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Black Women As Activist Intellectuals: Ella Baker and Mae Mallory Combat Northern Jim Crow in New York City's Public Schools During the 1950S
City University of New York (CUNY) CUNY Academic Works Publications and Research Hostos Community College 2019 Black Women as Activist Intellectuals: Ella Baker and Mae Mallory Combat Northern Jim Crow in New York City's Public Schools during the 1950s Kristopher B. Burrell CUNY Hostos Community College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/ho_pubs/93 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] £,\.PYoo~ ~ L ~oto' l'l CILOM ~t~ ~~:t '!Nll\O lit.ti t~ THESTRANGE CAREERS OfTHE JIMCROW NORTH Segregation and Struggle outside of the South EDITEDBY Brian Purnell ANOJeanne Theoharis, WITHKomozi Woodard CONTENTS '• ~I') Introduction. Histories of Racism and Resistance, Seen and Unseen: How and Why to Think about the Jim Crow North 1 Brian Purnelland Jeanne Theoharis 1. A Murder in Central Park: Racial Violence and the Crime NEW YORK UNIVERSITY PRESS Wave in New York during the 1930s and 1940s ~ 43 New York www.nyupress.org Shannon King © 2019 by New York University 2. In the "Fabled Land of Make-Believe": Charlotta Bass and All rights reserved Jim Crow Los Angeles 67 References to Internet websites (URLs) were accurate at the time of writing. Neither the author nor New York University Press is responsible for URLs that may have expired or John S. Portlock changed since the manuscript was prepared. 3. Black Women as Activist Intellectuals: Ella Baker and Library of Congress Cataloging-in-Publication Data Mae Mallory Combat Northern Jim Crow in Names: Purnell, Brian, 1978- editor. -
If You Rate This Transcript 3 Or Below, This Agent Will Not Work on Your Future Orders
Order Client Real Dirt Ref # Joel Payne Order # TC0360447617 How did we do? If you rate this transcript 3 or below, this agent will not work on your future orders Need Help? mailto:[email protected] Get this transcript without table formatting Chip: All right. Here we are on the Real Dirt again. On today's dirt I have Joel Pain from Earl's in Leadville. How's it going, Joel? Joel: Good, Chip. Good. Chip: You're doing my favourite thing. As soon as you got here, you cracked open a jar- Joel: Couldn't help myself. I saw it sitting there. Chip: Yeah, that's a CSI old family purple, I think they call it. That's the Triangle Kush Urkle. Right. Joel: It smells good. Chip: Yeah, yeah. It's pretty good. It's pretty good. It's just some hydro weed. But it's pretty good. It's pretty good. It's no pesticides, food grade nutrients. Right. But it's nothing like this fine jar of organic weed you brought me here. Man, I always love my guest that show up with a sack of weed. You did a great job. Joel: Just to clarify, it's not a sack, it's a glass jar. Chip: It's a glass jar. What do we got in here? Joel: You got some 16 week Fort Collins cough. I've never got it to go that long, but this time I just wanted to. I thought you'd like the taste sacks, I know you're a sativa guy. -
Unwise and Untimely? (Publication of "Letter from a Birmingham Jail"), 1963
,, te!\1 ~~\\ ~ '"'l r'' ') • A Letter from Eight Alabama Clergymen ~ to Martin Luther J(ing Jr. and his reply to them on order and common sense, the law and ~.. · .. ,..., .. nonviolence • The following is the public statement directed to Martin My dear Fellow Clergymen, Luther King, Jr., by eight Alabama clergymen. While confined h ere in the Birmingham City Jail, I "We the ~ders igned clergymen are among those who, in January, 1ssued 'An Appeal for Law and Order and Com· came across your r ecent statement calling our present mon !)ense,' in dealing with racial problems in Alabama. activities "unwise and untimely." Seldom, if ever, do We expressed understanding that honest convictions in I pause to answer criticism of my work and ideas. If racial matters could properly be pursued in the courts I sought to answer all of the criticisms that cross my but urged that decisions ot those courts should in the mean~ desk, my secretaries would he engaged in little else in time be peacefully obeyed. the course of the day, and I would have no time for "Since that time there had been some evidence of in constructive work. But since I feel that you are men of creased forbearance and a willingness to face facts. Re genuine goodwill and your criticisms are sincerely set sponsible citizens have undertaken to work on various forth, I would like to answer your statement in what problems which cause racial friction and unrest. In Bir I hope will he patient and reasonable terms. mingham, recent public events have given indication that we all have opportunity for a new constructive and real I think I should give the reason for my being in Bir· istic approach to racial problems. -
