Music Publishing's Biggest Challenges Laid Bare
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In the United States District Court for the Middle District of Florida Fort Myers Division
Case 2:19-cv-00843-JES-NPM Document 1 Filed 11/25/19 Page 1 of 46 PageID 1 IN THE UNITED STATES DISTRICT COURT FOR THE MIDDLE DISTRICT OF FLORIDA FORT MYERS DIVISION : PRO MUSIC RIGHTS, LLC and SOSA : ENTERTAINMENT LLC, : : Civil Action No. 2:19-cv-00843 Plaintiffs, : : v. : : SPOTIFY AB, a Swedish Corporation; SPOTIFY : USA, INC., a Delaware Corporation; SPOTIFY : LIMITED, a United Kingdom Corporation; and : SPOTIFY TECHNOLOGY S.A., a Luxembourg : Corporation, : : Defendants. PLAINTIFFS’ COMPLAINT WITH INJUNCTIVE RELIEF SOUGHT AND DEMAND FOR JURY TRIAL Plaintiffs Pro Music Rights, LLC (“PMR”), which is a public performance rights organization representing over 2,000,000 works of artists, publishers, composers and songwriters, and Sosa Entertainment LLC (“Sosa”), which has not been paid for 550,000,000+ streams of music on the Spotify platform, file this Complaint seeking millions of dollars of damages against Defendants Spotify AB, Spotify USA, Inc., Spotify Limited, and Spotify Technology S.A. (collectively, “Spotify” or “Defendants”), alleging as follows: NATURE OF ACTION 1. Plaintiffs bring this action to redress substantial injuries Spotify caused by failing to fulfill its duties and obligations as a music streaming service, willfully removing content for anti-competitive reasons, engaging in unfair and deceptive business practices, Case 2:19-cv-00843-JES-NPM Document 1 Filed 11/25/19 Page 2 of 46 PageID 2 obliterating Plaintiffs’ third-party contracts and expectations, refusing to pay owed royalties and publicly performing songs without license. 2. In addition to live performances and social media engagement, Plaintiffs rely heavily on the streaming services of digital music service providers, such as and including Spotify, to organically build and maintain their businesses. -
“Until That Song Is Born”: an Ethnographic Investigation of Teaching and Learning Among Collaborative Songwriters in Nashville
“UNTIL THAT SONG IS BORN”: AN ETHNOGRAPHIC INVESTIGATION OF TEACHING AND LEARNING AMONG COLLABORATIVE SONGWRITERS IN NASHVILLE By Stuart Chapman Hill A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Music Education—Doctor of Philosophy 2016 ABSTRACT “UNTIL THAT SONG IS BORN”: AN ETHNOGRAPHIC INVESTIGATION OF TEACHING AND LEARNING AMONG COLLABORATIVE SONGWRITERS IN NASHVILLE By Stuart Chapman Hill With the intent of informing the practice of music educators who teach songwriting in K– 12 and college/university classrooms, the purpose of this research is to examine how professional songwriters in Nashville, Tennessee—one of songwriting’s professional “hubs”—teach and learn from one another in the process of engaging in collaborative songwriting. This study viewed songwriting as a form of “situated learning” (Lave & Wenger, 1991) and “situated practice” (Folkestad, 2012) whose investigation requires consideration of the professional culture that surrounds creative activity in a specific context (i.e., Nashville). The following research questions guided this study: (1) How do collaborative songwriters describe the process of being inducted to, and learning within, the practice of professional songwriting in Nashville, (2) What teaching and learning behaviors can be identified in the collaborative songwriting processes of Nashville songwriters, and (3) Who are the important actors in the process of learning to be a collaborative songwriter in Nashville, and what roles do they play (e.g., gatekeeper, mentor, role model)? This study combined elements of case study and ethnography. Data sources included observation of co-writing sessions, interviews with songwriters, and participation in and observation of open mic and writers’ nights. -
7Digital Group Plc (“7Digital”, “The Group” Or “The Company”)
