<<

h lc Li Black The

Produced by Screen ’s Strategy & Research Unit, The Black List is an important addition to reference material on Indigenous filmmaking in Australia, cataloguing the work of 257 with credits as producer, director, writer or director of photography on a total of 674 screen productions.

Listings go back as far as 1970 for feature films and telemovies, ! and TV to 1980 for documentaries and mini-series, and to 1988 for The shorts and series. projects since 1970 Titles are indexed by year and by filmmaker, and the book with also features a statistical summary and timeline of key titles and events. Indigenous Australians in key creative SCREEN AUSTRALIA Black Li! roles COVER PHOTOGRAPHY: (left to right) 1. Fat Pizza 2. Nana (on location) 3. Jacob (Murray Lui on location) Photographer: Sam Oster 4. Director Beck Cole & DOP on location in Tasmania for Photographer: Ricky Mainard

Screen Australia GPO Box 3984 NSW 2001 Australia Tel: +61 2 8113 5800

© Screen Australia June 2010. Amended August 2014.

Design by Alison White Designs Pty Limited Printed by No Time To Lose

This information is to be used as a guide only and is of a general nature. Screen Australia has undertaken all reasonable measures to ensure its accuracy and specifically disclaims any liability, loss or risk, personal or otherwise, which is incurred as a consequence, directly or indirectly of the use and application of any of the contents.

The Black List: Film and TV projects since 1970 with Indigenous Australians in key creative roles ISBN 978-1-920998-11-0

OVX:YD+1 The cf[TEChg gOYCEÐÖõÏ pOhM YDOLEY[jg jghf:VO:Yg OYUErCfE:hOoE Black f[VEg Li! ÛÛ #!1!1/ 0  .0 Yhf[DjChO[YŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒÒ _nSKi@mnQKvxK@lm“_JURK_apm~\^^@[KlmS@uKHla[K_nSlapRSna@ISUKuKHanSIlUnUI@\@_J Ia^^KlIU@\mpIIKmm“vUnS-@ISK\*Kl[U_m¡3`O\?bS5OSn@[U_R^alKnS@_ Ý^U\\Ua_@nnSK Mf[Y[V[Lr[K pmnl@\U@_HawaQ~IK“7@lvUI[0Sal_na_vU__U_RnSK @__Km @^Kl@J¡"lQalO[]\5SZWZOV“ YDOLEY[jgxVXò+1ŒŒŒŒŒÓ @_J^p\nUi\K@v@lJmQalilaRl@^mmpIS@m7W`a2ba`OZWO\@_JDVS4W`QbWa’ DVS3ZOQY=WaIK\KHl@nKmnSKmKIa_nK^ial@lxmIlKK_mnalxnK\\Klm@_JnSamKnS@nS@uK Ergh:hOghOCgŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒÐÑ Ra_KHKQalK“ilauUJU_RJKmIlUinUuK\UmnU_RmaQJl@^@@_JJaIp^K_n@lxnUn\KmvSKlK_JURK_apm pmnl@\U@_mS@uKHKK_IlKJUnKJU_nSK[KxIlK@nUuKla\KmaQilaJpIKl“JUlKInal“vlUnKlalJUlKInal +OhVEgBrrE:f aQiSanaRl@iSx¼ "*½’ E:hjfEgŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒ ÐÔ 0SKI@n@\aRpK@U^mnaHK@mIa^ilKSK_mUuK@miammUH\KvUnSU_nSKnU^KiKlUaJmIauKlKJQal +1Df:X:ŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒÐÔ K@ISQal^@n• [CjXEYh:fOEg[YLŒŒŒŒŒŒ Ðõ ‰ QK@nplKm@_JnK\K^auUKmmU_IK×ßÝÖ ‰ 06Jl@^@^U_UŽmKlUKmmU_IK×ßÞ֓@_JmKlUKmmU_IK×ßÞÞ [CjXEYh:fOEg)M[fhŒŒŒŒŒ ÑÐ ‰ JaIp^K_n@lUKmmU_IK×ßÞÖ )M[fhDf:X:ŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒ ÑÑ ‰ mSaln~\^mmU_IK×ßÞޒ @mU_RnSKmK\KInUa_a_nSK~\^^@[Klm“l@nSKlnS@_nSKIa_nK_naQnSK~\^alilaRl@^“ +OhVEVOghOYLg ^K@_mma^KnUn\Kmxap^URSnS@uKKwiKInKJna~_JU_@\UmnaQ _JURK_apm~\^m¡@lK_an E:hjfEgŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒÑÔ U_I\pJKJilaZKInmvSKlK_JURK_apmpmnl@\U@_m@lKmnla_R\xlKilKmK_nKJW\T`]\a]T“ +1Df:X:ŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒÒÑ l@nSKlnS@_HKSU_J“nSKI@^Kl@“mpIS@mCOPPWaA`]]T7S\QSalDS\4O\]S’ avKuKl“QaIpmU_Ra_nSKuUmUa_PSVW\RnSKI@^Kl@lKuK@\mSavQ@lnSK_JURK_apm [CjXEYh:fOEg[YLŒŒŒŒŒŒôÏ ~\^^@[U_RmKInalS@mIa^K’ [CjXEYh:fOEg)M[fhŒŒŒÐõô 0SKlKvKlK_aQK@nplK~\^m^@JKU_nSK×ßÝÖmvUnS@__JURK_apmpmnl@\U@_U_@[Kx IlK@nUuKla\K“@_Ja_\xa_K06Jl@^@nUn\K’ alKnS@_ØÖxK@lm\@nKl“nSK~lmnJKI@JKaQnSK )M[fhDf:X:ŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒÐÖÕ ØÖÖÖmS@mmKK__JURK_apm~\^^@[KlmIa_nlUHpnKna_U_KQK@nplKm@_J×Ü06Jl@^@m’.U^U\@l YDEqEg RlavnSS@maIIpllKJU_JaIp^K_n@lUKm“vUnS_JURK_apmIlKJUnma_ØÝÛnUn\KmmU_IKØÖÖ֓ rUErCfE:hOoEgŒŒŒŒŒŒŒŒŒŒŒŒÑÓÔ Ia^i@lKJnaØÛnUn\KmU_nSK×ßÞÖm’0SKmn@nUmnUIma_i@RKm×؏×ÙnK\\@Qp\\Klmnalx’ KI@JKmaQval[Hx^@_xU_JUuUJp@\m@_JalR@_Um@nUa_m@lKHKSU_JnSKvK@\nSaQn@\K_n rhOhVEgµˆ7¶ŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒÑÔõ \UmnKJU_nSUmHaa[Qla^_JURK_apm^KJU@@mmaIU@nUa_mmpIS@m  @_Jaa\@llU KJU@“ naQKJKl@\Qp_JU_R@RK_IUKmnSK “U\^pmnl@\U@“ @_J_av.IlKK_pmnl@\U@“mn@nK@_J nKllUnalxmIlKK_@RK_IUKm“nSK @_J. .“@_JU_mnUnpnUa_mmpIS@m0..@_J0-.’

Ü !1.# 2 1#! Q]\aW\bSR

KxmnKim@\a_RnSKv@x@lKmKnapnU_nSKISla_a\aRxmn@lnU_Ra_i@RKے m@^@ZalmpiialnKlaQ_JURK_apmilaZKInm@_Jil@InUnUa_Klm“.IlKK_pmnl@\U@S@m Ia^iU\KJDVS3ZOQY=WanaKwi@_JnSKlKQKlK_IKU_Qal^@nUa_@u@U\@H\Ka__JURK_apm ~\^^@[U_RU_pmnl@\U@@_J@mmUmnU_ila^anU_RnSKJKuK\ai^K_naQnSUmuUHl@_nmKInalaQ nSKpmnl@\U@_mIlKK_U_Jpmnlx’ 0SKI@n@\aRpKvU\\Ia_nU_pKnaRlavnSlapRS.IlKK_pmnl@\U@¡ma_\U_KJ@n@H@mK@n vvv’mIlKK_@pmnl@\U@’Rau’@p»~\^m“@_JxaplQKKJH@I[UmvK\Ia^K’

9DONDERWV

)C[cE DVS3ZOQY=WaIauKlmilaZKInmIa^i\KnKJpina× @xØÖ×֓Qla^×ßÝÖQalQK@nplKm@_JnK\K^auUKm“×ßÞÖQalJaIp^K_n@lUKm@_J 06Jl@^@^U_UŽmKlUKm“@_J×ßÞÞQalmSalnm@_J06Jl@^@mKlUKm’@l\UKlilaZKInmS@uKHKK_U_I\pJKJvSKlKU_Qal^@nUa_Iap\JHK UJK_nU~KJ@_JuKlU~KJ’ 0SKI@n@\aRpKU_I\pJKmJl@^@@_JJaIp^K_n@lxnUn\Kma_\x“H@mKJa_JK~_UnUa_mpmKJHxnSKpmnl@\U@_ a^^p_UI@nUa_m@_J KJU@pnSalUnx“UKKwI\pJU_R^@R@{U_K“\URSnK_nKln@U_^K_n“IpllK_n@QQ@Ulm@_JIalial@nK@_J»alnl@U_U_RilaRl@^m’ p\nUi\KmKlUKmaQnSKm@^KnUn\KS@uKHKK_U_I\pJKJp_JKl@mU_R\K\UmnU_R“vUnSmKlUKm_p^HKlm_anKJ’ lKJUnmS@uKnSpmHKK_ Ia^HU_KJ“@_J^@x_an@ii\xna@\\mKlUKm’ 9K@l¡lKQKlmnanSKxK@lnSKnUn\Kv@mIa^i\KnKJ’ _JURK_apmpmnl@\U@_m¼H@mKJa_nSamKvSaS@uKipH\UI\xUJK_nU~KJnSK^mK\uKm@m_JURK_apm½U_nSKla\KmaQilaJpIKl“ JUlKInal“vlUnKlalJUlKInalaQiSanaRl@iSx@lKIlKJUnKJU_Un@\UImU_K@ISnUn\K\UmnU_R’0Un\KmvSUISIlKJUn@vSa\KIa^^p_Unxal RlapiU_a_KaQnSK[Kxla\KmS@uK_anHKK_U_I\pJKJU_nSUmKJUnUa_’ _nKl_@nUa_@\m@\Km@RK_nm@_Jpmnl@\U@_ 6 JUmnlUHpnalm@lK\UmnKJvSKlK[_av_’ an@\\nUn\KmU_nSUmI@n@\aRpK@lKlK@JU\x )ODFN*KLFN9DONLQJ @u@U\@H\KQaliKlma_@\uUKvU_R’0lxnSK 6 JUmnlUHpnalvSKlK\UmnKJ“alISKI[.IlKK_pmnl@\U@¡m7W\RO4]^ 72B“@u@U\@H\K@n 6kTmJk¹ITkJHm`k”J?R*okHJ[[ vvv’mIlKK_@pmnl@\U@’Rau’@p»@pmnl@\U@_‘ilaJpInUa_m»U_J‘@‘U\^»U_J‘@‘Iaix’@mi

)[jfCEg 0SKlKmK@lISS@mJl@v_a_KwnK_mUuKmaplIKm“@_J~\^^@[KlmvKlKIa_n@InKJvSKlKuKliammUH\KnaIa_~l^JKn@U\m@_J@JJ_Kv nUn\Km’.IlKK_pmnl@\U@vK\Ia^KmpiJ@nKm@_JQplnSKl@JJUnUa_mnaU_Ialial@nKU_naUnmJ@n@H@mKm’ 0SKilU^@lxmaplIKQalUJK_nUQxU_R_JURK_apm~\^^@[Klmv@mnSK \@I[ aa[¼vvv’nSKH\@I[Haa[’Ia^’@p½’"nSKlmaplIKm QalUJK_nUQxU_R~\^^@[Klm@_JnUn\KmU_I\pJKvKHmUnKm“a_\U_KJUlKInalUKm@_Jmn@QQaQnSK “0..“ \@I[apn“  “U\^ pmnl@\U@¼_av.IlKK_pmnl@\U@½“ @lIa^“ Knla.IlKK_“ .“ R@@_x@nZ@ll@ KJU@“-a_U_“. .“nSKmn@nK@_JQKJKl@\~\^ Qp_JU_R@RK_IUKm@_J.IlKK_pmnl@\U@¡milaJpInUa_J@n@H@mK’ \maipH\UI@nUa_mU_I\pJU_R2ba`OZWO\7WZ["*!!¬"*((¼*U[K@_J aaiKl½“2ba`OZWO\7WZ["*()¬"**#¼.Iann pll@x½“ 5`SO[W\UW\>]aW]\¼ ½“:\RWUS\]bF]WQS¼0-.ipH\UI@nUa_@_Ja_\U_K\UHl@lxI@n@\aRpK½@_J

Ý Chronology of Indigenous film & TV

A seleCTIon of sIgnIfICAnT fIlm And TV projeCTs And key eVenTs In The deVelopmenT of IndIgenous fIlmmAkIng from 1970 To AugusT 2014.

1970s

1972 National Run by a group of Aboriginal people in Redfern. Holds workshops in dancing, writing, theatre in Sydney and photography. Many involved were forerunners of the Indigenous film industry and went on to become household names in the Aboriginal community for their work in theatre and film industries. Early Indigenous Mavis Ashley and Trevor Ashley, Indigenous Australians from Roper River, study film filmmakers production as trainees with Cecil Holmes. They come to Sydney to learn camera, editing and other production techniques, go on to do some work with the ABC in Darwin and later train at the University of . Blackfire Student film made by Bruce McGuinness and Martin Bartfeld at , focusing (documentary) on urban Indigenous communities in . The first film known to have been made by an Indigenous Australian. 1973 , ABC-TV broadcasts a version of the stage production that had been so successful at first TV show with an Sydney’s Nimrod Theatre the previous year. all-Aboriginal cast 1976 AIAS introduces The Australian Institute of Aboriginal Studies (AIAS), at this time the major producer of warnings to alert about Indigenous Australians, places warning messages at the beginning of each of Indigenous audiences its films to alert Indigenous audiences to potential sensitive content, especially relating to to sensitive content the possibility that deceased people may appear in the film. This practice is later taken up by Film Australia, the ABC, SBS and others. 1977 The Cake Man ABC-TV screens Robert Merritt’s adaptation of his highly successful play The Cake Man (telemovie) in 1977, making it the first telemovie written by an Aboriginal writer. The production owed much to the pioneering actors Justine Saunders and . Backroads co-stars and plays a leading role in the development and production of this (short feature) low-budget short feature directed by Phillip Noyce.

5 1978 My Survival Essie Coffey collaborates with filmmaker Martha Ansara on this key documentary, one as an Aboriginal of the first films where Aboriginal people had a determining role in how they and their (documentary) community were represented. Wins First Prize, Documentary Section, Sydney Film Festival 1979, and Cinéma du Réel, 1980, and screens at prestigious film festivals around the world. 1979 AIAS begins traineeships First full-time Indigenous traineeships in film/video production and other media fields are in audiovisual media offered at the Australian Institute of Aboriginal Studies (now AIATSIS). This program lasts until 1994 when Indigenous media training becomes more readily available at AFTRS.

1980s 1980 CAAMA (Central Initially operating as a radio station, CAAMA moves into video and TV in 1984 and later Australian Aboriginal Media into commercial television production with the commencement of in Association) established in 1988. CAAMA’s mandate is to promote Aboriginal culture, language, dance and music while generating economic benefits in the form of training, employment and income generation. Involved in numerous drama and documentary projects. Many other media associations follow over subsequent years. 1981 It’s a Long Road Back Made by Coral Edwards, an early AIAS film trainee, with sound recordist Wayne Barker, My Survival () on professional Super-8, about her search for her mother after her removal to the as an Aboriginal Cootamundra Girls Home. The film leads to the beginning of Link-Up, which was Martha Ansara founded by Coral and Peter Read. Link-up’s pioneer beginnings were then filmed in (camera) and David MacDougall’s Link Up Diary. This focus on Coral’s work leads eventually to the Essie Coffey stories being heard. (car) 1982 NAIBA (National Aboriginal Advocacy group established to support Indigenous video, television and radio broadcasting. on location & Islander Broadcasting Replaced by NIMAA (National Indigenous Media Association of Australia) in 1992, and then Courtesy: Association) established by the Australian Indigenous Communications Association (AICA) in 2003. Martha Ansara, 1983 Produced by Gerry Bostock and directed by Alec Morgan, with Lester Bostock as associate Alec Morgan (documentary) producer, this influential documentary screened at festivals around the world from to . Winner, Sydney Film Critics’ Circle award Best First Feature 1984, Silver Medal American Film Festival 1984, Gold Plaque Chicago, Silver Award Philadelphia. Ernabella Video Television EVTV starts making programs in Indigenous languages for local consumption. Most (EVTV) starts at Pukatja spectacular success is Seven Sisters Dreaming. Yankunytjatjara Media (PY Media from 1987) (PY Media) is incorporated in 1987 as the regional body to help communities develop their own community media centres.

6 1985 Aussat launched With the launch of Australia’s first domestic satellite, many remote Indigenous communities gain access to telecommunications, broadcast television and radio for the first time. Warlpiri Media Association Warlpiri Media begins transmissions in March 1985. Later known as PAW Media Communications, it is one of the first community organisations to develop and facilitate video production in remote Aboriginal communities, along with PY Media. 1986 Co-written by Robert Merritt (with Ken Quinnell), making him the first Indigenous (feature) Australian credited as a screenwriter of a theatrically released feature film.

1987 ABC’s Indigenous Programs The Indigenous Programs Unit (IPU) is formed within the newly created TV Documentary Unit established Department by the ABC in 1987/88, to initiate and supervise the making and purchasing of programs on Aboriginal issues. Brian Syron appointed as Producer. BRACS (Broadcasting Established on the recommendation of a federal government inquiry into the media needs for Remote Aboriginal of Aboriginal communities, Out of the Silent Land (1984); a small-scale, community-based Communities Scheme) broadcasting system designed to transmit over short distances. Enables communities to introduced produce their own video and radio programs and re-broadcast or ‘embed’ this material in mainstream programming by turning off main signals and transmitting their own programs locally. BRACS is coordinated through the growing number of media organisations serving remote communities, such as Warlpiri Media and PY Media, known as Remote Indigenous Media Organisations (RIMOs). In 2001, IRCA (Indigenous Remote Communications Association) becomes the peak body and resource agency for RIMOs, currently representing over 150 communities that broadcast television and radio Australia-wide. Indigenous Community Television (ICTV), established in 2001, draws on programs from the RIMOs. 1988 Imparja Television CAAMA takes on operation of the new Remote Commercial Television Service (RCTS) (established in 1986) delivered via Aussat to cover the central Australian continental ‘footprint’ and establishes starts broadcasting Imparja Television with a Board made up of representatives from Aboriginal Land Lester Bostock Councils. This then becomes the first commercial TV network to be owned and operated Courtesy: by Indigenous people anywhere in the world. Imparja featured a long-running program, Mervin Bishop Nganampa Anwernekenhe, in the major Indigenous languages of the Centre. 1989 Weekly magazine programs The forerunners of similar programs on SBS-TV such as ICAM and , First in Line on SBS-TV and and on ABC-TV. Blackout on ABC-TV

7 1990 First set of published Lester Bostock edits The Greater Perspective: Guidelines for the Production of Film & production protocols Television about Aborigines and drawing on the work of many developed for SBS-TV industry workers and incorporates the protocols already in place at AIAS/AIATSIS. Night Cries Tracey Moffatt’s short film Night Cries – A Rural Tragedy screens in competition at Cannes (short drama) and goes on screen at 45 film festivals – 41 of them overseas – winning several awards including the Erwin Rado award for Best Short Film at Melbourne Film Festival 1990, Best Short, Montreal Women’s Film Festival 1990, Special Jury Award, Tampere Tracey Moffatt Short Film Festival 1991. 1991 Royal Commission into Taking into account the social impact of colonisation on the lives of Aboriginal people, the Aboriginal Deaths in Royal Commission’s report makes a recommendation, among many others, to support Custody Indigenous media initiatives to counter negative stereotyping in the mainstream media. Goolarri Media Enterprises Established by the Broome Aboriginal Media Association (BAMA), Goolarri Media facilitates established and manages the development of both Indigenous and non-Indigenous media and communications. Produces the well-known Aboriginal variety program The Mary G Show (2002) for SBS and helps facilitate production of the SBS drama series The Circuit (2007-2009), which also involves several Goolarri producers and directors. 1992 Promoting Aboriginal and Following the settlement of a complaint to the Human Rights and Equal Opportunity Torres Strait Islander Commission (HREOC) brought against the AFC by filmmaker Brian Syron, Shirley Involvement in the film and McPherson, a respected administrator and accountant, is asked by the AFC to examine video industry, A Report the Commission’s relationship with Indigenous Australians, which she does by conducting surveys and holding interviews with key stakeholders. Jindalee Lady Brian Syron’s Jindalee Lady is the first feature film directed by an Indigenous Australian. (feature) Starring Lydia Miller, the film screens at 1992 International Film Festival and wins Best Feature Film, 1992 Dreamspeakers International Film & Art Festival, Canada. 1993 Indigenous Branch Established to provide programs involving practical professional development coupled with established at AFC production funding. Awards include 1993 AWGIE Award for Best Original Work for TV and 1993 Penguin Awards (TV series) (Television Society of Australia) Best Drama Series Script for Hyllus Maris and Sonia Borg; and Best Actress in a Series for Mawuyul Yanthaluwuy; Grand Prix, Banff World Television Festival, Canada.

Women of the Sun First Indigenous training Lester Bostock establishes this influential course at the Australian Film Television and course at AFTRS Radio School (AFTRS). Well, I heard it on the radio The AFC publishes this essay by Marcia Langton on the politics and aesthetics of and I saw it on the television filmmaking by and about Aboriginal people. (book) 1994 AFC’s first Indigenous The AFC’s Indigenous Branch begins its first drama initiative, a collaborative effort involving drama initiative From Sand all the state film agencies, Film Australia, SBS Independent and the FFC, using a model of to Celluloid launched carefully mentored and monitored development, including a practical workshop.

8 ChronologyChronology

1990s 1995 Indigenous Commissioner Bob Maza is appointed as the first Indigenous Commissioner to the AFC, serving to appointed to AFC June 1998. is appointed July 2004 and appointed to the Board of Screen Australia in June 2008. Indigenous Unit The first edition of 13-part series ICAM (Indigenous Cultural Affairs Magazine) Kuri-Gnia established is broadcast in February 1996. at SBS-TV 1996 Directed by Richard Frankland, this film is selected for the 1996 Cannes International (short drama) Film Festival in the category of Un Certain Regard. Also wins Best Short Fiction Film at Rachel Perkins the 1996 AFI Awards. Screens at more than 20 festivals in Australia and around on location the world. Kicking Down the Doors, Indigenous filmmaker Brian Syron, with Briann Kearney, writes the first history of (book) Australian Indigenous filmmakers from 1968 to 1993. 1998 Radiance Rachel Perkins’ feature is voted most popular film at the Sydney, Melbourne and (feature) film festivals. wins Best Performance by an Actress in a Leading Role at the 1998 AFI Awards. Goes on to screen at 21 overseas film festivals. Based on a concept by Francis Jupurrula Kelly, directed by Francis with David Batty, (documentary) and produced by the Warlpiri Media Association, this one-off documentary will go on to spawn a popular series. The film is one of the first titles produced through the National Indigenous Documentary Fund (NIDF). Reaching its 13th round in 2010, NIDF continues to provide production opportunities for both emerging and practising Indigenous Radiance documentary filmmakers. Photographer: Heidrun Lohr Inaugural Remote Video Held at Kintore (Walungurru, NT) showcasing the range of video produced by Indigenous Festival people in remote communities.

1999 Lester Bostock Indigenous NSWFTO and Metro Screen launch this program to support first-time Indigenous Mentorship launched filmmakers by providing access to equipment, facilities support and stock, as well as an Indigenous mentor. Run as part of the First Break program from 2010. Indigenous Screen Australia Established to be ‘a voice for Indigenous people and our media organisations working (ISA) founded in film and television’, ISA represents film and television on behalf of the Australian Indigenous Communications Association (AICA). Bush Mechanics

9

2000 Inaugural Message Includes the latest short films and documentaries from new and emerging Indigenous Sticks Indigenous Film directors. Has been held at the Opera House in Sydney, annually ever since. Festival

Black Book published publishes the first edition of this directory of Indigenous practitioners Beneath Clouds working in film, theatre and the arts, as well as listings of creative works by Indigenous Photographer: Mark Rogers filmmakers. Website launched in 2005. Confessions of a Sally Riley wins Best Short Fiction Film at the 2000 AFI Awards for this film. Headhunter Screens at 13 overseas film festivals including Clermont-Ferrand and Rotterdam. (short drama) Revised Indigenous A revised set of guidelines and protocols are prepared by Darlene Johnson and published protocols published by SBS Independent. by SBS 2002 Beneath Clouds wins Premiere First Movie Award and actor Dannielle Hall the Piper Heidsieck Queen of Hearts (feature) wins in Berlin New Talent Award at Berlin International Film Festival. Ivan also wins Best Director, and Photographer: Matt Nettheim Allan Collins Best Achievement in Cinematography at the 2002 AFI Awards. The film goes on to screen at multiple international festivals including Rotterdam, Sundance, Pusan and Montreal, and to two awards at St Tropez. AFI Award for Rachel Perkins wins the Byron Kennedy Award for outstanding creative enterprise at the Outstanding 2002 AFI Awards. Achievement 2004 Queen of Hearts Danielle MacLean wins Best Screenplay in a Short Film at the 2004 AFI Awards. (short drama) Yellow Fella wins AFI Award 2005 Deadly Yarns A joint initiative of ScreenWest, ABC Television and the Film and Television Institute WA initiative launched designed to showcase the work of Indigenous writers, directors and producers through the production of five-minute films. Five series produced to 2010. National Indigenous The federal government announces $48.5 million in funding for NITV. Their charter: Television (NITV) “bringing together our society and making it a better place by showing on TV the values, announced voices and visions of Indigenous Australia”. In 2007 NITV establishes a Head Office in Alice Springs and a television arm in Sydney. The Djarn Djarns Short films screen at Beck Cole’s Plains Empty, Warwick Thornton’s Green Bush, and Allan Collins and Photographer: Mark Rogers Sundance and Cannes Tom Murray’s Dhakiyarr vs the King screen in competition at the Sundance Film Festival; Ivan Sen’s Yellow Fella is accepted into Un Certain Regard at the Cannes Film Festival. Screenings and awards ’s The Djarn Djarns wins the Crystal Bear for Best Short Film, and at Berlin Warwick Thornton’s Green Bush wins the Short Film Award in the Panorama section at the Berlin International Film Festival. Richard Frankland’s Harry’s War also screens.

10 Chronology

2000s 2006 Black Screen Film screening program administered by the AFC’s Industry and Cultural Development program launched Branch that provides Indigenous communities and the broader Australian public with access to Indigenous practitioners’ films. Transferred to the NFSA in July 2008. 2007 SBS-TV screens Richard Frankland is nominated for an AFI Award for Best Direction in Television first season of (for the episode Where the Heart is), wins an AFI Award for a The Circuit Best Supporting Actor role and Tammy Clarkson is nominated for Best Lead Actress, all in 2007. Clarkson also wins the Graham Kennedy Award for Most Outstanding New Talent at the Logies the following year. A second season screens in 2009, with Catriona McKenzie as overall director. Kelly Lefever, Mitch Torres, Dot West and Wayne Blair are awarded a 2009 Australian Writers’ Guild Award (AWGIE) for their scripts for series 2. Warwick Thornton on location Yarning Up initiative NT Film Office and the Top End Aboriginal Bush Broadcasting Association (TEABBA) for Green Bush launch the ‘Yarning Up’ initiative, producing a series of five-minute documentaries which are broadcast on the ABC in 2008. A second series starts production in 2009. 2008 Nana wins award in Berlin Warwick Thornton’s Nana wins the Crystal Bear for Best Short Film in the Generation Kplus section at the Berlin International Film Festival. Goes on to win a further seven awards in Australia, Germany and Canada. 2009 Samson & Delilah Warwick Thornton wins the Camera d’Or for Samson & Delilah at the 2009 Cannes Film wins at Cannes Festival. The film also wins seven awards including Best Film, Best Direction, Best Original Screenplay, and Best Cinematography at the 2009 AFI Awards. The Circuit Screen Australia publishes Written by lawyer Terri Janke, Pathways & Protocols: a filmmaker’s guide to working with protocols for filmmakers Indigenous people, culture and concepts, provides advice about the ethical and legal issues working with Indigenous involved in transferring Indigenous cultural material to the screen. people Multiple awards for This landmark series from Rachel Perkins (producer, director, writer), Beck Cole First Australians (director, writer), Darren Dale (producer) and (writer) wins many awards in 2009 including the AFI Award for Best Documentary Series, Logie Award for Most Outstanding Documentary, and NSW Premier’s Literary Award for scriptwriting, as Samson & Delilah well as Best TV Documentary at the UN Media Peace Awards. Photographer: Mark Rogers 2010 ABC-TV creates new Indigenous Department established at ABC-TV for developing and commissioning an Indigenous Department expanded slate of prime-time Indigenous drama and documentary, as well as ongoing production of the long-running weekly Indigenous magazine program Message Stick. Rachel Perkins’ film, co-written with Reg Cribb and , based on the stage breaks through musical by Jimmy and Kuckles, achieves mainstream success, taking $7.4m at the Australian box office. Murray Lui and The Australian Cinematographers Society awards Golden Tripods to Murray Lui Jacob Allan Collins win for Jacob (Fictional Drama Shorts) and Allan Collins for Three Acts of Murder Golden Tripod awards (Telefeatures, TV Drama & Mini Series). Photographer: Sam Oster

11 2000s 2011 A record four features Four feature films with Indigenous key creatives are released in Australian cinemas, released the most in any one year: Here I Am (written and directed by Beck Cole, with Warwick Thornton as director of photography), (with Alan and Stephen Pigram among the four producers), The Tall Man (produced by Darren Dale) and Toomelah (written, directed and shot by Ivan Sen). Mad Bastards Acclaim for The Tall The Tall Man screens at Toronto International Film Festival, and wins multiple awards in Man, Mad Bastards and Australia including a Walkley Documentary Award, AWGIE award, two ADG awards and Toomelah four ACCTA nominations. Mad Bastards screens at Sundance and Karlovy Vary, and wins the 2011 Inside Film Award for Independent Spirit. Toomelah screens at Cannes.

Sally Riley, Erica Glynn and The 2011 Australian Directors Guild presents its 2011 Cecil Holmes Award to Sally Riley Rachel Perkins win awards and Erica Glynn for services to directing. Rachel Perkins wins the 2011 Stanley Hawes Award at the Australian International Documentary Conference and the inaugural Contribution to Television Award at the 2011 Jameson IF Awards. The Tall Man 2012 ABC-TV screens Mabo ABC-TV airs the telemovie Mabo in the 20th anniversary year of the Mabo decision, reaching 904,000 viewers across Australia.

Redfern Now goes into Shooting starts on , a ground-breaking contemporary TV drama series jointly production developed by ABC-TV and Screen Australia’s Indigenous Department with production company Blackfella Films. Scheduled to screen in late 2012, the series draws on the talents of several hundred Indigenous Australians both behind and in front of the camera. The series wins two AACTA awards and two , and averages over 1 million viewers Toomelah across metro and regional markets. A second series follows in 2013. NITV to move to free-to-air The 2012-13 Federal Budget transfers funding for National Indigenous Television (NITV Ltd.) to SBS to develop a new, national digital free-to-air channel dedicated to Aboriginal and Torres Strait Islander content.

The Sapphires shines , directed by Wayne Blair with as one of its two writers, screens at Cannes, is picked up by the Weinstein Company for international sales, and achieves an opening weekend domestic box office of more than $2.5 million, the highest for an Australian film in 2012 (as of August). Redfern Now Screen and Media Industry The announces funding of $1.1 million through the Department Indigenous Employment of Education Employment and Workplace Relations (DEEWR) for the Screen and Media Program announced Industry Indigenous Employment Program, a partnership between Screen Australia and Media RING. The two-year program to support jobs and training for Indigenous Australians in media organisations reaches its target of 40 participants, six months ahead of its 2015 completion date.

The Sapphires

12 ChronologyChronology

2000s 2013 Quality TV drama continues Production starts on the six-part drama written by Jon Bell, which transports the audience with The Gods of Wheat into the world of a modern Aboriginal family. The series is shot on location in Coraki, Casino Street and Lismore, with episodes directed by Wayne Blair, Catriona McKenzie and Adrian Wills, and features an ensemble cast including , and .

Screenings at Berlin Seven films screen as part of NATIVe, a new program at the Berlin International Film International Film Festival Festival dedicated to global cinematographic tales of indigenous peoples: Beneath Clouds, Green Bush, Nana, Ngangkari, Payback, Samson & Delilah and . Indigenous films tour Murdoch University, supported by the Australia International Cultural Council, commences Africa a tour of contemporary Indigenous films including The Sapphires, Mad Bastards, Redfern Now and Mabo, screening at international film festivals throughout east Africa.

Indigenous films feature at Ivan Sen’s drama Mystery Road opens 2013 Sydney Film Festival, and Dylan McDonald’s Sydney Film Festival documentary Bucksin takes out Foxtel Australia documentary award. 2014 Best Actor at David Gulpilil wins Best Actor award in Un Certain Regard at the Cannes Film Festival for Cannes his performance in ’s Charlie’s Country.

International projects for Wayne Blair is announced to direct Septembers of Shiraz for Millennium Films, based Wayne Blair and Warwick on the award-winning novel of the same name by Iranian author Dalia Sofer. Warwick Thornton Thornton will be director of photography. Thornton will also contribute a segment to Charlie’s Country Guillermo Arriaga’s omnibus film Words with Gods, an anthology exploring world religions and personal spirituality.

The Darkside premieres at Warwick Thornton’s The Darkside is selected to have its international premiere at Berlinale Berlinale’s 44th International Forum of New Cinema (the Forum), which screens the most daring and experimental works at the festival.

Warwick Thornton

13 + ЏŒ++)2+ ,) ( +)Ð + я++ ,)()2+ ( +)Ñ 44 44 &( , + + ( + ( +( &( , ( 2(+( & ( +) ( +( &( , ( 2(+( & 12./ "*(!a]#!!! "' "" $ "" ' "% ) % ) % ×ßÝÖm Ö Ö Ö Ö Ö Ö Ö Ö Ö Ö ×ßÞÖm Ø Ö Ö Ø Ö × Ö Ö × Ö ×ßßÖm Û Û × Ù × Ü Û × Ù × ØÖÖÖm ß Ü Ø Ü Û ×Ö Û Ú Û Ú 17 .  "*)!a]#!!! #$ "( % "$ ' $# "* # "& " ×ßÞÖm Ö Ö Ö Ö Ö Ö Ö Ö Ö Ö ×ßßÖm Ü Ù Ø Û × ß Ø Ø ß Ö ØÖÖÖm ×Ý ×Ú Ø Þ Û ØÛ ×Þ × ß × # 2 !1./ "*)!a]#!!! $)& $$& #%* #(% '( "%% "!$ )$ "!* "& ×ßÞÖm ØÚ ×Ü ×× ß Ö ØÜ ×ß ×Û ß Ö ×ßßÖm ÞÖ ÜÚ ÚÞ ÛÜ ×Ø Ûß ÚØ Ù× ÚÚ Ú ØÖÖÖm ØÞ× ØÛÛ ×ßÖ ØÖß ÛÛ ×Ö× ÝÚ ÜÖ Ýß ×Û /#.1/ "**!a]#!!! #%! #"$ ""( "*$ '' "(% "$$ (" "$" "# ×ßßÖm Ûß ÚÚ ØÛ ÚÙ ×Ý ÚÝ ØÝ ×Ý ÙÖ Ù ØÖÖÖm ×Þ× ×Üß ßØ ×ÛÖ Úß ×ÚÙ ××ß ÜÖ ××× ×Ø 9.00.0 .

Ú4 :/11/1 /1  /1

+ ЏŒ++)2+ ,) ( +)Ð + я++ ,)()2+ ( +)Ñ 44 44 &( , + + ( + ( +( &( , ( 2(+( & ( +) ( +( &( , ( 2(+( & 12./ +MELf[phMOYYDOLEY[jgxVXX:UOYLOgEoODEYh "*(!a]#!!! "' "" $ "" ' "% ) % ) % pMEYYjXBEfg[KhOhVEg:YDYjXBEfg[KxVXX:UEfg pOhMUErCfEDOhg:fE:Y:VrgEDBrDEC:DEŒ ×ßÝÖm Ö Ö Ö Ö Ö Ö Ö Ö Ö Ö gh:BVEÐgM[pgÐÔKE:hjfEgM:oEBEEYX:DEgOYCE ×ßÞÖm Ø Ö Ö Ø Ö × Ö Ö × Ö ÐÖõÏpOhM:YYDOLEY[jgjghf:VO:Y:gDOfECh[f ×ßßÖm Û Û × Ù × Ü Û × Ù × cf[DjCEfpfOhEf[f &ŒOYE[KhMEgExVXgpEfE ØÖÖÖm ß Ü Ø Ü Û ×Ö Û Ú Û Ú cf[DjCEDgOYCEÑÏÏύC[Xc:fEDh[xoEOYhMEÖÏg 17 .  hp[OYhMEÕÏg:YDY[YE:h:VVOYhMEõÏgŒ "*)!a]#!!! #$ "( % "$ ' $# "* # "& " YhEfXg[KYjXBEf[KxVXX:UEfgµh:BVEѶ ×ßÞÖm Ö Ö Ö Ö Ö Ö Ö Ö Ö Ö ÐôOYDOoODj:VgM:oEp[fUED[YhMEÐÔKE:hjfEg ×ßßÖm Ü Ù Ø Û × ß Ø Ø ß Ö X:DEgOYCEÐÖõϐEOLMhCfEDOhgM:oEBEEY:gDOfECh[f ØÖÖÖm ×Ý ×Ú Ø Þ Û ØÛ ×Þ × ß × EOLMh:gpfOhEfK[jf:gcf[DjCEf:YDK[jf:g &Œ VE:fVrX:Yr[KhMEgE:fEhMEg:XEOYDOoODj:Vg # 2 !1./ CfEDOhEDOYDOKKEfEYhf[VEg:YD:cEfg[YX:r:Vg[BE "*)!a]#!!! $)& $$& #%* #(% '( "%% "!$ )$ "!* "& fEcfEgEYhEDOYhMExLjfEgK[fX[fEhM:Y[YEDEC:DE ×ßÞÖm ØÚ ×Ü ×× ß Ö ØÜ ×ß ×Û ß Ö g[hMEf[pg:YDC[VjXYgD[Y›h:DDjcOYhMOgh:BVEŒ ×ßßÖm ÞÖ ÜÚ ÚÞ ÛÜ ×Ø Ûß ÚØ Ù× ÚÚ Ú jhhMELf[phM[oEfhOXEOgCVE:fŒ ØÖÖÖm ØÞ× ØÛÛ ×ßÖ ØÖß ÛÛ ×Ö× ÝÚ ÜÖ Ýß ×Û )OXOV:fVrÒÑYDOLEY[jgxVXX:UEfgM:oEMEVDUEr /#.1/ CfE:hOoEf[VEg[YÑÒ+1Df:X:cf[Lf:XggOYCEÐÖÕό "**!a]#!!! #%! #"$ ""( "*$ '' "(% "$$ (" "$" "# KhMEgEÑÒhOhVEgÐõpEfEX:DEOYhMEV:ghDEC:DE ×ßßÖm Ûß ÚÚ ØÛ ÚÙ ×Ý ÚÝ ØÝ ×Ý ÙÖ Ù C[Xc:fEDh[gOqOYhMEÖÏg:YDY[YEOYhMEÕÏgŒ ØÖÖÖm ×Þ× ×Üß ßØ ×ÛÖ Úß ×ÚÙ ××ß ÜÖ ××× ×Ø oEYX[fEgcECh:CjV:fLf[phMM:g[CCjffEDOY D[CjXEYh:fOEgpOhMÐÏÐYDOLEY[jgxVXX:UEfg BafXe. h:UOYLUErf[VEg[YÑÕÐD[CjXEYh:fOEggOYCEÑÏÏύ ^H[oIJlolmk?[T?^hk`IoHmT`^l?^Ihk`IoHmT`^luTmR`tJklJ?lh?km^JkluRJkJHkJ?mTtJH`^mk`[TllR?kJI C[Xc:fEDh[ÑÔxVXX:UEfg[YÑôhOhVEgOYhMEÐÖÕÏgŒ ºTJuTmR?]Tv`Polmk?[T?^lT^ZJwHkJ?mTtJh`lTmT`^l»‘ Jwk`[Jl?kJIJPT^JI?lhk`IoHJk’ITkJHm`k’ukTmJk’ITkJHm`k`PhR`m`Qk?hRwº "*»‘ Ց o]GJk`PmTm[JluTmR^ITQJ^`olPT[]]?ZJklT^ZJwHkJuk`[Jl‘?HRmTm[JH`o^mJI`^[w`^HJ kJQ?kI[Jll`PmRJ^o]GJk`P^ITQJ^`olZJwHkJITml‘ ֑ o]GJk`PT^ITtTIo?[luR`RJ[ImR?mh?kmTHo[?kZJwHkJuk`[J‘?HRT^ITtTIo?[H`o^mJI`^[w `^HJhJkmT]JhJkT`I’JtJ^TPmRJwu`kZJI`^]o[mTh[JmTm[Jl‘

Ú5 16 11/ ::.

E:hjfEgŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒÐ8 +1Df:X:ŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒÐ8 [CjXEYh:fOEg [YL µÑÒXOYjhEg:YD[oEf¶ŒŒŒŒŒ Ð9 )M[fh µjYDEfÑÒXOYjhEg¶ŒŒŒŒŒŒ 23 )M[fhDf:X:ŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒÑ4 Titles  by year

17 FEATURES TV DRAMA

1980s 2009: The Circuit series 2 33 Lockie Leonard series 2 35 1983: The City’s Edge 27 1976: The Cake Man 33 Swift and Shift Couriers series 2 38 1985: Short Changed 30 Three Acts of Murder 39 1990s 1990s 1990: Women of the Sun 39 1992: Jindalee Lady 28 1994: Heartland 35 2010: My Place 36 1993: 26 Lift Off series 2 35 1996: Life 28 1996: The Masters 36 1998: Radiance 29 1998: Pizza 36 1999: Somewhere in the Darkness 30 1999: The Fifty Foot Show 34 Pizza series 1 37 2000s 2000s 2001: Beneath Clouds 26 2002: Fat Pizza 27 2001: Pizza series 2 37 2003: The Finished People 28 2002: series 10 32 Orange Love Story 29 2003: Blue Heelers series 11 32 2008: Stone Bros 30 Pizza series 3 37 2009: Bran Nue Dae 26 2004: FireFlies 34 Dreamland 27 2005: The Alice 32 Samson & Delilah 29 Dust Echoes 34 Pizza series 4 37 Remote Area Nurse - R.A.N. 38 Us Mob 39 2006: Lockie Leonard series 1 35 Pizza: The Da Vinci Cup 37 Pizza: World Record 37 2007: Bit of Black Business 32 The Circuit series 1 33 Double Trouble 33 Pizza series 5 37 2008: Satisfaction series 2 38 Swift and Shift Couriers series 1 38 18 TITLES BY YEAR

DOCUMENTARIES: LONG

1970s 1990s

1972: Blackfire 55 1990: Boomalli: Five Koorie Artists 57 1995: Helping Sis 93 1999: Black Sheep 54 1978: My Survival as an Aboriginal 124 Same Place My Home 142 Speak Quiet, Speak Strong 147 Bunje 60 1991: Best Kept Secret 51 Storytellers of the Pacific 151 Glad 90 1980s Blackman, White Australia 55 1996: The Coolbaroo Club 68 The Healing Sounds of Building Bridges 60 Crim TV 69 the Bungaran Orchestra 92 1983: Giving It a Go 89 In the Gutter? No Way 95 Dhuway 73 Joe Rock 100 Lousy Little Sixpence 111 Kids and Culture 103 : Koori Inmates 104 Munda Nyringu 121 Malangi 113 Football Dreaming 115 Marluku Wirlinyi: The Rainbow Serpent The Kangaroo Hunters 114 137 Oceans Apart 129 Oyster Cove Festival 132 1986: Kamira: Pina Yanirlipa Minyma Kutjarra Tjukurrpa 119 1992: Exile and the Kingdom 80 1997: Apekathe 45 Ngurrarakurra 100 Missing in Alice 120 Gammin Paradise 88 Artists Up Front 48 Photographic Memory: 1987: Getting Better 89 Basic Equipment 50 Milli Milli 118 A Portrait of Mervyn Bishop 134 1988: Black Futures 53 Blacktracker 56 Poison 135 Rites of Passage 139 A Change of Face 64 Buffalo Legends 59 Tent Embassy 154 Stone Forever 150 Dreaming of Lords 76 Copyrites 68 Travelling Walpiris 159 This River Still Has a Song 156 Education 77 Milerum: Whose Story? 118 Who Killed Malcolm Smith? 167 Wrap Me Up in Paperbark 170 Karbara: The First Born 101 1993: Blood Brothers 56 Night Patrol 127 One People Sing Freedom 130 Broken English 58 Nyawa Kulila Wangka (Look, Listen, Speak) 128 Storymakers 150 Freedom Ride 86 Shifting Shelter 1 143 1989: Always Was, Always Will Be 44 From Little Things Black Santa 54 Big Things Grow 87 Stolen Children 149 Dreamings: The Art From Spirit to Spirit 87 Straight from the Yudaman’s Mouth 151 of Aboriginal Australia 77 Jardiwarnpa: A Warlpiri Fire Spirituality 148 Ceremony 98 1998: Ardiyooloon 46 My Life as I Live It 123 Ariba Enuba 46 1994: Eternity 79 Bush Mechanics 62 Makin’ Tracks 112 In Search of Archie 95 More Than Legends 120 : One Woman Show 106 My Country 123 Many Nations, One People 113 No More Nightmares 127 Silent Legacy 145 Where the Children Play 166 Vanish 161

19 DOCUMENTARIES: LONG

2000s

2000: Back to the Yumba 49 2001: 8th Festival of the Pacific Arts 42 Stranger in My Skin: Kutcha Edwards 104 Behind the Ball 50 Aboriginal Deaths in Custody 42 Ray Cotti 151 Long Shadows 110 Bunna Lawrie 61 Bobby McLeod 57 Substance Misuse 152 Me and You 115 Buntoo Bunta 61 The Cherry Pickers 65 Survival 2001 Concert 153 Memories of Iwany 116 62 Corroboration 68 Third World United Nations Ngangkari 126 80 Djakapurra Munyarryun 74 Conference Against 155 No Fixed Address 127 Gampa 88 Domestic Violence 74 Torres Strait Island Adoptions 158 Rabbitohs’ Return 136 Hunting and Sea Rights 94 Douglas Pitt 75 Torres Strait Islander Tombstone Opening 157 Autonomy: Masig 158 Indigenous Unemployment 97 Dreamtime to Dance 77 Tour of 02: Trespass 159 Karma Waters Land Evelyn Scott 79 Nunukul Dance Troupe 158 Whispering in Our Hearts... Agreement 102 Everyday Brave 80 Trek: An Australian The Mowla Bluff Massacre 167 Land of the Little Kings 105 For Who I Am: 84 Camel Odyssey 159 2002: Aboriginal Summer School Mental Illness 117 Indigenous Boxers 96 Wayne’s World 164 in 43 Remembering Country 137 Indigenous Filmmakers 96 Ways of Being, Ways of Talk 165 AFL Kickstart Program 44 Scholar, Athlete, Warrior Indigenous Media 96 We of Little Voice 165 Big Girls Don’t Cry 52 - Tribute to Dr Kumantjayi Jetja Nai Medical Mob: Yeperenye Federation Festival: 53 Perkins 143 Naomi Mayers 99 Coming Together as One 171 Brook Andrew 59 Shifting Shelter 2 144 Jodee Cockatoo 99 2003: Arafura Pearl 46 Child Abuse: Sue Charles 66 Sissy 145 Media Nomads: Banjo Clarke 49 Small Island, Big Fight 146 The Thaiday Brothers 116 A Close Shave 66 Beyond Sorry 51 SpinFx 147 Minymaku Way 119 Darby 71 The Child Artist of Stolen Generations 149 Mistake Creek: Steven Craig 120 Distant Echoes 73 the Carrolup 66 Sugarman 152 My Country 123 Doris Pilkington 75 Desperate Times 72 Teddy Briscoe 154 My Mother India 124 Emotional Fitness 78 Dhakiyarr vs the King 72 Tent Boxers 154 Native Title: Return to Ugar 124 End of the Corrugated Road 78 Diyama - Soundtracks of Maningrida Tiddas 156 Nest 125 Following the 73 Rabbit-Proof Fence 83 Troy Cassar-Daly 160 NSW Aboriginal Rugby Dot Collard 75 Valerie Corbett 161 League Knockout 128 The Forgotten 85 The Dreamers 76 A Walk with Words 163 Pat O’Shane 132 The Foundation 85 Faith Thomas 81 We’re Not Lost 165 Remember Finnis 137 Gina Rings: Filmmaker 89 The Good, the Bad and the Loud: The History of CAAMA Willigan’s Fitzroy 168 Rosemary Wanganeen 140 Gulpilil: One Red Blood 91 Music 91 World of Dreamings 170 Roxby Downs 141 ICAM Anzac Day Special 94 Lake Tyers Brigade 105 Yidaki 172 Saltwater Bluesman 142 Indigenous Women’s 97 Living Answers 108 The Soccer Lady 147 Justin 100 Living Treasures 109 20 TITLES BY YEAR

DOCUMENTARIES: LONG

Macumba Revisited 111 Marjorie Woodrow 114 Les Ridgeway 107 Norforce 128 Mparntwe Sacred Sites 121 Lillian Crombie 107 Peena Geia 133 Mr Patterns 121 The Long Grassers 109 The Road Home 139 Out of the Shadows: The Lore of Love 110 Rosalie’s Journey 140 Sammy Butcher 132 Merrepen 118 Scars: A Stolen Vision 142 Peter Coppin 134 Our Bush Wedding 131 Sisters in the Richard Bell 138 Our Community 131 Black Movement 146 Richard Frankland 138 Pioneers of Love 134 Timebomb 156 Rosie 140 Rydin’ Time 141 Vis a Vis: Techno Tribal 162 Russell Page: A Dance Stephen Hagan 149 Yeperenye Federation Festival: Tribute 141 True Stories - The Road Ahead Concert 171 Sisters on the Move 146 Artists of East Kimberley 160 2004: 5 Seasons 41 Strokes of Colour 152 Vic Simms 162 Aden Ridgeway 43 Tamworth 153 Yellow Fella 171 Ankula Watjarira 45 Thancoupie 155 2006: 50 Years Indigenous TV 41 Best Foot Forward 51 That Ole Mac Blagic 155 About a Girl: Casey Donovan 43 Blaktrax 56 Tommy 157 Aunty Connie 48 Bob Maza 57 Who was Evelyn Orcher? 167 Black ‘n’ Dusty 52 Change of Heart 65 Wirriya: Small Boy 169 Broken Borders 58 Cherbourg 2005: 4 Wheel Dreaming 40 Coming of the Light 67 (100 Year Anniversary) 65 The Art of Healing 47 Cool Drink and Culture 67 Crossing Country - The Alchemy Art Therapy 47 Cos I’m Free: 69 of Western Art 70 B.L.A.C.K. An Aboriginal Footy: The La Perouse Way 84 Crossings 70 Song of Hip Hop 48 The History of the Political Doctors 74 Broome Hero 59 Struggle: A Personal Point Getano Lui Jnr 88 Carrolup Found 64 of View by Mr Chika Dixon 93 Harold Blair 92 Case 442 64 Island Fettlers 98 Karli Jalangu: Crookhat and Camphoo 70 The KIN Story 104 Today 101 The Dream of Love 76 Line in the Sand Kate George 102 Endangered 79 (Palm Island) 108 103 Hula Time: Living Country 108 Leila Murray 106 The Seaman Dan Story 93 Malaytown Stories 113 Lloydies 109 Kanyini 101 Matthew Doyle 115 The Lost Ones 110 The Last Post 106 Murray, Life and Death 122 Making a Mark 112 21 DOCUMENTARIES: LONG

2000s continued

My Brother Vinnie 122 Men’s Gathering 117 Green Warrior 91 Milli Milli Nganka 119 The Ngallak Koort Nigger Lovers 126 Gurrumul - Old Country New Country - Boodja Project 125 Night 126 Son of the Rainbow Serpent 92 Journey of a Raft 129 Once a Queen 130 An Oath Unbroken 129 i Belong 94 Oondoorrd: Married Turtle 131 Shifting Shelter 3 144 The Pelican Brief 133 In a League of Their Own 95 133 Sunset to Sunrise 153 Pride of the League 135 The Intervention 97 The Professor 136 Waverly’s Dream 164 The Pub with One Beer 136 Mad Morro 111 Spinifex Man 148 Wirrangul Women: Ripples from Wave Hill 138 Museum of the World 122 The Story of Bran Nue Dae 150 Always Have, Always Will 168 Shellie Morris Swept Away 143 On the Up and Up 130 Warrior in Chains 164 Women of the Sun: A Sister’s Love 145 Postcards from Pormpuraaw 135 Yarning Up series 2 170 25 Years Later 169 Troubled Waters 160 River of No Return 139 2007: 40 Years On 40 Urrpeye 161 Sights Unseen: 2010s 4077 - Stylin’ Up 41 Vote ‘Yes’ for Aborigines 162 Pictures by Michael Riley 144 Aboriginal Rules 42 Vote of No Confidence 163 Spirit Stones 148 2010: Big Fella 52 Agnes Abbott 44 When Colin Met Joyce 166 Tnorala 157 Nganampa Anwernekenhe 125 The Burden of Responsibility 61 When the Natives Wanja 163 Burning Daylight 62 Get Restless 166 Yarning Up series 1 170 The Butterfly Effect 63 Willaberta Jack 168 2009: 2 Live 2 Deadly 40 A Caring Culture 63 Worimi Bight Back 169 The Anangu Story 45 Convincing Ground 67 2008: Beijing Boxer 50 Arlpwe Art: Ali Curung 47 Courting with Justice 69 Black Tracks Canada Bangarra Fire 49 Dark Science 71 ImagineNative 54 Black Factor Sports Destiny in Alice 72 Black Tracks Canada Imparja Cup 53 Finding Place 82 Travel Show 55 Born in this Skin 58 Flour, Sugar, Tea 83 Bungalung 60 Culture Warriors 71 Footprints in the Sand: Bush Toys 63 Feelin’ Kinda Deadly 81 The Last of the Nomads 84 Embassy Days 78 82 The French Connection 86 Festival of the Pacific Arts 81 From 87 Jackie 98 First Australians 82 Giving Voice 90 Jarlmandangah 99 Fitzroy Stars: Karlu Karlu: Devil’s Marbles 102 : More Than a Game 83 Lani’s Story 105 Cannot Buy My Soul 103 Frangipani Land Forever 85 Making Samson & Delilah 112 Lest We Forget 107 From Freak Show to Big Top 86 Many Tongues, One Voice 114 Men’s Business 117 Gnulla Katitjin Meeting Ms Right 116 Quoppadar Boodjar 90 22 TITLES BY YEAR

DOCUMENTARIES: SHORT

1980s 2000s

1981: It’s a Long Road Back 183 2000: Blood in the Ground 177 2006: Fred’s Story 181 1982: Bread and Dripping 178 Geometry 182 Kempsey Ball 183 1983: Cass - No Saucepan Diver 178 2001: Games People Play 181 of the Beeliar 187 1988: Eelemarni: The Good Fight 182 Rest in Peace 190 The Story of Leo and Leva 180 Weeping Willow 195 Up the White Eyes 194 Moodeitj Yorgas 186 2002: Aunty Vicki and the Doolagah 175 Us Deadly Mob 194 1989: Alice 174 Baamba Albert 175 2007: Bollywood Dreaming 177 Bush Bikes 178 Cheeky Dog 179 1990s Orphanage Girl 189 Country Song 179 Saltwater Freshwater 191 Picture Park - Featuring German 1991: Balgo Art 176 Your Brother, My Tidda 197 Artist Katharina Grosse 190 Walking Dancing Belonging 195 1992: Anderson Sisters 174 2003: Barb 176 Who Paintin Dis Wandjina? 195 1993: The Legacy 184 Harriet’s Daughter 183 Wrong Way 196 1994: A Passage Through Story Place 193 2008: One River, All Rivers 188 the Aisles 189 2004: Don’t Say Sorry 180 One Tree, One Man 189 1997: Empire 181 Nature Nature 187 A Shearer’s Life: Introducing 1999: Dressing Dad 180 One Mile Dam 188 the Barker Brothers 192 Koori Knockout 1999 184 Roger 191 Yolgnu Guya Djamamirr 197 A Memory 185 Sailmaker 191 Yothu Manda 197 Peeping Thru the Louvres 190 The Songman 192 2009: 10 Wives 174 Speak of Spirit 192 Sugar Bag 193 Barngngrnn Marrangu Story 176 Upstaging 194 Boss 177 The Fight to the Bitter End 196 George and the Ngurrngu 182 Writing Wrongs 196 Music Men 186 My Nan and the Yandi 186 2005: Babinda Boulders 175 Nundhirribala’s Dream 187 Destiny Deacon 179 Koori Court 184 Marloo’s Blues 185 Miss Coolbaroo 185 The Old Man and the Inland Sea 188 Talkabout Walkabout 193

23 SHORT DRAMA

1980s 2000s

1987: Nice Coloured Girls 234 1998: Cherish 207 2000: Angel 200 Switch 245 1989: Night Cries - A Rural Tragedy 234 Djet 212 BYT/ME/I 205 Turn Around 248 A Night Out 235 The Dolphin 213 Capricorn 206 An Urban Love Story 250 Grace 220 Confessions of a 2003: And Justice for One 200 1990s Just a Short Story 226 Headhunter 208 Home 222 My Bed Your Bed 232 Dare to Dream 211 Kathy 226 1992: Terra Nullius 246 Passing Through 237 Dust Settles 214 Mirror Images 231 1994: Black Light 203 Promise 238 Harvey 222 Postcard Infinity 238 Nonno Pepe is a Video Head 235 Redreaming the Dark 240 Immortal Man 223 Queen of Hearts 239 1995: Black Man Down 203 Tears 245 Jubulj 225 Robin Hoodz 241 The Cup and The Lip 210 1999: Agnes, Maude and My Mother My Son 233 A Simple Song 243 Road 240 Fly Peewee, Fly! 217 Pearly Too 199 2004: Broken Bonds 205 The Third Note 246 1996: Acquiring a Taste for Raffaella 198 Bias 202 Camping Out 206 Tightrope 246 A Few Things I Know Dust 213 Checkerboard Love 207 About Her 216 Fade 2 Black 214 2001: 11:11 198 The Djarn Djarns 212 Goblin Market 219 Figures in Motion 216 Listen 228 Feel My Absence 215 How Low Can You Go 222 Fragments 217 236 Green Bush 221 Mortal 231 Harry’s War 221 Redfern Beach 239 Plains Empty 237 No Way to Forget 235 Level Two-Tom 228 Starr 244 Too Little Justice 247 Payback 237 The Watchers 251 Midas 230 2005: Even Odds 214 Round Up 241 Saturday Night, 2002: Arcadia 200 Fuse 218 Space Pizza 243 Sunday Morning 242 Black Talk 203 Ganggu Mama 219 Tryst 248 Wind 252 Cold Turkey 207 Going Home 220 Two Bob Mermaid 249 Creepy Crawleys 208 Grange 220 The Underdog Principle 250 The Crossing 209 Mabo 228 When the Breathing Fades 252 D-Evolution 210 Memory 230 1997: Box 205 Dancing in the Dust 211 Sa Black Thing 241 Crouching at the Door 209 Flat 216 Unstuck 250 Journey 225 Grey 221 Yearn 253 My Colour, Your Kind 232 Inasmuch 223 2006: Adrift 198 Strike Your Heart 244 Kungkal Palyalku 227 Amy Goes to Wadjemup Warm Strangers 251 Mimi 230 Island 199 Shit Skin 243 Bad Habits 202

24 TITLES BY YEAR

SHORT DRAMA

2010s

Black Beach 202 2008: Babygirl 201 2010: After Dark 199 Crocodile Dreaming 208 Karla: Fire Story 226 Jhindu 224 Frankie’s Story 218 Mah 229 Transit 247 Futureman 218 Mulinjahli Muscle Main Actors 229 Got Hustle 232 Mobile 231 Nia’s Melancholy 234 Other[wize] 236 2009: Aunty Maggie and Reflections in the Womba Wakgun 201 Black and White 240 Bourke Boy 204 Scrub 242 The Caretaker 206 Storytime 244 Culture Clash 209 Susan’s Birthday Party 245 Dead Creek 212 Tuff Nut 248 The Farm 215 Weewar 251 Fault 215 2007: Back Seat 201 Gammin Love 219 Blind Date 204 Jacob 224 Blood Lines 204 Mabuji 229 Custard 210 The Party Shoes 236 Days Like These 211 Quarantine 238 Done. Dirt Cheap. 213 Ralph 239 Flowerboy 217 Hush 223 Jackie Jackie 224 Joonba 225 Kick It to Me 227 Kwatye 227 My Country 233 Nana 233 Sharpeye 242 Too Late 247 The Turtle 249 Two Big Boys 249 Who Are You? 252 You’re Not Playing That! 253 25 11/1!/

Û6 11/1!/

E:hjfEgŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒÑ8 +1Df:X:ŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒÒ4 [CjXEYh:fOEg [YL µÑÒXOYjhEg:YD[oEf¶ŒŒŒŒŒô2 )M[fh µjYDEfÑÒXOYjhEg¶ŒŒŒŒŒŒŒÐõ6 Title )M[fhDf:X:ŒŒŒŒŒŒŒŒŒŒ..ŒŒŒŒŒ 200 Li!ings

Û7 Bedevil Beneath Clouds Bran Nue Dae 1993 2001 2009 35mm 35mm 35mm 90 min 90 min 92 min

Producer Anthony Buckley, Producer Teresa-Jayne Hanlon Exec Prod Christopher Mapp, Carol Hughes Director Ivan Sen Jason Moody, Matthew Street, Director Tracey Moffatt Writer Ivan Sen David Whealy Writer Tracey Moffatt DOP Allan Collins ACS Producer Robyn Kershaw, DOP Geoff Burton ACS Cast Damian Pitt, Dannielle Hall Graeme Isaac Cast , Tracey Moffatt, Director Rachel Perkins Diana Davidson, , Lena is a fair-skinned teenage girl with Writer Reg Cribb, Rachel Beneath Clouds Auriel Andrews a dark-skinned mother in an isolated Perkins, Jimmy Chi Courtesy: Teresa-Jayne Hanlon town. She rejects the Indigenous Photographer: Mark Rogers Cast , Magda family which surrounds her and longs BEDEVIL is a trilogy of ghost stories Szubanski, Tom Budge, Ernie for the love of her Irish father. Vaughn, that follows characters pestered a dark-skinned teenage boy lives in Dingo, Deborah Mailman by visions - real, remembered and an isolated prison camp. He is angry imagined. These contemporary tales at the white world that surrounds BRAN NUE DAE is a road movie, travel from the sparseness of the him and lashes out when provoked. coming of age, comedy musical which outback, through the murky, rotting Incarceration has made him old celebrates the adventure of swamps of the islands, to the before his time and has separated him finding home. Based on the stage docks in a stylish vision from writer/ from the love of his family. These two musical by Jimmy Chi and Kuckles director Tracey Moffatt. Bran Nue Dae hardened young souls escape from (Patrick Duttoo Bin Amat, Jimmy Photographer: Matt Nettheim Sales Contact their worlds and hitchhike together Chi, Garry Gower, Michael Manolis Ronin Films towards Sydney in a struggle for Mavromatis and Stephen Prigram). Australia purpose, identity and love. Sales Contact Phone +61-2 6248 0851 Sales Contact Bankside Films Fax +61-2 6249 1640 Axiom Films United Kingdom [email protected] United Kingdom Phone +44-20 7734 3566 www.roninfilms.com.au Phone +44-20 7243 3111 Fax +44-20 3230 1059 Fax +44-20 7243 3152 [email protected] DVD Release [email protected] www.bankside-films.com Ronin Australia www.axiomfilms.co.uk

DVD Release Magna Australia

28 THE BLACK LIST

The City’s Edge Dreamland Fat Pizza Edge of the City / Running Man 2009 2002 1983 HD 35mm 85 min 98 min 97 min Features

PRODUCER Pom Oliver, Errol PRODUCER David Jowsey EXEC PROD Greg Basser Sullivan DIRECTOR Ivan Sen PRODUCER Tanith Carroll, Paul DIRECTOR Ken Quinnell WRITER Ivan Sen Fenech, Jeff Purser WRITER Robert J Merritt, Ken DOP Ivan Sen DIRECTOR Paul Fenech Quinnell CAST Daniel Roberts, Tasma WRITER Paul Fenech DOP Louis Irving Walton DOP Mike Kliem CAST Tommy Lewis, Mark Lee, CAST Johnny Boxer, Paul Fenech, Katrina Foster, , A dying UFO hunter roams the desert Tahir Bilgic, Venuti, Sleek Ralph Cotterill around Area 51 in search of contact, the Elite, Annalise Braakensiek but is confronted with an even bigger mystery. Set against the decaying grandeur The delivery boys from the Fat Pizza of Bondi Beach, the story combines www.dreamlandthefilm.com Pizzeria continue their delivering with all the sex, violence, drugs, clowns, the elements of youth in crisis and SALES CONTACT bikies, bands, boxers, priests, weddings Australia’s modern Aboriginal tragedy. Bunya Productions and chicks you can handle. It’s the dramatic love story of an MOBILE +61-419 445 374 aspiring young writer and a woman dreamlandthefi[email protected] SALES CONTACT struggling against the guilt of her www.dreamlandthefilm.com Roadshow Films first sexual experience who meet a Australia charismatic young Aboriginal man who PHONE +61-2 9552 8600 is driven by hatred of the white society FAX +61-2 9660 8710 around him. [email protected] www.villageroadshow.com.au DVD RELEASES CEL Australia DVD RELEASE MGM/UA Home Ent. Group Roadshow Australia United Kingdom MGM/UA Home Entertainment United States

Indigenous Australians in key creative roles (producer, director, writer or DOP) are credited in italics.

2729 The Finished People Jindalee Lady Life 2003 1992 Containment 35mm 86 min 1996 80 min 16mm PRODUCER Briann Kearney 85 min EXEC PROD Ross Treyvaud DIRECTOR Brian Syron PRODUCER Khoa Do, Anh Do WRITER Briann Kearney PRODUCER Elisa Argenzio DIRECTOR Khoa Do DOP Mark Gilfedder DIRECTOR Lawrence Johnston WRITER Khoa Do, Rodney CAST Lydia Miller, Patrick Ward, WRITER John Brumpton, Anderson, Jason McGoldrick, Joe Michael Leslie, Su Cruickshank Lawrence Johnston Le, Shane MacDonald, Daniela DOP Mandy Walker ACS Italiano JINDALEE LADY is an urban cross- CAST John Brumpton, David DOP Oliver Lawrance, Murray Lui cultural romance set in Sydney, Tredinnick, Robert Morgan, Noel Fat Pizza Australia. Lauren is a fashion designer Courtesy: Paul Fenech CAST Rodney Anderson, Jason Jordan, Luke Elliot, Jeff Kovski, McGoldrick, Joe Le, Shane and her husband David is a corporate Colin Mitchell, Ian Scott, Andrea MacDonald, Daniela Italiano, achiever in the music industry. Swifte, Belinda McClory, Libby The marriage is already on rocky Mylinh Dinh, Sarah Vongmany ground when Lauren meets Greg, Tanner a cinematographer with whom she The boundaries between fiction and shares a bond of culture and tradition. As night falls two men face their reality merge as three stories of After suffering a major tragedy Lauren mortality in a prison cell. Both of love, family and relationships play is determined to succeed on her own different ages and backgrounds. Both out amidst homelessness, drugs and terms and begins a search for her own prisoners of the past and the pain of crime. Set in infamous Cabramatta, identity as a successful unresolved memories. Des and Ralph The Finished People widely regarded as the ‘crime and Aboriginal woman. fear a future that may never come... drug capital’ of Australia, the film is a For them life on the inside is a life only glimpse into the lives of those youths half lived - but only time will tell. whom we notice living on the streets, SALES CONTACT but belong to the ‘brick wall’ that we Intra Movies Srl see but never hear from. Italy SALES CONTACT PHONE +39-06807 7252 Post 75 Productions Pty Ltd FAX +39-06807 6156 Australia [email protected] PHONE +61-2 9708 1105 www.intramovies.com FAX +61-2 9708 1105 MOBILE +61-414 435 889 DVD RELEASE [email protected] Magna Australia

DVD RELEASE Madman Australia 30 FEATURES

Orange Love Story Radiance Samson & Delilah 2003 1998 2009 Digital Betacam 35mm 35mm/Digital Betacam/HD 83 min 83 min 101 min f-s PRODUCER Tom Cowan PRODUCER Ned R Lander, Andrew PRODUCER Kath Shelper DIRECTOR Tom Cowan Myer DIRECTOR Warwick Thornton WRITER Adam Bowen, Tom DIRECTOR Rachel Perkins WRITER Warwick Thornton Cowan WRITER Louis Nowra DOP Warwick Thornton DOP Murray Lui, Hugh Miller DOP Warwick Thornton CAST Rowan McNamara, Marissa CAST Kay Nankervis, John Mercel, CAST Rachael Maza, Deborah Gibson, Mitjili Gibson, Scott Ellen Rossi, Banjo Fitzsimons, Mailman, Trisha Morton-Thomas Thornton Trevor Dawe A mother’s death draws her three SAMSON & DELILAH’s world is A rural romance whose heroine braves disparate, distant daughters back to small - an isolated community in the love, longing, lust and loss. It draws their ramshackle childhood home desert. When tragedy strikes, they turn on the beauty of the central west where they are forced to confront their backs on home and embark on of NSW. their mother’s legacy of half-truths, a journey of survival. Lost, unwanted unfinished business and family secrets. and alone they discover that life isn’t SALES CONTACT The three sisters are finally able to lay always fair, but love never judges. Lesley Tucker Radiance to rest the ghosts of the past, along www.samsonanddelilah.com.au Photographer: Heidrun Lohr Australia with the ashes of their mother’s body. PHONE +61-2 9130 8892 SALES CONTACT FAX +61-2 9130 8892 SALES CONTACT Elle Driver [email protected] Eclipse Films Pty Ltd France Australia PHONE +33-15643 4870 PHONE +61-3 9826 0966 FAX +33-14561 4608 FAX +61-3 9826 1566 [email protected] MOBILE +61-419 030 660 [email protected] DVD RELEASE Madman Australia DVD RELEASE Universal Australia

31 Short Changed Somewhere in the Stone Bros 1985 Darkness 2008 104 min 1999 35mm 90 min 35mm PRODUCER Ross Matthews 90 min DIRECTOR George Ogilvie PRODUCER Ross Hutchens, Colin WRITER Robert J Merritt, Ken EXEC PROD David Webster South Quinnell PRODUCER Paul Fenech, Brendan DIRECTOR Richard Frankland DOP Peter Levy Fletcher, David Webster WRITER Richard Frankland CAST David Kennedy, Susan DIRECTOR Paul Fenech DOP Joe Pickering Leith, Jamie Agius, Lucky WRITER Paul Fenech, Brendan CAST Luke Carroll, Leon Burchill, Wilktananayake Fletcher David Page, Valentino Del Toro DOP Grant Jordan, Mike Kliem A 10-year-old boy deals with the CAST Rowan Witt, Barry Jenkins, City-based Eddie sets off to reconnect broken marriage of his white mother Austen Tayshus, Leah Purcell, with his blackfella roots by taking a and Aboriginal father and their Robyn Loau, , Stephen sacred stone back to his home in the respective worlds. outback. But when cousin Charlie Fenley, brings along 187 pre-rolled joints for SALES CONTACT the ride, the journey becomes more of Daro Film Distribution GmbH A young boy of eight and an old a mind trip than a road trip! Irishman are trapped beneath a www.stonebrosmovie.com.au PHONE +377-9797 1600 collapsed building. The old man takes FAX +377-9797 1591 the young boy on a journey of the mind SALES CONTACT daro@daro-films.mc to comfort him and distract him from Lightning Entertainment www.daro-films.mc his hopeless situation. United States PHONE +1-310 2557999 DVD RELEASES SALES CONTACT FAX +1-310 2557998 Roadshow Australia IFM World Releasing Inc MOBILE +1-310 770 7472 Virgin Vision United Kingdom Australia [email protected] PHONE +61-3 9515 9249 www.lightning-ent.com FAX +61-3 9515 9248 Samson & Delilah contact@ifmfilm.com DVD RELEASE Photographer: Mark Rogers www.ifmfilm.com Madman Australia DVD RELEASES Tribe First Rites Australia Boulevard Entertainment United Kingdom

32 FEATURES

Stone Bros Courtesy: Media World Pictures

33 The Alice Bit of Black Business Blue Heelers 2005 2007 series 10 and 11 Digital Betacam Digital Betacam/DVD/HD 2002 – 2003 22 x 60 min 13 x 5 min Digital Betacam 81 x 47 min EXEC PROD Posie Graeme-Evans, PRODUCER Kath Shelper DIRECTOR Michael Longbottom, EXEC PROD Errol Sullivan PRODUCER Jo Rooney, Sarah Warwick Thornton, Michelle PRODUCER David Clarke, Gus Smith Blanchard, Pauline Whyman, Howard DIRECTOR Catriona McKenzie, Martin Leroy Adams, Jacob Nash, DIRECTOR Various including , Ken Cameron, Ian Aaron Fa’aoso, Adrian Wills, Kelli Richard Frankland Watson, Diana Reid, Catherine Cross, Trisha Morton-Thomas, WRITER Various Millar, Emma Freeman, Shawn Dena Curtis, Jon Bell, Debbie CAST John Wood, , Seet Carmody Paul Bishop, Ditch Davey, Julie WRITER Various WRITER Various Nihill, , CAST , Jessica CAST Aaron Pedersen, Lisa The Cake Man Napier, Caitlin McDougall, Brett Flanagan, David Page, Zoe Not so much a cop show as a show Stiller, Luke Carroll, Patrick Carides, , Kelton Pell about cops. Brammall, Roxane Wilson, SALES CONTACT Andrew McFarlane, The business of being black today Southern Star International Pty Ltd takes many forms: outrageous, Australia courageous, mysterious, simple, A drama with heart set in the red PHONE +61-2 9202 8555 straightforward and complex. The centre of Australia, THE ALICE is FAX +61-2 9956 6918 Double Trouble good, the bad and the ugly. But what Courtesy: CAAMA Productions a show about fate, the search for [email protected] yourself, and the interconnectedness makes our bit of business unique? www.southernstargroup.com of all things. The 13 short films in this series are directed by Indigenous filmmakers SALES CONTACT from around Australia. Southern Star International Pty Ltd Australia SALES CONTACT PHONE +61-2 9202 8555 Flickerfest FAX +61-2 9956 6918 Australia [email protected] PHONE +61-2 9365 6877 www.southernstargroup.com FAX +61-2 9365 6899 info@flickerfest.com.au DVD RELEASE www.flickerfest.com.au MRA Entertainment Australia

34 THE BLACK LIST

The Cake Man The Circuit Double Trouble 1976 series 1 and 2 2007 1” Video 2007 – 2009 Digital Betacam 58 min 12 x 52 min 13 x 25 min TV drama PRODUCER Lynn Bayonas, Marta PRODUCER Ross Hutchens, Colin South EXEC PROD Ron Saunders, Priscilla Ninaus, Douglas Sharp, Robert J DIRECTOR Catriona McKenzie, Richard Collins, Jo Horsburgh, Jacqui North Merritt Frankland, Steve Jodrell, Aaron PRODUCER Terry Jennings, Rachel DIRECTOR Douglas Sharp Pedersen, James Bogle, Colin South Clements WRITER Robert J Merritt WRITER Kelly Lefever, Dot West, DIRECTOR Wayne Blair, Richard Frankland CAST Brian Syron, Justine Mitch (Michelle) Torres, Wayne Blair, WRITER Danielle MacLean, Richard Saunders, Edward Phillips, Neil Beck Cole, Jane Harrison, Des Kootji Frankland, David Ogilvy, Mitch (Michelle) Fitzpatrick, Hugh Keays-Byrne, Raymond Torres Graham Rouse, Ray Marshall, DOP Joe Pickering DOP Allan Collins ACS Terry Jowett CAST Aaron Pedersen, , CAST Cassandra Glenn, Christine Glenn, Kelton Pell, Tammy Clarkson, Marta Aaron Pedersen, , Lillian A social issue drama centred around Kaczmarek, Nick Simpson-Deeks, Crombie, Tom E Lewis, Myles Pollard, the plight of an Aboriginal family on LeRoy Parsons, Bill McCluskey Jenny Apostolou, Letitia Bartlett, James a country mission station. The ‘Cake Fraser, Basia A’Hern, Sam Parsonon, Man’ is sent to give Aboriginal children Drew Ellis has taken a sabbatical Tyrone Wallace, Marcella Remedio the same opportunities as white from a comfortable legal career to go children. He tells them of how he was bush... Charming, confident, capable, blinded by wicked men and could not and now completely out of his depth, Tells the story of twins, separated tell the difference between black and Drew finds himself in the chaotic world at birth, who meet and swap places white, and how he came to recover of the Kimberley Circuit Court - a five- in an adventure that changes their his sight. day 2,000-km round trip to dispense lives. The first children’s TV drama justice in the remote communities of produced by CAAMA explores different SALES CONTACT north-western Australia. This is no cultures: white and black, city and bush, ABC Content Sales easy trip, particularly if, like Drew, you community and urban lifestyles. Australia are black. PHONE +61-2 8333 1500 SALES CONTACT Australian Children’s Television FAX +61-2 8333 3975 SALES CONTACT [email protected] SBS Content Sales Foundation www.abccontentsales.com.au Australia Australia PHONE +61-3 9419 8800 PHONE +61-2 9430 3975 FAX +61-3 9419 0660 FAX +61-2 9430 2882 Indigenous Australians in [email protected] [email protected] key creative roles (producer, www.sbs.com.au/contentsales www.actf.com.au director, writer or DOP) are credited in italics. DVD RELEASE DVD RELEASE SBS Film Australia Madman Australia 3335 Dust Echoes The Fifty Foot Show FireFlies 2005 1999 2004 5 x 5 min Digital Betacam Digital Betacam 6 x 26 min 22 x 50 min EXEC PROD Ian Vaile, Domenic Friguglietti EXEC PROD Stephen Vizard EXEC PROD Robyn Kershaw, Hugh PRODUCER Michael John Wagner PRODUCER Elisa Tranter Marks DIRECTOR Dave Jones, Luke DIRECTOR Paul Fenech PRODUCER John Edwards Jurevicius, James Calvert, Suren WRITER Gary Eck, Kitty Flanagan, DIRECTOR Catriona McKenzie, Perera, Studio Moshi, Tom E Lewis Anthony Mir, Akmal Saleh Geoff Bennett, Rowan Woods, WRITER Michael John Wagner CAST Anthony Mir, Gary Eck, Kitty David Caesar, Scott Hartford- Flanagan, Akmal Saleh Davis, Jessica Hobbs Ancient Dreamtime stories are WRITER Various brought to life by Indigenous Sketch comedy series. CAST Libby Tanner, , Spear - from the Dust Echoes series Australian animators, musicians, , Nadia Townsend, SALES CONTACT writers and actors. Infused with a Chris Morris, Natasha Novak youthful creativity and spirit, the Granada Productions series is authentically Indigenous Australia Australian. Augmented by online PHONE +61-2 9383 4360 Set in a small country town, educational materials including games FAX +61-2 8353 3494 FIREFLIES centres on the and downloadable lesson plans, it is sarah.roberts@granadaproductions. townspeople and its rural bushfire primarily for eight to 14-year-olds. com.au brigade. You can measure a township www.granadaproductions.com.au by the commitment of its people. Most www.abc.net.au/message/dustechoes of them are volunteers, from the fire SALES CONTACT brigade to the CWA. Whether you’re ABC TV Indigenous Programs Unit new in town, or here for generations, Australia when you’re facing the driest, hottest PHONE +61-2 8333 4014 summer in decades, it pays to belong. FAX +61-2 8333 4019 SALES CONTACT [email protected] Southern Star Sales www.abc.net.au/message Australia

36 TV DRAMA

Heartland Lift Off series 2 Lockie Leonard 1994 1994 series 1 and 2 16mm 1” Video 2006 – 2009 13 x 60 min 26 x 24 min HD d-l 52 x 24 min EXEC PROD Bruce Best, Penny EXEC PROD Patricia Edgar Chapman PRODUCER Sandra Alexander, EXEC PROD , Jo PRODUCER Bruce Best Susie Campbell Horsburgh, Bernadette O’Mahony, DIRECTOR Paul Faint, Scott DIRECTOR Ray Boseley, Cameron Ben Grant, Jo Rooney Hartford-Davis, Julian Pringle Clarke, Brendan Maher, Paul PRODUCER Kylie du Fresne WRITER John Cundill, Ernie Nichola, David Morgan DIRECTOR Tony Tilse, James Dingo, Kristen Dunphy, Ro WRITER Various including John Bogle, Wayne Blair, Peter Hume, Andrew Kelly, Susan Harding Templeman, Roger Hodgman MacGillicuddy DOP Craig Barden WRITER Various inc Wayne Blair DOP Geoff Manias, Danny CAST Mark Mitchell, Paul Cheyne, DOP Toby Oliver ACS Batterham, Louis Irving Erin Pratten, Aku Bielicki, Maria CAST Sean Keenan, Rhys Muldoon, CAST Ernie Dingo, Paul Caesar, Nguyen Briony Williams, Corey McKernan, , Bob Maza, Clarence Ryan, Gracie Gilbert Justine Saunders, , An innovative mix of live action drama, puppetry, animation and documentary Shane Connor Growing up is an even hairier business! programming designed to stimulate Heartland and entertain three to eight-year-olds. www.actf.com.au Stories of contemporary rural life are linked by the ongoing struggle to SALES CONTACTS SALES CONTACTS Lockie Leonard resolve the mystery surrounding the Australian Children’s Television IDM death of a local Aboriginal girl. Foundation France Australia PHONE +33-331 47472509 SALES CONTACT PHONE +61-3 9419 8800 FAX +33-331 47453632 ABC Content Sales FAX +61-3 9419 0660 [email protected] Australia [email protected] Australian Children’s Television PHONE +61-2 8333 1500 www.actf.com.au Foundation FAX +61-2 8333 3975 Daro Film Distribution GmbH Australia [email protected] Monaco PHONE +61-3 9419 8800 www.abccontentsales.com.au PHONE +377-9797 1600 FAX +61-3 9419 0660 FAX +377-9797 1591 [email protected] DVD RELEASE daro@daro-films.mc www.actf.com.au Shock Australia www.daro-films.mc DVD RELEASE Sony Pictures Australia

37 The Masters My Place Pizza 1996 2010 1998 35mm 26 x 24 min Digital Betacam 13 x 3 min 30 min EXEC PROD Bernadette O’Mahony, EXEC PROD Llew Cleaver Carla de Jong PRODUCER Paul Fenech PRODUCER John Harding PRODUCER Penny Chapman, David DIRECTOR Paul Fenech DIRECTOR Michael Riley Gurney WRITER Paul Fenech WRITER Destiny Deacon, John DIRECTOR Jessica Hobbs, CAST Paul Fenech, Austen Harding, Mitch (Michelle) Torres, Samantha Lang, Catriona Tayshus, Annalise Braakensiek, Adrian Tucker McKenzie, Michael James Leigh Johnson, Antonella CAST Denice Kickett, Lillian Rowland, Shawn Seet Gambotto, Johnny Boxer, Sleek Crombie, Nathan Ramsay, Susan WRITER Alice Addison, Beth the Elite Connor, Lee Madden Armstrong, Blake Ayshford, Nick Parsons, Jacquelin Perske, Leah A 30-minute comedy pilot about two A satirical look at the everyday Purcell pizza delivery men and their eclectic situations that an urban Indigenous CAST , Dan Wyllie, mix of customers. family face. SALES CONTACT SALES CONTACT SBS Content Sales SBS News and Current Affairs MY PLACE is the story of one spot in Australia Content Sales Australia, told by the children who live PHONE +61-2 9430 3975 Australia there over 260 years. FAX +61-2 9430 2882 PHONE +61-2 9430 2828 [email protected] Behind the scenes of Pizza FAX +61-2 9430 3040 SALES CONTACT www.sbs.com.au/contentsales [email protected] Australian Children’s Television www.sbs.com.au/contentsales Foundation Australia PHONE +61-3 9419 8800 FAX +61-3 9419 0660 [email protected] www.actf.com.au

DVD RELEASE Roadshow Australia

Indigenous Australians in key creative roles (producer, director, writer or DOP) are credited in italics.

