DOCSLIB.ORG

Atlanta Symphony Guild, Inc

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

For over 28 y,ear& ] modern S y m p h o n i e s in Store Design and Commercial Construction i II. ABRAMS, II. contractors and designers 362 JONES AVENUE, N. W. CYpress 1541 OFFICERS - ATLANTA SYMPHONY GUILD, INC. President — James C. Malone Vice Presidents Executive Committee Musical Director James V. Carmichael Charles H. Jagels, Chairm an Henry Sopkin Mrs. Rembert Marshall Vice-Chm n. Bruce F. Woodruff, M a n a g er Marvin McDonald Jackson P. Dick, Sr. Leslie C. White Secreta ry Mrs. Lon Grove Ralph Williams Richard Schwab Treasurer Joseph Seitz Joseph E. Birnie and officers Comptroller H. Ashlin Dykes BOARD OF DIRECTORS Mrs. Robert F. Adamson Mrs. Lon Grove Mrs. Maurice Pepper Ivan Allen, Jr. Mrs. Evans Hall, Jr. Mrs. Charles T. Pottinger Philip H. Alston, Jr. Mrs. Charles Hardy (Gainesville) Mrs. Clifford N. Ragsdale Mrs. Louis Aronstam Arthur Harris, Jr. Col. Charles A. Rawson Marcus Bartlett Mrs. Arthur Harris, Jr. Mrs. J. D. Robinson, Sr. Russell Bellman William B. Hartsfield Sam Rothberg George C. Biggers Rawson Haverty Mrs. James O'Hear Sanders Joseph E. Birnie Mrs. Lewis I. Hirsch Mrs. T. Erwin Schneider Herbert Bondurant Hugh Hodgson Richard Schwab Harllee Branch, Jr. Mrs. Lindsey Hopkins, Sr. Joseph Seitz Mrs. J. Bulow Campbell Clark Howell Mrs. Albert Selig Mrs. C. H. Candler, Sr. Charles H. Jagels Jesse M. Shelton James V. Carmichael Miss Ira Jarrell John A. Sibley Mrs. Julian Carr Mrs. A. Thornton Kennedy Mrs. Robert Chambers Mrs. Alex King Mrs. Howard C. Smith Mrs. Ryburn G. Clay C o dy Laird Robert R. Snodgrass Erie Cocke Mills B. Lane, Jr. Miss Helen Knox Spain Mrs. Harold N. Cooledge T. C. Lanier Mrs. Walter B. Spivey Joseph W . Cooper, Jr. Dr. Clarence L. Laws Peter J. Stelling Mrs. Edward F. Danforth Earle R. Lewis Julian N. Trivers Mrs. Hal Davison C. K. Liller Fred J. Turner Malcolm H. Dewey James C. Malone Mrs. Ralph Uhry Jackson P. Dick Mrs. Dan Manget (Newnon) J. Prince Webster Jesse Draper Mrs. Rembert Marshall Miss Ruth Weegand Mrs. Lewis M. Dugger Ben J. Massed Paul D. West H. Ashlin Dykes Devereaux McClatchey Mrs. Goodrich White Herbert Elsas Marvin McDonald John A. White Carl L. Fox, Sr. A. O. Mitchell David Goldwasser Mrs. John O. Mitchell R. C lyd e W illiam s Ben Gordon Arthur L. Montgomery Ralph Williams John C. Grabbe Mrs. Bernard Neal (Rome) Stuart Witham W. King Grant Miss Anne Grace O'Callaghan Bruce F. Woodruff Claude Grizzard, Jr. Del Paige Eugene Young \ s ^ c d t\e»s , 0 S * e t °* \ca<' A®®° i\\o p o '® eS po**® p o ® ' ;W p>us*e So?'d\'e'rft fc®*s VA. fcet»® Jot®cS V\otV C'f \,esV'e ►Ao’ US'® ►A»\9**r(' po* • V e te o'** Jeo® S e ^ SV\e'^ do Ge®e M*’ e d<3e St"® 5itfc i d V\o do’ ® po® Vdovt® t<! G t® '® dc YCo’ e' NINTH SEASON Nineteen Hundred Fifty-three and Fifty-four THE ATLANTA SYMPHONY GUILD, INCORPORATED presents THE ATLANTA SYMPHONY ORCHESTRA HENRY SOPKIN, Conductor and THE ATLANTA SYMPHONY CHORUS HASKELL BOYTER, Director in A REQUIEM MASS by GIUSEPPE VERDI (1813-1901) I. Requiem and Kyrie II. Dies Irae INTERMISSION III. Offertorio IV. Sanctus V. Agnus Dei VI. Lux Aeterna VII. Libera Me Guest Soloists FRANCES YEEND, Soprano DAVID LLOYD, Tenor