Hamilton at the Paramount Seattle
SPECIAL EDITION • FEBRUARY 2018 ENCORE ARTS PROGRAMS • SPECIAL EDITION HAMILTON FEBRUARY 2018 FEBRUARY PROGRAMS • SPECIAL EDITION HAMILTON ARTS ENCORE HAMILTON February 6 – March 18, 2018 Cyan Magenta Yellow Black Inks Used: 1/10/18 12:56 PM 1/11/18 11:27 AM Changes Prev AS-IS Changes See OK OK with Needs INITIALS None Carole Guizetti — Joi Catlett Joi None Kristine/Ethan June Ashley Nelu Wijesinghe Nelu Vivian Che Barbara Longo Barbara Proofreader: Regulatory: CBM Lead: Prepress: Print Buyer: Copywriter: CBM: · · · · Visual Pres: Producer: Creative Mgr Promo: Designer: Creative Mgr Lobby: None None 100% A N N U A L UPC: Dieline: RD Print Scale: 1-9-2018 12:44 PM 12:44 1-9-2018 D e si gn Galle r PD y F Date: None © 2018 Starbucks Co ee Company. All rights reserved. All rights reserved. ee Company. SBX18-332343 © 2018 Starbucks Co x 11.125" 8.625" Tickets at stgpresents.org SKU #: Bleed: SBUX FTP Email 12/15/2017 STARBUCKS 23 None 100% OF TICKET SALES GOOF TOTHE THE PARTICIPATING MUSIC PROGRAMS HIGH SCHOOL BANDS — FRIDAY, MARCH 30 AT 7PM SBX18-332343 HJCJ Encore Ad Encore HJCJ blongo014900 SBX18-332343 HotJavaCoolJazz EncoreAd.indd HotJavaCoolJazz SBX18-332343 None RELEASED 1-9-2018 Hot Java Cool Jazz None None None x 10.875" 8.375" D i sk SCI File Cabinet O t h e r LIVE AT THE PARAMOUNT IMPORTANT NOTES: IMPORTANT Vendor: Part #: Trim: Job Number: Layout: Job Name: Promo: File Name: Proj Spec: Printed by: Project: RELEASE BEFORE: BALLARD | GARFIELD | MOUNTLAKE TERRACE | MOUNT SI | ROOSEVELT COMPANY Seattle, 98134 WA 2401 Utah Avenue South2401 -
The Green Regulatory Arbitrage
Table of Contents I. EXECUTIVE SUMMARY ...................................................................................................... 1 II. PROHIBITION - HOW CANNABIS BECAME ILLEGAL ..................................................... 4 III. THE LEGAL LANDSCAPE .................................................................................................... 7 A. Federal Law And Its Impact On The Cannabis Industry ..................................................... 7 1. Cannabis Is A Schedule 1 Substance ............................................................................ 7 2. Access To Capital Markets Restricted ......................................................................... 9 3. Banking Services Limited .......................................................................................... 10 4. Tax Burdens .............................................................................................................. 11 5. Interstate And International Commerce Restrictions ................................................. 11 6. Insurance Options Limited ........................................................................................ 12 7. Medical Research And Clinical Trials Stymied .......................................................... 12 8. Professional Services Harder To Find ........................................................................ 13 9. Real Estate Challenges .............................................................................................. 13 B. The States -
Les Mis, Lyrics
LES MISERABLES Herbert Kretzmer (DISC ONE) ACT ONE 1. PROLOGUE (WORK SONG) CHAIN GANG Look down, look down Don't look 'em in the eye Look down, look down You're here until you die. The sun is strong It's hot as hell below Look down, look down There's twenty years to go. I've done no wrong Sweet Jesus, hear my prayer Look down, look down Sweet Jesus doesn't care I know she'll wait I know that she'll be true Look down, look down They've all forgotten you When I get free You won't see me 'Ere for dust Look down, look down Don't look 'em in the eye. !! Les Miserables!!Page 2 How long, 0 Lord, Before you let me die? Look down, look down You'll always be a slave Look down, look down, You're standing in your grave. JAVERT Now bring me prisoner 24601 Your time is up And your parole's begun You know what that means, VALJEAN Yes, it means I'm free. JAVERT No! It means You get Your yellow ticket-of-leave You are a thief. VALJEAN I stole a loaf of bread. JAVERT You robbed a house. VALJEAN I broke a window pane. My sister's child was close to death And we were starving. !! Les Miserables!!Page 3 JAVERT You will starve again Unless you learn the meaning of the law. VALJEAN I know the meaning of those 19 years A slave of the law. JAVERT Five years for what you did The rest because you tried to run Yes, 24601. -
