Edinburgh Theatres, Cinemas
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
THE UNIVERSITY of EDINBURGH
UGP COVER 2012 22/3/11 14:01 Page 2 THE UNIVERSITY of EDINBURGH Undergraduate Prospectus Undergraduate 2012 Entry 2012 THE UNIVERSITY of EDINBURGH Undergraduate Prospectus 2012 Entry www.ed.ac.uk EDINB E56 UGP COVER 2012 22/3/11 14:01 Page 3 UGP 2012 FRONT 22/3/11 14:03 Page 1 UGP 2012 FRONT 22/3/11 14:03 Page 2 THE UNIVERSITY of EDINBURGH Welcome to the University of Edinburgh We’ve been influencing the world since 1583. We can help influence your future. Follow us on www.twitter.com/UniofEdinburgh or watch us on www.youtube.com/user/EdinburghUniversity UGP 2012 FRONT 22/3/11 14:03 Page 3 The University of Edinburgh Undergraduate Prospectus 2012 Entry Welcome www.ed.ac.uk 3 Welcome Welcome Contents Contents Why choose the University of Edinburgh?..... 4 Humanities & Our story.....................................................................5 An education for life....................................................6 Social Science Edinburgh College of Art.............................................8 pages 36–127 Learning resources...................................................... 9 Supporting you..........................................................10 Social life...................................................................12 Medicine & A city for adventure.................................................. 14 Veterinary Medicine Active life.................................................................. 16 Accommodation....................................................... 20 pages 128–143 Visiting the University............................................... -
A Minstrel in France
A Minstrel In France Harry Lauder The Project Gutenberg EBook of A Minstrel In France, by Harry Lauder This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: A Minstrel In France Author: Harry Lauder Release Date: February 21, 2004 [EBook #11211] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK A MINSTREL IN FRANCE *** Produced by Geoff Palmer A MINSTREL IN FRANCE BY HARRY LAUDER [ILLUSTRATION: _frontispiece_ Harry Lauder and his son, Captain John Lauder. (see Lauder01.jpg)] TO THE MEMORY OF MY BELOVED SON CAPTAIN JOHN LAUDER First 8th, Argyle and Sutherland Highlanders Killed in France, December 28, 1916 Oh, there's sometimes I am lonely And I'm weary a' the day To see the face and clasp the hand Of him who is away. The only one God gave me, My one and only joy, My life and love were centered on My one and only boy. I saw him in his infant days Grow up from year to year, That he would some day be a man I never had a fear. His mother watched his every step, 'Twas our united joy To think that he might be one day My one and only boy. When war broke out he buckled on His sword, and said, "Good-bye. For I must do my duty, Dad; Tell Mother not to cry, Tell her that I'll come back again." What happiness and joy! But no, he died for Liberty, My one and only boy. -
Discography Section 13: L (PDF)
1 DORA LABETTE (1898 – 1984). Soprano with string quartette Recorded London, December 1924 A-1494 The bonnie banks of Loch Loman’ (sic) (Lady John Scott; trad) Col D-1517, A-1495 A-1495 Comin’ thro the rye (Robert Burns; Robert Brenner) Col D-1517 Recorded London, Tuesday, 21st. February 1928 WA-6993-2 The bonnie banks of Loch Loman’ (Lady John Scott; trad) Col D-1517 WA-6994-1/2/3 Comin’ thro the rye (Robert Burns; Robert Brenner) Col rejected Recorded London, Sunday, 1st. September 1929 WA-6994-5 Comin’ thro the rye (Robert Burns; Robert Brenner) Col D-1517 NOTE: Other records by this artist are of no Scots interest. JAMES LACEY Vocal with piano Recorded West Hampstead, July 1940 M-925 Hame o' mine (Mackenzie Murdoch) Bel 2426, BL-2426 M-926 Mother Machree (Rida J.Young: Chauncey Olcott; Ernest R. Ball) Bel 2428, BL-2428 M-927 Macushla! (Josephine