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“Minority” Cultures Studies in International Minority and Group Rights
Globalization and “Minority” Cultures Studies in International Minority and Group Rights Series Editors Gudmundur Alfredsson Kristin Henrard Advisory Board Han Entzinger, Professor of Migration and Integration Studies (Sociology), Erasmus University Rotterdam, the Netherlands; Baladas Ghoshal, Jawaharlal Nehru University (Peace and Conflict Studies, South and Southeast Asian Studies), New Delhi, India; Michelo Hansungule, Professor of Human Rights Law, University of Pretoria, South Africa; Baogang He, Professor in International Studies (Politics and International Studies), Deakin University, Australia; Joost Herman, Director Network on Humanitarian Assistance the Netherlands, the Netherlands; Will Kymlicka, Professor of Political Philosophy, Queen’s University, Kingston, Canada; Ranabir Samaddar, Director, Mahanirban Calcutta Research Group Kolkata, India; Prakash Shah, Senior Lecturer in Law (Legal Pluralism), Queen Mary, University of London, the United Kingdom; Tove Skutnabb-Kangas, Åbo Akademi University, Dept. of Education, Vasa, Finland; Siep Stuurman, Professor of History, Erasmus University Rotterdam, the Netherlands; Stefan Wolff, Professor in Security Studies, University of Birmingham, the United Kingdom. VOLUME 8 The titles published in this series are listed at brill.com/imgr Globalization and “Minority” Cultures The Role of “Minor” Cultural Groups in Shaping Our Global Future Edited by Sophie Croisy LEIDEN | BOSTON This is an open access title distributed under the terms of the prevailing cc-by-nc License at the time of publication, which permits any non-commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. More information about the initiative can be found at www.knowledgeunlatched.org. -
Manly Warringah Pittwater Lavina Warner
Elimatta autumn 2010 www.asgmwp.net Aboriginal Support Group – Manly Warringah Pittwater Lavina Warner – From Charleville to the Big City My name is Lavina Warner. I am the fourth youngest in my family of thirteen. My parents were Aboriginal. Both were alcoholics. My childhood memories took place in Charleville, Queensland. In those early days I was always hurt, bruised and cut. I remember being scalded by a pot of tea which went down my back. The memories I have of my mother are both sad and joyous. Sad, because she was often in jail. I remember seeing her sad eyes looking through the bars at me. Apparently, she used to walk up the street drunk, singing Rain drops keep falling on my head. Joyous memories, because one night she took me home from the pub and I cried because I wanted to stay with her. She kissed me good night and gave me twenty cents. One day, my parents took me and my sisters and two younger brothers there. I found out later that they had I left Goondiwindi to go back and to the police station. We had to wait sent her to Kalimna in Brisbane, a live in the Home between 1977 and out the back and then we were on maximum security centre for young 1981 by which time I had fi nished a train bound for who knows where. girls, just because she hung her head Year 10 and then started working in We arrived the next day in a big city in shame. a nursing home. -
Final Presentation Transcribed 25 October 2019 by Linda Payi Ford Dr Charles Perkins OA Memorial Oration & Memorial Prize 2019 University of Sydney
Final Presentation transcribed 25 October 2019 by Linda Payi Ford Dr Charles Perkins OA Memorial Oration & Memorial Prize 2019 University of Sydney Title: Aminila bit tjan kin-ning wurrkama gu? Are we all working together with a united voice, treaty & truth? Orator Associate Professor Linda Payi Ford Principal Research Fellow Co-Director: Indigenous Sovereign Practices in Research & Education Co-Director: Contemporary Indigenous Knowledges & Governance Charles Darwin University, College of Indigenous Futures, Arts & Society, Northern Institute, Darwin, Northern Territory, Australia Acknowledgement Yo Walakanda! Pilu! Tyilili! Kagaminy woewoe ninni Gadinura – Gadi nunngu. Marrany nginin