ORAL HISTORY PROJECT in Celebration of the City of Sugar Land 60Th Anniversary
ORAL HISTORY PROJECT in Celebration of the City of Sugar Land 60th Anniversary GOODSILL: What brought your family to Sugar Land, Billy? GOODSILL: What is William Alfred Streich’s story? STRITCH: My grandmother, Mary Alice Blair, was born in STRITCH: I never knew my grandfather. He died before I was Blessing, Texas, but her family moved to Sugar Land early in her born, in 1957 or so. My older sister is the only one who vaguely life. My grandmother and Buddy Blair were cousins. Mary Alice remembers him. He worked for a philanthropist in Houston whose was one of the founding families of First Presbyterian Church in name was Alonzo Welch. He had a foundation, the Welch Foundation, Sugar Land, founded in 1920 or so. There is definitely a Sugar which started in 1954, two years after Welch’s death in 1952. My Land connection that goes way back for us. grandfather was Mr. Welch’s right hand man. I know this through stories my grandmother told me over the years. At the time she married my dad, William Alfred Striech, they lived in Houston, where I was born in 1962. When I was about My dad who was an only child, who was raised in Houston. He went one, they decided to move out to Sugar Land and build a house. to Texas A & M for college and directly into the service afterward. He [Editor’s note: Striech was the original spelling of the name. Billy served two years in the Air Force. He met and married my mother, Jane goes by Stritch.] Toffelmire, during the course of the war. -
Für Sonntag, 21
Tägliche BeatlesInfoMail 19.06.20: PAUL McCARTNEY: 2020er FLAMING PIE /// MANY YEARS AGO ---------------------------------------------------------------------------------------------- Im Beatles Museum erhältlich: 2020er ARCHIVE COLLECTION: FLAMING PIE Doppel-CD versenden wir gut verpackt als Brief (mit Deutscher Post), LPs und Boxen mit DHL (Info über Sendeverlauf kommt per E-Mail). Freitag 31. Juli 2020: PAUL McCARTNEYs FLAMING PIE ARCHIVE COLLECTION Kurzübersicht: Produkt 1: 2020er Doppel-Vinyl-LP FLAMING PIE. Produkt 2: 2020er 3er Vinyl-LP FLAMING PIE . Produkt 3: 2020er Doppel-CD FLAMING PIE . Produkt 4: 2020er Box (5 CDs, 2 DVDs) FLAMING PIE. Produkt 5: 2020er Deluxe-Box (4 LPs, 5 CDs, 2 DVDs) FLAMING PIE . Abbildungen: Cover-Vorderseite / Doppel-LP mit Beilagen (verkleinerte Abbildung) Produkt 1: PAUL McCARTNEY: 2020er Doppel-Vinyl-LP FLAMING PIE. 39,95 € MPL - Universal Music 7 06025 086177 1 ?, weltweit. Half-speed master of the remastered main album tracks cut over two lp’s for the first time. Doppel-LP remastered album, Seite 1: Track 1: The Song We Were Singing. / Track 2: The World Tonight. / Track 3: If You Wanna. Doppel-LP remastered album, Seite 2: Track 4: Somedays. / Track 5: Young Boy. / Track 6: Calico Skies. / Track 7: Flaming Pie Doppel-LP remastered album, Seite 3: Track 8: Heaven On A Sunday. / Track 9: Used To Be Bad. / Track 10: Souvenir. Doppel-LP remastered album, Seite 4: Track 11: Little Willow. / Track 12: Really Love You. / Track 13: Beautiful Night. / Track 14: Great Day. ---------------------------------------------------------------------------------------------- Abbildungen: Cover-Vorderseite / 3er LP mit Beilagen (verkleinerte Abbildung) Produkt 2: PAUL McCARTNEY: 2020er 3er Vinyl-LP FLAMING PIE. 74,95 € MPL - Universal Music 7 06025 086177 2 ?, weltweit. -
Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay -
“Rise Up!”: the Myth of the Self-Made Man in Lin-Manuel Miranda's