BEVERLY WOLFF, Contralto JAMES PEASE, Baritone TENTH SUBSCRIPTION CONCERT SEASON 1953-1954 March 30, 1954 8:30 P. M. Atlanta Municipal Auditorium All concerts begin at 8:30 P. M. Late-comers will be admitted only at intervals between numbers. If necessary to leave early, please do so between numbers. ' P ' t a e y i a m Program Notes by Homer F. Edwards, Jr. A Requiem Mass Giuseppe Verdi (1813-1901) Alessandro Manzoni was one of the greatest writers of Italy during the 19th century. He is best known in this country through his authorship of I Promessi Sposi (The Promised Bride), and through the Manzoni Requiem by Verdi. Verdi idealized Manzoni as representative of the highest expression of the Italian spirit, and by the Requiem, he paid homage to Manzoni as both a writer and a man. A great deal has been said concerning the theatrical and dramatic aspects of the Requiem Mass in Verdi’s setting by those who adhere to strict rules of church music. Verdi’s interpretation is not entirely liturgically accurate but he expressed beautifully his deep, personal sorrow at the death of a friend in terms most familiar to him through long years of writing for stage and opera. The best way to approach Verdi’s Mass is to think of it as a kind of oratorio, a sacred opera, of the Last ludgment, with Manzoni’s soul as the objective theme of the drama. Much of the music suggests visual interpretation. In the beginning, one can imagine the kneeling chorus in whispered prayer for the repose of the soul; the Kyrie is a definite appeal for mercy. Darkness and despair are suggested by the orchestral coloring and the shouting chorus. The in­ tensity of the trumpets and the chorus basses acclaim the Last Trumpet on a particularly effective chord. The bass soloist declaims a Mors stupebit. Verdi described this section as extremely difficult. It has more significance than the notes seem to ( Continued) The Baldwin Piano is the official piano for the Atlanta Symphony Orchestra LANIER PIANO COMPANY EXCLUSIVE DEALERS . BALDWIN PIANOS . LESTER PIANOS KOHLER & CAMPBELL . IVERS & POND Atlanta's Oldest Locally Owned Piano Store 64 Pryor Street, N. E. • Telephone WAInut 6866-7 ATLANTA 3, GEORGIA 628 Lee St., S. W ., at Gordon • Telephone FR 2168 Again this year Colonial Stores invites you and your family to enjoy its special series of five Colonial-sponsored SUNDAY AFTERNOON FAMILY CONCERTS with the Atlanta Symphony Orchestra directed by Henry Sopkin and featuring well-known guest artists Dates: N ovem ber 29, 1953; December 13, 1953; January 10,1954; February 28, 1954; March 28, 1954 Tim es: Sunday at 3:30 p. m. Doors open 2:30 p. m. P la ce : Atlanta Municipal Auditorium Tickets: Free from your Colonial Store Manager COLONIAL& STORES A SOUTHERN INSTITUTION FOR OVER HALF A CENTURY PROGRAM N O T E S ................................... # Continued suggest, the soloist not only acting the surprise of death but commenting upon it. The contralto soloist describes the book of records wherein the deeds of men are recorded to the accompaniment of the chorus muttering Dies Irae. The avalanche of terror is followed by the lovely trio and lament of unworthiness. , The Judge takes his seat, greeted by that magnificent Rex tremendae majestatis,” which