26 September 2017 7digital Group plc (“7digital”, “the Group” or “the Company”) Interim results for the half year ended 30 June 2017 7digital Group plc (AIM: 7DIG), the global leader in end-to-end digital music solutions, today announces its interim results for the half year ended 30 June 2017 (“H1”). Highlights Strong sales momentum into the second half of the year - Total revenues up 17% on a pre currency movement basis and 9% on adjusted basis to £5.9m (H1 2016: £5.4m) - Licensing revenues up 33% to £4.0m (H1 2016: £3.0m) - MRR up 38% to £3.2m (H1 2016: £2.3m) - LBITDA reduced by 36% to £1.7m (H1 2016: £2.6m) Benefits from the acquisition of 24-7 Entertainment (“24-7”), effective from 1 June 2017, starting to come through with additional revenue of £530k in June as a result of the acquisition MediaMarktSaturn (“MMS”), Europe’s biggest electronics and entertainment retailer, becomes the Company’s largest shareholder following the acquisition of 24-7 Entertainment Contracts signed with MMS as part of the transaction with a value of £18.0m over three years Total combined value of other one/two year contracts signed in the period of £4.0m. These included contracts with all three major record labels, the re-launch of TriPlay's eMusic service in the US and a renewed contract with musical.ly across additional territories, with revenue to be recognised over the next year More than 65% of H2 licensing revenues (£7.5m out of £11.3m) already contracted or committed £2.9m raised through a placing and open offer in March 2017 which allowed -
ORAL HISTORY PROJECT in Celebration of the City of Sugar Land 60Th Anniversary
ORAL HISTORY PROJECT in Celebration of the City of Sugar Land 60th Anniversary GOODSILL: What brought your family to Sugar Land, Billy? GOODSILL: What is William Alfred Streich’s story? STRITCH: My grandmother, Mary Alice Blair, was born in STRITCH: I never knew my grandfather. He died before I was Blessing, Texas, but her family moved to Sugar Land early in her born, in 1957 or so. My older sister is the only one who vaguely life. My grandmother and Buddy Blair were cousins. Mary Alice remembers him. He worked for a philanthropist in Houston whose was one of the founding families of First Presbyterian Church in name was Alonzo Welch. He had a foundation, the Welch Foundation, Sugar Land, founded in 1920 or so. There is definitely a Sugar which started in 1954, two years after Welch’s death in 1952. My Land connection that goes way back for us. grandfather was Mr. Welch’s right hand man. I know this through stories my grandmother told me over the years. At the time she married my dad, William Alfred Striech, they lived in Houston, where I was born in 1962. When I was about My dad who was an only child, who was raised in Houston. He went one, they decided to move out to Sugar Land and build a house. to Texas A & M for college and directly into the service afterward. He [Editor’s note: Striech was the original spelling of the name. Billy served two years in the Air Force. He met and married my mother, Jane goes by Stritch.] Toffelmire, during the course of the war. -
Top 40 Singles Top 40 Albums
12 May 2008 CHART #1616 Top 40 Singles Top 40 Albums Forever Don't Hold Back Unbreakable: 2008 NZ Tour Edition 50th Anniversary 1 Chris Brown 21 The Potbelleez 1 Westlife 21 Gray Bartlett Last week 5 / 3 weeks SBME Last week 22 / 12 weeks MOS/Universal Last week 10 / 22 weeks Platinum x1 / SBME Last week 17 / 3 weeks EMI Take A Bow Stop And Stare Rockferry Past, Present, Future 2 Rihanna 22 OneRepublic 2 Duffy 22 Tiki Taane Last week 4 / 2 weeks Universal Last week 18 / 17 weeks Universal Last week 3 / 5 weeks Gold x1 / Universal Last week 22 / 25 weeks Gold x1 / DirtyDub/Rhythm/DRM... Love In This Club Tattoo Flight Of The Conchords Rejoice 3 Usher feat. Young Jeezy 23 Jordin Sparks 3 Flight Of The Conchords 23 Katherine Jenkins Last week 1 / 10 weeks Gold x1 / SBME Last week 36 / 2 weeks SBME Last week 1 / 3 weeks Gold x1 / SubPop/Rhythmethod Last week 32 / 3 weeks Universal No Air Sorry Believe Legend: The Very Best Of 4 Jordin Sparks feat. Chris Brown 24 Buckcherry 4 Geoff Sewell 24 Willie Nelson Last week 2 / 10 weeks Platinum x1 / SBME Last week 26 / 6 weeks Universal Last week 2 / 4 weeks Gold x1 / SewellMusic/Ode Last week 18 / 6 weeks Gold x1 / SBME Lollipop What Is It? Back To Black: Deluxe Edition E=MC2 5 Lil Wayne 25 Baby Bash feat. Sean Kingston 5 Amy Winehouse 25 Mariah Carey Last week 6 / 3 weeks Universal Last week 33 / 6 weeks SBME Last week 6 / 49 weeks Platinum x2 / Universal Last week 20 / 3 weeks Universal 4 Minutes Party People The Swing Sessions Watershed 6 Madonna feat. -
Racial Gatekeeping in Country & Hip-Hop Music