pupwa. Yu nangy ga Payi Linda Ford, Rak Mak Mak Marranunggu, Kurrindju yangana, also daughter of the Warramirri clan at Gawa on Elcho Island in the Northern Territory. Wurrkama Dr Charles Perkins OA Memorial Oration ninni nangy ga woewoe Gadigal– Eora nunggu. Ma! I honour your Elders that have come before you, those that are here tonight and wait in optimistic anticipation for those Elders who are yet to emerge on Gadinura – Gadi Country of the Gadigal of the Eora Nation. I began by acknowledging in my Mak Mak Marranunggu the sovereignty of Gadigal of the Eora Nation Traditional Owners of the land on which we meet this evening and all Indigenous peoples and guests tonight at the Dr Charles Perkins OA Memorial Oration 2019 and Memorial Prize event hosted by the University of Sydney. I acknowledge and I can see: The Perkins Family Members: Tyilili Eileen, Delyek Rachel, Kandu Tyson, Tjipal Thea, Tyipal Lillie The University of Sydney’s Vice Chancellor & Principal Dr Michael Spence AC Deputy Vice Chancellor Indigenous Strategies and Services Professor Lisa Jackson Pulver AM 1 All my Family, countrymen from all walks of life and to those that are here in spirit Distinguished Guests, Ladies and Gentlemen Tonight, I honour Dr Charles Perrurle Perkins OA’s Memorial. -
6. Indigenous Communities Buy Hotels
6 Indigenous communities buy hotels Among the many damaging effects of the prohibition years, the bans on Aboriginal people drinking in hotels alongside other Australians were the most mortifying. When it became financially possible for Indigenous entities to buy hotels for themselves in the 1970s and 1980s, this history of exclusion was influential in the thinking of Aboriginal organisations and government bureaucrats. Eight hotels were purchased by, or on behalf of, Aboriginal community entities over roughly a 20-year period—the first was the Finke Hotel at Finke in the Northern Territory in 1975. This was followed by purchases of the Oasis Hotel at Walgett (1983), the Transcontinental at Oodnadatta (1986), Mt Ebenezer Roadhouse (1987), Woden Town Club, Canberra (1988), the Crossing Inn, Fitzroy Crossing (1989), Daly River Hotel Motel (late 1990s) and the Wayside Inn at Timber Creek (1999). The most recent purchase of a licensed hotel was in 2014, when the Ngarluma Aboriginal Corporation and the Ngarluma Yindjibarndi Foundation, both in the Pilbara region of Western Australia, purchased the Whim Creek Hotel between Roebourne and Port Hedland.1 1 The purchase of the hotel ($1.7 million) includes an accommodation complex (The West Australian 2014). The new owners plan to restore and reopen the hotel and provide industry and training opportunities for local Indigenous people. 175 TEACHING 'PROPER' DRINKING? Map 2 Public hotels owned or part owned by Indigenous entities, 1975–2014 Source: CartoGIS, The Australian National University Apart from these mostly rural, small-town pubs, in recent years, Aboriginal corporations have bought interests in several high-profile facilities that include the sale of alcohol, such as the Gagudju Lodge at Cooinda, and the Gagudju Crocodile Holiday Inn Motel, which are both in Kakadu National Park; the Dugong Beach Resort on Groote Eylandt; and the Ayers Rock Resort (Yulara) in central Australia. -
Curated by Djon Mundine OAM and Natalie King 04
Curated by Djon Mundine OAM and Natalie King 04. Catalogue Essay: Conversations with a shadow 10. Forewords 12. Vernon Ah Kee 16. Bindi Cole 20. Brenda L. Croft 2.4 Destiny Deacon/Virginia Fraser 28. Fiona Foley 32. Gary Lee 36. Michael Riley 40. Ivan Sen 44. Christian Thompson 48. List of works 50. Credits When light shines on something or someone, a shadow is always cast. Sacred powerful representations of spirit entities are placed inside and A person can never desert its shadow and a shadow cannot leave its human revealed to initiates in revelatory performances. Initiates themselves, original. Every shadow has its own presence and absence. And no more so seen as sacred objects, are also laid inside this ‘shade’. To shade is to blind in this continent, Australia, full of ghosts and shadows