38 TV DRAMA

Pizza series 1 to 5 Pizza: Pizza: World Record 1999 – 2007 The Da Vinci Cup 2006 Digital Betacam 2006 Digital Betacam 46 x 25 min 6 x 25 min Digital Betacam m-p 3 x 25 min EXEC PROD Paul Fenech EXEC PROD Paul Fenech PRODUCER Paul Fenech, Tanith EXEC PROD Paul Fenech PRODUCER Paul Fenech Carroll, Tinzar Lwyn, Deborah PRODUCER Paul Fenech, Tinzar DIRECTOR Paul Fenech Spinocchia, Joanne Weatherstone Lwyn WRITER Paul Fenech DIRECTOR Paul Fenech DIRECTOR Paul Fenech CAST Paul Fenech, Tahir Bilgic, WRITER Paul Fenech WRITER Paul Fenech Kevin Taumata, Katrina Spadone CAST Paul Fenech, Tahir Bilgic, CAST Paul Fenech Rob Shehadie, Johnny Boxer, Pauly Falzoni (AKA Paul Fenech), with the help of some of his PIZZA Jabba, Ahn Do, Kevin Taumata, As part of the coverage of the World friends, travels the globe to prove he Andrew Ausage, Alex Romano, Cup by Australian broadcaster SBS, is the Number One Pizza Deliverer. A Maria Venuti, Rebel Wilson Pauly Falzoni (AKA Paul Fenech) Guinness World Record attempt to travels the globe and takes us behind help fight cancer. Did you know pizza delivery is the the conspiracy of the world’s biggest second most dangerous job in the sport, where he is able to prove www.fatpizza.org categorically that the World Cup is Western world? Made for Australian SALES CONTACT a sham. broadcaster SBS, PIZZA delivers five SBS Content Sales seasons of hilarious stories from SALES CONTACT Australia the frontline. SBS Content Sales PHONE +61-2 9430 3975 FAX SALES CONTACT Australia +61-2 9430 2882 SBS Content Sales PHONE +61-2 9430 3975 [email protected] Remote Area Nurse Australia FAX +61-2 9430 2882 www.sbs.com.au/contentsales PHONE +61-2 9430 3975 [email protected] FAX +61-2 9430 2882 www.sbs.com.au/contentsales DVD RELEASE [email protected] SBS Australia www.sbs.com.au/contentsales DVD RELEASE SBS Australia DVD RELEASE Madman Australia

39 Remote Area Nurse - Satisfaction series 2 Swift and Shift R.A.N. 2008 Couriers series 1 and 2 2005 HD/Digital Betacam 2008 – 2009 10 x 60 min HDTV Digital Betacam 6 x 52 min 20 x 25 min EXEC PROD Kim Vecera PRODUCER Penny Chapman PRODUCER Roger Simpson, EXEC PROD Paul Fenech DIRECTOR David Caesar, Catriona Andrew Walker PRODUCER Paul Fenech, Serena McKenzie DIRECTOR Paul Moloney, Steve Hunt, Joanne Weatherstone WRITER John Alsop, Sue Smith, Jodrell, Catriona McKenzie, DIRECTOR Paul Fenech Alice Addison Daniel Nettheim WRITER Paul Fenech CAST Susie Porter, Charles Passi, WRITER Matt Ford, Samantha DOP Mike Kliem Billy Mitchell, Luke Carroll, Bruce Winston, Shelley Birse CAST Paul Fenech, Ian Turpie, Spence CAST , Kestie Morassi, Amanda Keller , Peta Sergeant, Set in the Torres Strait Islands, this , , Set in the Swift and Shift Courier tells the story of a talented, bloody- Jackie Weaver, company, following the follies of minded and committed white woman character deliveries. and a people who love her but want Set in and around 232, an upmarket SALES CONTACT her gone. city brothel, SATISFACTION SBS Content Sales reveals the world of five high-class SALES CONTACT Australia escorts and their manager as they SBS Content Sales PHONE +61-2 9430 3975 juggle the pressure of their private Australia FAX +61-2 9430 2882 lives with their secret profession. PHONE +61-2 9430 3975 [email protected] SATISFACTION is an exploration DOP Allan Collins on location for Three FAX +61-2 9430 2882 www.sbs.com.au/contentsales of the relationships between these Acts of Murder [email protected] Photographer: David Dare Parker www.sbs.com.au/contentsales women, the bonds of friendship, DVD RELEASE the competition, the loyalty, the Madman Australia DVD RELEASE ruthlessness, the camaraderie. They Madman Australia are love stories with a twist - about strong women keeping themselves together when they’re giving so much of themselves away.

SALES CONTACT Fremantle Media International Distribution Australia PHONE +61-2 9434 0666 FAX +61-2 9434 0705 [email protected] 40 TV DRAMA

Three Acts of Murder Us Mob Women of the Sun Blood in the Sand 2005 1990 2009 Digital Betacam 16mm HD 7 x 10 min 4 x 60 min r-w 95 min PRODUCER Heather Croall EXEC PROD David Leonard, John EXEC PROD Sue Taylor DIRECTOR David Vadiveloo Martin PRODUCER Sue Taylor WRITER Danielle MacLean PRODUCER Bob Weis DIRECTOR Rowan Woods DIRECTOR Geoffrey Nottage, WRITER Ian David US MOB transports young people from James Ricketson, David Stevens, DOP Allan Collins ACS around the globe to the little known Stephen Wallace CAST Robert Menzies, , world of Hidden Valley, in the central WRITER Sonia Borg, Hyllus Maris Bille Brown, , Anni deserts of Australia through the DOP Ross Berryman, Dan Burstall, Finsterer, eyes of Aboriginal teenagers Charlie, Ian Dewhurst, Nino Martinetti Jacquita and their bush community friends. On this journey they encounter CAST Minnie Patten, Mawuyul In 1929, Arthur Upfield, Australia’s extraordinary challenges, exciting Yanthaluwuy, Eva Johnson, premier crime writer, plotted the cultural experiences and dramatic Justine Saunders, Michelle perfect murder for his novel, ‘The external forces that shape the lives Lanyon Sands of Windee’. Meanwhile, one of of Town Camps kids in Alice Springs. his friends, stockman Snowy Rowles, From building bush bikes to hunting Four self-contained stories of put the scheme into deadly effect, traditional foods, from skin name Us Mob Aboriginal women from the 1930s. A even before the book was published. relationships to sacred sites, from first-time opportunity for one of the The result was one of Australia’s most child deafness and substance abuse world’s most oppressed minorities to sensational murder trials of the 1930s. to traditional ceremonies, US MOB Women of the Sun tell a part of their history in their explores the youth perspective and www.3actsofmurder.com.au own words. voice on all these issues with integrity, SALES CONTACT humour and drama inside a framework SALES CONTACT Taylor Media of Aboriginal community concern. Ronin Films Australia www.usmob.com.au Australia PHONE +61-8 9227 0420 PHONE +61-2 6248 0851 FAX +61-8 9328 8621 SALES CONTACT FAX +61-2 6249 1640 [email protected] ABC Content Sales orders@roninfilms.com.au www.taylormedia.com.au Australia www.roninfilms.com.au PHONE +61-2 8333 1500 FAX +61-2 8333 3975 DVD RELEASE [email protected] Ronin Australia www.abccontentsales.com.au

41 2 Live 2 Deadly 4 Wheel Dreaming 40 Years On 2009 2005 2007 Digital Betacam DVD/Digital Betacam HD/Digital Betacam/DVD 26 min 80 min 26 min

PRODUCER Grant Leigh Saunders EXEC PROD David Jowsey PRODUCER Susan Moylan-Coombs DIRECTOR Grant Leigh Saunders PRODUCER Michael Butler, DIRECTOR Susan Moylan-Coombs WRITER Grant Leigh Saunders Michelle White DIRECTOR Michael Butler The year 2007 and specifically From humble beginnings operating out WRITER Michael Butler, Sunday 27 May 2007, marked the of a terrace house in Redfern 20 years Fleurtasha Cooper 40th anniversary of Australia’s ago, the Aboriginal voice on Sydney most successful referendum and a radio has struggled to seal its place defining event in our nation’s history. The Message Stick vehicle is a 1961 on the city’s airwaves. For Koori Radio, hosted an On location for 5 Seasons ex-Army Land Rover that first served its roller-coaster ride in the battle event at Old Parliament House, ‘Their in the Vietnam War and is now rebuilt for a fulltime on-air licence ended in Spirit Still Shines’, honouring surviving for peace. The vehicle travelled success back in 2002. And since then members of the Federal Council for around Australia for eight years to the station’s gone from strength to the Advancement of Aboriginal and different Aboriginal communities, as strength with the broadcaster opening Torres Strait Islanders (FCAATSI) they transformed it dot by dot into a its new state-of-the-art studio late who played such an important part modern-day motorised Message Stick last year. From the Message in the campaign, which culminated in and a moving art gallery combining Stick series. the overwhelming ‘Yes’ vote. From the art, music, Message Stick series. SALES CONTACT and storytelling. ABC Content Sales www.youtube.com/ SALES CONTACT Australia watch?v=i1UN7G5QzPE ABC Content Sales PHONE +61-2 8333 1500 Australia FAX +61-2 8333 3975 SALES CONTACT PHONE +61-2 8333 1500 [email protected] SacredOz Productions FAX +61-2 8333 3975 www.abccontentsales.com.au Australia [email protected] MOBILE +61-405 196 505 www.abccontentsales.com.au [email protected] www.themessagestick.com

42 THE BLACK LIST

4077 - Stylin’ Up 5 Seasons 50 Years 2007 2004 Indigenous TV ries Digital Betacam Digital Betacam 2006 27 min 52 min Digital Betacam Docu!nta 30 min EXEC PROD Susan Moylan- EXEC PROD Priscilla Collins Coombs PRODUCER Priscilla Collins, Citt PRODUCER Susan Moylan-Coombs Long - PRODUCER Douglas Watkin Williams DIRECTOR Susan Moylan-Coombs DIRECTOR Douglas Watkin DIRECTOR Steven McGregor WRITER Susan Moylan-Coombs WRITER Rhianna Patrick, Douglas WRITER Steven McGregor, 23 minutes Watkin Danielle MacLean This year marks the 50th anniversary CAST Inala Community DOP Allan Collins ACS, Warwick of the birth of . "d over Thornton What have been the images of The south-western Brisbane suburb CAST Moses Numamurdirdi Aboriginal and Torres Strait Islander of Inala was originally established to people on our television screens during this time? What story has been told provide affordable accommodation Moses Numamurdirdi is a senior and from whose perspective? We look to World War II veterans during the traditional Aboriginal man from the at the television being made about postwar housing shortage. By the early community of Numbulwar. Filmed Aboriginal people by non-Aboriginal , many Aboriginal and Torres over 12 months, this observational people and the birth of the Aboriginal Strait Islander people had also moved documentary follows Moses and his Programs Unit within the ABC to the area and today, nearly eight per family through the seasons. A proud producing programs such as ‘Blackout’ cent of residents living in Inala are charismatic man, he wants to share through to ‘Message Stick’. Indigenous. But over the years the his world. While enjoying the benefits suburb has endured negative press of the modern world, the Numurindi SALES CONTACT and unwarranted stereotypes. The people are still guided by the seasons ABC Content Sales community has banded together to and the stories of the Dreamtime. Australia start a unique Indigenous hip-hop and PHONE +61-2 8333 1500 R’n’B festival called ‘Stylin’ Up’. From SALES CONTACT FAX +61-2 8333 3975 CAAMA Productions Pty Ltd the Message Stick series. [email protected] Australia www.abccontentsales.com.au SALES CONTACT PHONE +61-8 8951 9778 ABC Content Sales FAX +61-8 8951 9717 Australia MOBILE +61-419 814 960 PHONE +61-2 8333 1500 [email protected] FAX +61-2 8333 3975 www.caama.com.au [email protected] www.abccontentsales.com.au Indigenous Australians in DVD RELEASE key creative roles (producer, CAAMA Australia director, writer or DOP) are credited in italics.

4143 8th Festival of the Aboriginal Deaths in Aboriginal Rules Pacific Arts Custody 2007 2001 2001 Digital Betacam 55 min 30 min Digital Betacam 30 min PRODUCER Julie Nimmo EXEC PROD David Jowsey DIRECTOR Julie Nimmo PRODUCER Julie Nimmo PRODUCER Rita Cattoni, Francis WRITER Julie Nimmo DIRECTOR Julie Nimmo Jupurrula Kelly WRITER Julie Nimmo DIRECTOR Liam Campbell WRITER We travel to Noumea, New Caledonia, Liam Campbell for the 8th Festival of the Pacific It has been 10 years since the Royal DOP Anna Cadden Arts. The festival brought together Commission into Aboriginal Deaths CAST Sherman Spencer, Carson Indigenous artists from 26 countries in Custody, 10 years in which deaths Brown, Sebastian Watson, Francis to take part in the 10-day festival. in custody have doubled. The most Kelly One of the largest delegations of recent death in custody was Evan Australian Indigenous artists to Slatter, a young man who committed The Yeundumu Magpies are a dominant participate in the festival made their suicide by hanging himself in his force in Central Australian Football and presence felt and proudly displayed single cell at the Hakea Correctional ABORIGINAL RULES is a documentary their art, music and culture on a world Centre. Julie Nimmo attended his that follows the mighty Magpies across stage. Part of ICAM series. funeral in an attempt to illustrate to the course of a year as they play their viewers the massive impact a suicide SALES CONTACT exciting brand of grassroots footy in custody has in the Aboriginal SBS News and Current Affairs Warlpiri Style. With insights into Warlpiri community. Part of ICAM series. Content Sales culture and great archival vision from Australia SALES CONTACT early Yuendumu sports weekends, we PHONE +61-2 9430 2828 SBS News and Current Affairs are offered a compelling portrait of a FAX +61-2 9430 3040 Content Sales remote community through its champion [email protected] Australia football team. This is a new version of an www.sbs.com.au/contentsales PHONE +61-2 9430 2828 age old ceremony, it’s football dreaming. FAX +61-2 9430 3040 www.aboriginalrules.com [email protected] www.sbs.com.au/contentsales SALES CONTACT Warlpiri Media Association Australia PHONE +61-8 8956 4024 FAX +61-8 8956 4100 [email protected] www.pawmedia.com.au

DVD RELEASE Ronin Australia

44 DOCUMENTARIES - LONG

Aboriginal Summer About a Girl: Aden Ridgeway School in Adelaide Casey Donovan 2004 2002 2006 HD/Digital Betacam/DVD 26 min Digital Betacam Digital Betacam a 30 min 26 min PRODUCER Tanya Denning PRODUCER Tanith Carroll EXEC PROD David Jowsey DIRECTOR Tanya Denning DIRECTOR Tanith Carroll PRODUCER Nancia Guivarra WRITER Tanya Denning WRITER Tanith Carroll DIRECTOR Nancia Guivarra WRITER Nancia Guivarra Democrat Senator for NSW, Aden Ridgeway, is the second Aboriginal Every year, approximately 30 to 40 Federal Parliamentarian since Senator Indigenous school students from Casey Donovan has sung her way into . He says it was his around Australia come together in the hearts of a nation and become our goal to be a politician since he was a Adelaide to take part in ASSETS, Idol in the process. At just 16 years kid and tells us all about his journey the Aboriginal Summer School for of age, she won Australian Idol, had a and the people who have inspired and Excellence in Technology and Science. number one single, and launched her motivated him along the way. From Students sit an entrance test at their own . From the Message the Message Stick series. schools for selection into the summer Stick series. school. The students live for the period SALES CONTACT of the summer school on campus at SALES CONTACT ABC Content Sales ABC Content Sales Prince Alfred College, a residential Australia Australia school just outside of Adelaide’s CBD. PHONE +61-2 8333 1500 PHONE +61-2 8333 1500 Part of ICAM series. FAX +61-2 8333 3975 FAX +61-2 8333 3975 [email protected] SALES CONTACT [email protected] www.abccontentsales.com.au SBS News and Current Affairs www.abccontentsales.com.au Content Sales Australia PHONE +61-2 9430 2828 FAX +61-2 9430 3040 [email protected] www.sbs.com.au/contentsales

45 AFL Kickstart Agnes Abbott Always Was, Program 2007 Always Will Be 2002 Digital Betacam 1989 23 min Digital Betacam 1” Video 30 min 32 min EXEC PROD Rachel Clements, Citt PRODUCER Tracey Callegari Williams PRODUCER Martha Ansara, Robert WRITER Tracey Callegari PRODUCER Liz Warning, Brian Bropho Scarce DIRECTOR Robert Bropho, Martha The AFL’s (Australian Football League) DIRECTOR Robyn Nardoo Ansara Kickstart program was initiated in WRITER Robyn Nardoo, Judy 1997 for Indigenous youth across Lovett Made by the Aboriginal fringe remote communities in . CAST Agnes Abbott dwellers of the Swan Valley, the film Focusing on physical development documents the camp set up by a and healthy life choices, Kickstart is Agnes Abbott was born in the 1930s. number of Aboriginal organisations to proving a real winner in communities She has lived in her traditional protect a sacred site in the middle of throughout Cape York, the Gulf and homelands all her life. Living life was from construction of a tourist Torres Strait regions, having a positive hard work. centre and car park. Explains the impact not only on the children sacred beliefs and historic struggle of Agnes Abbott involved, but the community as a SALES CONTACT Courtesy: CAAMA Productions urban Aboriginals. whole. Part of ICAM series. CAAMA Productions Pty Ltd Australia SALES CONTACT SALES CONTACT PHONE +61-8 8951 9778 Martha Ansara SBS News and Current Affairs FAX +61-8 8951 9717 Australia Content Sales MOBILE +61-419 814 960 PHONE +61-2 9573 1886 Australia [email protected] [email protected] PHONE +61-2 9430 2828 www.caama.com.au www.balladfilms.com.au FAX +61-2 9430 3040 [email protected] www.sbs.com.au/contentsales

46 DOCUMENTARIES - LONG

The Anangu Story Ankula Watjarira Apekathe 2009 2004 1997 Digital Betacam Digital Betacam Digital Betacam 2 x 26 min 27 min 30 min a PRODUCER Pauline Clague PRODUCER Pauline Clague EXEC PROD David Jowsey, Rachel DIRECTOR Pauline Clague DIRECTOR Rima Tamou Perkins WRITER Pauline Clague WRITER Rima Tamou PRODUCER Priscilla Collins DIRECTOR Steven McGregor In Part 1, we learn how 50 years ago In 1937, in the hills of the Musgrave WRITER Steven McGregor secret atomic tests were carried out Ranges, the Australian Presbyterian DOP Allan Collins ACS on Australian soil in north-western Board of Missions established CAST Maureen McGregor, Priscilla . The traditional Ernabella Mission a small community Collins Aboriginal communities of the region in the remote far north of South were to be moved for their own safety Australia. A school was opened and but somehow they were covered in the local children taught to sing APEKATHE means fair skin in the radioactive fallout. Some of the local as a choir by the Superintendent Arrente language. Being Aboriginal Anangu people suffered radiation Reverend Bill Edwards. The choir with white skin is an issue for many poisoning and died and many are visited Adelaide in 1954 to see the Aboriginals. It’s time for Australia to still enduring the effects of that toxic Queen and sang at the opening of the accept Aboriginals as people with fair exposure today. In Part 2, we discover John Flynn Church in Alice Springs and dark skin and also for fair skinned 25 years ago the Anangu People of in 1956. Sixty-four years later, with Aboriginals to accept their identity. South Australia were allowed to only a handful of its original members, (National Indigenous Documentary return to part of their traditional lands the Ernabella Choir are joined by a Series) affected by atomic bomb testing in the younger generation of singers. This SALES CONTACT 50s and 60s. After what was called story follows them as they travel CAAMA Productions Pty Ltd a nuclear waste cleanup they moved to the Adelaide Festival. From the Australia back to the settlement of Oak Valley in Message Stick series. PHONE +61-8 8951 9778 the Spinifex country of SALES CONTACT FAX +61-8 8951 9717 their forefathers. ABC Content Sales MOBILE +61-419 814 960 SALES CONTACT Australia [email protected] ABC Content Sales PHONE +61-2 8333 1500 www.caama.com.au Australia FAX +61-2 8333 3975 PHONE +61-2 8333 1500 [email protected] DVD RELEASE FAX +61-2 8333 3975 www.abccontentsales.com.au Ronin Australia [email protected] www.abccontentsales.com.au

47 Arafura Pearl Ardiyooloon Ariba Enuba 2003 1998 1998 Digital Betacam Betacam Betacam 26 min 43 min 40 min

PRODUCER Steven McGregor EXEC PROD Mark Bin Bakar PRODUCER Christine Peacock DIRECTOR Steven McGregor PRODUCER Peter Wharram DIRECTOR Carl Fisher, Christine WRITER Steven McGregor DIRECTOR Wayne Barker, Peter Peacock Wharram WRITER Christine Peacock ARAFURA PEARL is the story of CAST Aunties and Uncles, Kathy Mills, a humanitarian and The Kimberley Aboriginal Law and Grandmothers and Grandfathers, respected Aboriginal leader in Darwin, Culture Centre in association with the Brothers and Sisters of and the first female member of the Kimberley , Kimberley the Australian Indigenous . From the Language Resource Centre and the communities of South-East and Message Stick series. Bard Aborigines Association Inc, held Central Queensland five days of meetings and SALES CONTACT ABC Content Sales at One Arm Point Community (225 Who belongs to what and what Australia km north of Broome, WA) on 1-5 October 1997. This was the third major belongs to whom is examined as PHONE +61-2 8333 1500 festival to be presented by KALACC Australian Indigenous people take you FAX +61-2 8333 3975 into their communities, cultures and [email protected] and for the first time the festival was philosophies. A cultural tour for the www.abccontentsales.com.au open to the public for an evening of performances. Over 1,000 Aboriginal invisible tourist. people travelled from across the SALES CONTACT Kimberley to attend and present Uniikup Productions diverse and rich evenings of dance and Australia song of a traditional nature. PHONE +61-7 3834 3229 SALES CONTACT FAX +61-7 3864 3975 Goolarri Media Enterprises MOBILE +61-407 379 822 Australia [email protected] PHONE +61-8 9192 1325 www.colourise.com.au FAX +61-8 9193 6407 [email protected] www.gme.com.au

Indigenous Australians in key creative roles (producer, director, writer or DOP) are credited in italics.

48 DOCUMENTARIES - LONG

Arlpwe Art: Ali Curung The Art of Healing Art Therapy 2009 2005 2005 Digital Betacam Digital Betacam Digital Betacam 23 min 23 min 26 min a EXEC PROD Robyn Nardoo, Ray EXEC PROD Jacqui North PRODUCER Julie Nimmo Lillis PRODUCER Rachel Clements DIRECTOR Julie Nimmo DIRECTOR Robyn Nardoo, Shane DIRECTOR Robyn Nardoo WRITER Julie Nimmo Mulcahy WRITER Robyn Nardoo DOP Robyn Nardoo, Curtis DOP Warwick Thornton Statistics show that one in four women Marriott CAST Agnes Palmer suffer from depression at some point in their life, and with men it’s one in six. Experts in Indigenous health say it’s We spend time with the Aboriginal In the middle of the Central Australian double that in our communities. In this artists of the Ali Curung community, outback stands a church like no other story we meet a group of remarkable 350 km from Alice Springs. The in the world. Arrente women explain women who are living day to day with opening of the Arlpwe Gallery has how traditional law and Christian mental illness, and how a small inner- brought a new lease of life to the teachings can work together for city art class has changed their lives. community. This is an uplifting spiritual healing. From the Message Stick series. documentary demonstrating the SALES CONTACT amazing spiritual power that real, CAAMA Productions Pty Ltd SALES CONTACT living art can bring to artists whose ABC Content Sales Australia work is inextricably entwined in every Australia PHONE +61-8 8951 9778 aspect of their life. PHONE +61-2 8333 1500 FAX +61-8 8951 9717 FAX +61-2 8333 3975 SALES CONTACT MOBILE +61-419 814 960 [email protected] CAAMA Productions Pty Ltd [email protected] www.abccontentsales.com.au Australia www.caama.com.au PHONE +61-8 8951 9778 FAX +61-8 8951 9717 MOBILE +61-419 814 960 [email protected] www.caama.com.au

49 Artists Up Front Aunty Connie B.L.A.C.K. An 1997 2006 Aboriginal Song Betacam Digital Betacam of Hip Hop 6 x 28 min 25 min 2005 EXEC PROD Robert Turnbull EXEC PROD David Jowsey Digital Betacam 26 min PRODUCER Des Kootji Raymond, PRODUCER Ivan Sen Paul Roberts DIRECTOR Ivan Sen PRODUCER Grant Leigh Saunders, DIRECTOR Melissa Hasluck, Des WRITER Ivan Sen Roslyn Baker Kootji Raymond, Paul Roberts DIRECTOR Grant Leigh Saunders WRITER Des Kootji Raymond, Paul Connie McDonald is a woman who WRITER Grant Leigh Saunders Roberts has been liberated by love. Born in DOP Jason Ramp CAST Stephen Baamba Albert, the Kimberley with a debilitating bone CAST Wire MC Gordon Bennett, Ningali Lawford, disease, Connie’s first baby steps Gary Lee, Rita Mills, Frances broke both her legs. This is a love story and a tale of courage. Rings B.L.A.C.K is a cipher scribed by independent and Australian SALES CONTACT ABC Content Sales Indigenous hip hop artist, Wire MC. This documentary series comprises Australia Through interview and observation, six half-hour biographies featuring the song is deconstructed to speak PHONE +61-2 8333 1500 the lives and works of contemporary of contemporary issues around FAX +61-2 8333 3975 Australian Aboriginal artists. Each [email protected] Aboriginal blackness, politics and episode profiles an individual artist www.abccontentsales.com.au culture. The filmmaker aligns himself who is an exemplary exponent working with Wire MC delivering a format in the visual arts, theatre, music and/ equivalent to a hip hop freestyle or dance. It features male and female in order to draw a more powerful points of view, different regions of conclusion of what it means to be Australia and different conceptions B.L.A.C.K., Born Long Ago of Aboriginality. Creation’s Keeper.

SALES CONTACT SALES CONTACT Ronin Films Australian Film Television and Radio Australia School PHONE +61-2 6248 0851 PHONE +61-2 9805 6611 FAX +61-2 6249 1640 FAX +61-2 9887 1030 orders@roninfilms.com.au [email protected] www.roninfilms.com.au www.aftrs.edu.au

50 DOCUMENTARIES - LONG

Back to the Yumba Bangarra Fire Banjo Clarke 2000 2009 2003 Digital Betacam Digital Betacam Digital Betacam 26 min 26 min 26 min a-b PRODUCER Frank Saunders PRODUCER Miriam Corowa PRODUCER Lou Glover DIRECTOR Rima Tamou DIRECTOR Miriam Corowa DIRECTOR Lou Glover WRITER Frank Saunders WRITER Miriam Corowa WRITER Lou Glover

BACK TO THE YUMBA focuses on Bangarra is Australia’s leading Uncle Banjo Clarke, who is also known Yumba, a small Aboriginal community Indigenous dance company and has as Rainbow Man or Wisdom Man, on the banks of the Maranoa River, been performing at the cutting-edge among other honoured titles, was a outside of Mitchell in southern of contemporary dance for the last 20 elder who touched many Queensland. The story is told through years. From the Message Stick series. lives. Before he died, he dictated the eyes of Frank Saunders, the last his story to Camilla Chance. This SALES CONTACT student at the Yumba School which program, produced posthumously, ABC Content Sales closed in 1968. Along with other is a tribute to Uncle Banjo’s life, a Australia community members, Frank relives man whose compassion and spirit PHONE +61-2 8333 1500 his childhood experiences. The sudden still inspires his community. An FAX +61-2 8333 3975 and tragic demise of the Yumba in overwhelming message of Uncle [email protected] 1968 meant the end of the settlement, Banjo’s life is love, not judging anyone. www.abccontentsales.com.au but not the community. His character has been compared to . From the Message SALES CONTACT Stick series. ABC Content Sales Australia SALES CONTACT PHONE +61-2 8333 1500 ABC Content Sales FAX +61-2 8333 3975 Australia [email protected] PHONE +61-2 8333 1500 www.abccontentsales.com.au FAX +61-2 8333 3975 [email protected] www.abccontentsales.com.au

51 Basic Equipment Behind the Ball Beijing Boxer 1997 2000 2008 Digital Betacam Digital Betacam Digital Betacam 28 min 30 min 25 min

EXEC PROD Dasha Ross, Georgia PRODUCER Mitch (Michelle) Torres EXEC PROD Susan Moylan- Wallace-Crabbe DIRECTOR Mitch (Michelle) Torres Coombs PRODUCER David Webster WRITER Mitch (Michelle) Torres PRODUCER Miriam Corowa DIRECTOR Paul Fenech DIRECTOR Miriam Corowa WRITER Paul Fenech, David A light-hearted look at the off-the- CAST Paul Fleming Webster football-field lives of three deadly CAST Paul Westgate aka Serec WA footballers: veterans , Ambitious 20-year-old featherweight (Narrator) Dale Kickett and relative newcomer boxer, Paul Fleming, is one of a Clem Michael. This small window into select group of Indigenous athletes these very talented men allows us to competing for Australia at the 2008 Veteran ‘Hip Hopper’ Serec takes us get a feeling of that which is the most Beijing Olympics. The charismatic 57 on a journey through the Sydney hip important thing for them - family. We kg ‘southpaw’ hails from Far North hop culture. We discover the four see how they unwind and relax with Queensland and after seven years elements that make up hip hop and those important to them away from of dedicated training has realised a along the way find out the level of the glare and stardom that comes childhood dream of rising to the top of dedication that hip hoppers have. with Aussie Rules football. From the Australian amateur boxing. BEIJING The four elements are MCing, DJing, Message Stick series. BOXER charts Paul’s journey, revealing breakdancing and graffiti. SALES CONTACT the sacrifice and commitment that SALES CONTACT ABC Content Sales Paul, his family and friends have all Livewire Film and Television Australia made to see him succeed. From the Production PHONE +61-2 8333 1500 Message Stick series. Australia FAX +61-2 8333 3975 SALES CONTACT PHONE +61-2 9906 7640 [email protected] ABC Content Sales FAX +61-2 9906 7350 www.abccontentsales.com.au Australia PHONE +61-2 8333 1500 FAX +61-2 8333 3975 [email protected] www.abccontentsales.com.au

52 DOCUMENTARIES - LONG

Best Foot Forward Best Kept Secret Beyond Sorry 2004 1991 2003 Digital Betacam 16mm Digital Betacam 27 min 29 min 52 min b PRODUCER Rima Tamou EXEC PROD Vaughan Hinton EXEC PROD Citt Williams, Beck DIRECTOR Rima Tamou PRODUCER Llew Cleaver, Richard Cole WRITER Rima Tamou Reisz PRODUCER David Vadiveloo DIRECTOR Richard Reisz DIRECTOR David Vadiveloo Lester Bostock is best known and CAST , Ruby Hunter, WRITER David Vadiveloo respected for his work in the industry Banjo Clark DOP Warwick Thornton of Indigenous film and radio. His CAST Zita Wallace, Agnes Abbott guidance for young filmmakers and his Archie Roach is a victim of theft. tenacity and strength has contributed Stolen from his family by welfare ‘Were they better off being left with to the large number of Indigenous authorities at of three, he was their families or were they better filmmakers in the industry today. Like sent through a system of institutions off being taken away?’ This is the so many of his generation, he came and foster homes where all knowledge question that still burns in the minds from humble beginnings and despite of his true family was obliterated in the of many non- personal hardship he was active in name of assimilation. This program and the question posed by the husband taking up the fight for Indigenous profiles the pain and triumph of this of stolen generation member Zita rights and has always put his best foot noted multi-award winning Aboriginal Wallace at the beginning of forward. From the Message singer/songwriter and his tortured BEYOND SORRY. Stick series. search for expression of his identity SALES CONTACT SALES CONTACT and culture. His music provides CAAMA Productions Pty Ltd ABC Content Sales testimony to the problems, the pain, Australia Australia the heartache and the troubles of his PHONE +61-8 8951 9778 PHONE +61-2 8333 1500 people. Part of Blackout series. FAX +61-8 8951 9717 FAX +61-2 8333 3975 SALES CONTACT MOBILE +61-419 814 960 [email protected] ABC Content Sales [email protected] www.abccontentsales.com.au Australia www.caama.com.au PHONE +61-2 8333 1500 FAX +61-2 8333 3975 [email protected] www.abccontentsales.com.au

53 Big Fella Big Girls Don’t Cry Black ‘n’ Dusty 2010 2002 2006 Digital Betacam Digital Betacam Digital Betacam 25 min 26 min 42 min

EXEC PROD John Godfrey EXEC PROD Cathy Eatock EXEC PROD Jacqui North PRODUCER Lisa Duff PRODUCER Priscilla Collins PRODUCER Rachel Clements DIRECTOR Michael Longbottom DIRECTOR Darrin Ballangarry DIRECTOR Vance Glynn WRITER Michael Longbottom WRITER Darrin Ballangarry WRITER Vance Glynn DOP Michael Longbottom, Murray DOP Murray Lui DOP Colin Richards Lui, Lisa Duff CAST Warwick Thornton, Steve CAST Rodney Ardler, Michael Indigenous people, young and old, Tranter Longbottom living and coping with the ever increasing incidence of kidney disease. A story about Indigenous riders/ This is the story about the crippling SALES CONTACT drivers in the Finke Desert Race 2005, health affects of diabetes and obesity CAAMA Productions Pty Ltd the toughest and hardest motor in Indigenous communities throughout Australia vehicle race in the world. Australia and one man’s love for life PHONE +61-8 8951 9778 SALES CONTACT battling to stay alive and fight against FAX +61-8 8951 9717 CAAMA Productions Pty Ltd the demon called obesity and diabetes. MOBILE +61-419 814 960 Australia [email protected] SALES CONTACT PHONE +61-8 8951 9778 www.caama.com.au Dreaming Digital Pty Ltd FAX +61-8 8951 9717 Australia MOBILE +61-419 814 960 DVD RELEASE PHONE +61-2 9699 4212 [email protected] Rodney Ardler (L) with writer/director/DOP Ronin Australia Michael Longbottom (R), filming Big Fella MOBILE +61-412 373 761 www.caama.com.au [email protected] DVD RELEASE CAAMA Australia

54 DOCUMENTARIES - LONG

Black Chicks Talking Black Factor Sports Black Futures 2002 Imparja Cup 1988 Digital Betacam 2009 VHS 52 min 6 x 60 min Digital Betacam b 26 min PRODUCER Bain Stewart PRODUCER Michael Le Moignan DIRECTOR Leah Purcell EXEC PROD Wayne Denning DIRECTOR Lesley Lamont-Fisher, WRITER Leah Purcell, Brendan PRODUCER Donald Johannessen Michael Le Moignan, Larry Lucas, Fletcher DIRECTOR Donald Johannessen Yuri Sokol, David Stiven, Robert DOP Himman Dhamija, Murray Lui WRITER Donald Johannessen J Merritt CAST Deborah Mailman, Tammy DOP Dean Gibson WRITER Michael Le Moignan, Williams, Rosanna Angus, Cilla CAST Donald Johannessen Larry Lucas, Casey Ryan, Robert Malone, Kathryn Hay (Presenter) J Merritt

Five very different Indigenous women In this documentary, the Black Factor White Australia celebrated its 200th come together from all over Australia Sports team travel to Alice Springs for birthday in 1988. The occupation for a girls’ night out. Anchored in the the Imparja Cup Cricket Tournament has lasted for 10 generations. But preparations for their big night out, to capture the personalities and Australia’s Aborigines have occupied the documentary moves between that stories involved in this national annual the land for 2,000 generations, more night and explorations of each of the event, showcasing Australia’s finest than 40,000 years. The six films in women’s lives. While these women Indigenous cricketers in 2009. BLACK FUTURES are not a passive certainly share a bond of history and observation. They aim to make an identity, there are complex cultural SALES CONTACT argument in words and pictures to Black Chicks Talking differences between them and varying Carbon Media Pty Ltd open public debate and to challenge depths of Aboriginal knowledge Australia assumptions about the value of and awareness. PHONE +61-7 3136 2524 Aboriginal culture to the wider FAX +61-7 3136 2524 Australian community. SALES CONTACT [email protected] Screen Australia www.carbon-media.com.au SALES CONTACTS Australia Films Pty Ltd PHONE +61-2 8113 5800 Australia FAX +61-2 9357 3737 PHONE +61-2 9398 7346 [email protected] Dee & Co Ltd www.screenaustralia.gov.au United Kingdom

DVD RELEASE Screen Australia Australia

55 Black Santa Black Sheep Black Tracks Canada 1989 1999 ImagineNative VHS Digital Betacam 2008 28 min 26.5 min Digital Betacam 4 x 26 min DIRECTOR Bruno de Villenoisy, PRODUCER Penny McDonald Lorraine Mafi-Williams, Martin DIRECTOR Lou Glover EXEC PROD Wayne Denning Rooke, David Sandy WRITER Lou Glover PRODUCER Hans Mick, Helen CAST Louise Glover Morrison We follow Black Santa, Syd DIRECTOR Dean Gibson Cunningham, Head of the Aboriginal An enlightening exploration of racial WRITER Vanessa Gibson, Hans Welfare Unit, St Marys, NSW. He dons and sexual identity as assumptions Mick his Santa uniform and distributes and stereotypes are examined. The DOP Dean Gibson Christmas presents to the local director relates being brought up in Aboriginal children. Part of country NSW as white, her Indigenous CAST Tanya Denning Blackout series. heritage having been kept a secret (Presenter),Vanessa Gibson for three generations. Moving to the (Narrator) SALES CONTACT ABC Content Sales city she comes out as gay and her Australia Indigenous heritage finds her. The Black Tracks team documents PHONE +61-2 8333 1500 SALES CONTACT successful international FAX +61-2 8333 3975 Chili Films Pty Ltd Indigenous filmmakers at the 2008 [email protected] Australia ImagineNative Film Festival in www.abccontentsales.com.au MOBILE +61-410 695 272 Toronto, Canada. [email protected] SALES CONTACT www.chilifilms.com.au Carbon Media Pty Ltd Australia PHONE +61-7 3136 2524 FAX +61-7 3136 2524 [email protected] www.carbon-media.com.au

56 DOCUMENTARIES - LONG

Black Tracks Canada Blackfire Blackman, Travel Show 1972 White Australia 2008 35mm 1991 25 min Digital Betacam 16mm b 52 min 28 min PRODUCER Bruce McGuiness EXEC PROD Wayne Denning DIRECTOR Bruce McGuiness EXEC PROD Vaughan Hinton PRODUCER Hans Mick, Helen DOP Martin Bartfeld PRODUCER Paul Fenech Morrison CAST Lorna Lippman, Bert DIRECTOR Paul Fenech DIRECTOR Dean Gibson Williams, John Morgan, Harry CAST WRITER Vanessa Gibson, Hans Williams, Pastor Doug Nicholls, Mick Josie Briggs, Nola Ferguson, Kevin Gilbert is a man with a vision. DOP Dean Gibson Jill Johnston, Ron Johnston, We learn what motivates this leading CAST Tanya Denning (Presenter) Kevin Johnston, Miki McGuiness, writer and voice within the Aboriginal Kelli McGuiness, Wayne Munro, rights movement. There has been change but not enough. Human rights Indigenous presenter Tanya Denning Michael Munro, Westgarth are still being abused, legal rights are travels through Canada meeting and Football Club, Dreamtime still being abused, genocide is still becoming immersed in Indigenous Corroboree Dancers occurring. There’s not enough change. native culture. Her journey takes her Part of Blackout series. from Toronto to Quebec where she In 1972, the urban Black communities tastes and experiences the sights, of Australia were the forgotten people SALES CONTACT flavours and people of native Canada. within the forgotten people. We are ABC Content Sales Australia SALES CONTACT shown snippets of life as it was for PHONE +61-2 8333 1500 Carbon Media Pty Ltd the members of the Melbourne Black FAX +61-2 8333 3975 Australia community as they struggled to [email protected] PHONE +61-7 3136 2524 be recognised as a distinct cultural www.abccontentsales.com.au FAX +61-7 3136 2524 group. From protest marches and [email protected] Black Studies meetings, to the www.carbon-media.com.au corroborees being conducted at half-time at the local footy, this short film encapsulates the desire and the determination that urban Blacks had across Australia in the early 70s to define who they were to themselves and to the rest of the world.

57 Blacktracker Blaktrax Blood Brothers 1997 2004 Broken English; Freedom Ride; Digital Betacam/DVD Digital Betacam From Little Things Big Things 28 min 5 x 30 min Grow; Jardiwarnpa - A Warlpiri Fire Ceremony PRODUCER Michael Riley, Cathy EXEC PROD Karla Grant, 1993 Eatock Christopher McCullough 16mm DIRECTOR Michael Riley DIRECTOR Lindsay Frazer, Kris 4 x 60 min Flanders From the early 1800s Aboriginal WRITER Lindsay Frazer, Kris EXEC PROD Barbara Mariotti people have been used as guides Flanders PRODUCER Jenny Day, Ned R and trackers by the police force. Lander, Rachel Perkins This century one of the most highly Charles Perkins with producer/director BLAKTRAX is a fresh and exciting five- DIRECTOR Trevor Graham, Ned R regarded was Sergeant Alexander Rachel Perkins on location for Freedom part series produced on Indigenous Lander, Rachel Perkins Ride, part of the Blood Brothers series Riley of Dubbo, NSW. In 1943 Australian musicians, covering a Photographer: John Rhodes Alexander Riley was awarded the WRITER Trevor Graham, Ned R wide range of styles including rock, highest police award, the Kings’ Lander, Marcia Langton, Rachel R’n’B, blues, country, hip hop and pop. Medal, for distinguished services. Perkins The music forms the core of each During Tracker Riley’s time with the of the documentaries which drives NSW Police Force between 1911 and the series. Each story is about their This documentary series profiles 1950 he was instrumental in solving family background, the history of four prominent Aboriginal men several murder cases and finding their country as well as day-to-day whose lives are interwoven with numerous people lost in the bush. experiences and their successes as we significant events in the history of the A great many people owe their lives follow them through a period in their Aboriginal struggle. The stories of to his exceptional tracking skills. A careers. This includes being at home Darby Jampinjimpa Ross, Rupert Max beautifully made and penetrating film with each artist, in their communities, Stuart, Charles Perkins and Mandawuy that is a tribute to Tracker Riley, one of on tour and on the road, behind the Yunuipingu are told in this production the greatest of all Aboriginal trackers scenes and in the studio. Rather made from an Australian perspective. as told by his family and descendants. than a ‘talk fest’ with overlay, each SALES CONTACT SALES CONTACT documentary is produced with an ‘on Blackfella Films Pty Ltd the road’ style and feel. ABC Content Sales PHONE +61-2 9380 4000 Australia SALES CONTACT FAX +61-2 9252 9577 PHONE +61-2 8333 1500 SBS Content Sales MOBILE +61-429 119 901 FAX +61-2 8333 3975 Australia [email protected] [email protected] PHONE +61-2 9430 3975 www.blackfellafilms.com.au www.abccontentsales.com.au FAX +61-2 9430 2882 [email protected] DVD RELEASE www.sbs.com.au/contentsales ABC Video Australia

58 DOCUMENTARIES - LONG

Bob Maza Bobby McLeod Boomalli: 2004 2001 Five Koorie Artists Digital Betacam Digital Betacam 1990 30 min 30 min 16mm b 28 min PRODUCER Rachael Maza, Kelrick PRODUCER Miriam Corowa Martin DIRECTOR Miriam Corowa PRODUCER Paul Humfress DIRECTOR Rachael Maza WRITER Miriam Corowa DIRECTOR Michael Riley

There are few people whose name A profile of activist, poet, healer and Boomalli is an artists’ cooperative alone epitomises a life of achievement musician Bobby McLeod. The eldest formed by urban Aboriginal and Koori against all odds. Bob Maza’s life was of six, Bobby was raised in a strong photographers, painters, sculptors, more than words can describe. He and loving family at Wreck Bay on the designers and filmmakers. This was a son, brother, husband, father, NSW south coast. The struggle against visually inspiring film focuses on grandfather, as well as an actor, writer, adversity was a constant reality from Painter Jeffrey Samuels in Boomalli: Five contemporary rather than traditional Koorie Artists director, activist and mentor. From the an early age, instilling in Bobby a fierce work and ways of life. We see the work Message Stick series. determination to battle the odds for of clothing designer Bronwyn Bancroft a better life for all. That battle has SALES CONTACT and the sand sculptures of Fiona Foley. taken him to the front line of the Black ABC Content Sales Tracey Moffatt discusses her film Movement, protesting on the lawns of Australia about Aboriginal girls, and the painters Parliament House, and beyond. Part of PHONE +61-2 8333 1500 Raymond Meeks and Jeffrey Samuels ICAM series. FAX +61-2 8333 3975 discuss the thematic approach to their [email protected] SALES CONTACT art and how they incorporate aspects www.abccontentsales.com.au SBS News and Current Affairs of traditional Aboriginal painting. The Content Sales artists also talk about Aboriginal Australia identity and how this is expressed in PHONE +61-2 9430 2828 their work. FAX +61-2 9430 3040 SALES CONTACT [email protected] Screen Australia www.sbs.com.au/contentsales Australia PHONE +61-2 8113 5800 FAX +61-2 9357 3737 [email protected] www.screenaustralia.gov.au

59 Born in this Skin Broken Borders Broken English 2009 2006 1993 Digital Betacam Digital Betacam Betacam 27 min 2 x 26 min 55 min

EXEC PROD Susan Moylan- EXEC PROD David Jowsey EXEC PROD Barbara Mariotti Coombs PRODUCER Ivan Sen PRODUCER Ned R Lander, Rachel PRODUCER Douglas Watkin DIRECTOR Ivan Sen Perkins DIRECTOR Douglas Watkin WRITER Ivan Sen DIRECTOR Ned R Lander WRITER Douglas Watkin WRITER Ned R Lander DOP Peter Moor It is estimated that today 80 per CAST Vernon Ah Kee cent of Indigenous Australians live For 30 years, Arrente man Rupert Max in urban environments. What impact Stuart has maintained his innocence is urbanisation having on Indigenous Vernon Ah Kee is a portraitist, graphic of the rape and murder of a young Australians and what does this mean and video artist. In 2009, Ah Kee white girl. In BROKEN ENGLISH, we for the future of Aboriginality? will become one of a select group hear from Max and those personally involved in the case. claims of Australians whose work will be SALES CONTACT displayed on the most important visual ABC Content Sales he fell prey to prejudices in the white arts stage in the world, the Venice Australia justice system and alleges he was beaten and verballed by police. He Biennale. Ah Kee is a prolific Brisbane- PHONE +61-2 8333 1500 spent 14 years in prison and faced the based artist. His work is provocative FAX +61-2 8333 3975 in the themes he tackles. Through his [email protected] gallows nine times for a crime he says work he asks the question, ‘What is www.abccontentsales.com.au he didn’t commit. Indigenous art?’ Ah Kee’s large-scale SALES CONTACTS charcoal portraits of his family provide Beyond Distribution insights into past generations and Australia Indigenous life in Queensland. From PHONE +61-2 9437 2000 the Message Stick series. FAX +61-2 9437 2017 SALES CONTACT [email protected] ABC Content Sales www.beyond.com.au Australia Screen Australia PHONE +61-2 8333 1500 Australia FAX +61-2 8333 3975 PHONE +61-2 8113 5800 [email protected] FAX +61-2 9357 3737 www.abccontentsales.com.au [email protected] www.screenaustralia.gov.au

60 DOCUMENTARIES - LONG

Brook Andrew Broome Hero Buffalo Legends 2002 2005 1997 Digital Betacam Digital Betacam Digital Betacam 26 min 27 min 53 min b DIRECTOR Lou Glover PRODUCER Kelrick Martin EXEC PROD Robert Turnbull DIRECTOR Kelrick Martin PRODUCER Des Kootji Raymond, Urban concept artist and Wiradjuri WRITER Kelrick Martin Paul Roberts man, Brook Andrew, is constantly DIRECTOR Des Kootji Raymond, challenging perceptions of Indigenous We witness a heroic effort by a young Paul Roberts identity and notions of colonialism in Indigenous man back in World War II. WRITER Des Kootji Raymond, Paul his artwork. He works in new media Charles D’Antoine received a bravery Roberts such as photography, film, installation award from the Dutch Government for CAST and some of his latest works are in saving two Dutch women when their neon such as the flying at plane came crashing down into the Sydney’s International Airport. From ocean, yet he’s never been recognised ‘Australian Rules Football is more than the Message Stick series. by the Australian Government. This is a game for Aboriginal people...’ So says Bill Dempsey MBE, himself a football SALES CONTACT his story. From the Message legend, who narrates this story of a ABC Content Sales Stick series. group of men who knocked down the Australia SALES CONTACT barriers of racism on the sporting PHONE +61-2 8333 1500 ABC Content Sales field. On the way they established a FAX +61-2 8333 3975 Australia way of life based on tolerance, respect [email protected] PHONE +61-2 8333 1500 and an ethic of making your own www.abccontentsales.com.au FAX +61-2 8333 3975 fun whatever obstacles are placed [email protected] along the path. BUFFALO LEGENDS www.abccontentsales.com.au allows the descendants of the original legends to tell us, with their own in-your-face humour and candour, how multiculturalism was established in Darwin, long before the word was invented and why it is still worth fighting for.

SALES CONTACT Excalibur Nominees Pty Ltd Australia PHONE +61-8 9335 1055 FAX +61-8 9335 1283

DVD RELEASE Ronin Australia THE BLACK LIST 61 Building Bridges Bungalung Bunje 1991 2008 1999 Digital Betacam Digital Betacam Betacam 28 min 23 min 26 min

PRODUCER Lorraine Mafi-Williams, EXEC PROD Rachel Clements EXEC PROD David Jowsey David Sandy PRODUCER Liz Warning PRODUCER Catriona McKenzie DIRECTOR Paul Fenech, David DIRECTOR Trisha Morton-Thomas DIRECTOR Catriona McKenzie Sandy WRITER Trisha Morton-Thomas WRITER Catriona McKenzie CAST Patsy Briscoe, Jane Briscoe CAST , Tony Focuses on an organisation called Mundine, Lynn Mundine ‘Building Bridges’ which put together Around the campfire, two Anmatjere a series of concerts. These concerts Elders, Patsy and Jane Briscoe, sing Anthony Mundine (‘Choc’) wants to were a combination of Aboriginal and and tell the epic story of two young leave a two million dollar contract white Australian artists who were men who are forced into action when with St George Football Club to box. dedicated to trying to build bridges a clan of demon cannibals devour We trace his history through his mum, between white and Aboriginal people their entire tribe and kidnap the young Lynn, and dad, Tony, and find out why through a common bond of music. men’s mother and sister. Alone and he has made this decision, where Features a selection of music that outnumbered, the young men defy all he has come from and where he is was performed at the concerts and a odds as they defeat the demons and going. BUNJE is interesting in light of vox pop of people who attended and reclaim their women. Mundine’s current climb up the performed. Part of Blackout series. boxing ladder. SALES CONTACT SALES CONTACT CAAMA Productions Pty Ltd SALES CONTACT ABC Content Sales Australia ABC Content Sales Australia PHONE +61-8 8951 9778 Australia PHONE +61-2 8333 1500 FAX +61-8 8951 9717 PHONE +61-2 8333 1500 FAX +61-2 8333 3975 MOBILE +61-419 814 960 FAX +61-2 8333 3975 [email protected] [email protected] [email protected] www.abccontentsales.com.au www.caama.com.au www.abccontentsales.com.au

62 DOCUMENTARIES - LONG

Bunna Lawrie Buntoo Bunta The Burden of 2000 2000 Responsibility Digital Betacam 26 min 2007 30 min Digital Betacam b PRODUCER Peter Hodgson 54 min PRODUCER Tanith Carroll DIRECTOR Peter Hodgson DIRECTOR Tanith Carroll WRITER Peter Hodgson PRODUCER Miriam Corowa WRITER Tanith Carroll DOP Jason Ramp DIRECTOR Miriam Corowa CAST Laurie Stuart Coloured Stone is one of Indigenous Three years ago the federal Australia’s longest running rock Bundoo Bunta is the Arabunna name government abolished ATSIC, the bands. Hailing from Kooniba in South for South Australia’s Lake Eyre. In his peak Indigenous representative body Australia, the band formed in 1978 and own language Arabunna elder, Laurie and Message Stick examines the in 1984 had an Australian hit with their Stuart, shows us his beautiful country events leading up to that decision and song ‘Black Boy’. Coloured Stone’s and the unique attraction that this the impact ATSIC’s demise has had founding member and frontman, arid country holds. The russet colours on communities across Australia. Its Bunna Lawrie, recently received the of the desert are highlighted by the absence has driven some communities Australia Council’s prestigious Don vastness of Bundoo Bunta and the to take matters into their own hands Banks music award, making him the mysteries of the mound springs. From forming stronger local and regional first Indigenous person, as well as the the Message Stick series. structures to deal with the challenges first ever rock musician, to win this that face them. But for others the loss SALES CONTACT coveted award. Part of ICAM series. of a national voice is still a cause for ABC Content Sales concern. From Message Stick series. SALES CONTACT Australia SBS News and Current Affairs PHONE +61-2 8333 1500 SALES CONTACT Content Sales FAX +61-2 8333 3975 ABC Content Sales Australia [email protected] Australia PHONE +61-2 9430 2828 www.abccontentsales.com.au PHONE +61-2 8333 1500 FAX +61-2 9430 3040 FAX +61-2 8333 3975 [email protected] [email protected] www.sbs.com.au/contentsales www.abccontentsales.com.au

THE BLACK LIST 63 Buried Country Burning Daylight Bush Mechanics 2000 2007 1998 DV/Mini DV Digital Betacam Betacam 52 min 27 min 26 min

EXEC PROD Mark Hamlyn PRODUCER Brian Beaton EXEC PROD David Jowsey, Rachel PRODUCER Liz Watts DIRECTOR Warwick Thornton Perkins DIRECTOR Andy Nehl WRITER Rachel Swain, Warwick PRODUCER Tom Kantor WRITER Andy Nehl, Clinton Thornton DIRECTOR David Batty, Francis Walker Jupurrula Kelly DOP Warwick Thornton BURNING DAYLIGHT follows WRITER David Batty, Francis Singer/songwriter Bob Randall in CAST Kev Carmody (Narrator) the process of the rehearsals and Jupurrula Kelly Buried Country community consultation leading to the CAST Jupurrula gang stage production of Burning Daylight. Where African-Americans turned This production sought to break new to the blues, Aboriginal Australians BUSH MECHANICS tells the larger territory in the arena of contemporary found inspiration in country and than life legend of outback Indigenous Indigenous dance. The collaboration western and created a style of their ingenuity - the people and their cars. Dancer/choreographer Dalisa Pigram in between Indigenous dancer and own. From the bush to the city, These mechanics, without a trade Burning Daylight choreographer Dalisa Pigram and Aboriginal people have used country certificate or any formal training, contemporary choreographer Serge music to tell their stories of life and traverse the dusty tracks of the Aime Coulibaly from Burkina Faso, the struggle for justice. Featuring Australian outback and, with good West Africa, in negotiation with the rare recordings, archival images and humour and resourcefulness, make elders of the community and first-hand interviews with the singers sure the car gets back on the road. the dancers in the project is exposed and songwriters, BURIED COUNTRY After food, water and shelter, what’s in the documentary as the backbone traces six decades of this rich tradition. more important to a person of the of the final work. From the Message What emerges is not only a poignant desert than their car? Stick series. record of Indigenous Australia, but SALES CONTACT also a celebration of how music can SALES CONTACT ABC Content Sales lift the human spirit. SBS Content Sales Australia Australia SALES CONTACT PHONE +61-2 8333 1500 PHONE +61-2 9430 3975 Screen Australia FAX +61-2 8333 3975 FAX +61-2 9430 2882 Australia [email protected] [email protected] PHONE +61-2 8113 5800 www.abccontentsales.com.au www.sbs.com.au/contentsales FAX +61-2 9357 3737 [email protected] DVD RELEASE www.screenaustralia.gov.au CAAMA Australia

DVD RELEASE Screen Australia Australia

64 SCREEN AUSTRALIA, 2010 DOCUMENTARIES - LONG

Bush Toys The Butterfly Effect A Caring Culture 2008 2007 2007 Digital Betacam 30 min HD 23 min 26 min b-c PRODUCER Miriam Corowa EXEC PROD Rachel Clements DIRECTOR Miriam Corowa EXEC PROD Susan Moylan- PRODUCER Liz Warning, Rachel WRITER Miriam Corowa Coombs Clements PRODUCER Grant Leigh Saunders DIRECTOR Sonja Dare Terri Janke is a Sydney-based DIRECTOR Grant Leigh Saunders WRITER Sonja Dare Indigenous Cultural and Intellectual WRITER Grant Leigh Saunders CAST Various Property (ICIP) lawyer, whose firm is the only one in the country dealing On average, Indigenous people’s with the issue of ICIP rights for BUSH TOYS is a whimsical and life expectancy is 20 years less in Indigenous people. For a number historical journey into the art of bush males and 17 less years in females of years she’s been pushing for the toy making and practice, in the central than the national average. Aboriginal legislation to be changed so that desert of Australia. health is a complex issue and these there’s stronger intellectual property statistics are impacted on by a history SALES CONTACT protection for artists. From the of intergenerational trauma. This CAAMA Productions Pty Ltd Message Stick series. story gives voice to those who are Australia SALES CONTACT addressing these issues and working PHONE +61-8 8951 9778 ABC Content Sales to close the gap in life expectancy. A FAX +61-8 8951 9717 Australia CARING CULTURE takes a holistic MOBILE +61-419 814 960 PHONE +61-2 8333 1500 approach to the question of why [email protected] FAX +61-2 8333 3975 Indigenous people die younger and www.caama.com.au [email protected] attempts to give answers as to how www.abccontentsales.com.au they can live longer. From the Message Bush Mechanics Stick series.

SALES CONTACT ABC Content Sales Australia PHONE +61-2 8333 1500 FAX +61-2 8333 3975 [email protected] www.abccontentsales.com.au

THE BLACK LIST 65 Carrolup Found Case 442 A Change of Face 2005 2005 1988 Digital Betacam Digital Betacam 3 x 30 min 27 min 50 min PRODUCER Franco di Chiera PRODUCER Kelrick Martin EXEC PROD Citt Williams DIRECTOR Luigi Acquisto, Georgia DIRECTOR Kelrick Martin PRODUCER Citt Williams Allen, Franco di Chiera, Tracey DIRECTOR Mitch (Michelle) Torres Moffatt, Sophia Turkiewicz Recently unearthed in an American WRITER Mitch (Michelle) Torres WRITER Tracey Moffatt university, 30 precious paintings by DOP Paul Bell the Aboriginal artists of Carrolup CAST Frank Byrne (Narrator) The changing face of multicultural Settlement. Political activist Robert Australia on the screen, in both film Eggington is now on a one-man Frank Byrne began his search for his and television, is the focus of this campaign to repatriate rare ‘Carrolup’ mother 60 years ago. The journey is complex documentary which uses artworks from the United States Frank Byrne with writer/director Mitch nearly over, as he has found Maudie in non-sync interviews, archival footage, and some priceless prison artwork Torres, on location for Case 442 a pauper’s grave, and must have the and unusual devices to shatter being held by the Western Australian remains exhumed and returned back notions of national identity and ethnic Government. From the Message to her country. But Frank faces a new stereotyping in Australian drama. Stick series. journey, as putting his mother to rest It documents the recent changes SALES CONTACT opens new discoveries about his that indicate that the industry is at a ABC Content Sales own identity. turning point. Australia SALES CONTACT SALES CONTACT PHONE +61-2 8333 1500 CAAMA Productions Pty Ltd Sales information not current, FAX +61-2 8333 3975 Australia please contact Screen Australia for [email protected] PHONE +61-8 8951 9778 enquiries www.abccontentsales.com.au FAX +61-8 8951 9717 Australia MOBILE +61-419 814 960 PHONE +61-2 8113 5850 [email protected] [email protected] www.caama.com.au www.screenaustralia.gov.au

DVD RELEASE CAAMA Australia

66 DOCUMENTARIES - LONG

Change of Heart Cherbourg (100 Year The Cherry Pickers 2004 Anniversary) 2001 Digital Betacam 2004 Digital Betacam 25 min 30 min Digital Betacam c 30 min PRODUCER Penny Smallacombe PRODUCER Julie Nimmo DIRECTOR Sascha Ettinger- PRODUCER Julie Nimmo DIRECTOR Julie Nimmo Epstein DIRECTOR Julie Nimmo WRITER Julie Nimmo WRITER Sascha Ettinger-Epstein WRITER Julie Nimmo DOP Gareth Tillson A look at a recent production of the first Aboriginal play ever written, One hundred years ago, the Chief Kevin Gilbert’s ‘The Cherry Pickers’. Since the dawn of time there has been Protector of Aborigines in Queensland The play, written in 1967, was Kevin’s a universal fascination with the human set up what he described as a dumping only foray into the world of theatre. heart that no other organ has inspired. ground for the lame, the halt and Kevin was most noted as an activist Although modern Western medicine the incorrigible black criminals of for Aboriginal rights as well as a tells us it’s just a pump, the belief that the State. The place he was talking prolific writer and poet. Performed the heart is something far greater about was Cherbourg. These days, at the , this persists. But are people who have a Cherbourg is a thriving community production of ‘The Cherry Pickers’ was heart transplant just receiving a spare of 2,500 people, 200 km north-west directed by acclaimed director, Wesley part? Ask Elka, a desperately sick but of Brisbane. The community recently Enoch, and was performed by an all lively young 17-year-old girl, waiting had its 100-year anniversary, but as Indigenous cast. Part of ICAM series. restlessly in St Vincent’s Hospital. you’ll see, it was more a celebration Or John and Anna Gava who are of survival then a centenary. From the SALES CONTACT travelling up to Brisbane to meet the Message Stick series. SBS News and Current Affairs recipient of their deceased son’s heart. Content Sales SALES CONTACT What really happens when a human Australia ABC Content Sales heart gives life to a body other than PHONE +61-2 9430 2828 Australia the one it was created in? FAX +61-2 9430 3040 PHONE +61-2 8333 1500 [email protected] SALES CONTACT FAX +61-2 8333 3975 www.sbs.com.au/contentsales Australian Film Television and Radio [email protected] School www.abccontentsales.com.au PHONE +61-2 9805 6611 FAX +61-2 9887 1030 [email protected] www.aftrs.edu.au

THE BLACK LIST 67 Child Abuse: The Child Artist A Close Shave Sue Charles of the Carrolup 2002 2002 2003 Digital Betacam 27 min Digital Betacam Digital Betacam 30 min 26 min PRODUCER Rhianna Patrick PRODUCER Lorna O’Shane PRODUCER Kelrick Martin DIRECTOR Rhianna Patrick DIRECTOR Lorna O’Shane DIRECTOR Kelrick Martin WRITER Rhianna Patrick WRITER Lorna O’Shane WRITER Kelrick Martin In A CLOSE SHAVE we are invited into the life of a young Torres Strait Sue Charles is an Aboriginal woman In 1945, the Carrolup School of the Islander boy, who will make his from country who is on a south-west of Western Australia transition from Boy to Man. This journey to reclaim her past. Here she was flourishing. A Messianic school happens with the first shave, a recounts her story of being abused as teacher, Noel White, with his wife traditional ceremony, that is performed a child and the impact it had on her Lily, had appeared. Through his on the mainland and in the Islands life growing up. By returning to her open-minded attitude he nurtured to this day. A CLOSE SHAVE is a childhood town and the surrounding the gifts and talents of the school timely reminder of the importance of countryside, Sue begins to face the children by introducing music and maintaining cultural practices within a trauma of her childhood and slowly lay drawing. The pupils’ confidence in their contemporary Australian setting. From it to rest. Part of ICAM series. amazing gifts grew and they became the Message Stick series. the Carrolup Child Artists. From the SALES CONTACT Message Stick series. SBS Content Sales SALES CONTACT ABC Content Sales Australia SALES CONTACT Australia PHONE +61-2 9430 3975 ABC Content Sales PHONE +61-2 8333 1500 FAX +61-2 9430 2882 Australia FAX +61-2 8333 3975 [email protected] PHONE +61-2 8333 1500 [email protected] www.sbs.com.au/contentsales FAX +61-2 8333 3975 www.abccontentsales.com.au [email protected] www.abccontentsales.com.au

68 DOCUMENTARIES - LONG

Coming of the Light Convincing Ground Cool Drink and Culture 2006 2007 2006 Digital Betacam Digital Betacam Digital Betacam 25 min 2 x 26 min 23 min c PRODUCER Mark Edmondson EXEC PROD Susan Moylan- EXEC PROD Rachel Clements DIRECTOR Rhianna Patrick Coombs PRODUCER Rachel Clements PRODUCER John Foss, Richard DIRECTOR Sonja Dare Twenty-nine year old Marcus Smith is Frankland, Daniel King WRITER Sonja Dare at a crossroads in his life and decides DIRECTOR Richard Frankland CAST Six young women of the Mt to go ‘home’ to the Torres Strait during WRITER John Foss, Daniel King, Leibig community its most important celebration of the Richard Frankland year, the ‘Coming of the Light’. This Mt Leibig is a remote Aboriginal event commemorates the arrival of community 250 km west of Alice the first missionaries in the Torres The coast of Portland is the site of Springs. Within this community live Strait. From the Message Stick series. Victoria’s earliest white settlement as well as the massacre of the Kilcarer strong, vibrant young women who SALES CONTACT Gundidj clan in a dispute over a have a unique view of the worlds they ABC Content Sales beached whale in 1834. It took place live in. These young women move Australia on the beach of Allestree at Portland successfully between two cultures: PHONE +61-2 8333 1500 Bay, otherwise known to the local their traditional culture and white FAX +61-2 8333 3975 Indigenous people as the ‘Convincing man’s culture. [email protected] Ground’. From the Message www.abccontentsales.com.au SALES CONTACT Stick series. CAAMA Productions Pty Ltd SALES CONTACT Australia ABC Content Sales PHONE +61-8 8951 9778 Australia FAX +61-8 8951 9717 PHONE +61-2 8333 1500 MOBILE +61-419 814 960 FAX +61-2 8333 3975 [email protected] [email protected] www.caama.com.au www.abccontentsales.com.au DVD RELEASE CAAMA Australia

THE BLACK LIST 69 The Coolbaroo Club Copyrites Corroboration 1996 1997 2001 16mm Digital Betacam Digital Betacam 55 min 52 min 30 min

PRODUCER Stephen Kinnane, EXEC PROD Barbara Mariotti PRODUCER Karla Grant, Darren Lauren Marsh, Penny Robins PRODUCER Cathy Eatock, Kim Dale DIRECTOR Roger Scholes Mordaunt DIRECTOR Karla Grant, Darren WRITER Stephen Kinnane, Lauren DIRECTOR Cathy Eatock, Kim Dale Marsh, Roger Scholes Mordaunt WRITER Karla Grant, Darren Dale WRITER Cathy Eatock, Kim A portrait of the Coolbaroo Club, Mordaunt Celebrates the coming together of an Aboriginal-run dance club which CAST Marika, Gawirrin Indigenous and non-Indigenous operated in Perth from 1946 to 1960. Gumana musicians to record the new Festival The film is delivered via the memories Mushroom Records Corroboration CD. of those involved, as well as stills, The CD features 22 different musical The film is about Aboriginal copyright archival material and extensive acts, both famous and aspiring, and the necessity for Aboriginal dramatisation. both veteran and fresh on the block, communities to maintain control of incorporating almost every musical SALES CONTACT their sacred images and artworks. style including opera, hip hop, gospel, Ronin Films It features renowned Arnhem Land acoustic, metal, rock, pop and dance. Australia artists Banduk Marika and With the direction of independent PHONE +61-2 6248 0851 Gawirrin Gumana. , Kurt Luthy, artists FAX +61-2 6249 1640 paired off joining forces to collaborate orders@roninfilms.com.au SALES CONTACT Screen Australia on tracks, with some interesting mixes www.roninfilms.com.au Australia coming out of the collaborations. Part PHONE +61-2 8113 5800 of ICAM series. DVD RELEASE FAX +61-2 9357 3737 Ronin Australia SALES CONTACT [email protected] SBS News and Current Affairs www.screenaustralia.gov.au Content Sales Australia DVD RELEASE PHONE +61-2 9430 2828 Marcom Australia FAX +61-2 9430 3040 [email protected] www.sbs.com.au/contentsales

70 DOCUMENTARIES - LONG

Cos I’m Free: Courting with Justice Crim TV Cathy Freeman 2007 1996 2006 Digital Betacam Digital Betacam 26 min 27.5 min Digital Betacam c 28 min PRODUCER Natalie Bell EXEC PROD Rachel Perkins EXEC PROD David Jowsey DIRECTOR Debbie Carmody PRODUCER Rachel Perkins PRODUCER Lou Glover WRITER Debbie Carmody DIRECTOR Rachel Perkins DIRECTOR Lou Glover DOP Ian Pugsley WRITER Rachel Perkins WRITER Lou Glover CAST Roy Billing DOP Warwick Thornton, Daniel Shaw This film reveals Cathy’s secret A former Norseman pub manager was weapon, the real-life story of her life, charged with the manslaughter of An observational style documentary the inspiration that made our golden Kevin Rule, a member of the Ngadju charting the progress of black inmates girl of the track fly into the record Nation, but later found not guilty. in the maximum security wing of Long books and into the nation’s heart. This The dead man’s partner, Daniella Bay Jail as they make a video to deter is her story. From the Message Borg, feels the Australian judicial young inmates from entering jail. Stick series. system has not provided her with justice. Daniella has decided to have SALES CONTACT SALES CONTACT a retrial. This time it is to be set on ABC Content Sales ABC Content Sales Kevin’s lands, within the framework Australia Australia of the oldest law in the land. The PHONE +61-2 8333 1500 PHONE +61-2 8333 1500 case is going before an Indigenous FAX +61-2 8333 3975 FAX +61-2 8333 3975 Customary Law Court. [email protected] [email protected] www.abccontentsales.com.au www.abccontentsales.com.au SALES CONTACT Taylor Media Australia PHONE +61-8 9227 0420 FAX +61-8 9328 8621 [email protected] www.taylormedia.com.au

THE BLACK LIST 71 Crookhat and Crossing Country Crossings Camphoo - The Alchemy of 2004 2005 Western Arnhem DV/Mini DV 26 min Digital Betacam Land Art 23 min 2004 EXEC PROD Mark Newman EXEC PROD Jacqui North, Citt Digital Betacam PRODUCER Douglas Watkin Williams 26 min DIRECTOR Douglas Watkin PRODUCER Rachel Clements WRITER Douglas Watkin EXEC PROD Art Gallery of New DIRECTOR David Tranter CAST Community of Cherbourg South Wales WRITER David Tranter PRODUCER Hetti Perkins DOP Allan Collins ACS The stories and voices of Cherbourg DIRECTOR James Marshall, CAST Crookhat, Camphoo sportsmen and women through the Jonathan Jones past to the present. WRITER Hetti Perkins Two senior Alywarr men teach us the SALES CONTACT DOP James Marshall traditional way of making spear Mark Newman and . CAST The Kuninjku Artists Australia PHONE +61-7 3378 1405 SALES CONTACT CROSSING COUNTRY is about the MOBILE +61-410 414 123 CAAMA Productions Pty Ltd art of the Kuninjku people of Western [email protected] Australia Arnhem land. Featuring interviews PHONE +61-8 8951 9778 and striking images of country, it FAX +61-8 8951 9717 explores the fusion of country, culture MOBILE +61-419 814 960 and community. These artists are the [email protected] alchemists of tradition and innovation www.caama.com.au and their work is world famous.

