It Ends with Us
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ORAL HISTORY PROJECT in Celebration of the City of Sugar Land 60Th Anniversary
ORAL HISTORY PROJECT in Celebration of the City of Sugar Land 60th Anniversary GOODSILL: What brought your family to Sugar Land, Billy? GOODSILL: What is William Alfred Streich’s story? STRITCH: My grandmother, Mary Alice Blair, was born in STRITCH: I never knew my grandfather. He died before I was Blessing, Texas, but her family moved to Sugar Land early in her born, in 1957 or so. My older sister is the only one who vaguely life. My grandmother and Buddy Blair were cousins. Mary Alice remembers him. He worked for a philanthropist in Houston whose was one of the founding families of First Presbyterian Church in name was Alonzo Welch. He had a foundation, the Welch Foundation, Sugar Land, founded in 1920 or so. There is definitely a Sugar which started in 1954, two years after Welch’s death in 1952. My Land connection that goes way back for us. grandfather was Mr. Welch’s right hand man. I know this through stories my grandmother told me over the years. At the time she married my dad, William Alfred Striech, they lived in Houston, where I was born in 1962. When I was about My dad who was an only child, who was raised in Houston. He went one, they decided to move out to Sugar Land and build a house. to Texas A & M for college and directly into the service afterward. He [Editor’s note: Striech was the original spelling of the name. Billy served two years in the Air Force. He met and married my mother, Jane goes by Stritch.] Toffelmire, during the course of the war. -
Racial Gatekeeping in Country & Hip-Hop Music
Portland State University PDXScholar University Honors Theses University Honors College 12-14-2020 Racial Gatekeeping in Country & Hip-Hop Music Cervanté Pope Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/honorstheses Part of the Mass Communication Commons, Race and Ethnicity Commons, Social Psychology and Interaction Commons, and the Sociology of Culture Commons Let us know how access to this document benefits ou.y Recommended Citation Pope, Cervanté, "Racial Gatekeeping in Country & Hip-Hop Music" (2020). University Honors Theses. Paper 957. https://doi.org/10.15760/honors.980 This Thesis is brought to you for free and open access. It has been accepted for inclusion in University Honors Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Racial Gatekeeping in Country & Hip-Hop Music By Cervanté Pope Student ID #: 947767021 Portland State University Pope 2 Introduction In mass communication, gatekeeping refers to how information is edited, shaped and controlled in efforts to construct a “social reality” (Shoemaker, Eichholz, Kim, & Wrigley, 2001). Gatekeeping has expanded into other fields throughout the years, with its concepts growing more and more easily applicable in many other aspects of life. One way it presents itself is in regard to racial inclusion and equality, and despite the headway we’ve seemingly made as a society, we are still lightyears away from where we need to be. Because of this, the concept of cultural property has become even more paramount, as a means for keeping one’s cultural history and identity preserved. -
Rappin' History
Rappin’ History Composing Historical Raps in the Classroom with Lessons Integrating Historical Raps from the Broadway Show Hamilton Rappin’ in the Classroom Hamilton! Lessons Using the Broadway Show Hamilton Traveling Exhibit Activities Lois MacMillan – 2018 Jane Ortner Education Award Submission South Middle School – Grants Pass, OR Outline of Rappin’ History Introduction: Impact of the Broadway show Hamilton & Historical Rap Lesson Experiences (pages 1-2) “Composing Historical Raps” Five Day Lesson Plan (pages 3-21) o Joseph Plumb Martin Worksheet PDF o Joseph Plumb Martin Adventures, Sufferings, and Dangers PDF o Joseph Plumb Martin Bio PDF o Article “Of Rocks, Trees, Rifles, and Militia” PDF o Rap Facts Worksheets PDF “World Turned Upside Down” The Battle of Yorktown Lesson Plan (pages 22-26) o “World Turned Upside Down Worksheet” PDF “Constitution Needed!” Events Around the Constitution Lesson Plan (pages 27-37) o “Events Around the Constitution” PDF o “Events Around the Constitution Worksheet” PDF o PowerPoint “Plain, Honest Men” “The Dinner Deal” Choosing the Nation’s Capital Lesson Plan (pages 38-44) o “The Dinner Deal Worksheet” PDF o “In Room Where It Happens” PDF “Election of 1800” Crisis in the Electoral College Lesson Plan (pages 45-49) o “Election of 1800” PDF “Code Duello and the Hamilton-Burr Duel” Two Day Lesson Plan (pages 50-57) o “Code Duello” PDF o PowerPoint “Five Duel Experiences” o “Your Obedient Servant” PDF Introduction: In 2004, Ron Chernow published Hamilton, earning him Gilder Lehrman’s George Washington Book -
