffman | Aurora Nova James Weiner | Boat Rocker Entertainment [email protected] [email protected] CONTENTS ABOUT THE SHOW & COMPANY PAGE 3 REVIEW EXCERPTS PAGE 3 AWARDS PAGE 3 MARKETING INFORMATION & ACKNOWLEDGMENT PAGE 4 REQUIREMENTS TOURING HISTORY PAGE 8 WORKSHOP/COMMUNITY OPPORTUNITIES PAGE 9 FULL LENGTH REVIEWS PAGE 11 EXAMPLE COLLATERAL PAGE 15 KEY CONTACT | MARKETING, TECHNICAL AND PRODUCTION Belinda Murphy [email protected] tel: +49 30 284 457 728 2 ABOUT THE SHOW Simultaneously raw, frantic and delicate, seven skilled acrobats push their physical limits without reserve. Supported by driving percussion, immersed in every moment, A Simple Space evokes real responses in audiences, visceral rather than cerebral. There’s no fine-tuning of performances with make-up, lighting and contrived theatrical overlay. Sitting close to a stripped back stage, the audience feel the heat, see the sweat and hear every breath. Armed with nothing more than brute strength and cat-like agility these acrobats break down their usual guards, introducing the reality of possible failure and weakness. With nothing left to hide behind, personal narratives shine through. This honesty is the essence of A Simple Space. ABOUT THE COMPANY Gravity & Other Myths (GOM) is a multi-award winning and well respected Australian acrobatics ensemble. The company creates engaging works of acrobatic art for touring, festivals and corporate clients. Formed in 2009 in Adelaide, South Australia, the ensemble creates and directs their own work with emphasis on an honest approach to performance, moving away from traditional circus and theatre models, towards a fusion of acrobatic physical theatre. -
Media Kit 2019
INDEPENDENT CULTURAL JOURNALISM Media Kit 2019 Illustration: Ben Boothman The Skinny: At A Glance “There aren’t enough people like The Skinny out there” Rich Walker, General Manager, 4AD 35,000 FREE Print Copies Every Month 165,000+ Monthly Readers 600+ Distribution Partners (Edinburgh, Glasgow & Dundee) 125K Unique Users* 350K Page Views* *Monthly 12,000+ Email Subscribers 115,000+ Followers on Social Networks The Skinny Media Kit +44 (0)131 467 4630 [email protected] theskinny.co.uk Our Audience Reader Profiles 18% Other An Age of Discovery 98% Listen to music every day 87% Attend at least two The Skinny readers want to know more festivals a year and set the trends. 7% Upper Echelons 87% Like to read about events The Skinny magazine bucks the trend. 8% 72% Read The Skinny every issue Our print reach continues to expand Families and engage new audiences. Each location on the 69% Eat out every week has its own style and personality, with move 14% 67% Go clothes shopping bespoke, localised content and listings. every month Town Centre 53% Singles Urban 63% Work full time Sophisticates 62% Go on 2-4 holidays a year 59% Are educated to degree Age Profile level 44% Visit theskinny.co.uk at least once a week 44% Go to at least 3 gigs a Even Appeal month 19–24 51% Female | 49% Male 44% Are in the pub twice a week or more 25–34 39% 47% 43% Like to know about events/artists before anyone else 82% ABC1 Readership 38% Attend at least one festival abroad each year 35–44 34% Buy music at least once 9% a week 0–18, 45+ Are studying 1% 4% 25% Photos: -
Adelaide Fringe Experience Possible for You and Your Students, So Start Planning Now! I Look Forward to Seeing You All at the 2018 Adelaide Fringe
Program Partner Yep Yep AdelaIdE Government Partners FringE 16 FebruArY - Principal Partner 18 March 2018 Poster design by Jacqueline Daniel Supported by: Yep Yep WELCOME WELCOME TO THE YEP! GUIDE FOR 2018! YEP! Is a great way for teachers and students to share in the magic of Fringe. YEP! connects young people to the Fringe by delivering fantastic experiences for students and a personalised booking service that understands the needs of teachers, schools and youth groups. With YEP! we aim to build the next generation of arts enthusiasts and practitioners – it offers a creative and imaginative Fringe experience for all young people. Through the YEP! Program, pre-schoolers to 18 year olds have the chance to be inspired by a wide range of events, workshops, backstage tours, artist Q&As, in school performances and more. Lots of shows have educational packs too, so please ask the YEP! team for more information. YEP! brings you the best Adelaide Fringe experience