is followed by pleas for salvation, and acclaim to the King of Heaven. Of particular interest is the composer s dramatization of two aspects of prayer for salvation, one, piteous; the other fearful. Once more the Dies Irae descends to give place to the Lacrymosa, de­ picting the pathos of resignation. The movement ends in the liturgical, de­ votional atmosphere of the opening Dona eis requiem. The next movement is designated as the Offertorium and it shares with the Agnus Dei the distinction of containing the most ecclesiastical music of the score. Between these two movements is the Sanctus, a vivid contrast to the rest of the work, with two choirs singing the entire Sanctus, Pleni, Benedictus and Hosanna in one unbroken double fugue. The final movement of the Requiem is the Libera M e. The Dies Irae phrases are reintroduced; again the fugue, the most important feature, pos­ sesses an emotional intensity unassociated with the form. The final section suggests conspiracy and supplication. The beginning is recalled with the choir kneeling and whispering Libera me, Domine, de morte aeterna. Only appeal for mercy remains, now so abject it is spoken rather than sung. ( Continued) ????????????????????? ????????????????????? ?? IS YOUR PROPERTY ?? W WISELY INSURED 9 9 ????????????????????? 999999999999999999999 • •••••••••••••••••••• •••••••••••••••••••a* • •••••• , _ ••••••• YORK 9• 9•••••• 9 9 9 9 9 IZSffilOTi— — — —-I 9_______ 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 • • • • • • • *•••••• Refrigeration 9 9 9 9 9 9 9 9 9 9 9 9 9 9 • • • • • • • ••••••• 9 9 9 9 9 9 9 - -••••• ??????? Air Conditioning 999999999999999999999 ••••••••••••••••••••a 999999999999999999999 ••••••••••••••••••••• 999999999999999999999 •••••••••••••••••••a* Advanced Refrigeration 999999999999999999999 ••••••••••••••••••••• Inc. H SPRATLIN, HARRINGTON & CO. ? ? 394 Spring St., N. W. • • Insurance, Surety Bonds • • 9 9 Real Estate Loans and Sales 9 9 Atlanta, Ga. 999999999999999999999 W A. 9661 ••••••••••••••••••a** 999999999999999999999 H O M E O F Southern Charm S H O E S 2 S t o r e s in A t l a n t a 164 PEACHTREE WHITEHALL corner ALABAMA "THERE'S NO PLACE LIKE HOME" T i l i e W orld cdround Thomas S. Morgan, Inc. General Merchants EXPORT - IMPORT Member All Shipping Conferences Forwarding, Shipping and Collection Agents Southern Homefurnishers Since 1885 RED ROCK BLDG. ATLANTA, GA. Offices: Atlanta-Chicago-Los Angeles Agents: Downtown: Edgewood at Pryor Buckhead: 3031 Peachtree Rd. South America— South Africa— Europe Decatur: 128 Clairmont Road The Orient East Point: 226 N. Main Street PROGRAM NOTES Continued The following passages contain a translation of the Latin text to a Requiem Mass and an indication of the vocal forces employed by Verdi. I. Requiem and Kyrie (Chorus and soloists) Requiem aeternam dona eis Domine: Grant them eternal rest O Lord: and let ever- et lux perpetua luceat eis. lasting light shine on them. Te decet hymnus, Deus, ex Sion, et To thee, O God, praise is meet in Sion, and tibi reddetur votum in Jerusalem. unto thee shall the vow be performed in'Jerusa- Exaudi orationem meam: ad te omnis lem.
Recommended publications
  • The Impact of the Hospitality & Tourism Industry on Atlanta