Portland State University PDXScholar University Honors Theses University Honors College 12-14-2020 Racial Gatekeeping in Country & Hip-Hop Music Cervanté Pope Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/honorstheses Part of the Mass Communication Commons, Race and Ethnicity Commons, Social Psychology and Interaction Commons, and the Sociology of Culture Commons Let us know how access to this document benefits ou.y Recommended Citation Pope, Cervanté, "Racial Gatekeeping in Country & Hip-Hop Music" (2020). University Honors Theses. Paper 957. https://doi.org/10.15760/honors.980 This Thesis is brought to you for free and open access. It has been accepted for inclusion in University Honors Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Racial Gatekeeping in Country & Hip-Hop Music By Cervanté Pope Student ID #: 947767021 Portland State University Pope 2 Introduction In mass communication, gatekeeping refers to how information is edited, shaped and controlled in efforts to construct a “social reality” (Shoemaker, Eichholz, Kim, & Wrigley, 2001). Gatekeeping has expanded into other fields throughout the years, with its concepts growing more and more easily applicable in many other aspects of life. One way it presents itself is in regard to racial inclusion and equality, and despite the headway we’ve seemingly made as a society, we are still lightyears away from where we need to be. Because of this, the concept of cultural property has become even more paramount, as a means for keeping one’s cultural history and identity preserved. -
Repertoire Licensing Body Pan-European Licensing
Pan-European Repertoire Licensing Body licensing Repertoire Definition DSPs Use Type Start Date End Date Contact SonyATV & EMI – Anglo SOLAR Music Rights Y SonyATV & EMI – Anglo American repertoire: All except DSP's which come under the sub-agent/re- all digital 01 January 2015 [email protected] American repertoire Management The relevant repertoire at the work share level consists of any work share published by a Sony or aggregation agreements. EMI company in your territory (ie: for which you pay offline rights income to the local SonyATV or EMI affiliate) and which is written by a member of the Anglo American societies (PRS, ASCAP, BMI, SESAC, AMRA, SOCAN, IMRO, SAMRO or APRA) or a work share which is written by a writer or composer who is not a member of any society (NS) or represented by Global Music Rights (GMR). EMI SOLAR-Music Rights Y (a) The share of the music and the lyrics (if any) of Musical Works owned and/or controlled by any all except DSPs which come under the sub-agent/re- all digital 01 January 2008 31 December 2014 [email protected] Anglo-American repertoire Management company in the EMI Music Publishing group of companies operating in any of the United Kingdom, aggregation agreements (only apply until 31.12.2014) (formerly CELAS) Ireland, United States of America, Canada, Australia, New Zealand and South Africa which are written and/or composed and/or arranged in whole or in part by writers, composers and/or arrangers who are members of any of the following collecting societies namely PRS, IMRO, ASCAP, BMI, SESAC, SOCAN, APRA and SAMRO. -
Rappin' History
Rappin’ History Composing Historical Raps in the Classroom with Lessons Integrating Historical Raps from the Broadway Show Hamilton Rappin’ in the Classroom Hamilton! Lessons Using the Broadway Show Hamilton Traveling Exhibit Activities Lois MacMillan – 2018 Jane Ortner Education Award Submission South Middle School – Grants Pass, OR Outline of Rappin’ History Introduction: Impact of the Broadway show Hamilton & Historical Rap Lesson Experiences (pages 1-2) “Composing Historical Raps” Five Day Lesson Plan (pages 3-21) o Joseph Plumb Martin Worksheet PDF o Joseph Plumb Martin Adventures, Sufferings, and Dangers PDF o Joseph Plumb Martin Bio PDF o Article “Of Rocks, Trees, Rifles, and Militia” PDF o Rap Facts Worksheets PDF “World Turned Upside Down” The Battle of Yorktown Lesson Plan (pages 22-26) o “World Turned Upside Down Worksheet” PDF “Constitution Needed!” Events Around the Constitution Lesson Plan (pages 27-37) o “Events Around the Constitution” PDF o “Events Around the Constitution Worksheet” PDF o PowerPoint “Plain, Honest Men” “The Dinner Deal” Choosing the Nation’s Capital Lesson Plan (pages 38-44) o “The Dinner Deal Worksheet” PDF o “In Room Where It Happens” PDF “Election of 1800” Crisis in the Electoral College Lesson Plan (pages 45-49) o “Election of 1800” PDF “Code Duello and the Hamilton-Burr Duel” Two Day Lesson Plan (pages 50-57) o “Code Duello” PDF o PowerPoint “Five Duel Experiences” o “Your Obedient Servant” PDF Introduction: In 2004, Ron Chernow published Hamilton, earning him Gilder Lehrman’s George Washington Book -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
Mellencamp & Fairchild Deliver Hope Wariner Previews Atkins Tribute