DVD RELEASE SALES CONTACT CAAMA Australia Art Gallery of Australia PHONE +61-2 9225 1700 FAX +61-2 9221 6226 [email protected]

Indigenous Australians in key creative roles (producer, director, writer or DOP) are credited in italics.

72 DOCUMENTARIES - LONG

Culture Warriors Darby Dark Science 2009 2002 2007 Digital Betacam Digital Betacam Digital Betacam 9 x 26 min 25 min 55 min c-d EXEC PROD Brenda L Croft PRODUCER Kelrick Martin PRODUCER Frank Haines PRODUCER James Marshall, DIRECTOR Kelrick Martin DIRECTOR Johan Gabrielsson, Brenda L Croft Warwick Thornton DIRECTOR James Marshall In the 1950s and 1960s Darby WRITER David Milroy WRITER Brenda L Croft McCarthy was one of Australia’s DOP James Marshall, James leading jockeys in the regal sport of In 1910 a young Swedish scientist, Tagart kings. From Cunnamulla to Paris and Eric Mjoberg, led an expedition to back again, Darby’s journey has been CAST Brenda Croft (Presenter) Australia. DARK SCIENCE will travel one of turbulent rides and amazing in Mjoberg’s footsteps to visit the finishes. From the Message communities he robbed, and will give a CULTURE WARRIORS is a nine-part Stick series. contemporary Indigenous perspective television documentary series focusing to the return of the remains and on the artists of the inaugural National SALES CONTACT artefacts, and to the echoes that Indigenous Triennial which opened at ABC Content Sales remain of Mjoberg’s journey. the National Gallery of Australia on 13 Australia October 2007. The series includes 27 PHONE +61-2 8333 1500 SALES CONTACT artists from all states and territories. FAX +61-2 8333 3975 SBS Content Sales Shot on location, we see the process of [email protected] Australia the artists, and they talk about www.abccontentsales.com.au PHONE +61-2 9430 3975 their work. FAX +61-2 9430 2882 [email protected] SALES CONTACT www.sbs.com.au/contentsales National Indigenous Television Limited DVD RELEASE Australia Marcom Australia PHONE +61-8 8951 9757 FAX +61-8 8951 9717 [email protected]

THE BLACK LIST 73 Desperate Times Destiny in Alice Dhakiyarr vs the King 2003 2007 2003 Digital Betacam Digital Betacam Digital Betacam 30 min 26 min 55 min

PRODUCER Pauline Clague EXEC PROD Rachel Clements EXEC PROD Anna Grieve DIRECTOR Rima Tamou PRODUCER James Bradley PRODUCER Graeme Isaac WRITER Jim Everett DIRECTOR Sonja Dare DIRECTOR Allan Collins ACS, Tom WRITER Sonja Dare Murray In 1988 a delegation of Aboriginal WRITER Tom Murray people from Tasmania went to Libya to Welcome to Alice Springs, the lesbian DOP Allan Collins ACS change the focus of Aboriginal Affairs metropolis of outback Australia, a in Australia. This is their story. With place where black and white women The family of the great leader the 1988 Bicentenary celebrations mix and mingle. Satirical and funny, Dhakiyarr Wirrpanda is searching looming, the National Aboriginal this revealing documentary asks the for answers. Seventy years after Movement in Australia was facing question: is it hard to sustain love his controversial murder trial and desperate times. For some of the mob, when racial and cultural gaps subsequent disappearance, Dhakiyarr’s from Tasmania at least, something seem insurmountable? body has still not been found. His had to be done. This documentary is Trisha Morton-Thomas as Destiny Attenborough, descendants know that justice was not an insightful look at that time when a SALES CONTACT on location for Destiny in Alice served. They want to restore what was group of Aboriginal people sought help CAAMA Productions Pty Ltd Courtesy: CAAMA Productions denied to him: his honour. This is their from the Libyan Government. Their Australia story, told in their own words of two action shocked and panicked both PHONE +61-8 8951 9778 laws, two cultures and two families the Australian Government and the FAX +61-8 8951 9717 coming to terms with the past. wider community. Fourteen years on, MOBILE +61-419 814 960 Darlene Mansell and Jim Everett, two [email protected] SALES CONTACT members of that delegation, tell their www.caama.com.au Screen Australia side of the story. From the Message Australia Stick series. PHONE +61-2 8113 5800 FAX +61-2 9357 3737 SALES CONTACT [email protected] ABC Content Sales www.screenaustralia.gov.au Australia PHONE +61-2 8333 1500 DVD RELEASE FAX +61-2 8333 3975 Screen Australia Australia [email protected] www.abccontentsales.com.au

74 DOCUMENTARIES - LONG

Dhuway Distant Echoes Diyama - Soundtracks An Australian Diaspora and 2002 of Maningrida Homecoming Digital Betacam 2003 6 x 26 min 1996 Digital Betacam d 1” Video 26 min 56 min EXEC PROD Geoffrey Gibbs PRODUCER Carlo Buralli, Carmelo EXEC PROD Priscilla Collins, Beck EXEC PROD David White Musca Cole PRODUCER Lew Griffiths DIRECTOR Carlo Buralli, Ulrich- DIRECTOR Allen Murphy DIRECTOR Lew Griffiths Stephan Krafzik, Carmelo Musca, WRITER Allen Murphy WRITER Karin Calley, Noel Richard Walley DOP Jason Ramp Pearson WRITER Geoffrey Gibbs CAST Letterstick Band CAST Noel Pearson (Presenter), traditional owners of Cape Society is directly influenced by the A film exploring the lives of the Melville, anthropologist Peter culture that it echoes. This series Letterstick Band, life on their Sutton examines animism and the customs homelands, the recording of their and rituals which reflect the culture latest album, ‘Diyama’ and the of six Asian-Pacific regions. It reveals In 1991 the important role the band members play how music, theatre and dance passed the Queensland Land Act within the Maningrida community. have been passed on to successive which enabled Aboriginal traditional generations and the impact the old SALES CONTACT owners to claim certain specifically cultures have on contemporary CAAMA Productions Pty Ltd gazetted areas of Crown land. One society. Australia such area was the Cape Melville and PHONE +61-8 8951 9778 Flinders Island National Parks in SALES CONTACT FAX +61-8 8951 9717 Princess Charlotte Bay on the eastern CM Film Productions MOBILE +61-419 814 960 coast of Cape York Peninsula. For Australia [email protected] countless generations the traditional PHONE +61-8 9328 8977 www.caama.com.au owners of these lands (the Yiiduwarra) FAX +61-8 9328 7672 have called this their home. This cmfi[email protected] documentary is the story of the forced www.cmfilms.com.au dispersal from their homelands, and the struggle for their return. The story unfolds through the gentle voices of the Yiiduwarra and rare archival film and sound recordings.

SALES CONTACT Oziris Productions Australia PHONE +61-2 6238 3553 FAX +61-2 6238 3554 THE BLACK LIST 75 Djakapurra Doctors Domestic Violence Munyarryun 2004 2001 2001 Digital Betacam Digital Betacam 30 min 30 min Digital Betacam 30 min PRODUCER Rima Tamou PRODUCER Lorna O’Shane PRODUCER Kris Flanders DIRECTOR Rima Tamou DIRECTOR Lorna O’Shane DIRECTOR Kris Flanders WRITER Rima Tamou WRITER Lorna O’Shane WRITER Kris Flanders The Kongs know about hardship, Looks at the issue of domestic violence racism, prejudice, discriminatory laws from a community perspective. A profile of dancer and musician, and more. Their family of doctors work Lismore is a typical Australian country Djakapurra Munyarryun. Djakapurra in the field of medicine and dedicate town and like many country towns and came into the spotlight when he their exceptional skills to their people. cities throughout Australia, it grapples played a leading role in the Opening They are members of the Worimi with social problems. This story Ceremony at the 2000 Sydney people from the north of Newcastle. examines the town’s concern with . Aside from this, From the Message Stick series. domestic violence and how the local the talented 28-year-old who hails Aboriginal population, which makes up from Yirrkala in North-East Arnhem SALES CONTACT three per cent of the population, deals Land also plays a pivotal role in the ABC Content Sales with it. Part of ICAM series. internationally acclaimed Bangarra Australia Dance Theatre. Not only is he the PHONE +61-2 8333 1500 SALES CONTACT Principal Performer he is also an FAX +61-2 8333 3975 SBS News and Current Affairs advisor to the company on traditional [email protected] Content Sales dance and culture. Part of www.abccontentsales.com.au Australia ICAM series. PHONE +61-2 9430 2828 FAX +61-2 9430 3040 SALES CONTACT [email protected] SBS News and Current Affairs www.sbs.com.au/contentsales Content Sales Australia PHONE +61-2 9430 2828 FAX +61-2 9430 3040 [email protected] www.sbs.com.au/contentsales

76 DOCUMENTARIES - LONG

Doris Pilkington Dot Collard Douglas Pitt 2002 2003 2001 Digital Betacam Digital Betacam Digital Betacam 26 min 26 min 30 min d PRODUCER Lou Glover PRODUCER Kelrick Martin PRODUCER Llew Cleaver DIRECTOR Lou Glover DIRECTOR Kelrick Martin DIRECTOR Llew Cleaver WRITER Lou Glover WRITER Llew Cleaver International actress and storyteller, A profile of Doris Pilkington, the author Dot Collard’s stage career began in A profile of the life of diver Douglas of ‘Caprice’, ‘A Stockman’s Daughter’, 1985 when her brother, Aboriginal Pitt. For over 50 years Douglas has and ‘Follow the Rabbit-Proof Fence’. playwright , asked if she’d been a trepang and shell diver. But From the Message Stick series. take the part of Gran in his play, ‘No now suffering from ill health, Douglas Sugar’. The fact she was 62 years of is being kept from the love of his life. SALES CONTACT age did not stop her from exploring her In this documentary, we take a look ABC Content Sales passion for acting so late in life. Now at Douglas’ life as he faces retirement Australia in ‘retirement’, Aunty Dot shares with and recalls some memorable and PHONE +61-2 8333 1500 us a glimpse of her life before acting, terrifying moments in his career. Part FAX +61-2 8333 3975 times where prejudice and struggle of ICAM series. [email protected] were everyday occurrences. From the www.abccontentsales.com.au Message Stick series. SALES CONTACT SBS News and Current Affairs SALES CONTACT Content Sales ABC Content Sales Australia Australia PHONE +61-2 9430 2828 PHONE +61-2 8333 1500 FAX +61-2 9430 3040 FAX +61-2 8333 3975 [email protected] [email protected] www.sbs.com.au/contentsales www.abccontentsales.com.au

THE BLACK LIST 77 The Dream of Love The Dreamers Dreaming of Lords 2005 2003 1988 Betacam Digital Betacam Digital Betacam 26 min 26 min 93 min

PRODUCER Peter George, PRODUCER Ivan Sen EXEC PROD Mark Manion Lawrence Johnston DIRECTOR Ivan Sen PRODUCER Mark Manion DIRECTOR Lawrence Johnston WRITER Ivan Sen DIRECTOR Bob Ellis WRITER Ernie Dingo, Bob Ellis THE DREAM OF LOVE explores love, The story of three talented young DOP Garry Janson marriage and commitment and its Aboriginal people, their aspirations and CAST Ernie Dingo (Presenter) influence on filmmaker Lawrence their dreams to reach the top of their Johnston and his family. chosen field. But how have they fared? DREAMING OF LORDS is a story From the Message Stick series. SALES CONTACT about creating an Aboriginal cricket Rough Trade Pictures Pty Ltd SALES CONTACT team in 1988 when Bob Hawke was Australia ABC Content Sales Prime Minister of Australia. The team MOBILE +61-400 240 599 Australia is created to play at Lords, England. [email protected] PHONE +61-2 8333 1500 The team and their journey echoes FAX +61-2 8333 3975 the example of an earlier tour, in 1868, [email protected] when a historic group of Indigenous www.abccontentsales.com.au cricketers travelled to England under different circumstances. Photo of Colin and Gloria Johnston from The Dream of Love Courtesy: Lawrence Johnston

78 SCREEN AUSTRALIA, 2010 DOCUMENTARIES - LONG

Dreamings: The Art of Dreamtime to Dance Education Aboriginal Australia 2001 1988 1989 Digital Betacam VHS 4 x 26 min 28 min 16mm d-e 30 min EXEC PROD David Jowsey DIRECTOR Lorraine Mafi-Williams, PRODUCER Janet Bell PRODUCER André Castaldi, Martin Rooke, David Sandy DIRECTOR Michael Riley Ellenor Cox, Marcus Gillezeau WRITER Michael Riley DIRECTOR André Castaldi Looks at the education system in WRITER André Castaldi, Marcus Australia and for the first time allows Koories to voice their opinions on their The art of Aboriginal Australia is Gillezeau own personal educational experiences. celebrated in DREAMINGS as we DOP Murray Lui They share with us their fears and journey into the sacred heartland of hopes and heartaches in a system that Australia to see traditional artists at DREAMTIME TO DANCE explores is also failing white Australians. Part work. The artists talk about their work, the lives of a group of young dancers of Blackout series. its association with the land and its at NAISDA, Australia’s premiere spiritual connection with their people, Indigenous dance college. The series SALES CONTACT animals and plants. The film explores reveals how the characters survive ABC Content Sales the meanings behind the works, from the intense discipline and creative Australia acrylic dot paintings of the Central demands of the college whilst also PHONE +61-2 8333 1500 Desert to cross-hatched bark paintings exploring NAISDA’s own struggle to FAX +61-2 8333 3975 and burial poles of northern Australia, survive on limited funds. DREAMTIME [email protected] as it allows the viewer access to the TO DANCE will combine the visual www.abccontentsales.com.au oldest continuous art tradition in imagery and movement of dance the world. with an underlying social and political commentary about the position SALES CONTACT Screen Australia and condition of our Indigenous Australia community in Australia. PHONE +61-2 8113 5800 SALES CONTACT FAX +61-2 9357 3737 Firelight Productions Pty Ltd [email protected] Australia www.screenaustralia.gov.au PHONE +61-2 9360 0007 MOBILE +61-412 278 516 DVD RELEASE ellenor@firelight.com.au Hoyts/Polygram Australia www.firelight.com.au

THE BLACK LIST 79 Embassy Days Emotional Fitness End of the 2008 2002 Corrugated Road Digital Betacam/DVD Betacam 2002 2 x 26 min 26 min Digital Betacam 29 min PRODUCER Ivan Sen PRODUCER Douglas Watkin DIRECTOR Ivan Sen DIRECTOR Douglas Watkin DIRECTOR Jason Ramp CAST Charles Perkins, Gough WRITER Douglas Watkin DOP Allan Collins ACS Whitlam, William McMahon, Cath CAST Warumpi Band Walker, Gary Foley, Paul Coe, EMOTIONAL FITNESS follows the harrowing and uplifting experiences Dennis Walker The legendary Warumpi Band of people who have been victims of have told the stories of Indigenous sexual and physical abuse who finally On 1972, four young Australia in their lyrics for over 20 triumph above all adds. Indigenous activists arrived on years. From the classic ‘My Island the lawns of Parliament House in SALES CONTACT Home’ to the raw ‘From the Bush’, Canberra. They had little idea their Double Wire Productions they have interpreted contemporary small protest would turn into a major Australia Aboriginal life. The band broke up, defining period of Australia’s modern FAX +61-7 4033 1100 after 20 years together, in October history. The MOBILE +61-410 326 562 2000. Over the years the song-writing became a national voice for Aboriginal [email protected] team of Neil Murray and George Australians, and played a major role www.doublewire.com.au Djilanga have had a huge amount to in the creation of the first Australian say about Australia and the Aboriginal land rights legislation. With rarely seen world. A veritable treasure of archival images and interviews, EMBASSY performance and interview material DAYS presents this raw and emotional has been gathered to enhance time as it was captured. From the this program. Message Stick series. SALES CONTACT SALES CONTACT ABC Content Sales ABC Commercial Australia Australia PHONE +61-2 8333 1500 PHONE +61-2 8333 3314 FAX +61-2 8333 3975 FAX +61-2 8333 3169 [email protected] [email protected] www.abccontentsales.com.au www.abccontentsales.com.au

80 DOCUMENTARIES - LONG

Endangered Eternity Evelyn Scott 2005 1994 2001 Digital Betacam/DVD/Betacam 16mm Digital Betacam 25 min 56 min 30 min e PRODUCER Carmel McAloon PRODUCER Susan MacKinnon PRODUCER Julie Nimmo DIRECTOR Tracey Rigney DIRECTOR Lawrence Johnston DIRECTOR Julie Nimmo WRITER Tracey Rigney WRITER Lawrence Johnston WRITER Julie Nimmo CAST Jemima Gardener, Greg CAST Les Foxcroft Fryer, Jason Tamiru, Mandy A profile of former Chairperson for the Nicholson, Nayuka Hood, Sasha ETERNITY is a documentary on the Council for Aboriginal Reconciliation, Sarago, Natarsha Garling, Josie life and influence of Arthur Stace Evelyn Scott. Evelyn has devoted much Atkinson who for 37 years walked the streets of her life to campaigning for the rights of Sydney and wrote on them. He of Indigenous Australians, beginning wrote on cement, one word, in perfect from the 1967 Referendum when ENDANGERED takes a look at the copperplate: ‘Eternity’. For over 20 Aboriginal people fought for the right scarcity of the eligible Aboriginal male years the public was mystified as to its to become citizens, through to her and the effects this has on Aboriginal origin. He would write this word over involvement in achieving reconciliation women looking for love, and the half a million times before his death in this country. Evelyn recalls the survival of Aboriginal people in 1967. early days as well as talking about and culture. the personal sacrifices she’s had to SALES CONTACT make in striving for equal rights for her SALES CONTACT Susan MacKinnon Eternity Endangered Pictures Pty Ltd people. Part of ICAM series. PHONE +61-2 8353 3623 Australia FAX +61-2 8353 3624 SALES CONTACT PHONE +61-3 9419 9996 MOBILE +61-407 484 451 SBS News and Current Affairs FAX +61-3 9417 7336 [email protected] Content Sales MOBILE +61-415 308 811 http://www.sharkisland.com.au Australia [email protected]. PHONE +61-2 9430 2828 DVD RELEASE FAX +61-2 9430 3040 Ronin Australia [email protected] www.sbs.com.au/contentsales

THE BLACK LIST 81 Everyday Brave Evonne Goolagong Exile and the Kingdom Includes: For Who I Am - Bonita Cawley 1992 Mabo; Stranger in My Skin - Ray 2000 16mm 2 x 55 min, 111 min Cotti; Jetja Nai Medical Mob - Digital Betacam Naomi Mayers; Mistake Creek 30 min - Steven Craig; Media Nomads - PRODUCER Noelene Harrison, The Thaiday Brothers; Saltwater PRODUCER Kris Flanders Frank Rijavec Bluesman - Uncle Kiddo Taylor DIRECTOR Kris Flanders DIRECTOR Frank Rijavec 2001 WRITER Kris Flanders WRITER Frank Rijavec, Roger Digital Betacam Solomon 6 x 26 min A profile of one of Australia’s sporting legends, Evonne Goolagong Cawley. In the beginning Creation beings lifted EXEC PROD Mark Hamlyn Throughout her illustrious tennis the sky and soft world out of the sea. PRODUCER Jeffrey Bruer, Priscilla career, Evonne has won many of the Then the earth became hard... British Bonita Mabo with writer/director Danielle colonisation in 1863, slavery during MacLean filming For Who I Am - Bonita Collins, Rod Freedman sport’s most prestigious tournaments. the subsequent Pearling boom, the Mabo, part of the Everyday Brave series In 1980, she was dubbed the ‘supermum’ of tennis having won devastating mining booms of the This series profiles Indigenous Wimbledon for a second time after 1960s...The story of the indomitable Australians whose wisdom, strength giving birth to her first child. In 1985, spirit of the Aboriginal people of and commitment have made a real injury forced Evonne into retirement, Roebourne, north-western Australia... difference to their communities and but even then she couldn’t keep off their law, their tribal voice, their to society. the court, devoting much of her time continuing struggle against the new SALES CONTACT travelling to communities encouraging colonial forces of the 20th century. and nurturing young Indigenous Screen Australia SALES CONTACTS Australia people. Part of ICAM series. Snakewood Films PHONE +61-2 8113 5800 SALES CONTACT Australia FAX +61-2 9357 3737 SBS News and Current Affairs PHONE +61-8 9841 6854 [email protected] Content Sales FAX +61-8 9841 6854 www.screenaustralia.gov.au Australia [email protected] PHONE +61-2 9430 2828 Screen Australia FAX +61-2 9430 3040 Australia [email protected] PHONE +61-2 8113 5800 www.sbs.com.au/contentsales FAX +61-2 9357 3737 [email protected] www.screenaustralia.gov.au

82 DOCUMENTARIES - LONG

Faith Thomas Feelin’ Kinda Deadly Festival of the 2003 2009 Pacific Arts Digital Betacam Digital Betacam 2008 30 min 26 min Digital Betacam e-f 2 x 26 min PRODUCER Kelrick Martin PRODUCER Rima Tamou DIRECTOR Kelrick Martin DIRECTOR Rima Tamou PRODUCER Rima Tamou WRITER Kelrick Martin CAST Sean Choolburra DIRECTOR Rima Tamou

In 1958, Faith Thomas was the first Sean Choolburra has carved a niche Imagine getting away to a beautiful Indigenous person to be selected to as Australia’s number one comedic tropical paradise where you can play cricket for her country, the first entertainer. He has played at the be entertained by hundreds of the Indigenous woman to be selected Melbourne and Edinburgh Comedy Pacific’s most talented artists and to play any sport for Australia and Festivals and regularly tours Australia performers. Every four years that she remains the only Aboriginal with his unique brand of stand-up dream becomes a reality at the woman to play international cricket comedy. Hailing from , Sean Festival of the Pacific Arts. From the for Australia. Faith was born in the has an established career as a dancer Message Stick series. Nepabunna Aboriginal mission in and has performed all over the world South Australia in 1933. Her mother, with the Bangarra Dance Company. He SALES CONTACT Ivy, was a traditional Adnyamathana is charming, cheeky and charismatic. ABC Content Sales woman from the Flinders Ranges, her From the Message Stick series. Australia father a German migrant. Ivy felt this PHONE +61-2 8333 1500 SALES CONTACT wasn’t the atmosphere for her baby so FAX +61-2 8333 3975 ABC Content Sales she placed Faith in the hands of two [email protected] Australia missioners at the Colebrook Children’s www.abccontentsales.com.au PHONE +61-2 8333 1500 home at Quorn. It was the other FAX +61-2 8333 3975 children at Colebrook who gave Faith [email protected] her name and contrary to the views of www.abccontentsales.com.au some, she always considered that hers was not the stolen generation, but rather the chosen generation. From the Message Stick series.

SALES CONTACT ABC Content Sales Australia PHONE +61-2 8333 1500 FAX +61-2 8333 3975 [email protected] www.abccontentsales.com.au

THE BLACK LIST 83 Finding Place Fire Talker First Australians 2007 2009 2008 Digital Betacam Digital Betacam/DVD HD 23 min 55 min 7 x 52 min

EXEC PROD Rachel Clements PRODUCER Ivan Sen EXEC PROD Darren Dale PRODUCER Barbara Clifford DIRECTOR Ivan Sen PRODUCER Darren Dale, Rachel DIRECTOR Trisha Morton-Thomas CAST Rachel Perkins (Narration), Perkins WRITER Trisha Morton-Thomas Charles Perkins DIRECTOR Rachel Perkins, Beck CAST Stefan Dick, Tommy Morton, Cole Joshua Morton, Peter Bartlett FIRE TALKER uses archival footage WRITER Rachel Perkins, Beck and Micha Bartlett spanning 40 years, to build a candid Cole, Louis Nowra portrait of the life and times of Charles Perkins, Aboriginal activist FINDING PLACE explores the issues Produced by Australia’s finest and bureaucrat. Perkins was on the surrounding ceremonially initiated Aboriginal filmmakers, this astonishing frontline of the emerging Aboriginal Writer/director/producer Rachel Perkins men as they deal with the daily series chronicles the birth of a country rights movement and infamous for on location in Central Australia for First duality of their social standing, both and the collision of two worlds. It’s an his straightforward thinking and Australians within the Aboriginal community and epic story that comes alive through Photographer: Kim Batterham sometimes aggressive temperament, mainstream Australia. the struggles of individuals, both black which made him friends and foes, both and white. Beautifully filmed, the SALES CONTACT black and white. series melds landscape, art, interviews CAAMA Productions Pty Ltd and first-hand accounts with a vast Australia SALES CONTACT ABC Content Sales archival collection to present the birth PHONE +61-8 8951 9778 Australia of contemporary Australia as never FAX +61-8 8951 9717 PHONE +61-2 8333 1500 seen before, from the perspective of MOBILE +61-419 814 960 FAX +61-2 8333 3975 its first people: the first Australians. [email protected] [email protected] www.caama.com.au SALES CONTACT www.abccontentsales.com.au SBS Content Sales Australia PHONE +61-2 9430 3975 FAX +61-2 9430 2882 [email protected] www.sbs.com.au/contentsales

DVD RELEASE Madman Australia

84 DOCUMENTARIES - LONG

Fitzroy Stars: More Flour, Sugar, Tea Following the Than a Game 2007 Rabbit-Proof Fence 2008 Digital Betacam 2002 26 min Digital Betacam Digital Betacam f 26 min 48 min EXEC PROD David Jowsey PRODUCER Michele (Mish) PRODUCER Gina Twyble EXEC PROD David Elfick, Kathleen Armstrong DIRECTOR Lee Willis-Ardler McLaughlin DIRECTOR John Harding, Daniel WRITER Lee Willis-Ardler PRODUCER Emma Cooper, Tom King CAST Lee Willis-Ardler Zubrycki WRITER John Harding DIRECTOR Darlene Johnson In Australia, the average life WRITER Darlene Johnson expectancy for Indigenous men is The Fitzroy Stars was one of the CAST Kenneth Branagh (Narrator) 59. For non-Indigenous men it is 77. first all Indigenous football clubs As Prime Minister Kevin Rudd vows in the early 1970s and folding in the to close the gap in life expectancy FOLLOWING THE RABBIT-PROOF early 1990s. Many players went on between Indigenous and non- FENCE is a documentary which to become leaders of the community Indigenous Australians, Aboriginal follows the making of Phillip Noyce’s and developed welfare and cultural writer/director, Lee Willis, speaks feature film, ‘Rabbit-Proof Fence’. The organisations in Melbourne and to the former Federal Minister for focus of the documentary is following across the state. After 14 years, Indigenous Affairs, Mal Brough; the the journey of three young Aboriginal the Fitzroy Stars football club has Country Women’s Association; his girls cast in the film. been resurrected and the old players local GP; and ordinary Aboriginal Filming Flour, Sugar, Tea reminisce on the importance of being a SALES CONTACT people to find out what caused the gap Fitzroy Star. It is more than a game. Hanway Films and what can be done to close it. United Kingdom SALES CONTACT PHONE +44-20 7290 0750 Movie Mischief SALES CONTACT Luminous Films Pty Ltd FAX +44-20 7290 0751 Australia Australia info@hanwayfilms.com PHONE +61-3 9417 7774 FAX +61-2 9527 2329 www.hanwayfilms.com FAX +61-3 9417 7336 MOBILE +61-409 652 898 MOBILE +61-438 384 473 [email protected] [email protected] www.moviemischief.com

THE BLACK LIST 85 Footprints in the Footy: For Who I Am: Sand: The Last of the The La Perouse Way Bonita Mabo Nomads 2006 2001 2007 Digital Betacam/DVC Pro 50 Digital Betacam 25 min 26 min Betacam 24 min PRODUCER Lisa Duff EXEC PROD Mark Hamlyn EXEC PROD Trevor Graham DIRECTOR Michael Longbottom PRODUCER Priscilla Collins PRODUCER Paul Roberts WRITER Michael Longbottom DIRECTOR Danielle MacLean DIRECTOR Glen Stasiuk DOP Murray Lui WRITER Danielle MacLean WRITER Glen Stasiuk DOP Murray Lui FOOTY: THE LA PEROUSE WAY CAST Bonita Mabo is the story of a small Aboriginal Journey into the Gibson Desert to community located in bustling the country traversed by Warri and Many people know of Bonita Mabo, multicultural Sydney. It is the journey Footprints in the Sand: The Last of the Yatungka, the last of the nomads who widow of the late , and of a community, whose beginnings Nomads were brought in to Wiluna in 1977 in a the historic native title claim they were marked by racial division and time of drought. successfully fought on behalf of his the suffering it brought, and their Torres Strait Islander people. Few SALES CONTACT embracing of football as a starting realise that Bonita is an Australian of Ronin Films point to put these historic differences South Sea Islander and Aboriginal Australia behind them, forging what has now descent, or how, through decades of PHONE +61-2 6248 0851 become a unique and prosperous mix work for , she raised FAX +61-2 6249 1640 of black and white cultures, working 10 children, often single-handedly. orders@roninfilms.com.au together side-by-side in all aspects Since her husband’s death, Bonita has www.roninfilms.com.au of life, with respect, honour, integrity a new campaign and recognition for and trust. her own people. In this program, she SALES CONTACT looks back over decades of struggle Dreaming Digital Pty Ltd and commitment and speaks of the Australia pride she takes in sharing her heritage PHONE +61-2 9699 4212 with her grandchildren and the MOBILE +61-412 373 761 wider community. [email protected] SALES CONTACT Screen Australia Australia PHONE +61-2 8113 5800 FAX +61-2 9357 3737 [email protected] www.screenaustralia.gov.au

86 DOCUMENTARIES - LONG

The Forgotten The Foundation Frangipani Land 2002 2002 Forever DV/Mini DV Digital Betacam 2008 39 min 26 min DV/Mini DV, HDV f 27 min EXEC PROD Martin Mhando EXEC PROD Cathy Eatock PRODUCER Glen Stasiuk PRODUCER Penny McDonald EXEC PROD Susan Moylan- DIRECTOR Glen Stasiuk DIRECTOR Troy Russell Coombs WRITER Glen Stasiuk WRITER Melissa Abraham, Troy PRODUCER Douglas Watkin CAST Aboriginal Veterans and Russell DIRECTOR Douglas Watkin family (WA), Bevan Rankins DOP Roman Baska WRITER Douglas Watkin (Narrator) CAST Chicka Dixon, Gary Foley, Joyce Clague, Esther Carroll, Roy Until their retirement in 1995, the Mills THE FORGOTTEN is a film about Carroll, Eileen Perkins Sisters - twins Cessa Nakata and Ina Aboriginal and Torres Strait Islander Titasey with their younger sister, the servicemen and women who have During the 1960s a celebrated entity late Rita Fell-Tyrell - helped bring the served, fought and died for their ‘The Foundation for Aboriginal Affairs’ music of the Torres Strait to the world country in all of the wars and emerged. Set during a time when stage. From the Message Stick series. peacekeeping missions that the change for urban Kooris was on the SALES CONTACT Footy: The La Perouse Way Australian armed forces were involved increase, the Foundation helped the in during the 20th century. ABC Content Sales mob to help themselves. Australia SALES CONTACT SALES CONTACT PHONE +61-2 8333 1500 BlackRussian Productions Ronin Films FAX +61-2 8333 3975 Australia Australia [email protected] FAX +61-8 9490 7354 PHONE +61-2 6248 0851 www.abccontentsales.com.au MOBILE +61-414 386 468 FAX +61-2 6249 1640 [email protected] orders@roninfilms.com.au www.roninfilms.com.au

DVD RELEASE Ronin Australia

THE BLACK LIST 87 Freedom Ride The French From Freak Show 1993 Connection to Big Top VHS 2007 2008 55 min DV/Mini DV/Digital Betacam DVD 27 min 26 min PRODUCER Ned R Lander, Rachel Perkins PRODUCER Hetti Perkins PRODUCER Grant Leigh Saunders DIRECTOR Rachel Perkins DIRECTOR James Marshall DIRECTOR Grant Leigh Saunders WRITER Hetti Perkins WRITER Grant Leigh Saunders Charles Perkins grew up in Alice Springs where segregation was the Musee Du Quai Branly is the new Looks at the association between rule. Sent away to Adelaide for an museum featuring Australia’s the circus community and Aboriginal education, he became increasingly Indigenous artworks in Paris, France. people, dating as far back as the 1800s aware of the injustices perpetrated THE FRENCH CONNECTION follows and up to the present day where against Australian Aborigines. In Freedom Ride the key Aboriginal artists as they circus groups are offering Indigenous 1965, the first Aborigine to attend prepare their works to be featured youth new skills, confidence and even university, he instigated the ‘freedom in this new museum. It explores the careers. From the Message ride’ - a bus load of concerned people, interesting challenges in translating Stick series. mostly students, who visited outback the works from their remote Australia, notably Walgett and SALES CONTACT Australian roots into a form that could Moree, to escalate the level of public ABC Content Sales be incorporated into a contemporary awareness of racial intolerance in Australia building in a major city on the other Australia. This video documents that PHONE +61-2 8333 1500 side of the world. From the Message journey and talks to those who FAX +61-2 8333 3975 Stick series. took part. [email protected] SALES CONTACT www.abccontentsales.com.au SALES CONTACT Australian Broadcasting Corporation Screen Australia Australia Australia PHONE +61-2 8333 1500 PHONE +61-2 8113 5800 FAX +61-2 8333 5448 FAX +61-2 9357 3737 www.abc.net.au/tv/drama [email protected] www.screenaustralia.gov.au

88 DOCUMENTARIES - LONG

From Little Things From Spirit to Spirit From the Ashes Big Things Grow 1993 2009 1993 Betacam Digital Betacam 3 x 24 min 25 min VHS f 55 min EXEC PROD Barbara Mariotti EXEC PROD Wayne Denning EXEC PROD Barbara Mariotti PRODUCER Rachel Perkins PRODUCER Donald Johannessen, PRODUCER Ned R Lander, Rachel DIRECTOR Marie Bennett, Rachel Helen Morrison Perkins Perkins, Michael Riley DIRECTOR Dean Gibson DIRECTOR Trevor Graham WRITER Marie Bennett, Rachel WRITER Dean Gibson WRITER Trevor Graham Perkins, Michael Riley DOP Nik Lachajczak CAST Worrin Williams, Cameron Kev Carmody is a prolific songwriter Featuring three half-hour programs Trask, William McInnes and musician with a great sense of by Indigenous directors dealing (Narrator) humour. He has performed with Paul with the colonisation of NSW to the detriment of local Indigenous people, Kelly and Billy Bragg, both of whom Two young Indigenous cricketers the return of Aboriginal remains and appear in the film. When Kev released follow in the footsteps of Australia’s being ‘on the road’ with the Warumpi his first album, ‘Pillars of Society’, in first ever sporting team to tour Band. The series also features 10 1989, music magazine Rolling Stone overseas - an Aboriginal Cricket team other documentaries by Sami, Maori described it as ‘the best album ever in the year 1868. FROM THE ASHES and Native Canadian filmmakers. released by an Aborigine and arguably sees rising sportsmen Worrin Williams This series is the first international the best album ever made in Australia’. and Cameron Trask travel to country Indigenous co-venture. Kev was propelled onto the national Victoria, the lands of the 1868 history- stage as a voice of protest for black SALES CONTACT making squad, before travelling on Australia. This film looks at Kev Blackfella Films Pty Ltd to the United Kingdom as part of the up close. PHONE +61-2 9380 4000 Australian Indigenous Cricket Team - and recreating history. This unknown SALES CONTACT FAX +61-2 9252 9577 Screen Australia MOBILE +61-429 119 901 chronicle of Indigenous endeavour Australia [email protected] is told through the eyes of Worrin and Cameron as they learn about the PHONE +61-2 8113 5800 www.blackfellafilms.com.au astonishing and tragic stories to come FAX +61-2 9357 3737 [email protected] out of the 1868 tour. www.screenaustralia.gov.au SALES CONTACT Carbon Media Pty Ltd Australia PHONE +61-7 3136 2524 FAX +61-7 3136 2524 [email protected] www.carbon-media.com.au

THE BLACK LIST 89 Gammin Paradise Gampa Getano Lui Jnr 1992 2000 2004 28 min Betacam Digital Betacam 26 min 30 min DIRECTOR Daniel Bobongie PRODUCER Brett Houghton PRODUCER Rima Tamou This documentary looks at the history DIRECTOR Julie Raffaele DIRECTOR Rima Tamou of Australia’s involvement with WRITER April Lawrie-Smith, Julie CAST Getano Lui Jnr ‘’: the procurement of Raffaele labour force from the Southsea region CAST April Lawrie-Smith We travel to Yam Island in the Torres where Islanders were kidnapped to (Presenter/Narrator) Strait to meet with Getano Lui Jnr, work as slaves in the cane fields. Part who has been both a prominent and, of Blackout series. at times, controversial figure in both GAMPA is one woman’s story, tracing local and regional politics. From the SALES CONTACT the essence of her grandfather Message Stick series. ABC Content Sales through the places and people he Australia loved. Stretching from Adelaide to SALES CONTACT PHONE +61-2 8333 1500 the West Australian border, GAMPA ABC Content Sales FAX +61-2 8333 3975 takes us along the far west coast of Australia [email protected] South Australia to the birthplace of PHONE +61-2 8333 1500 www.abccontentsales.com.au the Southern Right Whales, across FAX +61-2 8333 3975 the Nullarbor before settling at [email protected] Merdeyarra on the Western Australian www.abccontentsales.com.au border. GAMPA is an uplifting, Indigenous woman’s story about the importance of family and the essence of places that remind us of who we are and where we come from.

SALES CONTACT Brett Houghton Australia PHONE +61-3 9484 9448 FAX +61-3 9484 9448 MOBILE +61-408 542 082 [email protected]

90 DOCUMENTARIES - LONG

Getting Better Gina Rings: Filmmaker Giving It a Go 1987 2002 1983 16mm Digital Betacam DVD 60 min 30 min 25 min g PRODUCER Michael Le Moignan PRODUCER Tracey Callegari DIRECTOR Wayne Barker, Kim DIRECTOR Larry Lucas, Yuri Sokol DIRECTOR Tracey Callegari McKenzie WRITER Michael Le Moignan, WRITER Tracey Callegari Casey Ryan, Robert J Merritt This film was made at the request A profile of aspiring Indigenous of the residents of Benelong’s Haven One of a series looking at different filmmaker, Gina Rings. Currently near Kempsey on the central coast aspects of Aboriginal society. This studying Communications at Flinders of NSW. Benelong’s Haven is a centre program about Aboriginal health University in South Australia, Gina for Aborigines who recognise in problems expounds the view that is also an accomplished and much themselves a problem with alcohol traditional ways might often provide acclaimed dancer. Now, she is and wish to give a different way of life better solutions. embarking on a film career and has ‘a go’. Despite limited resources, the just completed her first short film success of the centre attracts people SALES CONTACTS entitled, ‘Ngoppun’. Part of from as far afield as central and Michael Le Moignan ICAM series. northern Queensland. Australia PHONE +61-2 9398 7346 SALES CONTACT SALES CONTACT Icarus/Tamouz Media SBS News and Current Affairs Australian Institute of Aboriginal United States Content Sales Studies PHONE +1-212 9320140 Australia Australia FAX +1-212 9897649 PHONE +61-2 9430 2828 PHONE +61-2 6246 1111 [email protected] FAX +61-2 9430 3040 www.tamouzmedia.com [email protected] www.sbs.com.au/contentsales

THE BLACK LIST 91 Giving Voice Glad Gnulla Katitjin 2009 1999 Quoppadar Boodjar Digital Betacam 25 min 2008 26 min DV/Mini DV/DVD PRODUCER Ross Hutchens 25 min PRODUCER Rima Tamou DIRECTOR Jill Milroy DIRECTOR Rima Tamou EXEC PROD Diane Lovell WRITER Rima Tamou Glad Milroy has had her 15 minutes of PRODUCER Glen Stasiuk, Jeff fame. In 1987 her story was central Asselin to the success of Sally Morgan’s The intervention into Indigenous DIRECTOR Glen Stasiuk book, ‘My Place’. But like many other communities in the WRITER Glen Stasiuk has not had the best of publicity. In stories now being told of the stolen DOP Alex McPhee ACS, Jeff the two years since it was announced, generation it has value as a story of not one new house has been built the past, not the present. Far from Asselin despite the hundreds of millions of closing the chapter in our history, the CAST Ballardong Traditional dollars put aside for the purpose. No retelling of these stories has brought Owners paedophile rings have been uncovered many unresolved issues to the surface for the storytellers. Her daughter’s and the federal government’s own Noongar knowledge of country is book gave Glad every reason to believe review into the intervention’s effect on there to be shared. Our Country... Our she had sisters she has never seen, alcohol consumption is mixed at best. Stories... Our People. Producer, Rima Tamou returned to the but it didn’t find them for her. Now 70, Northern Territory to hear fresh voices Glad journeys back to the country she SALES CONTACT on the intervention. From the Message was taken from. It’s her last chance Kulbardi Productions Stick series. to fulfil the burning kinship obligations Australia she feels for her family that doesn’t PHONE +61-8 9360 6468 SALES CONTACT know her, and may not even exist. FAX +61-8 9360 6493 ABC Content Sales [email protected] SALES CONTACT Australia www.kulbardiproductions.com.au PHONE +61-2 8333 1500 ABC Content Sales FAX +61-2 8333 3975 Australia [email protected] PHONE +61-2 8333 1500 www.abccontentsales.com.au FAX +61-2 8333 3975 [email protected] www.abccontentsales.com.au

Indigenous Australians in key creative roles (producer, director, writer or DOP) are credited in italics.

92 DOCUMENTARIES - LONG

The Good, the Bad and Green Warrior Gulpilil: the Loud: The History 2008 One Red Blood of CAAMA Music Digital Betacam 2002 26 min Digital Betacam g 2003 55 min Digital Betacam/DV/Mini DV EXEC PROD Susan Moylan- 50 min Coombs PRODUCER Tom Zubrycki PRODUCER Douglas Watkin EXEC PROD Citt Williams, Beck DIRECTOR Darlene Johnson DIRECTOR Douglas Watkin Cole WRITER Darlene Johnson WRITER Douglas Watkin DIRECTOR Warwick Thornton DOP Robert Humphreys ACS DOP Murray Lui DOP Warwick Thornton CAST David Gulpilil CAST Charlie Company, Australian CAST Frank Yama, the Lajamanu Defence Force Teenage Band, Warren H Williams A film about the life and career of Australian actor David Gulpilil, one of Charlie Company is one of four the most highly respected Aboriginal This documentary explores the companies from the 51st Battalion actors of his generation. At the same unique history of CAAMA Music. based in the Torres Strait. It is the time he is an elder of the Yolngu The technology has changed but the most racially integrated unit in clan in Arnhem Land in the Northern reasons for recording the music have the Australian Defence Force: the Territory. stayed the same. A humorous, open soldiers, both black and white, are and honest insight into the CAAMA SALES CONTACT proudly united by the green of their music label whilst also exploring Jotz Productions Pty Ltd camouflage uniforms. It’s their job the movement of Indigenous music Australia to detect threats before they can throughout Central Australia. PHONE +61-2 9569 9653 penetrate our vast and often remote MOBILE +61-414 683 231 coastline. Prepare yourself for battle SALES CONTACT [email protected] CAAMA Productions Pty Ltd alongside the Green Warriors. Part of Australia Message Stick series. DVD RELEASE PHONE +61-8 8951 9778 SALES CONTACT Umbrella Australia FAX +61-8 8951 9717 ABC Commercial MOBILE +61-419 814 960 Australia [email protected] PHONE +61-2 8333 3314 www.caama.com.au FAX +61-2 8333 3169 [email protected] www.abccontentsales.com.au

THE BLACK LIST 93 Gurrumul - Son of the Harold Blair The Healing Sounds Rainbow Serpent 2004 of the Bungaran Gurrumul - Son of the Rainbow Digital Betacam Orchestra 27 min Serpent in Guliwinku 1999 2008 PRODUCER Penny Smallacombe Digital Betacam Digital Betacam 30 min 2 x 26 min DIRECTOR Penny Smallacombe WRITER Penny Smallacombe EXEC PROD David Jowsey EXEC PROD Susan Moylan-Coombs PRODUCER Mitch (Michelle) Torres Opera singer Harold Blair was born in PRODUCER Grant Leigh Saunders DIRECTOR Mitch (Michelle) Torres DIRECTOR Grant Leigh Saunders Cherbourg, Queensland in 1924, and was destined for greatness. He was WRITER Mitch (Michelle) Torres WRITER Grant Leigh Saunders 17 and working as a tractor driver at CAST Bob and Mary Hutchenson, DOP Laurence McManus, Ian a sugar mill in Fairymead, when his Molly Sebastian, Eileen Par, Waberton, Dennis Brennan, Allan workmates coerced him into singing Margie Sasidgo, Sister Camille, Dowler, Paul Costello at a concert in Childers. In early 1945, Sister Francis, Emma Spratt, CAST Geoffrey ‘Gurrumul’ Harold attracted a record tally of Cathy Manado-Watson, Mitch Yunnupingu listeners’ votes when he appeared in Torres (Narrator) the radio amateur hour talent quest. With that performance, Harold became A two-part documentary about a recent one of the first Australian Aborigines Members of a classical Indigenous musical phenomenon coming out of to perform on national radio. From the Orchestra formed in the 1940s retrace Galiwin’ku on Elcho Island in north-east Message Stick series. their memories by taking a bus trip Arnhem Land, Geoffrey ‘Gurrumul’ back to the medical institution they Yunnupingu. Blind since birth, Gurrumul SALES CONTACT were incarcerated in for having is a self-taught virtuoso of the guitar, ABC Content Sales Hansen’s Disease (leprosy). They piano and drums and was a member of Australia played Handel, Bach and Beethoven the hugely successful Indigenous pop PHONE +61-2 8333 1500 with style and feeling. At its height the rock group Yothu Yindi. Since Yothu Yindi, FAX +61-2 8333 3975 ensemble numbered no fewer than 60 Gurrumul formed his own reggae rock [email protected] players, all Indigenous. group Saltwater Band and more recently www.abccontentsales.com.au has gone solo with an album that went SALES CONTACT through the roof of the Australian music Mitch (Michelle) Torres charts. Part of Message Stick series. Australia PHONE +61-8 9192 4119 SALES CONTACT FAX +61-8 9192 4119 ABC Content Sales MOBILE +61-414 410 088 Australia [email protected] PHONE +61-2 8333 1500 FAX +61-2 8333 3975 [email protected] www.abccontentsales.com.au 94 DOCUMENTARIES - LONG

Helping Sis The History of the Hula Time: The 1995 Political Struggle: A Seaman Dan Story Betacam Personal Point of View 2005 43 min by Mr Chika Dixon Digital Betacam g-h 26 min PRODUCER Donna Ives 2006 DIRECTOR Christine Togo DVD EXEC PROD David Jowsey 36 min WRITER Donna Ives, Christine PRODUCER Nancia Guivarra Togo DIRECTOR Nancia Guivarra EXEC PROD WRITER Nancia Guivarra PRODUCER Jason De Santolo Aboriginal and Islander women talk CAST Seaman Dan, Dr Karl DIRECTOR Jason De Santolo about childhood rape and molestation, Neuenfeldt, Cessa Mills, Inna WRITER Chika Dixon the effect it has throughout their adult Mills life, coping with repressed memories CAST Uncle Chika Dixon and sexual harrasment. HELPING SIS reveals the attitudes and conflicts Travel to the Torres Strait Islands to In 2005 Jumbunna Indigenous House that Aboriginal and Islander people meet Australia’s oldest ARIA award of Learning was honoured to have confront when dealing with sexual winner, the irrepressible Seaman Dan. Uncle Chika Dixon present the Annual abuse within close-knit communities. The popular musician takes us on a Lecture. These inspirational words personal journey around his tropical provided a remarkable insight into the SALES CONTACT island home and he introduces us to life and times of Uncle Chika Dixon and Donna Ives the wonderful world of ‘hula jazz’. all those involved in the struggle for Australia From the Message Stick series. PHONE +61-7 4728 1316 rights in Australia over the [email protected] past decades. SALES CONTACT ABC Content Sales SALES CONTACT Australia Jumbunna Indigenous House of PHONE +61-2 8333 1500 Learning FAX +61-2 8333 3975 Australia [email protected] PHONE +61-2 9514 1902 www.abccontentsales.com.au FAX +61-2 9514 8705 [email protected] www.jumbunna.uts.edu.au/

THE BLACK LIST 95 Hunting and i Belong ICAM Anzac Day Sea Rights 2008 Special 2000 Digital Betacam 2002 2 x 26 min Digital Betacam Digital Betacam 30 min 30 min EXEC PROD Carbon Media Pty Ltd, PRODUCER Lorna O’Shane Bush TV, Wayne Denning PRODUCER Julie Nimmo DIRECTOR Lorna O’Shane WRITER Carbon Media Pty Ltd DIRECTOR Julie Nimmo WRITER Lorna O’Shane DOP Nik Lachajczak, Dean Gibson WRITER Julie Nimmo CAST Ernie Dingo, , Looks at the struggle by Indigenous Jimmy Little An in-depth look at the history people to continue the practice of Indigenous men and women of traditional hunting both on sea I BELONG is a two-part documentary involved in Australia’s defence forces and land. Traditional hunting has series, one half-hour produced by both throughout , World War II, long been a practice that has kept professional and student crews that Korea and Vietnam. We meet with men Indigenous communities going. asked Indigenous Australians what and women and their families about The determination of native title for the term ‘belonging’ meant to them their involvement in the armed forces, Australia’s Indigenous population and the significance to their culture. their experiences and what it was like has meant the right to hunt has been to fight for a country that they weren’t SALES CONTACT recognised by Australian common even considered to be citizens of at Carbon Media Pty Ltd law. This may represent a new era in the time and why it meant so much to Australia native title litigation but it signifies fight for a country they loved so much. PHONE +61-7 3136 2524 something more fundamental in the Part of ICAM series. FAX +61-7 3136 2524 need to retain a cultural identity. Part [email protected] SALES CONTACT of ICAM series. www.carbon-media.com.au SBS News and Current Affairs SALES CONTACT Content Sales SBS News and Current Affairs Australia Content Sales PHONE +61-2 9430 2828 Australia FAX +61-2 9430 3040 PHONE +61-2 9430 2828 [email protected] FAX +61-2 9430 3040 www.sbs.com.au/contentsales [email protected] www.sbs.com.au/contentsales

96 DOCUMENTARIES - LONG

In a League of Their In Search of Archie In the Gutter? Own 1998 No Way 2008 Betacam (Through Australian Eyes) 26 min Digital Betacam 1991 h-i 3 x 26.5 min 1” Video EXEC PROD David Jowsey, 28 min EXEC PROD Mark Bowling Rachel Perkins PRODUCER Tony Collins, Carmel Young PRODUCER Sally Riley EXEC PROD Voja Rajic DIRECTOR Steven McGregor DIRECTOR Sally Riley PRODUCER Rhoda Roberts WRITER Steven McGregor, Tony WRITER Sally Riley DIRECTOR Rhoda Roberts Collins CAST Archie Weller DOP Murray Lui A black perspective on substance CAST Thomas Simon, Edward Darcy Aboriginal writer, Archie Weller, abuse in the Aboriginal community by (Narrator), Charlie King searches for proof of his following the lives of three people and Aboriginality, only to find there is the circumstances that led them to no proof. addiction. It also gives an insight into After a campaign spanning three decades, the Koorie community and how they an Aboriginal community fields a football SALES CONTACT cope and overcome problems in their team in the regional competition and sets ABC Content Sales own way. out to prove their mettle by winning the Australia premiership in their first year. Follow the PHONE +61-2 8333 1500 SALES CONTACT Tiwi Bombers through their first season FAX +61-2 8333 3975 SBS Content Sales in the big league as they strive to fulfil [email protected] Australia the dreams of their grandfathers. This www.abccontentsales.com.au PHONE +61-2 9430 3975 inspirational series examines the struggle FAX +61-2 9430 2882 of a disadvantaged Aboriginal community [email protected] as they try to compete with mainstream www.sbs.com.au/contentsales Australia on the sporting field. www.inaleagueoftheirown.com.au

SALES CONTACT Ronin Films Australia PHONE +61-2 6248 0851 FAX +61-2 6249 1640 orders@roninfilms.com.au www.roninfilms.com.au

DVD RELEASE Ronin Australia

THE BLACK LIST 97 Indigenous Boxers Indigenous Indigenous Media 2001 Filmmakers 2001 Digital Betacam 2001 Digital Betacam 30 min 30 min Digital Betacam 30 min PRODUCER Kris Flanders PRODUCER Lorna O’Shane DIRECTOR Kris Flanders PRODUCER Tracey Callegari DIRECTOR Lorna O’Shane WRITER Kris Flanders WRITER Tracey Callegari WRITER Lorna O’Shane

Looks at the Indigenous history of Profiles aspiring Indigenous Looks at the background of Indigenous boxing. A number of Indigenous filmmakers Ben Graetz, Marie participation in the mainstream and men have been involved in the sport, Clarke, Scott Williams and John community media and explores the dating back to the early 1900s, South. All four filmmakers profiled experiences of young Indigenous when Jeremy Jerome was the first have participated in the Indigenous media professionals. Those Indigenous person to win a national Mentorship Program. The scheme was interviewed include producer Lorena boxing title and took out the Australian developed in 1998 by Metro Screen in Allam and presenter Nancia Guivarra title in 1912. Since Sydney with assistance from the NSW from ABC ’s Awaye! then, the sport has produced many Film & Television Office and SBS. Part program; Tiga Bayles, Manager, 4AAA, champion boxers including the Sands of ICAM series. Brisbane; Todd Condie, editor, Koori brothers, and Tony Mail; and Charmaene Scott, producer, Mundine. Part of ICAM series. SALES CONTACT ABC Radio, Brisbane. They discuss the SBS News and Current Affairs perceptions which they believe remain SALES CONTACT Content Sales unchanged in the industry, as well as SBS News and Current Affairs Australia their hopes in the future for a higher Content Sales PHONE +61-2 9430 2828 media profile. Part of ICAM series. Australia FAX +61-2 9430 3040 PHONE +61-2 9430 2828 [email protected] SALES CONTACT FAX +61-2 9430 3040 www.sbs.com.au/contentsales SBS News and Current Affairs [email protected] Content Sales www.sbs.com.au/contentsales Australia PHONE +61-2 9430 2828 FAX +61-2 9430 3040 [email protected] www.sbs.com.au/contentsales

98 DOCUMENTARIES - LONG

Indigenous Indigenous Women’s The Intervention Unemployment Rugby League 2008 2000 2002 Digital Betacam 56 min Digital Betacam Digital Betacam i 30 min 30 min PRODUCER Tom Zubrycki PRODUCER Lorna O’Shane PRODUCER Gillian Moody DIRECTOR Julie Nimmo DIRECTOR Lorna O’Shane DIRECTOR Gillian Moody WRITER Julie Nimmo WRITER Lorna O’Shane WRITER Gillian Moody THE INTERVENTION examines the process of the federal intervention For Indigenous Australians finding Examines the involvement of taking place in Indigenous a job, like most things, can be more Indigenous women in the sport communities in the Katherine region in difficult than it is for others. Issues of Rugby League. Involvement by the Northern Territory in the name of like education and adequate training Indigenous women in the sport is neglected and abused children. affects the ability of our people to growing and becoming hugely popular, find and keep jobs. However, there are so much so that there are now several SALES CONTACT communities across Australia willing Indigenous women representing the ABC Commercial to make a go of it. We take a look at country in the Australian Women’s Australia those communities and the people Rugby League Team. Recently, the PHONE +61-2 8333 3314 making a difference in the lives of the Australian Women’s team visited FAX +61-2 8333 3169 unemployed. Part of ICAM series. New Zealand to play against the New [email protected] Zealand Women’s Rugby League www.abccontentsales.com.au SALES CONTACT Team. Part of ICAM series. SBS News and Current Affairs DVD RELEASE Content Sales SALES CONTACT Australia SBS News and Current Affairs Ronin Australia PHONE +61-2 9430 2828 Content Sales FAX +61-2 9430 3040 Australia [email protected] PHONE +61-2 9430 2828 www.sbs.com.au/contentsales FAX +61-2 9430 3040 [email protected] www.sbs.com.au/contentsales

THE BLACK LIST 99 Island Fettlers Jackie Jardiwarnpa: 2006 2007 A Warlpiri Fire DV/Mini DV DVD Ceremony 25 min 27 min 1993 PRODUCER Pauline Clague PRODUCER Jeremy Geia VHS 55 min DIRECTOR Kelrick Martin DIRECTOR Jeremy Geia WRITER Kelrick Martin WRITER Jeremy Geia EXEC PROD Barbara Mariotti CAST Sayler Family PRODUCER Ned R Lander, Rachel For more than a decade, Jackie Perkins The untold history of a small diaspora Huggins has been pushing the DIRECTOR Ned R Lander Island Fettlers of Torres Strait Islander people, and reconciliation bandwagon, and for the massive contribution they made the last six years, she has been the WRITER Marcia Langton to the development of a billion dollar national face and co-chairwoman of mining industry in the harsh north- Reconciliation Australia. But after Law man Darby Jampinjimpa Ross west of Western Australia. 14 years of campaigning, Jackie has and other Warlpiri elders introduce us signalled she is looking for a change. to their community’s fire ceremony. SALES CONTACT From the Message Stick series. Made with the close cooperation Core Films Pty Ltd of the outback Warlpiri community Australia SALES CONTACT of Yuendumu, the film follows the PHONE +61-2 9566 4415 ABC Content Sales staging of the ceremony, involving FAX +61-2 9566 4435 Australia hundreds of people over several weeks MOBILE +61-417 485 908 PHONE +61-2 8333 1500 as part of the process of retaining [email protected] FAX +61-2 8333 3975 [email protected] traditional law and culture within www.abccontentsales.com.au the community. SALES CONTACT Screen Australia Australia PHONE +61-2 8113 5800 FAX +61-2 9357 3737 [email protected] www.screenaustralia.gov.au

100 DOCUMENTARIES - LONG

Jarlmandangah Jetja Nai Medical Mob: Jodee Cockatoo 2007 Naomi Mayers 2001 Digital Betacam 2001 Digital Betacam 27 min 30 min Digital Betacam i-j 26 min EXEC PROD Rachel Clements PRODUCER Kris Flanders PRODUCER Liz Warning, Eileen EXEC PROD Mark Hamlyn, John DIRECTOR Kris Flanders Torres Macumba WRITER Kris Flanders DIRECTOR Mitch (Michelle) Torres PRODUCER Rod Freedman WRITER Mitch (Michelle) Torres DIRECTOR Catriona McKenzie A profile of the very talented singer/ DOP Paul Bell WRITER Catriona McKenzie songwriter Jodee Cockatoo. Most CAST John Watson, Harry Watson noted as the back-up singer for ever popular Indigenous group, Yothu Yindi, Naomi Mayers joined the Aboriginal Jodee is now forging her own career In October 2007 members of Medical Service in Sydney’s Redfern as a solo artist. Jodee tells us about Jarlmandangah Community in 1972. Starting out as a secretary, growing up and always wanting to celebrated 25 years of a journey of she has been its Chief Executive perform as well as her inspirations self-determination to fulfil a dream. Officer for many years. Highly and aspirations for the future. Part of Twenty-five years of building a strong respected in Australia and overseas ICAM series. family community based on ideals for her expertise and commitment to many communities around Australia Aboriginal health, she has been the SALES CONTACT have strived for, but it seems very driving force behind many other inner- SBS News and Current Affairs much that the recipe of success is city community development projects. Content Sales within the hands of this community. It’s taken great strength of character Australia and political focus to achieve all that PHONE +61-2 9430 2828 SALES CONTACT FAX +61-2 9430 3040 CAAMA Productions Pty Ltd she has, something Naomi attributes [email protected] Australia to her roots on the old Cummeragunja mission. www.sbs.com.au/contentsales PHONE +61-8 8951 9778 FAX +61-8 8951 9717 SALES CONTACT MOBILE +61-419 814 960 Screen Australia [email protected] Australia www.caama.com.au PHONE +61-2 8113 5800 FAX +61-2 9357 3737 [email protected] www.screenaustralia.gov.au

THE BLACK LIST 101 Joe Rock Justin Kamira: Pina Yanirlipa 1999 2002 Ngurrarakurra Digital Betacam Digital Betacam 1986 26 min 27 min 1” Video 40 min PRODUCER Mitch (Michelle) Torres PRODUCER Jeremy Geia DIRECTOR Mitch (Michelle) Torres DIRECTOR Jeremy Geia EXEC PROD Penny McDonald WRITER Mitch (Michelle) Torres PRODUCER Peter Ross Jangala, Justin Mosman is an Aboriginal Cecil Johnson Japangardi, World War II was hard on the town Lawyer working for an Indigenous Marlene Johnson Nampijmpa organisation in , Far North of Broome in Western Australia. The DIRECTOR Peter Ross Jangala, Queensland. As a young man Justin threat of Japanese bombs meant Cecil Johnson Japangardi, that Indigenous townspeople were set off to play football for the shifted out to Beagle Bay Mission Canberra Raiders. During this time he Marlene Johnson Nampijmpa and Lombadina, communities located also started studying a law degree at around 120 km up the coast. But a the Australian National University. An The story of the journey made by chance breakdown of the mail truck ankle injury put him out of the running from Lajamanu, Kanyini between these two communities for a professional career in Rugby travelling on foot, horseback and opened an opportunity for a young League, yet he stuck to studying, tractor across 230 km of the Tanami man named Joe Rock to walk the gaining his degree. From the Message Desert back to Kamira - an Aboriginal mail instead. And with the mail on Stick series. out-station. Kamira has been home to his back and the sand between his the Warlpiri Aborigines for thousands SALES CONTACT toes, he started to walk along the old ABC Content Sales of years. In the 1950s and 1960s corrugated road. From the Message Australia Warlpiri people were forcibly moved Stick series. from their country into government PHONE +61-2 8333 1500 settlements. Since the late 1960s SALES CONTACT FAX +61-2 8333 3975 some Aboriginal people have been ABC Content Sales [email protected] voting with their feet against the Australia www.abccontentsales.com.au assimilation policies. They are walking PHONE +61-2 8333 1500 away from those days towards the FAX +61-2 8333 3975 freedom of their own land. This video [email protected] tells the story of that return. www.abccontentsales.com.au SALES CONTACT Icarus/Tamouz Media United States PHONE +1-212 9320140 FAX +1-212 9897649 [email protected] www.tamouzmedia.com

102 DOCUMENTARIES - LONG

Kanyini Karbara: The First Karli Jalangu: 2005 Born Boomerang Today Digital Betacam 1988 2004 52 min 16mm Digital Betacam j-k 48 min 23 min EXEC PROD Lynda House PRODUCER Bob Randall, Melanie PRODUCER Richard Guthrie, Brian EXEC PROD Citt Williams Hogan Syron PRODUCER Rachel Clements DIRECTOR Melanie Hogan DIRECTOR Richard Guthrie DIRECTOR David Tranter, Allan Collins ACS KANYINI is a story told by an About the First National Black WRITER David Tranter Aboriginal man, Bob Randall, who Playwrights Conference DOP Allan Collins ACS lives beside the greatest monolith in and Workshop. CAST Teddy Egan Jangala, the world, Uluru in Central Australia. Based on Bob’s own personal journey SALES CONTACT Franky Japanangka, Alby Morris and the wisdom he learnt from the Richard Guthrie Jampijinpa, Johnny Possum old people living in the bush, Bob tells United Kingdom Japaljarri the tale of why Indigenous people are PHONE +44-20 8800 8045 [email protected] now struggling in a modern world and Four senior traditional men who carry www.elephantearspress.com what needs to be done for Indigenous a lot of law (Tjilpi) create a ‘Number people to move forward. A tale of 7’ boomerang of Central Desert Indigenous wisdom clashing against people. How do you make boomerangs materialist notions of progress, this today while keeping law and culture is not only a story of one man and his strong? We follow the hunt for people, but the story of the wood, the rubbing, the shaping, the Karli Jalangu: Boomerang Today human race. smoothing and the ochre, noting the SALES CONTACT cultural significance of the work and Hopscotch Films implements, until the Number 7 is Australia complete and singing. PHONE +61-2 8303 3800 SALES CONTACT FAX +61-2 9690 1433 CAAMA Productions Pty Ltd troy@hopscotchfilms.com.au Australia www.hopscotchfilms.com.au PHONE +61-8 8951 9778 FAX +61-8 8951 9717 MOBILE +61-419 814 960 [email protected] www.caama.com.au

DVD RELEASE CAAMA Australia THE BLACK LIST 103 Karlu Karlu: Karma Waters Land Kate George Devil’s Marbles Agreement 2004 2009 2000 Digital Betacam 27 min Digital Betacam/DV/Mini DV Digital Betacam 23 min 30 min PRODUCER Kezia George EXEC PROD Robyn Nardoo, Ray PRODUCER Lorna O’Shane DIRECTOR Kezia George Lillis DIRECTOR Lorna O’Shane WRITER Kezia George DIRECTOR David Tranter WRITER Lorna O’Shane DOP Warwick Thornton Born at the 494-mile peg of the Rabbit-Proof Fence, Kate George was A very personal look at a Native three when she was placed in Sister ‘I belong here. I’m the boss for Karlu Title Claim in Far North Queensland. Kate’s, an institution that became Karlu. My skin name is Pitjara and Karma Waters is a pastoral property her home. Through her attitude and I belong to this Karlu Karlu’. Thus, outside the town of Mareeba. This determination Kate has turned her Lesley Blackhat Foster introduces historic Land Agreement was the life around. Her life-long passion for us to the country for which he has first determination of Native Title justice for her people has led her down fought so hard - the eerie and majestic over a Pastoral Lease in Australia. a path of politics and law. From the country otherwise known as The The owners of the property, Alan and Message Stick series. Devil’s Marbles. This documentary Karen Pederson struck a deal with the tells the story of the language groups Western Yalanji people, the traditional SALES CONTACT associated with the place - Warlpiri, owners of the area. However, the ABC Content Sales Warrumungu, Kaytetye and Alyawarra. journey to achieving a deal suiting both Australia parties was never an easy one. Part of PHONE +61-2 8333 1500 SALES CONTACT ICAM series. FAX +61-2 8333 3975 CAAMA Productions Pty Ltd [email protected] Australia SALES CONTACT www.abccontentsales.com.au PHONE +61-8 8951 9778 SBS News and Current Affairs FAX +61-8 8951 9717 Content Sales MOBILE +61-419 814 960 Australia [email protected] PHONE +61-2 9430 2828 www.caama.com.au FAX +61-2 9430 3040 [email protected] www.sbs.com.au/contentsales

104 DOCUMENTARIES - LONG

Ken Colbung Kev Carmody: Kids and Culture 2004 Cannot Buy My Soul 1991 Digital Betacam 2007 VHS 26 min 27 min Digital Betacam k 26 min PRODUCER Kelrick Martin PRODUCER David Sandy DIRECTOR Kelrick Martin PRODUCER Kelrick Martin DIRECTOR Lorraine Mafi-Williams WRITER Kelrick Martin DIRECTOR Kelrick Martin WRITER Kelrick Martin The film follows a theatre group Ken Colbung was born at Moore River of young urban Aborigines from Settlement in Western Australia. Brisbane as they journey to the Cape Well-known Australian singer/ At the age of six, after his mother York Peninsula to spend time with songwriter, Paul Kelly, has brought died, he was taken to Sister Kate’s. traditional Aboriginal people, in a together the cream of the Australian At 19, he enlisted in the army and quest to find their Aboriginality. Part of music industry to record the songs served in Japan, and later, Korea. Blackout series. of Aboriginal singer/songwriter, Kev In the decades that followed, he Carmody, as part of a tribute album to SALES CONTACT took on many leadership roles in the a man who’s been called among other ABC Content Sales Aboriginal cause, from land rights things, the ‘Black Bob Dylan’. From the Australia to conservation, to education, to the Message Stick series. PHONE +61-2 8333 1500 preservation of cultural identity and FAX +61-2 8333 3975 spirituality. From the Message SALES CONTACT [email protected] ABC Content Sales Stick series. www.abccontentsales.com.au Australia SALES CONTACT PHONE +61-2 8333 1500 ABC Content Sales FAX +61-2 8333 3975 Australia [email protected] PHONE +61-2 8333 1500 www.abccontentsales.com.au FAX +61-2 8333 3975 [email protected] www.abccontentsales.com.au

THE BLACK LIST 105 The KIN Story Koori Inmates Kutcha Edwards 2006 1999 2002 HDV Betacam Digital Betacam 26 min 24 min 30 min

PRODUCER Douglas Watkin EXEC PROD Llew Cleaver PRODUCER Kris Flanders DIRECTOR Douglas Watkin PRODUCER Julie Nimmo DIRECTOR Kris Flanders WRITER Douglas Watkin DIRECTOR Julie Nimmo WRITER Kris Flanders CAST Stephen Page WRITER Julie Nimmo CAST Ailsa Barlow, Flossy Taylor, Born in Balranald, NSW, Kutcha For the first time, renowned Artistic Albert Ryan, Elizabeth Robin, Edwards is of the Mutti Mutti people. Director of Bangarra Dance Company, He is the eighth born in a family of 12 Stephen Page, takes us through an children and was taken by authorities intensely personal journey creating a at the age of seven. Kutcha has led KOORI INMATES focuses on four collaborative dance, theatre and music a varied and interesting life, having Aboriginal inmates incarcerated in piece with young members of his played Australian Rules Football for various detention centres around NSW. own family. the St Kilda club, has studied Koori Each person tells their own story of politics and is involved in Aboriginal heartache, isolation and introspection, SALES CONTACT education visiting schools and talking which for most has lead to a profound Double Wire Productions to kids about his music and life spiritual awakening. Australia experiences. Part of ICAM series. FAX +61-7 4033 1100 SALES CONTACT MOBILE +61-410 326 562 SALES CONTACT SBS Content Sales [email protected] SBS News and Current Affairs Australia www.doublewire.com.au Content Sales PHONE +61-2 9430 3975 Australia FAX +61-2 9430 2882 PHONE +61-2 9430 2828 [email protected] FAX +61-2 9430 3040 www.sbs.com.au/contentsales [email protected] www.sbs.com.au/contentsales

106 DOCUMENTARIES - LONG

Lake Tyers Brigade Land of the Little Kings Lani’s Story 2003 2000 2009 Digital Betacam Betacam Digital Betacam 30 min 78 min 26 min k-l PRODUCER Lee Willis-Ardler EXEC PROD Simon Ambrose, PRODUCER Rachel Perkins, Darren DIRECTOR Lee Willis-Ardler Graeme Sward Dale WRITER Lee Willis-Ardler PRODUCER Paul Roberts DIRECTOR Genevieve Grieves DIRECTOR Des Kootji Raymond WRITER Genevieve Grieves A profile about the Lake Tyers WRITER Des Kootji Raymond, Paul community and the way the Roberts LANI’S STORY is the tale of one Indigenous women of that country DOP Rodney Stratton woman and two relationships. One have come together to unite in a fire CAST Archie Roach she has to leave to survive and one brigade for the community. It follows she can’t survive without. The rates of the lives of the Aboriginal women domestic violence against Aboriginal ‘Life is (or ought to be) a journey that who are the Lake Tyers Aboriginal women in Australia are at endemic ends where it begins’ is a fundamental Volunteer Bushfire Brigade. It proportions. How does one woman tenet of Aboriginal law. It underpins a highlights the achievements these break the cycle? Will love be enough view that has meaning and importance women have made in directing their to get her through the hard to many Australians, black and white. future as Aboriginal women and the times ahead? empowerment that has come from Singer and songwriter Archie Roach, this. From the Message Stick series. a ‘stolen’ person, takes us in a circle SALES CONTACT around Australia beginning at the place Blackfella Films Pty Ltd SALES CONTACT of his earliest memory. What happens PHONE +61-2 9380 4000 ABC Content Sales when circles are broken, particularly FAX +61-2 9252 9577 Australia early in life’s journey? Archie’s journey MOBILE +61-429 119 901 PHONE +61-2 8333 1500 symbolises the search for wholeness [email protected] FAX +61-2 8333 3975 and identity. www.blackfellafilms.com.au [email protected] www.abccontentsales.com.au SALES CONTACT Ronin Films Australia PHONE +61-2 6248 0851 FAX +61-2 6249 1640 orders@roninfilms.com.au www.roninfilms.com.au

DVD RELEASE Ronin Australia

THE BLACK LIST 107 The Last Post Leah Purcell: One Leila Murray 2005 Woman Show 2004 Digital Betacam Leah Purcell: One-Hour Special, Digital Betacam 26.2 min Box the Pony 26 min 1998 PRODUCER Adrian Wills PRODUCER Penny Smallacombe Betacam DIRECTOR Adrian Wills 59 min DIRECTOR Penny Smallacombe

An Anzac tribute to the Indigenous EXEC PROD Llew Cleaver A tribute to a strong, courageous war veterans who fought for freedom, PRODUCER Paul Fenech, Karla woman, Leila Murray and her family yet were denied it upon their return. Grant, Bain Stewart - her son Eddie Murray died in police This documentary features re- custody in Wee Waa in 1981. This is enactments by acclaimed Aboriginal DIRECTOR Paul Fenech, Leah the story of their search for the truth. actor, David Ngoombuljarra. From the Purcell From the Message Stick series. Message Stick series. CAST Leah Purcell SALES CONTACT SALES CONTACT ABC Content Sales ABC Content Sales This one-hour documentary focuses Australia Australia on actor/musician Leah Purcell’s PHONE +61-2 8333 1500 PHONE +61-2 8333 1500 latest play, ‘Box the Pony’ and also FAX +61-2 8333 3975 FAX +61-2 8333 3975 highlights her upbringing and the area [email protected] [email protected] her family stems from. www.abccontentsales.com.au www.abccontentsales.com.au SALES CONTACT Sales information not current, please contact Screen Australia for enquiries Australia PHONE +61-2 8113 5850 [email protected] www.screenaustralia.gov.au

108 DOCUMENTARIES - LONG

Les Ridgeway Lest We Forget Lillian Crombie 2005 2007 2005 Digital Betacam Digital Betacam Digital Betacam 26 min 27 min 27 min l DIRECTOR Rima Tamou PRODUCER Miriam Corowa PRODUCER Adrian Wills DIRECTOR Miriam Corowa DIRECTOR Adrian Wills Les Ridgeway was a man on a mission. WRITER Miriam Corowa Literally. He was one of only three In every entertainer’s life there Aboriginal mission managers in NSW. Indigenous veterans are still waiting is a single moment that they can Les and his family talk candidly about for the same level of recognition remember where the penny dropped his controversial past. From the and access to services that has about wanting to entertain others Message Stick series. been afforded to non-Indigenous for the rest of their lives. For Lillian Crombie this time was also the most SALES CONTACT servicemen and women. This ABC Content Sales situation is slowly changing with horrific moment in her life. We travel Australia the Department of Veterans’ Affairs back into Lillian’s past to discover the stories that she has only ever revealed PHONE +61-2 8333 1500 recently appointing Robert Nobel to her closest friends. We discover FAX +61-2 8333 3975 as its Indigenous Veterans’ Affairs [email protected] Policy Officer. Robert Noble is now where Lillian got her humour, her www.abccontentsales.com.au spearheading initiatives that will see innate sense of comedic timing and Indigenous veterans take their rightful the drama she has survived. From the place of pride. From the Message Message Stick series. Stick series. SALES CONTACT SALES CONTACT ABC Content Sales ABC Content Sales Australia Australia PHONE +61-2 8333 1500 PHONE +61-2 8333 1500 FAX +61-2 8333 3975 FAX +61-2 8333 3975 [email protected] [email protected] www.abccontentsales.com.au www.abccontentsales.com.au

THE BLACK LIST 109 Line in the Sand Living Answers Living Country (Palm Island) 2003 2006 2006 Digital Betacam Digital Betacam 26 min 26 min 23 min

PRODUCER Tanya Denning PRODUCER Tanya Denning EXEC PROD Jacqui North DIRECTOR Tanya Denning DIRECTOR Tanya Denning PRODUCER Jacqui North WRITER Tanya Denning WRITER Tanya Denning DIRECTOR David Tranter WRITER David Tranter CAST Its labels have included Devastated by a soaring rate of youth Steve McCormack, Allcoota ‘dysfunctional’ to ‘violent war zone’, yet suicide, the Indigenous people of Community more than 3,000 Indigenous people decided to act. For the first time Aboriginal, Torres Strait living in near poverty refuse to leave Traditional owners of the proposed Islander and South Sea Islander Palm Island and have instead united nuclear dump sites in Central people united, holding healing days in fights for justice and ultimately Australia show us what’s at stake if and youth activities to promote life. On a fight for their home. The death of the unthinkable happens. Mulrudji Doomadgee, nearly two years 2 June 2002, a massive crowd walked ago, marked the 147th black death in through the streets of Rockhampton SALES CONTACT custody since the handing down of the and into the city for a smoking CAAMA Productions Pty Ltd Royal Commission in 1990. It brought ceremony against suicide. It was an Australia Palm Island into the national and act of anger, sadness but mostly a PHONE +61-8 8951 9778 international spotlight, yet again. The ceremony to stop the deaths. From the FAX +61-8 8951 9717 world watched as an angry community Message Stick series. MOBILE +61-419 814 960 reacted to the suggestion the death [email protected] SALES CONTACT www.caama.com.au was accidental - they torched the ABC Content Sales police station and police residences. Australia DVD RELEASE What followed was a ‘terrorist’ style PHONE +61-2 8333 1500 CAAMA Australia operation where a ‘battalion’ of hooded FAX +61-2 8333 3975 police arrived in helicopters, to arrest [email protected] the rioters and ‘secure’ safety to the www.abccontentsales.com.au island. From the Message Stick series.