    The Impact of the Hospitality & Tourism Industry on Atlanta

    The Impact of the Hospitality & Tourism Industry on Atlanta Debby Cannon, Ph.D. Director Cecil B. Day School of Hospitality Robinson College of Business Georgia State University Hospitality Hospitality& & TourismTourism in Atlanta Recreation, Travel Conventions, Attractions, Air, Rail, Lodging/ Meetings, Restaurants/ Sporting Hotels/ Auto, Tradeshows, Foodservice Events, Resorts Coach Events Parks Tourism in Georgia • 48 million visitors annually who spend over $25 billion • Supports $6 billion in resident wages and over 400,000 jobs • 8th largest tourism economy in the country • Over $708.5 million in state tax revenue from visitor expenditures • Equates to a $380 savings on state and local taxes per household. Tourism in Atlanta • Accounts for 51% of Georgia’s tourism economy • 35+ million visit Atlanta annually • More than $11 billion is generated in visitor spending; $29 million per day (direct spending) • Sustains over 238,000 jobs • In Atlanta, “Leisure & Hospitality” employs 9.3% of the metro workers Atlanta’s Lodging Market Atlanta – 3rd in the nation in hotel rooms #1 - Las Vegas (133,186 rooms) #2 - Orlando (112,156 rooms) #3 - Atlanta (92,000 rooms) • 15,000 hotel rooms in downtown Atlanta • 92,000 rooms in Metro Atlanta • Within next three years, eleven new hotels will add over 2,000 new rooms •Over $210 million is currently being spent on upgrades and renovations of Atlanta’s hotels Atlanta Market June 2007 Room Supply Share Alpharetta 4% Perimeter 5% West 5% Northwest 6% Northeast 7% East 8% Chamblee 9% South 9% Buckhead
  • Piedmont Hospital Achieves US News and World Report

    Piedmont Hospital Achieves US News and World Report

    Piedmont Hospital Achieves U.S. News and World Report Rankings Summer/Fall 2011 PIEDMONT Volume 21, No. 3 A publication of Piedmont Healthcare Confronting Cancer: Journeys of Support & Healing Also Inside: Non-surgical Alternative to Open-Heart Surgery Hypothermia Technique Saves Rockdale Heart Patient PIEDMONT Letter from the CEO A quick fix. It’s what patients who come through our doors hope our doctors and nurses have for what ails PIEDMONT HEALTHCARE them. Sometimes the cure is a quick fix. Often, it is not. Chairman of the Board: William A. Blincoe, M.D. The same hope is true for those of us who work in Foundation Board Chair: Bertram “Bert” L. Levy healthcare. We would like to believe there is a quick President & CEO: R. Timothy Stack fix for what ails many hospitals around the country – namely, the economy and the future under healthcare PIEDMONT HOSPITAL reform. Piedmont Healthcare, along with its hospitals Chairman of the Board: Patrick M. Battey, M.D. and physician groups, is no exception. We are facing President & CEO: Les A. Donahue significant challenges that have caused us to take a proactive approach to ensure our financial stability now and in the future. PIEDMONT FAYETTE HOSPITAL As you know, financial hardships have caused many people to put their Chairman of the Board: James C. Sams, M.D. healthcare needs on hold. Some choose not to see the doctor or have an elective President & CEO: W. Darrell Cutts procedure because they would rather save the copay and the dollars they would spend on what’s not covered.
  • Boston Symphony Orchestra Concert Programs, Season 67, 1947-1948, Subscription