Mellencamp & Fairchild Deliver Hope Wariner Previews Atkins Tribute
page 1 Monday, May 11, 2009 Mellencamp said, "Those records are not Mellencamp & perfectly made—they're pretty raw. The emotion they capture is the essence. People Fairchild Deliver Hope are not alone in their loneliness. If people by David M. Ross get any bit of that message from the video "It struck me that Karen Fairchild's it would be fantastic." View the video at voice not only sounds good in Little Big Town http://twurl.nl/i2ucpq but also works well with mine," says John Mellencamp regarding the pair's newly released duet video "A Ride Back Home." Shot Wariner Previews on the campus of Indiana University, most of the shoot resides in and around the pews Atkins Tribute of Beck Chapel. "When he writes something by Peter Cronin it's as though he's speaking it, so it's a bit of On June 23, award-winning singer/ a challenge," says Fairchild. "I didn't want songwriter/guitarist/producer Steve to mess that up or get in the way, so I call it Wariner will release c.g.p., My Tribute to kind of 'chasing' John." Chet Atkins, a musical salute to his old Inspired from '30s and '40s American folk friend Chet Atkins. Recorded for Wariner’s songs, Mellencamp sees the lyric's darkness SelecTone Records, the 11-song collection as uplifting, delivering a message of hope. combines Atkins classics with Wariner Discussing great country folk recordings from originals played in the style of the late six- the Carter Family through Hank Williams string legend. Wariner has recorded a series of webisodes to introduce listeners to each track. -
Most Requested Songs of 2009
Top 200 Most Requested Songs Based on nearly 2 million requests made at weddings & parties through the DJ Intelligence music request system in 2009 RANK ARTIST SONG 1 AC/DC You Shook Me All Night Long 2 Journey Don't Stop Believin' 3 Lady Gaga Feat. Colby O'donis Just Dance 4 Bon Jovi Livin' On A Prayer 5 Def Leppard Pour Some Sugar On Me 6 Morrison, Van Brown Eyed Girl 7 Beyonce Single Ladies (Put A Ring On It) 8 Timberlake, Justin Sexyback 9 B-52's Love Shack 10 Lynyrd Skynyrd Sweet Home Alabama 11 ABBA Dancing Queen 12 Diamond, Neil Sweet Caroline (Good Times Never Seemed So Good) 13 Black Eyed Peas Boom Boom Pow 14 Rihanna Don't Stop The Music 15 Jackson, Michael Billie Jean 16 Outkast Hey Ya! 17 Sister Sledge We Are Family 18 Sir Mix-A-Lot Baby Got Back 19 Kool & The Gang Celebration 20 Cupid Cupid Shuffle 21 Clapton, Eric Wonderful Tonight 22 Black Eyed Peas I Gotta Feeling 23 Lady Gaga Poker Face 24 Beatles Twist And Shout 25 James, Etta At Last 26 Black Eyed Peas Let's Get It Started 27 Usher Feat. Ludacris & Lil' Jon Yeah 28 Jackson, Michael Thriller 29 DJ Casper Cha Cha Slide 30 Mraz, Jason I'm Yours 31 Commodores Brick House 32 Brooks, Garth Friends In Low Places 33 Temptations My Girl 34 Foundations Build Me Up Buttercup 35 Vanilla Ice Ice Ice Baby 36 Bee Gees Stayin' Alive 37 Sinatra, Frank The Way You Look Tonight 38 Village People Y.M.C.A. -
Fair Use Avoidance in Music Cases Edward Lee Chicago-Kent College of Law, [email protected]
Boston College Law Review Volume 59 | Issue 6 Article 2 7-11-2018 Fair Use Avoidance in Music Cases Edward Lee Chicago-Kent College of Law, [email protected] Follow this and additional works at: https://lawdigitalcommons.bc.edu/bclr Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Edward Lee, Fair Use Avoidance in Music Cases, 59 B.C.L. Rev. 1873 (2018), https://lawdigitalcommons.bc.edu/bclr/vol59/iss6/2 This Article is brought to you for free and open access by the Law Journals at Digital Commons @ Boston College Law School. It has been accepted for inclusion in Boston College Law Review by an authorized editor of Digital Commons @ Boston College Law School. For more information, please contact [email protected]. FAIR USE AVOIDANCE IN MUSIC CASES EDWARD LEE INTRODUCTION .......................................................................................................................... 1874 I. FAIR USE’S RELEVANCE TO MUSIC COMPOSITION ................................................................ 1878 A. Fair Use and the “Borrowing” of Copyrighted Content .................................................. 1879 1. Transformative Works ................................................................................................. 1879 2. Examples of Transformative Works ............................................................................ 1885 B. Borrowing in Music Composition ................................................................................... -
Issue 157 Gold Dependent on PD Background? a Funny Thing Happened on the Way to Checking out the Top 100 Most-Played Country Radio Power Gold
