2009 Enhancetv ATOM AWARDS Finalists
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“Minority” Cultures Studies in International Minority and Group Rights
Globalization and “Minority” Cultures Studies in International Minority and Group Rights Series Editors Gudmundur Alfredsson Kristin Henrard Advisory Board Han Entzinger, Professor of Migration and Integration Studies (Sociology), Erasmus University Rotterdam, the Netherlands; Baladas Ghoshal, Jawaharlal Nehru University (Peace and Conflict Studies, South and Southeast Asian Studies), New Delhi, India; Michelo Hansungule, Professor of Human Rights Law, University of Pretoria, South Africa; Baogang He, Professor in International Studies (Politics and International Studies), Deakin University, Australia; Joost Herman, Director Network on Humanitarian Assistance the Netherlands, the Netherlands; Will Kymlicka, Professor of Political Philosophy, Queen’s University, Kingston, Canada; Ranabir Samaddar, Director, Mahanirban Calcutta Research Group Kolkata, India; Prakash Shah, Senior Lecturer in Law (Legal Pluralism), Queen Mary, University of London, the United Kingdom; Tove Skutnabb-Kangas, Åbo Akademi University, Dept. of Education, Vasa, Finland; Siep Stuurman, Professor of History, Erasmus University Rotterdam, the Netherlands; Stefan Wolff, Professor in Security Studies, University of Birmingham, the United Kingdom. VOLUME 8 The titles published in this series are listed at brill.com/imgr Globalization and “Minority” Cultures The Role of “Minor” Cultural Groups in Shaping Our Global Future Edited by Sophie Croisy LEIDEN | BOSTON This is an open access title distributed under the terms of the prevailing cc-by-nc License at the time of publication, which permits any non-commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. More information about the initiative can be found at www.knowledgeunlatched.org. -
Endnote Resource Library 8 Aboriginal Ways of Learning
Appendix 2: Endnote Resource Library 8 Aboriginal Ways of Learning. Retrieved 25 November, 2010, from http://8ways.wikispaces.com/ The framework is expressed as eight interconnected pedagogies involving narrative-driven learning, visualised learning plans, hands-on/reflective techniques, use of symbols/metaphors, land-based learning, indirect/synergistic logic, modelled/scaffolded genre mastery, and connectedness to community. But these can change in different settings. Every place, Every People, has its own unique pedagogies. These 8 simple ones are merely a starting point for dialogue. Each school engages in a different way, and produces its own unique frameworks for Aboriginal education through dialogue with the community about local ways of doing things. Australian Broadcasting Corporation (ABC). (2010, July). Disease Risk Higher Among Indigenous People: Study [Television broadcast]. Darwin, NT: ABC News. Retrieved from http://search.informit.com.au/media;dn=TEF20102800474;res=TVNEWS;type=wmv ABC News resported a study that found that Indigenous Australians are 2.5 times more likely to suffer from disease than non-Indigenous people.ABC News NT (ABC1 Darwin); Time: 19:10; Broadcast Date: Wednesday, 14th July 2010; Duration: 45 sec. Australian Broadcasting Corporation (n.d.). Fire Talker: Charles Perkins [Television broadcast]. Australia: Author. Retrieved from http://www.abc.net.au/tv/geo/documentaries/interactive/firetalker/ Fire Talker traces the life of Charles Perkins from his humble beginnings on an Alice Springs reserve, to becoming one of the most influential Indigenous figures in Australia's modern history. Australian Broadcasting Corporation (ABC). (2009, May). Fresh Food for Tiwi Islanders [Television broadcast]. Darwin, NT: ABC News. Retrieved from http://ezproxy.csu.edu.au/login?url=http://search.informit.com.au/documentSummary;dn=T EF20092000088;res=TVNEWS Tiwi Islanders have created their own agricultural industry in order to redress the lack of fresh produce in the region and improve health levels. -
HREOC Annual Report 2005-06.Indb