    Boston Symphony Orchestra Concert Programs, Season 67, 1947-1948, Subscription

    SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Telephone, Commonwealth 6-1492 SIXTY-SEVENTH SEASON, 1947-1948 CONCERT BULLETIN of the Boston Symphony Orchestra SERGE KOUSSEVITZKY, Music Director Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk COPYRIGHT, 1948, BY BOSTON SYMPHONY ORCHESTRA, Inc. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot . President Henry B. Sawyer . Vice-President Richard C. Paine . Treasurer Philip R. Allen M. A. De Wolfe Howe John Nicholas Brown Jacob J. Kaplan Alvan T. Fuller Roger I. Lee Jerome D. Greene Lewis Perry N. Penrose Hallowell Raymond S. Wilkins Francis W. Hatch Oliver Wolcott George E. Judd, Manager 1281 [ ] © © © © © © © © © © © © © © © Only © © © © © © you can © © © © © © decide © © © © © © © © © © © Whether your property is large or small, it rep- © © resents the security for your family's future. Its ulti- © © © © mate disposition is a matter of vital concern to those © © you love. © © © © To assist you in considering that future, the Shaw- © © mut Bank has a booklet: "Should I Make a Will?" © © It outlines facts that everyone with property should © © © © know, and explains the many services provided by © © this Bank as Executor and Trustee. © © © © Call at any of our 2 J convenient 'offices, write or telephone © © for our booklet: "Should I Make a Will?" © © © © © © © © © The V^tional © © © © © Shawmut Bank © © 40 Water Street^ Boston © © Member Federal Deposit Insurance Corporation © © Capital $10,000,000 Surplus $20,000,000 © "Outstanding Strength"for 112 Years © © [ 1282 ] ! SYMPHONIANA Can you score 1 The "Missa Solemnis" 00? Peabody Award for Broadcasts Honor to Chaliapin New England Opera Theatre Finale FASHION THE 'MISSA SOLEMNIS" QUIZ Instead of trying to describe the mighty Mass in D major, to be per- 1.
  • North Buckhead Civic Association — October 2017

    North Buckhead Civic Association — October 2017

    October 2017 NORTHNorth Buckhead NewsletterBUCKHEAD Page 1 Newsletter North Buckhead Civic Association — October 2017 Mailed three times each year to 4,400 North Buckhead homes www.nbca.org - [email protected] - Newsletter Archive: www.nbca.org/newsletters.htm FALL FLING Moves to PATH400 at Old Ivy Park on Nov. 5 After a number of years on Mountain Way, our NBCA FALL FLING is moving to a new location. On Sunday, November 5, 2:30 to 5:30 pm, you’ll be able to join us at the location of North Buckhead’s newest park, Old Ivy Park, which will share some of $3 million in new park funding allocated to Buckhead parks. The location is also on PATH400, an easy half mile walk from Lenox Road, making it the first Fall Fling easily accessible for North Buckhead’s condominium residents living near Peachtree Road. For those who live too far to walk, parking will be available at Sarah Smith Elementary at 370 Old Ivy Road. A shuttle service will operate between the parking at the school and the Fling, or you can walk on the sidewalk. For the kids, confirmed entertainment includes: The event is free to members of the households • Face Painter of NBCA members. One-day memberships will • Balloon Artist be available for non-members. • Caricaturist We’ll have a variety of food from the Wing Factory (including vegetarian), as well as • P'tree Orthopedics will create fake casts. cookies, drinks and water. • Dr. Irving (the monkey) if at least 80o F. We’ll have live music and portable toilets.
  • Fulton County Cultural Summary

    Fulton County Cultural Summary

    Fulton County cultural summary Regional Arts and Culture Forums Research Initiative The development of ARC’s Fifty Forward Plan and Plan 2040 places emphasis on the value of arts & culture to the region. It includes a call for “systematic annual data collection and analysis regarding the development of the creative economy in Georgia” and the development of a The Creative Industries in 2011 regional cultural master plan. Fulton County, GA Fulton County Summary This Creative Industries report offers a research-based approach to understanding the scope and economic importance of the arts in Fulton County, GA. The creative industries are composed of arts Few precedents exist of comprehensivebusinesses regional that range cooperationfrom non-profit museums, to symphonies,foster arts and theaters and to culture. for-profit film, Toarchitecture, that and advertising companies. Arts businesses and the creative people they employ stimulate innovation in end, the Atlanta Regional Commissiontodays contracted global marketplace. with the Metro Atlanta Arts & Culture Coalition from July to December of 2011 to conductNationally, the there areresearch 756,007 businesses contained in the U.S. in involved this in thedocument. creation or distribution The of following the arts. They employ 2.99 million people, representing 4.14 percent of all businesses and 2.17 percent of all information is a summary of the data employees,collected respectively. on Fulton The source County. for these data is Dun & Bradstreet, the most comprehensive and trusted source for business information in the U.S. For additional information on Fulton AsCounty of January and 2011, Fultonthe restCounty, of GA the is home 10 to Metro 4,965 arts-related Atlanta businesses counties that employ see the 29,817 people.