SALES CONTACT ABC Content Sales Australia PHONE +61-2 8333 1500 FAX +61-2 8333 3975 [email protected] www.abccontentsales.com.au

110 DOCUMENTARIES - LONG

Living Treasures Lloydies The Long Grassers 2003 2004 2005 Digital Betacam Digital Betacam Digital Betacam 26 min 27 min 26 min l PRODUCER Mark Bin Bakar PRODUCER Catriona McKenzie PRODUCER Penny Smallacombe DIRECTOR Mark Bin Bakar DIRECTOR Catriona McKenzie DIRECTOR Penny Smallacombe WRITER Penny Smallacombe Paul Sampi is an elder from One Arm Lloyd McDermott was the first Point, in the north-west Kimberley Aboriginal man to play international Darwin has one of the largest region of Western Australia. He rugby for Australia, but within a year populations of homeless Aboriginal is of the and is the it was all over when he refused to people in the country. They’re called Vice Chairperson of the Kimberley play in as an ‘honorary the ‘Long Grassers’, people who sleep Aboriginal Law and Cultural Centre. white’. Lloyd went on to become a under the stars either by choice or Paul is also involved in the running of successful barrister and founder of the circumstance. To the authorities in traditional ceremonies (singing and Lloyd McDermott Sports Foundation. Darwin, they’re a nuisance and a dancing). The Bardi people are of the This documentary is an intimate growing problem, so new laws have sea, and some dreaming tracks of the portrait of Lloyd and the foundation been introduced to deal with them. Bardi people extend out to sea with recipients, the ‘Lloydies’, as they This program examines homelessness ancestral beings embodied in the reefs travel to Thailand to compete on an from the Long Grassers’ perspective, and sandbanks. From the Message international stage. From the Message and those that try to help them. NB: Stick series. Stick series. This story was produced prior to the 2005 NT Government elections. From SALES CONTACT SALES CONTACT ABC Content Sales ABC Content Sales the Message Stick series. Australia Australia SALES CONTACT PHONE +61-2 8333 1500 PHONE +61-2 8333 1500 ABC Content Sales FAX +61-2 8333 3975 FAX +61-2 8333 3975 Australia [email protected] [email protected] PHONE +61-2 8333 1500 www.abccontentsales.com.au www.abccontentsales.com.au FAX +61-2 8333 3975 [email protected] www.abccontentsales.com.au

THE BLACK LIST 111 Long Shadows The Lore of Love The Lost Ones 2002 2005 2004 Digital Betacam Digital Betacam Digital Betacam 52 min 25 min 26.53 min

PRODUCER Melanie Coombs PRODUCER Citt Williams, Jacqui PRODUCER Julie Nimmo DIRECTOR Kate Hampel North DIRECTOR Julie Nimmo WRITER Melanie Coombs, Kate DIRECTOR Beck Cole Hampel WRITER Beck Cole Academic Henry Reynolds and DOP Allan Collins ACS DOP Warwick Thornton Queensland woman Bron Nurdin have never met, but they’re on the same journey. Both are trying to trace their LONG SHADOWS examines the Jessi Bartlett is an Aboriginal girl Aboriginal heritage, their families and implications of caring for ageing on the brink of womanhood. Her where they belong. Until they find survivors of the Holocaust. Pintubi grandmothers take her on it... they are the Lost Ones. From the an incredible journey back to their SALES CONTACT Message Stick series. homelands where they teach her Melodrama Pictures Pty Ltd about the lore of love: traditional way. Australia SALES CONTACT ABC Content Sales PHONE +61-3 9416 3566 SALES CONTACT Australia FAX +61-3 9417 7336 CAAMA Productions Pty Ltd PHONE +61-2 8333 1500 [email protected] Australia FAX +61-2 8333 3975 www.melodramapictures.com PHONE +61-8 8951 9778 [email protected] FAX +61-8 8951 9717 www.abccontentsales.com.au DVD RELEASE MOBILE +61-419 814 960 Ronin Australia [email protected] www.caama.com.au

DVD RELEASE CAAMA Australia

112 DOCUMENTARIES - LONG

Lousy Little Sixpence Macumba Revisited Mad Morro 1983 2003 2008 16mm Digital Betacam Digital Betacam 54 min 26 min 50 min l-m EXEC PROD Lester Bostock PRODUCER Catriona McKenzie PRODUCER Tom Zubrycki PRODUCER Gerry Bostock, Alec DIRECTOR Catriona McKenzie DIRECTOR Kelrick Martin Morgan WRITER Catriona McKenzie WRITER Kelrick Martin DIRECTOR Alec Morgan CAST Chicka Dixon (Narrator) John Macumba was born with The story of a 30-year-old Aboriginal , in the remote central man, James Morris, from in Through archival film footage, desert of the Pitjanjatjara Lands, and northern NSW and a blow-by-blow photographs and interviews with five later fostered to a white family in account of what happens to him after Aboriginal elders, LOUSY LITTLE Adelaide where his foster father was his release from jail having served a SIXPENCE presents a moving a highly principled man from whom 13-year sentence. This is a powerful, account of Aborigines’ oppression and Macumba learnt to persevere against confronting and dramatic story about resistance. It shows how Aboriginal the odds. As a man, John returned to familial love and bonding, and how the people forced the State Government the desert and went through initiation effect of prison can either reinforce or to change its policy, and how the before moving to Alice Springs break apart that relationship. where he founded the first Aboriginal foundations for today’s Aboriginal SALES CONTACT media organisation CAAMA. He now organisations were laid. Tom Zubrycki runs his own production company Australia SALES CONTACT Macumba Media, and has an MA PHONE +61-2 9569 9653 Ronin Films in Communications. A charismatic FAX +61-2 9569 9653 Australia character with a razor wit and a MOBILE +61-414 683 231 Mad Morro PHONE +61-2 6248 0851 winning smile, John is a natural leader [email protected] FAX +61-2 6249 1640 and born raconteur. From the Message www.tomzubrycki.com orders@roninfilms.com.au Stick series. www.roninfilms.com.au SALES CONTACT DVD RELEASE DVD RELEASE ABC Content Sales Ronin Australia Ronin Australia Australia PHONE +61-2 8333 1500 FAX +61-2 8333 3975 [email protected] www.abccontentsales.com.au

THE BLACK LIST 113 Makin’ Tracks Making a Mark Making Samson 1994 2004 & Delilah 16mm Digital Betacam 2009 58 min 26 min Digital Betacam/HD 55 min EXEC PROD Mary Graham DIRECTOR Julie Nimmo PRODUCER Christine Peacock PRODUCER Kath Shelper, Beck DIRECTOR Carl Fisher, Christine Linda Burney is the first Indigenous Cole Peacock member of the NSW Parliament. DIRECTOR Beck Cole For Linda, this is the realisation of WRITER Carl Fisher, Christine WRITER Beck Cole Peacock a life-long ambition and a natural vocation progression. Linda Burney’s DOP Beck Cole entry into politics has been honed by CAST Rowan McNamara, Marissa MAKIN’ TRACKS will interest a newly the roles she’s taken on during her Gibson aware and sensitive audience. It is career as educator, campaigner, board the result of the continued cohesion member, director, president - and her A warm and affectionate behind-the- of Indigenous peoples despite commitment to her family, friends scenes look at the making of Warwick the colonial domination which has and to community activities. From the Thornton’s hit feature film ‘Samson Marissa Gibson, Warwick Thornton and disrupted laws, languages and cultural Message Stick series. and Delilah’. Rowan McNamara on the set of Samson expressions. Here is the crystallisation & Delilah of Aboriginal consciousness producing SALES CONTACT SALES CONTACT an informed record of their political ABC Content Sales Scarlett Pictures P/L concerns in Australia, Canada, South Australia Australia and Central America and the PHONE +61-2 8333 1500 PHONE +61-2 9319 6133 United Kingdom. FAX +61-2 8333 3975 MOBILE +61-417 242 320 [email protected] [email protected] SALES CONTACT www.abccontentsales.com.au www.scarlettpictures.com.au Uniikup Productions Australia PHONE +61-7 3834 3229 FAX +61-7 3864 3975 MOBILE +61-407 379 822 [email protected] www.colourise.com.au

114 DOCUMENTARIES - LONG

Malangi Malaytown Stories Many Nations, 1991 2006 One People 16mm DVD 1998 29 min 27 min Digital Betacam m 8 x 15 min EXEC PROD Vaughan Hinton EXEC PROD Felecia Watkin Lui PRODUCER Michael Riley PRODUCER Lenora Thaker EXEC PROD David Jowsey DIRECTOR Michael Riley DIRECTOR Douglas Watkin DIRECTOR Beck Cole, Cathy WRITER Michael Riley WRITER Felecia Watkin Lui, Eatock Lenora Thaker WRITER Beck Cole, Cathy Eatock Looks at one of Australia’s most CAST Lenora Thaker, Edward CAST Michelle Tuahine (Narrator) celebrated traditional artists whose Watkin, Frederick Watkin, Lala work has been exhibited in galleries Nicol, Louisa Tim, Gladys An introduction to Aboriginal Australia and collected privately throughout the BinGarape, Dorothy Guivarra for school students aged 10 to world. Part of Blackout series. 14 years. SALES CONTACT By the 1920s, Cairns’ Malaytown ABC Content Sales SALES CONTACT became home to one of the first waves ABC Content Sales Australia of Torres Strait Islander families to Australia PHONE +61-2 8333 1500 settle on mainland Australia. Close PHONE +61-2 8333 1500 FAX +61-2 8333 3975 to the sea, Malaytown enabled FAX +61-2 8333 3975 [email protected] Islander families to replicate as [email protected] www.abccontentsales.com.au many of their cultural traditions as www.abccontentsales.com.au possible, providing a place of social and economic support within a predominantly white population. In the tradition of family oral histories, MALAYTOWN STORIES features interviews with six former Malaytown residents and descendants.

SALES CONTACT Double Wire Productions Australia FAX +61-7 4033 1100 MOBILE +61-410 326 562 [email protected] www.doublewire.com.au

THE BLACK LIST 115 Many Tongues, Marjorie Woodrow Marluku Wirlinyi: The One Voice 2004 Kangaroo Hunters 2009 Digital Betacam 1999 26 min Digital Betacam Digital Betacam 26 min 26 min DIRECTOR Penny Smallacombe PRODUCER Grant Leigh Saunders EXEC PROD Rachel Perkins DIRECTOR Grant Leigh Saunders At 78 years, Marjorie Woodrow is a PRODUCER John Janson-Moore WRITER Grant Leigh Saunders bright, intelligent, articulate, warm DIRECTOR Timothy Japangardi woman who many years ago, promised Marshall, Craig Japangardi Williams her old mates that she would ‘fight on In the first years of settlement in for our wages’. She has become one WRITER Timothy Japangardi Australia there were more than 250 of the predominant figures involved in Marshall, John Janson-Moore, Craig recorded Indigenous languages. the NSW stolen wages claim. From the Japangardi Williams In just 220 years, that figure has Message Stick series. DOP Warwick Thornton dropped dramatically and only nine CAST Paddy Japananga Lewis, Tiger languages are considered safe with SALES CONTACT 20-30 languages at various levels of ABC Content Sales Japawarri Morris, Banjo Jungarrayi endangerment. This story looks at Australia Tex, Mosquito Jungarrayi Morris, how communities are retrieving their PHONE +61-2 8333 1500 Duncan Jangala Gallagher, Harry dormant languages from historic FAX +61-2 8333 3975 Jakamarra Nelson (Narrator) books and journals and early film and [email protected] audio recordings, and maintaining www.abccontentsales.com.au MARLUKU WIRLINYI is a tale of those languages through promoting kangaroo hunting that weaves its way and teaching not only Aboriginal youth through Dreamtime, to the present and but all Australians. From the Message back again. A group of old Warlpiri men Stick series. transport us back to a time of rarely SALES CONTACT heard history and we follow their journey ABC Content Sales into the present. Songs, stories and dance Australia relate the importance of the past to the PHONE +61-2 8333 1500 present. Old meets new, youth meets FAX +61-2 8333 3975 the elderly, traditional hunting meets the [email protected] modern world. www.abccontentsales.com.au SALES CONTACT John Janson-Moore Australia PHONE +61-2 9518 3994 FAX +61-2 9518 3994 MOBILE +61-410 583 020 [email protected]

116 DOCUMENTARIES - LONG

Marn Grook: Matthew Doyle Me and You Football Dreaming 2006 2002 1996 Digital Betacam Digital Betacam 23 min 26 min Betacam m 52 min PRODUCER Kelrick Martin EXEC PROD Cathy Eatock EXEC PROD David Jowsey DIRECTOR Kelrick Martin PRODUCER Dot West PRODUCER Shane Mulcahy DIRECTOR Mark Bin Bakar DIRECTOR Steven McGregor Matthew Doyle is a musician, dancer, DOP Murray Lui WRITER Steven McGregor, Shane man of culture, yet he grew up in CAST Frank Shoveller, Leanna Mulcahy the city not even knowing he was Shoveller Aboriginal. This is his story. From the DOP Warwick Thornton Message Stick series. CAST , Sid Jackson, Frank Shoveller has been teaching Michael Long SALES CONTACT his daughter, Leanna, music since ABC Content Sales she was very young. The father and Australia daughter team demonstrate their Using the vehicle of the Australian PHONE +61-2 8333 1500 special relationship as Frank guides his Football League and the history of FAX +61-2 8333 3975 daughter into the world of adulthood Aboriginal stars past and present, [email protected] and the music industry while holding this documentary examines the www.abccontentsales.com.au firmly to traditional and contributions Aboriginal players have cultural values. made to Aussie Rules, Australia’s national game. SALES CONTACT Goolarri Media Enterprises SALES CONTACT Australia Ronin Films PHONE +61-8 9192 1325 Australia FAX +61-8 9193 6407 PHONE +61-2 6248 0851 [email protected] FAX +61-2 6249 1640 www.gme.com.au orders@roninfilms.com.au www.roninfilms.com.au DVD RELEASE Ronin Australia DVD RELEASE CAAMA Australia

THE BLACK LIST 117 Media Nomads: The Meeting Ms Right Memories of Iwany Thaiday Brothers 2009 2002 2001 Digital Betacam Digital Betacam 26 min 26 min Digital Betacam 26 min PRODUCER Pauline Clague EXEC PROD Priscilla Collins EXEC PROD Mark Hamlyn, John DIRECTOR Pauline Clague DIRECTOR Mitch (Michelle) Torres Macumba WRITER Pauline Clague PRODUCER Rod Freedman CAST Anita Heiss It has been 30 years since Patsy Ah DIRECTOR Donna Ives Choo has seen her island home. Born on Sunday Island (Iwany) in 1922, WRITER Donna Ives MEETING MS RIGHT is a whirlwind Patsy has recently been drawn by CAST Bill Thaiday, Mick Thaiday day-in-the-life expose of Dr Anita Heiss. She’s fabulous, she’s glamorous a strong desire to go home and say and she knows how to match her wit goodbye to the island that was home Bill and Mick Thaiday are Media and intellect with her designer shoes. to many Bardi and like Nomads, setting up Indigenous radio When she’s not too busy putting her. Patsy relives poignant moments stations in remote areas of Australia. together groundbreaking works such as she walks over places with sounds and smells of a time long ago. SALES CONTACT as the ‘Macquarie Pen Anthology of Screen Australia Aboriginal Literature’ and churning out SALES CONTACT Australia best-selling novels, Anita likes to head CAAMA Productions Pty Ltd PHONE +61-2 8113 5800 back home to Matraville, in Sydney’s Australia FAX +61-2 9357 3737 South, with her family and friends. PHONE +61-8 8951 9778 [email protected] From the Message Stick series. FAX +61-8 8951 9717 www.screenaustralia.gov.au SALES CONTACT MOBILE +61-419 814 960 ABC Content Sales [email protected] Australia www.caama.com.au PHONE +61-2 8333 1500 FAX +61-2 8333 3975 [email protected] www.abccontentsales.com.au

Indigenous Australians in key creative roles (producer, director, writer or DOP) are credited in italics.

118 DOCUMENTARIES - LONG

Men’s Business Men’s Gathering Mental Illness 2007 2007 2000 Digital Betacam Digital Betacam Digital Betacam 27 min 26 min 30 min m PRODUCER Adrian Wills PRODUCER Ivan Sen PRODUCER Lorna O’Shane DIRECTOR Adrian Wills DIRECTOR Ivan Sen DIRECTOR Lorna O’Shane WRITER Lorna O’Shane Recently in the media we have seen In late 2006, the Central Coast a political debate rage in regards to and western Sydney Aboriginal We speak with Robert, a young sexual abuse and domestic violence Men’s Groups hosted the Aboriginal Indigenous man from the Atherton within Aboriginal communities. Men’s Sharing and Learning Circle Tablelands region in north Queensland Many members of the Aboriginal at Camp Wollombi. Aboriginal men and witness his struggle to community felt that the portrayal by from throughout NSW were invited overcome the debilitating effects of the mainstream of Aboriginal men and to attend and participate in this schizophrenia. Part of ICAM series. their communities was sensational, important event, which considered and not entirely truthful. MEN’S many of the issues and challenges SALES CONTACT BUSINESS is a confronting episode confronting Aboriginal men today. SBS Content Sales where we ask a group of Aboriginal From the Message Stick series. Australia men to respond to the issues raised PHONE +61-2 9430 3975 SALES CONTACT within the mainstream media, and the FAX +61-2 9430 2882 ABC Content Sales result is a very moving and emotional [email protected] Australia story. From the Message Stick series. www.sbs.com.au/contentsales PHONE +61-2 8333 1500 SALES CONTACT FAX +61-2 8333 3975 ABC Content Sales [email protected] Australia www.abccontentsales.com.au PHONE +61-2 8333 1500 FAX +61-2 8333 3975 [email protected] www.abccontentsales.com.au

THE BLACK LIST 119 Merrepen Milerum: Milli Milli 2005 Whose Story? 1992 Digital Betacam 1997 16mm 23 min 53 min Digital Betacam 27.5 min PRODUCER Robyn Regattieri, EXEC PROD Harry Bardwell Rachel Clements EXEC PROD David Jowsey, Rachel PRODUCER Wayne Barker, Paul DIRECTOR Steven McGregor Perkins Roberts WRITER Steven McGregor PRODUCER Scott McDonald DIRECTOR Wayne Barker DOP Colin Richards DIRECTOR Robert Crompton- WRITER Wayne Barker CAST Marrfurra and other ladies Wuldi from Naviya Community on the WRITER Robert Crompton-Wuldi MILLI MILLI tells the story of the Daly River DOP Allan Collins ACS Kimberley people from their point of view. Using the Kimberley people’s CAST Robert Crompton traditions of storytelling, painting, The Merrepen palm tree is a life dancing and taking into account source for people of the Daly River Milerum, an initiated man of the Aboriginal law and culture, the film region. Narrated by Marrfurra, a local Coorong, recorded significant details of records a cultural revival from within. Aboriginal woman, this documentary the Tanganrkuld culture. His material takes a simple but strong look into the is now stored in the South Australian SALES CONTACT future of Indigenous arts and culture. Museum. The question is: whose story Ronin Films Australia SALES CONTACT is it? PHONE +61-2 6248 0851 CAAMA Productions Pty Ltd SALES CONTACT FAX +61-2 6249 1640 Australia Scott McDonald orders@roninfilms.com.au PHONE +61-8 8951 9778 Australia www.roninfilms.com.au FAX +61-8 8951 9717 PHONE +61-8 8370 9991 MOBILE +61-419 814 960 MOBILE +61-418 818 373 [email protected] DVD RELEASE [email protected] www.caama.com.au Ronin Australia DVD RELEASE DVD RELEASE Ronin Australia CAAMA Australia

120 DOCUMENTARIES - LONG

Milli Milli Nganka Minyma Kutjarra Minymaku Way 2009 Tjukurrpa 2001 Digital Betacam 1999 Digital Betacam 6 x 26 min 52 min Betacam m 27 min EXEC PROD Eileen Torres EXEC PROD Priscilla Collins PRODUCER Eileen Torres EXEC PROD Rachel Perkins PRODUCER Priscilla Collins DIRECTOR Mitch (Michelle) Torres PRODUCER Noeli Roberts DIRECTOR Erica Glynn WRITER Mitch (Michelle) Torres DIRECTOR Belle Davidson WRITER Kate Gillick DOP Cornel Ozies, Jeff Skinner, WRITER Noeli Roberts, Belle CAST Maggie Kavanagh, Tjikalyi Paul Bell Davidson Collins CAST Mitch Torres (Narrator) The ‘Minyma Kutjarra Tjukurrpa’ is The Sydney 2000 Olympics Opening From seaside to the river lands, desert an important dreaming story for the Ceremony was honoured by a group to the tablelands and everywhere in people in the Western of Indigenous women from a remote between, MILLI MILLI NGANKA is Desert of Western Australia. This film region of Australia who performed a celebration of Kimberley Indigenous is a groundbreaking re-enactment in front of a mesmerised audience. characters and storytellers, young of the story made by the traditional These are the women of MINYMAKU and old. This series shows how we custodians. WAY. The film illuminates the special Indigenous people live our lives, ‘malpa’ (working relationship in historically and in contemporary SALES CONTACT Pitjantjatjara) between Indigenous times. Through sharing of personal Ngaanyatjarra Media and non-Indigenous women, as they stories: art, cultural festivals, books, Australia deal with complex social problems in achievements in sport, education and PHONE +61-8 8956 7307 a time of immense cultural change for industry, Indigenous people can share FAX +61-8 8956 7182 Anangu (Indigenous) people. with Australia their histories, hopes, [email protected] www.waru.org/ngmedia SALES CONTACT dreams and aspirations for a better CAAMA Productions Pty Ltd tomorrow with a voice that has a right Australia to be heard. PHONE +61-8 8951 9778 SALES CONTACT FAX +61-8 8951 9717 Wawili Pitjas Pty Ltd MOBILE +61-419 814 960 Australia [email protected] PHONE +61-8 9192 8588 www.caama.com.au FAX +61-8 9192 8688 [email protected]

THE BLACK LIST 121 Missing in Alice Mistake Creek: More Than Legends 1999 Steven Craig 1994 Digital Betacam 2001 1” Video 30 min 55 min Digital Betacam 26 min EXEC PROD David Jowsey EXEC PROD Vaughan Hinton PRODUCER Beck Cole EXEC PROD Mark Hamlyn PRODUCER Keith Salvat DIRECTOR Beck Cole PRODUCER Priscilla Collins DIRECTOR Paul Fenech WRITER Beck Cole DIRECTOR Allan Collins ACS WRITER Paul Fenech WRITER Mitch (Michelle) Torres CAST Bob Maza (Narrator), Doug MISSING IN ALICE explores the DOP Allan Collins ACS Abbott, Trevor Walley issues facing Aboriginal youth in Alice CAST Steven Craig Springs. The film looks at the influx MORE THAN LEGENDS examines of youth suicide amongst Aboriginal traditional beliefs about the Mistake Creek At Mistake Creek, Steven Craig and youth, petrol sniffing and alcoholism, Dreaming in three different Aboriginal his wife Jo-Anne have together built a and the heartbreaking work of the communities in Nyungar (WA), Arrente highly successful cattle station and a community’s Aboriginal youth workers. (NT) and Tiwi Islands (NT). Using strong family life they wouldn’t change interviews, landscape, documentary SALES CONTACT for anything. ABC Content Sales and animation, we learn about the Australia SALES CONTACT creation dreamings and their place in PHONE +61-2 8333 1500 Screen Australia modern Australia. Australia FAX +61-2 8333 3975 SALES CONTACT PHONE +61-2 8113 5800 [email protected] Aboriginal Nations FAX +61-2 9357 3737 www.abccontentsales.com.au Australia [email protected] PHONE +61-2 8353 3610 www.screenaustralia.gov.au FAX +61-2 8353 3611 [email protected] www.ablnat.com.au

122 DOCUMENTARIES - LONG

Mparntwe Mr Patterns Munda Nyringu Sacred Sites 2004 1983 2004 Digital Betacam VHS 56 min 45 min Digital Betacam m 23 min EXEC PROD Penny Robins, David PRODUCER Robert Bropho, Jan EXEC PROD Citt Williams Jowsey Roberts PRODUCER Rachel Clements PRODUCER Nic Testoni, Jo Plomley, DIRECTOR Robert Bropho, Jan DIRECTOR Danielle MacLean Megan McMurchy Roberts WRITER Danielle MacLean DIRECTOR Catriona McKenzie DOP Martha Ansara DOP Warwick Thornton WRITER Nic Testoni, Jo Plomley CAST Max Stuart DOP Kim Batterham, Allan Collins ACS ‘He’s taken the land. He believes it is his. He won’t give it back.’ A documentary about the impact of the The battle for Native Title (handing In the 1970s in Australia’s Western Kalgoorlie gold rush on the Aboriginal back of land to traditional owners) Desert, a teacher named Geoff Bardon people in the region. Aboriginal fringe has been won. Arrente people have helped start one of the most significant dwellers of the goldfields of Western been recognised as Mparntwe’s art movements of the 20th century. Australia tell their own story of what (Alice Springs) first inhabitants. The Working with the Aboriginal community happened to their people when they proof of continued occupation rested at Papunya, he encouraged the people were invaded by tens of thousands with their sacred sites, which are to paint their traditional dot designs of miners in the great Kalgoorlie gold still under threat. This documentary using Western materials. Bardon rush of the 1890s. The film shows explores the continuous struggle by also encouraged the artists to value the conditions of the survivors living Central Australia’s Arrente people to their work commercially as well as in horrific poverty next to flourishing maintain the sacred sites and stop spiritually, believing that by selling gold and nickel mines and uranium the expansion of Alice Springs from paintings the people could become developments, and of the Maralinga swallowing them up. independent of welfare as well as bring Indigenous art to the attention of the tests and those who died there, as the SALES CONTACT wider community. victims to British bombs and CAAMA Productions Pty Ltd official neglect. Australia SALES CONTACT SALES CONTACTS PHONE +61-8 8951 9778 Screen Australia Robert Bropho FAX +61-8 8951 9717 Australia Australia MOBILE +61-419 814 960 PHONE +61-2 8113 5800 Jan Roberts [email protected] FAX +61-2 9357 3737 Australia www.caama.com.au [email protected] www.screenaustralia.gov.au

DVD RELEASE Screen Australia Australia

THE BLACK LIST 123 Murray, Life and Death Museum of the World My Brother Vinnie 2006 2008 2006 Digital Betacam Australia/France Digital Betacam 26 min Co-Production 26 min Digital Betacam EXEC PROD David Jowsey 2 x 52 min PRODUCER Sarah Bond PRODUCER Miriam Corowa DIRECTOR Steven McGregor DIRECTOR Miriam Corowa PRODUCER Chris Hilton WRITER Aaron Pedersen WRITER Miriam Corowa DIRECTOR Julie Nimmo, Michel DOP Warwick Thornton Viotte CAST Aaron Pedersen, Vinnie An investigative film on the views of WRITER Michel Viotte, Amy Pedersen the traditional owners who share the Frasca My Brother Vinnie mighty Murray River and the influence Photographer: Ian McPherson DOP Joel Labat Aaron and Vinnie Pedersen are two they have on the river’s future. brothers who have been each other’s shadow. Aaron has established a SALES CONTACT In June 2006 in Paris, French successful career as an actor, all the ABC Content Sales President Jacques Chirac opened the while being responsible for the care Australia world’s first museum to acknowledge of Vinnie, who has mild intellectual PHONE +61-2 8333 1500 the inherent artistic value of disabilities and cerebral palsy. MY FAX +61-2 8333 3975 Indigenous art. Australian Aboriginal BROTHER VINNIE intimately [email protected] artists and curators have travelled to explores a relationship full of humour www.abccontentsales.com.au Paris to collaborate in the design of and charm. The characters will touch the museum. you with their wit and honesty. SALES CONTACT SALES CONTACT Essential Media and Entertainment Black Ruby Productions Pty Ltd Australia Australia PHONE +61-2 8568 3100 PHONE +61-3 9830 6449 FAX +61-2 9519 2326 FAX +61-3 9830 6449 [email protected] MOBILE +61-402 626 932 www.essential-media.com [email protected] DVD RELEASE Marcom Australia

124 DOCUMENTARIES - LONG

My Country My Country My Life as I Live It 1994 2001 1993 1” Video Digital Betacam Betacam 58 min 55 min 55 min m EXEC PROD Alan Bookbinder, EXEC PROD Nicole Ma EXEC PROD Rachel Perkins Dione Gilmour, Bob Plasto PRODUCER Penny McDonald PRODUCER Essie Coffey, Martha PRODUCER Ruth Berry, Bob Plasto DIRECTOR Warwick Thornton Ansara DIRECTOR Bob Plasto WRITER Penny McDonald, Michael DIRECTOR Essie Coffey, Martha WRITER John Cribbin, Bob Plasto Riley Ansara, Kit Guyatt DOP Murray Lui WRITER Martha Ansara, Essie MY COUNTRY is a frieze that presents Coffey White Australia is to formally meet a poetic visual and aural statement Black Australia and confront a across 11 screens overhanging the An update on Essie Coffey’s earlier dramatic force for change. Both sides Gallery of the First Australians. It film ‘My Survival as an Aboriginal’, have been asked for a measure of will be an affirmation and celebration made in 1978. It incorporates some of agreement and harmony not achieved of the daily lives of a variety of the 1978 footage and characters from since Britain raised her flag on this Indigenous Australians from all over the earlier film, showing how life has continent 200 years ago. The program our vast country. changed for the Aboriginal community proposes a story that examines black SALES CONTACT of Brewarrina, in far north-west NSW. and white, close at hand, unfolding on National Museum of Australia SALES CONTACT the great cattle stations of the world Australia in and around Alice Springs and on Jequerity Pty Ltd PHONE +61-2 6208 5000 the beautiful lands of Alcheringa, the Australia FAX +61-2 6208 5099 Aboriginal Lands of Eternity. [email protected] SALES CONTACT www.nma.gov.au Screen Australia Australia PHONE +61-2 8113 5800 FAX +61-2 9357 3737 [email protected] www.screenaustralia.gov.au

THE BLACK LIST 125 My Mother India My Survival as Native Title: 2001 an Aboriginal Return to Ugar Digital Betacam 1978 2001 52 min 16mm/DVD/VHS Digital Betacam 49 min 30 min PRODUCER Penny McDonald DIRECTOR Safina Uberoi PRODUCER Martha Ansara, Essie PRODUCER Llew Cleaver WRITER Safina Uberoi Coffey, Alec Morgan DIRECTOR Llew Cleaver DOP Warwick Thornton DIRECTOR Essie Coffey WRITER Llew Cleaver CAST Safina Uberoi and family WRITER Essie Coffey DOP Martha Ansara Ugar is one of the smallest inhabited MY MOTHER INDIA is a young islands of the Torres Strait. woman’s journey of cultural In MY SURVIVAL AS AN The documentary looks at the exploration and reconciliation within ABORIGINAL, Essie Coffey, an circumstances of the Kennell family her family. The story travels between inaugural member of the Council for who had left their island during the cultures and two continents as she Aboriginal Reconciliation, brings to life mid-1950s after a collapse in the comes to understand the different the realities of living in an Aboriginal local Trochus Shell industry. Now that heritages she has inherited through community in the far north-west of Native Title is being established in the her matriarchal forebears; her Indian NSW in the late 1970s. Many of the Torres Strait, they have rallied their ‘Biji’ and her Australian grandmother. issues remain important today: land, family, spanning four generations, to reclaim their land on the island and My Mother India SALES CONTACT dispossession, identity and pride. TVF International An international award-winning and fulfilling the wishes of their elders to United Kingdom historically significant film, it was return to their island home before they die. Part of ICAM series. PHONE +44-20 7837 3000 the first documentary directed by an FAX +44-20 7278 8833 Indigenous woman and one of the SALES CONTACT [email protected] first independent documentaries to be Llew Cleaver www.tvfinternational.com broadcast by the ABC. Australia SALES CONTACT PHONE +61-7 5532 1707 DVD RELEASE Ballad Films [email protected] Ronin Australia Australia www.spearheadsurrealproductions. PHONE +61-2 9573 1886 com [email protected] www.balladfilms.com.au

126 DOCUMENTARIES - LONG

Nest The Ngallak Koort Nganampa 2001 Boodja Project Anwernekenhe DVC Pro 50 2006 2010 7 x 26 min DV/Mini DV/DVD DVD/Digital Betacam/1” Video/VHS m-n 50 min 196 x 25 min EXEC PROD Anne Basser, Margaret Murphy EXEC PROD Glen Stasiuk This series involved many producers, Nganampa Anwernekenhe credits PRODUCER Julie Nimmo, Andrew PRODUCER Glen Stasiuk directors, writers and DOPs. See credits at right for those that we have been able PRODUCER Beck Cole, Priscilla Collins, Urban, Gerri Williams DIRECTOR Glen Stasiuk DIRECTOR Kaily Koutsogiannis, to identify. Erica Glynn, Danielle MacLean, Steven WRITER Glen Stasiuk, Rob Kerr, McGregor, Trisha Morton-Thomas, Julie Nimmo, Gerri Williams Ashley Sillifant Nganampa Anwernekenhe means ‘ours’ in Rachel Perkins, Rosalie Riley, Brian DOP Glen Stasiuk, Damian Fasolo the Pitjantjatjara and Arrernte languages. Scarce, Eileen Torres The ‘inside story’ of people and CAST Noongar Community, Carol This is an Aboriginal produced series of DIRECTOR Allan Collins ACS, Dena their homes. Most of us have a Innes (Narrator), Lance Chadd, programs helping to maintain Aboriginal Curtis, Sonja Dare, Erica Glynn, Vance natural curiosity which drives us to Shane Pickett language and culture through the art, Glynn, Danielle MacLean, Steven examine how strangers live, even if music, stories and dances of the original McGregor, Trisha Morton-Thomas, we don’t have a particular interest in inhabitants of this land. Rachel Perkins, Jason Ramp, Walter architecture or interior design. We are A celebration of Noongar Country Saunders, Warwick Thornton, Mitch also capable of vicariously enjoying and culture within the UWA Perth www.caama.com.au/category/ (Michelle) Torres, David Tranter other people’s excesses or mistakes, International Arts Festival. productions/nganampa-anwernekenhe WRITER Beck Cole, Allan Collins ACS, or the sheer daring and lunacy of www.kulbardiproductions.com.au SALES CONTACT Dena Curtis, Sonja Dare, Erica Glynn, their ‘nests’. This program reveals CAAMA Productions Pty Ltd Danielle MacLean, Steven McGregor, how people from various walks of life SALES CONTACT Trisha Morton-Thomas, Robyn Nardoo, Kulbardi Productions Australia feather their nests. Warwick Thornton, Mitch (Michelle) Australia PHONE +61-8 8951 9778 Torres, David Tranter SALES CONTACT PHONE +61-8 9360 6468 FAX +61-8 8951 9717 DOP Allan Collins ACS, Warwick SBS Content Sales FAX +61-8 9360 6493 MOBILE +61-419 814 960 Thornton, Jason Ramp, Vance Glynn, Australia [email protected] [email protected] Colin Richards, Robyn Nardoo PHONE +61-2 9430 3975 www.kulbardiproductions.com.au www.caama.com.au FAX +61-2 9430 2882 [email protected] www.sbs.com.au/contentsales

THE BLACK LIST 127 Ngangkari Nigger Lovers Night 2002 2007 2007 Betacam Digital Betacam/HD/HDV/DV/Mini DV/ 35mm 26 min DVD/VHS 82 min 26 min PRODUCER Will Rogers PRODUCER Lizzette Atkins, DIRECTOR Erica Glynn PRODUCER Daryl Sparkes, Lawrence Johnston WRITER Erica Glynn Stephen Hagan DIRECTOR Lawrence Johnston DOP Warwick Thornton DIRECTOR Rhonda Hagan WRITER Lawrence Johnston WRITER Stephen Hagan, Daryl DOP Laurie McInnes Ngangkari Way is so important to Sparkes Anangu. It is a stark contrast to the NIGHT is a cinematic feature Western world’s approach to medicine NIGGER LOVERS documents one documentary that explores the and the Ngangkari Way certainly man’s fight against racism and universal nature of night and how Ngangkari shines through. This film will highlight prejudice, which he encounters when we experience it. NIGHT captures that from the beginning, through he tries to have a sign with the word the mystery, mood and magic of Aboriginal law and culture, Ngangkari ‘Nigger’ on it removed from the the night and weaves these images Way is determined and sustained. sporting field of Australia’s largest into a lush and dramatic symphonic score. Voices from all walks of life tell SALES CONTACT inland city, , Queensland. stories of their ‘affair’ with the night; Pitjantjatjara/Yankunytjatjara Media SALES CONTACT Australia the pleasure and the pain, reality ABC Content Sales and fantasy, at work and at leisure, PHONE +61-8 8950 5440 Australia past and present and shows how the Evonne Goolagong Cawley in Nigger Lovers FAX +61-8 8952 6925 PHONE +61-2 8333 1500 darkness of the night affects us all. [email protected] FAX +61-2 8333 3975 www.pymedia.waru.org [email protected] SALES CONTACT www.abccontentsales.com.au Becker International UK DVD RELEASE United Kingdom Ronin Australia PHONE +44-771 7176092 [email protected] www.beckerentertainment.com.au

128 DOCUMENTARIES - LONG

Night Patrol No Fixed Address No More Nightmares 1997 2002 1994 Digital Betacam Digital Betacam Betacam 27.5 min 30 min 33 min n EXEC PROD Rachel Perkins PRODUCER Julie Nimmo PRODUCER Donna Ives, Christine PRODUCER Tom Kantor DIRECTOR Julie Nimmo Togo DIRECTOR Pat Fiske, Valerie WRITER Julie Nimmo DIRECTOR Christine Togo Martin WRITER Christine Togo WRITER Pat Fiske A special report on the plight of DOP John Witteron, John Sydney’s Indigenous youth. The area A documentary about domestic Whitteron in question is Redfern and Waterloo, violence within Aboriginal and Torres about 5 km from Sydney’s CBD. Strait Islander communities. Altercations between youth and The story of the heroic struggle of the police have been reported as well as SALES CONTACT all female night patrol at Yuendumn in incidents of youth rioting and hurling Townsville Aboriginal and Islander the Tanami desert. bricks at passing vehicles. Tougher Media Australia SALES CONTACT law and order were recommended PHONE +61-7 4772 5466 Ronin Films for the area, however, what was left FAX +61-7 4772 7294 Australia unexamined was the predicament that [email protected] PHONE +61-2 6248 0851 most of these children are coming FAX +61-2 6249 1640 from. Part of ICAM series. orders@roninfilms.com.au SALES CONTACT www.roninfilms.com.au Night SBS News and Current Affairs Content Sales DVD RELEASE Australia Ronin Australia PHONE +61-2 9430 2828 FAX +61-2 9430 3040 [email protected] www.sbs.com.au/contentsales

THE BLACK LIST 129 Norforce NSW Aboriginal Rugby Nyawa Kulila Wangka 2003 League Knockout (Look, Listen, Speak) Digital Betacam 2001 1997 26 min Digital Betacam Digital Betacam 30 min 28 min PRODUCER Penny Smallacombe DIRECTOR Penny Smallacombe PRODUCER Kris Flanders EXEC PROD David Jowsey, Rachel WRITER Penny Smallacombe DIRECTOR Kris Flanders Perkins WRITER Kris Flanders PRODUCER Neil Turner Norforce, in Australia’s Top End, is an DIRECTOR Keith Lethbridge important military unit with a history The Labor Day long weekend is WRITER Keith Lethbridge that spans as far back as 1942. Today, traditionally a time when Aboriginal CAST Keith Lethbridge (Principal over half the soldiers are Aboriginal Rugby League teams from across and their communities consider them Artist/Narrator), NSW get together to take part in as protectors of Aboriginal land. From Kimberley BRACS operators and what is known as ‘The Knockout’. the Message Stick series. community members Always hosted by the previous year’s SALES CONTACT winner, teams gather in a rugby ABC Content Sales league competition which sees teams This documentary looks at BRACS, the Australia knocked out one by one until it comes Broadcasting for Remote Aboriginal PHONE +61-2 8333 1500 down to two teams. However, a split Communities Scheme. It follows the FAX +61-2 8333 3975 has occurred in the organisation of Jigalong BRACS operator, Keith (Joog) [email protected] ‘The Knockout’, and this year will see Lethbridge on his travels across the www.abccontentsales.com.au the running of two competitions. Part vast Pilbara and Kimberley of Western of ICAM series. Australia. On the way it reveals the extent of Indigenous broadcasting SALES CONTACT throughout the region and the use of SBS News and Current Affairs local media by remote communities to Content Sales tell their stories and keep their Australia culture strong. PHONE +61-2 9430 2828 FAX +61-2 9430 3040 SALES CONTACT [email protected] Pilbara and Kimberley Aboriginal www.sbs.com.au/contentsales Media Australia PHONE +61-8 9192 1325 FAX +61-8 9192 2881 [email protected]

DVD RELEASE Ronin Australia

130 DOCUMENTARIES - LONG

An Oath Unbroken Oceans Apart Old Country New 2007 1991 Country - Journey Digital Betacam Digital Betacam of a Raft 27 min 29 min n-o 2009 PRODUCER Tanya Denning EXEC PROD Vaughan Hinton Betacam/Digital Betacam/DV/Mini DV/ DIRECTOR Tanya Denning PRODUCER Frances Peters-Little DVD 23 min WRITER Tanya Denning DIRECTOR Frances Peters-Little WRITER Frances Peters-Little EXEC PROD Kirsty Cockburn, George Believed to be the highest serving Negus Indigenous Police Officer at the A documentary about three Aboriginal PRODUCER Mark Jones, Alex time of his retirement in 2001, Col women: Rosalie in her mid-fifties, Dillon has faced racism and adversity grew up on a reserve in La Perouse Petersons, Meg Henschke-Jones, head-on and has never shied away and now works as an administrator for Cindy Petersons from exposing those who dishonoured the performing arts at the Australian DIRECTOR Mark Jones, Alex his profession. Col Dillon was heavily Council; Margaret in her mid-thirties, Petersons, Meg Henschke-Jones involved in the Royal Commission a tribal/urban woman from Northern WRITER Mark Jones, Albert Wiggan into Black Deaths in Custody. He Territory, is now a lecturer in DOP Mark Jones was a vocal critic of the Beattie Aboriginal Studies at the University CAST Albert Wiggan, Roy Wiggan Government’s decision to scrap of Technology; and 18-year-old Britta DATSIP (Department of Aboriginal who was adopted at birth and raised and Torres Strait Islander Policy), and in Denmark, and is now working as OLD COUNTRY NEW COUNTRY - recently quit the Department over a radio journalist and community JOURNEY OF A RAFT is the poignant the Queensland Government’s lack radio broadcaster. Each of the women and politically powerful story of Bardi of response into the findings of the reflects various perspectives of elder Roy Wiggan passing on to his Mulrunji Doomadgee case. He is now themselves as Aborigines and as nephew, Albert, the traditional Aboriginal pursuing a career in the private sector women, according to their family craft of raft making. In the process, they and has no idea what the future holds backgrounds and political influences travel from their country - the rugged for him. From the Message that surround other Aboriginal women and ancient beauty of the Kimberley Stick series. in their peer group. Part of region, one of the few remaining Blackout series. wildernesses on the planet to the once SALES CONTACT pristine, now industrialised Pilbara to ABC Content Sales SALES CONTACT the south. Australia ABC Content Sales PHONE +61-2 8333 1500 Australia www.gaiamedia.com.au FAX +61-2 8333 3975 PHONE +61-2 8333 1500 SALES CONTACT [email protected] FAX +61-2 8333 3975 Gaia Media www.abccontentsales.com.au [email protected] Australia www.abccontentsales.com.au PHONE +61-8 9384 3380 FAX +61-8 9384 3380 [email protected] www.gaiamedia.com.au THE BLACK LIST 131 On the Up and Up Once a Queen One People Sing 2008 2006 Freedom Digital Betacam Betacam 1988 50 min 50 min 1” Video 50 min PRODUCER Douglas Watkin PRODUCER Lawrence Johnston DIRECTOR Douglas Watkin DIRECTOR Lawrence Johnston EXEC PROD Vaughan Hinton WRITER Douglas Watkin WRITER Lawrence Johnston PRODUCER Jim Everett DOP Douglas Watkin DIRECTOR Bernice Daly For almost a century the town of CAST Ernie Dingo (Narrator), Gary ON THE UP AND UP is an inspirational Grafton, NSW, has celebrated the Foley, Father Charles Harris, story about life for young murri’s living magnificence of its jacaranda trees John Kristoffersen, Pat Dodson, with an inspired festival. in Queensland’s north-west. When Gallarrwuy Yunupingu, The the teenagers are encouraged into SALES CONTACT Warumpi Band performance lessons by enthusiastic Lawrence Johnston art workers a surprising story of Australia Once a Queen dreams and talents unfold, but not On 26 January 1988, some 40,000 MOBILE +61-400 243 613 without its drama. This documentary [email protected] Aboriginal people and their supporters gives an insightful look at what can be journeyed from all corners of the achieved with a little help from friends. country, by foot, road, train and air, to march in Sydney on the 200th SALES CONTACT anniversary of the white ‘invasion’ Double Wire Productions of their country. This documentary Australia records the events of that remarkable FAX +61-7 4033 1100 day, when the silent march began at MOBILE +61-410 326 562 Redfern Park and ended in Hyde Park [email protected] in the centre of Sydney. Narrated by www.doublewire.com.au Aboriginal actor/comedian Ernie Dingo.

SALES CONTACT ABC Content Sales Australia PHONE +61-2 8333 1500 FAX +61-2 8333 3975 [email protected] www.abccontentsales.com.au

132 DOCUMENTARIES - LONG

Oondoorrd: Our Bush Wedding Our Community Married Turtle 2005 2005 2009 Digital Betacam/DVD Digital Betacam 52 min 24 min Digital Betacam/DV/Mini DV o 23 min PRODUCER Sienna Brown PRODUCER Frances Peters-Little EXEC PROD Ray Lillis, Robyn DIRECTOR Adrian Wills DIRECTOR Sean Kennedy Nardoo WRITER Sienna Brown, Adrian WRITER Sean Kennedy PRODUCER Eileen Torres Wills DIRECTOR Mitch (Michelle) Torres An exploration of the concept of Aboriginal artist Gordon Syron and ‘community’ in the Walgett Shire American photographer Elaine Perlot- of rural north-west NSW propels For the Bardi people of the Dampier Kitchener met nearly 30 years ago, a an intimate expedition through the Peninsula north of Broome in the West few days after Gordon finished serving townships of Walgett, Lightening Ridge Kimberley, it is Oondoorrd time, a time time for murdering his brother-in- and Sheepyard. The journey reveals of celebration and friendly competition law. Now in their early sixties, this that despite the cultural diversity and as young men try to spear their first documentary follows the creative and the imperfections of these challenging ‘married turtle’ - a rite of passage into eccentric pair in the lead-up to their communities, resilience, pride and being a good hunter of turtles. bush wedding. an empowering and inexorable spirit SALES CONTACT of belonging prevails. Along the way, SALES CONTACTS CAAMA Productions Pty Ltd misconceptions are clarified and Our Bush Wedding Pine Street Films Pty Ltd Australia benevolent bonds are celebrated. Australia PHONE +61-8 8951 9778 PHONE +61-2 9818 1576 SALES CONTACT FAX +61-8 8951 9717 MOBILE +61-410 436 957 Ronin Films MOBILE +61-419 814 960 psfilms@pacific.net.au Australia [email protected] Galloping Films Pty Ltd PHONE +61-2 6248 0851 www.caama.com.au Australia FAX +61-2 6249 1640 PHONE +61-7 3040 2664 orders@roninfilms.com.au FAX +61-7 3366 0975 www.roninfilms.com.au MOBILE +61-414 447 743 carlos@gallopingfilms.com DVD RELEASE www.gallopingfilms.com Ronin Australia

THE BLACK LIST 133 Out of the Shadows: Oyster Cove Festival Pat O’Shane Sammy Butcher 1996 2001 2004 1” Video Digital Betacam 56 min 30 min Digital Betacam 24 min EXEC PROD Llew Cleaver PRODUCER Darren Dale EXEC PROD Citt Williams PRODUCER Paul Fenech DIRECTOR Darren Dale PRODUCER Rachel Clements DIRECTOR Paul Fenech WRITER Darren Dale DIRECTOR Allan Collins ACS, Lisa CAST Leah Purcell (Presenter) Watts For any woman it’s hard to make it WRITER Lisa Watts This documentary is a highlights to the top in their chosen field and if you’re an Indigenous woman it’s twice DOP Allan Collins ACS package of the Oyster Cove Festival 1996. as hard. But for NSW Magistrate Pat CAST Sammy Butcher O’Shane, achieving success in a male- SALES CONTACT dominated field and doing it at a time Self-taught from the age of 10, Tasmanian Aboriginal Centre Inc when women weren’t easily accepted Sammy Butcher is renowned as the Australia in the legal profession, has been a best guitar player in Central Australia. PHONE +61-3 6234 8311 huge feat. Part of ICAM series. In the late 1970s, Sammy formed SALES CONTACT the Warumpi Band with George SBS News and Current Affairs Rrurrambu and Neil Murray. After Content Sales years of touring and recording, Sammy Australia now lives in Papunya, 250 km west PHONE +61-2 9430 2828 of Alice Springs. This documentary FAX +61-2 9430 3040 focuses on his work today within the [email protected] community and a heartrending journey www.sbs.com.au/contentsales to Sammy’s homeland, Pikilyi, for the first time.

SALES CONTACT CAAMA Productions Pty Ltd Australia PHONE +61-8 8951 9778 FAX +61-8 8951 9717 MOBILE +61-419 814 960 [email protected] www.caama.com.au

DVD RELEASE CAAMA Australia

134 DOCUMENTARIES - LONG

Pecan Summer Peena Geia The Pelican Brief 2009 2003 2007 Digital Betacam Digital Betacam 30 min 2 x 27 min 26 min o-p PRODUCER Jeremy Geia EXEC PROD Susan Moylan-Coombs PRODUCER Tanya Denning DIRECTOR Jeremy Geia PRODUCER Miriam Corowa, Richard DIRECTOR Tanya Denning WRITER Jeremy Geia Frankland, Walter Saunders WRITER Tanya Denning DOP Campbell Miller DIRECTOR Walter Saunders, Richard Frankland, Miriam Corowa Peena Geia is a respected elder, Life for Indigenous people on Cape WRITER Miriam Corowa voluntary worker and Justice of the York isn’t always smooth sailing. DOP Don Whitehurst, Laurence Peace on Palm Island. In 2002, she But for the community of Hopevale, McManus joined the 13-member Indigenous the future is looking a little brighter women’s advisory group which advises thanks to a Melbourne man and his CAST Deborah Cheetham, Don the federal government on the needs catamaran. After receiving an SOS Bemrose, Tiriki Onus, Pat Oakley, of Indigenous women. She’s the first letter that highlighted a spate of Liz Cavanagh and Shedeena Black Justice of the Peace of the Palm suicides on Hopevale, Peter Malcolm Island Justice Group and sits on decided to embark on a journey north Deborah Cheetham has forged an the Palm Island Bench with visiting to help troubled youth. From the impressive career as an Indigenous magistrates. Peena works tirelessly Message Stick series. soprano, actor and author since making for her community to ensure that it SALES CONTACT her highly acclaimed international debut continues to grow in positive affirming ABC Content Sales just over 10 years ago. Of her many ways. From the Message Stick series. Australia projects, perhaps none are as close to SALES CONTACT PHONE +61-2 8333 1500 her heart as her current endeavour - ABC Content Sales FAX +61-2 8333 3975 Artistic Director of the opera, ‘Pecan Australia [email protected] Summer’. But, not only is Deborah PHONE +61-2 8333 1500 www.abccontentsales.com.au writing the opera’s score and libretto FAX +61-2 8333 3975 - she’s also been scouring the country [email protected] looking for emerging classically trained www.abccontentsales.com.au Indigenous singers to take on the challenge of performing what will be Australia’s first Indigenous opera.

SALES CONTACT ABC Content Sales Australia PHONE +61-2 8333 1500 FAX +61-2 8333 3975 [email protected] www.abccontentsales.com.au

THE BLACK LIST 135 Peter Coppin Photographic Memory: Pioneers of Love 2004 A Portrait of Mervyn 2005 Digital Betacam Bishop Digital Betacam 26 min 2 x 52 min 1999 DIRECTOR Kelrick Martin Digital Betacam PRODUCER Mark Chapman, 28 min Richard Dennison The remarkable Pilbara elder and top DIRECTOR Julie Nimmo PRODUCER Penny McDonald lawman, Peter Coppin (Kangkushot) WRITER Julie Nimmo recounts his role in leading Australia’s DIRECTOR Warwick Thornton longest running workers strike in 1946. WRITER Warwick Thornton A story of forbidden love. In 1910, a It was also the first ever by Aboriginal CAST Mervyn Bishop Russian settles in ‘Little Siberia’, Far pastoral workers. From the Message North Queensland, and fights for the Stick series. Leading Indigenous Australian right to marry an Aboriginal woman. SALES CONTACT photographer Mervyn Bishop’s The story follows the family and the ABC Content Sales journey over 40 years is celebrated history of Australian race relations in Australia as the social history of Aboriginal and the 20th century. PHONE +61-2 8333 1500 Australian life is documented through SALES CONTACT FAX +61-2 8333 3975 his photographs. Screen Australia [email protected] SALES CONTACT Australia www.abccontentsales.com.au Chili Films Pty Ltd PHONE +61-2 8113 5800 Australia FAX +61-2 9357 3737 MOBILE +61-410 695 272 [email protected] [email protected] www.screenaustralia.gov.au www.chilifilms.com.au DVD RELEASE Screen Australia Australia

136 DOCUMENTARIES - LONG

Poison Postcards from Pride of the League 1992 Pormpuraaw 2007 Digital Betacam 2008 Digital Betacam 28 min 25 min Digital Betacam p 30 min PRODUCER Michael Riley PRODUCER Susan Moylan-Coombs DIRECTOR Michael Riley PRODUCER Jeremy Geia DIRECTOR Susan Moylan-Coombs CAST Lydia Miller, Lillian Crombie, DIRECTOR Jeremy Geia Rhoda Roberts, Russell Page Since the 1930s, the have been developing Producer Jeremy Geia has travelled to Indigenous players and introducing Drama about three major aspects some of the most beautiful places in them to A grade football, even during a of Aboriginal reality: assimilation, Australia, but it wasn’t until he came time when Indigenous people weren’t adoption and sexual abuse. to Pormpuraaw that he understood recognised as citizens in Australia. what heaven on earth was. From the SALES CONTACT The South Sydney Leagues Club’s Message Stick series. ABC Content Sales success with Indigenous players has Australia SALES CONTACT inspired other PHONE +61-2 8333 1500 ABC Content Sales clubs to look at ways of mirroring their FAX +61-2 8333 3975 Australia recruitment programs for Indigenous [email protected] PHONE +61-2 8333 1500 players and ways of working closely www.abccontentsales.com.au FAX +61-2 8333 3975 with the Indigenous community in [email protected] other social ventures. This program www.abccontentsales.com.au explores the past and present interaction has in South Sydney and the recognition in 2007 of their Indigenous heritage through the use of the ‘black’ bunny for away games. From the Message Stick series.

SALES CONTACT ABC Content Sales Australia PHONE +61-2 8333 1500 FAX +61-2 8333 3975 [email protected] www.abccontentsales.com.au

THE BLACK LIST 137 The Professor The Pub with Rabbitohs’ Return 2009 One Beer 2002 26 min 2007 Digital Betacam 30 min Digital Betacam PRODUCER Susan Moylan- 10 x 26.5 min Coombs, Michael Carey PRODUCER Kris Flanders CAST Professor Marcia Langton EXEC PROD Elia Eliades, John DIRECTOR Kris Flanders Reddin WRITER Kris Flanders Professor Marcia Langton has had a PRODUCER Angelo Giakoumatos, much publicised career. She is known Tanith Carroll, Lorna Marty, A look at the history behind the South for her work in several academic fields Juanita Moller Sydney Rugby League Club and the and as an advocate for Indigenous tremendous contribution made to the WRITER Andrea dal Bosco rights, social justice, and Indigenous club by Aboriginal players. Part of artistic expression. The Professor DOP Jacek Lukaszewicz ICAM series. is a frequent media commentator, CAST Steve Bastoni (Narrator) and serves on various high-level SALES CONTACT SBS News and Current Affairs committees on Indigenous issues. THE PUB WITH ONE BEER is a story This story explores Marcia’s life and Content Sales of a historic country pub which sells Australia career and examines the influences only one beer brewed on the premises, PHONE +61-2 9430 2828 and experiences that have shaped her. an eccentric landlord about to retire From the Message Stick series. FAX +61-2 9430 3040 and two young whipper-snappers [email protected] SALES CONTACT from the city who plan to turn this www.sbs.com.au/contentsales ABC Content Sales pub around with a bank loan of $4.5 Australia million. Is this the birth of Australia’s PHONE +61-2 8333 1500 next brewing empire or the biggest FAX +61-2 8333 3975 mistake the boys have ever made? [email protected] SALES CONTACT www.abccontentsales.com.au Fremantle Media UK United Kingdom PHONE +44-20 7691 6000 FAX +44-20 7691 6060 fi[email protected] www.fremantlemedia.com

138 DOCUMENTARIES - LONG

The Rainbow Serpent Remember Finnis Remembering Country Trade Routes, Changing Culture, 2001 2000 Warriors, Sacred Sites, Women, Digital Betacam Digital Betacam Survivors 26 min 26 min p-r 1983 1” Video PRODUCER Peter Hodgson EXEC PROD Charlotte Seymour 6 x 30 min DIRECTOR Peter Hodgson PRODUCER Harold Furber, WRITER Peter Hodgson Charlotte Seymour EXEC PROD Anne Basser DIRECTOR Kate Gillick PRODUCER Richard Guthrie Follow two people’s journey back to WRITER Harold Furber, Kate DIRECTOR Richard Guthrie a part of their past. Arabunna elders, Gillick WRITER Richard Guthrie, Eric Laurie Stuart and Ken Buzzacott, DOP Allan Collins ACS Wilmont revisit Finnis Springs station, 30 km CAST Harold Furber, Patricia west of Lake Eyre (Bundoo Bunta) Kiessler south, where they grew up and For the first time, THE RAINBOW went to school from the 1930s. The SERPENT looks at the First place is abandoned except for some REMEMBERING COUNTRY is an Australians in an unbiased, dilapidated buildings and old car intimate, reflective autobiographical unpatronising light to paint a realistic wrecks. However, the old mission film that invites the audience into picture of a society whose tarnished settlement still holds some good Harold Furber’s vivid memories of image was created by those who memories for these two men. From being a desert kid stolen away to a supposedly made this country, the the Message Stick series. tropical island. European settlers. SALES CONTACT SALES CONTACT SALES CONTACT ABC Content Sales SBS Content Sales SBS Content Sales Australia Australia Australia PHONE +61-2 8333 1500 PHONE +61-2 9430 3975 PHONE +61-2 9430 3975 FAX +61-2 8333 3975 FAX +61-2 9430 2882 FAX +61-2 9430 2882 [email protected] [email protected] [email protected] www.abccontentsales.com.au www.sbs.com.au/contentsales www.sbs.com.au/contentsales DVD RELEASE DVD RELEASE Ronin Australia Marcom Australia

THE BLACK LIST 139 Richard Bell Richard Frankland Ripples from Wave Hill 2004 2004 2007 Digital Betacam Digital Betacam Digital Betacam 26 min 26 min 52 min

PRODUCER Rima Tamou PRODUCER Lou Glover PRODUCER Elton Rosas, Jeremy DIRECTOR Rima Tamou DIRECTOR Lou Glover Boylen WRITER Rima Tamou DIRECTOR Elton Rosas, Jeremy Appointed as senior advisor to the Boylen Richard was a leader in the first Royal Commission into Aboriginal group of urban Indigenous artists Deaths in Custody at the age of 25, RIPPLES FROM WAVE HILL tells whose work provided a means of Richard Frankland has worn many the story of a group of Aboriginal expression during the lead up to the labels over the years. His experiences stockmen who walked off a cattle 1988 Bicentenary of white Australian were later manifested into film and station in the Northern Territory in a settlement. During this time, Richard plays. From the Message Stick series. bid for better pay and conditions. The focused on challenging non- SALES CONTACT strike went on for eight years and Indigenous artists who appropriated ABC Content Sales eventually became Australia’s first Indigenous imagery in their work and Australia successful land rights campaign. It the perceived notions of traditional PHONE +61-2 8333 1500 was an against all odds struggle that and modern Indigenous art. His work FAX +61-2 8333 3975 reshaped our nation. As Australia also addresses contemporary issues [email protected] wrestles again with questions of such as religion, art and politics. www.abccontentsales.com.au Indigenous land ownership, this film Richard’s works examine the historical recalls the fight started 40 years ago treatment of Aboriginal people after by the Gurindji people of the Northern European settlement and express Territory. From the Message his response to issues of oppression, Stick series. frustration and discrimination. From the Message Stick series. SALES CONTACT ABC Content Sales SALES CONTACT Australia ABC Content Sales PHONE +61-2 8333 1500 Australia FAX +61-2 8333 3975 PHONE +61-2 8333 1500 [email protected] FAX +61-2 8333 3975 www.abccontentsales.com.au [email protected] www.abccontentsales.com.au

140 DOCUMENTARIES - LONG

Rites of Passage River of No Return The Road Home 1999 2008 2003 Digital Betacam Digital Betacam Digital Betacam 28 min 52 min 26.5 min r EXEC PROD David Jowsey, Jeune PRODUCER Pat Fiske PRODUCER Rob Nugent Pritchard DIRECTOR Darlene Johnson DIRECTOR Kelrick Martin PRODUCER Catriona McKenzie WRITER Darlene Johnson WRITER Kelrick Martin DIRECTOR Catriona McKenzie CAST Frances Djulibing DOP Peter Holland WRITER Catriona McKenzie Frances Djulibing is a 45-year-old Roy Read was raised an orphan and Australia has the highest youth suicide mother of three who comes from the told he wasn’t Aboriginal, just ‘darker in the world for 15 to 25-year-old remote community of Ramingining in than others’. At Kinchela Boys Home males. Why? RITES OF PASSAGE north-east Arnhem Land. Like many he was subjected to the horrors of looks at the reasons why, examining young girls, Frances dreamed of being institutionalised life. Now 49 years several responses across Australia a movie star, a dream that came true later, he returns to face the demons of and cross-culturally. when Rolf de Heer cast her in the his past and reconnect with the family lead female role of Nowalingu in ‘Ten he never knew he had. SALES CONTACT Canoes’. Her journey from traditional SALES CONTACT ABC Content Sales tribal life to red carpets and awards Australian Film Television and Radio Australia ceremonies is unlike any other. It School PHONE +61-2 8333 1500 is a fascinating and unique story as PHONE +61-2 9805 6611 FAX +61-2 8333 3975 Frances learns to overcome huge FAX +61-2 9887 1030 [email protected] personal and cultural challenges. [email protected] www.abccontentsales.com.au RIVER OF NO RETURN is a story of www.aftrs.edu.au change and transformation as Frances learns to move between the ancient life of the Yolgnu and modern world of the Balanda (white culture).

SALES CONTACT Bower Bird Films Pty Ltd Australia PHONE +61-2 9130 6456 MOBILE +61-407 813 255 pafi[email protected]

DVD RELEASE Ronin Australia

THE BLACK LIST 141 Rosalie’s Journey Rosemary Wanganeen Rosie 2003 2001 2004 Digital Betacam Digital Betacam Digital Betacam 26 min 30 min 26 min

EXEC PROD Priscilla Collins, Beck PRODUCER Lorna O’Shane EXEC PROD Brian Beaton, Celia Cole DIRECTOR Lorna O’Shane Tait DIRECTOR Warwick Thornton WRITER Lorna O’Shane PRODUCER Robin Eastwood WRITER Warwick Thornton DIRECTOR Debbie Carmody DOP Warwick Thornton A moving story about Rosemary WRITER Roy Morseu, Debbie CAST Rosalie Kunoth-Monks, Wanganeen. Rosemary Wanganeen Carmody Carmen Glynn-Braun, Devena is a healer. A Nunga woman from Adelaide, South Australia, Rosemary Lankin, Vance Glynn This docudrama explores the troubled has overcome the odds to run a life of Rose Fraser, a stolen generation successful business helping both child who suffered physical and ROSALIE’S JOURNEY is a film about Aboriginal and non-Aboriginal people emotional abuse at the hands of her the life of an Aboriginal woman that in crisis. However, her journey to foster mother. took an incredible turn when she was success was not an easy one. Part of chosen out of a crowd by film director ICAM series. SALES CONTACT Charles Chauvel. Screen Australia SALES CONTACT Australia SALES CONTACT SBS News and Current Affairs PHONE +61-2 8113 5800 CAAMA Productions Pty Ltd Content Sales FAX +61-2 9357 3737 Australia Australia [email protected] PHONE +61-8 8951 9778 PHONE +61-2 9430 2828 www.screenaustralia.gov.au FAX +61-8 8951 9717 FAX +61-2 9430 3040 MOBILE +61-419 814 960 [email protected] DVD RELEASE [email protected] www.sbs.com.au/contentsales www.caama.com.au Screen Australia Australia

DVD RELEASE CAAMA Australia

142 DOCUMENTARIES - LONG

Roxby Downs Russell Page: Rydin’ Time 2001 A Dance Tribute 2005 Digital Betacam 2004 Digital Betacam 30 min 23 min DVC Pro r 26.3 min PRODUCER Lorna O’Shane EXEC PROD Jacqui North DIRECTOR Lorna O’Shane EXEC PROD Karla Grant, Margaret PRODUCER Rachel Clements, WRITER Lorna O’Shane Murphy Trisha Morton-Thomas PRODUCER Mika Nishimura DIRECTOR Trisha Morton-Thomas Uranium mining has long been DIRECTOR Mika Nishimura WRITER Trisha Morton-Thomas, a source of conflict between WRITER Mika Nishimura, Karla Dena Curtis mining companies, Aboriginal and Grant DOP Warwick Thornton environmental activists. Olympic Dam CAST David Page (Narrator) CAST Kaleb Comollatti, Dallas Mine in South Australia is no exception. McNamara, John Stacey Set up near the town of Roxby Downs, it is the largest uranium mine in the RUSSELL PAGE: A DANCE TRIBUTE country. Opposition to the mine comes is a half-hour documentary program Already seasoned rodeo riders, three from environmental groups concerned that celebrates the life and artistry Indigenous teenagers are continuing about the impact operations may have of Russell Page, an extraordinary a proud family history of professional on the environment, and from various Indigenous Australian dancer who saddle bronc and bull riding. RYDIN’ Aboriginal community members, ended his life at the age of 34 in TIME is a positive story about youth worried about the potential loss of July 2002. Australia’s leading dance and the strengths of family. cultural heritage and the destruction companies came together to perform SALES CONTACT of sacred sites. Part of ICAM series. in his memory at the Sydney Theatre CAAMA Productions Pty Ltd in November 2003. SALES CONTACT Australia SBS News and Current Affairs SALES CONTACT PHONE +61-8 8951 9778 Content Sales SBS Content Sales FAX +61-8 8951 9717 Australia Australia MOBILE +61-419 814 960 PHONE +61-2 9430 2828 PHONE +61-2 9430 3975 [email protected] FAX +61-2 9430 3040 FAX +61-2 9430 2882 www.caama.com.au [email protected] [email protected] www.sbs.com.au/contentsales www.sbs.com.au/contentsales

THE BLACK LIST 143 Saltwater Bluesman Same Place My Home Scars: A Stolen Vision 2001 1990 2003 Digital Betacam 1” Video Digital Betacam 26 min 28 min 27 min

EXEC PROD Mark Hamlyn, John PRODUCER Christine Peacock PRODUCER Kimba Thompson Macumba DIRECTOR Christine Peacock, DIRECTOR Kimba Thompson PRODUCER Rod Freedman Mary Graham WRITER Kimba Thompson DIRECTOR Mitch (Michelle) Torres WRITER Mitch (Michelle) Torres ‘We’re in this society but not of it. Melbourne has always been CAST Uncle Kiddo Taylor, Michael They’re in this country but not of it’ considered the arts city, a unique Mathews, Stephen and Alan (Mary Graham). This documentary commission of Indigenous works in Pigram portrays the strength and continuity the public arena was done to promote of Aboriginal people and our culture, the excellence of arts. The intention despite the changes occurring as a of SCARS: A STOLEN VISION was Uncle Kiddo’s harmonica blues playing result of colonialism. The strength to utilise a traditional symbol of is legendary for capturing the rich of our culture is manifested in song, Indigenous life in a contemporary musical tradition of Broome’s vibrant dance, ceremony, the flag, Aboriginal manner, and to help the public to multi-racial background and inspiring identity and in the land itself. It is reflect on the emotional and spiritual Saltwater Bluesman (Uncle Kiddo Taylor) a new generation of Indigenous also expressed in the importance of scars of Indigenous people and give with writer/director Mitch Torres musicians. relatedness between land and people, a sense of pride as a nation. From the SALES CONTACT between generations, groups, families Message Stick series. and cousins. An Indigenous expression Screen Australia SALES CONTACT and style is emerging in video and Australia ABC Content Sales film production to relate the issues PHONE +61-2 8113 5800 Australia that concern us. This program is one FAX +61-2 9357 3737 PHONE +61-2 8333 1500 example of the current developments [email protected] FAX +61-2 8333 3975 in Indigenous methods of video and www.screenaustralia.gov.au [email protected] film production in Australia. www.abccontentsales.com.au SALES CONTACT Uniikup Productions Australia PHONE +61-7 3834 3229 FAX +61-7 3864 3975 MOBILE +61-407 379 822 [email protected] www.colourise.com.au

144 DOCUMENTARIES - LONG

Scholar, Athlete, Shellie Morris Swept Shifting Shelter 1 Warrior - Tribute to Away 1997 Dr Kumantjayi 2007 Digital Betacam/DVD 27 min Perkins Digital Betacam s 26 min 2000 PRODUCER Ivan Sen Digital Betacam PRODUCER Steven McGregor DIRECTOR Ivan Sen 30 min DIRECTOR Steven McGregor WRITER Ivan Sen WRITER Steven McGregor DOP Ivan Sen PRODUCER Jeremy Geia CAST Shellie Morris WRITER Jeremy Geia From a cold industrial landscape we travel to the country of northern Shellie Morris is a Darwin-based The remarkable life of Dr Kumantjayi NSW where we meet four Indigenous singer and songwriter, who was Perkins is remembered on Message teenagers. We intimately learn born in Sydney and adopted out to a Stick, focusing on his achievements their dreams, their lives and most non-Indigenous family at birth. In her including the 1965 Freedom Ride, his importantly hear their voices. These younger years she learnt the flute, sporting life and his political career. four unique people live in a world of piano and organ, and as a young adult Footage of Kumantjayi’s State Funeral constant influence, where the shelter was trained in opera. In the late 1990s at the Sydney Town Hall is featured which surrounds them is constantly she moved to Darwin to learn more in this special tribute. SCHOLAR, shifting. The film gives a voice to four about her Indigenous family, and it ATHLETE, WARRIOR brings home the young survivors of assimilation and was there that she found her purpose emotion of a nation’s loss and the loss offers a penetrating insight into the in life as a singer, which later led her of a leader who walked alongside his lives of Australia’s indigenous youth, to hone her craft at the Northern people. From the Message Stick series. as they search for a sense of purpose Territory University. From the Message in a forever ‘shifting shelter’. SALES CONTACT Stick series. ABC Content Sales SALES CONTACT SALES CONTACT Australia ABC Content Sales ABC Content Sales PHONE +61-2 8333 1500 Australia Australia FAX +61-2 8333 3975 PHONE +61-2 8333 1500 PHONE +61-2 8333 1500 [email protected] FAX +61-2 8333 3975 FAX +61-2 8333 3975 www.abccontentsales.com.au [email protected] [email protected] www.abccontentsales.com.au www.abccontentsales.com.au

THE BLACK LIST 145 Shifting Shelter 2 Shifting Shelter 3 Sights Unseen: 2000 2006 Pictures by Digital Betacam/DVD Digital Betacam/DVD Michael Riley 27 min 60 min 2008 PRODUCER Ivan Sen EXEC PROD David Jowsey Digital Betacam 2 x 26 min DIRECTOR Ivan Sen PRODUCER Ivan Sen WRITER Ivan Sen DIRECTOR Ivan Sen EXEC PROD Susan Moylan- DOP Ivan Sen WRITER Ivan Sen Coombs PRODUCER Grant Leigh Saunders Five years ago award-winning SHIFTING SHELTER shows the lives DIRECTOR Grant Leigh Saunders Aboriginal filmmaker, Ivan Sen, of four young Aboriginal people in recorded the lives of four Indigenous Australia’s rural NSW. Their lives are WRITER Grant Leigh Saunders teenagers growing up in small towns documented from 1995 to 2005. Ivan in north-western NSW. SHIFTING introduced us to Cindy, Danielle, Ben The late Michael Riley is one of SHELTER 2 catches up with our four and Willie; watch as their lives unfold. the most important contemporary subjects, now in young adulthood. The Indigenous visual artists of the SALES CONTACT portraits painted are deeply poignant, past two decades. Over his 20-year ABC Content Sales totally vulnerable and all of their career he created an impressive Australia dreams are on a knife-edge. body of work ranging from black and PHONE +61-2 8333 1500 white portraiture to film, video and SALES CONTACT FAX +61-2 8333 3975 large-scale digital photography. This ABC Content Sales [email protected] two-part special is an intimate account Australia www.abccontentsales.com.au of Michael’s short but prolific life. Riley PHONE +61-2 8333 1500 not only looked at the world through FAX +61-2 8333 3975 a different lens, he wanted the world [email protected] to view what he saw. His films and www.abccontentsales.com.au photographs challenge perceptions of Shifting Shelter Indigenous life, particularly in eastern Australia.