possible for you and your students, so start planning now! I look forward to seeing you all at the 2018 Adelaide Fringe. Kind regards, Heather Croall, Director & Chief Executive For more info, visit our website CONTENTS Age Suitability and Rating Advice adelaidefringe.com.au/yep or Welcome & Information 2 General (G): Suitable for all ages contact the YEP! Coordinator, Parental Guidance (PG): Children’s 6 Rachael, at 08 8100 2004 or Parental Guidance recommended Circus & Physical Theatre 12 [email protected]. for under 15 years Comedy 13 Mature Audiences (M): Dance 15 Recommended for mature audiences Events 16 15 years and older Restricted to 18 years and over Film & Digital 17 18+: Got some big words from a young voice? Children (CH): Interactive 18 We’re on the look-out for some budding Designed for ages 12 and under young writers to tell us their reviews of Magic 18 Adelaide Fringe YEP! shows. -
Annual R Eview 2015
Annual Review 2015 Sponsors Supporters Accommodation partner Corporate Friends Mission statement The Edinburgh Festival Fringe Society, the organisation that underpins the Edinburgh Festival Fringe, is a charity with three core objectives to: Ơ provide support, advice and encouragement to all the amazing artists, producers and venues who create the Partners Fringe each year Ơ assist the audiences who come to Edinburgh to navigate what’s on offer with comprehensive, accurate and up-to- date information and ticketing Ơ promote this wonderful and unique festival to the rest of the world. Strategy 2015 was the first year of a new five-year business plan to support our mission statement. Based on our business plan priorities we made great progress in the following areas of our work: Ơ participants Ơ community engagement Ơ audiences Ơ sponsorship and fundraising. Ơ international The High Street (2012) © Chris Scott Foreword Introduction The Edinburgh Festival Fringe is unique. The world’s Welcome to the 2015 Edinburgh Festival Fringe Society largest open access arts festival is a cultural event like Annual Review. And what a year 2015 turned out to no other, offering something for everyone. The reasons be. Another fantastic Fringe where Edinburgh once why participants choose to perform at the Fringe are as again played host to performers, presenters, producers, diverse as the festival itself. High profile names return year journalists and audiences who turned out in force from all after year, while others come to take the very first steps of around the world. their career, learn their craft and perform in front of the In 2015, more companies performed and more tickets world’s media and industry professionals day in, day out. -
2018 Winnipeg Fringe Theatre Festival Show Listings With
2018 Winnipeg Fringe Theatre Festival Show Listings with Performance Schedules Sorted by Play Title Tim Motley from Adelaide, Australia presents 2 Ruby Knockers, 1 Jaded Dick: A Dirk Darrow Investigation by Tim Motley PATRONS' PICK - Winnipeg, Edmonton & 7 more Fringes FUNNIEST SHOW - London Fringe 41/2 STARS “Hard and fast as a runaway bullet train” - Winnipeg Free Press 41/2 STARS “An excellent show” - Edmonton Journal 5 STARS “Tour de force” - Australian Stage More murder! More explosions! More hyperbole! More punctuation!!!!!!&#@ Australia’s favourite bumbling psychic detective is back. Comedy, mind-reading and gritty 1930s noir. Think Boardwalk Empire meets Naked Gun meets Penn & Teller. Based on a story by Dashiell Hammett. Play Type: Magic Parental Guidance Coarse Language, Cap gun 60 minutes Performance Schedule July 19 at 10:00 PM July 20 at 8:15 PM July 21 at 8:45 PM July 22 at 4:00 PM July 23 at 10:00 PM July 24 at 6:15 PM July 25 at 8:45 PM July 26 at 4:00 PM July 27 at 10:00 PM July 28 at 6:30 PM July 29 at 5:30 PM Tickets $12 $10 Door Discount for Weekday Matinees, Students, Seniors, Fringe Performers, Private detectives, police Venue #17 PTE - Colin Jackson Studio 393 Portage Avenue Wheelchair accessible THEATrePUBLIC from Edmonton, AB presents 2 Sherlock Adventures Written & Performed by John D. Huston & Kenneth Brown Vintage Fringers, John D. Huston and Kenneth Brown, play everyone in two brilliant Sherlock Holmes adventures: Holmes, Watson, distressed damsels, perplexed police, scurrilous scoundrels. Seventy-five years of stagecraft on dazzling display in the world’s first, finest, sleuthing stories.