September 8, 2009 Issue 157 Gold Dependent On PD Background? A funny thing happened on the way to checking out the Top 100 most-played Country radio Power Gold. I ran the PG list as normal, using Mediabase 24/7 for all CA/Mediabase reporting stations for the two-week period Aug. 23-Sept. 5, 2009. I figure with the start of the fall book just a couple weeks away, it’s a great time to make sure your Power Gold list is polished to a high gloss. After running that list, which appears on Page 6 of this CA Weekly, I decided to run the PG list using the Mediabase 24/7 Custom Report tool for both the “Country PD” and the “Pop- Parr None: KKGO/Los Angeles morning host Shawn Parr served as the background Country PD” filter I’ve run in the past. voice of the Jerry Lewis MDA telethon this past weekend (9/6-7), rubbing Background: In the April 13 CA Weekly (see elbows with everyone from Charro (l) to Wynonna (r). CountryAircheck.com, archives), we ran a comparison of the current music lists from the two sets of programmers. Taylor Turns 10 The “Country PD” list consists of 20 veteran Country radio According to Big Machine, Taylor Swift’s programmers. The “Pop PD” group is 18 current Country radio worldwide album sales have surpassed 10 million programmers who have come to the format for the first time in units, and she’s sold an additional 20 million paid the last year or so. song downloads. -
It Happens Here
B reakthrough Breakthrough Britain Britain It Happens Here: IT HAPPENS HERE E quipping the United Kingdom to fight modern slavery Equipping the United Kingdom to fight modern slavery ‘It ought to concern every person, because it is a debasement of our common humanity. It ought to concern every community, because it tears at our social fabric. It ought to concern every business, because it distorts markets. It ought to concern every nation, because it endangers public health and fuels violence and organized crime. I’m talking about the injustice, the outrage, of human trafficking, which must be called by its true name – modern slavery.’ Barack Obama, President of the United States ‘These are some of the most faceless, voiceless, helpless people that we have A policy report by the Slavery Working Group in the country.’ March 2013 Chief Superintendent John Sutherland, Metropolitan Police £35.00 The Centre for Social Justice 4th Floor, Victoria Charity Centre, 11 Belgrave Road The Centre for Social Justice London SW1V 1RB ISBN: 978 0 9573587 1 3 www.centreforsocialjustice.org.uk @CSJ_thinktank contents Contents About the Centre for Social Justice 3 Preface 4 Members of the CSJ Slavery Working Group 6 Special thanks 10 Supported by 11 Foreword 12 Executive summary 15 1 Modern slavery in the UK 29 1.1 Introduction 29 1.2 Definitions 30 1.3 Why didn’t you leave? 32 1.4 Myths of modern slavery 33 1.5 Modern slavery in the UK 34 1.6 Conclusion 51 1.7 Recommendations 51 2 Effective strategic leadership 53 2.1 Introduction: filling the leadership -
Chapter Six: Subsidizing Sprawl, Subsidizing Wal-Mart
Leroy.qxd 5/2/05 12:08 PM Page 128 ★ Chapter Six ★ Subsidizing Sprawl, Subsidizing Wal-Mart Subsidizing economic development in the suburbs is like paying teenagers to think about sex. —Lyle Wray, Minneapolis Citizens League 1 Does your metro area suffer from suburban sprawl? Here’s a check- list of diagnostic indicators to help you find out.2 Dgesihnmts ei:rany edsp de acgelisinaetn oiStne.h adrco pofcyh rbec stkoixloteuns ipsea clobe efus.tll Do most commuters have any choice except the car to get to work? Are commutes getting longer and traffic delays be- coming more common? Is the air quality getting worse? Do you know more people with asthma? Are there neighborhoods in older areas with large numbers of people of color who suffer high unemployment? Are older areas having trouble maintaining public services be- cause they have lost a lot of their tax base? Are there many abandoned or contaminated properties in older areas? Are newly developing areas on the outer fringe suffering financial strains because they are growing too rapidly? Are there calls for growth slowdowns? Is there not enough affordable housing in the suburbs? Are there many suburbs that are poorly served by public transit? Do many residential areas lack sidewalks? Are more people becoming obese? 128 Leroy.qxd 5/2/05 12:08 PM Page 129 Are big-box retail power centers and Wal-Marts opening up, undermining older malls and downtown retail districts? Are farms and natural spaces getting paved? As was the case for the proverbial judge who couldn’t define pornography but knew it when he saw it, sprawl means different things to different people. -
Teacher's Guide