SALES CONTACT ABC Content Sales Australia PHONE +61-2 8333 1500 FAX +61-2 8333 3975 [email protected] www.abccontentsales.com.au

146 DOCUMENTARIES - LONG

Silent Legacy Sissy A Sister’s Love 1998 2000 2007 Betacam Digital Betacam Digital Betacam/DVD 28 min 27 min 55 min s EXEC PROD David Jowsey, Rachel EXEC PROD David Jowsey PRODUCER Martin Brown Perkins PRODUCER Brian Beaton DIRECTOR Ivan Sen PRODUCER Brian Beaton DIRECTOR Debbie Gittins DIRECTOR Debbie Gittins WRITER Debbie Gittins This very personal documentary WRITER Debbie Gittins CAST Charles Colbung, John follows the Indigenous actor, CAST Debbie Gittins (Narrator) Collard, John Fitzgerald journalist and festival director, Rhoda Roberts, as she travels home to confront the brutal murder of her twin SILENT LEGACY is Harry Carmody’s SISSY takes you behind the scenes sister, whose body was found eight tale of searching for his identity. to give a rare insight into a subculture years ago in a remote forest near It’s a journey that takes us along that has created its own space within Lismore, NSW. the Nullabor and up into the Great the gay culture, and it explores the Victorian Desert. It involves elements bond that sets the black ‘sisterhood’ SALES CONTACT of a major Australian tragedy - the apart from white gays. SISSY is an Martin Brown Films Pty Ltd atomic testing at Maralinga. expression of gay black identity: ‘We Australia are glamorous, we are here and we PHONE +61-2 9692 0267 SALES CONTACT are queer.’ FAX +61-2 9552 6372 Sales information not current, MOBILE +61-411 555 761 please contact Screen Australia for SALES CONTACT martin@martinbrownfilms.com enquiries Reel Images www.martinbrownfilms.com Australia Australia PHONE +61-2 8113 5850 PHONE +61-8 9470 2936 [email protected] FAX +61-8 9362 5500 www.screenaustralia.gov.au brianb@artemisfilms.com

THE BLACK LIST 147 Sisters in the Black Sisters on the Move Small Island, Movement 2004 Big Fight 2003 26 min 2000 Digital Betacam Digital Betacam 30 min PRODUCER Julie Nimmo 27 min DIRECTOR Julie Nimmo PRODUCER Pauline Clague WRITER Julie Nimmo EXEC PROD Stefan Moore DIRECTOR Lou Glover PRODUCER Rose Hesp ‘Set your dreams in the stars and DIRECTOR Aven S Noah On 27 May 1967, Australian citizens catch every one of them.’ This is WRITER Rose Hesp, Aven S Noah, voted to include Aboriginal people the advice that Nana has instilled in Debbie Pruden in the census, and to allocate her two starstruck granddaughters, Commonwealth funding towards and Lowanna Gibson. SMALL ISLAND, BIG FIGHT Aboriginal and Torres Strait Islander From the Message Stick series. explores the economic and spiritual peoples. This documentary talks SALES CONTACT relationship of Indigenous Australians to the women who were a part of ABC Content Sales to the sea - a relationship now under the movement leading up to the Australia threat from commercial fishing referendum about their experiences PHONE +61-2 8333 1500 interests. at that time. The strength of the ‘fire FAX +61-2 8333 3975 in the belly’ is still in these women [email protected] SALES CONTACT today, as we bring them together to www.abccontentsales.com.au Screen Australia talk about their experiences of over 30 Australia years ago. From the Message PHONE +61-2 8113 5800 Stick series. FAX +61-2 9357 3737 [email protected] SALES CONTACT www.screenaustralia.gov.au ABC Content Sales Australia DVD RELEASE PHONE +61-2 8333 1500 Screen Australia Australia FAX +61-2 8333 3975 [email protected] www.abccontentsales.com.au

148 DOCUMENTARIES - LONG

The Soccer Lady Speak Quiet, SpinFx 2001 Speak Strong 2000 DV/Mini DV 1995 Digital Betacam 26 min 3 x 26 min Betacam s 56 min PRODUCER Nathan Mayfield, PRODUCER Priscilla Collins Tracey Robertson EXEC PROD Barbara Mariotti DIRECTOR Beck Cole, Liz Hughes DIRECTOR Donna Ives PRODUCER Jenny Day, Cathy WRITER Donna Ives Eatock SPINFX is a fast and funky showcase CAST Natalie Cardwell DIRECTOR Cathy Eatock of contemporary Indigenous music, artists and performers. It explores the WRITER Cathy Eatock most recent Indigenous music being The story of Natalie Cardwell, Mount produced in Australia such as hip hop, Isa mother of five, who takes soccer This film looks at domestic violence techno, house, dance and turn tables. to kids in remote areas of the outback. in the Aboriginal community through Stylistically, the series is raw and fast SALES CONTACT compelling personal accounts and mixing black and white with vibrant Hoodlum Entertainment and shows the positive steps these colours and grainy imagery. With no Hoodlum Active communities are taking to heal the presenter, its audience is guided by Australia problem of abuse. the Indigenous people who make the PHONE +61-7 3846 2123 music and those who listen to it. SALES CONTACT FAX +61-7 3846 5699 Sales information not current, [email protected] SALES CONTACT please contact Screen Australia for CAAMA Productions Pty Ltd www.hoodlum.com.au enquiries Australia Australia PHONE +61-8 8951 9778 PHONE +61-2 8113 5850 FAX +61-8 8951 9717 [email protected] MOBILE +61-419 814 960 www.screenaustralia.gov.au [email protected] www.caama.com.au

THE BLACK LIST 149 Spinifex Man Spirit Stones Spirituality 2009 2008 1989 Digital Betacam HD VHS 26 min 56 min 28 min

PRODUCER Allan Collins ACS EXEC PROD David Jowsey PRODUCER Lorraine Mafi-Williams DIRECTOR Allan Collins ACS PRODUCER Jennifer Gherardi WRITER Allan Collins ACS DIRECTOR Allan Collins ACS SPIRITUALITY is a revolutionary DOP Allan Collins ACS WRITER Ken Hayward look at Aboriginality and Koori cultural CAST Trevor Jamieson DOP Torstein Dyrting ACS spiritual beliefs prior to 1788. It tells of the breakdown when the white man came, it questions Christian ethics and Trevor Jamieson was born in Subiaco, SPIRIT STONES reveals phenomenal how the Christian doctrine destroyed Western Australia. Trevor is a events that happened in the 1940s and the performing culture, but not the charismatic and experienced theatre 1950s in Mayanup, Pumphreys Bridge, spiritual culture. Part of and film actor, as well as a talented Borden and Boddington, Western Blackout series. player, guitarist, singer, Australia. present at that dancer and storyteller. Filmmaker time now share their story directly SALES CONTACT Allan Collins caught up with Trevor with the SPIRIT STONES audience. ABC Content Sales between filming for the new series of The stones fell for hours, days and Australia ‘The Circuit’ and the upcoming feature weeks, in numerous locations in the PHONE +61-2 8333 1500 film ‘Bran Nue Dae’. It’s a rare and 1940s and 1950s. They came through FAX +61-2 8333 3975 intimate insight into the life of Trevor roofs, tents, walls and tables without [email protected] Jamieson, SPINIFEX MAN. From the leaving holes. Sometimes warm www.abccontentsales.com.au Message Stick series. or hot, stones travelled in peculiar directions. Even today there is no SALES CONTACT single explanation. ABC Content Sales Australia SALES CONTACT PHONE +61-2 8333 1500 Jag Films Pty Ltd FAX +61-2 8333 3975 Australia [email protected] PHONE +61-8 9758 7404 www.abccontentsales.com.au FAX +61-8 9757 3180 jagfi[email protected] www.jagfilms.com.au

Indigenous Australians in key creative roles (producer, director, writer or DOP) are credited in italics.

150 DOCUMENTARIES - LONG

Stephen Hagan Stolen Children Stolen Generations 2005 1997 2000 Digital Betacam Betacam Digital Betacam 26 min 29 min 52 min s PRODUCER Julie Nimmo EXEC PROD George Pugh PRODUCER Tom Zubrycki DIRECTOR Julie Nimmo PRODUCER Peter Kirkwood DIRECTOR Darlene Johnson WRITER Julie Nimmo DIRECTOR Peter Kirkwood WRITER Darlene Johnson WRITER Peter Kirkwood, Barbara DOP Ian Pugsley, Robert Stephen Hagan is the former (Malarndirri) McCarthy Humphreys ACS government bureaucrat who became CAST Barbara McCarthy a household name when he fought (Narrator) This film details the history of the to have the word ‘Nigger’ removed removal of Aboriginal children from from a Toowoomba sports stadium. Sidney Rusca was taken as an infant their parents and draws together He took his fight all the way to the from his family in Booroloola. Laura personal testimony of suffering and United Nations. This profile looks at Knowles was taken from her mother resistance endured by survivors of his turbulent life, what happened in his who lived at Daly River. Clara Edwards Australia’s stolen generation. past to motivate him and what effect was taken from Ernabella in Central his controversial campaign has had on SALES CONTACT Australia and Avis Edwards from his family. From the Message Jotz Productions Pty Ltd Ceduna in South Australia. Sidney, Stick series. Australia Laura, Clara and Avis were removed PHONE +61-2 9569 9653 SALES CONTACT from their families, communities MOBILE +61-414 683 231 ABC Content Sales and culture and forced to grow up [email protected] Australia on Christian missions hundreds of PHONE +61-2 8333 1500 kilometres from their homes. Their DVD RELEASE FAX +61-2 8333 3975 ‘crime’ was that they had white Ronin Australia [email protected] fathers and Aboriginal mothers, and www.abccontentsales.com.au they were taken in order to lead ‘a better life’. Reporter Barbara McCarthy travels to the sites of the missions and hears from the ‘inmates’ the pain of separation from their families and the ups and downs of life on the mission.

SALES CONTACT ABC Content Sales Australia PHONE +61-2 8333 1500 FAX +61-2 8333 3975 [email protected] www.abccontentsales.com.au THE BLACK LIST 151 Stone Forever The Story of Storymakers 1999 Bran Nue Dae 1988 Digital Betacam 2009 16mm 63 min 4 x 25 min Digital Betacam 24 min EXEC PROD David Hannay, PRODUCER Janet Bell, Colleen Margaret Pomeranz PRODUCER Graeme Isaac, Robyn Clarke, Paul Humfress PRODUCER Richard Kuipers Kershaw DIRECTOR Martin Daley, David DIRECTOR Richard Kuipers DIRECTOR Adrian Wills Haythornthwaite, Karl McPhee, WRITER Richard Kuipers WRITER Adrian Wills Aviva Ziegler DOP Warwick Thornton DOP Campbell Hynam-Smith WRITER Martin Daley, Ursula CAST Sandy Harbutt, David Kolbe, Bob Maza Hannay, , Roger Ward This documentary tells the story and John Ivkovitch behind the making of the Indigenous STORYMAKERS features musical feature film ‘Bran Nue Dae’, internationally known Australian In December 1998, over 30,000 and profiles the unique Indigenous writers and illustrators of children’s motorcyclists gathered in Sydney creative community in Broome, books. This series is designed to help to celebrate the 25th anniversary Western Australia, that gave birth to it. develop children’s awareness of how of the 1974 Australian bikie classic books are conceived and created and SALES CONTACT ‘Stone’. This film examines the cult to encourage a love of books Mayfan Pty Ltd and reading. surrounding ‘Stone’ and the times in Australia which it was made. PHONE +61-2 9365 3111 SALES CONTACT SALES CONTACT FAX +61-2 9365 3166 Screen Australia Hedon Productions [email protected] Australia Australia PHONE +61-2 8113 5800 PHONE +61-2 9809 1007 FAX +61-2 9357 3737 FAX +61-2 9212 2350 [email protected] www.screenaustralia.gov.au

152 DOCUMENTARIES - LONG

Storytellers Straight from the Stranger in My Skin: of the Pacific Yudaman’s Mouth Ray Cotti 1995 1997 2001 Digital Betacam Digital Betacam Digital Betacam s 4 x 55 min 27.5 min 26 min

EXEC PROD David Leonard EXEC PROD David Jowsey, Rachel EXEC PROD Mark Hamlyn, John PRODUCER Llew Cleaver, Frances Perkins Macumba Peters-Little PRODUCER Donna Ives PRODUCER Rod Freedman DIRECTOR Frances Peters-Little, DIRECTOR Christine Togo DIRECTOR Darlene Johnson Llew Cleaver WRITER Christine Togo WRITER Darlene Johnson CAST Llew Cleaver DOP Simon Smith CAST Lafe Charlton Ray Cotti was born to Aboriginal An international co-production parents but adopted at a young age coordinated by the ABC. These STRAIGHT FROM THE YUDAMAN’S by a Swiss German family in Sydney. programs look at the reaffirmation of MOUTH is the story of the 1930s’ Growing up in a European culture, he native culture amongst Indigenous shooting of the white administrator thought of himself as white. Then at people, land rights issues, survival of Palm Island Aboriginal Mission. the age of eight, Ray was removed and regrowth of Indigenous culture, Through the eyes of Peter Prior, from his adoptive family and after and overcoming the damage done to then one of the island’s Aboriginal living in a series of institutions, placed personal and group identity residents, and now a 91-year-old, the in foster care. By the time he was in by colonisation. film revisits the life and times of the his teens, confusion about his identity old mission and the extraordinary was taking a devastating toll. This is a SALES CONTACT portrait of a young man on a journey ABC Content Sales events that surrounded the death of its Administrator, Robert Curry. of self-discovery, searching for his Australia origins. Now an active member of an PHONE +61-2 8333 1500 SALES CONTACT Indigenous community with a family FAX +61-2 8333 3975 Donna Ives of his own, he has found a sense of [email protected] Australia belonging. His journey is far from over www.abccontentsales.com.au PHONE +61-7 4728 1316 but Ray Cotti is finally at home in his [email protected] own skin.

DVD RELEASE SALES CONTACT Ronin Australia Screen Australia Australia PHONE +61-2 8113 5800 FAX +61-2 9357 3737 [email protected] www.screenaustralia.gov.au

THE BLACK LIST 153 Strokes of Colour Substance Misuse Sugarman 2004 2001 2000 Digital Betacam Digital Betacam DV/Mini DV 27 min 2 x 30 min 54 min

PRODUCER Adrian Wills PRODUCER Lorna O’Shane PRODUCER Bob Randall, David DIRECTOR Adrian Wills DIRECTOR Lorna O’Shane Roberts WRITER Adrian Wills WRITER Lorna O’Shane DIRECTOR David Roberts WRITER David Roberts Artist and textile designer Bronwyn A two-part documentary on substance CAST Bob Randall (Narrator), Bancroft has been achieving her misuse and its effects on Indigenous David Roberts desires since she was a young woman people and communities. In part one, and ‘making art’. Her works have been we travel to the remote Northern Dionysus meets the Dreamtime. exhibited in galleries and museums Territory town of Yuendumu and A unique Australian approach throughout Australia and overseas in to western NSW to take a look at to addressing the problems of Scotland, Germany, Canada, the US, communities trying to overcome the Indigenous alcohol abuse through New Zealand, Argentina and many problems of petrol sniffing amongst the power of story. When Andrew more. And in 1987, an all Aboriginal their youth. Part two examines the Spencer Japaljarri, a Warlpiri/Pintubi group of models and designers harrowing impact heroin has on young elder from the Central Desert tells showcased their designs in Paris. From Indigenous men and women in our Craig San Roque, President of the the Message Stick series. urban communities. Part of Australian Jungian Association, that ICAM Series. SALES CONTACT the way Australian Aborigines would ABC Content Sales SALES CONTACT traditionally control such destructive Australia SBS News and Current Affairs influences such as alcohol is through PHONE +61-2 8333 1500 Content Sales law derived from their Dreamtime FAX +61-2 8333 3975 Australia stories. It culminates in the telling [email protected] PHONE +61-2 9430 2828 of the story of Dionysus, presented in www.abccontentsales.com.au FAX +61-2 9430 3040 the form of a spectacular traditional [email protected] corroboree at night, in the Central www.sbs.com.au/contentsales Desert, 100 km west of Alice Springs. SALES CONTACT Antipodes Productions Australia PHONE +61-2 6257 1819 FAX +61-2 6247 3717 MOBILE +61-409 660 182 [email protected]

154 DOCUMENTARIES - LONG

Sunset to Sunrise Survival 2001 Concert Tamworth 2006 2001 2004 Digital Betacam Digital Betacam Digital Betacam 23 min 30 min 26 min s-t EXEC PROD Rachel Clements PRODUCER Karla Grant PRODUCER Kelrick Martin PRODUCER Barbara Clifford DIRECTOR Karla Grant DIRECTOR Kelrick Martin DIRECTOR Allan Collins ACS WRITER Karla Grant WRITER Kelrick Martin WRITER Allan Collins ACS DOP Allan Collins ACS The Survival concert had its beginning Explores the deep, rich Aboriginal CAST Max Stuart in 1988 when it was organised as ’s most popular an alternative to Australia Day festival. From the celebrations. Since then, it’s been held Message Stick series. On a winter’s evening, by the light of every year to celebrate the spiritual a comforting campfire, Max Stuart, SALES CONTACT and cultural survival of Indigenous senior Arrente elder and custodian ABC Content Sales Australians and in doing this, of the Alice Springs area, divulges Australia showcasing a wealth of Indigenous poignant words of wisdom to PHONE +61-2 8333 1500 talent. This year in the spirit of his descendants. FAX +61-2 8333 3975 reconciliation, non-Indigenous bands [email protected] SALES CONTACT have been included in the line-up www.abccontentsales.com.au CAAMA Productions Pty Ltd including Sydney band Skunkhour Australia alongside Indigenous band and Alice PHONE +61-8 8951 9778 Springs rockers, NOKTURNL. Part of FAX +61-8 8951 9717 ICAM series. MOBILE +61-419 814 960 [email protected] SALES CONTACT SBS News and Current Affairs www.caama.com.au Content Sales Australia DVD RELEASE PHONE +61-2 9430 2828 CAAMA Australia FAX +61-2 9430 3040 [email protected] www.sbs.com.au/contentsales

THE BLACK LIST 155 Teddy Briscoe Tent Boxers Tent Embassy 2000 2000 1992 VHS/DVD Digital Betacam 16mm 24 min 29 min 58 min

EXEC PROD Priscilla Collins PRODUCER Michael Riley PRODUCER Frances Peters-Little PRODUCER Melissa Juhanson DIRECTOR Michael Riley DIRECTOR David Sandy DIRECTOR Melissa Juhanson WRITER Michael Riley WRITER Frances Peters-Little CAST Teddy Briscoe Boxing is one sport that has produced A provocative analysis of Aboriginal A documentary about an Indigenous some outstanding Indigenous talent engagement in white politics during stockman, and the legacy carried on such as Lionel Rose, the past 20 years. It all began in 1972 by his family. and George Bracken. One of the ways with the establishment of a number Indigenous boxers were discovered of tents on the lawns of Parliament SALES CONTACT was through a series of tent boxing House in Canberra. In effect, it was CAAMA Productions Pty Ltd circuses that once travelled the an Aboriginal Tent Embassy and so Australia country. TENT BOXERS tells the story began the metaphor for this black- PHONE +61-8 8951 9778 of Aboriginal involvement in these white political engagement. The FAX +61-8 8951 9717 tent boxing circuses. It combines first program analyses the original political MOBILE +61-419 814 960 person accounts of tent boxing life claims which sparked off the early [email protected] with rich archival material of the time. determination to face the government www.caama.com.au head-on. It also considers the SALES CONTACT outcome of those claims. That, in turn, ABC Content Sales has affected contemporary Aboriginal Australia politics which when compared with the PHONE +61-2 8333 1500 early 1970s has taken on a far more FAX +61-2 8333 3975 passive and personal stance. [email protected] www.abccontentsales.com.au SALES CONTACT ABC Content Sales DVD RELEASE Australia ABC Video Australia PHONE +61-2 8333 1500 FAX +61-2 8333 3975 [email protected] www.abccontentsales.com.au

156 DOCUMENTARIES - LONG

Thancoupie That Ole Mac Blagic Third World United 2004 2004 Nations Conference Digital Betacam Digital Betacam Against Racism 26 min 27 min t 2001 PRODUCER Rima Tamou PRODUCER Lou Glover Digital Betacam 30 min DIRECTOR Rima Tamou DIRECTOR Lou Glover WRITER Rima Tamou WRITER Lou Glover PRODUCER Julie Nimmo DIRECTOR Julie Nimmo Thancoupie is known internationally Bruce McGuinness was a member WRITER Julie Nimmo for her pottery. But it is the strength of of the steering committee that her country, Weipa, that grounds her. established the Victorian Aboriginal As the first preschool teacher from Education Consultative Group in 1976 The World Conference Against Racism that area in the late 1960s, she has and became its inaugural Executive is the most significant world event in stepped back into education to teach Officer. When he left that position in addressing racism in 30 years and has the youth of her homelands. From the 1978, he focused on Aboriginal health set the agenda for addressing racism Message Stick series. and helped to establish the Koori Kollij for the next decade. The conference in Melbourne. He was a well-respected focused on action orientated and SALES CONTACT man, with great community vision who practical steps to eradicate racism, ABC Content Sales still continues to inspire and motivate including measures of prevention, Australia others. This is Bruce McGuinness. education, protection and the provision PHONE +61-2 8333 1500 From the Message Stick series. of effective remedies. It provided a FAX +61-2 8333 3975 unique and important opportunity to [email protected] SALES CONTACT create a new world vision for the fight www.abccontentsales.com.au ABC Content Sales against racism in the 21st century. Australia Part of ICAM series. PHONE +61-2 8333 1500 FAX +61-2 8333 3975 SALES CONTACT [email protected] SBS News and Current Affairs www.abccontentsales.com.au Content Sales Australia PHONE +61-2 9430 2828 FAX +61-2 9430 3040 [email protected] www.sbs.com.au/contentsales

THE BLACK LIST 157 This River Still Tiddas Timebomb Has a Song 2000 2003 1999 Digital Betacam Digital Betacam/DV/Mini DV 26 min 26 min Digital Betacam 30 min EXEC PROD Llew Cleaver EXEC PROD Citt Williams, Beck PRODUCER Jacqueline Bethel PRODUCER Tanith Carroll Cole DIRECTOR Mitch (Michelle) Torres DIRECTOR Tanith Carroll PRODUCER Citt Williams, Beck WRITER Mitch (Michelle) Torres WRITER Tanith Carroll Cole CAST Frances Rings (Presenter) DIRECTOR Robyn Nardoo Granny Annie, talking about life on DOP Warwick Thornton the river in English and also in her Lou Bennett, Sally Dastey and Amy CAST Frank Djara traditional language, all about Saunders are TIDDAS, the all girl Fitzroy River. band who, after a decade of successful Frank Djara is a Pitjantjatjara man performing, are finally splitting up. that was born and grew up on his SALES CONTACT Part of ICAM series. CAAMA Productions Pty Ltd homelands in the outback community Australia SALES CONTACT of Areyonga in Central Australia. Today he is an elder of his community PHONE +61-8 8951 9778 SBS News and Current Affairs with a serious sickness, diabetes. By FAX +61-8 8951 9717 Content Sales using 21st century technology, Frank MOBILE +61-419 814 960 Australia [email protected] PHONE +61-2 9430 2828 willingly shares his story. Frank tells www.caama.com.au FAX +61-2 9430 3040 of his community childhood, his radical [email protected] work as an Aboriginal men’s health www.sbs.com.au/contentsales educator and his own experiences of a serious illness.

SALES CONTACT CAAMA Productions Pty Ltd Australia PHONE +61-8 8951 9778 FAX +61-8 8951 9717 MOBILE +61-419 814 960 [email protected] www.caama.com.au

158 DOCUMENTARIES - LONG

Tnorala Tombstone Opening Tommy 2008 2002 2004 Digital Betacam Digital Betacam Digital Betacam 23 min 26 min 26 min t EXEC PROD Rachel Clements PRODUCER Paulette Whitton, PRODUCER Rima Tamou PRODUCER Rachel Clements, Liz Nancia Guivarra DIRECTOR Rima Tamou Warning DIRECTOR Paulette Whitton, WRITER Rima Tamou DIRECTOR Warwick Thornton Nancia Guivarra WRITER Warwick Thornton Tommy Lewis’ acting career led him CAST Aunty Mavis Malbuka, Uncle People deal with grief in different ways to international acclaim and back Herman Malbunka and in Torres Strait Island culture, again. His role in the film, ‘The Chant a tombstone opening and unveiling of Jimmie Blacksmith’ took young symbolises the point where sorrow Tommy into a world he wasn’t ready ‘Ladies were dancing it up in the Milky meets happiness. In this documentary, for. Today his stage is the community Way, and the baby fell down from a ABC Radio National broadcaster of Beswick. From the Message , fell down here, and created Nancia Guivarra takes us to her Stick series. that meteorite crater.’ grandfather’s tombstone opening in SALES CONTACT SALES CONTACT Cairns to join her family’s ceremony ABC Content Sales CAAMA Productions Pty Ltd and the celebrations that mark the Australia Australia end of their mourning period. From the PHONE +61-2 8333 1500 PHONE +61-8 8951 9778 Message Stick series. FAX +61-2 8333 3975 FAX +61-8 8951 9717 SALES CONTACT [email protected] MOBILE +61-419 814 960 ABC Content Sales www.abccontentsales.com.au [email protected] Australia www.caama.com.au PHONE +61-2 8333 1500 FAX +61-2 8333 3975 [email protected] www.abccontentsales.com.au

THE BLACK LIST 159 Torres Strait Island Torres Strait Islander Tour of France 02: Adoptions Autonomy: Masig Nunukul Dance 2001 2001 Troupe Digital Betacam Digital Betacam 2002 30 min 30 min DV/Mini DV 28 min PRODUCER Lorna O’Shane PRODUCER Llew Cleaver DIRECTOR Lorna O’Shane DIRECTOR Llew Cleaver EXEC PROD Daniel Abad WRITER Lorna O’Shane WRITER Llew Cleaver PRODUCER Douglas Watkin, Kirsten Taylor The practice of customary adoption, Each year, 23 August 1937 is DIRECTOR Douglas Watkin, referred to by Torres Strait Islanders celebrated by the people of the Torres Kirsten Taylor as Kupai Omaskar, has been employed Strait. A massive maritime strike by WRITER Daniel Abad for many generations. The Chief the Torres Strait Islander workers in Justice of the Family Court, Alistair 1936 was successfully coordinated CAST Nunukul Dance Troupe Nicholson, is now making moves to to bring an ending to the virtual have the practice legalised and for it slavery policies of the Queensland Straight out of Stradbroke Island, the to be recognised under Queensland Government and its appointed Native Nununkul Aboriginal Dance Troupe Law. A move which hasn’t pleased Protector. The day is seen by the hit France, Italy and Thailand in 2002 everyone. However, if this does Islanders as the ‘Day Torres Strait touring as part of the Nice Carnival. happen, it may have implications became a Nation’. This documentary Life on the road and the crossing for other traditional practices to be takes a look at the lead-up and history of very different but appreciative legalised through legislation. Part of behind the day’s event. Part of cultures. ICAM series. ICAM series. SALES CONTACT SALES CONTACT SALES CONTACT Hanson Advisory Services SBS News and Current Affairs SBS News and Current Affairs Australia Content Sales Content Sales FAX +61-7 4687 7981 Australia Australia MOBILE +61-407 197 574 PHONE +61-2 9430 2828 PHONE +61-2 9430 2828 [email protected] FAX +61-2 9430 3040 FAX +61-2 9430 3040 www.thehansongroup.com.au [email protected] [email protected] www.sbs.com.au/contentsales www.sbs.com.au/contentsales

160 DOCUMENTARIES - LONG

Travelling Walpiris Trek: An Australian Trespass 1992 Camel Odyssey 2001 1” Video 2002 Digital Betacam 26 min 52 min Digital Betacam t 55 min EXEC PROD Dimitris Economou, EXEC PROD Priscilla Collins Austin Steele EXEC PROD Brian McKenzie PRODUCER David Vadiveloo, PRODUCER Rachel Perkins PRODUCER Jules Ober, Pierre- Priscilla Collins DIRECTOR Rachel Perkins Jacques Ober DIRECTOR David Vadiveloo DIRECTOR Pierre-Jacques Ober DOP Jason Ramp The Walpiris are a family that travel WRITER Pierre-Jacques Ober together playing their music to the DOP Murray Lui With only 26 members of Ynonne Northern Territory Aborigines. It is CAST Paddy McHugh Margarulas’ community remaining about life on the road, the people they alive today, their language and meet, the music they play and cultural survival constantly under their ideology. From the wild to the racetrack, siege, this gently spoken woman Australians and their camels take us has led the Mirrar people on a SALES CONTACT on an amazing journey to discover the non-violent campaign of resistance Sales information not current, heart and soul of their country. please contact Screen Australia for that has stopped successive federal enquiries SALES CONTACT governments and four of the world’s Australia ABC Content Sales largest mining companies in their tracks. PHONE +61-2 8113 5850 Australia [email protected] PHONE +61-2 8333 1500 SALES CONTACT www.screenaustralia.gov.au FAX +61-2 8333 3975 CAAMA Productions Pty Ltd [email protected] Australia www.abccontentsales.com.au PHONE +61-8 8951 9778 FAX +61-8 8951 9717 MOBILE +61-419 814 960 [email protected] www.caama.com.au

DVD RELEASE CAAMA Australia

THE BLACK LIST 161 Troubled Waters Troy Cassar-Daly True Stories - Artists 2007 2000 of East Kimberley HD Digital Betacam 2005 27 min 30 min Digital Betacam 25 min EXEC PROD Susan Moylan- PRODUCER Kris Flanders Coombs DIRECTOR Kris Flanders EXEC PROD Art Gallery of New PRODUCER Douglas Watkin WRITER Kris Flanders South Wales DIRECTOR Douglas Watkin PRODUCER Hetti Perkins WRITER Rhianna Patrick One of country music’s hottest acts, DIRECTOR James Marshall, Hetti singer/songwriter Troy Cassar-Daly Perkins speaks about his very successful The Queensland Government’s WRITER Hetti Perkins music career. Although achieving huge decision to forcibly reduce the state’s DOP James Marshall number of shire councils has met success, Troy remains down to earth CAST Artists of the East with widespread opposition but its in his approach to the music industry, repercussions may be most keenly an attitude that makes him a crowd Kimberley felt in the Torres Strait Islands. Under favourite wherever he goes. Troy the proposals, one regional authority has won a number of country music Contemporary Indigenous art from would replace the 17 Island Councils awards and most recently he picked the East Kimberley is inspired by but there would be community boards up the Country Male Artist of the Year the spectacular landscape rich in on each of the islands. Locals fear at the prestigious MO Music Awards. ancestral history. In this documentary amalgamation would lead to a loss of Part of ICAM series. Gija artists of the East Kimberley employment, services autonomy and SALES CONTACT reveal the ‘True Stories’ behind this cultural identity. From the Message SBS News and Current Affairs distinctive Australian art movement. Stick series. Content Sales SALES CONTACT SALES CONTACT Australia Art Gallery of New South Wales ABC Content Sales PHONE +61-2 9430 2828 Australia Australia FAX +61-2 9430 3040 PHONE +61-2 9225 1700 PHONE +61-2 8333 1500 [email protected] FAX +61-2 9221 6226 FAX +61-2 8333 3975 www.sbs.com.au/contentsales [email protected] [email protected] www.abccontentsales.com.au

162 DOCUMENTARIES - LONG

Urrpeye Valerie Corbett Vanish 2007 2000 1998 Digital Betacam Digital Betacam Betacam 30 min 30 min 26 min t-v EXEC PROD Rachel Clements, Citt PRODUCER Julie Nimmo EXEC PROD Priscilla Collins Williams DIRECTOR Julie Nimmo PRODUCER Teresa-Jayne Hanlon PRODUCER Melissa Johnston WRITER Julie Nimmo DIRECTOR Ivan Sen DIRECTOR Adrian Wills WRITER Ivan Sen WRITER Adrian Wills A profile of Perth elder, Valerie DOP Ivan Sen Corbett, or as she’s affectionately URRPEYE celebrates the diversity, known in the community, Nan Corbett. There was no more terrible part of history, strength and voice of Raised in country in Western our 19th century than the herding Indigenous film and television. This is Australia, Nan Corbett has spent over together of broken tribes under authority a story of ‘coming together’ - where 35 years living in Perth with a door into settlements and institutions as media groups and cultures have united that is always open to those who need substitute homes. For the Gamilaroi to create the National Indigenous TV a hand. Having raised six children and people of MacIntyre River it began in station (NITV). countless grandchildren, Nan Corbett 1912 with the formulation of Euroba still continues to take in children off Reserve on the northern border of NSW. SALES CONTACT the streets despite suffering from Through the eyes of three generations CAAMA Productions Pty Ltd diabetes. Part of ICAM series. of women we follow these people over Australia the last 90 years on a journey of survival PHONE +61-8 8951 9778 SALES CONTACT against oppression and loss of culture. FAX +61-8 8951 9717 SBS News and Current Affairs MOBILE +61-419 814 960 Content Sales SALES CONTACT [email protected] Australia CAAMA Productions Pty Ltd www.caama.com.au PHONE +61-2 9430 2828 Australia FAX +61-2 9430 3040 PHONE +61-8 8951 9778 [email protected] FAX +61-8 8951 9717 www.sbs.com.au/contentsales MOBILE +61-419 814 960 [email protected] www.caama.com.au

THE BLACK LIST 163 Vic Simms Vis a Vis: Techno Tribal Vote ‘Yes’ for 2005 Vis a Vis: Native Tongues Aborigines Digital Betacam 2003 2007 26 min DVC Pro 50/Digital Betacam Digital Betacam 52 min 52 min PRODUCER Adrian Wills DIRECTOR Adrian Wills PRODUCER Nick Torrens, Steven PRODUCER Denise Haslem WRITER Adrian Wills Lawrence DIRECTOR Frances Peters-Little DIRECTOR Nick Torrens, Steven WRITER Frances Peters-Little From his childhood on the mission at Lawrence, Phil Lucas CAST Deborah Cheetham La Perouse, to singing his way out of WRITER Nick Torrens, Ningali (Narrator) jail, his decline into alcoholism, his Lawford, James Luna, Phil Lucas, three state tour, and mending a bridge Steven Lawrence with old mate Jimmy Little, Vic finally VOTE ‘YES’ FOR ABORIGINES CAST Ningali Lawford, James Luna tells his story. From the Message recognises and celebrates the 40th Stick series. anniversary of the 1967 Referendum, VIS A VIS: TECHNO TRIBAL the political milestone that overturned SALES CONTACT compares the experiences of Australian constitutional law to allow ABC Content Sales Indigenous peoples in Australia and Aboriginal people to be counted as Australia the US by linking two charismatic Australian citizens in their PHONE +61-2 8333 1500 Indigenous artists in these countries own country. FAX +61-2 8333 3975 through digital satellite video. Ningali SALES CONTACT Vote ‘Yes’ for Aborigines [email protected] Lawford from north-west Australia www.abccontentsales.com.au Ronin Films and James Luna from California Australia use humour and drama to confront PHONE +61-2 6248 0851 prejudices and compare the effects FAX +61-2 6249 1640 of their mainstream white societies. orders@roninfilms.com.au This techno journey is fascinating, www.roninfilms.com.au surprising and often very funny.

SALES CONTACT DVD RELEASE Article Z Ronin Australia France PHONE +33-15533 5260 FAX +33-15533 5262 [email protected] www.articlez.fr

DVD RELEASE Ronin Australia

164 DOCUMENTARIES - LONG

Vote of No Confidence A Walk with Words Wanja 2007 2000 2008 Digital Betacam Digital Betacam HD 26 min 27.5 min 25 min v-w PRODUCER Jeremy Geia EXEC PROD Priscilla Collins, Sam EXEC PROD Tom Zubrycki DIRECTOR Jeremy Geia Conway, David Jowsey PRODUCER Tom Zubrycki WRITER Jeremy Geia PRODUCER Charlotte Seymour DIRECTOR Angie Abdilla DIRECTOR Erica Glynn WRITER Angie Abdilla Some legal experts and politicians WRITER Erica Glynn, Romaine CAST Barbara Stacey have suggested that the changes to Moreton the Electoral Act will make it more DOP Warwick Thornton A documentary about ‘The Block’ difficult for Indigenous Australians to CAST Romaine Moreton through the eyes of Auntie Barb and cast their vote at this year’s Federal the life of her blue heeler dog, recently Election. The new changes mean first deceased. The many and varied stories A WALK WITH WORDS is the time voters must provide 100 points of WANJA reflect on the issues personal and political story of of ID on or before the day the election affecting this Indigenous community Romaine Moreton, a poet, performance date is called. On top of this they must in the heart of Sydney. provide original documents and have artist and Indigenous woman, and their enrolment forms witnessed by an how she uses words to seduce her SALES CONTACT authority. This poses real challenges audience and illustrate the plight and Jotz Productions Pty Ltd in remote communities where the beauty of Indigenous survival. Australia PHONE +61-2 9569 9653 local mail plane service is limited. SALES CONTACT MOBILE +61-414 683 231 This program focuses on the cultural, SBS Content Sales [email protected] bureaucratic and geographical Australia diversity of the Lingari Electorate in PHONE +61-2 9430 3975 DVD RELEASE the Northern Territory, which is one- FAX +61-2 9430 2882 sixth of Australia’s land mass. From [email protected] Ronin Australia the Message Stick series. www.sbs.com.au/contentsales SALES CONTACT ABC Content Sales DVD RELEASE Australia Ronin Australia PHONE +61-2 8333 1500 FAX +61-2 8333 3975 [email protected] www.abccontentsales.com.au

THE BLACK LIST 165 Warrior in Chains Waverly’s Dream Wayne’s World 2009 2006 2002 Digital Betacam Digital Betacam Digital Betacam 26 min 25 min 26 min

PRODUCER Adrian Wills EXEC PROD David Jowsey PRODUCER Rima Tamou DIRECTOR Adrian Wills PRODUCER Catriona McKenzie DIRECTOR Rima Tamou WRITER Adrian Wills DIRECTOR Catriona McKenzie CAST Roger Knox WRITER Catriona McKenzie Wayne Blair is an accomplished stage and screen actor with a long list of Roger Knox is a Gamilaroi man who Waverly Stanley is a young man with a credits to his name. But it’s not on the was born at Moree, north-west NSW, big dream. He wants as many kids as big screen that he hopes to make his and grew up at Toomelah mission near possible to have access to prestigious biggest impression. It’s behind the We of Little Voice Boggabilla on the NSW-QLD border. private schools around the country, camera. Wayne Blair is one of this Roger started his musical career as a just as he did. This is his story. country’s hottest Indigenous young gospel singer and in the early 1980s writers and directors. His most recent SALES CONTACT defied the odds surviving not one but short film, ‘The Djarn Djarns’, won the ABC Content Sales two plane crashes, suffering burns Crystal Bear award for Best Children’s Australia to most of his body. With his band, Short Film at the Berlin International PHONE +61-2 8333 1500 Euraba, he has dedicated his life to Film Festival. From the Message FAX +61-2 8333 3975 sharing music, spending much of his Stick series. [email protected] time playing to neglected Aboriginal www.abccontentsales.com.au SALES CONTACT audiences in remote communities and ABC Content Sales prisons, as well as touring detention Australia centres and Indian reservations in the PHONE +61-2 8333 1500 US and Canada. From the Message FAX +61-2 8333 3975 Stick series. [email protected] SALES CONTACT www.abccontentsales.com.au ABC Content Sales Australia PHONE +61-2 8333 1500 FAX +61-2 8333 3975 [email protected] www.abccontentsales.com.au

166 DOCUMENTARIES - LONG

Ways of Being, Ways We of Little Voice We’re Not Lost of Talk 2002 2000 2002 Digital Betacam Digital Betacam 26 min 27 min Digital Betacam w 30 min PRODUCER Heather Croall EXEC PROD Varcha Sidwell DIRECTOR Michelle White DIRECTOR Peter Hodgson PRODUCER Damian Brown WRITER Michelle White WRITER Peter Hodgson DIRECTOR Damian Brown DOP Allan Collins ACS WRITER Jim Everett WAYS OF BEING, WAYS OF TALK CAST Kevin Buzzacott, Yami looks at how Aboriginal English Lester Positive impressions of the Tasmanian has evolved as a separate dialect in Aboriginal culture as it is now and this country, and why it’s important WE OF LITTLE VOICE reveals the an exploration of apsects of its everyone acknowledges it as effects that nuclear testing and development presented by Aboriginal legitimate. The way we speak English uranium mining have had on the leader Jim Everett. is a distinct part of culture and identity. Indigenous communities in It’s been shaped by our history: put Central Australia. simply, we speak the way we do because of what we’ve been through. SALES CONTACT It’s a marker of who we are as a Re Angle Pictures Pty Ltd people. From the Message Stick series. Australia PHONE +61-8 8443 4874 SALES CONTACT FAX +61-8 8443 4874 ABC Content Sales MOBILE +61-419 834 428 Australia [email protected] PHONE +61-2 8333 1500 www.reangle.com.au FAX +61-2 8333 3975 [email protected] DVD RELEASE www.abccontentsales.com.au Ronin Australia

THE BLACK LIST 167 When Colin Met Joyce When the Natives Where the 2007 Get Restless Children Play DV/Mini DV/Super 8 2007 1994 52 min DVD 1” Video 26 min 26 min PRODUCER Pauline Clague DIRECTOR Rima Tamou PRODUCER Melissa Johnston PRODUCER Richard Frankland WRITER Pauline Clague DIRECTOR Adrian Wills DIRECTOR Richard Frankland CAST Joyce and Colin Clague, WRITER Adrian Wills, Albert WRITER Richard Frankland John Tomlinson, Liesa, Grace, Hartnett Pauline and Evette Clauge The documentary takes a sharp look On New Year’s Day 2006, on the at the current controversy surrounding A love story, looking at a mixed Gordon Estate in Dubbo, complaints the application of the justice system to marriage that has lasted for 40 years, of police brutality towards an young Aboriginals. with a true sense of reconciliation Aboriginal youth sparked a riot, which When the Natives Get Restless SALES CONTACT bringing their lives together. Photographer: Simon Cardwell immediately enforced the new riot and Golden Seahorse Productions Pty Ltd www.corefilms.com.au affray law available to the NSW police. Australia This is where the story begins. SALES CONTACT PHONE +61-3 5261 2767 SBS Content Sales SALES CONTACT MOBILE +61-408 386 812 Australia ABC Content Sales [email protected] PHONE +61-2 9430 3975 Australia www.goldenseahorse.com.au FAX +61-2 9430 2882 PHONE +61-2 8333 1500 [email protected] FAX +61-2 8333 3975 www.sbs.com.au/contentsales [email protected] www.abccontentsales.com.au

168 DOCUMENTARIES - LONG

Whispering in Our Who Killed Who was Hearts... The Mowla Malcolm Smith? Evelyn Orcher? Bluff Massacre 1992 2004 16mm Digital Betacam w 2001 55 min 27 min Digital Betacam 52 min EXEC PROD Ron Saunders PRODUCER Ivan Sen, David Jowsey PRODUCER Graeme Isaac PRODUCER Sharon Connolly DIRECTOR Ivan Sen DIRECTOR Mitch (Michelle) Torres DIRECTOR Nicholas Adler, WRITER Ivan Sen WRITER Mitch (Michelle) Torres Caroline Sherwood WRITER Caroline Sherwood, In 1949, Evelyn Orcher was abducted as a 14-year-old girl from her NSW This film follows an Aboriginal Richard Frankland country home. Her family lived with the community from a remote area in the pain of not knowing her whereabouts north-west of Australia as they return This is the true story of Malcolm for 31 years, until 1979, when Evelyn to the site of a massacre that took Charles Smith who, like many appeared on television in an attempt place in 1916. The film intertwines the Aboriginal people, was taken from to find her family. The day after the oral account of Aboriginal elders with his family as a child and died a program went to air, Evelyn received a archival materials from the period. shocking and early death after a life of visit from a woman she had never met. institutionalisation and deprivation. In SALES CONTACT It was her niece. Evelyn had finally this documentary Richard Frankland, Mayfan Pty Ltd found her family, after 31 long years. An who helped investigate his death for Australia emotional family reunion followed, but the Royal Commission into Aboriginal PHONE +61-2 9365 3111 after the emotion faded, Evelyn returned Deaths in Custody, revisits Smith’s FAX +61-2 9365 3166 to her former life. The torment of the friends and family who tell the story of [email protected] past had opened fresh wounds, and a Malcolm’s life and death. new struggle had just begun. Part of DVD RELEASE SALES CONTACT Message Stick series. Ronin Australia Screen Australia Australia SALES CONTACT ABC Content Sales PHONE +61-2 8113 5800 Australia FAX +61-2 9357 3737 PHONE +61-2 8333 1500 [email protected] FAX +61-2 8333 3975 www.screenaustralia.gov.au [email protected] www.abccontentsales.com.au DVD RELEASE Screen Australia Australia

THE BLACK LIST 169 Willaberta Jack Willigan’s Fitzroy Wirrangul Women: 2007 2000 Always Have, Digital Betacam Digital Betacam Always Will 25 min 27.5 min 2006 EXEC PROD Rachel Clements EXEC PROD Priscilla Collins, Matt Digital Betacam 23 min PRODUCER Barbara Clifford, Flanagan Trisha Morton-Thomas, Elizabeth PRODUCER Jacqueline Bethel EXEC PROD Rachel Clements Warning DIRECTOR Steven McGregor PRODUCER Barbara Clifford DIRECTOR David Tranter WRITER Steven McGregor DIRECTOR Jason Ramp WRITER Steven McGregor DOP Warwick Thornton DOP Jason Ramp DOP Allan Collins ACS CAST Joe Ross, Kevin Oscar, CAST Doreen Miller, Gladys Miller CAST Donald ‘Crook Hat’ Bruce Williams Thompson Kamarre, Alec Pitjara Doreen and Gladys Miller are some of Peterson WILLIGAN’S FITZROY takes us to the last of the Wirrangul Tribe from Allan Collins filming Willaberta Jack the small Aboriginal community of the Eyre Peninsula region. The two Courtesy: CAAMA Productions Fitzroy Crossing in Western Australia. A clash of bush craft and pride as sisters revisit the landscapes of their Through the eyes of the local an Aboriginal man runs for his life early childhood and recount their young Aboriginal Employment Coordinator, pursued by the law of the day. Set in lives as Wirrangul women. But reliving Joe Ross, we take an informal 1929, this is an extraordinary tale of moments in history and recovering journey into the world of the Bunaba survival and resilience set amongst an unspoken language makes the Wirriya: Small Boy tribe, their lives, their culture and the harsh landscape of sisters realise that when they go, their Photographer: Beck Cole the modern infrastructures they are Central Australia. Wirrangul language goes with them. developing to make their community SALES CONTACT both financially and culturally viable. SALES CONTACT CAAMA Productions Pty Ltd One thing that has long united the CAAMA Productions Pty Ltd Australia people is the fight to stop their Australia PHONE +61-8 8951 9778 beloved Fitzroy River from becoming PHONE +61-8 8951 9778 FAX +61-8 8951 9717 a massive dam project. We gain an FAX +61-8 8951 9717 MOBILE +61-419 814 960 inkling into the enormous spiritual MOBILE +61-419 814 960 [email protected] and economic losses at stake for this [email protected] www.caama.com.au remote Kimberley town. www.caama.com.au

SALES CONTACT DVD RELEASE CAAMA Productions Pty Ltd CAAMA Australia Australia PHONE +61-8 8951 9778 FAX +61-8 8951 9717 MOBILE +61-419 814 960 [email protected] www.caama.com.au 170 DOCUMENTARIES - LONG

Wirriya: Small Boy Women of the Sun: Worimi Bight Back 2004 25 Years Later 2007 Digital Betacam 2006 Digital Betacam 26 min 26 min Digital Betacam w 80 min EXEC PROD Citt Williams EXEC PROD Susan Moylan- PRODUCER Beck Cole, Citt PRODUCER Bob Weis Coombs Williams DIRECTOR Bob Weis PRODUCER Grant Leigh Saunders DIRECTOR Beck Cole DOP Jason Ramp DIRECTOR Grant Leigh Saunders WRITER Beck Cole CAST Interviewees include WRITER Grant Leigh Saunders DOP Warwick Thornton Sonia Borg, Eva Johnson, Marcia CAST Ricko Japarjarri Martin, Langton, Naykalan Mununggur, WORIMI BIGHT BACK is a story Mandie Nelson Gatja Munyarryun, Shirley about the negotiation of an Indigenous Nirrpurranyydji, Justine Saunders, Land Use Agreement over one of the most used and largest tracks of sand WIRRIYA: SMALL BOY is a Djerrkngu Yunupingu dune on the east coast of Australia, documentary about a young Aboriginal Stockton Bight. This film is about boy and his world within an Alice ‘Women of the Sun’ (1990) depicted finding a healthy balance between Springs town camp. the lives of four Aboriginal women the needs of traditional owners, SALES CONTACT between the 1820s and the 1980s. the National Parks and Wildlife, CAAMA Productions Pty Ltd The first TV series made in their own commercial and recreational users Australia language, it was an instant classic. and those who have made it home PHONE +61-8 8951 9778 Producing the mini-series had a major for over a decade. From the Message FAX +61-8 8951 9717 impact on the director Bob Weis, and Stick series. Justine Saunders in Women of the Sun: MOBILE +61-419 814 960 25 years on he decides to reassess its SALES CONTACT 25 Years Later [email protected] importance to others, revisiting the ABC Content Sales www.caama.com.au women who played the leads to find Australia out what they experienced, producing PHONE +61-2 8333 1500 DVD RELEASE a fascinating and profoundly moving FAX +61-2 8333 3975 CAAMA Australia account. [email protected] SALES CONTACT www.abccontentsales.com.au Daro Film Distribution GmbH Monaco PHONE +377-9797 1600 FAX +377-9797 1591 daro@daro-films.mc www.daro-films.mc

DVD RELEASE Ronin Australia

THE BLACK LIST 171 World of Dreamings Wrap Me Up in Yarning Up 2000 Paperbark series 1 and 2 Digital Betacam 1999 2008 – 2009 30 min Digital Betacam Digital Betacam/DVD 27 min 8 x 6 min PRODUCER Julie Nimmo DIRECTOR Julie Nimmo EXEC PROD David Jowsey, John EXEC PROD Susan Moylan- WRITER Julie Nimmo Macumba Coombs PRODUCER Rod Freedman PRODUCER Penny Smallacombe Travels to the picturesque city of DIRECTOR Des Kootji Raymond DIRECTOR Tom E Lewis, St Petersburg in Russia where the WRITER Jeffrey Bruer, John Puruntatameri, Frank National Gallery of Australia (NGA) Macumba, Speedy McGinness Djirrimbilpilwuy, Eilish Markuniny exhibited the ‘World of Dreamings’: the largest collection of Aboriginal art and Garawirrtja, Revonna Urban, Ella artefacts to ever leave our shores. The A son battles family opinion and Geia exhibition aims to give a broad view of bureaucracy to retrieve his mother’s WRITER Jedda Puruntatameri, Aboriginal art by focusing on some of remains from a white man’s burial Eilish Markuniny Garawirrtja, Tom the highest achievements of Aboriginal ground and return them to her people E Lewis, Frank Djirrimbilpilwuy, artists from six distinct cultural blocs and traditional lands in Ella Geia, Revonna Urban in Aboriginal Australia, each with Gurindji territory. DOP Nicola Daley its own artistic traditions in terms Yellow Fella SALES CONTACT Photographer: Kuji Jenkins of materials, art styles and subject Sales information not current, YARNING UP is a series of short matter. Part of ICAM series. please contact Screen Australia for and compelling films from emerging enquiries SALES CONTACT Indigenous directors in the Northern Australia SBS News and Current Affairs Territory. The four stories speak of PHONE +61-2 8113 5850 Content Sales an intimate connection to country [email protected] Australia and culture; Dreamtime legends, www.screenaustralia.gov.au PHONE +61-2 9430 2828 history and personal stories from the FAX +61-2 9430 3040 Tiwi Islands, Katherine and the east DVD RELEASE [email protected] Arnhem Land island of Galiwinku. www.sbs.com.au/contentsales Ronin Australia www.teabba.com.au

SALES CONTACT Top End Aboriginal Bush Broadcasting Association Australia PHONE +61-8 8939 0400 FAX +61-8 8939 0401 [email protected] www.teabba.com.au

172 DOCUMENTARIES - LONG

Yellow Fella Yeperenye Federation Yeperenye Federation 2005 Festival: Coming Festival: The Road Digital Betacam Together as One Ahead Concert 25 min w-y 2002 2003 EXEC PROD Citt Williams Digital Betacam Digital Betacam 2 x 90 min 111 min PRODUCER Citt Williams DIRECTOR Ivan Sen EXEC PROD Priscilla Collins EXEC PROD Priscilla Collins WRITER Tom E Lewis, Fleur Parry PRODUCER Jacqueline Bethel PRODUCER Jacqueline Bethel DOP Ivan Sen DIRECTOR Rachel Perkins, DIRECTOR Rachel Perkins, CAST Tom E Lewis, Angelina Warwick Thornton Warwick Thornton George

YEPERENYE FEDERATION A history of Indigenous Australia In 1978, Tom Lewis appeared in FESTIVAL: COMING TOGETHER AS through song featuring Yothu Yindi, the Australian feature, ‘The Chant ONE is two 90-minute videos covering John Williamson, Troy Cassar-Daly, of Jimmie Blacksmith’. Jimmie the Yeperenye Federation Festival in Warrumpi Band, Teenage Band, Mills Blacksmith’s life was hauntingly close Alice Springs during 8-9 September Sisters, Frank Yamma and many more. to his own: a young man struggling 2001. A call to all Australians to for a foothold on the edge of two SALES CONTACT Director/DOP Ivan Sen on location for gather in the heart of our country cultures. Tom’s mother is a traditional CAAMA Productions Pty Ltd Yellow Fella to be part of the biggest Corroboree Indigenous woman of southern Australia Photographer: Kuji Jenkins Australia has ever seen. Arnhem Land, his father a Welsh PHONE +61-8 8951 9778 stockman who he never really knew. SALES CONTACT FAX +61-8 8951 9717 YELLOW FELLA is a journey across CAAMA Productions Pty Ltd MOBILE +61-419 814 960 the land and into Tom’s past as he Australia [email protected] attempts to find the resting place of PHONE +61-8 8951 9778 www.caama.com.au his father. FAX +61-8 8951 9717 MOBILE +61-419 814 960 SALES CONTACT [email protected] CAAMA Productions Pty Ltd www.caama.com.au Australia PHONE +61-8 8951 9778 FAX +61-8 8951 9717 MOBILE +61-419 814 960 [email protected] www.caama.com.au

DVD RELEASE CAAMA Australia

THE BLACK LIST 173 Yidaki 2000 Digital Betacam 24 min

EXEC PROD Chris Haws PRODUCER Michelle White DIRECTOR Michael Butler CAST Djalu Gurriwiwi, narrated by

Explores origins, history and culture surrounding Australia’s oldest wind instrument - the Yidaki, more commonly known as the Didgeridoo. Djalu Gurriwiwi, a traditional custodian shows how he creates the instrument.

SALES CONTACT Discovery Networks Singapore PHONE +65 6510 7500 [email protected]

174 DOCUMENTARIES - LONG

On location for When the Natives Get Restless (page 166)

THE BLACK LIST 175 10 Wives Alice Anderson Sisters 2009 1989 1992 Digital Betacam/DVD 13 min Betacam 6 min 13 min EXEC PROD Ron Saunders EXEC PROD Penny Smallacombe PRODUCER Pamela Williams PRODUCER Donna Ives PRODUCER Penny Smallacombe DIRECTOR Michael Riley, Darrell DIRECTOR Christine Brisby DIRECTOR Malcolm Wilson Sibosoda, Pamela Williams WRITER Christine Brisby WRITER Malcolm Wilson DOP Terry Carlyon, Simon Smith DOP Justine Kerrigan A video program on the lives of three CAST Mary Moreen, Alice is an Aboriginal teenager who elderly sisters who lived through David Guy, has experienced the ugliness of assimilation, depression and World Sally Wilson, Nelson Mungatopi racism first hand - from childhood War II. They have a lot to offer into maturity, at school and in the today’s society. Muluwurri is a man with 10 wives. He broader community. As we eavesdrop SALES CONTACT discovers that five brothers are making on her thoughts, her dreams of Donna Ives success in dance and music are close Australia Aunty Vicki and the Doolagah love to them; they’ve broken the law, so he gets his revenge. to fulfillment but the recurring jibes PHONE +61-7 4728 1316 and racial slights are an ever present [email protected] SALES CONTACT threat to her self-confidence. Top End Aboriginal Bush Broadcasting Association SALES CONTACT Australia Screen Australia Australia PHONE +61-8 8939 0400 PHONE +61-2 8113 5800 FAX +61-8 8939 0401 [email protected] FAX +61-2 9357 3737 www.teabba.com.au [email protected] www.screenaustralia.gov.au

176 THE BLACK LIST

Aunty Vicki Baamba Albert Babinda Boulders and the Doolagah 2002 2005 2002 Digital Betacam Digital Betacam 10 min 20 min SP Beta Docu!ntaries 5 min PRODUCER Mitch (Michelle) Torres PRODUCER Lou Glover, Paula PRODUCER Alicia Walsh DIRECTOR Mitch (Michelle) Torres Maling Short - DIRECTOR Thomas Avery WRITER Mitch (Michelle) Torres DIRECTOR Lou Glover, Paula WRITER Thomas Avery Maling under 23 CAST Vicky Carriage, Fred A profile of one of the great WRITER Lou Glover, Paula Maling Carriage, Jemma Connolly, Alex Indigenous performers, Baamba Albert, star of ‘Bran Nue Dae’, the minutes Bamblett, Kelly Bamblett On the outskirts of the Queensland musical. From the Message town of Babinda, there’s a popular Stick series. swimming hole known officially as Along the coast, and in the forests of Babinda Boulders. But to the locals, it’s NSW there is a spirit, a bad spirit. In SALES CONTACT the Devil’s Pool. So far, the waterhole 1932 a young girl had a frightening ABC Content Sales has claimed 16 lives, all of them young encounter with this spirit. He is called Australia male travellers. The area is cursed the Doolagah. PHONE +61-2 8333 1500 FAX +61-2 8333 3975 by an ancient Dreamtime legend. It’s SALES CONTACT [email protected] thought the spirit of a lovesick young Metro Screen Ltd www.abccontentsales.com.au woman haunts the swimming hole, Australia luring young male travellers to their PHONE +61-2 9361 5318 death because she’s searching for FAX +61-2 9361 5320 her forbidden lover, a warrior from a [email protected] visiting tribe. From the Message www.metroscreen.org.au Stick series. SALES CONTACT ABC Content Sales Australia PHONE +61-2 8333 1500 FAX +61-2 8333 3975 [email protected] www.abccontentsales.com.au

Indigenous Australians in key creative roles (producer, director, writer or DOP) are credited in italics.

177 Balgo Art Barb Barngngrnn Marrangu 1991 2003 Story Betacam 15 min 2009 12 min Digital Betacam/DVD PRODUCER Penny Smallacombe 5 min PRODUCER Wayne Barker DIRECTOR Penny Smallacombe DIRECTOR Wayne Barker WRITER Penny Smallacombe EXEC PROD Penny Smallacombe WRITER Wayne Barker PRODUCER Penny Smallacombe Barb McCarthy is a well-known and DIRECTOR Queenie Brennan Every man and every woman is a respected identity in the Northern WRITER Queenie Brennan Territory. She makes her way into custodian of a Dreaming that is of a DOP Justine Kerrigan mythical story that he/she shares with the homes of most Territorians every CAST Queenie Brennan, Andrina a group. These Dreaming stories talk night at 7pm with the ABC’s evening about the formation of landscape that news. But what most people don’t Oenpelli, Shanice Nabanardi, Jake the different groups consider as their know about Barbara is what’s going Dooley respective lands. Mick Gill is custodian through her head as she walks the of Rain Dreaming. The ancestors daunting Darwin ABC hallway on her In the early ‘60s a mother and father of this Dreaming are Cloud Beings way into the studio to read the news, escape from the reserve with their and Storm Beings who modelled his or even what takes precedence in her children through Jawyon land. country, some 300 km south-east of life when she is not at work. From the the Balgo Hills in the Nyunbjul area in Message Stick series. SALES CONTACT the East Kimberley region of WA. Top End Aboriginal Bush SALES CONTACT Broadcasting Association SALES CONTACT ABC Content Sales Australia Wayne Barker Australia PHONE +61-8 8939 0400 Australia PHONE +61-2 8333 1500 FAX +61-8 8939 0401 PHONE +61-8 9192 3215 FAX +61-2 8333 3975 [email protected] MOBILE +61-438 625 856 [email protected] www.teabba.com.au [email protected] www.abccontentsales.com.au

178 DOCUMENTARIES - SHORT

Blood in the Ground Bollywood Dreaming Boss 2000 2007 2009 15 min Digital Betacam/HD Digital Betacam/DVD 7 min 5 min b PRODUCER Rima Tamou DIRECTOR Rima Tamou PRODUCER Dot West EXEC PROD Penny Smallacombe WRITER Rima Tamou DIRECTOR Cornel Ozies PRODUCER Penny Smallacombe WRITER Mitch (Michelle) Torres DIRECTOR Revonna Urban In the 1960s, a group of people in DOP David Tindale WRITER Revonna Urban Melbourne dedicated themselves to CAST Jedda Rae Hill DOP Justine Kerrigan an Aboriginal funeral service. They CAST Victor Hood, Tom E Lewis, provided a means for those who had Jedda Rae Hill is a 16-year-old James Hood, Cedric Kelly no money or resources to pay their Aboriginal Afro-American girl who respects to their deceased family skates and who dreams of one members. This story, told by Gary Victor Hood shares memories of day going to Bollywood to star in moments in time that have worked to Murray about his father John Stewart a Bollywood movie. Her world is a Murray, takes us back to those days make him who he is now. The boss of mixture of real time and fantasy, but his country. and the people given the responsibility how will she make her dreams of driving the dead to their final resting come true? SALES CONTACT Bollywood Dreaming places in their own country. From the Top End Aboriginal Bush Message Stick series. SALES CONTACT Broadcasting Association Film and Television Institute WA Australia SALES CONTACT Australia ABC Content Sales PHONE +61-8 8939 0400 PHONE +61-8 9431 6700 FAX +61-8 8939 0401 Australia FAX +61-8 9335 1283 PHONE +61-2 8333 1500 [email protected] [email protected] www.teabba.com.au FAX +61-2 8333 3975 www.fti.asn.au [email protected] www.abccontentsales.com.au

THE BLACK LIST 179 Bread and Dripping Bush Bikes Cass - 1982 2002 No Saucepan Diver 16mm Digital Betacam 1983 17 min 6 min Digital Betacam/DV/Mini DV 14 min PRODUCER Wendy Brady, Donna PRODUCER David Vadiveloo Foster, Margot Nash, Elizabeth DIRECTOR David Vadiveloo DIRECTOR Wayne Barker Schaffer, Vic Smith WRITER David Vadiveloo DIRECTOR Wendy Brady, Donna DOP Allan Collins ACS In 1982, Aboriginal filmmaker Wayne Foster, Margot Nash, Elizabeth Barker returned to his home in Schaffer, Vic Smith In town camps and remote area Broome, Western Australia, to make communities of Central Australia, a film about his grandfather, Cass In this film four women recount their children begin their apprenticeships Drummond. The result is this personal lives in Australia during the bleak early - making bush bikes! Collecting portrait of a staunchly self-reliant old years of the economic depression of parts from off the tip, off the street, man as he looks back on his life in the Cheeky Dog even from the bush, our characters use pearling industry and comments on Courtesy: CAAMA Productions the 1930s. BREAD AND DRIPPING makes extensive use of archival ingenious methods to assemble their what it was like to be an Aboriginal footage and photographs from the creations and realise their ultimate earlier this century. objective - a trip to the waterhole. 1930s to present a fascinating insight SALES CONTACT into the lives of women and how they SALES CONTACT Wayne Barker were affected individually and as a David Vadiveloo Australia group during this time. Australia PHONE +61-8 9192 3215 SALES CONTACT MOBILE +61-418 355 441 MOBILE +61-438 625 856 As If Productions [email protected] [email protected] Australia [email protected]

180 DOCUMENTARIES - SHORT

Cheeky Dog Country Song Destiny Deacon 2007 Part of MobiDocs series 2005 Digital Betacam 2007 Digital Betacam 22 min 2 min 20 min b-d EXEC PROD Rachel Clements PRODUCER Darren Dale PRODUCER Natalie Ahmat PRODUCER Barbara Clifford DIRECTOR Warwick Thornton DIRECTOR Natalie Ahmat DIRECTOR Dena Curtis WRITER Warwick Thornton WRITER Natalie Ahmat WRITER Dena Curtis DOP Warwick Thornton CAST Dion Beasley, Joie Boutler CAST Max Stuart A profile of contemporary Indigenous artist Destiny Deacon, whose Despite living with muscular dystrophy A senior Aboriginal man reflects on controversial work challenges and being profoundly deaf, Dion, communication the old way. But times stereotypes and misconceptions about a 15-year-old artist from Central have changed and this old man now Aboriginality. From the Message Australia, has been able to create has a new way! Stick series. a unique fashion label to assist his SALES CONTACT financial security. SALES CONTACT Screen Australia ABC Content Sales SALES CONTACT Australia Australia PHONE +61-2 8333 1500 CAAMA Productions Pty Ltd PHONE +61-2 8113 5800 Country Song Australia FAX +61-2 9357 3737 FAX +61-2 8333 3975 PHONE +61-8 8951 9778 [email protected] [email protected] FAX +61-8 8951 9717 www.screenaustralia.gov.au www.abccontentsales.com.au MOBILE +61-419 814 960 [email protected] www.caama.com.au

DVD RELEASE CAAMA Australia

THE BLACK LIST 181 Don’t Say Sorry Dressing Dad Eelemarni: The Story 2004 1999 of Leo and Leva Digital Betacam Betacam 1988 6 min 7 min 16mm 15 min PRODUCER Paul Roberts PRODUCER Isabel Perez DIRECTOR Christine Jacobs, Paul DIRECTOR Sofya Gollan PRODUCER Lorraine Mafi-Williams Roberts WRITER Sofya Gollan, Lynne DIRECTOR Lorraine Mafi-Williams DOP Rodney Stratton Vincent McCarthy WRITER Lorraine Mafi-Williams DOP Murray Lui DOP Tom Cowan Christine Jacobs describes how she CAST Alastair Barns CAST Millie Boyd triumphed over the abuse and shame she suffered as a stolen child. If your Dad wore a dress, would it The legend of Leo and Leva is told by SALES CONTACT make him less of a father, less of the contemporary custodian of their Ronin Films a man? story’s site - singer and storyteller Australia SALES CONTACT Millie Boyd. This is a dramatised PHONE +61-2 6248 0851 Australian Film Television and Radio documentary based on an Aboriginal FAX +61-2 6249 1640 School tribal legend from northern NSW. Don’t Say Sorry orders@roninfilms.com.au PHONE +61-2 9805 6611 www.roninfilms.com.au FAX +61-2 9887 1030 [email protected] DVD RELEASE www.aftrs.edu.au Ronin Australia

182 DOCUMENTARIES - SHORT

Empire Fred’s Story Games People Play 1997 2006 2001 35mm DV/Mini DV 15 min 15 min 12 min d-g PRODUCER Darlene Johnson EXEC PROD David Jowsey EXEC PROD State Library Of DIRECTOR Darlene Johnson PRODUCER Michael Riley Queensland WRITER Darlene Johnson DIRECTOR Michael Riley PRODUCER Douglas Watkin WRITER Michael Riley DIRECTOR Douglas Watkin A story about the Aboriginal protest CAST Cinzia Montresor WRITER Douglas Watkin during the Olympic Games. This special brings to life some of the EMPIRE, a visual and aural journey Australian Indigenous performer, Fred voices and issues of Aboriginal through the dark recesses of a Fletcher, shows other Indigenous peacemakers and protesters, who decaying empire; the British Empire Queenslanders how to trace their used the 2000 Sydney Olympic Games in Australia. Through stylised, roots as he goes back through library as a platform to send their messages minimalist images of decay, desolation archives to trace his family history. to the world. We follow Aboriginal and and death, the film shows how the non-Aboriginal activists and groups SALES CONTACT British have impounded Aboriginal such as the Aboriginal Tent Embassy Douglas Watkin society and country. The film is set to and the Metropolitan Local Aboriginal Australia a soundscape composed by Antony Land Council as they highlight issues MOBILE +61-410 326 562 Patros, produced by Supersonic that concern the Indigenous history of [email protected] and performed by the Tasmanian this country. From the Message www.doublewire.com.au Symphony Orchestra and Soprano Stick series. Cinzia Montresor. SALES CONTACT SALES CONTACT ABC Content Sales ABC Content Sales Australia Australia PHONE +61-2 8333 1500 PHONE +61-2 8333 1500 FAX +61-2 8333 3975 FAX +61-2 8333 3975 [email protected] [email protected] www.abccontentsales.com.au www.abccontentsales.com.au

THE BLACK LIST 183 Geometry George and the The Good Fight 2000 Ngurrngu 2001 SP Beta 2009 Digital Betacam 3 min 17 min Digital Betacam/HD 6 min PRODUCER Michelle Hardy PRODUCER Citt Williams DIRECTOR John South PRODUCER Paul Roberts DIRECTOR Beck Cole WRITER John South DIRECTOR David Chesson WRITER Beck Cole DOP Adrian Rostirolla WRITER David Chesson CAST Reverend David Smith DOP Leighton De Barros Addresses the term Terra Nullius CAST George Brooking THE GOOD FIGHT is a film about (Latin term meaning, ‘land belonging masculinity in a modern world, to no one’) the term used by the spirituality and the lore of the boxing George Brooking is a Bunaba elder and British Government to justify the ring. Set in Dulwich Hill in Sydney’s knows his Country like the back of his dispossession of Aboriginal people. , the film delves into the hand, but upon sighting an unusual In the eyes of the British, Indigenous gritty existence of a local ‘Fight Club’ George and the Ngurrngu animal he calls Ngurrngu he asks: people were merely roaming the led by an unlikely character, Father what is this animal and where did it land and had no agriculture, social or Dave Smith. The story evolves around come from? religious structure. This was of course Father Dave’s relationship with the a falsehood and can be dissolved by SALES CONTACT young people who frequent the looking at the way the land has been Film and Television Institute WA Fight Club. mapped by Aboriginal people over the Australia SALES CONTACT last 120,000 years or more. PHONE +61-8 9431 6700 Australian Film Television and Radio FAX +61-8 9335 1283 SALES CONTACT School [email protected] Metro Screen Ltd PHONE +61-2 9805 6611 www.fti.asn.au Australia FAX +61-2 9887 1030 PHONE +61-2 9361 5318 [email protected] FAX +61-2 9361 5320 www.aftrs.edu.au [email protected] www.metroscreen.org.au

184 DOCUMENTARIES - SHORT

Harriet’s Daughter It’s a Long Road Back Kempsey Ball 2003 1981 2006 SP Beta 12 min Digital Betacam/HD 7 min 15 min g-k DIRECTOR Oomera Coral Edwards PRODUCER Sue Fell WRITER Oomera Coral Edwards PRODUCER Kelrick Martin DIRECTOR Angela Stanley DIRECTOR Kelrick Martin WRITER Angela Stanley Between 1883 and 1967 approximately 6,000 Aboriginal children in NSW An Elders’ Debutante Ball is being held A documentary about Madge Doreen were taken from their families and put in Kempsey! The ‘debutantes’ are aged Warren, the last surviving witness of into institutions run by the Aborigines 42 to 84 and are being partnered by the Mungadai Aboriginal massacre. A Welfare Board. While in the ‘homes’, husbands, sons and grandsons - the brave woman who is reuniting with her the children were deprived of their youngest is 13. This story will give us family for perhaps the last time, as she Aboriginal identity. This film tells of the opportunity to reflect on the lives has been diagnosed with cancer. the effects that such an upbringing of some of these extraordinary women had and the struggle of one woman to and to delve into universal themes SALES CONTACT regain her Aboriginality. of ageing, family and community. It Metro Screen Ltd is also a chance to positively portray Australia elders as active, social people who like PHONE +61-2 9361 5318 having fun within their community. FAX +61-2 9361 5320 [email protected] SALES CONTACT Harriet’s Daughter www.metroscreen.org.au ABC Content Sales Australia PHONE +61-2 8333 1500 FAX +61-2 8333 3975 [email protected] www.abccontentsales.com.au

THE BLACK LIST 185 Koori Court Koori Knockout 1999 The Legacy 2005 1999 1993 Digital Betacam 15 min Betacam 15 min 6 min PRODUCER Rima Tamou PRODUCER Mark Olive DIRECTOR Rima Tamou PRODUCER Donna Ives DIRECTOR Mark Olive WRITER Rima Tamou DIRECTOR Donna Ives WRITER Mark Olive WRITER Donna Ives Documentary from Dubbo in NSW, This program looks at the Koori Court venue for this year’s Aboriginal Rugby About the conflict existing between system in Victoria. The Koori Court League Knockout. It’s a game which Aboriginal people and non-Aboriginal was set up to help reduce the high has become a regular part of NSW people. The land is where the rates of imprisonment within the Koori culture and an opportunity for underlying problem exists. By Aboriginal community, and so far, it family and community to get together. looking at the land and hearing the seems to be working. It works by The Knockout is a fantastic event impressions that people have, we are bringing together Aboriginal elders for Kooris in NSW and was a special able to look from the outside and begin and their cultural beliefs with the day for Cronulla Sharks star David to understand. white legal system. From the Message Peachey, who played alongside family SALES CONTACT Stick series. members on his old ground in Dubbo. From the Message Stick series. Donna Ives SALES CONTACT Australia ABC Content Sales SALES CONTACT PHONE +61-7 4728 1316 Australia ABC Content Sales [email protected] PHONE +61-2 8333 1500 Australia FAX +61-2 8333 3975 PHONE +61-2 8333 1500 [email protected] FAX +61-2 8333 3975 www.abccontentsales.com.au [email protected] www.abccontentsales.com.au

186 DOCUMENTARIES - SHORT

Marloo’s Blues A Memory Miss Coolbaroo 2005 1999 2005 Digital Betacam Betacam DV/Mini DV 15 min 13 min 8 min k-m PRODUCER Paula Maling EXEC PROD Jacqueline Bethel PRODUCER Paul Roberts DIRECTOR Paula Maling PRODUCER Melanie Guiney DIRECTOR Michelle White WRITER Paula Maling DIRECTOR Donna Ives WRITER Michelle White WRITER Donna Ives DOP Rodney Stratton A profile of blues singer Marlene CAST Grace Lenoy (Subject/ Cummins, a woman who not only sings Narrator) Monica Jones returns to Government the blues, she’s lived the blues. From House ballroom where, as ‘Miss the Message Stick series. Memory is a funny thing. Something Coolbaroo’, she was belle of the ball 50 years before. MISS COOLBAROO SALES CONTACT that happened 65 years ago can ABC Content Sales be as real in a person’s mind as if it is a haunting biography of hope, loss Australia was yesterday. In this haunting and and courage. PHONE +61-2 8333 1500 disturbing story 70-year-old Grace SALES CONTACT FAX +61-2 8333 3975 Lenoy, of the Birrigubba Nation, recalls Ronin Films [email protected] abuses that took place as a small child Australia www.abccontentsales.com.au living in the Fantome and Palm Island PHONE +61-2 6248 0851 settlements, under the supposed FAX +61-2 6249 1640 care of the State Government and the orders@roninfilms.com.au Aboriginal Protection system. www.roninfilms.com.au SALES CONTACT Donna Ives DVD RELEASE Miss Coolbaroo Australia Ronin Australia PHONE +61-7 4728 1316 [email protected]

THE BLACK LIST 187 Moodeitj Yorgas Music Men My Nan and the Yandi 1988 2009 2009 Digital Betacam Digital Betacam/HD Digital Betacam/HD 22 min 7 min 8 min

PRODUCER Deborah Howlett PRODUCER Eileen Torres PRODUCER Jennifer Gherardi DIRECTOR Tracey Moffatt DIRECTOR Jub Clerc DIRECTOR Denise Groves WRITER Tracey Moffatt WRITER Jub Clerc WRITER Denise Groves DOP Cornel Ozies CAST Amy Dhu, Amy Corbette This film presents positive images CAST Daniel Clarke, David Clarke of Aboriginal women and discusses Jnr Amy Dhu is one of few remaining the ways in which Aboriginals are Indigenous women who can Yandi. helping themselves. A celebration of Daniel and David are two musically This documentary is a tribute to her achievement by Aboriginal people. gifted boys, much like their ancestors, and the women who used this skill to keep their families fed during the Music Men also named Daniel and David. A documentary about the similarities decade-long . between the two generations and SALES CONTACT how talents and traits live on through Film and Television Institute WA younger generations. Australia SALES CONTACT PHONE +61-8 9431 6700 Film and Television Institute WA FAX +61-8 9335 1283 Australia [email protected] PHONE +61-8 9431 6700 www.fti.asn.au FAX +61-8 9335 1283 [email protected] www.fti.asn.au

188 DOCUMENTARIES - SHORT

Nature Nature Noongar of the Beeliar Nundhirribala’s Dream 2004 2006 2009 15 min DV/Mini DV/DVD Digital Betacam/DVD 20 min 6 min m-n PRODUCER Kezia George DIRECTOR Kezia George EXEC PROD Glen Stasiuk EXEC PROD Penny Smallacombe WRITER Kezia George PRODUCER Glen Stasiuk PRODUCER Penny Smallacombe DIRECTOR Glen Stasiuk, Ashley DIRECTOR Ella Geia A profile story on Henry Phinesea, a Sillifant WRITER Ella Geia, Grant highly accomplished didgeridoo player WRITER Glen Stasiuk, Sandra Nundhirribala who is blind. It traces the hardships Harben DOP Justine Kerrigan Henry faces as well as the wonderful DOP Ashley Sillifant CAST Ernest Numamurdirdi, music he makes as a blind musician. Russell Numamurdiri, From the Message Stick series. Kaya noonankoort (Hello everyone). Bugaji Nundhirribala, Grant SALES CONTACT Yaarl kooliny nyinniny, geenuniny, ni, Nundhirribala My Nan and the Yandi ABC Content Sales katitj (You have come to sit, look and Australia listen). Noongar bridiya beeliar boodjar Nundhirribala is not a dreamer; the PHONE +61-2 8333 1500 (About the Noongar owners of the mental images he has during sleep FAX +61-2 8333 3975 river lands). Ngulluk wanginy kura are interpreted in song and dance, to [email protected] kura Noongar nyittiny, yeye boorda add to an already rich culture. This is www.abccontentsales.com.au (We speak of a long time ago in the a story of a dream that became reality Noongar creation time, today and in and changed the course of one man’s the future). personal and cultural life. www.kulbardiproductions.com.au SALES CONTACT SALES CONTACT Top End Aboriginal Bush Kulbardi Productions Broadcasting Association Australia Australia PHONE +61-8 9360 6468 PHONE +61-8 8939 0400 FAX +61-8 9360 6493 FAX +61-8 8939 0401 [email protected] [email protected] www.kulbardiproductions.com.au www.teabba.com.au

THE BLACK LIST 189 The Old Man and One Mile Dam One River, All Rivers the Inland Sea 2004 2008 2005 Digital Betacam DV/Mini DV/Digital Betacam/DVD 15 min 6 min Digital Betacam 22 min PRODUCER Penny Smallacombe EXEC PROD Penny Smallacombe PRODUCER Rachel Clements DIRECTOR Penny Smallacombe PRODUCER Penny Smallacombe DIRECTOR Warwick Thornton WRITER Penny Smallacombe DIRECTOR Tom E Lewis WRITER Warwick Thornton WRITER Tom E Lewis DOP Warwick Thornton In the heart of Darwin lies a small DOP Nicola Daley Aboriginal community, neglected and CAST Roy Moyngumbi, Tom E fighting for its rights of ownership. Made by award-winning director Lewis This is the story of unsung hero, David Warwick Thornton, this documentary Timber, and his fight for basic human will explore the ‘fortunate life’ of Arnhemland lawman Roy Ashley rights. The community is one mile one old noodler as he talks about Moyngumbi receives a message from from the centre of town, nestled in his experiences in the early days the crow spirit to stop the destruction amongst huge fuel tanks and newly of droving, mining and noodling. and drainage of the river system. developed apartment blocks. The THE OLD MAN AND THE INLAND With time against him he creates a houses are made of tin, which do little SEA is a moving and atmospheric message stick and hangs it as a prayer to protect residents from the heat documentary that gives us a unique on the tree in the hope it will be found. of the build-up or the rain of the dry Aboriginal perspective on the benefits season. From the Message SALES CONTACT of work and the dangers of alcohol Stick series. Top End Aboriginal Bush and greed. Broadcasting Association SALES CONTACT SALES CONTACT Australia ABC Content Sales CAAMA Productions Pty Ltd PHONE +61-8 8939 0400 Australia Australia FAX +61-8 8939 0401 PHONE +61-2 8333 1500 PHONE +61-8 8951 9778 [email protected] FAX +61-2 8333 3975 FAX +61-8 8951 9717 www.teabba.com.au [email protected] MOBILE +61-419 814 960 www.abccontentsales.com.au [email protected] www.caama.com.au

DVD RELEASE CAAMA Australia

Indigenous Australians in key creative roles (producer, director, writer or DOP) are credited in italics.