V. Rowe; Dermot MacMurrough) Bel 2428, BL-2428 M-928 Mary (Kind, kind and gentle is she) (T. Richardson; trad) Bel 2427, BL-2427 M-929 Mary of Argyll (Charles Jefferys; Sidney Nelson) Bel 2427, BL-2427 M-930 I'm lying on a foreign shore (The Scottish emigrant) (anon) Bel 2426, BL-2426 DAVID LAING (Aberdour, 1866 - ). “Pipe Major David Laing, on Highland bagpipes with augmented drone accompaniment” Recorded London, ca January 1911 Lxo-1269 A22145 Medley, Intro. Midlothian Pipe Band – march (Farquhar Beaton); The Glendruel Highlander – march (Alexander Fettes); Hot Punch – march (trad) Jumbo A-438; Ariel Grand 1503 Lxo-1271 A22147 The blue bonnets over the Border – march; The rocking stone of Inverness – strathspey; The piper o’ Drummond – reel (all trad) Jumbo 612; Ariel Grand 1504; Reg G-7527; RegAu G-7527 Lxo-1272 A22143 Medley of marches – Lord Lovat; MacKenzie Highlanders; Highland laddie (all trad) Jumbo 612; Ariel Grand 1504; Reg G-7528; RegAu G-7528 Lxo-1279 A22146 March – Pibroch o’ Donald Dhu; strathspey – Because he was a bonny lad; reel – De-il among the tailors (all trad) Jumbo A-438; Ariel Grand 1503 NOTE: Regal issues simply credited to “Pipe-Major David Laing”. -
Image: Brian Hartley
IMAGINATE FESTIVAL Scotland’s international festival of performing arts for children and young people 6-13 may 2013 TICKETS:0131 228 1404 WWW.TRAVERSE.CO.UK Image: Brian Hartley IMAGINATE FESTIVAL FUNDERS & SUPPORT ABOUT IMAGINATE Every year Imaginate receives financial and in kind support from a range of national and international organisations.We would like to thank them all for their invaluable support of the Imaginate Festival. Imaginate is a unique organisation in Scotland,leading in the promotion,development If you would like to know more about our supporters or how to support us,please visit: and celebration of the performing arts for children and young people. www.imaginate.org.uk/support/ We achieve this through the delivery of an integrated M A J O R F U N D E R S BEYONDTHE FESTIVAL annual programme of art-form development, learning supported through the partnerships and performance, including the world Imaginate believes that a high quality creative Scottish Government’s Edinburgh Festivals Expo Fund famous Imaginate Festival, Scotland’s international development programme is the key to unlocking festival of performing arts for children and young people. creativity and supporting artistic excellence in the performing arts sector for children and young people in THE IMAGINATE FESTIVAL Scotland. This programme creates regular opportunities for artists and practitioners, whether they are students, T R U S T S A N D F O U N D AT I O N S PA R T N E R S Every year the Festival and Festival On Tour attracts established artists or at the beginning of their career. -
List of the Oedinary Fellows of the Society
LIST OF THE OEDINARY FELLOWS OF THE SOCIETY. N.B.—Those marked * are Annual Contributors. 1846 Alex. J. Adie, Esq., Rockville, Linlithgow 1872 "Archibald Constable, Esq., 11 Thistle Street 1871 *Stair Agnew, Esq, 22 Buckingham Terrace 1843 Sir John Rose Cormack, M.D., 7 Rue d'Aguesseau, 1875 "John Aitken, Esq., Darroch, Falkirk Paris 1866 "Major-General Sir James E. Alexander of Westerton, 1872 "The Right Rev. Bishop Cotterill (VICE-PRESIDENT), 1 ' Bridge of Allan Atholl Place. 