  • Calendar February-March 1965

    TCU's International Festival, Feb. 21 TCU EVENTS CALENDAR FEBRUARY-MARCH 1965 TEXAS CHRISTIAN UNIVERSITY February Fri. 19 Film: "The World, The Flesh and the Devil" Student Center Ballroom - 7:30 p.m. KTCU-FM SATURDAY OPERAS Tues. 2 Fine Films: "Zero for Conduct" Admission - 2Sc 89.1 rhegacycles and "L'Atalante" (French with English subtitles) Each Saturday at 1 :00 p.m. KTCU-FM will Sun. 21 4th Annual International Festival. broadcast presentations of the Metropolitan Opera Student Center Ballroom - 7:30 p.m. Displays, entertainment and refreshments by live from New York. Admission - 2Sc the international students at TCU, plus film s FEBRUARY on various countries. 6 -"La Forza de! Destino" by Verdi Thurs. 4 Travel film Daniel-Meyer ColiseurQ. (Time: 2:00 p.m.­ 13 -"Der Fliegende Hollaender" by Wagner Co-sponsored by TCU and the Fort S:OO p.m., and 7:00 p.m.-8:30 p.m.) 20 - "Cosi Fan Tutte" by Mozart Worth Star-Telegram. No charge 27 -"Tales of Hoffman" by Offenbach Ed Landreth Auditorium - 8:00 p.m. MARCH No charge Mon. 22 AGO Recital. Elaine Ehlers, organist. 6 -"Die Walkuere" by Wagner Ed Landreth Auditorium- 8:1S p.m. 13 -"Salome" by Richard Strauss Fri. 5 Film: "The Sun Also Rises" No charge 20 -"Aida" by Verdi Student Center Ballroom - 7:30 p.m. 27 -"Madam Butterfly" by Puccini Admission - 2Sc Tues. 23 Fine Film: "Rules of the Game" (French with English subtitles) Student Center Ballrom- 7:30 p.m. Sat. 6 Basketball-TCU vs. Baylor Admission - 2Sc Daniel-Meyer Coliseum - 2:00 p.m.
  • 25 Stars Still Rising: Where Are They Now? 10 Years of New Artists of the Month June 2018 on the Cover