190 DOCUMENTARIES - SHORT

One Tree, One Man Orphanage Girl A Passage Through 2008 2002 the Aisles Digital Betacam/DVD/DV/Mini DV Digital Betacam 1994 6 min 15 min Betacam o-p 8 min EXEC PROD Penny Smallacombe PRODUCER Kelrick Martin PRODUCER Penny Smallacombe DIRECTOR Kelrick Martin PRODUCER Joy Toma DIRECTOR Jedda Puruntatameri WRITER Kelrick Martin DIRECTOR Michael Riley WRITER Jedda Puruntatameri WRITER Michael Riley DOP Nicola Daley We meet Agnes Martin who grew up in Beagle Bay’s orphanage in Broome CAST Jedda Puruntatameri, A walk through the supermarket with during the pearling days. From the Justin Wonaeamirri, Linda Burney and her two children Message Stick series. Puruntatameri reflecting upon her childhood, Braydon Puruntatameri SALES CONTACT Aboriginality and notions of family ABC Content Sales and connectedness. Australia One tree, one man. There is only one SALES CONTACT PHONE +61-2 8333 1500 remaining Tamarind tree left standing SBS Television FAX +61-2 8333 3975 in the centre of Pirlangimpi, on the Australia [email protected] Tiwi Islands. There is only one man PHONE +61-2 9430 2828 www.abccontentsales.com.au left to tell the story. Ninety-year-old FAX +61-2 9430 3700 Justin, elder and master of Ceremony, www.sbs.com.au is the last living link this community has to its centuries long history of trading goods, culture and even love with the seafaring Macassans.

SALES CONTACT Top End Aboriginal Bush Broadcasting Association Australia PHONE +61-8 8939 0400 FAX +61-8 8939 0401 [email protected] www.teabba.com.au

THE BLACK LIST 191 Peeping Thru Picture Park - Rest in Peace the Louvres Featuring German 2006 1999 Artist Katharina Digital Betacam 15 min Betacam Grosse 13 min 2007 PRODUCER Miriam Corowa EXEC PROD Rachel Perkins DV/Mini DV DIRECTOR Miriam Corowa 10 min PRODUCER Neil Turner WRITER Miriam Corowa DIRECTOR Mark Bin Bakar, Peter EXEC PROD Gallery of Modern Art Hugh Strain NSW Health Department Centre for PRODUCER Douglas Watkin WRITER Mark Bin Bakar, Dot West Aboriginal Health has set up a phone DIRECTOR Douglas Watkin inquiry line to assist Indigenous CAST Mark Bin Bakar WRITER Douglas Watkin families with the repatriation of CAST Katharina Grosse human tissue belonging to loved A dramatised documentary about a ones retained after hospital or Kimberley Aboriginal woman who, as coronial autopsies. The NSW Human Katharina is one of the most exciting a child of three, was taken away from Tissue Inquiry Project is the state’s and innovative abstract painters her mother and placed in an orphanage response to the Australian Health working today. Having exhibited widely in Broome. As a 60-year-old woman, Ministers Advisory Committee and through the US and Europe, this she talks about the things she lost Australian Health Ethics Commission documentary explores the making as a stolen child - language, culture recommendation of 2001. NSW Health of ‘Picture Park’ and transforms and country. Her relationship with is the only jurisdiction to have acted the Gallery of Modern Art into an her son and retracing her mother’s with a looming deadline of March 2007 extraordinary environment. grave in Derby, finding it and being before all remains are to be cremated. saddened by the find. The tracing of SALES CONTACT From the Message Stick series. her family in Yilyili community, the Douglas Watkin SALES CONTACT heartbreak and the excitement of the Australia ABC Content Sales stories and visiting her birthplace for MOBILE +61-410 326 562 Australia the first time in the bush, is part of the [email protected] PHONE +61-2 8333 1500 ‘Peeping’ journey. PEEPING THRU THE www.doublewire.com.au LOUVRES highlights the humbleness FAX +61-2 8333 3975 of Aboriginal Australia, the compassion, [email protected] the love and calling for family and its www.abccontentsales.com.au role in Aboriginal Australia.

SALES CONTACT SBS Television Australia PHONE +61-2 9430 2828 FAX +61-2 9430 3700 www.sbs.com.au

192 DOCUMENTARIES - SHORT

Roger Sailmaker Saltwater Freshwater 2004 2004 2002 Digital Betacam DV/Mini DV Digital Betacam 17 min 5.5 min 20 min p-s PRODUCER Penny Smallacombe PRODUCER Clifford Terry PRODUCER Mitch (Michelle) Torres DIRECTOR Madeleine Hetherton DIRECTOR Douglas Watkin DIRECTOR Mitch (Michelle) Torres WRITER Madeleine Hetherton WRITER Clifford Terry WRITER Mitch (Michelle) Torres DOP Jules O’Loughlin Will Pringle is struck down by an May Torres tells her story about being Roger recently said, when asked about incapacitating illness, but while on the a Saltwater Freshwater woman. She the end of his life: ‘I wanted to be on road to recovery he learns how to use tells how she has taken over the role the side of growth.’ I think that sums his work to share his love of sailing of her husband and why. She shares it up. As a Catholic priest, he was pro with a group of disabled people. with us how hard it has been in regard women’s rights and a strong anti-war to being accepted into the seaside SALES CONTACT culture and how she deals with it. How activist at a time when most priests QPIX Ltd does she stand with her freshwater were neither of these things. If we Australia are made up of our memories, who culture and how does she nurture PHONE +61-7 3848 8000 are we when they fade? Despite that it? It seems impossible to be able to FAX +61-7 3848 8055 be a good hunter from two different desperate impediment, even now, the [email protected] regions, but May is. From the Message real Roger is vibrantly with us. www.qpix.org.au Stick series. SALES CONTACT Australian Film Television and Radio SALES CONTACT School ABC Content Sales PHONE +61-2 9805 6611 Australia FAX +61-2 9887 1030 PHONE +61-2 8333 1500 [email protected] FAX +61-2 8333 3975 www.aftrs.edu.au [email protected] www.abccontentsales.com.au

THE BLACK LIST 193 A Shearer’s Life: The Songman Speak of Spirit Introducing the 2004 1999 Barker Brothers 15 min SP Beta 4 min 2008 DIRECTOR Allan Collins ACS DV/Mini DV PRODUCER Waiata Telfer 8 min A profile of an important Aboriginal DIRECTOR Waiata Telfer elder from the Kimberley region of WRITER Waiata Telfer EXEC PROD David Opitz Western Australia. His whitefella DOP Murray Lui PRODUCER Rommel Avanzado name is Scotty Martin, but he’s CAST Le Roy Parsons, Waiata Lenon traditionally known as Nyalgodi. Telfer, Alec Heli DIRECTOR Lorina Barker Nyalgodi is a traditional songman of WRITER Lorina Barker the Dreamtime. He composes songs A montage of subjective historical CAST Barker Family that come to him in his dreams, given to him by his ancestors. Nyalgodi is narratives about the Native sharing these songs with us because Sovereignty campaigner and organiser, A SHEARER’S LIFE: INTRODUCING his greatest fear is that noone from his Kevin Gilbert. It is set against the first THE BARKER BROTHERS is the homeland will continue creating these permanent site of Native Title claim, untold story of eight Aboriginal ‘Junas’ - traditional dance songs. From the Tent Embassy, on the site of the brothers working together as sheep the Message Stick series. Old Parliament House front lawn. shearers in Weilmoringle and Bourke, The filmmaker uses a combination of in north-west NSW. SALES CONTACT genocide theory and rap as allegorical ABC Content Sales reagents to infuse the collective SALES CONTACT Australia Metro Screen Ltd personal perspectives that are the PHONE +61-2 8333 1500 voice of this piece. Australia FAX +61-2 8333 3975 PHONE +61-2 9361 5318 [email protected] SALES CONTACT FAX +61-2 9361 5320 www.abccontentsales.com.au Metro Screen Ltd A Shearer’s Life: Introducing the Barker [email protected] Australia Brothers www.metroscreen.org.au PHONE +61-2 9361 5318 FAX +61-2 9361 5320 [email protected] www.metroscreen.org.au

194 DOCUMENTARIES - SHORT

Story Place Sugar Bag Talkabout Walkabout 2003 2004 2005 DV/Mini DV Digital Betacam Digital Betacam 12 min 9 min 8 min s-t EXEC PROD Andrew Clake PRODUCER Robyn Marais EXEC PROD Pauline Clague PRODUCER Douglas Watkin DIRECTOR Gary Cooper PRODUCER Janine Boreland DIRECTOR Douglas Watkin WRITER Gary Cooper DIRECTOR Gary Cooper WRITER Douglas Watkin DOP Ian Pugsley WRITER Josie Boyle CAST Various artists from Cape CAST Laurel Cooper, Gary Bonney, CAST Josie Boyle, Cyril Gilbert York and surrounding areas Cassandra Dickie, Leetesha Edwards, Luke Watson Walkabout: what’s it all about? It’s Celebrating artists from Cape York not about leaving responsibilities - it’s and surrounding communities through Seventy-year-old Laurel Cooper about pilgrimage, it’s about devotion, song, dance and art, STORY PLACE recounts her childhood experience of it’s about religion. Wongutha woman provides the unique opportunity the dilemma faced by her traditional Josie Boyle tells the story of her to discover not only the dynamic mother and father in their struggle father, Bingi, how he claimed her after Talkabout Walkabout contemporary art of the region, but to retain control of their family under mission life and what he taught her also historical works dating from the the Australian Government policy about her culture. end of the 19th century. From ancient of forced removal of fair-skinned SALES CONTACT ancestral stories, to personal stories of Aboriginal children. Janine Boreland life in Far North Queensland, offering Australia compelling insights into the art and SALES CONTACT Ronin Films MOBILE +61-400 440 216 culture of one of Australia’s most [email protected] isolated, yet culturally rich, regions. Australia STORY PLACE featured more than PHONE +61-2 6248 0851 300 works at the Queensland Art FAX +61-2 6249 1640 Gallery. orders@roninfilms.com.au www.roninfilms.com.au SALES CONTACT Queensland Art Gallery DVD RELEASE Australia Ronin Australia PHONE +61-7 3840 7333 FAX +61-7 3844 8865 [email protected] www.qag.qld.gov.au

THE BLACK LIST 195 Up the White Eyes Upstaging Us Deadly Mob Celebrating Jeffery ‘Mitta’ 2004 2006 Dynevor Digital Betacam/DV/Mini DV DV/Mini DV/Digital Betacam 2006 20 min 8 min DV/Mini DV/DVD 7 min PRODUCER Adrian Wills EXEC PROD Lesley Buckley, Anne DIRECTOR Adrian Wills Chesher EXEC PROD Cherbourg Historical WRITER Adrian Wills PRODUCER Samia Goudie Precinct Group Inc DIRECTOR Samia Goudie PRODUCER Robyn Hofmeyr Leah Purcell has played a lot of roles WRITER Samia Goudie DIRECTOR Sandra Morgan within the arts - singer, actor, writer, CAST Mercy Family WRITER Tanya Schneider, Robyn choreographer, producer, director. She has performed the spectrum of Hofmeyr A short documentary about an the arts - theatre, film, television. CAST Jeffery ‘Mitta’ Dynevor, Indigenous family of surfers - a ‘surf A multimedia spirit brimming with family story’. Sandra Morgan energy, creativity, intelligence. From the Message Stick series. SALES CONTACT In Perth, 1962, Jeffery ‘Mitta’ Dynevor Samia Goudie SALES CONTACT became the first ever Aboriginal Australia ABC Content Sales athlete to win a Commonwealth MOBILE +61-407 925 176 Australia Games . [email protected] PHONE +61-2 8333 1500 SALES CONTACT FAX +61-2 8333 3975 Robyn Hofmeyr [email protected] Australia www.abccontentsales.com.au MOBILE +61-408 006 842 [email protected]

196 DOCUMENTARIES - SHORT

Walking Dancing Weeping Willow Who Paintin Belonging 2001 Dis Wandjina? 2007 Digital Betacam 2007 10.5 min Digital Betacam Betacam/Digital Betacam u-w 22 min 8 min PRODUCER Nicholas Price EXEC PROD Rachel Clements DIRECTOR Adrian Wills PRODUCER Janine Boreland PRODUCER Barbara Clifford WRITER Louise Woodruff Sanz DIRECTOR Taryne Laffar DIRECTOR Mitch (Michelle) Torres WRITER Taryne Laffar WRITER Mitch (Michelle) Torres WEEPING WILLOW is the story of a CAST Anonymous graffiti DOP Jason Ramp, Brett Appo dancer coming to terms with the death artist, artists from Mowunjum of his closest friend and biggest fan. It CAST Phyllis Ningaramara, Peggy community, Derby, WA documents his journey to the present Griffiths, Minnie Lumai and into the future. A non-Indigenous graffiti artist SALES CONTACT Three women share their art and their speaks anonymously about hundreds Australian Film Television and Radio experiences of being in the country. of ‘Wandjina’ stencils and graffiti School They share a sense of belonging to a around the city of Perth, Western PHONE +61-2 9805 6611 place and walking in it, dancing with Australia. Traditional owners of FAX +61-2 9887 1030 it as the songs of culture and country the sacred Wandjina - an ancient [email protected] resonate in their artistic expression. creator spirit, respond and explain www.aftrs.edu.au the inappropriateness of this being SALES CONTACT graffitied without ‘proper’ knowledge. CAAMA Productions Pty Ltd Australia SALES CONTACT Who Paintin Dis Wandjina? PHONE +61-8 8951 9778 Taryne Laffar FAX +61-8 8951 9717 PHONE +61-8 9192 2521 MOBILE +61-419 814 960 MOBILE +61-403 910 367 [email protected] [email protected] www.caama.com.au

THE BLACK LIST 197 The Wiradjuri Fight Writing Wrongs Wrong Way to the Bitter End 2004 2007 2004 Digital Betacam/DV/Mini DV 8 min 15 min SP Beta 6 min PRODUCER Irma Woods PRODUCER Julie Nimmo DIRECTOR Mandy Corunna PRODUCER Peter Luck DIRECTOR Julie Nimmo WRITER Mandy Corunna DIRECTOR Debbie Gilbert WRITER Julie Nimmo DOP Robert Bygott WRITER Debbie Gilbert CAST Elaine Simms, Sandra DOP Michelle Blakeney This short essay piece looks at the Umbugai Clarke, Heath controversial issue of non-Indigenous Bergersen, Rachael Corunna academics and authors recording This compelling five-minute Indigenous stories and culture. From documentary portrays, in an This is a story of love - how a couple the Message Stick series. Indigenous framework, the of young teenagers fell in love, only destruction and desecration of the SALES CONTACT to discover they couldn’t be together Wiradjuri people’s sacred site by a ABC Content Sales without turning their backs on their foreign company, Barrick Gold. Australia Aboriginal families and traditional www.youtube.com/watch?v=rCFlBFiA PHONE +61-2 8333 1500 laws. FAX +61-2 8333 3975 zg8&feature=channel_page SALES CONTACT [email protected] Film and Television Institute WA SALES CONTACT www.abccontentsales.com.au Metro Screen Ltd Australia PHONE +61-8 9431 6700 The Wiradjuri Fight to the Bitter End Australia FAX +61-8 9335 1283 PHONE +61-2 9361 5318 [email protected] FAX +61-2 9361 5320 [email protected] www.fti.asn.au www.metroscreen.org.au

198 DOCUMENTARIES - SHORT

Yolgnu Guya Yothu Manda Your Brother, My Tidda Djamamirr 2008 2002 2008 DV/Mini DV/DVD/Digital Betacam Digital Betacam 6 min 18.5 min DV/Mini DV/DVD/Digital Betacam w-y 6 min EXEC PROD Penny Smallacombe PRODUCER Kathy Sport PRODUCER Penny Smallacombe PRODUCER Penny Smallacombe DIRECTOR Kelrick Martin DOP Nicola Daley DIRECTOR Eilish Markuniny WRITER Kelrick Martin CAST Lionel Dulmanawuy, Garawirrtja CAST Sam Barsah, Aaron Clark Margaret Nyungunyungu, Liliane WRITER Eilish Markuniny Rahabarison, Darren Matan Garawirrtja What happens when an Aboriginal DOP Nicola Daley man comes out to family? Sam has come out twice - first about his Since uploading the Chooky Dancers, CAST Tim Galalingu Garambarr, Simon Godnarra, Denzel sexuality and then his HIV status. performance of Zorba the Greek Aaron grew up as a Jehovah’s Witness. - Yolgnu style, to YouTube, it has Garawirrtja, Aggie Burwarrwna His mother found out by accident that become an overnight sensation. This is he was gay. the story behind the dance. In the 1960s, six-year-old twin boys from Elcho Island were hunting with SALES CONTACT SALES CONTACT Ruth Saunders Top End Aboriginal Bush their family and got lost for three days and three nights. Australia Broadcasting Association PHONE +61-2 9805 6611 Australia SALES CONTACT FAX +61-2 9805 6563 Wrong Way PHONE +61-8 8939 0400 Top End Aboriginal Bush [email protected] FAX +61-8 8939 0401 Broadcasting Association [email protected] Australia www.teabba.com.au PHONE +61-8 8939 0400 FAX +61-8 8939 0401 [email protected] www.teabba.com.au

THE BLACK LIST 199 11:11 Acquiring a Taste Adrift 2001 for Raffaella 2006 DV/Mini DV 1996 Digital Betacam 6 min 6 min 16mm 13.5 min PRODUCER Melissa Abraham PRODUCER Mandy Corunna DIRECTOR Melissa Abraham PRODUCER Fotini Manikakis DIRECTOR Gavin Narkle WRITER Melissa Abraham DIRECTOR Sandra Lepore WRITER Gavin Narkle DOP Troy Russell WRITER Sandra Lepore CAST Adam Corunna, Jim CAST Melodie-Jane Gibson, DOP Warwick Thornton Holland, Della Rae Morrison, Richard Green CAST Sarah Vaccaro, Anna Dennis Simmons Taranto, Ales Jarrold, Craig Lane, 11:11 is a mystical suspense about an Angelo Lepore A wayward Aboriginal boy embarks on Aboriginal woman’s psychic powers. a journey of self-discovery after being sent to his grandfather’s. www.youtube.com/ You have to be careful with Biscotti di watch?v=G3R0bsh0DDQ Amore - Italian ‘love biscuits’. There SALES CONTACT Adrift SALES CONTACT are a few surprises in this Mandy Corunna Metro Screen Ltd traditional recipe! Australia PHONE +61-8 9582 7729 Australia SALES CONTACT MOBILE +61-407 983 568 PHONE +61-2 9361 5318 Australian Film Television and Radio [email protected] FAX +61-2 9361 5320 School [email protected] PHONE +61-2 9805 6611 www.metroscreen.org.au FAX +61-2 9887 1030 [email protected] www.aftrs.edu.au

200 THE BLACK LIST

After Dark Agnes, Maude Amy Goes to 2010 and Pearly Too Wadjemup Island HD 1999 2006 10 min 35mm Betacam Short 11 min 8 min PRODUCER Timeka Flaherty, Lyn Drama Chapman PRODUCER Aline Jacques, Charles PRODUCER Jennifer Gherardi DIRECTOR Lyn Chapman Mitchell DIRECTOR Denise Groves WRITER Lyn Chapman DIRECTOR Erica Glynn WRITER Denise Groves DOP Ian Ludwick WRITER Kate Gillick CAST Amy Dhu, Amy Groves, CAST Donna Gordon DOP Andrew Commis Sylvia Clarke, Kai Horrell, Dylan CAST Julie Godfrey, Jacquy Groves Rosie, a young Indigenous nurse’s Phillips aide in a country hospital in the 50s, When seven-year-old Amy visits the is forced to watch while a sequence On this day, in loving memory of holiday island with her family, they of tragedies unfold, but some Pearly, Agnes and Maude play a game remember the past incarceration and mischievous help from the spirit world on Pearly’s favourite poker machine. death of Indigenous prisoners held comes to her aid. But when they hit the jackpot, money there at the beginning of the West SALES CONTACT isn’t the only thing that comes Australian colony. Amy’s innocence QPIX Ltd spilling out. is also disturbed as she finds the Australia Indigenous animals, the quokkas, SALES CONTACT PHONE +61-7 3848 8000 are under pressure from human Australian Film Television and Radio FAX +61-7 3848 8055 habitation. Amy makes a special School [email protected] connection with the quokkas and PHONE +61-2 9805 6611 www.qpix.org.au enjoys her own magical way of seeing FAX +61-2 9887 1030 and dreaming. [email protected] www.aftrs.edu.au www.jagfilms.com.au/pages. asp?pageid=40&submenu=41

SALES CONTACT Jag Productions Pty Ltd Australia PHONE +61-8 9758 7404 FAX +61-8 9757 3180 jagfi[email protected] www.jagfilms.com.au Indigenous Australians in key creative roles (producer, director, writer or DOP) are credited in italics.

201 And Justice for One Angel Arcadia 2003 2000 2002 DV/Mini DV DV/Mini DV Digital Betacam 5 min 5 min 9 min

PRODUCER Louis Randall PRODUCER Gillian Moody PRODUCER Paola Garofali DIRECTOR Jon Bell DIRECTOR Adrian Wills DIRECTOR Adrian Wills WRITER Jon Bell WRITER Adrian Wills WRITER Greg Waters DOP Annie Benzie DOP David Opitz CAST , Hunter CAST CAST And Justice for One Lionel Williams, Trent Gina Rings, Marjorie Page-Lochard, Justine Saunders, Williams, Jason Watson Campbell, Cheyenne Donohue, Ursula Yovich Darren Dale A visually poetic short film about ‘I know that you’re there, because I racism and reconciliation and justice A complex and multi-layered can feel you. Why don’t you come out Rachael Maza (L) and director Leah Purcell (R) as seen through the eyes of a child in a exploration on the effects of suicide and play with me? In the dark I hear on location for Aunty Maggie and the Womba country town. and the concentric disturbances you breathing. Watch out for the Wakgun affected on the human relationships Hairy Man.’ SALES CONTACT within the ‘event’s’ circle of induction. Metro Screen Ltd SALES CONTACT Australia ANGEL could be regarded as a psychic Australian Film Television and Radio investigation of the cause and effects PHONE +61-2 9361 5318 School of suicide though dislocation and FAX +61-2 9361 5320 PHONE +61-2 9805 6611 dispossession. The film uses mixed [email protected] FAX +61-2 9887 1030 www.metroscreen.org.au subjectivity as its speaking position, it [email protected] deliberately confuses temporality with www.aftrs.edu.au familiarity and trauma.

SALES CONTACT Metro Screen Ltd Australia PHONE +61-2 9361 5318 FAX +61-2 9361 5320 [email protected] www.metroscreen.org.au

202 SHORT DRAMA

Aunty Maggie and the Babygirl Back Seat Womba Wakgun 2008 2007 2009 Digital Betacam/DVD DVD 5 min 6 min HD/Digital Betacam a-b 10 min PRODUCER Rommel Avanzado PRODUCER Kath Shelper PRODUCER Bain Stewart, Lisa Duff Lenon DIRECTOR Pauline Whyman DIRECTOR Leah Purcell DIRECTOR Nakkiah Lui WRITER Pauline Whyman WRITER Angelina Hurley WRITER Nakkiah Lui DOP Murray Lui DOP Mark Wareham ACS DOP Nathan English CAST , Lille Madden, CAST Rachael Maza, Kelton Pell, CAST Feona King, Cassandra Lily Shearer, Richard Sydenham, Lafe Charlton, Lola Forester, Moore Aletha Penrith, Jyda Byles, Jack Charles, Angeline Penrith, Brayden Pittman, Blake Pittman, Eli Potter, Muuruun Leha, Alana has kept her hurt buried deep Raier Blakeney Mirrabee Penrith, Katherine inside and despite all her partying and Beckett risky behaviour the walls that keep One day unfolds through the eyes of her pain in start to crack. Only her Back Seat 12-year-old Janine when she goes Photographer: Simon Cardwell sister can help her face the confusion with her foster parents to meet her Aunty Maggie struggles to feed her of identity and loss, and give her the biological family for the first time. Part three boys, and what she finds as clarity and courage to see the other of the A Bit of Black Business series. an easy solution becomes a major side of her wounded childhood. problem. It’s a problem that makes SALES CONTACT her famous. SALES CONTACT Flickerfest Metro Screen Ltd Australia SALES CONTACT Australia PHONE +61-2 9365 6877 Bungabura Productions PHONE +61-2 9361 5318 FAX +61-2 9365 6899 Australia FAX +61-2 9361 5320 info@flickerfest.com.au PHONE +61-2 9518 3874 [email protected] www.flickerfest.com.au FAX +61-2 9518 3896 www.metroscreen.org.au MOBILE +61-401 733 085 [email protected]

THE BLACK LIST 203 Bad Habits Bias Black Beach 2006 1999 2006 35mm Betacam DVC Pro 50 9 min 6.5 min 7 min

PRODUCER Justin Davies PRODUCER Steve Pasvolsky EXEC PROD David Opitz DIRECTOR Jason Ramp DIRECTOR Catriona McKenzie PRODUCER Amy Frasca WRITER Rozlyn Clayton-Vincent WRITER Alice Addison DIRECTOR Grant Leigh Saunders DOP Jason Ramp CAST Lisle Jones, John Keith, WRITER Grant Leigh Saunders CAST Lillian Crombie, Tom E Percy the snail DOP Canan Green Black Beach Lewis CAST Andrew Saunders, Billie On the edge of the world two codgers, Harrison, Mark Woods, Craig Bill has to make a compromise when Bert and Reg, battle for the title of Croker, Wade Simon, Byron Black Talk lawn bowls champion. When a little Photographer: Michelle Blakeney forced to choose between his wife and Simon, Joe Hadding, Jay Davis, his best mate. His best mate is his snail gets in the way their true colours David Beaumont dog, Seven. are revealed.

SALES CONTACT SALES CONTACT A fast paced, satirical look at beach Australian Film Television and Radio Australian Film Television and Radio access, rites of passage and ownership School School from the perspective of an Aboriginal PHONE +61-2 9805 6611 PHONE +61-2 9805 6611 and mischievously spirited surfer. FAX +61-2 9887 1030 FAX +61-2 9887 1030 [email protected] [email protected] SALES CONTACT Metro Screen Ltd www.aftrs.edu.au www.aftrs.edu.au Australia PHONE +61-2 9361 5318 FAX +61-2 9361 5320 [email protected] www.metroscreen.org.au

204 SHORT DRAMA

Black Light Black Man Down Black Talk 1994 1995 2002 Betacam 16mm 35mm 5.5 min 9 min 12 min b PRODUCER Douglas Watkin PRODUCER Bruce Redman, Sam PRODUCER Kylie du Fresne DIRECTOR Douglas Watkin Watson DIRECTOR Wayne Blair WRITER Douglas Watkin DIRECTOR Bill McCrow WRITER Wayne Blair CAST Jason Davis, Sam Conway, WRITER Sam Watson DOP Murray Lui Karen Marie CAST David Hudson, Linda CAST Russell Page, Laurence Johnson Clifford, Rhimi Page, Hunter A drama reflecting the stereotyping Page-Lochard of Indigenous cultures and ethnic A frightening look into the very core of Actor Hunter Page-Lochard (L) with writer/ minorities in Australia. the Aboriginal psyche. The Black Man BLACK TALK is about two cousins, director Wayne Blair on location for Black Talk is alone in a prison cell and feels that SALES CONTACT Tim and Scott, who reunite after many Queensland University of Technology he cannot go on. Will he survive the years apart. This one day they revisit - Academy of the Arts night? Death calls him but the spirits their past whilst embracing their Australia urge him to live. future. Children they are no longer, adults they have become, friends they PHONE +61-7 3864 5565 SALES CONTACT FAX +61-7 3864 3974 Screen Australia remain forever. Australia SALES CONTACT PHONE +61-2 8113 5800 Goalpost Pictures Australia FAX +61-2 9357 3737 Australia [email protected] PHONE +61-2 9517 9899 www.screenaustralia.gov.au FAX +61-2 9517 9871 MOBILE +61-414 889 112 DVD RELEASE [email protected] Screen Australia Australia www.goalpostpictures.com

DVD RELEASE Marcom Australia

THE BLACK LIST 205 Blind Date Blood Lines Bourke Boy 2007 2007 2009 Digital Betacam/HD DVD Digital Betacam 7 min 6 min 11 min

PRODUCER Jennifer Stanford, PRODUCER Kath Shelper PRODUCER Kath Shelper, Anusha Rowena Lawrie DIRECTOR Jacob Nash Duray DIRECTOR Rowena Lawrie WRITER Jacob Nash DIRECTOR Adrian Wills WRITER Rowena Lawrie DOP Murray Lui WRITER Adrian Wills CAST Clayton Weatherby, Rhubee CAST Kirk Page DOP Hugh Miller Neale, Heather Robinson, Josh CAST Andrew McFarlane, Blind Date Thomas BLOOD LINES is about finding your Clarence John Ryan heritage in urban Australia. Finding out Sometimes we meet a stranger who where your blood runs... Part of the A A father and his adopted troubled becomes unstrange. In the remote Bit of Black Business series. teenage son take a trip to the son’s Writer/director Jacob Nash (L) with actor city lights, an unlikely date with SALES CONTACT birthplace of Bourke, where they try Kirk Page (R) on the set of Blood Lines destiny leaves an imprint on Rob’s to find the right words to say to each Photographer: Mark Rogers Flickerfest world forever. A startling revelation Australia other before it’s too late. gives him a new direction toward PHONE +61-2 9365 6877 SALES CONTACT his dreaming. FAX +61-2 9365 6899 Scarlett Pictures P/L SALES CONTACT info@flickerfest.com.au Australia Metro Screen Ltd www.flickerfest.com.au PHONE +61-2 9319 6133 Australia MOBILE +61-417 242 320 PHONE +61-2 9361 5318 [email protected] FAX +61-2 9361 5320 www.scarlettpictures.com.au [email protected] www.metroscreen.org.au

206 SHORT DRAMA

Box Broken Bonds BYT/ME/I 1997 2004 2000 35mm DVD SP Beta 16 min 6 min 13 min b EXEC PROD David Jowsey EXEC PROD David Jowsey PRODUCER Gillian Moody PRODUCER Pauline Clague PRODUCER Jessica Woodland DIRECTOR Brook Andrew DIRECTOR Catriona McKenzie DIRECTOR Ashley Sillifant WRITER Brook Andrew WRITER Catriona McKenzie WRITER Ashley Sillifant, Rob Kerr DOP Carolyn Constantine CAST George Reno, Glen Kelly, DOP Robert Bygott CAST Chris Bonney, Karen Young, Leah Purcell, Paul Linden, Tony CAST Ashley Wedding, Raymond Peer Mundine, Mark Mundine, Peter Simmons, Clarence Ryan, Ngaire Manisis, Matt Potter Pigram Three landscapes. Three characters. Multiple identities and emptiness. BOX is a black and white film about A gritty tale of social realism, There are three landscapes with one a young Aboriginal boxer rising above portraying both the negative and character in each. This film aims to drugs and crime by means of boxing. positive aspects of Indigenous inform the audience of our concerns Introducing Glenn Kelly, being trained family culture. of madness, the shifting and swapping by legendary Aboriginal boxer Tony of physical, psychological and virtual SALES CONTACT Mundine in his gym in Eveleigh Street, spaces and identities of the city and its Ronin Films Bourke Boy Redfern. Written and directed by first surrounding landscape. Australia time director Catriona McKenzie with PHONE +61-2 6248 0851 SALES CONTACT the soundtrack composed by FAX +61-2 6249 1640 Metro Screen Ltd Broken Bonds Stephen Francis. orders@roninfilms.com.au Australia SALES CONTACT www.roninfilms.com.au PHONE +61-2 9361 5318 ABC Content Sales FAX +61-2 9361 5320 Australia DVD RELEASE [email protected] PHONE +61-2 8333 1500 Ronin Australia www.metroscreen.org.au FAX +61-2 8333 3975 [email protected] www.abccontentsales.com.au

THE BLACK LIST 207 Camping Out Capricorn The Caretaker 2004 2000 2009 SP Beta 16mm DVD 7 min 15 min 15 min

PRODUCER Michelle Blakeney EXEC PROD Double Wire EXEC PROD David Opitz DIRECTOR Lee Willis-Ardler Productions PRODUCER Jade Rose WRITER Lee Willis-Ardler PRODUCER Douglas Watkin DIRECTOR Alanna Rose DOP Michelle Blakeney DIRECTOR Douglas Watkin WRITER Alanna Rose CAST Scott Thornton, Kristy WRITER Douglas Watkin DOP Brandon Jones Parker, Sean Choolburra, Tuyen CAST Trent Ivett, Kamahi King, CAST Mick Mundine, DJ Mundine, Le, Elaine Ardler-Sturgeon Peter Rasmussen Paul Sinclair, Kobi Hookey, Derek Walker, Tony Barry, Warwick Checkerboard Love CAMPING OUT is a short film about Two filmmakers try to make a sci-fi Moss, Tony Ryan, Mark Strauss, a sister, two brothers and a girlfriend. flick in their backyard. Jai Rose It’s a comical look at the diversity of SALES CONTACT the siblings and their understanding of Douglas Watkin It has been a long time since Willie Aboriginality. It showcases the beauty Australia ‘The Kid’ has entered the ring. But of Wreck Bay Aboriginal community on MOBILE +61-410 326 562 you can only run from your fears for the NSW south coast. [email protected] so long and finally he must face a SALES CONTACT www.doublewire.com.au past he would rather forget. Seen Metro Screen Ltd through the eyes of an elderly boxer, Australia THE CARETAKER tells the story of PHONE +61-2 9361 5318 two young Aboriginal boys who run FAX +61-2 9361 5320 away from home to fulfil dreams of [email protected] becoming professional boxers. After www.metroscreen.org.au joining a travelling boxing troupe, the boys are forced into a situation they have tried to avoid their entire lives. On the verge of triumph lies tragedy!

SALES CONTACT Metro Screen Ltd Australia PHONE +61-2 9361 5318 Indigenous Australians in FAX +61-2 9361 5320 key creative roles (producer, [email protected] director, writer or DOP) are www.metroscreen.org.au credited in italics.

208 SHORT DRAMA

Checkerboard Love Cherish Cold Turkey 2004 1998 2002 Betacam/VHS/DV/Mini DV 35mm Super 16 5 min 7 min 45 min c EXEC PROD Lester Bostock PRODUCER Stephen Jones PRODUCER Priscilla Collins PRODUCER Nicole Timbery DIRECTOR Stephen Jones DIRECTOR Steven McGregor DIRECTOR Anita Heiss WRITER Romaine Moreton WRITER Steven McGregor WRITER Anita Heiss DOP Cordelia Beresford DOP Allan Collins ACS DOP Jason Ramp CAST John Adam, Russell Page CAST Wayne Munro, John Moore, CAST Rowena Lawrie, Adam Kelton Pell Grubner ‘What peace is there for us whose best love cannot return them even A gritty cinematic story of sibling Annie and Geoff live together in for a day?... The last word was yours.’ rivalry and control. You can pick your Sydney. Annie is the daughter of a (Jeanette Winterson, ‘Written on mates but you can’t pick your family. politically active mother and football- the Body’) SALES CONTACT playing father who are Native Title SALES CONTACT CAAMA Productions Pty Ltd claimants in country NSW. Geoff has Australian Film Television and Radio Australia dropped engineering to become an School PHONE +61-8 8951 9778 interpretative dancer. This is enough Cold Turkey PHONE +61-2 9805 6611 FAX +61-8 8951 9717 Photographer: Mark Rogers for Annie to worry about without him FAX +61-2 9887 1030 MOBILE +61-419 814 960 being the son of cockies who are also [email protected] [email protected] from rural NSW. CHECKERBOARD www.aftrs.edu.au www.caama.com.au LOVE demonstrates the tension between an interracial couple in love, DVD RELEASE who consciously de-Aboriginalise their CAAMA Australia flat in preparation for the dreaded meeting of both sets of parents.

SALES CONTACT Metro Screen Ltd Australia PHONE +61-2 9361 5318 FAX +61-2 9361 5320 [email protected] www.metroscreen.org.au

THE BLACK LIST 209 Confessions of a Creepy Crawleys Crocodile Dreaming Headhunter 2002 2006 2000 16mm 35mm 16 min 26 min 35mm 33 min PRODUCER Citt Williams PRODUCER Sue Milliken PRODUCER Kath Shelper DIRECTOR Beck Cole DIRECTOR Darlene Johnson DIRECTOR Sally Riley WRITER Beck Cole WRITER Darlene Johnson WRITER Sally Riley, Archie Weller DOP Kim Batterham CAST Bruce Hutchison, Kelton CREEPY CRAWLEYS is set in an CAST David Gulpilil, Tom E Lewis Pell, Morton Hansen, Matt Potter, isolated Australian country town and John Gregg tells the story of a mysterious old CROCODILE DREAMING is a mansion and its owners, past modern-day, supernatural myth about and present. two estranged brothers who struggle Frank and Vinnie are modern-day to come to terms with their traditional Confessions of a Headhunter headhunters. They don’t just want SALES CONTACT Photographer: Ashley de Prazer roles and identities, and who are any heads, they want famous people, Australian Film Television and Radio reconciled through the spirit of heads with a price on them and heads School PHONE +61-2 9805 6611 their mother. Director Darlene Johnson and director of that will stop the nation dead. FAX +61-2 9887 1030 photography Kim Batterham on the set of SALES CONTACT SALES CONTACT Crocodile Dreaming [email protected] Samson Productions Pty Ltd Kath Shelper Photographer: Elizabeth Warning www.aftrs.edu.au Australia Australia PHONE +61-2 8353 2600 PHONE +61-2 9319 6133 FAX +61-2 8353 2601 MOBILE +61-417 242 320 [email protected] [email protected] www.scarlettpictures.com.au DVD RELEASE Ronin Australia

210 SHORT DRAMA

The Crossing Crouching at the Door Culture Clash 2002 1997 2009 SP Beta 35mm 8 min 5 min 13 min c PRODUCER Danielle Giles PRODUCER Tanith Carroll PRODUCER Sean Croyston DIRECTOR Dennis Simmons DIRECTOR Emma Carroll DIRECTOR Marzena Domaradzka WRITER Dennis Simmons WRITER Emma Carroll WRITER Jason Camenzuli DOP Jason Thomas CAST Greg Lawrence, Patrick DOP Allan Collins ACS CAST Neville Khan, Yagan Mays CAST Mitchell McMahon, Luke Simmons, Renay Kendrick, Jake Hume, Jackson Pollard, James Kendrik, Wayne Joseph, Sean When nothing can shield a father from Mashford, Sebastian Elmaloglou, Choolburra, Ted Hart loss, he allows the sadness to leave Alan Cinis, Karen Colston, Marie him hollow. But is confronting even the Armstrong A stressed out father assembles most overwhelming grief really more his kart warah (crazy) cousin and dangerous than emptiness? This film looks at the dark, destructive a mundjong (silly person) spiritual SALES CONTACT nature of sibling rivalry and the healing rapper to rescue his son from Metro Screen Ltd unconscious cruelty of family the clutches of a possessed Australia expectations. game console. Culture Clash PHONE +61-2 9361 5318 SALES CONTACT SALES CONTACT FAX +61-2 9361 5320 Australian Film Television and Radio Film and Television Institute WA [email protected] School Australia www.metroscreen.org.au PHONE +61-2 9805 6611 PHONE +61-8 9431 6700 FAX +61-2 9887 1030 FAX +61-8 9335 1283 [email protected] [email protected] www.aftrs.edu.au www.fti.asn.au

THE BLACK LIST 211 The Cup and The Lip Custard D-Evolution 1995 2007 2002 16mm DVD 35mm 14 min 6 min 15 min

PRODUCER Joanna Robinski PRODUCER Kath Shelper PRODUCER Joanne Weatherstone DIRECTOR Bruno de Villenoisy DIRECTOR Michelle Blanchard DIRECTOR Steven McGregor WRITER Bruno de Villenoisy WRITER Michelle Blanchard WRITER Nicholas Searle DOP Warwick Thornton DOP Murray Lui CAST Gosia Dobrowolska, Julian CAST Amy Miller-Porter, Freda When the Huntress Shar catches her Barta Glynn prey, the gorgeous Khan, in a lush forest glade, she thinks she’s come to the end of her hunt. But it’s only A difficult child and a good mother. In her search for answers, a the beginning... A loose tooth. A sign on a wall. An granddaughter’s questions lead to imaginary word. Ecstasy. Anger... A the discovery of self and a chance to SALES CONTACT film about the ultimate taboo. embrace the complexities of family. Australian Film Television and Radio Part of the A Bit of Black School SALES CONTACT Business series. PHONE +61-2 9805 6611 Australian Film Television and Radio FAX +61-2 9887 1030 School SALES CONTACT [email protected] PHONE +61-2 9805 6611 Flickerfest www.aftrs.edu.au FAX +61-2 9887 1030 Australia [email protected] PHONE +61-2 9365 6877 www.aftrs.edu.au FAX +61-2 9365 6899 info@flickerfest.com.au www.flickerfest.com.au

Custard Photographer: Mark Rogers

212 SHORT DRAMA

Dancing in the Dust Dare to Dream Days Like These 2002 2000 2007 Betacam/35mm/Digital Betacam SP Beta DVD 35 min 9 min 6 min c-d PRODUCER Jenny Lowdon Kendall PRODUCER Pauline Clague, Adrian PRODUCER Kath Shelper DIRECTOR Jenny Lowdon Kendall Wills DIRECTOR Martin Leroy Adams WRITER Jenny Lowdon Kendall DIRECTOR Adrian Wills WRITER Martin Leroy Adams DOP Steve MacDonald WRITER Adrian Wills DOP Warwick Thornton CAST Talia Murray Gulpilil, Nora DOP Sam Reed CAST Jordan Gee Hoy, Lillian Murray, Jilli Romanis, Tracey CAST Lee Willis, Earl Rosas, Crombie, Patrick Phillips, Tony Rigney, Margaret Harvey Rayma Johnson Krawitz, Guy Leslie, Matthew Charles Cheney, Dannielle A journey of discovery, healing and Daniel is in love with someone he can Jackson Dancing in the Dust cultural survival for an Aboriginal never have. During a night of surreal mother and her daughter. Each are happenings, he comes into contact Trying to find a job, Dan has to ripped from their mother’s arms, one with Zenit, a being that does things overcome social stereotypes. Part of Writer/director Martin Leroy Adams (L) with actor generation after the next, their identity that Daniel would never dream of - or the A Bit of Black Business series. Jordan Gee Hoy (R) on location for Days Like These and culture stolen and replaced with would he? In the end what is real and Photographer: Mark Rogers another until all connection is broken what is the truth? SALES CONTACT and lost... Until now, when they are Flickerfest SALES CONTACT reunited in time to learn the truth. Australia Metro Screen Ltd PHONE +61-2 9365 6877 SALES CONTACT Australia FAX +61-2 9365 6899 Victorian College of the Arts School PHONE +61-2 9361 5318 info@flickerfest.com.au of Film and Television FAX +61-2 9361 5320 www.flickerfest.com.au Australia [email protected] PHONE +61-3 9685 9000 www.metroscreen.org.au FAX +61-3 9685 9001 [email protected] www.vca.unimelb.edu.au/ftv/index. html

THE BLACK LIST 213 Dead Creek The Djarn Djarns Djet 2009 2004 1998 HD Digital Betacam/35mm 1” Video 11 min 26 min 6 min

EXEC PROD QPIX Ltd PRODUCER Kylie du Fresne PRODUCER Keith Salvat PRODUCER Jillian White DIRECTOR Wayne Blair DIRECTOR Shane Russell, Mark DIRECTOR Benjamin Southwell WRITER Wayne Blair Trounce WRITER Benjamin Southwell DOP Murray Lui WRITER Shirley Gunumunga DOP Brigham Edgar CAST Ben Maza, Blake Herczog, CAST Shirley Gunumunga CAST Danny Doyle, Jeremy Kerrod Melton, Hunter Page- (Storyteller), Keith Smith (Voice) Rouse, Simon Hapea, Dan Eaddie Lochard Djet lived with his son and his father The Djarn Djarns called Damala. Learn about the two Photographer: Mark Rogers To save his uncle and protect the THE DJARN DJARNS is the story of land from bloody revenge, a young, a friendship between four boys, the different seahawks and how they were suburbanised Aboriginal man, must responsibility they feel for their culture created. The story of Djet comes from re-imprison a powerful warrior spirit and the love a young boy has for the Munyuku people of north-east from the Dreamtime. his father. Arnhem Land.

Writer/director Wayne Blair with actors on SALES CONTACT SALES CONTACT SALES CONTACT the set of The Djarn Djarns QPIX Ltd Flickerfest Aboriginal Nations Photographer: Mark Rogers Australia Australia Australia PHONE +61-7 3848 8000 PHONE +61-2 9365 6877 PHONE +61-2 8353 3610 FAX +61-7 3848 8055 FAX +61-2 9365 6899 FAX +61-2 8353 3611 [email protected] info@flickerfest.com.au [email protected] www.qpix.org.au www.flickerfest.com.au www.ablnat.com.au

DVD RELEASE Marcom Australia

214 SHORT DRAMA

The Dolphin Done. Dirt Cheap. Dust 1998 2007 1999 1” Video DVD 35mm/VHS 6 min 6 min 20 min d PRODUCER Keith Salvat PRODUCER Kath Shelper PRODUCER Teresa-Jayne Hanlon DIRECTOR James McDonald, Mark DIRECTOR Debbie Carmody DIRECTOR Ivan Sen Trounce WRITER Debbie Carmody WRITER Ivan Sen WRITER Charles Moran DOP Murray Lui DOP Allan Collins ACS CAST Charles Moran (Storyteller), CAST Trevor Jamieson, Wendy CAST Clayton Munro, Wayne Kevin Smith (Voice) Martin, Geoffrey Foulkes-Taylor, Munro, Reta Binge, Tristan Harold James Elsbury, Alan Bancks, Nathalie Roy Dolphins would help the tribe fish until Dungey one fatal day. The story of The Dolphin Five people come together on a dusty, is from Wwuble tribe who originate Amos enlists two larrikin miners into desolate cotton field. Angry at the from the Bundjalung area on the far his ingenious way to make money from world and each other, racial tensions north coast of NSW. an unsuspecting tourist, who walks are ignited as Leroy, Mick, Amy and Vance work alongside each other in the SALES CONTACT into the plot and gets less than what Aboriginal Nations he bargained for. Part of the A Bit of heat of the day. Ruby, Leroy’s mother, is the only one who notices the uneasy Australia Black Business series. L-R: DOP Murray Lui, writer/director Debbie sky forcing the elements to change. PHONE +61-2 8353 3610 Carmody, actor Trevor Jamieson on location for SALES CONTACT When a violent dust storm awakes, FAX +61-2 8353 3611 Done. Dirt Cheap. Flickerfest racial differences must be put aside as [email protected] Australia Photographer: Ashley de Prazer www.ablnat.com.au the five weather the storm together. PHONE +61-2 9365 6877 Australia’s history, black and white, is FAX +61-2 9365 6899 revealed as the storm unearths the info@flickerfest.com.au secrets that lie beneath the surface of www.flickerfest.com.au the land.

THE BLACK LIST 215 Dust Settles Even Odds Fade 2 Black 2000 2005 1999 SP Beta DV/Mini DV/DVD SP Beta 4 min 7 min 5 min

DIRECTOR Marie Clarke PRODUCER Mandie Messenger, PRODUCER Cinzia Guaraldi WRITER Marie Clarke Llew Cleaver DIRECTOR Wayne Blair CAST Silvia Scott, Roxanne DIRECTOR Mandie Messenger WRITER Wayne Blair McDonald WRITER Mandie Messenger DOP Warwick Thornton CAST Rachel Haines, Steve CAST Majhid Heath, Tamara This is a story about the relationship Gration, Angie Hurwood, Jamie Buckmaster between a young Aboriginal woman Honey and her mother and grandmother, and A story of an Aboriginal man, Blaze, the love of horses and the station life Kate is stuck in a violent relationship and his love for an Irish-Catholic girl, she leads. It touches subtly on the with a gambler. To get out of debt and Sarah. Blaze and Sarah’s love is very hidden secrets that come from the L-R: Actor Madeleine Madden, writer/director away from Johnny she comes up with strong indeed. Yet is it strong enough white man’s abuse of black women, Romaine Moreton, actor Lisa Flanagan on a plan... to rob a bank! to overcome a sense of cultural location for The Farm but gently prods the front door to identity? Only time will tell. Photographer: Mark Rogers larger issues. SALES CONTACT ScreenQuest SALES CONTACT SALES CONTACT Australia Metro Screen Ltd Metro Screen Ltd FAX +61-7 5591 4494 Australia Australia MOBILE +61-404 118 801 PHONE +61-2 9361 5318 PHONE +61-2 9361 5318 [email protected] FAX +61-2 9361 5320 FAX +61-2 9361 5320 www.screenquest.com.au [email protected] [email protected] www.metroscreen.org.au www.metroscreen.org.au

216 SHORT DRAMA

The Farm Fault Feel My Absence 2009 2009 2004 Digital Betacam/HD DVD SP Beta 10 min 5 min 7 min d-f PRODUCER John Harvey EXEC PROD David Opitz PRODUCER Veronica Gleeson DIRECTOR Romaine Moreton PRODUCER Jason De Santolo DIRECTOR Kyas Sherriff WRITER Romaine Moreton DIRECTOR Martin Leroy Adams WRITER Kyas Sherriff DOP Warwick Thornton DOP Fabio Cavadini DOP Bonnie Elliot CAST Madeleine Madden, Lisa CAST Ken Canning, Scott Canning, CAST Mariaa Randall, Tasma Flanagan, Reegan Carr Gio De Santolo Walton

A young girl named Olivia longs to Jimmy is a man in his late forties, An examination of how people interact know the people who came before sitting alone and depressed in a small unconsciously each day and how the and the stories they left, uncovering a run-down room, Jimmy contemplates strangers who inhabit our lives affect landscape imbued with history committing suicide over the remorse us. People you have never met create and wonder. he feels from accidentally killing his and affect the patterns of your day childhood friend many years ago. and it is not until they are gone do SALES CONTACT you feel the absences in your shared Brown Cab Productions SALES CONTACT relationship. Australia Metro Screen Ltd The Farm MOBILE +61-406 678 919 Australia SALES CONTACT Photographer: Steven Rhall [email protected] PHONE +61-2 9361 5318 Metro Screen Ltd FAX +61-2 9361 5320 Australia [email protected] PHONE +61-2 9361 5318 www.metroscreen.org.au FAX +61-2 9361 5320 [email protected] www.metroscreen.org.au Feel My Absence

THE BLACK LIST 217 A Few Things I Know Figures in Motion Flat About Her 1999 2002 1996 Betacam 35mm 8 min 13 min 35mm 12 min PRODUCER Priscilla Collins PRODUCER Rachel Perkins, Darren PRODUCER Karena Slaninka DIRECTOR Damien Power Dale DIRECTOR Karena Slaninka WRITER Glenn Weller DIRECTOR Beck Cole WRITER Michael Bennett, Celia CAST Michael Percival, Lenore WRITER Beck Cole Dimsey, Jeff McDonald, Catriona Munroe, Anthony Cogin DOP Warwick Thornton Flat McKenzie, Karena Slaninka, Nick CAST James Aitren, Carmen Photographer: Allan Collins Tantaro Pioneer photographer Eadweard Glynn-Braun, Savannah Glynn- DOP Grant Jordan Muybridge organises a photo shoot Braun with his wife and his secret male CAST Emma Buzo, Alan lover. Both models assume they are Fifteen-year-old Marnie has to grow up McGuiness, lenka Kripac, Joy going to be posing alone and are, as too fast in a small country town. Hruby expected, surprised when they meet each other. What begins as a simple SALES CONTACT A detective is investigating but and sedate domestic scene escalates Blackfella Films Pty Ltd discovers some puzzling and out of control as Muybridge subtly, but PHONE +61-2 9380 4000 contradictory things - six short masterfully manipulates the scene in FAX +61-2 9252 9577 vignettes about the female of the order to create drama. MOBILE +61-429 119 901 species. Titles include Trouble in [email protected] SALES CONTACT www.blackfellafilms.com.au Flowerboy Paradise, Measuring Up, Peas in a Pod, Australian Film Television and Radio Playing Hard to Get, French Heels and School Detective Sequences. PHONE +61-2 9805 6611 SALES CONTACT FAX +61-2 9887 1030 Australian Film Television and Radio [email protected] School www.aftrs.edu.au PHONE +61-2 9805 6611 FAX +61-2 9887 1030 [email protected] www.aftrs.edu.au

218 SHORT DRAMA

Flowerboy Fly Peewee, Fly! Fragments 2007 1995 1999 5 min 16mm 35mm 10 min 5.5 min f PRODUCER Jon Bell DIRECTOR Daniel Randall EXEC PROD Sharon Connolly, PRODUCER Nicholas Boseley WRITER Daniel Randall Franco di Chiera, Graeme Isaac, DIRECTOR Nicholas Boseley Walter Saunders WRITER Nicholas Boseley The Flowerboy, so named by his PRODUCER Adrienne Parr CAST , Michael mother, is not aware of his place in life. DIRECTOR Sally Riley Carman, Pauline Whyman Fly Peewee, Fly! He thinks only of the hard walk up the WRITER Sally Riley hill, only of his most immediate sense DOP Kathryn Millis A vignetted 80-year life of an of space and time. He must learn to CAST Duane Johnston, Faye Indigenous woman, Tani, who was look outside himself to see the effect born in the deserts to the east of Alice his actions have on the world. Montgomery, Stan Dryden, Gavin Barbey Springs. At eight-years-old Tani and SALES CONTACT her sister were sent interstate. Tani Metro Screen Ltd watched her sister die at 18 years of When six-year-old Robbie takes up Australia age, found love with an Irish man and residence in his favourite tree, to be PHONE +61-2 9361 5318 lost him to the after-effects of war. with his friend the peewee bird, his FAX +61-2 9361 5320 She returned to her birthplace and family is forced to see the world from [email protected] family at 80 years of age. his point of view. www.metroscreen.org.au SALES CONTACT SALES CONTACT Nicholas Boseley Screen Australia Australia Australia PHONE +61-3 5332 2755 PHONE +61-2 8113 5800 MOBILE +61-403 169 860 FAX +61-2 9357 3737 [email protected] [email protected] www.screenaustralia.gov.au

DVD RELEASE Screen Australia Australia

THE BLACK LIST 219 Frankie’s Story Fuse Futureman 2006 2005 2006 Betacam Super 16/Digital Betacam DVC Pro 50 7 min 8 min 7 min

EXEC PROD Pauline Clague PRODUCER Katherine Shortland EXEC PROD David Opitz PRODUCER Annie Parnell DIRECTOR Maia Horniak PRODUCER Christina Litchfield DIRECTOR David Ngoombujarra WRITER Marcus Waters DIRECTOR Adam Wade WRITER Paul Roberts, David DOP Jason Ramp WRITER Adam Wade Ngoombujarra CAST Shai Pittman, Chris CAST Adam Wade, Buster Cobb, CAST Frank Rowe, Antionne Heywood Zac Ellis, Margaret Brown Forrest-Yarran, Renee Newman- Storen, Geoff Kelso The film centres on a young Aboriginal Futureman is the ultimate pop girl, Gii, who is seeking to avenge the superhero of the late 20th century, ‘Some things that happen when death of her older brother who was who fights for the right to self- you’re a child mark you for life,’ says unjustly incarcerated for a petty crime determination and personal freedom. Frankie’s Story 40-year-old Frankie. He remembers and died in custody. Now desperately Through command of insight, moral the day he was not permitted to alone and angry she finds the judge, courage and his super powers, join his classmates on their trip to Ronald, that sentenced her brother. Futureman confronts his shadow the fire station. So young Frankie The story unfolds in the judge’s self to realise emancipation from the coaxes fire engines to come to him, bachelor apartment where he is held forces of colonisation that permeate Futureman on one hot summer’s day many years captive and forced to confront the our universe. Futureman is the ago. Told as flashback, FRANKIE’S consequences of his decision. The film champion of a moral tale for the STORY portrays a child’s confusion explores the issues of loneliness, loss postcolonial era. and judgement. and humiliation in the face of SALES CONTACT discrimination he’s too young SALES CONTACT Metro Screen Ltd to understand. Australian Film Television and Radio Australia SALES CONTACT School PHONE +61-2 9361 5318 Annie Parnell PHONE +61-2 9805 6611 FAX +61-2 9361 5320 Australia FAX +61-2 9887 1030 [email protected] MOBILE +61-416 266 431 [email protected] www.metroscreen.org.au frangipanifi[email protected] www.aftrs.edu.au

220 SHORT DRAMA

Gammin Love Ganggu Mama Goblin Market 2009 2005 1996 Digital Betacam 12 min 16mm 15 min 13 min f-g PRODUCER Belinda Kelsall, David EXEC PROD Rachel Clements Ngoombujarra PRODUCER Rachel Perkins PRODUCER Paul Henness DIRECTOR Mark Howett DIRECTOR Belinda Hall, Megan DIRECTOR Isabella Tusa WRITER David Ngoombujarra Harding WRITER Isabella Tusa DOP Torstein Dyrting ACS WRITER Belinda Hall, Megan DOP Jason Ramp CAST David Ngoombujarra Harding CAST Clarissa Wilson, Jai Urban DOP Steve MacDonald Ganggu Mama is the Wadjarri term CAST Racheal Maza, Lisa Maza for ‘Uncle Daddy’. The story follows Two Indigenous teenage girls get Ganggu Mama caught in the cultural cycle of the journey of Dave, a skilled didge Morning and evening maids heard the domestic and sexual violence. maker and musician, and his nephew, goblin cry, ‘Come buy our orchid fruits, Jackson. come buy, come buy.’ SALES CONTACT CAAMA Productions Pty Ltd SALES CONTACT SALES CONTACT Australia Ronin Films Australian Film Television and Radio PHONE +61-8 8951 9778 Australia School FAX +61-8 8951 9717 PHONE +61-2 6248 0851 PHONE +61-2 9805 6611 MOBILE +61-419 814 960 FAX +61-2 6249 1640 FAX +61-2 9887 1030 [email protected] orders@roninfilms.com.au [email protected] www.caama.com.au www.roninfilms.com.au www.aftrs.edu.au

DVD RELEASE Ronin Australia

THE BLACK LIST 221 Going Home Grace Grange 2005 1998 2005 16mm 16mm Betacam/TD Video 10 min 16 min 26 min

PRODUCER Janelle Evans PRODUCER Owen Johnston, PRODUCER Aline Jacques DIRECTOR Emma Spencer Justin Malbon DIRECTOR Catriona McKenzie WRITER Emma Spencer DIRECTOR WRITER Catriona McKenzie, Reg WRITER Wesley Enoch Cribb A story about letting go of the past DOP Murray Lui CAST Aaron Pedersen, Wadi Dona, and learning that you can never really CAST Justine Saunders, Roxanne Nicholas Hope, , go home. McDonald, Wayne Blair, Binowee John Bluthall, Jen Cronin SALES CONTACT Bayles, Minya Bayles QPIX Ltd A refreshingly fast paced, action- Grace Australia Grace lives a comfortable life with her packed comedy about two smart PHONE +61-7 3848 8000 family, however she must return for young lawyers who try to steal a rare FAX +61-7 3848 8055 the funeral of her sister and confront vintage of Grange Hermitage (the [email protected] the family she has never met, a past ‘51) to fast-track their climb up the www.qpix.org.au she has forgotten and the spirit of corporate ladder. her country. SALES CONTACT SALES CONTACT Catriona McKenzie Wesley Enoch Australia DOP Murray Lui on the set of Green Bush PHONE +61-2 9181 1327 Photographer: Mark Rogers Australia PHONE +61-2 9251 3943 MOBILE +61-412 817 719 MOBILE +61-418 748 038 [email protected] [email protected]

DVD RELEASE Screen Australia Australia

222 SHORT DRAMA

Green Bush Grey Harry’s War 2004 2002 1999 Super 16/35mm/Digital Betacam Digital Betacam 35mm 26 min 5.5 min 28 min g-h PRODUCER Kath Shelper PRODUCER Joanne Weatherstone PRODUCER John Foss, Richard DIRECTOR Warwick Thornton DIRECTOR Steven McGregor Franklin WRITER Warwick Thornton WRITER Kelly Schilling DIRECTOR Richard Frankland DOP Murray Lui DOP Simon Chapman WRITER Richard Frankland CAST David Page CAST Laurence Clifford, Victoria DOP Peter Zakharov Harry’s War Longley, Janine Matthews CAST David Ngoombujarra, Peter Every night, DJ Kenny hosts the ‘Green Docker, Glenn Shea Bush’ show for Aboriginal inmates and An Aboriginal couple in their thirties, their families. Isolated at the station, Annika and Randle, have very HARRY’S WAR is a story of mateship, he gets many mysterious visitors. Are different ideas on how to approach the brothers in arms and friendship that they escaping the cold, hiding, or trying reconciliation march between black embraces culture, war and death. to control the information? and white Australians. Harry and Mitch are two mates who go off to fight in the jungles of Papua New SALES CONTACT SALES CONTACT Flickerfest Australian Film Television and Radio Guinea during World War II. Harry is Australia School a Koorie and Mitch a non-Aboriginal Australian. In the story, we see Harry PHONE +61-2 9365 6877 PHONE +61-2 9805 6611 grow from a boy in uniform to a man FAX +61-2 9365 6899 FAX +61-2 9887 1030 info@flickerfest.com.au [email protected] in war. We watch as he learns of his www.flickerfest.com.au www.aftrs.edu.au impending death and how he faces it. HARRY’S WAR is about when DVD RELEASE mateship transcends race, cultural CAAMA Australia differences and societal barriers. It is a story of how war drives men to the brink and the journey becomes more important than the journey’s end.

SALES CONTACT Golden Seahorse Productions Pty Ltd Australia PHONE +61-3 5261 2767 MOBILE +61-408 386 812 [email protected] www.goldenseahorse.com.au

THE BLACK LIST 223 Harvey Home How Low Can You Go 2000 2003 1996 35mm DV/Mini DV 3/4” U-Matic 11 min 6.5 min 4 min

PRODUCER Priscilla Collins, EXEC PROD Jane Cruikshank, PRODUCER Destiny Deacon, Rachel Roberts Lester Bostock, David Opitz, Fiona Hall DIRECTOR Peter McDonald Cathy Eatock DIRECTOR Destiny Deacon, WRITER Peter McDonald PRODUCER Rommel Avanzado Fiona Hall CAST Nicholas Hope, Lisa Angove Lenon WRITER Destiny Deacon, DIRECTOR Tim Leha Fiona Hall Home A dark tale of obsession and loneliness WRITER Tim Leha CAST Golly, Fiona Hall, Destiny about a man searching for physical DOP Yanni Kronenberg Deacon, Doreen Mellor (Narrator) and emotional completeness. It is CAST Keegan da Silva, Benjamin J only when he thinks he has achieved Eppel, Calum Holland A shower obsession turns into fallen this goal through the unwilling abandonment. Almost drowned, Golly coalescence of his neighbour that Hush is left to dry on the line. Photographer: Mark Rogers he begins to understand the painful, A young Aboriginal man comes home irresolvable nature of his obsession. for his father’s funeral to discover his SALES CONTACT true identity. Kim Machan SALES CONTACT Australia Australian Film Television and Radio SALES CONTACT PHONE +61-7 3348 7403 School Rommel Avanzado Lenon MOBILE +61-411 591 058 PHONE +61-2 9805 6611 Australia [email protected] FAX +61-2 9887 1030 PHONE +61-2 9571 4601 [email protected] MOBILE +61-410 552 697 www.aftrs.edu.au [email protected]

224 SHORT DRAMA

Hush Immortal Man Inasmuch 2007 2000 2002 DVD SP Beta SP Beta 6 min 6 min 10 min h-i PRODUCER Kath Shelper EXEC PROD Lester Bostock PRODUCER Adrian Wills DIRECTOR Dena Curtis PRODUCER Gillian Moody, Ben DIRECTOR Jason Pitt WRITER Dena Curtis Graetz WRITER Jason Pitt DOP Murray Lui DIRECTOR Ben Graetz CAST Rayma Johnson, Kirk Page, CAST Marlene Cummins, Lisa WRITER Ben Graetz Pauline Lampton Flanagan, Auriel Andrew DOP Murray Lui CAST Michael Tuahine, Tessa Empti is confused and self-obsessed. Ethel and her friend Mary resort to Rose, Suzanne Clarke Will her endless demands for attention an unlikely occupation at night to top resolve themselves? A beautifully choreographed piece about love, up their pensions. Ethel’s daughter is Explores one man’s struggle with not introspection and isolation. horrified when she discovers they are only his Aboriginality, but also with his not really ‘playing cards’. Part of the A self-determination and his self worth. SALES CONTACT Bit of Black Business series. The story will concentrate on this Metro Screen Ltd SALES CONTACT young man’s journey through his eyes, Australia Flickerfest his mind, his soul. PHONE +61-2 9361 5318 FAX +61-2 9361 5320 Hush Australia SALES CONTACT [email protected] Photographer: Mark Rogers PHONE +61-2 9365 6877 Metro Screen Ltd www.metroscreen.org.au FAX +61-2 9365 6899 Australia info@flickerfest.com.au PHONE +61-2 9361 5318 Inasmuch www.flickerfest.com.au FAX +61-2 9361 5320 [email protected] www.metroscreen.org.au

THE BLACK LIST 225 Jackie Jackie Jacob Jhindu 2007 2009 2010 DVD Digital Betacam HD 6 min 11 min 14 min

PRODUCER Kath Shelper PRODUCER Darren Dale, Rhea PRODUCER Ian Ludwick DIRECTOR Adrian Wills Stephenson DIRECTOR Luke Briscoe WRITER Adrian Wills DIRECTOR Dena Curtis WRITER Luke Briscoe DOP Allan Collins ACS WRITER Dena Curtis DOP Timeka Flaherty CAST Elaine Crombie, Roy DOP Murray Lui CAST Texas Diamond, Robert Billing, Wes Patten, Wayne Blair, CAST David Ngoombujarra, Ningali Denman, Peter Tuccandigee, Tempany Deckert Lawford Wolf, Heath Bergesen, Calypo Tusa Connie Amos Jinaali is a sweet, overweight Jhindu is a young Yalanji man who is Aboriginal checkout chick at the local Gina, a young Aboriginal mother, dealing with the death of his granddad supermarket. Her boss, Mr Chuck, is finds herself in a predicament when who passes his Yalanji culture Writer/director Adrian Wills with actor Elaine constantly on her back until Jinaali onto him. Jhindu tries to confide in Crombie on the set of Jackie Jackie her husband, Max, returns home and Photographer: Simon Cardwell finds a voice of her own. Have you got learns the truth about baby Jacob. girlfriend Erica, but realises she is your Jackie Jackie doll yet? Part of not interested in talking about his the A Bit of Black Business series. SALES CONTACT issues. Overcome by grief Jhindu finds Blackfella Films Pty Ltd himself taking drugs. Jhindu’s inability SALES CONTACT PHONE +61-2 9380 4000 to control the effects of the drugs has Flickerfest FAX +61-2 9252 9577 made him a target for the Wuyungkulji, Australia MOBILE +61-429 119 901 a bad Yalanji spirit. PHONE +61-2 9365 6877 [email protected] FAX +61-2 9365 6899 www.blackfellafilms.com.au SALES CONTACT info@flickerfest.com.au QPIX Ltd www.flickerfest.com.au Australia PHONE +61-7 3848 8000 FAX +61-7 3848 8055 [email protected] www.qpix.org.au

226 SHORT DRAMA

Joonba Journey Jubulj 2007 1997 2000 Digital Betacam 35mm SP Beta 10 min 18 min 10 min j EXEC PROD Della Churchill EXEC PROD David Jowsey PRODUCER Myles Pollard PRODUCER Desi Achilleos, PRODUCER Ivan Sen DIRECTOR Wayne Blair Nicholas Cooper DIRECTOR Ivan Sen WRITER Wayne Blair DIRECTOR Dean Gibson WRITER Ivan Sen DOP Damon Escott WRITER Sam Day DOP Allan Collins ACS CAST Jubby Clarke, Alexandra CAST Alec Doomadgee, Sean CAST Michael Binge, Gregory Davies, Lilian Crombie Page Binge, Craig Haines Who is Aboriginal? Which tribe do you Through a traditional Aboriginal Mike, a 12-year-old boy, decides to come from? Who is your mob? You corroboree, a significant yet often leave his isolated town. He hitchhikes don’t look Aboriginal. Are you full- untold story of Australian cricket on a journey across a diverse and blooded? How much Aboriginal blood history is revealed. changed land. The journey causes do you have? Every one of us at some Mike to relive fragments of the life he point in our lives has stood up for what Writer/director Dena Curtis with DOP Murray Lui SALES CONTACT has left behind. Mike arrives at the end we believed in or we finally discovered filming Jacob Desi Achilleos Photographer: Sam Oster of his journey and realises it is not the what we are actually trying to do in Australia end. It is not his home. JOURNEY is this world. We have celebrated this PHONE +61-7 3255 0003 an experimental road story, with no revelation in many ways. That initial FAX +61-7 3391 4735 dialogue and a beautifully composed step or sentence can have a MOBILE +61-407 154 104 soundtrack by Alistair Spence. lasting impact. [email protected] SALES CONTACT www.youtube.com/watch?v=THYXI5Y ABC Content Sales BXac&feature=channel_page Australia SALES CONTACT PHONE +61-2 8333 1500 Metro Screen Ltd FAX +61-2 8333 3975 Australia [email protected] PHONE +61-2 9361 5318 www.abccontentsales.com.au FAX +61-2 9361 5320 [email protected] www.metroscreen.org.au

THE BLACK LIST 227 Just a Short Story Karla: Fire Story Kathy 1998 2008 2003 Betacam 7 min Betacam/Digital Betacam 6 min 7 min PRODUCER Naomi Ashcroft PRODUCER Keith Salvat DIRECTOR Karrie-Anne Kearing PRODUCER Kylie du Fresne DIRECTOR Bevon Peddeu WRITER Karrie-Anne Kearing DIRECTOR Wayne Blair WRITER Auntie Beryl Carmichael DOP Robert Bygott WRITER Wayne Blair CAST Aunty Beryl Carmichael CAST Kelton Pell, Theo Kearing, CAST Lillian Crombie, Anthony Harry Nannup Simcoe Karla: Fire Story A true story based on Australia’s stolen generation. Set in the Nyitting Times (the icy cold A woman who believes she has no identity, takes on the identity of one of SALES CONTACT times) when the Nyungar had no fire Aboriginal Nations to cook his meat because the moon her heroes, Cathy Freeman. kept the fire for himself. This is the Australia SALES CONTACT story of the Murray River region and PHONE +61-2 8353 3610 Goalpost Pictures Australia of two birds - the sparrow hawk and FAX +61-2 8353 3611 Australia the pigeon - and their quest to give [email protected] PHONE +61-2 9517 9899 the Nyungar the fire to stay warm and www.ablnat.com.au FAX +61-2 9517 9871 have cooked meat. The film explores MOBILE +61-414 889 112 this concept through the use of Kathy [email protected] Nyungar art, dance, song www.goalpostpictures.com and storytelling.

