Victorian Jamaica
History /Visual Culture Victorian Jamaica TIM BARRINGER is Paul Mellon Professor “Victorian Jamaica brings imperial historical and sociocultural analysis to bear upon the Victorian Jamaica explores the extraordinary and Chair of the Department of the History of material, performative, and visual cultures of the period, and the cumulative effect is surviving archive of visual representation and Art at Yale University and the author and editor stunning! Its comprehensive and wide-ranging contributions encourage us to think material objects to provide a comprehensive of several books, including Men at Work: Art and about empire in relation to everyday circulations and thus to focus on the complex account of Jamaican society during Queen Labour in Victorian Britain. and sometimes messy connections between space, time, and cultural production and Victoria’s reign over the British Empire, from practice. By exploring both changes in British imperial policy during the Victorian 1837 to 1901. In their analyses of material WAYNE MODEST is Head of the Research period and transformations in subjectivity among colonial subjects in the exemplary ranging from photographs of plantation Center for Material Culture at the Stichting case of Jamaica, our eyes are drawn to the ways ordinary people participated in imperial laborers and landscape paintings to cricket Nationaal Museum van Wereldculturen, Professor circulations, transformed metropolitan spaces, and negotiated changing geopolitical team photographs, furniture, and architecture, of Material Culture and Critical Heritage Studies fields. An interdisciplinary tour de force, and a must read for anyone interested in as well as a wide range of texts, the contributors at Vrije Universiteit Amsterdam, and coeditor of Atlantic World modernities!” trace the relationship between black Jamaicans Museums, Heritage, and International Development.
[Show full text]