1867 "Rev. Dr W. Lindsay Alexander (VICE-PRESIDENT), 1843 Andrew Coventry, Esq., Advocate, 29 Moray Place Pinkie Burn, Musselburgh 1863 "Charles Cowan, Esq., Westerlea, Murrayfield 1848 Dr James Allan, Inspector of Hospitals, Portsmouth 1854 "Sir James Coxe, M.D., Kinellan 1856 Dr George J. Allinan, Emeritus Professor of Natural 1830 J. T. Gibson-Craig, Esq., W.S., 24 York Place History, Wimbledon, London 1829 Sir William Gibson-Craig, Bart., Riccarton 1849 David Anderson, Esq., Moredun, Edinburgh 1875 "Dr William Craig, 7 Lothian Road 1872 John Anderson, LL.D., 32 Victoria Road, Charlton, 1873 "Donald Crawford, Esq., Advocate, 18 Melville Street 70 Kent 1853 Rev. John Cumming, D.D., London 1874 Dr John Anderson, Professor of Comparative Anatomy, 1852 "James Cunningham, Esq., W.S., 50 Queen Street Medical College, Calcutta 10 1871 "Dr R. J. Blair Cunyninghame, 6 Walker Street 1823 Warren Hastings Anderson, Esq., Isle of Wight 1823 Liscombe J. Curtis, Esq., Ingsdown House, Devonshire 1867 "Thomas Annandale, Esq., 34 Charlotte Square 1862 *T. C. Archer, Esq., Director of the Museum of Science 1851 E. W. Dallas, Esq., 34 Hanover Street and Art, 5 West Newington Terrace 1841 James Dalmahoy, Esq., 9 Forres Street 1849 His Grace the Duke of Argyll, K.T., (HON. -
Sound Recording in the British Folk Revival: Ideology, Discourse and Practice, 1950–1975
Sound recording in the British folk revival: ideology, discourse and practice, 1950–1975 Matthew Ord Submitted in fulfilment of the degree of PhD International Centre for Music Studies Newcastle University March 2017 Abstract Although recent work in record production studies has advanced scholarly understandings of the contribution of sound recording to musical and social meaning, folk revival scholarship in Britain has yet to benefit from these insights. The revival’s recording practice took in a range of approaches and contexts including radio documentary, commercial studio productions and amateur field recordings. This thesis considers how these practices were mediated by revivalist beliefs and values, how recording was represented in revivalist discourse, and how its semiotic resources were incorporated into multimodal discourses about music, technology and traditional culture. Chapters 1 and 2 consider the role of recording in revivalist constructions of traditional culture and working class communities, contrasting the documentary realism of Topic’s single-mic field recordings with the consciously avant-garde style of the BBC’s Radio Ballads. The remaining three chapters explore how the sound of recorded folk was shaped by a mutually constitutive dialogue with popular music, with recordings constructing traditional performance as an authentic social practice in opposition to an Americanised studio sound equated with commercial/technological mediation. As the discourse of progressive rock elevated recording to an art practice associated with the global counterculture, however, opportunities arose for the incorporation of rock studio techniques in the interpretation of traditional song in the hybrid genre of folk-rock. Changes in studio practice and technical experiments with the semiotics of recorded sound experiments form the subject of the final two chapters. -
Former Fellows Biographical Index Part
Former Fellows of The Royal Society of Edinburgh 1783 – 2002 Biographical Index Part Two ISBN 0 902198 84 X Published July 2006 © The Royal Society of Edinburgh 22-26 George Street, Edinburgh, EH2 2PQ BIOGRAPHICAL INDEX OF FORMER FELLOWS OF THE ROYAL SOCIETY OF EDINBURGH 1783 – 2002 PART II K-Z C D Waterston and A Macmillan Shearer This is a print-out of the biographical index of over 4000 former Fellows of the Royal Society of Edinburgh as held on the Society’s computer system in October 2005. It lists former Fellows from the foundation of the Society in 1783 to October 2002. Most are deceased Fellows up to and including the list given in the RSE Directory 2003 (Session 2002-3) but some former Fellows who left the Society by resignation or were removed from the roll are still living. HISTORY OF THE PROJECT Information on the Fellowship has been kept by the Society in many ways – unpublished sources include Council and Committee Minutes, Card Indices, and correspondence; published sources such as Transactions, Proceedings, Year Books, Billets, Candidates Lists, etc. All have been examined by the compilers, who have found the Minutes, particularly