Universal Declaration of Human Rights Adopted and proclaimed by General Assembly resolution 217 A (III) of 10 December 1948 Preamble Whereas recognition of the inherent dignity and of the equal and inalienable rights of all mem- bers of the human family is the foundation of freedom, justice and peace in the world, Whereas disregard and contempt for human rights have resulted in barbarous acts which have outraged the conscience of mankind, and the advent of a world in which human beings shall enjoy freedom of speech and belief and freedom from fear and want has been proclaimed as the highest aspiration of the common people, Whereas it is essential, if man is not to be compelled to have recourse, as a last resort, to rebellion against tyranny and oppression, that human rights should be protected by the rule of law, Whereas it is essential to promote the development of friendly relations between nations, Whereas the peoples of the United Nations have in the Charter reaffirmed their faith in funda- mental human rights, in the dignity and worth of the human person and in the equal rights of men and women and have determined to promote social progress and better standards of life in larger freedom, Whereas Member States have pledged themselves to achieve, in cooperation with the United Nations, the promotion of universal respect for, and observance of, human rights and fundamen- tal freedoms, Whereas a common understanding of these rights and freedoms is of the greatest importance for the full realization of this pledge, Now, therefore, THE -
The Black List Is an Important Addition to Reference Material B
T h e Produced by Screen Australia’s Strategy & Research Unit, The Black List is an important addition to reference material B on Indigenous filmmaking in Australia, cataloguing the work l a of 257 Indigenous Australians with credits as producer, c director, writer or director of photography on a total of k 674 screen productions. L he i Listings go back as far as 1970 for feature films and telemovies, ! Film and TV to 1980 for documentaries and mini-series, and to 1988 for T shorts and series. projects since 1970 Titles are indexed by year and by filmmaker, and the book with also features a statistical summary and timeline of key titles and events. Indigenous Australians in key creative SCREEN A Black roles US TRALIA Li! he OVX:YD+1 T cf[TEChg gOYCEÐÖõÏ pOhM YDOLEY[jg jghf:VO:Yg OYUErCfE:hOoE Black f[VEg Li! ÛÛ #!1!1/ 0 .0 Yhf[DjChO[YÒ _nSKi@mnQKvxK@lm_JURK_apm~\^^@[KlmS@uKHla[K_nSlapRSna@ISUKuKHanSIlUnUI@\@_J Ia^^KlIU@\mpIIKmmvUnS-@ISK\*Kl[U_m¡3`O\?bS5OSn@[U_R^alKnS@_ Ý^U\\Ua_@nnSK Mf[Y[V[Lr[K pmnl@\U@_HawaQ~IK7@lvUI[0Sal_na_vU__U_RnSK @__Km @^Kl@J¡"lQalO[]\5SZWZOV YDOLEY[jgxVXò+1Ó @_J^p\nUi\K@v@lJmQalilaRl@^mmpIS@m7W`a2ba`OZWO\@_JDVS4W`QbWa DVS3ZOQY=WaIK\KHl@nKmnSKmKIa_nK^ial@lxmIlKK_mnalxnK\\Klm@_JnSamKnS@nS@uK Ergh:hOghOCgÐÑ Ra_KHKQalKilauUJU_RJKmIlUinUuK\UmnU_RmaQJl@^@@_JJaIp^K_n@lxnUn\KmvSKlK_JURK_apm pmnl@\U@_mS@uKHKK_IlKJUnKJU_nSK[KxIlK@nUuKla\KmaQilaJpIKlJUlKInalvlUnKlalJUlKInal +OhVEgBrrE:f aQiSanaRl@iSx¼ "*½ E:hjfEg ÐÔ 0SKI@n@\aRpK@U^mnaHK@mIa^ilKSK_mUuK@miammUH\KvUnSU_nSKnU^KiKlUaJmIauKlKJQal +1Df:X: ÐÔ K@ISQal^@n [CjXEYh:fOEg[YL -
Sbs Independent: Productive Diversity and Counter-Memory
SBS INDEPENDENT: PRODUCTIVE DIVERSITY AND COUNTER-MEMORY Amanda Malel Trevisanut, BA (Hons) Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy December 2013 School of Culture and Communication The University of Melbourne Printed on archival quality paper ii iii ABSTRACT This thesis examines SBSi as cultural institution from its establishment in 1994 through to its merger with SBS-TV in 2007. As a cultural institution SBSi functioned governmentally to effect neo-liberal reform, significantly reshaping labour processes within the independent film and public service sectors. This thesis argues that SBSi carefully manoeuvred within this neo-liberal regime allowing non-assimilative cultural practices to manifest. Using a creative labour approach this thesis demonstrates how SBSi cultivated the resource of productive diversity to shape new creative labour practices, allowing new filmmaking milieux to