SALES CONTACT Film and Television Institute WA Australia PHONE +61-8 9431 6700 FAX +61-8 9335 1283 [email protected] www.fti.asn.au

228 SHORT DRAMA

Kick It to Me Kungkal Palyalku Kwatye 2007 2002 2007 DVD/Digital Betacam Digital Betacam DVD 7 min 5 min 6 min j-k EXEC PROD David Opitz PRODUCER Daniel Featherstone PRODUCER Kath Shelper PRODUCER Emelda Davis (Utjutja) DIRECTOR Trisha Morton-Thomas DIRECTOR Melodie-Jane Gibson DIRECTOR Belle Davidson, Noeli WRITER Trisha Morton-Thomas WRITER Melodie-Jane Gibson Roberts DOP Jason Ramp CAST Trevor Ryan, Eloise WRITER Daniel Featherstone CAST Donnovan Mears, Aspen Lawrence, Robert Mumbulla, (Utjutja), Belle Davidson Beattie, Carmen Glynn-Braun Kylie Coolwell CAST Joanne West, Lalla West, Janelle Pollard, Elizabeth Holland Who would have thought a glass of Mick ‘Deadly’ Menzies is a retired water could cause so much havoc? football champion, and determined It’s another boring day for Joanne and Part of the A Bit of Black his son will follow in his footsteps, Janelle, two kungkas (girls) living in Business series. but Mick’s daughter, Grace, is the one the remote community of Warburton SALES CONTACT Kick It to Me with the talent to play footy and the in the Gibson Desert. However, with Flickerfest passion to play her own game! some encouragement from their Australia www.youtube.com/ kaparli (grandmothers), they soon PHONE +61-2 9365 6877 watch?v=T6KPvcSBNQY discover their creative talents. FAX +61-2 9365 6899 DOP Jason Ramp and writer/director Trisha info@flickerfest.com.au SALES CONTACT SALES CONTACT Morton-Thomas with actress Aspen Beattie on the www.flickerfest.com.au Metro Screen Ltd Ngaanyatjarra Media set of Kwatye Photographer: Mark Rogers Australia Australia PHONE +61-2 9361 5318 PHONE +61-8 8956 7307 FAX +61-2 9361 5320 FAX +61-8 8956 7182 [email protected] [email protected] www.metroscreen.org.au www.waru.org/ngmedia

THE BLACK LIST 229 Level Two-Tom Listen Mabo 1999 2001 2005 SP Beta SP Beta SP Beta 3 min 5 min 8 min

PRODUCER Rebecca Ingram PRODUCER Gillian Moody EXEC PROD David Opitz DIRECTOR Brook Andrew DIRECTOR Paula Maling PRODUCER Patricia Blunt WRITER Brook Andrew WRITER Paula Maling DIRECTOR Philip McLaren CAST Chris Bonney, Brooke CAST Kyra Kum-Sing, Laine DOP Murray Lui Andrew Mailing, Kalkani Chooburra, Alice CAST Darren Compton, Rayma Englert Johnson, Caroline Baum, Ben LEVEL TWO-TOM is a component MacLaine, Douglas Hansell piece of a larger project conceived LISTEN is an acoustic journey of by Brook to explore the issues of discovery. From birth everyone has Violent electrical storms across Mabo control, domination and conspiratorial the gift of innocence, as time passes Australia connect hundreds of alienation. It is intended to be viewed our gift can get lost but with the help Indigenous youths who set off on a within the context of an installation- from our own memories and spiritual graffiti awareness campaign. This based exhibition environment. The assistance, all one has to do is listen. appears to be in reaction to hastily piece deliberately deprivileges sound rescinded Indigenous Land Rights by SALES CONTACT with the intention of heightening the Australia’s Federal Government. Using viewer’s sense of identity with the Metro Screen Ltd Mabuji Australia chalk, they write one word in beautiful alienated subject. copperplate... Mabo. Their marks are PHONE +61-2 9361 5318 washed away by the next rainfall, but SALES CONTACT FAX +61-2 9361 5320 Metro Screen Ltd [email protected] are quickly replaced. Australia www.metroscreen.org.au www.youtube.com/watch?v=GutGHBc PHONE +61-2 9361 5318 7CQo&feature=channel_page FAX +61-2 9361 5320 [email protected] SALES CONTACT www.metroscreen.org.au Metro Screen Ltd Australia PHONE +61-2 9361 5318 FAX +61-2 9361 5320 [email protected] www.metroscreen.org.au

230 SHORT DRAMA

Mabuji Mah Main Actors 2009 2008 2006 Digital Betacam/HD Digital Betacam/HD Digital Betacam 5 min 7 min 6 min l-m PRODUCER Robyn Marais PRODUCER Jason De Santolo PRODUCER Irma Woods DIRECTOR Tyson Mowarin DIRECTOR Daniel Teece-Johnson DIRECTOR Kyle Morrison WRITER Tyson Mowarin WRITER Daniel Teece-Johnson WRITER Irma Woods, Kylie Farmer DOP Torstein Dyrting ACS DOP Fabio Cavadini DOP Dan Flanagan CAST Karna Smith, Marshall CAST Charmaine Doolan, Bud CAST Jub Clarke, Heath Smith, Alex Tucker, Thomas Kelly, Zak Teece-Johnson, Jack Bergersen, Taryne Laffar, Chad Jacobs, Glen Toby Field Creighton, Amy Smith, Jemima Hambling, Sandra Kelly, Anna The past and present come together A gritty, realistic and dark meditation Lee Winmar, Trevor Jamieson, when a budding stockman on his first on domestic violence. MAH is the story Sermsah Bin Saad, Dennis muster learns about his grandfather, of a family caught in a dilemma they Simmons, Jake Milroy, Dayne who passed away after a mustering are all trying to escape from. Two Blundell-Camden, Kylie Farmer accident, but who remains close. brothers bonded through blood and family adversity try to comprehend a SALES CONTACT world where their father is a violent Auditions can be unpredictable things... Film and Television Institute WA Mah drunk and their mother is battling to Australia SALES CONTACT find a way out. PHONE +61-8 9431 6700 Film and Television Institute WA FAX +61-8 9335 1283 SALES CONTACT Australia [email protected] Metro Screen Ltd PHONE +61-8 9431 6700 www.fti.asn.au Australia FAX +61-8 9335 1283 Main Actors PHONE +61-2 9361 5318 [email protected] FAX +61-2 9361 5320 www.fti.asn.au [email protected] www.metroscreen.org.au

THE BLACK LIST 231 Memory Midas Mimi 2005 1999 2002 SP Beta 35mm 35mm 7 min 6 min 12.5 min

EXEC PROD David Opitz PRODUCER Isabel Perez PRODUCER Rachel Perkins, Darren PRODUCER Megan McLoskey DIRECTOR Niki Bern Dale DIRECTOR Michelle Blanchard WRITER Justine Larbalestier DIRECTOR Warwick Thornton WRITER Michelle Blanchard DOP Murray Lui WRITER Warwick Thornton CAST Marlene Cummins CAST Mike Miller, Hannah Colles, DOP Warwick Thornton Jason Chatwin, Zoe Carides CAST David Gulpilil, Sophie Lee, According to the filmmaker, MEMORY Aaron Pedersen is about the resilience of love and MIDAS is a retelling of the story of its power to transcend cultural King Midas and the Golden Touch. It Memory When you buy black there’s no boundaries. It is also about the finality is told from the perspective of the turning back! of death, and the ironic moment of narrator who was read the tale over liberation it can give us. How does and over again as a child. The film SALES CONTACT the death of someone we love affect begins brightly but becomes darker Blackfella Films Pty Ltd us and move us to re-examine who as some of the narration’s unspoken PHONE +61-2 9380 4000 we are and where we are going? implications are revealed. FAX +61-2 9252 9577 But we think it also makes insightful MOBILE +61-429 119 901 points about death and mourning in SALES CONTACT [email protected] Aboriginal and Western cultures. Australian Film Television and Radio www.blackfellafilms.com.au School www.youtube.com/watch?v=TCKHHd PHONE +61-2 9805 6611 TA6bo&feature=channel_page FAX +61-2 9887 1030 SALES CONTACT [email protected] Metro Screen Ltd www.aftrs.edu.au Australia PHONE +61-2 9361 5318 FAX +61-2 9361 5320 [email protected] www.metroscreen.org.au

232 SHORT DRAMA

Mirror Images Mobile Mortal 2003 2006 1996 14 min 10 min 16mm 20 min m PRODUCER Justine Spicer PRODUCER Robyn Marais DIRECTOR Daniel King DIRECTOR Gary Cooper, Paul PRODUCER Jenny Lowdon Kendall WRITER Daniel King Roberts DIRECTOR Christian Buxton DOP Benjamin Doudney WRITER Paul Roberts WRITER Christian Buxton CAST Aaron Pedersen, Margaret CAST Trevor Jamieson, George CAST Imogen Gough, David Harvey, Cain Archibold, Richard Shevtsov Lithgow, Chris Gaffney, Josephine Frankland, Suzi Dougherty Bynt, Louise O’Dwyer MOBILE is a two-hander comedy A young man has to lose his family located in the heartland - a country What happens when Cat, a young before he realises he needs help. story with universal emotions. Two prostitute working in St Kilda, is men find that the traits separating confronted by a figure from her past. SALES CONTACT them are insignificant compared with Daniel King those they share. SALES CONTACT Australia Jenny Lowdon Kendall PHONE +61-3 9482 2704 SALES CONTACT Australia Film and Television Institute WA Mimi MOBILE +61-407 270 988 MOBILE +61-418 375 300 Photographer: Jonno Clabburn [email protected] Australia [email protected] PHONE +61-8 9431 6700 FAX +61-8 9335 1283 [email protected] www.fti.asn.au

THE BLACK LIST 233 Mulinjahli Muscle My Bed Your Bed My Colour, Your Kind Got Hustle 1998 1997 2008 16mm 16mm 16.5 min 11 min 16mm 6 min PRODUCER Penny McDonald PRODUCER Steven McGregor EXEC PROD David Opitz DIRECTOR Erica Glynn DIRECTOR Danielle MacLean PRODUCER Melissa Abraham WRITER Erica Glynn WRITER Danielle MacLean DIRECTOR Kylie Coolwell CAST Ursula Yovich, Trevor CAST Melissa Middleton, Christine DOP Troy Russell Jamieson Palmer, Rob Wenske, Sylvia CAST Alfred Coolwell, Kylie Merrick Coolwell, Glen Morgan, Billy Mac, In an isolated desert community, Dorsey Smith, Melissa Abraham Della and Alvin are promised under the A young girl incarcerated in a Mulinjahli Muscle Got Hustle traditional laws of marriage. Their time dormitory escapes to her rightful place has come. They move in together. One in the world. During her journey she Yarrei is a deadly Kung-fu master who house, two swags, a guitar... no idea. recollects her life and the treatment is guided by the spirit of the Jabreen she has endured. and when that Mulinjahli muscle got SALES CONTACT of hustle, nothing can stand in the way, Screen Australia SALES CONTACTS not even the Pitt Street Boys. Australia Screen Australia PHONE +61-2 8113 5800 www.youtube.com/ Australia FAX +61-2 9357 3737 watch?v=JytlchIBPoo PHONE +61-2 8113 5800 [email protected] FAX +61-2 9357 3737 SALES CONTACT www.screenaustralia.gov.au My Colour, Your Kind [email protected] Metro Screen Ltd www.screenaustralia.gov.au Australia DVD RELEASE CAAMA Productions Pty Ltd PHONE +61-2 9361 5318 Screen Australia Australia Australia FAX +61-2 9361 5320 PHONE +61-8 8951 9778 [email protected] FAX +61-8 8951 9717 www.metroscreen.org.au MOBILE +61-419 814 960 [email protected] www.caama.com.au

DVD RELEASE Screen Australia Australia

234 SHORT DRAMA

My Country My Mother My Son Nana 2007 2000 2007 Digital Betacam Digital Betacam DVD 11 min 27.5 min 6 min m-n PRODUCER Sally Madgwick PRODUCER Penny McDonald PRODUCER Kath Shelper Nana DIRECTOR Odette Best DIRECTOR Erica Glynn DIRECTOR Warwick Thornton Photographer: Mark Rogers WRITER Odette Best WRITER Erica Glynn WRITER Warwick Thornton CAST Steve “Mullawulla” Dodd, CAST Olivia Patten, Lynette DOP Jason Ramp Roxanne Mcdonald, Samson Narree, Heather Mitchell, Judy CAST Mitjili Napanangka Gibson, Page, Cate Feldman Farr, Lesley Daemon, Allan Green Kiara Gibson, Ted Egan Jangala, Noreen Robertson Nampijinpa The film is an ode to the history of Mona and her adult daughter, Kymmy, Indigenous peoples and the meaning set out from their country home to get Nana’s granddaughter thinks Nana’s and spirit of belonging. Inspired by Kymmy’s young son from foster care pretty special. She loves her Nana verbal and documented accounts in the city. As they travel they face and because she helps the old people, of Aboriginal experiences from the overcome many setbacks, and their she’s a good painter and other people history of colonialism, MY COUNTRY past and future are explored. They love her too. Nana’s got everyone is the touching story of the lasting argue and part ways. Kymmy gets to under control. Part of the A Bit of impact of one such experience on an the foster home only to find another Black Business series. elderly Aboriginal man. Triggered by a obstacle in her way. Mona arrives later work of art and its interpretation, his and brings about a surprising and SALES CONTACT story is a journey through time and provocative resolution. Flickerfest cultural dislocation. Australia SALES CONTACT PHONE +61-2 9365 6877 SALES CONTACT Ronin Films FAX +61-2 9365 6899 Papermoon Productions Australia info@flickerfest.com.au Australia PHONE +61-2 6248 0851 www.flickerfest.com.au [email protected] FAX +61-2 6249 1640 orders@roninfilms.com.au www.roninfilms.com.au

DVD RELEASE Ronin Australia

THE BLACK LIST 235 Nia’s Melancholy Nice Coloured Girls Night Cries 2008 1987 - A Rural Tragedy DVD 16mm 1989 10 min 17 min 35mm 17 min PRODUCER Andrew Arbuthnot PRODUCER Tracey Moffatt DIRECTOR Sio Tusa Fa’aaefili DIRECTOR Tracey Moffatt PRODUCER Penny McDonald WRITER Sio Tusa Fa’aaefili WRITER Tracey Moffatt DIRECTOR Tracey Moffatt CAST Tasia Zalar, Kyas Sherriff, CAST Gayle Mabo, Cheryl Pitt, WRITER Tracey Moffatt Rachael Maza Long, Naomi Bowly Lindsay McCormack, Janelle DOP John Whitteron Court, Fiona George CAST Marcia Langton, Agnes A young ‘Yalanji’ girl witnesses her Hardwick, Jimmy Little sister’s suicide. This is a tale of her Three Aboriginal women cruise descent into melancholy and her through Kings Cross and pick up a In NIGHT CRIES a middle-aged journey of redemption. ‘captain’ (a drunken white man). They Aboriginal woman and her invalid encourage him to spend his money on SALES CONTACT white mother are suspended in a L-R: Actors Naomi Bowly and Tasia Zalar with them and to drink until incapacitated Andrew Arbuthnot soundscape. ‘A Rural Tragedy’, says writer/director Sio Tusa Fa’aaefili behind the while they steal his wallet and race off Australia the subtitle... ‘A horror film’, says scenes of Nia’s Melancholy to catch a cab, self-satisfied. Photographer: Jason Hargreaves FAX +61-7 3369 5203 the subtext. MOBILE +61-405 107 465 [email protected] DVD RELEASE SALES CONTACT Women Make Movies Inc www.lalapictures.com Ronin Australia United States PHONE +1-212 9250606 FAX +1-212 9252052 [email protected] www.wmm.com/

DVD RELEASE Ronin Australia

236 SHORT DRAMA

A Night Out No Way to Forget Nonno Pepe is a Video 1989 1996 Head 16mm/Digital Betacam 16mm 1994 48 min 11 min 16mm n 7 min PRODUCER Lawrence Johnston, PRODUCER John Foss Christopher McGill DIRECTOR Richard Frankland PRODUCER Helen Lovelock DIRECTOR Lawrence Johnston WRITER Richard Frankland DIRECTOR Safina Uberoi DOP Brent Crockett DOP Peter Zakharov WRITER Marcella Paolacci CAST Colin Batrouney, David CAST David Ngoombujarra, Kylie DOP Warwick Thornton Bonney, John Brumpton, Luke Belling, Christina Saunders, Amy CAST Angelo Torrisi Elliot, Andrew Larkins, Tom Saunders Sherlock, Matthew Willis An old man finds new spirit after the NO WAY TO FORGET is based on death of his wife when he gets a video A NIGHT OUT is the story of a Richard Frankland’s experiences as camera. A sweet, succinct look at the relationship on the brink of change a field officer during the 1988 Royal many parts that make up the sum of brought about by a senseless act of Commission into Aboriginal Deaths one life nearly completed. violence. A man is severely bashed and in Custody. The Royal Commission SALES CONTACT persecuted by a group of hoods for investigated the deaths of 99 Australian Film Television and Radio being in a place he shouldn’t be, doing Aboriginal and Torres Strait Islanders School things he shouldn’t do, but in whose held in police custody throughout PHONE +61-2 9805 6611 eyes? Does he tell the police, does he Australia. FAX +61-2 9887 1030 tell anyone what really happened? SALES CONTACT [email protected] SALES CONTACT Screen Australia www.aftrs.edu.au Jane Balfour Films Ltd Australia United Kingdom PHONE +61-2 8113 5800 FAX +61-2 9357 3737 [email protected] www.screenaustralia.gov.au

DVD RELEASE Screen Australia Australia

THE BLACK LIST 237 One Night the Moon Other[wize] The Party Shoes 2001 2006 2009 Digital Betacam/35mm DVD/Digital Betacam Digital Betacam/HD 54 min 3 min 10 min

PRODUCER Paul Humfress, Kevin EXEC PROD Jenny Fraser PRODUCER Darren Dale, Rhea Lucas, Aanya Whitehead PRODUCER Jenny Fraser Stephenson DIRECTOR Rachel Perkins DIRECTOR Jenny Fraser DIRECTOR Michelle Blanchard WRITER Rachel Perkins, John WRITER Jenny Fraser WRITER Michelle Blanchard Romeril DOP Nicola Daley DOP Kim Batterham A screen-based new media arts CAST Maci-Grace Johnson, Ngaire CAST Kaarin Fairfax, Paul Kelly, project that celebrates the lives of Pigram, Matt Potter, Clarence Yugambeh family members that were One Night the Moon Kelton Pell, Ruby Hunter, Thane Photographer: George Kannavas Memphis Kelly, , forcibly moved from their traditional Courtesy: MusicArtsDance films homelands in south-east Queensland. A little girl devises a logical plan to rid www.geocities.com/dot_ayu the world of sadness... Well, her own A musical drama set in 1930s’ outback SALES CONTACT world at least. Actress Maci-Grace Johnson with writer/ Australia. Entranced by the beautiful, Jenny Fraser SALES CONTACT director Michelle Blanchard on location for beaming moon, a young girl steps Australia Blackfella Films Pty Ltd The Party Shoes out of her window. When her parents MOBILE +61-409 255 487 PHONE +61-2 9380 4000 Photographer: Mark Rogers check, she is gone. The local police [email protected] FAX +61-2 9252 9577 recommend Aboriginal Tracker Albert, www.geocities.com/dot_ayu/index.htm MOBILE +61-429 119 901 but the father insists ‘no blackfella [email protected] is to set foot on my land’. Albert www.blackfellafilms.com.au watches helplessly as her every trace is stamped to dust by the white men conducting a line search. Based on the true story of Aboriginal Tracker Riley in Dubbo.

SALES CONTACT Digital Classics PLC United Kingdom PHONE +44-20 7436 1400 FAX +44-20 7637 1355 [email protected]

DVD RELEASE Siren Visual Entertainment Australia

238 SHORT DRAMA

Passing Through Payback Plains Empty 1998 1996 2004 16mm 16mm 35mm/Digital Betacam 13 min 10 min 26 min o-p PRODUCER Helen Lovelock PRODUCER Rachel Perkins, Penny PRODUCER Kath Shelper DIRECTOR Mark Olive McDonald DIRECTOR Beck Cole WRITER Mark Olive DIRECTOR Warwick Thornton WRITER Beck Cole Writer/director Beck Cole on location for DOP WRITER DOP Plains Empty Tristan Milani ACS Warwick Thornton Warwick Thornton Photographer: Mark Rogers CAST Margaret Harvey, Luke DOP Warwick Thornton CAST Ngaire Pigram, Gerard Elliot, Shannon Pender, CAST George Djilaynga, Charlie Kennedy, Kerry Naylon, Tina Janaya Pender, Bruce Olive, Matjiwi Bursill, Josef Ber Gnarnayarrahe Waitarie, Justine Saunders, Llania Pender Paddy, an Aboriginal man, has been in Sam has recently moved to an isolated jail going on 20 years. It is the day of mining camp with her man. While he is On her way to visit relatives, Margie his release. Paddy knows of the two at work on the minefields Sam realises meets up with two old men who knew laws - a white one and a black one. that she is not alone. The 20 years he has spent doing time her family. Before they are able to SALES CONTACT for the white man’s law have been in delve into their stories, she leaves to Flickerfest preparation for this one day - continue her journey. Has she missed Australia his payback. the opportunity to discover the secrets PHONE +61-2 9365 6877 of the past? SALES CONTACT FAX +61-2 9365 6899 SALES CONTACT Screen Australia info@flickerfest.com.au Screen Australia Australia www.flickerfest.com.au Australia PHONE +61-2 8113 5800 PHONE +61-2 8113 5800 FAX +61-2 9357 3737 DVD RELEASE FAX +61-2 9357 3737 [email protected] Marcom Australia [email protected] www.screenaustralia.gov.au www.screenaustralia.gov.au DVD RELEASE DVD RELEASE Screen Australia Australia Screen Australia Australia

THE BLACK LIST 239 Postcard Infinity Promise Quarantine 2003 1998 2009 Betacam 16mm DVD 10 min 10 min 4 min

DIRECTOR Mark Olive PRODUCER Pauline Clague EXEC PROD David Opitz WRITER Mark Olive DIRECTOR Mitch (Michelle) Torres PRODUCER Jack Anderson WRITER Mitch (Michelle) Torres DIRECTOR Tyrone Sheather Samantha and Colin are your average CAST Sylvia Clarke, Ali Torres WRITER Tyrone Sheather young couple. Amidst preparation for DOP Jack Anderson a coming hair show, talk of a secret An old woman, overseeing her CAST Dylan Underwood and well-earned holiday are shattered grandaughter making some damper, by a rash, petty moment. Reflecting asked how it came to be that she was QUARANTINE is about the feeling back, have they missed an opportunity promised (betrothed) at a young age. of being powerless. Two teenage forever? SALES CONTACT lovers find this out when they come in SALES CONTACT Screen Australia contact with a meteorite housing an Victorian College of the Arts School Australia intergalactic virus. of Film and Television PHONE +61-2 8113 5800 Australia SALES CONTACT FAX +61-2 9357 3737 Metro Screen Ltd PHONE +61-3 9685 9000 [email protected] Australia FAX +61-3 9685 9001 www.screenaustralia.gov.au PHONE +61-2 9361 5318 [email protected] FAX +61-2 9361 5320 www.vca.unimelb.edu.au/ftv/index. DVD RELEASE [email protected] html Screen Australia Australia www.metroscreen.org.au

Queen of Hearts Photographer: Matt Nettheim

240 SHORT DRAMA

Queen of Hearts Ralph Redfern Beach 2003 2009 2001 Digital Betacam Digital Betacam Betacam 48 min 10 min 15 min p-r PRODUCER Charlotte Seymour PRODUCER Jessie Mangum PRODUCER Yvonne Madden, DIRECTOR Danielle MacLean DIRECTOR Deborah Mailman Catriona McKenzie, Rachel WRITER Danielle MacLean WRITER Deborah Mailman, Wayne Roberts DOP Warwick Thornton Blair DIRECTOR Catriona McKenzie CAST Kirsty McDonald, Lillian CAST Madeleine Madden, Stephen WRITER Catriona McKenzie Crombie, Lisa Flanagan Carr CAST Michael Tuahine, Phaedra Writer/director Deborah Mailman with actor Nicholaides, Nick Papadimitiou, Madeleine Madden on the set of Ralph These Christmas holidays are like For 10-year-old Madeline, it takes Duncan Young, Tony Barry Photographer: Bonnie Elliott no other. Penny must deal with the more than just dreaming to survive; it realisation that her Nana will not takes a friend. A young man chooses between money be around forever. Penny toys with SALES CONTACT and magic. A story about fishing, concepts of life and death, trying to Flickerfest friendship and faith. delay the inevitable, only to find that Australia she has grown up. SALES CONTACT PHONE +61-2 9365 6877 Australian Film Television and Radio SALES CONTACT FAX +61-2 9365 6899 School SBS Independent info@flickerfest.com.au PHONE +61-2 9805 6611 Australia www.flickerfest.com.au FAX +61-2 9887 1030 PHONE +61-2 9430 2828 [email protected] FAX +61-2 9906 4797 www.aftrs.edu.au [email protected] www.sbs.com.au/sbsi

DVD RELEASE Marcom Australia

THE BLACK LIST 241 Redreaming the Dark Reflections in Road 1998 Black and White 2000 16mm 2006 35mm 6 min 26 min DVC Pro 50 5 min PRODUCER Charlotte Seymour PRODUCER Lisa Duff DIRECTOR Erica Glynn EXEC PROD David Opitz DIRECTOR Catriona McKenzie WRITER Romaine Moreton PRODUCER Lyn Tunbridge WRITER Catriona McKenzie DOP Cordelia Beresford DIRECTOR Elizabeth Paavola DOP Allan Collins ACS CAST Leah Purcell, Irma Woods, WRITER Elizabeth Paavola CAST Shane O’Mara, Gavin Ritchie, Emily Walker CAST Gabby Woodbridge, Mavis Mary Johnson, Tim Bishop Kennedy During a blackout in the family Two Aboriginal men try to escape the apartment, an intellectually city after a fight with a taxi driver. With Reflections in Black and White REFLECTIONS IN BLACK AND challenged young black woman the vigilante taxi in hot pursuit they WHITE is a drama of mystery, intrigue is thrown into turmoil. It is the make their way to the beach. Their and family secrets. Alice Craig is a darkness which promotes fear in the paths cross with another couple. successful lawyer whose professional young woman and it is her elderly acumen leaves her thoroughly SALES CONTACT grandmother who soothes her, unprepared for the cross-examination Virus Media Pty Ltd teaching her not only to embrace the delivered by her daughter regarding an Australia dark but also to affirm her dark self. old black and white photograph. The PHONE +61-2 8060 1520 SALES CONTACT challenges of the past and of identity FAX +61-2 8060 1520 Australian Film Television and Radio force Alice to face her demons, and MOBILE +61-450 694 702 School present her with an opportunity to [email protected] exorcise the ghosts of her past once Road PHONE +61-2 9805 6611 www.virusmedia.com.au FAX +61-2 9887 1030 and for all. [email protected] SALES CONTACT www.aftrs.edu.au Metro Screen Ltd Australia PHONE +61-2 9361 5318 FAX +61-2 9361 5320 [email protected] www.metroscreen.org.au

242 SHORT DRAMA

Robin Hoodz Round Up Sa Black Thing 2003 1996 2005 SP Beta 16mm 35mm 8 min 9 min 26 min r-s PRODUCER Danielle Giles PRODUCER Pauline Clague PRODUCER Pauline Clague DIRECTOR Dennis Simmons DIRECTOR Rima Tamou DIRECTOR Rima Tamou WRITER Dennis Simmons WRITER Rima Tamou WRITER Rima Tamou DOP Murray Lui CAST Gary Cooper, Ben Oxenbould CAST Michael Tuahine, Kylie CAST Dennis Simmons, Sam Farmer Dunbar Usherwood, Jullian Crotti, Two stockmen - one white and one Genevieve Hegney, Jim Shipston Aboriginal - become injured in a On the eve of a lucrative business brumby round-up. They are forced to deal, life is about to go horribly wrong spend a night in a city hospital where Two boys, one black and one white, for businessman Clinton Spice. In they learn that maybe they are not as Sa Black Thing reinvent the Robin Hood myth in an desperation, he sets out to track down different as they think they are. urban, contemporary context. the thief. But what he finds is the last thing he expects! SALES CONTACT SALES CONTACT Screen Australia Metro Screen Ltd SALES CONTACT Australia Australia Core Films Pty Ltd PHONE +61-2 8113 5800 PHONE +61-2 9361 5318 Australia FAX +61-2 9357 3737 FAX +61-2 9361 5320 PHONE +61-2 9566 4415 [email protected] [email protected] FAX +61-2 9566 4435 www.screenaustralia.gov.au www.metroscreen.org.au MOBILE +61-417 485 908 [email protected] DVD RELEASE Screen Australia Australia DVD RELEASE Marcom Australia

THE BLACK LIST 243 Saturday Night, Scrub Sharpeye Sunday Morning 2006 2007 1999 16mm DVD 10 min 6 min 16mm 26 min EXEC PROD Douglas Watkin PRODUCER Kath Shelper PRODUCER Pauline Clague PRODUCER Douglas Watkin DIRECTOR Aaron Fa’aoso DIRECTOR Rima Tamou DIRECTOR Douglas Watkin WRITER Aaron Fa’aoso WRITER Rima Tamou, Archie WRITER Douglas Watkin DOP Murray Lui Weller CAST Robert Jozinovic, Jorde CAST Ikaika Fa’oso, Robert Poi Lenoy, Gourie Blackley, Mungo Poi, Dane Wasiu, Peni Nadredre Saturday Night, Sunday Morning DOP Warwick Thornton CAST Peter Browne, Luke Carroll, McKay Alyssa McClelland, Sam O’Dell, When 11-year-old Whalen spies a Special Forces dinghy off the jetty, the DOP Murray Lui (L) with writer/director Aaron Jie Pittman SCRUB is about an ex-biker who has whole town gets in on the action to Fa’aoso (R) on location for Sharpeye finally conformed to mainstream Photographer: Mark Rogers society and finds that his past and outdo the professionals at their own Based on the Archie Weller present are about to collide in the game. Set in the Torres Strait Island short story, SATURDAY NIGHT, next generation. communities of Barnaga and Seisia, SUNDAY MORNING takes a shy, SHARPEYE tells the story of the disenfranchised teenager in constant SALES CONTACT Charlie Company. Part of the A Bit of conflict with her single dad and places Douglas Watkin Black Business series. her hostage with three young men for Australia whom actions have no consequences. MOBILE +61-410 326 562 SALES CONTACT [email protected] Flickerfest SALES CONTACT www.doublewire.com.au Australia Core Films Pty Ltd PHONE +61-2 9365 6877 Australia FAX +61-2 9365 6899 PHONE +61-2 9566 4415 info@flickerfest.com.au FAX +61-2 9566 4435 www.flickerfest.com.au MOBILE +61-417 485 908 [email protected]

244 SHORT DRAMA

Shit Skin A Simple Song Space Pizza 2002 2003 1996 35mm 35mm 16mm 13 min 16 min 7 min s EXEC PROD Sally Riley PRODUCER Paola Garofali PRODUCER Paul Fenech PRODUCER Kimba Thompson DIRECTOR Adrian Wills DIRECTOR Paul Fenech DIRECTOR Nicholas Boseley WRITER Adrian Wills WRITER Paul Fenech WRITER Nicholas Boseley DOP Helen Carter CAST Paul Fenech, Wayne Daniels, CAST Freda Glynn, Kirk Page, Max CAST Nick Simpson Deeks, Ross Mike Kleim, The Alien Stuart, Emily Hayes McGregor A pizza delivery man wakes up in the An Indigenous grandmother, Nina, and The age-old struggle for middle of a remote beach. He recalls her grandson, Luke, travel to Central understanding between generations is being kidnapped by aliens. Australia to find long lost family and captured in this musical about finding SALES CONTACT the truth about Nina’s stolen life. the courage to be yourself. Livewire Film and Television SALES CONTACT SALES CONTACT Production Sista Girl Productions Australian Film Television and Radio Australia Australia School PHONE +61-2 9906 7640 PHONE +61-3 9383 6773 PHONE +61-2 9805 6611 FAX +61-2 9906 7350 MOBILE +61-414 593 103 FAX +61-2 9887 1030 [email protected] [email protected] Shit Skin www.aftrs.edu.au

THE BLACK LIST 245 Starr Storytime Strike Your Heart 2001 2006 1997 SP Beta Digital Betacam/DVD 16mm 5 min 9 min 17.5 min

PRODUCER Gillian Moody PRODUCER Belinda Kelsall PRODUCER Nicki Lukacs DIRECTOR Michelle Blakeney DIRECTOR Jub Clerc DIRECTOR Wayne Barker WRITER Michelle Blakeney WRITER Sylvia Clarke, Jub Clerc WRITER Wayne Barker DOP Murray Lui CAST Sylvia Clarke, Verna CAST Rami Rahman, Jimmy CAST Kate Sonderhof, Ben Graetz, Lawson, Jimmy Edgar, Jhi Clarke Edgar, Pepi Torres, Attika Edgar, Chernai Smith Ali Torres, Baamba Albert, Silvia Two adventurous Kimberley kids Clarke STARR is a stylised film set in New wander deep into the Mangroves York in the 1930s about a 24-year-old at sunset, only to find the terrifying STRIKE YOUR HEART is set in high society socialite whose spirit is campfire stories of the Gooynbooyn Broome 1967 when Aboriginal people slowly drowned by the memories of Woman may not be a myth after all. were claiming their citizenship rights her past. SALES CONTACT and attitudes were changing. It is a profile of a 12-year-old boy, his family SALES CONTACT Solid Films Metro Screen Ltd Australia and his culture at the crossroads Australia PHONE +61-8 9381 3462 of change. PHONE +61-2 9361 5318 FAX +61-8 9381 3462 FAX +61-2 9361 5320 MOBILE +61-428 975 491 Susan’s Birthday Party [email protected] solidfi[email protected] www.metroscreen.org.au

246 SHORT DRAMA

Susan’s Birthday Party Switch Tears 2006 2002 1998 DVC Pro 50 Betacam 16mm/VHS 6 min 10 min 15 min s-t EXEC PROD David Opitz EXEC PROD Douglas Watkin PRODUCER Teresa-Jayne Hanlon PRODUCER Marvette Logan PRODUCER Douglas Watkin DIRECTOR Ivan Sen DIRECTOR Maureen Logan DIRECTOR Douglas Watkin WRITER Ivan Sen WRITER Maureen Logan WRITER C Nelson CAST Luke Carroll CAST Sarah Risely, Jean Logan CAST Trent Ivett, Justin Palazzo- Orr, Adam Drake A teenage couple are leaving the Tears Susan is an Aboriginal girl with red mission on their way to a new life. curly hair and fair skin. She shows her Time switching film set in two As they walk to the bus stop they Aboriginal story books, clap sticks and different eras but set in the same discuss their reasons for leaving, but boomerangs to the class at school house. In order to tell the future you ultimately they choose different paths for show-and-tell. The other children must tell the past. and must confront their don’t believe she is Aboriginal until separate futures. they are invited to her birthday party. SALES CONTACT SALES CONTACT Back at school, after the party, there is Douglas Watkin Australia Screen Australia a common resolve to explore identity Australia and harmony. MOBILE +61-410 326 562 [email protected] PHONE +61-2 8113 5800 www.youtube.com/watch?v=OTK- www.doublewire.com.au FAX +61-2 9357 3737 d8X75hY&feature=channel_page [email protected] www.screenaustralia.gov.au SALES CONTACT Metro Screen Ltd DVD RELEASE Australia Screen Australia Australia PHONE +61-2 9361 5318 FAX +61-2 9361 5320 [email protected] www.metroscreen.org.au

THE BLACK LIST 247 Terra Nullius The Third Note Tightrope 1992 2000 2000 16mm 35mm SP Beta 21 min 15 min 5 min

PRODUCER Alison Wotherspoon, PRODUCER Priscilla Collins PRODUCER Scott Williams Anne Pratten DIRECTOR Catriona McKenzie DIRECTOR Scott Williams DIRECTOR Anne Pratten WRITER Lynne Vincent McCarthy WRITER Scott Williams WRITER Anne Pratten CAST Deborah Mailman, Leon DOP Murray Lui DOP Jackie Farkas, Josie Keys Dobrinski CAST Ian Callen, Dean Dunstan CAST Olivia Patten, Michelle Lacombe A blind woman and her Russian A dark prison cell in 1870 is the neighbour do battle with sound and setting for this grim story. Jeremiah, The story of Alice, a young Aboriginal music when he refuses to read a an Irish prisoner convicted of murder, girl who absorbs the fear and shame postcard for her. What starts as war sits alone singing a tune as he awaits of her adoptive white parents. The ends in understanding. his execution. Berra, an Aboriginal prisoner incarcerated for theft, joins film links the denial of Aboriginality SALES CONTACT Jeremiah when the prison governor to an invasive scene of incest which Australian Film Television and Radio declares overcrowding in the other occurs throughout the film. A look at School cells. During the short time they how untreated fear and shame get PHONE +61-2 9805 6611 spend together, they find out that they Too Late passed from one generation to the FAX +61-2 9887 1030 Photographer: Simon Cardwell are two very different people with a other. Expressionist images repeatedly [email protected] common curse. disrupt the narrative to haunt us with www.aftrs.edu.au the denial of racial and sexual abuse - SALES CONTACT legacies of colonisation. Metro Screen Ltd SALES CONTACT Australia Australian Film Television and Radio PHONE +61-2 9361 5318 School FAX +61-2 9361 5320 PHONE +61-2 9805 6611 [email protected] FAX +61-2 9887 1030 www.metroscreen.org.au [email protected] www.aftrs.edu.au

248 SHORT DRAMA

Too Late Too Little Justice Transit 2007 2004 2010 DVD Digital Betacam HD 6 min 5.5 min 11 min t PRODUCER Kath Shelper PRODUCER Justin Davies PRODUCER Semah Mokak DIRECTOR Michael Longbottom DIRECTOR Dean Francis DIRECTOR Tamara Whyte WRITER Michael Longbottom WRITER Marcus Waters WRITER Tamara Whyte DOP Murray Lui DOP Jason Ramp DOP Benjamin Southwell CAST Ngaire Pigram, Jake CAST George Barker, Shannon CAST Jeremy Youse, Chenoa Phillips, Aaron Pedersen Cole Deemal

Ben’s plea for forgiveness leads to a ‘Everyday’ racism escalates into TRANSIT explores the idea of what shocking discovery. Part of the A Bit of violence as an Indigenous schoolboy price we pay - as a society, as a Actor Aaron Pedersen (L) with writer/director Black Business series. is forced to fight for dignity. When he is community and individually - when we Michael Longbottom (R) on the set of Too Late framed for drug possession by a racist choose to imprison people. Photographer: Simon Cardwell SALES CONTACT student, he realises he is trapped in a Flickerfest SALES CONTACT cycle of systemic cultural bias. Australia QPIX Ltd PHONE +61-2 9365 6877 www.aftrs.edu.au/index. Australia FAX +61-2 9365 6899 cfm?objectId=302D6526-2A54-23A3- PHONE +61-7 3848 8000 info@flickerfest.com.au 6C95A8B5156E6EE2 FAX +61-7 3848 8055 www.flickerfest.com.au SALES CONTACT [email protected] Australian Film Television and Radio www.qpix.org.au School PHONE +61-2 9805 6611 FAX +61-2 9887 1030 [email protected] www.aftrs.edu.au

THE BLACK LIST 249 Tryst Tuff Nut Turn Around 1996 2006 2002 16mm DV/Mini DV 35mm 11.5 min 5 min 13 min

DIRECTOR Nicholas Boseley EXEC PROD Douglas Watkin EXEC PROD Kath Shelper WRITER Nicholas Boseley PRODUCER Douglas Watkin PRODUCER Jenny Day DIRECTOR Lucas Thyer DIRECTOR Samantha Saunders Angus and David are off for a dirty WRITER Douglas Watkin, Lucas WRITER Samantha Saunders weekend in the country; a distraction Thyer CAST Lisa Flanagan, Wayne from exams and relationship troubles. CAST Jason King, Thea Dowden Munro Enter Julie, a pain as a far as David is concerned, but a boisterous, good One-time child star, turned public For Charlie, juggling his best mate and friend of Angus, who has more than speaker, Crazy Bob, takes us into the a hot date is hard work. friendship in mind. quirky life of a washed-up child star. SALES CONTACT Writer/director Kelli Cross (L, in water) and SALES CONTACT SALES CONTACT Jenny Day crew filming The Turtle Victorian College of the Arts School Photographer: Ashley de Prazer Douglas Watkin Australia of Film and Television Australia PHONE +61-2 9552 2634 Australia MOBILE +61-410 326 562 FAX +61-2 9692 8387 PHONE +61-3 9685 9000 [email protected] MOBILE +61-404 180 929 FAX +61-3 9685 9001 L-R: Writer/director Jon Bell with actors David www.doublewire.com.au spiritedfi[email protected] Page and Michael Tuahine on location for Two [email protected] Big Boys www.vca.unimelb.edu.au/ftv/index. Photographer: Simon Cardwell html

250 SHORT DRAMA

The Turtle Two Big Boys Two Bob Mermaid 2007 2007 1996 DVD DVD 16mm 6 min 6 min 15 min t PRODUCER Kath Shelper PRODUCER Annie Benzie, Kath EXEC PROD Franco di Chiera DIRECTOR Kelli Cross Shelper PRODUCER Antonia Barnard WRITER Kelli Cross DIRECTOR Jon Bell DIRECTOR Darlene Johnson DOP Murray Lui WRITER Jon Bell WRITER Darlene Johnson CAST Gregory Cross, Kelton Pell DOP Murray Lui DOP Kim Batterham CAST Michael Tuahine, David Page CAST Stephen Blair, Megan Drury, Thirteen-year-old Jason is going Tessa Leahy, David Page, Jie through the changes to become a Two brothers face a crisis of dignity, Pittman, Carrie Prosser, Gary young man. His mother sends him to which causes them to examine their Sweet the only decent role model she can relationship and sets them on a quest think of, his paternal grandfather, for a to become indeed, two big boys. Part The year is 1956 and Aboriginal holiday at a small coastal town. Part of the A Bit of Black Business series. Australians are not allowed to swim in of the A Bit of Black Business series. SALES CONTACT public swimming pools. A fair-skinned SALES CONTACT Flickerfest Aboriginal girl who passes off as white Two Bob Mermaid Flickerfest Australia goes to the local pool. A film Australia PHONE +61-2 9365 6877 about identity. PHONE +61-2 9365 6877 FAX +61-2 9365 6899 SALES CONTACT FAX +61-2 9365 6899 info@flickerfest.com.au Screen Australia info@flickerfest.com.au www.flickerfest.com.au Australia www.flickerfest.com.au PHONE +61-2 8113 5800 FAX +61-2 9357 3737 [email protected] www.screenaustralia.gov.au

DVD RELEASE Screen Australia Australia

THE BLACK LIST 251 The Underdog Unstuck An Urban Love Story Principle 2005 2002 1996 SP Beta SP Beta 8 min 6 min 16mm 8.5 min EXEC PROD David Opitz PRODUCER Julie Nimmo, Chris PRODUCER Carolyn Cerexhe PRODUCER Simon Blyth Bonney DIRECTOR Chris Nalletamby DIRECTOR Rayma Johnson DIRECTOR Chris Bonney WRITER Gabrielle Carey, Chris WRITER Rayma Johnson WRITER Chris Bonney Nalletamby DOP David Hawkins DOP Carolyn Constantine DOP Warwick Thornton CAST Rayma Johnson, Kirk Page, CAST Miriam Corowa, Damion CAST Peter Turnbull, Leigh Nathan Leslie-Wood, Sean Carter, Hunter, Mike Brewitt, Chris Russell, Scott Ferguson Maci Grace Johnson Bonney

Three disabled guys, who are sick of UNSTUCK is the story of a young Marla is a Ngarrunga woman who lives Unstuck being treated like idiots, decide to do Aboriginal woman who, after more in Kings Cross. She’s seen the seedier something positive for themselves. So than a year, has yet to come to terms side of life. Sunfly is a travelling they rob a bank. with the death of her husband. One cowboy from the Kimberley. Can their night, her husband’s spirit comes back feelings for each other override their SALES CONTACT to her, hoping to heal the wounds of cultural differences? Australian Film Television and Radio separation and move on in her life. As SALES CONTACT School the two spirits reconnect, it becomes Metro Screen Ltd PHONE +61-2 9805 6611 clear that the woman will have to Australia FAX +61-2 9887 1030 choose between remaining stuck in her An Urban Love Story PHONE +61-2 9361 5318 [email protected] life with grief, or to become unstuck. www.aftrs.edu.au FAX +61-2 9361 5320 www.youtube.com/watch?v=ryPQ_ [email protected] GAkbKc&feature=channel_page www.metroscreen.org.au SALES CONTACT Metro Screen Ltd Australia PHONE +61-2 9361 5318 FAX +61-2 9361 5320 [email protected] www.metroscreen.org.au

252 SHORT DRAMA

Warm Strangers The Watchers Weewar 1997 2001 A Bindjareb Warrior 16mm 35mm 2006 6 min 6.5 min DV/Mini DV/DVD u-w 9 min PRODUCER Ivan Sen PRODUCER Joanne Weatherstone DIRECTOR Ivan Sen DIRECTOR Steven McGregor EXEC PROD David Jowsey WRITER Ivan Sen WRITER Cath Moore PRODUCER Naomi Ashcroft Behind the scenes of Weewar DOP Allan Collins ACS CAST Wayne Pygram, Dane DIRECTOR Glen Stasiuk CAST Bradley Byquar, Arthur Sheddon, , Wayne WRITER Karrie-Anne Kearing Dignam Blair DOP Robert Bygott CAST Trevor Jamieson, Peter In the last moments of his life, Jess, In a world where our desires are Docker a young Aboriginal man, attempts to monitored, a teenage boy is inspired reunite with the father he has not seen to cross the line. He is shown a world In 1842 the Crown prosecuted for years. where his actions may lead him. The Weewar, a Bindjareb Nyungar, for choice now rests with him. SALES CONTACT carrying out tribal payback. Weewar’s Australian Film Television and Radio SALES CONTACT trial became the test case in Western School Australian Film Television and Radio Australia, which determined that PHONE +61-2 9805 6611 School British Law took precedence over FAX +61-2 9887 1030 PHONE +61-2 9805 6611 traditional law. [email protected] FAX +61-2 9887 1030 SALES CONTACT www.aftrs.edu.au [email protected] BlackRussian Productions www.aftrs.edu.au Australia FAX +61-8 9490 7354 MOBILE +61-414 386 468 [email protected]

THE BLACK LIST 253 When the Who Are You? Wind Breathing Fades 2007 1999 1996 DVD 35mm 6 min 34 min Betacam 8 min EXEC PROD David Opitz PRODUCER Graeme Isaac PRODUCER Beck Cole PRODUCER Jason De Santolo DIRECTOR Ivan Sen DIRECTOR Michael Stacey DIRECTOR Mark McMillan WRITER Ivan Sen WRITER Michael Stacey WRITER Mark McMillan DOP Allan Collins ACS CAST Nathan Watson, Connie CAST Stuart Fenton, Jason Carter, CAST Ralph Cotteril, Bradley Thompson, Mandy Groom Mitchell Stanley, Freda Glynn, Byquar, Guy Simon, Bradley Rossiter A young boy learns the reality of death Australia, 1867. In the cold, bleak high when he watches as his grandmother WHO ARE YOU? is a story of internal country, Jess, a young black tracker passes away before him and his conflict and how we accept the many and his elderly sergeant follow the Who Are You? family. ‘Just as you can hear the wind parts of our identity that make us a trail of a killer, a traditional Indigenous but can’t tell where it comes from or whole person. How we see ourselves man. With every step closer, the killer where it will go next, so it is with the and how we want others to see us delves into the mind and soul of Jess, spirit’ when the breathing fades. do not always meet up. Does society until ultimately being faced with the force people to hide parts of who choice between his ancestral heritage SALES CONTACT they are within themselves? And can and the only life he has ever known. Michael Stacey those parts ever be allowed to exist Wind Australia as a whole? WHO ARE YOU? gives DVD RELEASE PHONE +61-8 9402 0981 a snapshot into a few people’s lives, Ronin Australia prejudices and identities.

SALES CONTACTS Mark McMillan Australia MOBILE +61-412 805 294 [email protected] Metro Screen Ltd Australia PHONE +61-2 9361 5318 FAX +61-2 9361 5320 [email protected] www.metroscreen.org.au

254 SHORT DRAMA

Yearn You’re Not 2005 Playing That! SP Beta 2007 8 min 4 min w-y

EXEC PROD David Opitz PRODUCER Irma Woods PRODUCER Kirstie Parker DIRECTOR Kelli Cross DIRECTOR Kirstie Parker WRITER Kelli Cross WRITER Kirstie Parker DOP Alex McPhee ACS DOP Murray Lui CAST Elijah Mc Donald, Trevor CAST Eliza Wellington, Teesha Jamieson, Karlah Hart, Warrick Archibald Laylan, Rayma Morrison, Shakira Clanton, Brendan Degois, Ruby doesn’t respond well to criticism, Anthony Slatery, Trohne Harrt, especially from those she loves. Leonard Freer, Jamahl Ryder YEARN is about the spoken and often unspoken disapproval experienced by people who are ‘different’, and the A father’s joy at watching his beloved footy team Carlton play Richmond in solidarity and loyalty forged among Yearn those that share that mantle of the 1982 Grand Final is turned into exclusion. It is also about love, and shock and disbelief when his son tells how it is made stronger through a him he wants to play rugby league! defiant unity. SALES CONTACT www.youtube.com/watch?v=_1HjxX93 Film and Television Institute WA FBw&feature=channel_page Australia PHONE +61-8 9431 6700 SALES CONTACT FAX +61-8 9335 1283 Metro Screen Ltd [email protected] Australia www.fti.asn.au PHONE +61-2 9361 5318 FAX +61-2 9361 5320 [email protected] www.metroscreen.org.au

THE BLACK LIST 255 Û56 ! 9/

ErCfE:hOoEgŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒqYDEqBr UErCfE:hOoEgŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒ ÑÓ8  YDEqBr hOhVEgˆ7ŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒ ÑÔ9 Indexes

0  .0 ÛÞ7 Behrendt, Larissa Bobongie, Daniel Carmody, Debbie A The History of the Political Struggle: Gammin Paradise...... 88 Bit of Black Business...... 32 A Personal Point of View by Courting with Justice...... 69 Bond, Sarah Mr Chika Dixon...... 93 Done. Dirt Cheap...... 213 Abdilla, Angie My Brother Vinnie...... 122 Rosie...... 140 Wanja...... 163 Bell, Jon Bonney, Chris Silent Legacy...... 145 And Justice for One...... 200 Abraham, Melissa An Urban Love Story...... 250 Sissy...... 145 11:11...... 198 Bit of Black Business...... 32 The Foundation...... 85 Flowerboy...... 217 Boseley, Nicholas Carroll, Emma Mulinjahli Muscle Got Hustle...... 232 Two Big Boys...... 249 Fragments...... 217 The Crossing...... 209 Bennett, Marie Shit Skin...... 243 Carroll, Tanith Adams, Martin Leroy Tryst...... 248 Bit of Black Business...... 32 From Spirit to Spirit...... 87 Aboriginal Summer School in Adelaide...... 43 Days Like These...... 211 Best, Odette Bostock, Gerry Lousy Little Sixpence...... 111 Bunna Lawrie...... 61 Fault...... 215 My Country...... 233 The Crossing...... 209 Ahmat, Natalie Bin Bakar, Mark Bostock, Lester Fat Pizza...... 27 Checkerboard Love...... 207 Destiny Deacon...... 179 Ardiyooloon...... 46 Pizza series 1 to 5...... 37 Home...... 222 Living Treasures...... 109 The Pub with One Beer...... 136 Andrew, Brook Immortal Man...... 223 Me and You...... 115 Tiddas...... 156 BYT/ME/I...... 205 Lousy Little Sixpence...... 111 Level Two-Tom...... 228 Peeping Thru the Louvres...... 190 Chapman, Lyn Blair, Wayne Boyle, Josie After Dark...... 199 Avery, Thomas Talkabout Walkabout...... 193 Aunty Vicki and the Doolagah...... 175 Black Talk...... 203 Chesson, David The Circuit series 1 and 2...... 33 Brady, Wendy George and the Ngurrngu...... 182 The Djarn Djarns...... 212 Bread and Dripping...... 178 B Double Trouble...... 33 Chi, Jimmy Fade 2 Black...... 214 Brennan, Queenie Bran Nue Dae...... 26 Jubulj...... 225 Barngngrnn Marrangu Story...... 176 Ballangarry, Darrin Clague, Pauline Kathy...... 226 Big Girls Don’t Cry...... 52 Briscoe, Luke Aden Ridgeway...... 43 Lockie Leonard series 1 and 2...... 35 Jhindu...... 224 The Anangu Story...... 45 Barker, Lorina Ralph...... 239 A Shearer’s LifeIntroducing Bropho, Robert Ankula Watjarira...... 45 the Barker Brothers...... 192 Blakeney, Michelle Always Was, Always Will Be...... 44 Box...... 205 Camping Out...... 206 Munda Nyringu...... 121 Brook Andrew...... 59 Barker, Wayne Starr...... 244 A Close Shave...... 66 Ardiyooloon...... 46 The Wiradjuri Fight to Darby...... 71 Balgo Art...... 176 the Bitter End...... 196 C Dare to Dream...... 211 Cass - No Saucepan Diver...... 178 Desperate Times...... 72 Blanchard, Michelle Giving It a Go...... 89 Doctors...... 74 Bit of Black Business...... 32 Callegari, Tracey Milli Milli...... 118 Doris Pilkington...... 75 Custard...... 210 AFL Kickstart Program...... 44 Strike Your Heart...... 244 Frankie’s Story...... 218 Memory...... 230 Gina Rings: Filmmaker...... 89 Getano Lui Jnr...... 88 The Party Shoes...... 236 Indigenous Filmmakers...... 96 Harold Blair...... 92 Carmichael, Auntie Beryl Island Fettlers...... 98 Just a Short Story...... 226 258 ! 9 :: .17/

pmnU_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÖÖ a\K“ KI[ 6@_UmS’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ü× @nKKalRK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÖØ Kxa_J.allx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Û× 7@\[vUnS7alJm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÜÙ UuU_R0lK@mplKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Öß 0SK UlIpUnmKlUKm×@_JØ’’’’’’’’’’’’’’’’’’’’’ÙÙ 7U\\UR@_¡mUn{lax’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÜÞ KKnU_R m-URSn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Ü lKKix l@v\Kxm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÞ 7l@i K1iU_*@iKlH@l[’’’’’’’’’’’’’’’’’’×ÝÖ *KK_@KU@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙÙ Ux@^@Ž 9KiKlK_xKKJKl@nUa_KmnUu@\• *la^UmK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÞ .ap_Jnl@I[maQ @_U_RlUJ@’’’’’’’’’’’’’’ÝÙ a^U_R0aRKnSKl@m"_K’’’’’’’’’’’’’’’×Ý× -ap_J1i’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚ× Ulmnpmnl@\U@_m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÞØ 9KiKlK_xKKJKl@nUa_KmnUu@\• .@ \@I[0SU_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚ× \@n’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ü 0SK-a@JSK@J a_IKln’’’’’’’’’’’’’’’×Ý× .@nplJ@x URSn“.p_J@x al_U_R’’’’ØÚØ 0SKaaJURSn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞØ a\\U_m .“\\@_ .I@lm•.na\K_6UmUa_’’’’’’’’’’’’’’’’’’’’’’’’’×ÚØ 0SKaaJ“nSK @J@_JnSKapJ• Û.K@ma_m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ú× .UmnKlmU_nSK \@I[ auK^K_n’’’’’’’’×ÚÜ 0SKUmnalxaQ   pmUI’’’’’’’’’ß× iK[@nSK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÚÛ .UmnKlma_nSK auK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÚÜ 0SKalKaQauK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Ö K_K@nS \apJm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ØÜ .nla[KmaQ a\apl’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛØ @[U_R.@^ma_? K\U\@S’’’’’’’’’’’’’’’’’ ××Ø pmS U[Km’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÝÞ 0@\[@Hapn7@\[@Hapn’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßÙ @_x @nUa_m“"_K*Kai\K’’’’’’’’’’’’’’’’’××Ù a\J0pl[Kx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÝ 0S@_IapiUK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛÛ UmmU_RU_\UIK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØÖ laa[S@n@_J @^iSaa’’’’’’’’’’’’’’’’’’’’’’’’ÝÖ 0S@n"\K @I \@RUI’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛÛ R@_@^i@_vKl_K[K_SK’’’’’’’’’’’’’’’’×ØÛ lapISU_R@nnSK aal’’’’’’’’’’’’’’’’’’’’’’’’’ØÖß 0a^^x’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛÝ *\@U_m^inx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÝ S@[Ux@llumnSKU_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÝØ 1imn@RU_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßÚ -am@\UK¡mapl_Kx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÚÖ apH\K0lapH\K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÙÙ 7SK_ a\U_ KnaxIK’’’’’’’’’’’’’’’’’’’’’’’’×ÜÜ .iU_w’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÚÝ pmn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ù \@l[K“ @lUK 0U^KHa^H’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛÜ _JaQnSK allpR@nKJ-a@J’’’’’’’’’’’’’’’ ÝÞ 7SK_nSK lK@nSU_R@JKm’’’’’’’’’’’’’’’’ØÛØ pmn.Knn\Km’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ú @I[UK@I[UK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÚ 7UllUx@•.^@\\ ax’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Üß apl_Kx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÛ \K@uKl“\Kv a\\U_m“*lUmIU\\@ @l\U@\@_Rp• aa^Kl@_R0aJ@x’’’’×Ö× KmnKin.KIlKn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Û× Û.K@ma_m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ú× a_R.S@Javm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Ö apR\@m*Unn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÝÛ iK[@nSK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÚÛ U\Klp^•7SamK.nalx™’’’’’’’’’’’’’’’’’’’’’’××Þ uK_"JJm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ú URUl\m a_¡n lx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÛØ Umn@[K lKK[•.nKuK_ l@UR’’’’’’’’’’’’’×ØÖ aalU_^@nKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÖÚ a\J0pl[Kx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÝ l*@nnKl_m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ×Ø× K@S*plIK\\•"_K7a^@_.Sav’’’’’×ÖÜ Ux@^@ R@_@^i@_vKl_K[K_SK’’’’’’’’’’’’’’’’×ØÛ 0SK @mnKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÙÜ Ž.ap_Jnl@I[maQ @_U_RlUJ@’’’’’’’’’’’ÝÙ "pnaQnSK.S@Javm• @nUuK0Un\K•-Knpl_na1R@l’’’’’’’’’’’’’’×ØÚ apH\K0lapH\K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÙÙ .@^^x pnISKl’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙØ "xmnKl auKKmnUu@\’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙØ uKlxJ@x l@uK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÞÖ -K^K^HKlU_R ap_nlx’’’’’’’’’’’’’’’’’’’’’’’’×ÙÝ .nalxnK\\KlmaQnSK*@IU~I’’’’’’’’’’’’’’’’’’×Û× URplKmU_ anUa_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ü -a@J’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ØÚÖ 0UJJ@m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛÜ al7Sa^• a_Un@ @Ha’’’’’’’’’’’’’’’’ÞÚ 0SK.a_R^@_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßØ 0allKm.nl@Unm\@_JKlpna_a^x• @luKx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØØ .iU_UQKw @_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÚÞ @mUR’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛÞ K^alUKmaQv@_x’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Ü .iUlUn.na_Km’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÚÞ \KlI“pH U_x^@[p7@x’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××ß .p_mKnna.p_lUmK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛÙ pmUI K_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞÜ Umn@[K lKK[•.nKuK_ l@UR’’’’’’’’’’’’’×ØÖ 0SlKKInmaQ plJKl’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ùß .nalxnU^K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÚ R@_@^i@_vKl_K[K_SK’’’’’’’’’’’’’’’’×ØÛ 7@l^.nl@_RKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÛ× -am@\UK¡mapl_Kx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÚÖ 7KaQUnn\K6aUIK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÜÛ aQQKx“mmUK .iU_w’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÚÝ 7U_J’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÛØ xUQK@mUuKn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØÙ 0KJJx lUmIaK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛÚ x.pluUu@\@m@_HalURU_@\’’’’’’’’’’’’×ØÚ a_v@x“.@^ 0SK0SUlJ anK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÜ 7@\[vUnS7alJm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÜÙ 0lKmi@mm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ûß 0 0  . .0 259 aa\vK\\“x\UK K__U_R“7@x_K u@_m“@_K\\K p\U_Z@S\U pmI\Kanpmn\K’’’’’’’’’’’ØÙØ \@I[@Inal.ialnm^i@lZ@ pi’’’’’ ÛÙ aU_Ra^K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÖ \@I[0l@I[m @_@J@ aaiKl“@lx uKlKnn“U^ ^@RU_K @nUuK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÚ aHU\K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙ× @\K“ @llK_ KmiKl@nK0U^Km’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÝØ \@I[0l@I[m @_@J@0l@uK\.Sav’’’ÛÛ .pR@l @R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßÙ allaHal@nUa_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÜÞ "_K*Kai\K.U_RlKKJa^’’’’’’’’’’’’’’’’’×ÙÖ la^nSKmSKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÞÝ 0@\[@Hapn7@\[@Hapn’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßÙ ap_nlx.a_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ýß 7K¡lK anamn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÜÛ Ulmnpmnl@\U@_m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÞØ U K\a_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ßÚ alav@“ UlU@^ \@n’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ü U_Ra“l_UK @_R@ll@UlK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Úß @IaH’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÚ lK@^U_RaQalJm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÝÜ  KUZU_R awKl’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÖ @_U¡m.nalx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÖÛ K@ln\@_J’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÙÛ aHHx IKaJ’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÝ U^U’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÖ @¡@@K~\U“.Ua0pm@ 0SK plJK_aQ-Kmia_mUHU\Unx’’’’’’’’’’’’’’Ü× 0SK*@lnx.SaKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÜ Uwa_“ SU[@ U@¡m K\@_ISa\x’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÚ 0SK pnnKlxQQKIn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÜÙ *@n"¡.S@_K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙØ 0SKUmnalxaQnSK*a\UnUI@\.nlpRR\K• Kmn7KalRKn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÖÝ *Klma_@\*aU_naQ6UKv @¡@ama“@la_ pll@x“UQK@_J K@nS’’’’’’’’’’’’’’’’’’’’’’’’×ØØ @lK“.a_Z@ Hx l SU[@ Uwa_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ßÙ UnaQ \@I[ pmU_Kmm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÙØ *KI@_.p^^Kl’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙÙ pmS0axm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÜÙ .S@liKxK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚØ ZUllU^HU\iU\vpx“l@_[ -KmnU_*K@IK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßÖ aa\ lU_[@_J p\nplK’’’’’’’’’’’’’’’’’’’’’’’’’ ÜÝ KmnU_xU_\UIK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÝØ 9@l_U_R1imKlUKm×@_JØ’’’’’’’’’’’’’’’’’’’×ÝÖ @l^Kl“x\UK alp__@“ @_Jx @U_Inalm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØß R@_@^i@_vKl_K[K_SK’’’’’’’’’’’’’’’’×ØÛ av\Kl“\\@_ JlUQn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßÞ pllp^p\ K_KIS“*@p\ 7la_R7@x’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßÜ @uUJma_“ K\\K p_R[@\*@\x@\[p’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÝ Ž.a_aQnSK-@U_Hav.KliK_n’’’’’’’’’ ßØ @mUIkpUi^K_n’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÖ laQn“ lK_J@ \@I[^@_“7SUnKpmnl@\U@’’’’’’’’’’’’’’’’’’ÛÛ U_x^@pnZ@ll@0Zp[plli@’’’’’’’’’’’’’’’××ß pl@x“_pmS@ p\nplK7@llUalm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ý× pU\JU_R lUJRKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÜÖ apl[K ax’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ØÖÚ @uUm“^K\J@ @n*U{{@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÝ la^ina_Ž7p\JU“-aHKln UI[nna K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÝ 0SKUQnxaan.Sav’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÙÚ U\Klp^•7SamK.nalx™’’’’’’’’’’’’’’’’’’’’’’××Þ K.@_na\a“@ma_  K@S*plIK\\•"_K7a^@_.Sav’’’’’×ÖÜ lamm“K\\U @p\n’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Û alK0S@_KRK_Jm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØÖ "xmnKl auKKmnUu@\’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙØ UnaQ \@I[ pmU_Kmm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÙØ 0SKUmnalxaQnSK*a\UnUI@\.nlpRR\K• @naI[“ @nSx 0SK0pln\K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚß *U{{@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÙÜ *Klma_@\*aU_naQ6UKv URUl\m a_¡n lx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÛØ 9ap¡lK an*\@xU_R0S@n˜’’’’’’’’’’’’’’’’’’’’’ØÛÙ *U{{@mKlUKm×naÛ’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÙÝ Hx l SU[@ Uwa_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ßÙ \@I[nl@I[Kl’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÜ *U{{@•0SK @6U_IU pi’’’’’’’’’’’’’’’’’’’’’’’’’ ÙÝ @S’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØß aixlUnKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÜÞ plnUm“ K_@ *U{{@•7al\J-KIalJ’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÙÝ 7SalK9ap™’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÛØ 0SKap_J@nUa_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÞÛ UnaQ \@I[ pmU_Kmm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÙØ .a^KvSKlKU_nSK @l[_Kmm’’’’’’’’’’’’’’’ÙÖ a^K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØØ SKK[x aR’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ýß K@Ia_“ KmnU_x .i@IK*U{{@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÙ @_x @nUa_m“"_K*Kai\K’’’’’’’’’’’’’’’’’××Ù pmS’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÙ avav @_9apa’’’’’’’’’’’’’’’’’’’’’’’’’’ØØØ .vUQn@_J.SUQn aplUKlm K@_J9ap’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Û @IaH’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÚ 0SK @mnKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÙÜ mKlUKm×@_JØ’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÙÞ R@_@^i@_vKl_K[K_SK’’’’’’’’’’’’’’’’×ØÛ .iK@[,pUKn“.iK@[.nla_R’’’’’’’’’’’’’’’’×ÚÝ K__U_R“0@_x@ UmSKl“ @l\ -xJU_¡0U^K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ú× Jv@lJm“"a^Kl@ al@\ JK_-UJRKv@x’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÚÙ lUH@_pH@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÚÜ n¡m@a_R-a@J @I[’’’’’’’’’’’’’’’’’’’’’’’’’×ÞÙ U_KU_nSK.@_J¼*@\^m\@_J½’’’’’’’’×ÖÞ @[U_¡0l@I[m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Ø UuU_R_mvKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÖÞ _aIS“7Km\Kx \@SKlnx“0U^K[@ _"@nS1_Hla[K_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Øß l@IK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÖ *KK_@KU@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙÙ QnKl @l[’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßß SU_Jp’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÚ 260 ! 9 :: .17/

\@_JKlm“lUm KalRK“K{U@ \x__“6@_IK \@[nl@w’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÜ @nKKalRK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÖØ \@I[ _¡ pmnx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÛØ Z@[@ipll@ p_x@llxp_’’’’’’’’’’’’’’’’’’’’’’’’ÝÚ @nplK @nplK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞÝ R@_@^i@_vKl_K[K_SK’’’’’’’’’’’’’’’’×ØÛ ua__Kaa\@Ra_R @v\Kx’’’’’’’’’’’’’’’’’’ÞÖ UHma_“ K@_ apJUK“.@^U@ _JURK_apm awKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ßÜ \@I[@Inal.ialnm^i@lZ@ pi’’’’’ ÛÙ 1m K@J\x aH’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßÚ aJKK aI[@naa’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ßß \@I[0l@I[m @_@J@ pnIS@Jv@lJm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÖÚ l@Kn{“ K_ ^@RU_K @nUuK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÚ .7HalURU_@\-pRHx ^^aln@\ @_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÙ \@I[0l@I[m @_@J@ K@RpK_aI[apn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØÞ 0l@uK\.Sav’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÛ -@HHUnaSm¡-Knpl_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙÜ l@S@^“ @lx la^nSKmSKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÞÝ 0lax @mm@lŽ @\x’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÜÖ @[U_¡0l@I[m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Ø U K\a_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ßÚ .@^K*\@IK xa^K’’’’’’’’’’’’’’’’’’’’’’’’’×ÚØ l@_[\@_J“-UIS@lJ aa_H@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÛ \pKKK\KlmmKlUKm×Ö@_J××’’’’’’’’’’’’ÙØ l@_n“@l\@ UHma_“ K\aJUKŽ@_K 0SK UlIpUnmKlUKm×@_JØ’’’’’’’’’’’’’’’’’’’’’ÙÙ \@[nl@w’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÜ UI[nna K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÝ a_uU_IU_Rlap_J’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÜÝ allaHal@nUa_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÜÞ K@S*plIK\\•"_K7a^@_.Sav’’’’’×ÖÜ apH\K0lapH\K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÙÙ U\HKln“ KHHUK -pmmK\\*@RK• @_IK0lUHpnK’’’’’’’’’×Ú× @llx¡m7@l’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØ× 0SK7Ul@JZplUURSn .pluUu@\ØÖÖ× a_IKln’’’’’’’’’’’’’’’’’’’’’’’’×ÛÙ a7@xnaalRKn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÛ nanSK UnnKl_J’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßÜ *KI@_.p^^Kl’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙÙ 0UJJ@m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛÜ UnnU_m“ KHHUK .na_K lam’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÙÖ lUKuKm“K_KuUKuK HH+HEELH*DUPRG 7SKlKnSK SU\JlK_*\@x’’’’’’’’’’’’’’’’’’’’×ÜÜ @_U¡m.nalx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÖÛ 7SaU\\KJ @\Ia\^.^UnS™’’’’’’’’’’’’’×ÜÝ \auKl“ap lauKm“ K_UmK @HU_J@ ap\JKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÝÛ l@mKl“K__x ^xaKmna7@JZK^pim\@_J’’’’’’×ßß @_Za \@l[K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Úß "nSKl¾vU{K¿’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÜ x @_@_JnSK9@_JU’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞÜ \@I[.SKKi’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÚ laa[_JlKv’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ûß pUu@ll@“ @_IU@  am¡^lKK• @nSxlKK^@_’’’’’’’’’’’’Üß Hapn@Ul\• @mKx a_au@_’’’’’’’’’’’’’’ÚÙ alUm*U\[U_Rna_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÝÛ p\@0U^K• KU@“\\@ -UIS@lJl@_[\@_J’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙÞ 0SK.K@^@_ @_.nalx’’’’’’’’’’’’’’’’’’’’’ßÙ p_JSUllUH@\@¡m lK@^’’’’’’’’’’’’’’’’’’’’’’’’×ÞÝ .UmnKlmU_nSK \@I[ auK^K_n’’’’’’’’×ÚÜ 0a^Hmna_K"iK_U_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛÝ 0S@n"\K @I \@RUI’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛÛ 9@l_U_R1imKlUKm×@_JØ’’’’’’’’’’’’’’’’’’’×ÝÖ p_p^p_R@“.SUl\Kx KU@“KlK^x \x__“lUI@ ZKn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ø @I[UK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ßÞ R_Km“ @pJK@_J*K@l\x0aa’’’’’’’’’’×ßß pmnU_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÖÖ U_x^@[p7@x’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××ß 0SK*K\UI@_ lUKQ’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙÙ x KJ9apl KJ’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙØ  *amnI@lJmQla^*al^ipl@@v’’’’’’’’’’’×ÙÛ x anSKl x.a_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÙ .ISa\@l“nS\KnK“7@llUalŽ0lUHpnK R@_@^i@_vKl_K[K_SK’’’’’’’’’’’’’’’’×ØÛ @R@_“-Sa_J@ na lp^@_nZ@xU*Kl[U_m’’’’’’’’’’’’’’×ÚÙ R@_R[@lU’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØÜ URRKlauKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØÜ 6anKaQ a a_~JK_IK’’’’’’’’’’’’’’’’’’’’’’’’’×ÜÙ -KJlK@^U_RnSK @l[’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÖ 7@\[vUnS7alJm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÜÙ @R@_“.nKiSK_ URRKlauKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØÜ

0 0  . .0 Û61 @lJU_R“aS_ pipllp\@K\\x“l@_IUm KvUm“0a^ Un{lax.n@lm•  HalURU_@\-p\Km’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÚØ pmnISaKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÙÚ alK0S@_@@^K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÞÙ pmS KIS@_UIm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÜØ "_K-UuKl“\\-UuKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞÞ UQn"QQmKlUKmؒ’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÙÛ @IaHm“ SlUmnU_K 9@l_U_R1imKlUKm×@_JØ’’’’’’’’’’’’’’’’’’’×ÝÖ 0SK @mnKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÙÜ a_¡n.@x.allx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞÖ  9K\\avK\\@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ý× @ln_Knn“\HKln @_R@\@“*KnKl-amm aR@_“ @plKK_ 7SK_nSK @nUuKmKn-Kmn\Kmm’’’’’’’×ÜÜ @^Ul@•*U_@ K@lU_R“@llUKŽ__K .pm@_¡m UlnSJ@x*@lnx’’’’’’’’’’’’’’’’’’’’’’’’ØÚÛ @luKx“aS_ 9@_Ul\Ui@ Rpll@l@[pll@’’’’’’’’’’’’’’’’’’×ÖÖ @l\@•UlK.nalx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÜ a_RHanna^“ UIS@K\ 0SK@l^’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Û @i@_R@lJU“ KIU\aS_ma_ 7KKv@l’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÛ× URK\\@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛØ UnaQ \@I[ pmU_Kmm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÙØ KUmm“_Un@ @^Ul@•*U_@ U_R“ @_UK\ aanx•0SK@*KlapmK7@x’’’’’’’’’’’’’’’’’ÞÚ SKI[KlHa@lJauK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÝ 9@_Ul\Ui@ Rpll@l@[pll@’’’’’’’’’’’’’’’’’’×ÖÖ a_uU_IU_Rlap_J’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÜÝ 0aa@nK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÝ aS@__KmmK_“ a_@\J Un{lax.n@lm• aJRma_“*KnKl alK0S@_@@^K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÞÙ avJa_K_J@\\“K__x p_naa p_n@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ü× \@I[@Inal.ialnm Ullal^@RKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙ× @_IU_RU_nSK pmn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×× -K^K^HKlU__Um’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙÝ ^i@lZ@ pi’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÙ aln@\’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙ× 7KaQUnn\K6aUIK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÜÛ la^nSKmSKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÞÝ U__@_K“.nKiSK_ 0SK aa\H@laa \pH’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÜÞ pJvUI[“@_ avKnn“ @l[ aS_ma_“ @l\K_K QnKl @l[’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßß @_RRp @^@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×ß laIaJU\K lK@^U_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÞ a\\avU_RnSK  SU_Jp’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÚ pl\Kx“_RK\U_@ -@HHUnŽ*laaQK_IK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÞÙ pU“ pll@x p_nx @RRUK@_J @^Km*Kai\K*\@x’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Þ× @I[.K@n’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖ× nSK7a^H@7@[Rp_’’’’’’’’’’’’’’’’’’’’’’’’’ØÖ× p\iU\U\•"_K-KJ \aaJ’’’’’’’’’’’’’’’’’’’’’’’’’ ß× @QQ@l“0@lx_K 7Sa*@U_nU_ Um7@_JZU_@™’’’’’’’’’’’’’’’’×ßÛ URK\\@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛØ -UuKlaQ a-Knpl_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ùß URUl\m a_¡n lx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÛØ  .na\K_K_Kl@nUa_m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Úß @_Rna_“ @lIU@ \@I[ SUI[m0@\[U_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÙ .nl@_RKlU_ x.[U_•-@x annU’’’’’’’’’ ×Û× \aaJ lanSKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÜ \@I[0@\[’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÙ 0va aH Kl^@UJ’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚß @lJUv@l_i@• \aaJU_Km’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÚ uKm“ a__@ 7@l\iUlUUlK KlK^a_x’’’’’’’’’’’’’’’’’ßÞ pmn@lJ’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ö _JKlma_.UmnKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÝÚ aS_ma_“-@x^@ 0SK Z@l_ Z@l_m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ø K\iU_R.Um’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ßÙ 1_mnpI[’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÛÖ @vQalJ“ U_R@\U a_K’ Uln SK@i’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ù 0SKKR@Ix’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞÚ 6Um@6Um•0KIS_a0lUH@\’’’’’’’’’’’’’’’’’’’’’’’×ÜØ aS_mna_“@vlK_IK lK@^nU^Kna @_IK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÝÝ KJU@ a^@Jm• 0SK lK@^aQauK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÝÜ @vlUK“-avK_@ lKmmU_R @J’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞÖ 0SK0S@UJ@x lanSKlm’’’’’’’’’’’’’’’’’’’’’’××Ü nKl_Unx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ Ýß \U_J @nK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ØÖÚ 0SKU_UmSKJ*Kai\K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÞ  K^alx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞÛ UQK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÞ aanx•0SK@*KlapmK7@x’’’’’’’’’’’’’’’’’ÞÚ a alK URSn^@lKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØÝ @vlUKŽ.^UnS“ilU\ URSn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØÜ al7Sa^• a_Un@ @Ha’’’’’’’’’’’’’’’’ÞÚ 0SK.aIIKl@Jx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÚÝ @^i@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÞÞ  URSn"pn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÛ l@IK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÖ .nl@URSnQla^nSK "_IK@,pKK_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙÖ KS@“0U^ lKK_ pmS’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØ× 9pJ@^@_¡m apnS’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Û× a_Km“a_@nS@_ a^K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØØ lKK_7@llUal’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ß× pmS’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÙ lammU_R ap_nlxŽ0SK\ISK^x KnSHlUJRK“KUnS aQ7KmnKl_l_SK^@_Jln’’’’’’’’’ÝÖ ^^aln@\ @_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÙ x@v@p\U\@7@_R[@ _@K@RpKaQ0SKUl"v_’’’’’’’’’’’’’’’’’’’’ßÛ ¼aa[“UmnK_“.iK@[½’’’’’’’’’’’’’’’’’’’’’’’’×ØÞ @IaH’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÚ @Ha’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÞ 262 ! 9 :: .17/