Committee Minutes, to be of variable quality, and it is to be regretted that the Society’s holdings of published billets and candidates lists are incomplete. The late Professor Neil Campbell prepared from these sources a loose-leaf list of some 1500 Ordinary Fellows elected during the Society’s first hundred years. He listed name and forenames, title where applicable and national honours, profession or discipline, position held, some information on membership of the other societies, dates of birth, election to the Society and death or resignation from the Society and reference to a printed biography. -
CY 2001 Compared to CY 2000
Source: 2001 ACAIS Summary of Enplanement Activity CY 2001 Compared to CY 2000 Svc Hub CY 2001 CY 2000 % Locid Airport Name City ST RO Lvl Type Enplanement Enplanement Change ATL The William B Hartsfield Atlanta International Atlanta GA SO P L 37,181,068 39,277,901 -5.34% ORD Chicago O'Hare International Chicago IL GL P L 31,529,561 33,845,895 -6.84% LAX Los Angeles International Los Angeles CA WP P L 29,365,436 32,167,896 -8.71% DFW Dallas/Fort Worth International Fort Worth TX SW P L 25,610,562 28,274,512 -9.42% PHX Phoenix Sky Harbor International Phoenix AZ WP P L 17,478,622 18,094,251 -3.40% DEN Denver International Denver CO NM P L 17,178,872 18,382,940 -6.55% LAS Mc Carran International Las Vegas NV WP P L 16,633,435 17,425,214 -4.54% SFO San Francisco International San Francisco CA WP P L 16,475,611 19,556,795 -15.76% IAH George Bush Intercontinental Houston TX SW P L 16,173,551 16,358,035 -1.13% Minneapolis-St Paul International/Wold- MSP Chamberlain/ Minneapolis MN GL P L 15,852,433 16,959,014 -6.53% DTW Detroit Metropolitan Wayne County Detroit MI GL P L 15,819,584 17,326,775 -8.70% EWR Newark International Newark NJ EA P L 15,497,560 17,212,226 -9.96% MIA Miami International Miami FL SO P L 14,941,663 16,489,341 -9.39% JFK John F Kennedy International New York NY EA P L 14,553,815 16,155,437 -9.91% MCO Orlando International Orlando FL SO P L 13,622,397 14,831,648 -8.15% STL Lambert-St Louis International St. -
Edinburgh Research Explorer
Edinburgh Research Explorer The field of play Citation for published version: McDowell, M 2014, 'The field of play: Phases and themes in the historiography of pre-1914 Scottish football', The International Journal of the History of Sport, vol. 31, no. 17, pp. 2121-2140. https://doi.org/10.1080/09523367.2014.900489 Digital Object Identifier (DOI): 10.1080/09523367.2014.900489 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: The International Journal of the History of Sport Publisher Rights Statement: © McDowell (2014). The Field of Play: Phases and Themes in the Historiography of Pre-1914 Scottish Football. The International Journal of the History of Sport. 10.1080/09523367.2014.900489 General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 25. Sep. 2021 The field of play: phases and themes in the historiography of pre-1914 Scottish football Matthew L. McDowell University of Edinburgh Pre-publication print of: Matthew L. McDowell, ‘The field of play: phases and themes in the historiography of pre-1914 Scottish football’, The International Journal of the History of Sport (issue not yet assigned). -
The Continuation, Breadth, and Impact of Evangelicalism in the Church of Scotland, 1843-1900
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. The Continuation, Breadth, and Impact of Evangelicalism in the Church of Scotland, 1843-1900 Andrew Michael Jones A Thesis Submitted to The University of Edinburgh, New College In Candidacy for the Degree of Doctor of Philosophy Edinburgh, United Kingdom 2018 ii Declaration This thesis has been composed by the candidate and is the candidate’s own work. Andrew M. Jones PhD Candidate iii Acknowledgements The research, composition, and completion of this thesis would have been impossible without the guidance and support of innumerable individuals, institutions, and communities. My primary supervisor, Professor Stewart J. Brown, provided expert historical knowledge, timely and lucid editorial insights, and warm encouragement from start to finish. My secondary supervisor, Dr. James Eglinton, enhanced my understanding of key cultural and theological ideas, offered wise counsel over endless cups of coffee, and reminded me to find joy and meaning in the Ph.D. -