honeycombing the or cover, light is its antonym. Wungguli, an Arnhem Land Djambarrpuyngu historical, social, and physical landscape. Each story is a ghost story loaded word, means spirit and shadow and came to describe a photographic image. with shadows – a kind of ‘Scar’ story. Shadowlife addresses these moments In 1960, Aboriginal singer Jimmy Little had a hit song with The Shadow of the of intensity through the photo/filmic-based practices of nine Aboriginal Boomerang, from the film of the same name. Some painters use shadows to artists (and one non-Indigenous collaborator). make an object or person appear solid or three-dimensional. When painted Frantz Fanon wrote that colonialism and racism are forms of violence shadows are deployed to enhance physical features, personal characteristics embedded in every facet of colonial cultural expression, so subtle and come into focus. -
HREOC Annual Report 2005-06.Indb
Universal Declaration of Human Rights Adopted and proclaimed by General Assembly resolution 217 A (III) of 10 December 1948 Preamble Whereas recognition of the inherent dignity and of the equal and inalienable rights of all mem- bers of the human family is the foundation of freedom, justice and peace in the world, Whereas disregard and contempt for human rights have resulted in barbarous acts which have outraged the conscience of mankind, and the advent of a world in which human beings shall enjoy freedom of speech and belief and freedom from fear and want has been proclaimed as the highest aspiration of the common people, Whereas it is essential, if man is not to be compelled to have recourse, as a last resort, to rebellion against tyranny and oppression, that human rights should be protected by the rule of law, Whereas it is essential to promote the development of friendly relations between nations, Whereas the peoples of the United Nations have in the Charter reaffirmed their faith in funda- mental human rights, in the dignity and worth of the human person and in the equal rights of men and women and have determined to promote social progress and better standards of life in larger freedom, Whereas Member States have pledged themselves to achieve, in cooperation with the United Nations, the promotion of universal respect for, and observance of, human rights and fundamen- tal freedoms, Whereas a common understanding of these rights and freedoms is of the greatest importance for the full realization of this pledge, Now, therefore, THE -
2009 Enhancetv ATOM AWARDS Finalists
2009 EnhanceTV ATOM AWARDS Finalists STUDENT Best Primary (K-6) Film Video Production (5 Finalists): The Giant Eel Students in 4/5/6A UPS Productions .... Never Down Ulmarra Public School NSW Nails Grade 6-7 Cherbourg State School Qld Can You Find... Cherbourg State School Qld Miss Lil's Magic Eggy Rock Year 7 Film Club 2008 St. Michael's Catholic School, Palm Island & Strong and Smart Inc. Qld Journey to the Center of the Art Grade 6 Film Club 2008 Bwgcolman Community School, Palm Island & Strong and Smart Inc. Qld Best Middle School (7-10) Film Video Production (5 Finalists): Bad Day Scott Denson, Robert Hayes, James Knox, Byron White & Chris Yap Scotch College Vic Double or Nothing Robert Steel Immanuel Lutheran College Qlc Crash SNSEP Students, Balga SHS Filmbites Youth Film School WA Mercury Vapour Zoe Barnes, Sam McManus, Rachel Clough, Sean O'Keeffe Lithgow High School NSW Caught in the Crowd Matilda Barlow, Reuben Culliton,Raphael Fitzpatrick, Thomas Brownlow, Alexandra Litchfield, Elise Dare Lithgow High School NSW Best Middle School (7-10) Multimedia Production (5 Finalists): Contrast Sarah Lang St Catherine's School Vic The Return of the Tree Fraser Clayton Immanuel Lutheran College Qld A Long Way to Go Brittney Lyle Immanuel Lutheran College Qld Conned Penelope Dunn Immanuel Lutheran College Qld Colour your World Jessica Thomson Methodist Ladies College Vic Best Secondary Animation (2 Finalists): Spud Lovin Mei-Lynn Wilkinson Narrabundah College ACT A Snowflakes Touch Stephanie Leung Mount Saint Joseph Girls' College Vic Best -
Ww W. Asgmwp . Net Aboriginal Support Group – Manly Warringah