“Rise Up!”: The Myth of the Self-Made Man in Lin-Manuel Miranda’s Hamilton Amanda Castro Thijssen 6252257 English Language and Culture BA Thesis Supervisor: Prof. dr. David Pascoe Second Reader: Dr. Anna Poletti MLA 8 Referencing System 8 February 2021 5734 Words Abstract The aim of the thesis has been to prove how Alexander Hamilton, the main character in Lin- Manuel Miranda’s musical Hamilton, represents the American myth of the self-made man. This has been analysed through a close reading of the musical lyrics, focusing on some of Hamilton’s character traits — hard work, ambition and awareness of his legacy — and seen from different thematical perspectives: his life story, his connection to the United States, his antagonists and his family. Miranda uses the myth of the self-made man to craft a success story while at the same time subverting it by showing the negative consequences it can have. Furthermore, the musical offers a chance to reflect on current issues in the United States such as the importance of diversity in representation or the sacred view on foundational texts and myths. Contents 1. Introduction: “Work!” ........................................................................................................ 4 2. Being “In the Room Where it Happens”: The Myth of the Self-Made Man .................. 5 3. “The Man is Non-Stop”: Hamilton as a Self-Made Man .................................................. 7 3.1. “How Does a Bastard… Rise Up” ................................................................................... 7 3.2. “Just Like My Country … Young, Scrappy and Hungry” ............................................ 10 3.3. “The Sinners and The Saints” ....................................................................................... 13 3.4. “Have I Done Enough?” ................................................................................................ 15 4. Conclusion: “Who Lives, Who Dies, Who Tells your Story?” ...................................... -
Hammy Collage Pittsburgh
... ,-. ,// ./- ,-.,.:-.-: Hamilton’s Plot Point Problems (an incomplete list) - The two main characters, Hamilton and Burr, barely knew each other during the war years; their paths rarely crossed. - Alexander Hamilton did not punch the bursar at Princeton College. - Hamilton did not carouse at a tavern with Mulligan, Lafayette, and Laurens in 1776 and Sam Adams, who Miranda name-checks as the brewer of the beer at that pub, is a reference to a brewing company that wasn’t established until 1984. In truth, Hamilton met Mulligan, Lafayette, and Laurens separately, several years after 1776. - Angelica Schuyler sings that “My father has no sons so I’m the one / Who has to social climb.” That’s nonsense. In 1776, Philip Schuyler had three sons. - Angelica Schuyler was married her rich British husband before she ever met Alexander Hamilton. - Samuel Seabury wrote four loyalist pamphlets, not one. He wrote them in 1774 and 1775, not in 1776. By 1776, the patriots had already imprisoned Seabury in Connecticut for speaking out against the war. - King George did go mad later in life, although not until many years later. The causes were medical not geopolitical. - Burr’s meeting with General Washington, the meeting in which he tries to offer questions and suggestions, is invented. - John Laurens was not “in South Carolina redefending bravery” during the Battle of Yorktown. He was there at the battle and went to South Carolina later. - Hamilton never asked Burr to join him in writing The Federalist Papers - John Adams didn’t fire Hamilton during his presidency. Hamilton had resigned earlier, in 1795, while Washington was still president. -
Song Title Artist Disc
Song Title Artist Disc # # 1 CRUSH GARBAGE 6639 # 9 DREAM LENNON, JOHN 6013 #1 NELLY 9406 (LOVE IS LIKE A) HEATWAVE MARTHA & THE VANDELLAS 7235 (YOU WANT TO) MAKE A MEMORY BON JOVI 14106 (YOU'VE GOT) THE MAGIC TOUCH PLATTERS, THE 1255 '03 BONNIE & CLYDE JAY-Z & BEYONCE 10971 1 THING AMERIE 13133 1, 2, 3 RED LIGHT 1910 FRUITGUM CO. 10237 1,2 STEP CIARA & MISSY ELLIOTT 12989 10 OUT OF 10 LOUCHIE LOU 7399 10 SECONDS DOWN SUGAR RAY 6418 10,000 PROMISES BACKSTREET BOYS 3350 100 YEARS FIVE FOR FIGHTING 12772 100% PURE LOVE WATERS, CRYSTAL 9306 1000 OCEANS AMOS, TORRIE 6711 10TH AVE. FREEZEOUT SPRINGSTEEN, BRUCE 11813 10TH AVENUE FREEZE OUT SPRINGSTEEN, BRUCE 2632 12:51 STROKES, THE 12520 1-2-3 BARRY, LEN 8210 ESTEFAN, GLORIA 13 18 & LIFE SKID ROW 2633 1969 STEGALL, KEITH 6712 1979 SMASHING PUMPKINS 6713 1982 TRAVIS, RANDY 3386 1985 BOWLING FOR SOUP 12880 1999 PRINCE 6714 19TH NERVOUS BREAKDOWN ROLLING STONES, THE 1032 2 BECOME 1 SPICE GIRLS 1427 2 STEP DJ UNK 14155 20 GOOD REASONS THIRSTY MERC 14107 2001 INTRO ELVIS 1604 20TH CENTURY FOX DOORS, THE 6715 21 QUESTIONS 50 CENT & NATE DOGG 11730 24 JEM 13169 24 HOURS AT A TIME TUCKER, MARSHALL, B 2634 24/7 EDMONDS, KEVON 6820 25 MILES STARR, EDWIN 9488 25 OR 6 TO 4 CHICAGO 4735 26 MILES FOUR PREPS, THE 10102 26 CENTS WILKINSONS, THE 6821 29 NIGHTS LEIGH, DANNI 6822 3 LIBRAS PERFECT CIRCLE, A 6824 3 LITTLE PIGS GREEN JELLY 2429 3:00 A.M.