Howard Glover's Life and Career
Howard Glover’s Life and Career Russell Burdekin, July 2019, updated September 2021 (This note was originally part of the preparation for a paper given at the Music in Nineteenth Century Britain Conference, Canterbury Christ Church University, July 5, 2019. See http://englishromanticopera.org/operas/Ruy_Blas/Howard_Glover_Ruy_Blas- harbinger_of_English_Romantic_Opera_demise.pdf ) This note was revised in September 2021 thanks to an email from David Gurney pointing me to Augustus William Gurney’s Memoir of Archer Thompson Gurney, which provided background on Glover’s early life as well as a summary of his character. A few other details have also been amended or added. William Howard Glover was born on 6 June 1819 in London, the second son of Julia Glover one of the best known actresses of the first half of the 19th century. Who his father was is less certain. By the end of 1817, Julia was living apart from her husband, Samuel.1 However, she was on very close terms with the American actor, playwright and author John Howard Payne, who was then living in London.2 The inclusion of Howard as Glover’s middle name and John rather than Samuel being written on the baptism record3 would strongly suggest that Payne was the father, although no definitive evidence has been found. Glover studied the violin with William Wagstaff, leader of the Lyceum Opera orchestra, and joined that band at the age of fifteen. By the age of sixteen had a dramatic scena performed at a Society of British Musicians concert.4 He continued his studies for some years in Italy, Germany and France (Illustrated Times 2 Sep. -
Tamarkan Convalescent Camp Sears Eldredge Macalester College
Macalester College DigitalCommons@Macalester College Book Chapters Captive Audiences/Captive Performers 2014 Chapter 5. "The aT markan Players Present ": Tamarkan Convalescent Camp Sears Eldredge Macalester College Follow this and additional works at: http://digitalcommons.macalester.edu/thdabooks Recommended Citation Eldredge, Sears, "Chapter 5. "The aT markan Players Present ": Tamarkan Convalescent Camp" (2014). Book Chapters. Book 17. http://digitalcommons.macalester.edu/thdabooks/17 This Book is brought to you for free and open access by the Captive Audiences/Captive Performers at DigitalCommons@Macalester College. It has been accepted for inclusion in Book Chapters by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. 152 Chapter 5: “The Tamarkan Players Present” Tamarkan Convalescent Camp It was early December 1943 when Brigadier General Arthur Varley and the first remnants of A Force from Burma arrived at their designated convalescent camp in Tamarkan, Thailand, after a long journey by rail. As their train traversed the wooden bridges and viaducts built by their counterparts, they passed the construction camps where the POWs in Thailand anxiously awaited their own redeployment back to base camps. When they entered Tamarkan, they found a well-ordered camp with a lean-to theatre left by the previous occupants. Backstory: October 1942–November 1943 Tamarkan was “the bridge camp”—the one made famous by David Lean’s film The Bridge on the River Kwai, based on the novel by Pierre Boulle.i There were, in fact, two bridges built at Tamarkan: first a wooden one for pedestrian and motor vehicle traffic that served as a temporary railway trace until the permanent concrete and steel railway bridge could be completed just upriver of it.