    25 Stars Still Rising: Where Are They Now? 10 Years of New Artists of the Month June 2018 on the Cover

    25 Stars Still Rising: Where are They Now? 10 Years of New Artists of the Month june 2018 ON THE COVER 1. KYLE ABRAHAM 1 2 3 4 5 CHOREOGRAPHER JUNE 2010 2. LEAH CROCETTO SOPRANO AUGUST 2010 3. MASON BATES 6 7 8 9 10 COMPOSER JUNE 2009 4. DU YUN COMPOSER MAY 2011 11 12 13 14 15 5. MIRGA GRAZNYTEˇ ˙-TYLA CONDUCTOR SEPTEMBER 2015 6. PATRICIA KOPATCHINSKAJA VIOLINIST DECEMBER 2013 7. SHEKU KANNEH-MASON 16 17 18 19 20 CELLIST JANUARY 2017 8. ROBERT FAIRCHILD DANCER JANUARY 2011 21 22 23 24 25 9. MICHAEL GILBERTSON COMPOSER MARCH 2016 10. RENE ORTH COMPOSER NOVEMBER 2015 11. QUINN KELSEY BARITONE MAY 2010 12. SEAN PANIKKAR 16. TAMARA STEfaNOVICH 21. CAROLINE GOULDING TENOR PIANIST VIOLINIST NOVEMBER 2010 MARCH 2010 DECEMBER 2009 13. SPERANZA SCAPPUCCI 17. LIONEL BRINGUIER 22. DANIIL TRIFONOV CONDUCTOR CONDUCTOR PIANIST NOVEMBER 2014 APRIL 2009 AUGUST 2011 14. ADAM PLACHETKA 18. TESSA LARK 23. JOSHUA ROMAN BARITONE VIOLINIST CELLIST/COMPOSER FEBRUARY 2009 AUGUST 2012 AUGUST 2009 15. CHRISTOPHER ALLEN 19. WARD STARE 24. OMER MEIR WELLBER CONDUCTOR CONDUCTOR CONDUCTOR JULY 2015 NOVEMBER 2011 JUNE 2014 20. DI WU 25. CORINNE WINTERS PIANIST SOPRANO MAY 2009 JANUARY 2012 Introduction Every month for nearly ten years, Musical America has featured a New Artist on our home page: someone Stephanie Challener Publisher and Managing Editor with a special talent that, for the most part, hasn’t yet been “discovered.” Speranza Scappucci had only been Susan Elliott conducting for two years when we found her in 2014, Editor, MusicalAmerica.com News and Special Reports but we sensed her “novice” status wouldn’t last long.
  • Season 2013-2014

    Season 2013-2014

    23 Season 2013-2014 Thursday, February 13, at 8:00 The Philadelphia Orchestra Friday, February 14, at 8:00 Saturday, February 15, at 8:00 Vladimir Jurowski Conductor Vsevolod Grivnov Tenor Alexey Zuev Piano Sherman Howard Speaker Tatiana Monogarova Soprano Sergei Leiferkus Baritone Westminster Symphonic Choir Joe Miller Director Rachmaninoff/ Songs orch. Jurowski I. “Christ Is Risen,” Op. 26, No. 6 II. “Dreams,” Op. 38, No. 5 III. “The Morn of Life,” Op. 34, No. 10 IV. “So Dread a Fate,” Op. 34, No. 7 V. “All Things Depart,” Op. 26, No. 15 VI. “Come Let Us Rest,” Op. 26, No. 3 VII. “Before My Window,” Op. 26, No. 10 VIII. “The Little Island,” Op. 14, No. 2 IX. “How Fair this Spot,” Op. 21, No. 7 X. “What Wealth of Rapture,” Op. 34, No. 12 (U.S. premiere of orchestrated version) Rachmaninoff Piano Concerto No. 4 in G minor, Op. 40 I. Allegro vivace II. Largo III. Allegro vivace Intermission 24 Rachmaninoff The Bells, Op. 35 I. Allegro, ma non tanto II. Lento—Adagio III. Presto—Prestissimo IV. Lento lugubre—Allegro—Andante— Tempo I This program runs approximately 1 hour, 45 minutes. These concerts are presented in cooperation with the Sergei Rachmaninoff Foundation. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit www.wrti.org to listen live or for more details. 3 Story Title 25 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra community itself. His concerts to perform in China, in 1973 is one of the preeminent of diverse repertoire attract at the request of President orchestras in the world, sold-out houses, and he has Nixon, today The Philadelphia renowned for its distinctive established a regular forum Orchestra boasts a new sound, desired for its for connecting with concert- partnership with the National keen ability to capture the goers through Post-Concert Centre for the Performing hearts and imaginations of Conversations.
  • Choral Problems and Choral Clinics Peter J. Wi/Housky Today's Musical