Elimatta spring 2010 www.asgmwp.net Aboriginal Support Group – Manly Warringah Pittwater Adam Cryer Project Offi cer – Aboriginal Child, Youth & Family Strategy My name is Adam Cryer and I am I have Community Consultations the Aboriginal Child, Youth and planned for October that will allow Family Strategy Project Offi cer for the the local community to talk directly Northern Sydney Region. I have been to services and let the services know in this position since November 2009. about how they could provide better I am based at Hornsby Council but access for Aboriginal people. spend a lot of time getting out and This project is also responsible about as the area I work in stretches for organising projects such as from the beautiful Northern Beaches Christmas in the Bush and other right across to the Harbour and up community events. Christmas in the to the river country of Wisemans Bush will be on again this year and it Ferry and Brooklyn. I am currently the looks like it will be held at Co-Chair of Reconciliation Network: Taronga Zoo on Sunday 28 Northern Sydney Region and also November. We are also convene the Northern Sydney Koori planning some smaller Interagency. community get togethers I am an Aboriginal man who has to ensure that families are grown up in Hornsby and have supporting each other in strong ties to the Northern Sydney the area. area. I have spent 10 years working In my time in this role I have in community services in both local been able to make really good government and non-government connections with Aboriginal staff Adam is located at the Community organisations. -
The Black List Is an Important Addition to Reference Material B
T h e Produced by Screen Australia’s Strategy & Research Unit, The Black List is an important addition to reference material B on Indigenous filmmaking in Australia, cataloguing the work l a of 257 Indigenous Australians with credits as producer, c director, writer or director of photography on a total of k 674 screen productions. L he i Listings go back as far as 1970 for feature films and telemovies, ! Film and TV to 1980 for documentaries and mini-series, and to 1988 for T shorts and series. projects since 1970 Titles are indexed by year and by filmmaker, and the book with also features a statistical summary and timeline of key titles and events. Indigenous Australians in key creative SCREEN A Black roles US TRALIA Li! he OVX:YD+1 T cf[TEChg gOYCEÐÖõÏ pOhM YDOLEY[jg jghf:VO:Yg OYUErCfE:hOoE Black f[VEg Li! ÛÛ #!1!1/ 0 .0 Yhf[DjChO[YÒ _nSKi@mnQKvxK@lm_JURK_apm~\^^@[KlmS@uKHla[K_nSlapRSna@ISUKuKHanSIlUnUI@\@_J Ia^^KlIU@\mpIIKmmvUnS-@ISK\*Kl[U_m¡3`O\?bS5OSn@[U_R^alKnS@_ Ý^U\\Ua_@nnSK Mf[Y[V[Lr[K pmnl@\U@_HawaQ~IK7@lvUI[0Sal_na_vU__U_RnSK @__Km @^Kl@J¡"lQalO[]\5SZWZOV YDOLEY[jgxVXò+1Ó @_J^p\nUi\K@v@lJmQalilaRl@^mmpIS@m7W`a2ba`OZWO\@_JDVS4W`QbWa DVS3ZOQY=WaIK\KHl@nKmnSKmKIa_nK^ial@lxmIlKK_mnalxnK\\Klm@_JnSamKnS@nS@uK Ergh:hOghOCgÐÑ Ra_KHKQalKilauUJU_RJKmIlUinUuK\UmnU_RmaQJl@^@@_JJaIp^K_n@lxnUn\KmvSKlK_JURK_apm pmnl@\U@_mS@uKHKK_IlKJUnKJU_nSK[KxIlK@nUuKla\KmaQilaJpIKlJUlKInalvlUnKlalJUlKInal +OhVEgBrrE:f aQiSanaRl@iSx¼ "*½ E:hjfEg ÐÔ 0SKI@n@\aRpK@U^mnaHK@mIa^ilKSK_mUuK@miammUH\KvUnSU_nSKnU^KiKlUaJmIauKlKJQal +1Df:X: ÐÔ K@ISQal^@n [CjXEYh:fOEg[YL -
Horses 1-2-3 in Stakes
Horses 1-2-3 in Stakes he following section of The Blood-Horse Stakes Annual for 2008 provides an Talphabetical listing of horses who won or placed in 2008 North American stakes, includ- ing pedigree and stakes performances. The Blood-Horse Stakes Annual for 2008. Copyright © 2009, by Blood-Horse Publications. All Rights Reserved. This publication may not be reproduced, in whole or in part, in any form or by any means, electronic or otherwise, without the prior written permission of Blood-Horse Publications. Horses 1st, 2nd, 3rd in Stakes Acinonyx (ch f, 2004, Luhuk—Lydia Louise, by A DYNAMITE TIME (b c, 2006, Defrere—Heckuva Southern Halo), 3rd Skipat S, $5,500; Whimscal S Time, by Gilded Time), New Jersey Juvenile S (R), (R), $5,500. $36,000. Horses which finished first, second, or ACK MAGICAL (b g, 2004, Magic Flagship— AFERDS CODE RED (gr/ro g, 2004, Codys Key— third in 2008 North American stakes races Methodical, by Ack Ack), Magic City Classic S (R), Aferds Mistress, by Aferd), Dean Kutz Memorial S $19,250. (R), $6,000; 2nd Bet America S, $1,560. are listed alphabetically. ACOMA (b f, 2005, Empire Maker—Aurora, by Danzig), Affair Lady (dkb/br f, 2001, Ian’s Affair—Ffrappin Force, Stakes winners are in capital letters; bold Dogwood S (gr. III), $66,904; Pin Oak Valley View S by Family Doctor), 3rd Parson Printing and face type indicates winners of black-type (gr. IIIT), $93,000; Mrs. Revere S (gr. IIT), $117,696; Typography S, $600. 