TEACHER’S GUIDE FOR GRADES 3–6 Teach Language Arts Through Lyric Writing Made possible by generous support from Teach Language Arts Through Lyric Writing We’re always together, always forever, Nothing can stop us now When I’m with you the sky turns blue Feels like I’m floating on a cloud Words & Music • Country Music Hall of Fame® and Museum 1 Teach Language Arts Through Lyric Writing TEACHER’S GUIDE FOR GRADES 3 - 6 Table of Contents Overview 3 Lessons 1. What Is Songwriting? 7 2. Parts of a Song 11 3. Subject and Title 18 4. Theme and Message 23 5. Rhythm and Syllables 28 6. Rhyme 32 7. Creating Strong Images 36 8. Focused Lyric-Writing Day 41 9. Revision 46 Preparing for Songwriter Workshop 47 Guidelines for Lyric Submission to Museum 48 10. Copyright and Post-Unit Reflection 51 Appendix Common Core Curriculum Standards 55 Music Curriculum Standards 56 Supplemental Materials 57 Pre-Unit Assessment Rubric 58 Final Lyric Assessment Rubric 59 Songwriter Manuscripts 64 Acknowledgments Inside Back Cover “ I was twelve when I learned my first three chords on guitar and wrote my first song. My life changed forever... Music became the way I told my stories.” —Taylor Swift Since 1979, the Country Music Hall of Fame and Museum has been helping students tell their stories through its innovative Words & Music program. Over 35 years, nearly 100,000 students have learned how to write song lyrics while developing key skills in language arts. Not only does Words & Music teach core curriculum but it also connects young people to Nashville’s music community, pairing participating classes with songwriters who turn students’ work into finished songs that are performed in an interactive workshop. -
Meet Singer-Songwriter Dana Countryman
EXCLUSIVE INTERVIEW Meet Singer-Songwriter Dana Countryman: Writing Songs in a Time-Warp In an age when most albums are Dana Countryman in his home re- slapped together like a poor excuse for a cording studio in Everett, Washington. hook (sandwiched between two pieces of Here, in this music and memento-filled cheap plywood), this album is an extraor- dinary accomplishment. Painstaking crafts- space, Countryman has recorded manship of both music and lyrics is what numerous albums over the past Dana is all about. To him, the song is every- decade-plus. thing. And it shows. The following interview was conducted long-distance, with me in Phoenix, Arizo- na, and Dana in his home studio in Everett, Washington, a suburb of Seattle. But it’s as intimate as if we were casually conversing in the same room. I do need to provide one disclaimer. I am the co-writer of one of the songs on Dana’s new album: “Then She Smiles.” But this in no way affects my journalistic objec- tivity regarding Dana. Even if you never listened to this one particular song, his new album would still be amazing. (Of course, I do hope you listen to all the tracks, because they are all worthy of your attention). (As an aside, I was quite honored when Dana asked me to work with him on the lyrics to his song. And I couldn’t be happi- er with the way the song turned out). So, Dana, tell me: what is “Vocal Retro Pop” all about, photo by Frank M. -
Music Publishing's Biggest Challenges Laid Bare
ISSUE 376 | 14 OCTOBER 2015 Contents 06 Beyond Music – thereport Twitter’s growing pains 07 Pinboard: Stats, deals, startups and more 09 Country profile: Chile Writing wrongs Music publishing’s biggest challenges laid bare 2 ISSUE 376 14.10.15 COVER FEATURE Music publishing’s biggest challenges Writing wrongs laid bare Recorded music and live tend to dominate the discussions around the music industry – one on the horns of navigating the transition from physical to digital and the other having enjoyed a long period of growth as online has yet to significantly disrupt its business. Within this, publishing can sometimes feel like an overlooked part of the equation. With that in mind, we spoke to those both in and around music publishing about what is helping them accelerate into the fast lane as well as what is grinding their gears. From metadata as both a payment and a discovery channel to wider licensing and regulatory issues, the coming year will be a bumpy one. iscovery through both metadata and LYRICS: FROM MAYHEM TO subtitles – or legal lyric translations – for 11 lyrics; streamlined royalty reporting THE ULTIMATE METADATA years,” he says. “Through that process and and payments; and the moving “With lyrics, it used to be a Wild West through working with LyricFind on licensing target of revenue displacement. scenario,” says Will Mills, chief revenue officer international indie publishers for legal lyrics DBased on detailed conversations music:)ally at LyricFind, on the early websites offering for the past five, I’ve had the opportunity has had with key companies in and around (often user-generated) lyrics.