page 1 Monday, May 11, 2009 Mellencamp said, "Those records are not Mellencamp & perfectly made—they're pretty raw. The emotion they capture is the essence. People Fairchild Deliver Hope are not alone in their loneliness. If people by David M. Ross get any bit of that message from the video "It struck me that Karen Fairchild's it would be fantastic." View the video at voice not only sounds good in Little Big Town http://twurl.nl/i2ucpq but also works well with mine," says John Mellencamp regarding the pair's newly released duet video "A Ride Back Home." Shot Wariner Previews on the campus of Indiana University, most of the shoot resides in and around the pews Atkins Tribute of Beck Chapel. "When he writes something by Peter Cronin it's as though he's speaking it, so it's a bit of On June 23, award-winning singer/ a challenge," says Fairchild. "I didn't want songwriter/guitarist/producer Steve to mess that up or get in the way, so I call it Wariner will release c.g.p., My Tribute to kind of 'chasing' John." Chet Atkins, a musical salute to his old Inspired from '30s and '40s American folk friend Chet Atkins. Recorded for Wariner’s songs, Mellencamp sees the lyric's darkness SelecTone Records, the 11-song collection as uplifting, delivering a message of hope. combines Atkins classics with Wariner Discussing great country folk recordings from originals played in the style of the late six- the Carter Family through Hank Williams string legend. Wariner has recorded a series of webisodes to introduce listeners to each track. -
Most Requested Songs of 2009
Top 200 Most Requested Songs Based on nearly 2 million requests made at weddings & parties through the DJ Intelligence music request system in 2009 RANK ARTIST SONG 1 AC/DC You Shook Me All Night Long 2 Journey Don't Stop Believin' 3 Lady Gaga Feat. Colby O'donis Just Dance 4 Bon Jovi Livin' On A Prayer 5 Def Leppard Pour Some Sugar On Me 6 Morrison, Van Brown Eyed Girl 7 Beyonce Single Ladies (Put A Ring On It) 8 Timberlake, Justin Sexyback 9 B-52's Love Shack 10 Lynyrd Skynyrd Sweet Home Alabama 11 ABBA Dancing Queen 12 Diamond, Neil Sweet Caroline (Good Times Never Seemed So Good) 13 Black Eyed Peas Boom Boom Pow 14 Rihanna Don't Stop The Music 15 Jackson, Michael Billie Jean 16 Outkast Hey Ya! 17 Sister Sledge We Are Family 18 Sir Mix-A-Lot Baby Got Back 19 Kool & The Gang Celebration 20 Cupid Cupid Shuffle 21 Clapton, Eric Wonderful Tonight 22 Black Eyed Peas I Gotta Feeling 23 Lady Gaga Poker Face 24 Beatles Twist And Shout 25 James, Etta At Last 26 Black Eyed Peas Let's Get It Started 27 Usher Feat. Ludacris & Lil' Jon Yeah 28 Jackson, Michael Thriller 29 DJ Casper Cha Cha Slide 30 Mraz, Jason I'm Yours 31 Commodores Brick House 32 Brooks, Garth Friends In Low Places 33 Temptations My Girl 34 Foundations Build Me Up Buttercup 35 Vanilla Ice Ice Ice Baby 36 Bee Gees Stayin' Alive 37 Sinatra, Frank The Way You Look Tonight 38 Village People Y.M.C.A. -
What Is It Writing for Pleasure Teachers Do That Makes the Difference?
What is it Writing For Pleasure teachers do that makes the difference? Final Report Ross Young Contents Executive Summary . Page 3 The Introduction . Page 11 Defining Writing For Pleasure . Page 12 The Creation Of The Writing For Pleasure Audit . Page 14 Methodology . Page 22 Results . Page 28 Quantitative results: analysis of teachers’ practice . Page 28 Illustration of the Writing For Pleasure principles . Page 31 Quantitative results: analysis of the affective domains . Page 40 Illustrations of the affective domains . Page 42 Conclusion . Page 52 Major Findings . Page 53 Limitations . Page 61 Recommendations & Implications . Page 62 References . Page 64 Appendix . Page 86 To cite this research study: Young, R., (2019) What is it Writing For Pleasure teachers do that makes the difference? The Goldsmiths’ Company & The University Of Sussex: UK [Online] Available at: writing4pleasure.com Copyright Statement This report is protected by the UK Copyright Act 1988. This report may be consulted and used by you, provided you comply with the provisions of the Act and the following conditions of use: Any use you make of these documents must be for research or private study purposes only. You may not make them available to any other persons or financially gain from its content. The author controls the copyright of this report. You will recognise the author's right to be identified as the author of this report, and due acknowledgement will be made to the author where appropriate. You will obtain the author's permission before publishing any material from this report. To contact or otherwise request permissions please use the following email: [email protected] 2 Executive Summary I feel like if I never wrote – life would be a bit boring wouldn’t it - having loads of thoughts but never being able to show it.