2nd Monmouth Oaks (gr. III), $30,000. -
Flying the Line Volume II: the Line Pilot in Crisis: ALPA Battles Airline Deregulation and Other Forces
FlyingFlying the the Line Line Volume II: II: TheThe Line Line Pilot Pilot in in Cr Crisis:isis:isis: ALPALPALPAABattlesBattlesA Battles AirlineAirlineDerDerAirline Deregulationegulationegulation AndAnd Other Other F Forororcescesces ByByGeorGeorBy GeoreEeE..gggeE.HopkinsHopkinsHopkins Flying the Line Volume II: The Line Pilot in Crisis: ALPA Battles Airline Deregulation And Other Forces I Flying the Line Volume II: The Line Pilot in Crisis: ALPA Battles Airline Deregulation And Other Forces By George E. Hopkins Air Line Pilots Association, International Washington, D.C. III International Standard Book Number: 0-9609708-0-0 Library of Congress Catalog Card Number: 00000000 Copyright © 2000 by the Air Line Pilots Association, International, Washington, D.C. 20036 All rights reserved Printed in the United States of America First Printing May 2000 Second Printing 2002 Third Printing 2007 IV CONTENTS Foreword by C.V. Glines VII Acknowledgements XI Chapter 1: THE WORLD OF THE AIRLINE PILOT— A Profession at Century’s End 1 Chapter 2: THE LEGACY OF FOUR GOLDEN DECADES, 1938–1978— Flying the Line under Regulation 10 Chapter 3: THE TRIALS OF J. J. O’DONNELL—SOS Theory and Practice 20 Chapter 4: DODGING BULLETS— Crew Complement, Politics, and the Wien Strike 35 Chapter 5: THE BRANIFF DEBACLE—Deregulation Hits Home 49 Chapter 6: O’DONNELL’S DILEMMAS— The PATCO Strike, Braniff, and Furloughs 61 Chapter 7: THE END OF THE O’DONNELL ERA—The Election of 1982 73 Chapter 8: HANK DUFFY’S DESTINY—The Making of an ALPA President 88 Chapter 9: DUFFY TAKES CHARGE—A -
Australian Aborigin Films Cine Australiano Aborigen
PROGRAMA /PROGRAME AUSTRALIAN CINE AUSTRALIANO ABORIGIN FILMS ABORIGEN THE TRACKER AUstraLia, 2002 ROLF DE HEER TECHNICAL DATA Director: Rolf de Heer Cast: Gary Sweet, David Gulpilil Music: Graham Tardiff, Rolf de Heer Photography: Ian Jones, ACS Runtime: 90 min DIRECTOR’s BIOGRAPHY Rolf de Heer was born in 1951 in Heemskerk, Holland, and migrated to Australia with his family in 1959. From eighteen, he spent seven years working at the Australian Broadcasting Corporation, until he decided it was time “to stop dealing with other people’s programs and make some of my own”. In 1977, he was granted entry into Australia’s prestigious Film Television and Radio School, completing the three-year course with Diplomas in Production and Directing. De Heer’s first film was the children’s feature `Tail Of A Tiger’ (1984), SYNOPSIS which attracted both critical and commercial success and played at the Berlin Kinderfest. ‘Incident At Raven’s Gate’ It’s 1922; somewhere in Australia. When a Native Australian (1987), de Heer’s second feature, was an atmospheric science man is accused of murdering a white woman, three white men fiction mystery thriller, followed by `Dingo’ (1990), a musical (The Fanatic, The Follower and The Veteran) are given the odyssey that travelled from outback Western Australia to the mission of capturing him with the help of an experienced Native streets of Paris starring Colin Friels and jazz legend Miles Australian (The Tracker). In charge is the Fanatic (Gary Sweet), Davis in his only film role. `Bad Boy Bubby’ (1993) marked cold, ruthless, calculating but complex. The second of the three de Heer’s first collaboration with Italian producer Domenico whites is the Follower (Damon Gameau), a greenhorn, new to Procacci.