form, and new counter-memorial filmmaking strategies to flourish. It analyses SBSi in relation to cultural policy developments, linking its activities as a commissioning house for SBS, to productive diversity; a State policy for harnessing the cultural and linguistic diversity (CALD) of Australian citizens as a national economic resource. Drawing on original interviews and archival sources it elaborates creative management processes developed by SBSi to foster productive diversity, and demonstrates how these shaped labour processes to inaugurate mentorship and early career opportunities for Indigenous, regional and CALD filmmakers. It also demonstrates how SBSi rejuvenated an ailing independent production sector by developing new niche audiences for innovative local content. Finally, this thesis adopts a critical race and whiteness approach to analyse the SBSi catalogue, and demonstrate how SBSi manoeuvred within a governmental logic to give rise to a new counter-memorial genre. -
The Black List
The Black Li Produced by Screen Australia’s Strategy & Research Unit, The Black List is an important addition to reference material on Indigenous filmmaking in Australia, cataloguing the work of 257 Indigenous Australians with credits as producer, director, writer or director of photography on a total of 674 screen productions. Listings go back as far as 1970 for feature films and telemovies, ! Film and TV to 1980 for documentaries and mini-series, and to 1988 for The shorts and series. projects since 1970 Titles are indexed by year and by filmmaker, and the book with also features a statistical summary and timeline of key titles and events. Indigenous Australians in key creative SCREEN AUSTRALIA Black Li! roles COVER PHOTOGRAPHY: (left to right) 1. Fat Pizza 2. Nana (on location) 3. Jacob (Murray Lui on location) Photographer: Sam Oster 4. Director Beck Cole & DOP Warwick Thornton on location in Tasmania for First Australians Photographer: Ricky Mainard Screen Australia GPO Box 3984 Sydney NSW 2001 Australia Tel: +61 2 8113 5800 © Screen Australia June 2010. Amended August 2014. Design by Alison White Designs Pty Limited Printed by No Time To Lose This information is to be used as a guide only and is of a general nature. Screen Australia has undertaken all reasonable measures to ensure its accuracy and specifically disclaims any liability, loss or risk, personal or otherwise, which is incurred as a consequence, directly or indirectly of the use and application of any of the contents. The Black List: Film and TV projects since 1970 with -
Made to Be Seen: Perspectives on the History of Visual Anthropology
Made to Be Seen Made to Be Seen Perspectives on the History of Visual Anthropology EDIT E D BY MARCUS B ANKS A N D J A Y R UBY The University of Chicago Press Chicago and London MARCUS BANKS is professor of visual anthropology at the Univer sity of Oxford and the author, most recently, of Using Visual Data in Qualitative Research. J A Y R U B Y is professor emeritus of anthropology at Temple University and the author or editor of numerous books, in cluding Picturing Culture: Essays on Film and Anthropology, also published by the University of Chicago Press. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2011 by The University of Chicago All rights reserved. Published 2011 Printed in the United States of America 20 19 18 17 16 15 14 13 12 11 1 2 3 4 5 ISBN13: 9780226036618 (cloth) ISBN13: 9780226036625 (paper) ISBN10: 0226036618 (cloth) ISBN10: 0226036626 (paper) Library of Congress CataloginginPublication Data Made to be seen : perspectives on the history of visual anthropology / edited by Marcus Banks and Jay Ruby. p. cm. Includes bibliographical references and index. ISBN13: 9780226036618 (alk. paper) ISBN10: 0226036618 (alk. paper) ISBN13: 9780226036625 (pbk. : alk. paper) ISBN10: 0226036626 (pbk. : alk. paper) 1. Visual anthropology. I. Banks, Marcus. II. Ruby, Jay. GN347.M33 2011 301—dc22 2010048748 a The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences— Permanence of Paper for Printed Library Materials, ANSI Z39.481992.