K@_J9ap’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Û K\K^@l_U• @{@“ aH UJ@m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÖ 0SK.nalxaQKa@_JKu@’’’’’’’’’’’’’×ÞÖ .nalx^@[Klm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛÖ x ap_nlx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØÙ UJm@_J p\nplK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÖÙ "l@_RKauK.nalx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Øß .iUlUnp@\Unx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÚÞ @{@“-@IS@K\ -aHU_aaJ{’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚ× aH @{@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÝ @U\^@_“ KHal@S .S@liKxK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚØ -@\iS’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙß I @lnSx“ @lH@l@¼ @\@l_JUllU½ .iK@[aQ.iUlUn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßØ .na\K_ SU\JlK_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Úß .n@ll’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÚ @\U_R“*@p\@ 0URSnlaiK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÜ @HU_J@ ap\JKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÝÛ I a_@\J“@^Km 0aa@nK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÝ UmnK_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÞ 0SK a\iSU_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ù 0lK[•_pmnl@\U@_ @l\aa¡m \pKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞÛ IU__Kmm“.iKKJx @^K\"JxmmKx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ûß 7l@i K1iU_*@iKlH@l[’’’’’’’’’’’’’’’’’’×ÝÖ 0SK0pln\K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚß @lUm“x\\pm 0va UR axm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚß 7a^K_aQnSK.p_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ Ùß IlKRal“.nKuK_ 9K@l_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÛÙ @l[p_U_x@l@vUllnZ@“U\UmS Û.K@ma_m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ú× iK[@nSK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÚÛ pU“ @[[U@S 9@l_U_R1imKlUKm×@_JØ’’’’’’’’’’’’’’’’’’’×ÝÖ 9anSp @_J@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßÝ l@Qpl@*K@l\’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÚÜ @HxRUl\’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖ× a\J0pl[Kx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÝ @lmS@\\“0U^anSx@i@_R@lJU Žua\pnUa_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ö @l\p[p7Ul\U_xU• lKx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØ× 0SK@_R@laap_nKlm’’’’’’’’’’’’’’’’’’’’××Ú _@K@RpKaQ0SKUl"v_’’’’’’’’’’’’’’’’’’’’ßÛ @lnU_“K\lUI[ @l_laa[•aanH@\\ lK@^U_R’’’’’’××Û @IK@_“ @_UK\\K KllKiK_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Þ aH @{@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÝ Û.K@ma_m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ú× x lanSKl6U__UK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØØ laa^KKla’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ûß apH\K0lapH\K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÙÙ x a\apl“9aplU_J’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙØ @lla\piap_J’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÜÚ al7Sa^• a_Un@ @Ha’’’’’’’’’’’’’’’’ÞÚ R@_@^i@_vKl_K[K_SK’’’’’’’’’’’’’’’’×ØÛ 0SK SU\JlnUmnaQnSK @lla\pi’’’’’’’’ÜÜ i@l_nvK.@IlKJ.UnKm’’’’’’’’’’’’’’’’’’’’’’ ×Ø× .SK\\UK allUm.vKinv@x’’’’’’’’’’’’’’’×ÚÙ @lHx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ý× x a\apl“9aplU_J’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙØ 0SK7@nISKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÛ× an a\\@lJ’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÝÛ R@_@^i@_vKl_K[K_SK’’’’’’’’’’’’’’’’×ØÛ 7U\\@HKln@@I[’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÜÞ @UnS0Sa^@m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Þ× ,pKK_aQK@lnm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙß 7U\\UR@_¡mUn{lax’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÜÞ 1m aH’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ùß m\@_JKnn\Klm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ßÞ K^imKx @\\’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞÙ IpU_Kmm“ lpIK @Ip^H@“aS_ K_ a\Hp_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÖÙ \@I[~lK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÛ KnZ@ @U KJUI@\ aH• Ku @l^aJx• @a^U @xKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ßß @__an px x.ap\’’’’’’’’’’’’’’’’’’’’’’’’’×ÖÙ IK_{UK“ @nlUa_@ KJU@ a^@Jm• @J alla’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××× 0SK\UIK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÙØ 0SK0S@UJ@x lanSKlm’’’’’’’’’’’’’’’’’’’’’’××Ü @nnSKv ax\K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Û U@m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖØ .@\nv@nKl \pKm^@_’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÚØ "liS@_@RKUl\’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Þß aw’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÛ .nl@_RKlU_ x.[U_•-@x annU’’’’’’’’’ ×Û× *KnKl aiiU_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙÚ p_ZK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÜÖ 7l@i K1iU_*@iKlH@l[’’’’’’’’’’’’’’’’’’×ÝÖ 0SK-a@Ja^K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ùß 0SK UlIpUnmKlUKm×@_JØ’’’’’’’’’’’’’’’’’’’’’ÙÙ Kv0SU_Rm_av @~Ž7U\\U@^m“all@U_K 0@^valnS’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛÙ 9apl lanSKl“ x0UJJ@’’’’’’’’’’’’’’’’’’’’’’’’×ßÝ HapnKl’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ü \@I[.@_n@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÚ UlK\UKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÙÚ pU\JU_R lUJRKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÜÖ @lnU_“6@\KlUK l@_RK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÖ JpI@nUa_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÝÝ URSn*@nla\’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØÝ 0 0  . .0 263 KnZ@ @U KJUI@\ aH• aaJx“U\\U@_ *KI@_.p^^Kl’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙÙ @[U_R@ @l[’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Ø @a^U @xKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ßß _RK\’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÖ *lUJKaQnSKK@RpK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙÛ pmKp^aQnSK7al\J’’’’’’’’’’’’’’’’’’’’’’’’’’×ØØ \axJUKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Öß 90» »’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÛ 0SK*laQKmmal’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙÜ Kmn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØÛ @Ip^H@-KuUmUnKJ’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××× ^^aln@\ @_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÙ .URSnm1_mKK_• aUwKJJJlKmm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØÝ l*@nnKl_m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ×Ø× _JURK_apm7a^K_¡m *UInplKmHx UIS@K\-U\Kx’’’’’’’’’’’’’’×ÚÚ *Ua_KKlmaQauK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙÚ x*\@IK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÙÜ -pRHxK@RpK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ßÝ 0lapH\KJ7@nKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÜÖ .UmnKlma_nSK auK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÚÜ -KJQKl_ K@IS’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙß UmnK_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÞ 7alU^U URSn @I[’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Üß .nKiSK_@R@_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Úß -K^anKlK@ plmKŽ-’’ ’’’’’’’’’’’’’’’’ ÙÞ .n@ll’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÚ 9@l_U_R1imKlUKm×@_JØ’’’’’’’’’’’’’’’’’’’×ÝÖ 0SUlJ7al\J1_UnKJ @nUa_m -UnKmaQ*@mm@RK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ùß a_QKlK_IKR@U_mn-@IUm^’’’’’’’’’’×ÛÛ -a@J’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ØÚÖ alKna_“-a^@U_K _1lH@_auK.nalx’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÛÖ .@nUmQ@InUa_mKlUKmØ’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÙÞ SKlUmS’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÝ 6@\KlUK alHKnn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ü× 0SK0SUlJ anK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÜ 0SK@l^’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Û 7al\JaQ lK@^U_Rm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÝÖ 7@uKl\x¡m lK@^’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÜÚ -KJlK@^U_RnSK @l[’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÖ @^iUZ^i@“ @l\K_KaS_ma_ 7lUnU_R7la_Rm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßÜ 7@\[vUnS7alJm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÜÙ @^Ul@•*U_@ I@lK_“*SU\Ui 9@_Ul\Ui@ Rpll@l@[pll@’’’’’’’’’’’’’’’’’’×ÖÖ a@S“uK_. @Ha’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÞ alR@_“.@_Jl@ .^@\\m\@_J“ URURSn’’’’’’’’’’’’’’’’’’’’’’’×ÚÜ 1inSK7SUnKxKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßÚ @lJaa“-aHx_ I U\\@_“ @l[ R_KmHHann’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÚÚ p_JSUllUH@\@“l@_n 7SalK9ap™’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÛØ allUma_“x\K p_JSUllUH@\@¡m lK@^’’’’’’’’’’’’’’’’’’’’’’’’×ÞÝ @U_Inalm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØß l\ivKln•\U plp_R’’’’’’’’’’’’’’’’’’’’’’’’’ ÚÝ KllUnn“-aHKln 0SKlnaQK@\U_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÚÝ \@I[pnplKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÛÙ alna_Ž0Sa^@m“0lUmS@ @l\p@l\p• KuU\¡m @lH\Km’’’’’’’’’’’’’’×ÖØ " 0SK @[K @_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÙÙ UnaQ \@I[ pmU_Kmm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÙØ R@_@^i@_vKl_K[K_SK’’’’’’’’’’’’’’’’×ØÛ p_R@\p_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÜÖ "a_JaallJ• @llUKJ0pln\K’’’’’’’’’’’’’’’’’×Ù× 0SK Unx¡mJRK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÝ "¡.S@_K“al_@ KnnU_R KnnKl’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Þß U_JU_R*\@IK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÞØ 0U^KHa^H’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛÜ SU\JHpmK•.pK S@l\Km’’’’’’’’’’’’’’’’’’’’’ ÜÜ .Saln S@_RKJ’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÙÖ v@nxK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÝ R@_@^i@_vKl_K[K_SK’’’’’’’’’’’’’’’’×ØÛ @mS“@IaH a^KmnUI6Ua\K_IK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÝÚ U\lax“ @uUJ -xJU_¡0U^K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ú× UnaQ \@I[ pmU_Kmm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÙØ p_nU_R@_J.K@-URSnm’’’’’’’’’’’’’’’’’’’’’’’’ßÚ @l[.IUK_IK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ý× 7U\\@HKln@@I[’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÜÞ \aaJU_Km’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÚ _JURK_apm KJU@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ßÜ _JURK_apm1_K^i\ax^K_n’’’’’’’’’’’’’’’’ßÝ Raa^HpZ@ll@“ @uUJ U\lax“U\\ av@lU_“0xma_ @l^@7@nKlm@_JRlKK^K_n’’’’’×ÖØ l@_[UK¡m.nalx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Þ \@J’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ßÖ @HpZU’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØß K_n@\\\_Kmm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Ý @_RRp @^@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×ß aQQ@nn“0l@IKx ax\@_Ž aa^Hm“.pm@_ -amK^@lx7@_R@_KK_’’’’’’’’’’’’’’’’’’’’’’’’×ÚÖ KJKuU\’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÜ ÚÖ9K@lm"_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÚÖ U^^a“p\UK -awHx av_m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ú×  S@_RKaQ@IK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÜÚ ÚÖÝÝŽ.nx\U_¡1i’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ Ú× ÞnSKmnUu@\aQnSK*@IU~Ilnm’’’’’’’’’’’ÚØ .pHmn@_IK UmpmK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛØ aaJKUnZ9alR@m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞÜ ÛÖ9K@lm_JURK_apm06’’’’’’’’’’’’’’’’’’’’’’’Ú× HalURU_@\ K@nSmU_ pmnaJx’’’’’’’’’’’’’ÚØ 0allKm.nl@Unm\@_JJainUa_m’’’’’’’’×ÛÞ UIK a\aplKJUl\m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÚ KUZU_R awKl’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÖ ln0SKl@ix’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÚÝ "\UuK“ @l[ SKlHaplR URSn lUKmŽ-pl@\0l@RKJx’’’’’’’’’’ØÙÚ al_U_nSUm.[U_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÞ aalU apln’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞÚ ¼×ÖÖ9K@l__UuKlm@lx½’’’’’’’’’’’’’’’’’’’’’ ÜÛ a[@[“.K^@S  @lU_R p\nplK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÜÙ *@mmU_R0SlapRS’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÝ a_uU_IU_Rlap_J’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÜÝ 0SK SKllx*UI[Klm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÜÛ 0l@_mUn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÝ *amnI@lJ_~_Unx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÞ l@_RUi@_U@_JalKuKl’’’’’’’’’’’’’’’’’’’’’’’ÞÛ uK\x_.Iann’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ Ýß 0SKlK_IS a__KInUa_’’’’’’’’’’’’’’’’’’’’’’’’’ÞÜ   _{@I @x.iKIU@\’’’’’’’’’’’’’’’’’’’’’ßÚ "{UKm“ al_K\ lKK_7@llUal’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ß× 0SK_nKluK_nUa_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ßÝ a\\xvaaJ lK@^U_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ×ÝÝ pllp^p\ aalU_^@nKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÖÚ U\\U U\\U R@_[@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××ß Ž.a_aQnSK-@U_Hav.KliK_n’’’’’’’’’ ßØ 0SKamn"_Km’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Ö pmUI K_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞÜ 264 ! 9 :: .17/

la^Unn\K0SU_Rm *plIK\\“K@S * UR0SU_Rmlav’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÞÝ p_nx @RRUK@_JnSK la^.iUlUnna.iUlUn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÞÝ 7a^H@7@[Rp_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖ× *@@ua\@“\U{@HKnS aH\U_ @l[Kn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×ß \@I[ SUI[m0@\[U_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÙ -KKInUa_mU_ \@I[@_J7SUnK’’’’’’’ ØÚÖ _.K@lISaQlISUK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ßÛ K@S*plIK\\•"_K7a^@_.Sav’’’’’×ÖÜ @lJUv@l_i@•7@l\iUlUUlK KlK^a_x x*\@IK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÙÜ *@l[Kl“UlmnUK ßÞ 9K@l_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÛÙ @_U¡m.nalx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÖÛ *plp_n@n@^KlU“KJJ@ @l\p[p7Ul\U_xU•0SK@_R@laa "_K0lKK“"_K @_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Þß *@nlUI[“-SU@__@ 9@l_U_R1imKlUKm×@_JØ’’’’’’’’’’’’’’’’’’’×ÝÖ ÚÖÝÝŽ.nx\U_¡1i’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ Ú× p_nKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Ú  \amK.S@uK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÜÜ U\Klp^•7SamK.nalx™’’’’’’’’’’’’’’’’’’’’’’××Þ a^U_RaQnSKURSn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÜÝ U^U’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÖ - 0lapH\KJ7@nKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÜÖ U_x^@pnZ@ll@0Zp[plli@’’’’’’’’’’’’’’’××ß xUQK@mUuKn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØÙ *K@IaI[“ SlUmnU_K R@_@^i@_vKl_K[K_SK’’’’’’’’’’’’’’’’×ØÛ -@^i“@ma_ lUH@_pH@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÚÜ URSn*@nla\’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØÝ ’’’ ’’ @[U_¡0l@I[m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Ø x@v@p\U\@7@_R[@ _HalURU_@\.a_RaQUiai’’’’’’’ÚÞ .@^K*\@IK xa^K’’’’’’’’’’’’’’’’’’’’’’’’’×ÚØ ¼aa[“UmnK_“.iK@[½’’’’’’’’’’’’’’’’’’’’’’’’×ØÞ @J@HUnm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖØ p_naa p_n@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ü× *K@lma_“ aK\ "_K URSnnSK aa_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÜ *@xH@I[’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÝ SKI[KlHa@lJauK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÝ Spv@x’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÝÙ *KKiU_R0SlpnSKapulKm’’’’’’’’’’’’’’’’’’×ßÖ Ux@^@ *KJJKp“ Kua_ -@JU@_IK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Øß Ž.ap_Jnl@I[maQ @_U_RlUJ@’’’’’’’’’’’ÝÙ _JaQnSK allpR@nKJ-a@J’’’’’’’’’’’’’’’ ÝÞ pmn@.Saln.nalx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÜ .U\K_nKR@Ix’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÚÛ .nl@URSnQla^nSK pmK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Þ *KJKlmK_“@la_ 9pJ@^@_¡m apnS’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Û× @^^U_auK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×ß 0SK UlIpUnmKlUKm×@_JØ’’’’’’’’’’’’’’’’’’’’’ÙÙ 0l@uK\\U_R7@\iUlUm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ûß v@nxK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÝ x lanSKl6U__UK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØØ 9KiKlK_xKKJKl@nUa_KmnUu@\• @_@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÙ R@_@^i@_vKl_K[K_SK’’’’’’’’’’’’’’’’×ØÛ *Kl[U_m“KnnU a^U_R0aRKnSKl@m"_K’’’’’’’’’’’’’’’×Ý× 0aaUnn\KpmnUIK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÝ lammU_R ap_nlxŽ0SK\ISK^x 9KiKlK_xKKJKl@nUa_KmnUu@\•0SK 0lKmi@mm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ûß aQ7KmnKl_l_SK^@_Jln’’’’’’’’’ÝÖ -a@JSK@J a_IKln’’’’’’’’’’’’’’’’’’’’’’’’×Ý× 7@\[U_R @_IU_R K\a_RU_R’’’’’’’’’’’’’’’×ßÛ 0SKlK_IS a__KInUa_’’’’’’’’’’’’’’’’’’’’’’’’’ÞÜ *KnKlmŽUnn\K“l@_IKm 7Ull@_Rp\7a^K_• 0lpK.nalUKmŽlnUmnmaQ@mn "IK@_mi@ln’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Øß \v@xm@uK“\v@xm7U\\’’’’’’’’’’’’’’×ÜÞ U^HKl\Kx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÜÖ "pl a^^p_Unx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ù× 7a^K_aQnSK.p_• *Kl[U_m“-@ISK\ .nalxnK\\KlmaQnSK*@IU~I’’’’’’’’’’’’’’’’’’×Û× ØÛ9K@lm@nKl’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Üß 0K_n^H@mmx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛÚ iK[@nSK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÚÛ -@_J@\\“ aH \aaJ lanSKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÜ 6anK 9Km¡QalHalURU_Km’’’’’’’’’’’’’’’’’’’’’×ÜØ @_xU_U’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ö× l@_ pK @K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÜ *Unn“@ma_ .pR@l^@_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛØ la[K__R\UmS’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÞ _@m^pIS’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÙ pmS KIS@_UIm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÜØ -@_J@\\“ @_UK\ lU^06’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Üß *l@nnK_“__K \avKlHax’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ý Ulmnpmnl@\U@_m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÞØ 0Kll@ p\\Upm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÜ \@n’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ü lKKJa^-UJK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÞÜ 0 0  . .0 Û65 -@x^a_J“ KmaanZU -am@m“\na_ .K_“u@_ S@_RKaQK@ln’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÜÛ lnUmnm1ila_n’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÚÞ -Uii\KmQla^7@uKU\\’’’’’’’’’’’’’’’’’’’’’’’’×ÙÞ p_nx a__UK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÚÞ @la\J \@Ul’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ßØ pQQ@\aKRK_Jm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ Ûß K_K@nS \apJm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ØÜ KU\@ pll@x’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÖÜ -amK“\@__@ @_JaQnSKUnn\KU_Rm’’’’’’’’’’’’’’’’’’’’’’×ÖÛ la[K_ alJKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÞ 0SKa_Rl@mmKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Öß 0SK @lKn@[Kl’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÜ 7l@i K1iU_*@iKlH@l[’’’’’’’’’’’’’’’’’’×ÝÖ 0SK lK@^Klm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÝÜ @lZalUK7aaJlav’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Ú lK@^\@_J’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÝ alQalIK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØÞ -UIS@lJm“ a\U_ -amK“@JK 0SK @lKn@[Kl’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÜ pmn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ù p_JSUllUH@\@¡m lK@^’’’’’’’’’’’’’’’’’’’’’’’’×ÞÝ \@I[ _¡ pmnx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÛØ ^H@mmx @xm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÝÞ "_K U\K @^’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞÞ KllKiK_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Þ -pmmK\\“.S@_K UlK0@\[Kl’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÞØ "_K-UuKl“\\-UuKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞÞ R@_@^i@_vKl_K[K_SK’’’’’’’’’’’’’’’’×ØÛ ZKn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ø apl_Kx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÛ "_K0lKK“"_K @_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Þß -UR_Kx“0l@IKx -pmmK\\“0lax K_¡m@nSKlU_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Ý -aRKl’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ß× _J@_RKlKJ’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ Ýß ×ו××’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßÞ .SUQnU_R.SK\nKl×’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÚÙ 9@l_U_R1imKlUKm×@_JØ’’’’’’’’’’’’’’’’’’’×ÝÖ .SUQnU_R.SK\nKlØ’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÚÚ 9a\R_ppx@ Z@^@^Ull’’’’’’’’’’’’’’’’’’’’’’×ßÝ -U\Kx“ UIS@K\ 0SKap_J@nUa_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÞÛ p\U_Z@S\U pmI\Kanpmn\K’’’’’’’’’’’ØÙØ .SUQnU_R.SK\nKlÙ’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÚÚ 9anSp @_J@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßÝ \UIK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ×ÝÚ .UmnKl¡mauK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÚÛ .a\a^a_“-aRKl \@I[nl@I[Kl’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÜ 0K@lm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÛ wU\K@_JnSKU_RJa^’’’’’’’’’’’’’’’’’’’’’’’’’’ÞÖ aa^@\\U•UuKaalUKlnUmnm’’’’’’’’’’’’’’ ÛÝ . 6@_UmS’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ü× lK@^U_Rm• 7@l^.nl@_RKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÛ× .apnS“aS_ 0SKlnaQHalURU_@\pmnl@\U@’’’’’’’ÝÝ .@p_JKlm“l@_[ 7Sav@muK\x_"lISKl™’’’’’’’’’’’’’’’’’’’×ÜÝ Ka^Knlx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞØ ^iUlK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Þ× @I[nanSK9p^H@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Úß 7U_J’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÛØ la^.iUlUnna.iUlUn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÞÝ 9K\\avK\\@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ý× .apnSvK\\“ K_Z@^U_ @\@_RU’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Ù .@p_JKlm“l@_nKURS K@J lKK[’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ø 0SK @mnKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÙÜ ØUuKØ K@J\x’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÚÖ .SK@nSKl“0xla_K 0l@_mUn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÝ ,p@l@_nU_K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÞ x ap_nlx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØÙ ’’’ ’’ .n@_QalJ“K__UQKl *@mm@RK0SlapRSnSKUm\Km’’’’’’’’’×Þß _HalURU_@\.a_RaQUiai’’’’’’’ÚÞ .SKllUQQ“x@m \U_J @nK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ØÖÚ *aUma_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙÛ \@I[ K@IS’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖØ KK\ xHmK_IK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Û 0K_n awKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛÚ  @lU_R p\nplK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÜÙ .n@_\Kx“_RK\@ .UHamaJ@“ @llK\\ @llUKn¡m @pRSnKl’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞÙ -U\Kx“-am@\UK la^lK@[.Savna UR0ai’’’’’’’’’’’’’’’ÞÜ pllp^p\ \UIK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ×ÝÚ R@_@^i@_vKl_K[K_SK’’’’’’’’’’’’’’’’×ØÛ .n@mUp[“\K_ Ž.a_aQnSK-@U_Hav.KliK_n’’’’’’’’’ ßØ .U\\UQ@_n“mS\Kx aanilU_nmU_nSK.@_J•0SK@mnaQnSK -U\Kx“.@\\x @_x0a_RpKm“"_K6aUIK’’’’’’’’’’’’’’’’’’××Ú la[K_ a_Jm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÛ a^@Jm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÞÚ a_QKmmUa_maQ@K@JSp_nKl’’’’’’’’’’’ØÖÞ .URSnm1_mKK_• 0SK R@\\@[aaln 0SKalRannK_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÞÛ \x*KKvKK“\x˜’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ý *UInplKmHx UIS@K\-U\Kx’’’’’’’’’’’’’’×ÚÚ aaJZ@*laZKIn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØÛ _p\\@@nUnZU_ _.K@lISaQlISUK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ßÛ 7alU^U URSn @I[’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Üß aa_R@laQnSK KK\U@l’’’’’’’’’’’’’’’’’’’’’’’’×ÞÝ ,paii@J@l aaJZ@l’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ßÖ .SUn.[U_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÙ 0SK R@\\@[aaln .@p_JKlm“.@^@_nS@ .U^^a_m“ K__Um -aHKlnm“ aK\U 0pl_lap_J’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÞ aaJZ@*laZKIn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØÛ p\nplK \@mS’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖß p_R[@\*@\x@\[p’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÝ aa_R@laQnSK KK\U@l’’’’’’’’’’’’’’’’’’’’’’’’×ÞÝ .@p_JKlm“7@\nKl -aHU_aaJ{’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚ× U_x^@pnZ@ll@0Zp[plli@’’’’’’’’’’’’’’’××ß 7KKv@l’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÛ× \x*KKvKK“\x˜’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ý .^@\\@Ia^HK“*K__x -aHKlnm“-SaJ@ R@_@^i@_vKl_K[K_SK’’’’’’’’’’’’’’’’×ØÛ .nKiSK_ma_“-SK@ ×Ö7UuKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ×ÝÚ _nSKpnnKl™ a7@x’’’’’’’’’’’’’’’’’’’’’’’’’’ ßÛ *KI@_.p^^Kl’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙÙ @IaH’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÚ @lH’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÝÜ 0SK*@lnx.SaKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÜ .I@lIK“ lU@_ @l_R_Rl__ @ll@_Rp.nalx’’’’’’’’’’’’’×ÝÜ R_KmHHann’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÚÚ amm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÝÝ R@_@^i@_vKl_K[K_SK’’’’’’’’’’’’’’’’×ØÛ 266 ! 9 :: .17/

.nKv@ln“ @U_ 0Sal_na_“7@lvUI[ .@nplJ@x URSn“.p_J@x al_U_R’’’’ØÚØ p_nx @RRUK@_JnSK Û.K@ma_m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ú× .na_KalKuKl’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛÖ 7a^H@7@[Rp_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖ× IkpUlU_R@0@mnKQal-@QQ@K\\@’’’’’’’’×ßÞ 0U^KHa^H’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛÜ \@I[ SUI[m0@\[U_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÙ 0SKlnaQK@\U_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÚÝ 0_al@\@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛÝ K@S*plIK\\•"_K7a^@_.Sav’’’’’×ÖÜ Kxa_J.allx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Û× 0SK1_JKlJaR*lU_IUi\K’’’’’’’’’’’’’’’’’’’’’’ØÛÖ 7@\[vUnS7alJm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÜÙ .xla_“ lU@_ UnaQ \@I[ pmU_Kmm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÙØ plUKJ ap_nlx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÜØ 7U\\UR@_¡mUn{lax’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÜÞ U_J@\KK@Jx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ØÞ pl_U_R @x\URSn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÜØ 7UllUx@•.^@\\ ax’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Üß @lH@l@•0SKUlmn al_’’’’’’’’’’’’’’’’’’’’’’×Ö× ap_nlx.a_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ýß 9KiKlK_xKKJKl@nUa_KmnUu@\• lU^06’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Üß a^U_R0aRKnSKl@m"_K’’’’’’’’’’’’’’’×Ý× 0 0SK pi@_J0SKUi’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ö 9KiKlK_xKKJKl@nUa_KmnUu@\• @l[.IUK_IK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ý× 0SK-a@JSK@J a_IKln’’’’’’’’’’’’’’’×Ý× 0@^ap“-U^@ @xmU[K0SKmK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ Ø×× 0U^HKlx“ UIa\K @JKØ \@I[’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ú _[p\@7@nZ@lUl@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÚÛ SKI[KlHa@lJauK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÝ 0SK@l^’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Û @I[nanSK9p^H@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Úß \@n’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ü Kmnaanalv@lJ’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Û× 0U_J@\K“ @uUJ 0SKaaJ“nSK @J@_JnSKapJ• a\\xvaaJ lK@^U_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ×ÝÝ \aaJU_nSKlap_J’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ×ÝÝ 0SKUmnalxaQ   pmUI’’’’’’’’’ß× KmiKl@nK0U^Km’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÝØ lKK_ pmS’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØ× 0aRa“ SlUmnU_K aInalm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÝÚ @l\p@l\p• KuU\¡m @lH\Km’’’’’’’’’’’’’’×ÖØ K\iU_R.Um’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ßÙ KK\U_¡U_J@ K@J\x’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Þ× 0SKalKaQauK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Ö a alK URSn^@lKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØÝ KmnUu@\aQnSK*@IU~Ilnm’’’’’’’’’’’’’’’’’’’’Þ× @l\p[p7Ul\U_xU•0SK@_R@laa .nl@URSnQla^nSK Kn@_apU_l’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÞÞ p_nKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Ú 9pJ@^@_¡m apnS’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Û× UuU_R6aUIK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ßÖ @l_laa[•aanH@\\ lK@^U_R’’’’’’××Û aalU_aI[apn×ßßß’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞÚ 0allKm“U\KK_ U^U’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÖ Km-UJRKv@x’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÖÝ @l\^@_J@_R@S’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ßß i@l_nvK.@IlKJ.UnKm’’’’’’’’’’’’’’’’’’’’’’ ×Ø× -UIS@lJ K\\’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙÞ U\\U U\\U R@_[@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××ß x lanSKl6U__UK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØØ -ap_J1i’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚ× pmUI K_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞÜ x ap_nlx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØÙ .@ \@I[0SU_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚ× R@_@^i@_vKl_K[K_SK’’’’’’’’’’’’’’’’×ØÛ x anSKl_JU@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØÚ .@nplJ@x URSn“.p_J@x al_U_R’’’’ØÚØ "a_JaallJ• @llUKJ0pln\K’’’’’’’’’’’’’’’’’×Ù× @_@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÙ 0S@_IapiUK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛÛ R@_@^i@_vKl_K[K_SK’’’’’’’’’’’’’’’’×ØÛ 0allKm“ UnIS¼ UISK\\K½ 0a^^x’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛÝ R@_R[@lU’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØÜ @@^H@\HKln’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÝÛ 7@x_K¡m7al\J’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÜÚ a__a*KiKUm@6UJKaK@J’’’’’’’’’’’’’ØÙÛ KSU_JnSK @\\’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÖ 7SK_ a\U_ KnaxIK’’’’’’’’’’’’’’’’’’’’’’’’×ÜÜ 0SK"\J @_@_JnSK_\@_J.K@’’’’×ÞÞ a\\xvaaJ lK@^U_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ×ÝÝ 0KKIKŽaS_ma_“ @_UK\ *@xH@I[’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÝ @mKÚÚؒ’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÜÚ @S’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØß *SanaRl@iSUI K^alx•*alnl@UnaQ 0SK UlIpUnmKlUKm×@_JØ’’’’’’’’’’’’’’’’’’’’’ÙÙ Klux_ UmSai’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙÚ apH\K0lapH\K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÙÙ 0K\QKl“7@U@n@ *\@U_m^inx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÝ 0SKK@\U_R.ap_Jm .iK@[aQ.iUlUn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßØ ,pKK_aQK@lnm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙß aQnSK p_R@l@_"lISKmnl@’’’’’’’’’’’’’’ßØ 0Sa^ima_“U^H@ -@JU@_IK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Øß @l\^@_J@_R@S’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ßß aK-aI[’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÖÖ .I@lm•.na\K_6UmUa_’’’’’’’’’’’’’’’’’’’’’’’’’×ÚØ -am@\UK¡mapl_Kx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÚÖ 0SK @mnKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÙÜ .SUn.[U_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÙ -xJU_¡0U^K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ú× .@^ma_? K\U\@S’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Øß K^alUKmaQv@_x’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Ü U\\U U\\U R@_[@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××ß 0 0  . .0 267 ! 9 :: .17/

Umn@[K lKK[•.nKuK_ l@UR’’’’’’’’’’’’’×ØÖ 7@n[U_“ apR\@m 7SUnK“ UISK\\K "pl pmS7KJJU_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ù× R@_@^i@_vKl_K[K_SK’’’’’’’’’’’’’’’’×ØÛ ÚÖÝÝŽ.nx\U_¡1i’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ Ú× SKlHaplR .U^i\K.a_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÙ "a_JaallJ• @llUKJ0pln\K’’’’’’’’’’’’’’’’’×Ù× \@I[URSn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÙ ¼×ÖÖ9K@l__UuKlm@lx½’’’’’’’’’’’’’’’’’’’’’ ÜÛ 0SK.nalxaQ l@_ pK @K’’’’’’’’’’’’’’’×ÛÖ *la^UmK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÞ al_U_nSUm.[U_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÞ Umm aa\H@laa’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞÛ .nla[KmaQ a\apl’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛØ .@\nv@nKl \pKm^@_’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÚØ @ilUIal_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÜ @nplK @nplK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞÝ 1imn@RU_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßÚ .@\nv@nKllKmSv@nKl’’’’’’’’’’’’’’’’’’’’’’’’’×ß× lammU_Rm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÝÖ "_K U\K @^’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞÞ 1lliKxK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ü× 0SUm-UuKl.nU\\@m@.a_R’’’’’’’’’’’’’’’’×ÛÜ ^anUa_@\Un_Kmm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÝÞ 7@x_K¡m7al\J’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÜÚ 6UI.U^^m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÜØ 7@\[U_R @_IU_R K\a_RU_R’’’’’’’’’’’’’’’×ßÛ l@_RUi@_U@_JalKuKl’’’’’’’’’’’’’’’’’’’’’’’ÞÛ 7@xmaQ KU_R“7@xmaQ0@\[’’’’’’’’’’’’’×ÜÛ 7@llUalU_ S@U_m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÜÚ 7SUmiKlU_RU_"plK@lnm’’’ lKJ¡m.nalx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Þ× 7lUnU_R7la_Rm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßÜ 7KKiU_R7U\\av’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßÛ 0SK av\@ \pQQ @mm@IlK’’’’’’’’’’’’×ÜÝ lKK_7@llUal’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ß× 7SK_nSK @nUuKmKn-Kmn\Kmm’’’’’’’×ÜÜ 7SUnna_“*@p\KnnK 0SK .nalx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÖÚ 0l@_nKl“ @uUJ 0a^Hmna_K"iK_U_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛÝ 7U\^a_n“lUI @\@xnav_.nalUKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Ù laa[S@n@_J @^iSaa’’’’’’’’’’’’’’’’’’’’’’’’ÝÖ 0SK-@U_Hav.KliK_n’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙÝ "_nSK1i@_J1i’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙÖ @l\U@\@_Rp• aa^Kl@_R0aJ@x’’’’×Ö× 7Sx^@_“*@p\U_K *UInplK*@l[ŽK@nplU_RKl^@_ 7U\ma_“ @\Ia\^ @l\p@l\p• KuU\¡m @lH\Km’’’’’’’’’’’’’’×ÖØ @I[.K@n’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖ× lnUmn@nS@lU_@lammK’’’’’’’’’’’’’’’’’’×ßÖ ×Ö7UuKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ×ÝÚ UuU_R ap_nlx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÖÞ UnaQ \@I[ pmU_Kmm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÙØ .@U\^@[Kl’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ß× R@_@^i@_vKl_K[K_SK’’’’’’’’’’’’’’’’×ØÛ .IlpH’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚØ 7SxnK“0@^@l@ 7aaJm“l^@ 7U\\@HKln@@I[’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÜÞ .nalx*\@IK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßÙ 0l@_mUn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÝ @U_Inalm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØß 0pI[Kl“JlU@_ .vUnIS’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÛ 7la_R7@x’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßÜ 7URR@_“\HKln 9ap¡lK an*\@xU_R0S@n˜’’’’’’’’’’’’’’’’’’’’’ØÛÙ 0SK @mnKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÙÜ 0aplaQl@_IKÖؕ "\J ap_nlx Kv ap_nlx p_p[p\ @_IK0lapiK’’’’’’’’’’’’’’’’’’’’×ÛÞ Žapl_KxaQ@-@Qn’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Øß 0pm@“m@HK\\@ 0lapH\KJ7@nKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÜÖ @^^U_auK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×ß 0pQQ pn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÞ 7U\\U@^m“ l@UR@i@_R@lJU @l\p[p7Ul\U_xU• 7@nma_“.@^ 0SK@_R@laap_nKlm’’’’’’’’’’’’’’’’’’’’××Ú 1 \@I[ @_ av_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÙ 7U\\U@^m“.Iann 1lH@_“-Kua__@ 7K\\Kl“lISUK 0URSnlaiK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÜ a_QKmmUa_maQ@K@JSp_nKl’’’’’’’’’’’ØÖÞ amm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÝÝ .@nplJ@x URSn“.p_J@x al_U_R’’’’ØÚØ 7U\\UmŽlJ\Kl“KK 9@l_U_R1imKlUKm×@_JØ’’’’’’’’’’’’’’’’’’’×ÝÖ @^iU_R"pn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÜ 7Kmn“ an \apl“.pR@l“0K@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÞÙ a\\xvaaJ lK@^U_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ×ÝÝ @[K0xKlm lUR@JK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÖÛ 7 0SK UlIpUnmKlUKm×@_JØ’’’’’’’’’’’’’’’’’’’’’ÙÙ K@_J9ap’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Û 7U\\m“JlU@_ 7@JK“J@^ *KKiU_R0SlpnSKapulKm’’’’’’’’’’’’’’’’’’×ßÖ _RK\’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÖ pnplK^@_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Þ lI@JU@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÖ 7SUnK“ UISK\\K UnaQ \@I[ pmU_Kmm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÙØ 7@\\Kx“-UIS@lJ Ú7SKK\ lK@^U_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÚÖ apl[K ax’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ØÖÚ Umn@_nISaKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÝÙ 9UJ@[U’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÝØ @lKna lK@^’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×× 7@nKlm“ @lIpm _@m^pIS’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÙ pmK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Þ @I[UK@I[UK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÚ 0aaUnn\KpmnUIK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÝ 0SK@mn*amn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÖÜ U\\U@_ la^HUK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÖÝ K_¡m pmU_Kmm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Ý 268 ! 9 :11=

ln0SKl@ix’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÚÝ Ä lnUmnm1ila_n’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÚÞ p_nx a__UK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÚÞ ×Ö7UuKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ×ÝÚ p_nx @RRUK@_JnSK7a^H@7@[Rp_ ×ו××’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßÞ ØÖ× ØUuKØ K@J\x’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÚÖ p_nx6UI[U@_JnSK aa\@R@S’’’’’’’’’’×ÝÛ Ú7SKK\ lK@^U_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÚÖ ÚÖ9K@lm"_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÚÖ ÚÖÝÝŽ.nx\U_¡1i’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ Ú× Û.K@ma_m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ú× ÛÖ9K@lm_JURK_apm06’’’’’’’’’’’’’’’’’’’’’’’Ú× ’’’ ’’ ÞnSKmnUu@\aQnSK*@IU~Ilnm’’’’’’’’’’’ÚØ _HalURU_@\.a_RaQUiai’’’’’’’ÚÞ @@^H@\HKln’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÝÛ @HU_J@ ap\JKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÝÛ  @HxRUl\’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖ× @I[.K@n’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖ× HalURU_@\ K@nSmU_ pmnaJx’’’’’’’’’’’’’ÚØ @I[nanSK9p^H@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Úß HalURU_@\-p\Km’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÚØ @J@HUnm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖØ HalURU_@\.p^^Kl.ISaa\ @\Raln’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÝÜ U_JK\@UJK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÚÙ @_R@ll@UlK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Úß Hapn@Ul\• @mKx a_au@_’’’’’’’’’’’’’’ÚÙ @_Za \@l[K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Úß IkpUlU_R@0@mnKQal-@QQ@K\\@’’’’’’’’×ßÞ @lH’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÝÜ JK_-UJRKv@x’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÚÙ @l_R_Rl__ @ll@_Rp.nalx’’’’’’’’’’’’’×ÝÜ JlUQn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßÞ @mUIkpUi^K_n’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÖ UI[mn@ln*laRl@^’’’’’’’’’’’’’’’’’’’’’’’’’ÚÚ KJKuU\’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÜ QnKl @l[’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßß KSU_JnSK @\\’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÖ R_KmHHann’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÚÚ KUZU_R awKl’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÖ R_Km“ @pJK@_J*K@l\x0aa’’’’’’’’’’×ßß K_K@nS \apJm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ØÜ \UIK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ×ÝÚ Kmnaanalv@lJ’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Û× 0SK\UIK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÙØ KmnKin.KIlKn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Û× \v@xm7@m“\v@xm7U\\ K’’’’’’’’’’’’’’’ÚÚ Kxa_J.allx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Û× ^xaKmna7@JZK^pim\@_J’’’’’’×ßß U@m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖØ 0SK_@_Rp.nalx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÚÛ URK\\@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛØ _JpmnUIKQal"_K’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ØÖÖ URUl\m a_¡n lx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÛØ _JKlma_.UmnKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÝÚ UnaQ \@I[ pmU_Kmm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÙØ _RK\’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÖ \@I[ _¡ pmnx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÛØ _[p\@7@nZ@lUl@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÚÛ \@I[ K@IS’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖØ iK[@nSK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÚÛ \@I[ SUI[m0@\[U_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÙ l@Qpl@*K@l\’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÚÜ \@I[@Inal.ialnm^i@lZ@ pi’’’’’ ÛÙ lI@JU@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÖ \@I[pnplKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÛÙ lJUxaa\aa_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÚÜ \@I[URSn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÙ lUH@_pH@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÚÜ \@I[ @_ av_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÙ l\ivKln•\U plp_R’’’’’’’’’’’’’’’’’’’’’’’’’ ÚÝ \@I[.@_n@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÚ 0SKlnaQK@\U_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÚÝ \@I[.SKKi’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÚ

0 0  . .0 269 \@I[0@\[’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÙ p\nplK \@mS’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖß pmnISaKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÙÚ \@I[0l@I[m @_@J@ p\nplK7@llUalm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ý× pmn.Knn\Km’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ú ^@RU_K @nUuK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÚ 0SK pi@_J0SKUi’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ö \@I[0l@I[m @_@J@ 0SK @[K @_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÙÙ pmn@lJ’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ö 0l@uK\.Sav’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÛ @^iU_R"pn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÜ  @ilUIal_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÜ \@I[~lK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÛ JpI@nUa_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÝÝ 0SK @lKn@[Kl’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÜ \@I[^@_“7SUnKpmnl@\U@’’’’’’’’’’’’’’’’’’ÛÛ K\K^@l_U•0SK.nalxaQKa@_JKu@’ \@I[nl@I[Kl’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÜ  @lU_R p\nplK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÜÙ Žua\pnUa_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ö ×ÞÖ \@[nl@w’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÜ @lla\piap_J’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÜÚ @_IU_RU_nSK pmn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×× ^H@mmx @xm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÝÞ \U_J @nK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ØÖÚ @mKÚÚؒ’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÜÚ @lHx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ý× ^anUa_@\Un_Kmm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÝÞ \aaJ lanSKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÜ @mmŽ a.@pIKi@_ UuKl’’’’’’’’’’’’’’’’’×ÝÞ @lKna lK@^’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×× ^iUlK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Þ× \aaJU_nSKlap_J’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ×ÝÝ  S@_RKaQ@IK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÜÚ @l[.IUK_IK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ý× _JaQnSK allpR@nKJ-a@J’’’’’’’’’’’’’’’ ÝÞ \aaJU_Km’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÚ S@_RKaQK@ln’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÜÛ @xmU[K0SKmK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ Ø×× _J@_RKlKJ’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ Ýß \pKKK\KlmmKlUKm×Ö@_J××’’’’’’’’’’’’ÙØ SKI[KlHa@lJauK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÝ K@J lKK[’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ø nKl_Unx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ Ýß aH @{@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÝ SKK[x aR’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ýß KmiKl@nK0U^Km’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÝØ uK\x_.Iann’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ Ýß aHHx IKaJ’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÝ SKlHaplR KmnU_x K@Ia_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ýß uK_"JJm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ú a\\xvaaJ lK@^U_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ×ÝÝ ¼×ÖÖ9K@l__UuKlm@lx½’’’’’’’’’’’’’’’’’’’’’ ÜÛ KmnU_xU_\UIK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÝØ uKlxJ@x l@uK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÞÖ aa^@\\U•UuKaalUKlnUmnm’’’’’’’’’’’’’’ ÛÝ SKlUmS’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÝ S@[Ux@llumnSKU_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÝØ ua__Kaa\@Ra_R @v\Kx’’’’’’’’’’’’’’’’’’ÞÖ al_U_nSUm.[U_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÞ 0SK SKllx*UI[Klm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÜÛ Spv@x’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÝÙ wU\K@_JnSKU_RJa^’’’’’’’’’’’’’’’’’’’’’’’’’’ÞÖ amm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÝÝ SU\JHpmK•.pK S@l\Km’’’’’’’’’’’’’’’’’’’’’ ÜÜ Umn@_nISaKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÝÙ apl[K ax’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ØÖÚ 0SK SU\JlnUmnaQnSK @lla\pi’’’’’’’’ÜÜ Ux@^@ aw’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÛ 0SK UlIpUnmKlUKm×@_JØ’’’’’’’’’’’’’’’’’’’’’ÙÙ Ž.ap_Jnl@I[maQ @_U_RlUJ@’’’’’’’’’’’ÝÙ  l@_ pK @K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÜ 0SK Unx¡mJRK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÝ Z@[@ipll@ p_x@llxp_’’’’’’’’’’’’’’’’’’’’’’’’ÝÚ lK@J@_J lUiiU_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÝÞ  \amK.S@uK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÜÜ @JKØ \@I[’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ú 0SK Z@l_ Z@l_m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ø la[K_ a_Jm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÛ a\J0pl[Kx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÝ @UnS0Sa^@m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Þ× ZKn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ø la[K_ alJKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÞ a^U_RaQnSKURSn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÜÝ 0SK@l^’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Û aInalm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÝÚ la[K__R\UmS’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÛÞ a_QKmmUa_maQ@K@JSp_nKl’’’’’’’’’’’ØÖÞ @n*U{{@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÝ 0SK a\iSU_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ù laa[_JlKv’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ûß a_uU_IU_Rlap_J’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÜÝ @p\n’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Û a^KmnUI6Ua\K_IK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÝÚ laa^KKla’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ûß aa\ lU_[@_J p\nplK’’’’’’’’’’’’’’’’’’’’’’’’’ ÜÝ KK\ xHmK_IK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Û a_¡n.@x.allx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞÖ pQQ@\aKRK_Jm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ Ûß 0SK aa\H@laa \pH’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÜÞ KK\U_¡U_J@ K@J\x’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Þ× a_K’ Uln SK@i’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ù pU\JU_R lUJRKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÜÖ aixlUnKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÜÞ KmnUu@\aQnSK*@IU~Ilnm’’’’’’’’’’’’’’’’’’’’Þ× alUm*U\[U_Rna_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÝÛ p_R@\p_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÜÖ allaHal@nUa_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÜÞ Kv0SU_Rm_avHapnKl’’’’Ø×Ü an a\\@lJ’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÝÛ p_ZK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÜÖ am¡^lKK• @nSxlKK^@_’’’’’’’’’’’’Üß 0SKUQnxaan.Sav’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÙÚ apH\K0lapH\K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÙÙ p__@@vlUK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ü× ap_nlx.a_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ýß URplKmU_ anUa_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ü apR\@m*Unn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÝÛ p_naa p_n@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ü× aplnU_RvUnSpmnUIK’’’’’’’’’’’’’’’’’’’’’’’’’’’’Üß U_JU_R*\@IK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÞØ 0SK lK@^aQauK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÝÜ 0SK plJK_aQ-Kmia_mUHU\Unx’’’’’’’’’’’’’’Ü× lKKix l@v\Kxm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÞ 0SKU_UmSKJ*Kai\K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÞ 0SK lK@^Klm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÝÜ plUKJ ap_nlx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÜØ lU^06’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Üß UlK0@\[Kl’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÞØ lK@^U_RaQalJm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÝÜ pl_U_R @x\URSn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÜØ laIaJU\K lK@^U_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÞ UlK\UKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÙÚ lK@^U_Rm• pmS U[Km’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÝÞ laa[S@n@_J @^iSaa’’’’’’’’’’’’’’’’’’’’’’’’ÝÖ Ulmnpmnl@\U@_m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÞØ 0SKlnaQHalURU_@\pmnl@\U@’’’’’’’ÝÝ pmS KIS@_UIm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÜØ lammU_R ap_nlxŽ0SK\ISK^x Un{lax.n@lm• lK@^\@_J’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÝ pmS0axm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÜÙ aQ7KmnKl_l_SK^@_Jln’’’’’’’’’ÝÖ alK0S@_@@^K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÞÙ lK@^nU^Kna @_IK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÝÝ 0SK pnnKlxQQKIn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÜÙ 0SK lammU_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖß \@n’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ü lKmmU_R @J’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞÖ 90» »’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÖÛ lammU_Rm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÝÖ \apl“.pR@l“0K@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÞÙ lapISU_R@nnSK aal’’’’’’’’’’’’’’’’’’’’’’’’’ØÖß pmn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ù \avKlHax’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ý Û70 ! 9 :11=

\x*KKvKK“\x˜’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ý 0SKaaJ“nSK @J@_JnSKapJ• _JURK_apm1_K^i\ax^K_n’’’’’’’’’’’’’’’’ßÝ a\\avU_RnSK-@HHUnŽ*laaQK_IK’’’’ ÞÙ 0SKUmnalxaQ   pmUI’’’’’’’’’ß× _JURK_apm7a^K_¡m aanilU_nmU_nSK.@_J• l@IK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÖ -pRHxK@RpK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ßÝ 0SK@mnaQnSK a^@Jm’’’’’’’’’’’’’’’’’’’ÞÚ l@_RK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÖ 0SK_nKluK_nUa_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ßÝ aanx•0SK@*KlapmK7@x’’’’’’’’’’’’’’’’’ÞÚ lKK_ pmS’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØ× m\@_JKnn\Klm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ßÞ al7Sa^• a_Un@ @Ha’’’’’’’’’’’’’’’’ÞÚ lKK_7@llUal’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ß× n¡m@a_R-a@J @I[’’’’’’’’’’’’’’’’’’’’’’’’’×ÞÙ 0SKalRannK_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÞÛ lKx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØ× 0SKap_J@nUa_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÞÛ p\iU\U\•"_K-KJ \aaJ’’’’’’’’’’’’’’’’’’’’’’’’’ ß× l@R^K_nm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Ý pllp^p\  l@_RUi@_U@_JalKuKl’’’’’’’’’’’’’’’’’’’’’’’ÞÛ Ž.a_aQnSK-@U_Hav.KliK_n’’’’’’’’’ ßØ @I[UK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ßÞ l@_[UK¡m.nalx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Þ @I[UK@I[UK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÚ lKJ¡m.nalx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Þ× @IaH’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÚ lKKJa^-UJK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÞÜ  @lJUv@l_i@•7@l\iUlUUlK KlK^a_x 0SKlK_IS a__KInUa_’’’’’’’’’’’’’’’’’’’’’’’’’ÞÜ @la\J \@Ul’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ßØ ßÞ la^lK@[.Savna UR0ai’’’’’’’’’’’’’’’ÞÜ @llUKn¡m @pRSnKl’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞÙ @l\^@_J@_R@S’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ßß la^Unn\K0SU_Rm @llx¡m7@l’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØ× KnZ@ @U KJUI@\ aH• UR0SU_Rmlav’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÞÝ @luKx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØØ @a^U @xKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ßß la^.iUlUnna.iUlUn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÞÝ 0SKK@\U_R.ap_JmaQnSK p_R@l@_ SU_Jp’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÚ la^nSKmSKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÞÝ "lISKmnl@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ßØ U_J@\KK@Jx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ØÞ pmK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Þ K@ln\@_J’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÙÛ aJKK aI[@naa’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ßß pnplK^@_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×Þ K\iU_R.Um’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ßÙ aK-aI[’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÖÖ 0SKUmnalxaQnSK*a\UnUI@\.nlpRR\K• aa_H@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÛ  *Klma_@\*aU_naQ6UKv apl_Kx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÛ Hx l SU[@ Uwa_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ßÙ pHp\Z’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÛ @^Km*Kai\K*\@x’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Þ× a^K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØØ pmn@.Saln.nalx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÜ @^^U_auK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×ß avav @_9apa’’’’’’’’’’’’’’’’’’’’’’’’’’ØØØ pmnU_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÖÖ @^^U_*@l@JUmK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÞÞ p\@0U^K• @^i@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÞÞ 0SK.K@^@_ @_.nalx’’’’’’’’’’’’’’’’’’’’’ßÙ @_RRp @^@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×ß p_nU_R@_J.K@-URSnm’’’’’’’’’’’’’’’’’’’’’’’’ßÚ  Ka^Knlx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞØ pmS’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÙ @^Ul@• KalRK@_JnSK Rpll_Rp’’’’’’’’’’’’’’’’’’×ÞØ *U_@9@_Ul\Ui@ Rpll@l@[pll@’’’’’’’’×ÖÖ Kn@_apU_l’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÞÞ @_xU_U’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ö× KnnU_R KnnKl’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Þß  @lH@l@•0SKUlmn al_’’’’’’’’’’’’’’’’’’’’’’×Ö× U_@-U_Rm•U\^^@[Kl’’’’’’’’’’’’’’’’’’’’’’’’’’Þß U K\a_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ßÚ @l\@•UlK.nalx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÜ UuU_Rn@a’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Þß   _{@I @x.iKIU@\’’’’’’’’’’’’’’’’’’’’’ßÚ @l\U@\@_Rp• aa^Kl@_R0aJ@x’’’’×Ö× UuU_R6aUIK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ßÖ ^^aln@\ @_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÙ @l\p@l\p• KuU\¡m @lH\Km’’’’’’’’’’’’’’×ÖØ \@J’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ßÖ _@K@RpKaQ0SKUl"v_’’’’’’’’’’’’’’’’’’’’ßÛ @l^@7@nKlm@_JRlKK^K_n’’’’’×ÖØ _p\\@@nUnZU_ _.K@lISaQlISUK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ßÛ @nKKalRK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÖØ ,paii@J@l aaJZ@l’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ßÖ _nSKpnnKl™ a7@x’’’’’’’’’’’’’’’’’’’’’’’’’’ ßÛ @nSx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÜ aH\U_ @l[Kn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ø×ß _@m^pIS’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÙ K^imKx @\\’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞÙ aU_Ra^K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÖ _JURK_apm awKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ßÜ K_ a\Hp_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÖÙ 0SKaaJURSn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞØ _JURK_apmU\^^@[Klm’’’’’’’’’’’’’’’’’’’’’’’ßÜ Ku @l^aJx• _JURK_apm KJU@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ßÜ @__an px x.ap\’’’’’’’’’’’’’’’’’’’’’’’’’×ÖÙ 0 0  . .0 271 UI[nna K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÝ Umn@[K lKK[•.nKuK_ l@UR’’’’’’’’’’’’’×ØÖ a alK URSn^@lKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØÝ UJm@_J p\nplK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÖÙ aHU\K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙ× a7@xnaalRKn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÛ 0SK .nalx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÖÚ aaJKUnZ9alR@m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞÜ a__a*KiKUm@6UJKaK@J’’’’’’’’’’’’’ØÙÛ aalU apln’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞÚ @Ha’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÞ alK0S@_KRK_Jm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØÖ aa_R@laQnSK KK\U@l’’’’’’’’’’’’’’’’’’’’’’’’×ÞÝ aalU_^@nKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÖÚ @HpZU’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØß aln@\’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙ× alQalIK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØÞ aalU_aI[apn×ßßß’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞÚ @Ip^H@-KuUmUnKJ’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××× i@l_nvK.@IlKJ.UnKm’’’’’’’’’’’’’’’’’’’’’’ ×Ø× .7HalURU_@\-pRHx p_R[@\*@\x@\[p’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÝ @J alla’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××× l*@nnKl_m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ×Ø× K@RpK_aI[apn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØÞ pnIS@Jv@lJm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÖÚ @S’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØß p\U_Z@S\U pmI\Kanpmn\K’’’’’’’’’’’ØÙØ p_JSUllUH@\@¡m lK@^’’’’’’’’’’’’’’’’’’’’’’’’×ÞÝ v@nxK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÝ @U_Inalm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØß p_J@ xlU_Rp’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ø× x@v@p\U\@7@_R[@ @[U_¡0l@I[m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Ø pll@x“UQK@_J K@nS’’’’’’’’’’’’’’’’’’’’’’’’×ØØ ¼aa[“UmnK_“.iK@[½’’’’’’’’’’’’’’’’’’’’’’’’×ØÞ @[U_R@ @l[’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Ø pmKp^aQnSK7al\J’’’’’’’’’’’’’’’’’’’’’’’’’’×ØØ  @[U_R.@^ma_? K\U\@S’’’’’’’’’’’’’’’’’ ××Ø pmUI K_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞÜ @\@_RU’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Ù " @[K0xKlm lUR@JK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÖÛ x KJ9apl KJ’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙØ @\@xnav_.nalUKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Ù x lanSKl6U__UK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØØ @_JaQnSKUnn\KU_Rm’’’’’’’’’’’’’’’’’’’’’’×ÖÛ @_x @nUa_m“"_K*Kai\K’’’’’’’’’’’’’’’’’××Ù _"@nS1_Hla[K_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Øß @_U¡m.nalx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÖÛ x a\apl“9aplU_J’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙØ "IK@_mi@ln’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Øß @_x0a_RpKm“"_K6aUIK’’’’’’’’’’’’’’’’’’××Ú x ap_nlx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØÙ 0SK@mn*amn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÖÜ @lZalUK7aaJlav’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Ú "\J ap_nlx Kv ap_nlx K@S*plIK\\•"_K7a^@_.Sav’’’’’×ÖÜ x ap_nlx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØÙ Žapl_KxaQ@-@Qn’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Øß @l\aa¡m \pKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞÛ x ap_nlx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÙ 0SKKR@Ix’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞÚ @l\p[p7Ul\U_xU• 0SK"\J @_@_JnSK_\@_J.K@’’’’×ÞÞ KU\@ pll@x’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÖÜ xUQK@mUuKn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØÙ "_nSK1i@_J1i’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙÖ 0SK@_R@laap_nKlm’’’’’’’’’’’’’’’’’’’’××Ú x anSKl_JU@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØÚ Km-UJRKv@x’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÖÝ @l_laa[•aanH@\\ lK@^U_R’’’’’’××Û "_IK@,pKK_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙÖ Kmn7KalRKn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÖÝ x anSKl x.a_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÙ "_K U\K @^’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞÞ 0SK @mnKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÙÜ x @_@_JnSK9@_JU’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞÜ KuK\0vaŽ0a^’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÞ @nnSKv ax\K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Û "_K URSnnSK aa_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÜ UQK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÞ x*\@IK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÙÜ "_K*Kai\K.U_RlKKJa^’’’’’’’’’’’’’’’’’×ÙÖ K@_J9ap’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Û x.pluUu@\@m@_HalURU_@\’’’’’’’’’’’’×ØÚ UQn"QQmKlUKmؒ’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÙÛ KJU@ a^@Jm• "_K-UuKl“\\-UuKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞÞ U\\U@_ la^HUK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÖÝ 0SK0S@UJ@x lanSKlm’’’’’’’’’’’’’’’’’’’’’’××Ü "_K0lKK“"_K @_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Þß U_KU_nSK.@_J¼*@\^m\@_J½’’’’’’’’×ÖÞ KKnU_R m-URSn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Ü "a_JaallJ• @llUKJ0pln\K’’’’’’’’’’’’’’’’’×Ù× UmnK_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØØÞ K^alUKmaQv@_x’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Ü "l@_RKauK.nalx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Øß UuU_R_mvKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÖÞ K^alx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÖ @_@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÙ "liS@_@RKUl\’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Þß UuU_R ap_nlx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÖÞ  K^alx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞÛ @nUuK0Un\K•-Knpl_na1R@l’’’’’’’’’’’’’’×ØÚ "nSKl¾vU{K¿’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÜ UuU_R0lK@mplKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Öß K_¡m pmU_Kmm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Ý @nplK @nplK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞÝ "pl pmS7KJJU_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ù× \axJUKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Öß K_¡m@nSKlU_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Ý Kmn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØÛ "pl a^^p_Unx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ù× aI[UKKa_@lJmKlUKm×@_JØ’’’’’’’’’’’’ÙÛ K_n@\\\_Kmm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Ý 0SK R@\\@[aaln "pnaQnSK.S@Javm• 0SKa_Rl@mmKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Öß KllKiK_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Þ aaJZ@*laZKIn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØÛ .@^^x pnISKl’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙØ a_R.S@Javm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Ö UJ@m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÖ R@_@^i@_vKl_K[K_SK’’’’’’’’’’’’’’’’×ØÛ "xmnKl auKKmnUu@\’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙØ 0SKalKaQauK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Ö U\Klp^•7SamK.nalx™’’’’’’’’’’’’’’’’’’’’’’××Þ R@_R[@lU’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØÜ 0SKamn"_Km’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Ö U\\U U\\U’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××Þ U@¡m K\@_ISa\x’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÚ * apmxUnn\K.UwiK_IK’’’’’’’’’’’’’’’’’’’’’’’’’’ ××× U\\U U\\U R@_[@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××ß UIK a\aplKJUl\m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÚ U^U’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÖ URRKlauKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØÜ 0SK*@lnx.SaKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÜ U_x^@pnZ@ll@0Zp[plli@’’’’’’’’’’’’’’’××ß URSn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØÜ *@mm@RK0SlapRSnSKUm\Km’’’’’’’’’×Þß U_x^@[p7@x’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’××ß URSn lUKmŽ-pl@\0l@RKJx’’’’’’’’’’ØÙÚ *@mmU_R0SlapRS’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÝ Ullal^@RKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙ×  URSn"pn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÛ *@n"¡.S@_K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙØ Umm aa\H@laa’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÞÛ URSn*@nla\’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØÝ *@xH@I[’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÝ UmmU_RU_\UIK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØÖ aUwKJJJlKmm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ØÝ 272 ! 9 :11=

*KI@_.p^^Kl’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙÙ -UIS@lJl@_[\@_J’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙÞ .Ummx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÚÛ *KK_@KU@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙÙ -Uii\KmQla^7@uKU\\’’’’’’’’’’’’’’’’’’’’’’’’×ÙÞ .UmnKl¡mauK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÚÛ *KKiU_R0SlpnSKapulKm’’’’’’’’’’’’’’’’’’×ßÖ -UnKmaQ*@mm@RK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ùß .UmnKlmU_nSK \@I[ auK^K_n’’’’’’’’×ÚÜ 0SK*K\UI@_ lUKQ’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙÙ -UuKlaQ a-Knpl_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ùß .UmnKlma_nSK auK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÚÜ *KnKl aiiU_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙÚ -a@J’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ØÚÖ .^@\\m\@_J“ URURSn’’’’’’’’’’’’’’’’’’’’’’’×ÚÜ *SanaRl@iSUI K^alx• 0SK-a@Ja^K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ùß 0SK.aIIKl@Jx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÚÝ *alnl@UnaQ Klux_ UmSai’’’’’’’’’’×ÙÚ -aHU_aaJ{’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚ× .a^KvSKlKU_nSK @l[_Kmm’’’’’’’’’’’’’’’ÙÖ *UInplK*@l[ŽK@nplU_RKl^@_ -aRKl’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ß× 0SK.a_R^@_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßØ lnUmn@nS@lU_@lammK’’’’’’’’’’’’’’’’’’×ßÖ -am@\UK¡mapl_Kx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÚÖ .i@IK*U{{@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÙ *Ua_KKlmaQauK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙÚ -amK^@lx7@_R@_KK_’’’’’’’’’’’’’’’’’’’’’’’’×ÚÖ .iK@[aQ.iUlUn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßØ *U{{@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÙÜ -amUK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÚÖ .iK@[,pUKn“.iK@[.nla_R’’’’’’’’’’’’’’’’×ÚÝ *U{{@mKlUKm×naÛ’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÙÝ -ap_J1i’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚ× .iU_w’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÚÝ *U{{@•0SK @6U_IU pi’’’’’’’’’’’’’’’’’’’’’’’’’ ÙÝ -awHx av_m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ú× .iU_UQKw @_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÚÞ *U{{@•7al\J-KIalJ’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ ÙÝ -pmmK\\*@RK• @_IK0lUHpnK’’’’’’’’’×Ú× .iUlUn.na_Km’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÚÞ *\@U_m^inx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÝ -xJU_¡0U^K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ú× .iUlUnp@\Unx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÚÞ *aUma_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙÛ .n@ll’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÚ *amnI@lJ_~_Unx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÞ .nKiSK_@R@_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Úß *amnI@lJmQla^*al^ipl@@v’’’’’’’’’’’×ÙÛ . .na\K_ SU\JlK_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Úß *lUJKaQnSKK@RpK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙÛ .na\K_K_Kl@nUa_m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Úß .@ \@I[0SU_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚ× 0SK*laQKmmal’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙÜ .na_K lam’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÙÖ .@U\^@[Kl’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ß× *la^UmK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÞ .na_KalKuKl’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛÖ .@\nv@nKl \pKm^@_’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÚØ 0SK*pHvUnS"_K KKl’’’’’’’’’’’’’’’’’’’’’’’×ÙÜ 0SK.nalxaQ l@_ pK @K’’’’’’’’’’’’’’’×ÛÖ .@\nv@nKllKmSv@nKl’’’’’’’’’’’’’’’’’’’’’’’’’×ß× .nalx*\@IK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßÙ .@^K*\@IK xa^K’’’’’’’’’’’’’’’’’’’’’’’’’×ÚØ .nalx^@[Klm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛÖ .@^ma_? K\U\@S’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Øß , .nalxnK\\KlmaQnSK*@IU~I’’’’’’’’’’’’’’’’’’×Û× .@nUmQ@InUa_mKlUKmØ’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÙÞ .nalxnU^K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÚ ,p@l@_nU_K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙÞ .@nplJ@x URSn“.p_J@x al_U_R’’’’ØÚØ .nl@URSnQla^nSK ,pKK_aQK@lnm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙß .I@lm•.na\K_6UmUa_’’’’’’’’’’’’’’’’’’’’’’’’’×ÚØ 9pJ@^@_¡m apnS’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Û× .ISa\@l“nS\KnK“7@llUalŽ0lUHpnK .nl@_RKlU_ x.[U_•-@x annU’’’’’’’’’ ×Û× na lp^@_nZ@xU*Kl[U_m’’’’’’’’’’’’’’×ÚÙ .nlU[K9aplK@ln’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÚ - .IlpH’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚØ .nla[KmaQ a\apl’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛØ .S@liKxK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚØ -@HHUnaSm¡-Knpl_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙÜ .pHmn@_IK UmpmK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛØ .SK@lKl¡mUQK -@JU@_IK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Øß .pR@l @R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßÙ _nlaJpIU_RnSK @l[Kl lanSKlm×ßØ 0SK-@U_Hav.KliK_n’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙÝ .pR@l^@_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛØ .SK\\UK allUm.vKinv@x’’’’’’’’’’’’’’’×ÚÙ -@\iS’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙß .p_mKnna.p_lUmK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛÙ .SUQnU_R.SK\nKl×’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÚÙ -KJQKl_ K@IS’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÙß .pluUu@\ØÖÖ× a_IKln’’’’’’’’’’’’’’’’’’’’’’’’×ÛÙ .SUQnU_R.SK\nKlØ’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÚÚ -KJlK@^U_RnSK @l[’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÖ .pm@_¡m UlnSJ@x*@lnx’’’’’’’’’’’’’’’’’’’’’’’’ØÚÛ .SUQnU_R.SK\nKlÙ’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÚÚ -KKInUa_mU_ \@I[@_J7SUnK’’’’’’’ ØÚÖ .vUQn@_J.SUQn aplUKlm .SUn.[U_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÙ -K^K^HKlU__Um’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙÝ mKlUKm×@_JØ’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÙÞ .Saln S@_RKJ’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ÙÖ -K^K^HKlU_R ap_nlx’’’’’’’’’’’’’’’’’’’’’’’’×ÙÝ .vUnIS’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÛ .URSnm1_mKK_• -K^anKlK@ plmKŽ-’’ ’’’’’’’’’’’’’’’’ ÙÞ *UInplKmHx UIS@K\-U\Kx’’’’’’’’’’’’’’×ÚÚ -KmnU_*K@IK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßÖ .U\K_nKR@Ix’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÚÛ -UIS@lJ K\\’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÙÞ .U^i\K.a_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÙ

0 0  . .0 273 ! 9 :11=

7SUmiKlU_RU_"plK@lnm’’’ 0 1 0SK av\@ \pQQ @mm@IlK’’’’’’’’’’’’×ÜÝ 7SalK9ap™’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÛØ 0@\[@Hapn7@\[@Hapn’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßÙ 0SK1_JKlJaR*lU_IUi\K’’’’’’’’’’’’’’’’’’’’’’ØÛÖ 7SaU\\KJ @\Ia\^.^UnS™’’’’’’’’’’’’’×ÜÝ 0@^valnS’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛÙ 1_mnpI[’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÛÖ 7Sa*@U_nU_ Um7@_JZU_@™’’’’’’’’’’’’’’’’×ßÛ 0K@lm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÛ 1inSK7SUnKxKm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßÚ 7Sav@muK\x_"lISKl™’’’’’’’’’’’’’’’’’’’×ÜÝ 0KJJx lUmIaK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛÚ 1imn@RU_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßÚ 7U\\@HKln@@I[’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÜÞ 0K_n awKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛÚ _1lH@_auK.nalx’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÛÖ 7U\\UR@_¡mUn{lax’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÜÞ 0K_n^H@mmx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛÚ 1lliKxK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ü× 7U_J’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÛØ 0Kll@ p\\Upm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÜ 1m K@J\x aH’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßÚ 0SK7Ul@JZplUURSn 0S@_IapiUK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛÛ 1m aH’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ùß nanSK UnnKl_J’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßÜ 0S@n"\K @I \@RUI’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛÛ 7Ull@_Rp\7a^K_• 0SK0SUlJ anK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÜ \v@xm@uK“\v@xm7U\\’’’’’’’’’’’’’’×ÜÞ 0SUlJ7al\J1_UnKJ @nUa_m 6 7UllUx@•.^@\\ ax’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Üß a_QKlK_IKR@U_mn-@IUm^’’’’’’’’’’×ÛÛ 6@\KlUK alHKnn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ü× 7a^K_aQnSK.p_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ Ùß 0SUm-UuKl.nU\\@m@.a_R’’’’’’’’’’’’’’’’×ÛÜ 6@_UmS’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ü× 7a^K_aQnSK.p_• 0SlKKInmaQ plJKl’’’’’’’’’’’’’’’’’’’’’’’’’’’’Ùß 6UI.U^^m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÜØ ØÛ9K@lm@nKl’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Üß 0UJJ@m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛÜ 6Um@6Um•0KIS_a0lUH@\’’’’’’’’’’’’’’’’’’’’’’’×ÜØ 7alU^U URSn @I[’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Üß 0URSnlaiK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÜ 6anK 9Km¡QalHalURU_Km’’’’’’’’’’’’’’’’’’’’’×ÜØ 7al\JaQ lK@^U_Rm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÝÖ 0U^KHa^H’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛÜ 6anKaQ a a_~JK_IK’’’’’’’’’’’’’’’’’’’’’’’’’×ÜÙ 7l@i K1iU_*@iKlH@l[’’’’’’’’’’’’’’’’’’×ÝÖ 0_al@\@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛÝ 7lUnU_R7la_Rm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßÜ 0a^Hmna_K"iK_U_R’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛÝ 7la_R7@x’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßÜ 0a^^x’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛÝ 7 0aa@nK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÝ 0aaUnn\KpmnUIK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÝ 7@\[vUnS7alJm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÜÙ 9 0allKm.nl@Unm\@_JJainUa_m’’’’’’’’×ÛÞ 7@\[U_R @_IU_R K\a_RU_R’’’’’’’’’’’’’’’×ßÛ 0allKm.nl@Unm\@_JKlpna_a^x• 7@_Z@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÜÙ 9@l_U_R1imKlUKm×@_JØ’’’’’’’’’’’’’’’’’’’×ÝÖ @mUR’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÛÞ 7@l^.nl@_RKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÛ× 9K@l_’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÛÙ 0aplaQl@_IKÖؕ 7@llUalU_ S@U_m’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÜÚ 9K\\avK\\@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ý× p_p[p\ @_IK0lapiK’’’’’’’’’’’’’’’’’’’’×ÛÞ 0SK7@nISKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÛ× 9KiKlK_xKKJKl@nUa_KmnUu@\• 0l@_mUn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÝ 7@uKl\x¡m lK@^’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÜÚ a^U_R0aRKnSKl@m"_K’’’’’’’’’’’’’’’×Ý× 0l@uK\\U_R7@\iUlUm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ûß 7@x_K¡m7al\J’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÜÚ 9KiKlK_xKKJKl@nUa_KmnUu@\• 0lK[•_pmnl@\U@_ 7@xmaQ KU_R“7@xmaQ0@\[’’’’’’’’’’’’’×ÜÛ 0SK-a@JSK@J a_IKln’’’’’’’’’’’’’’×Ý× @^K\"JxmmKx’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ûß 7KaQUnn\K6aUIK’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÜÛ 9UJ@[U’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÝØ 0lKmi@mm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×Ûß 7K¡lK anamn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÜÛ 9a\R_ppx@ Z@^@^Ull’’’’’’’’’’’’’’’’’’’’’’×ßÝ 0lapH\KJ7@nKlm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÜÖ 7KKiU_R7U\\av’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßÛ 9anSp @_J@’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ßÝ 0lax @mm@lŽ @\x’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’×ÜÖ 7KKv@l’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÛ× 9ap¡lK an*\@xU_R0S@n˜’’’’’’’’’’’’’’’’’’’’’ØÛÙ 0lpK.nalUKm 7SK_ a\U_ KnaxIK’’’’’’’’’’’’’’’’’’’’’’’’×ÜÜ 9apl lanSKl“ x0UJJ@’’’’’’’’’’’’’’’’’’’’’’’’×ßÝ ŽlnUmnmaQ@mnU^HKl\Kx’’’’’’’’’’’’×ÜÖ 7SK_nSK lK@nSU_R@JKm’’’’’’’’’’’’’’’’ØÛØ 0lxmn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÞ 7SK_nSK @nUuKmKn-Kmn\Kmm’’’’’’’×ÜÜ 0pQQ pn’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÞ 7SKlKnSK SU\JlK_*\@x’’’’’’’’’’’’’’’’’’’’×ÜÜ 0pl_lap_J’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚÞ 0SK0pln\K’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚß 0va UR axm’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚß 0va aH Kl^@UJ’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’’ØÚß Ûà4 COVER PHOTOGRAPHY: SPREAD PHOTOGRAPHY CREDITS (left to right) 1. Fat Pizza Page 2 2. Nana (on location) Background: The Djarn Djarns Photographer: Mark Rogers 3. Jacob (Murray Lui on location) Inset: Photographer: Sam Oster On location for Remote Area Nurse - R.A.N. 4. Footprints in the Sand Photographer: Penny Chapman

Titles by year (pages 14-15) Background: Night Insets (from left to right): 1. Burning Daylight 2. Bedevil 3. Weewar 4. The Dream of Love 5. Stone Bros

Title listings (pages 24-25) Background: Somewhere in the Darkness Insets (from left to right): 1. Writer/director Adrian Wills Screen Australia behind the scenes on Our Bush Wedding GPO Box 3984 2. First Australians Sydney NSW 2001 Australia 3. Boomalli: Five Koorie Artists Tel: +61 2 8113 5800 4. Road 5. The Circuit © Screen Australia June 2010 Indexes (pages 254-255) Background: The Party Shoes Design by Alison White Designs Pty Limited Insets (from left to right): Printed by No Time To Lose 1. Cold Turkey 2. Yellow Fella This information is to be used as a guide only and is of a general nature. Screen Australia has 3. Women of the Sun: 25 Years Later undertaken all reasonable measures to ensure its accuracy and specifically disclaims any liability, 4. Two Big Boys loss or risk, personal or otherwise, which is incurred as a consequence, directly or indirectly of the 5. Sa Black Thing use and application of any of the contents.

The Black List: Film and TV projects since 1970 with Indigenous Australians in key creative roles ISBN 978-1-920998-11-0 TheLi Black

Produced by Screen Australia’s Strategy & Research Unit, The Black List is an important addition to reference material on Indigenous filmmaking in Australia, cataloguing the work of 257 Indigenous Australians with credits as producer, director, writer or director of photography on a total of 674 screen productions.

Listings go back as far as 1970 for feature films and telemovies, ! Film and TV to 1980 for documentaries and mini-series, and to 1988 for The shorts and series. projects since 1970 Titles are indexed by year and by filmmaker, and the book with also features a statistical summary and timeline of key titles and events. Indigenous Australians in key creative SCREEN AUSTRALIA Black Li! roles