    Choral Problems and Choral Clinics Peter J. Wi/Housky Today's Musical

    Choral Problems and Choral Clinics Peter J. Wi/housky Today's Musical Creation in Education Henry Cowell Singing with Orchestra Frances Yeend So Paderewski Played the Trombone! James Francis Cooke Once In a Century Rose Hey/but Breaking a Boston Symphony Tradition Marion L. Briggs Recitals: To Have or Not to Have Them Rose Grossman London's Unique New Festival Hall Li/i Fo/des TEACHING • • • LeTTeRS EASE T 0 THE E D ITO R ENJOYMENT ANI) liTo a Old'! Don't You Believe It!" of married women who ply their Sir: May I add defiuite support so-called musical tinkerings for to a recent article in ETUDE- their spending money, whose hus- Yours through the "Too Old? Don't You Believe It!" bands are included in the first ten -hy Ladd Hamilton. (May 1954). or fifteen occupations listed; then, Forty in September, I have been one is excluding the bona-fide whacking away at a piano course music teacher, the one whose in- since February at the Texas School come is solely and strictly derived of Fine Arts (Mrs. Linnea Smith, from instruction, a church or FOLK-WAYS U.S.A. teacher), and enjoy it tremendous- orchestral position, or composing. ly. I don't feel any particular senti- These are the people who .devote ment about "I wish this had their time and energy to their life fIRST RECITAL happened to me years ago," be- work only to be forced to compete GREAT SUCCESS cause years ago it didn't especially with such of the class who do so 10 Year Old p' • Series interest me-but, with all the con- only as a pastime or for the pin S tantst teals the Show centration and attention that it money obtainable from it.
  • Boston Symphony Orchestra Concert Programs, Summer, 2006

    Boston Symphony Orchestra Concert Programs, Summer, 2006

    2006 Tanglewood BOSTON SYMPHONY ORCHESTRA 125th Season, 2005-2006 Saturday, July 22, at 8:30 JAMES LEVINE conducting Please note that bass Ferruccio Furlanetto has regretfully had to withdraw from this concert performance of Don Giovanni because of illness. We are grateful that bass- baritone Luca Pisaroni has agreed at very short notice to sing the role of Leporello in Mr. Furlanetto's place. Luca Pisaroni Making his Boston Symphony Orchestra and Tanglewood debuts this evening, bass-baritone Luca Pisaroni grew up in Busseto, Parma. His musical training began at the Conservatorio Giuseppe Verdi in Milan and continued with Renato Sassola in Buenos Aires and Armen Boyajian and John Fisher in New York. His opera credits include Figaro in Le nozze di Figaro in Klagenfurt (for which he was awarded the Vienna State Opera's Eberhard-Wachter-Medal, as "young revelation of the season"), Masetto in Don Giovanni at the 2002 Salzburg Festival under Nikolaus Harnoncourt, Colline in La boheme at the Opera-Bastille in Paris, Figaro in Le nozze di Figaro at the Opera National du Rhin in Strasbourg and at the Theatre des Champs-Elysees, Alidoro in La Cenerentola in Santiago, Chile, and Guglielmo in Costfan tutte at the Mozartwochen at the Salzburg Landestheater. He returned to the 2003 Salzburg Festival for Publio in La clemenza di Tito, also reprising Masetto under Nikolaus Harnoncourt that same year. In concert, he has sung Haydn's Nelson Mass at the Salzburg Easter Festival, Zebul in Handel's Jephtha with the Berlin Philharmonic, Michael Haydn's Requiem in C minor at the Salzburg Festival under Ivor Bolton, Mozart's Coronation Mass with Jean-Christophe Spinosi, and Mozart's Mass in C Minor at the Salzburg Festival under Mark Minkowski.
  • 95 Precedent Research

    95 Precedent Research

    BUCKHEAD PARK OVER GA400 95 PRECEDENT RESEARCH $4.3M (construction cost) 0.26 acres (11,450 sqft) $376/sf Galveston Street Bicycle & Pedestrian Bridge Designer: T.Y. Lin International Group Year completed: 2014 Location: Chandler, AZ Length: 1,145 ft Width(s): 10 ft Connecting bicycle and pedestrian paths on the east and west sides of the Loop 101 freeway in Chandler, AZ, the Galveston Street Bicycle & Pedestrian Bridge re-establishes a vital link in the City’s Bike System. The bicycle and pedestrian bridge, which spans both the freeway and front- age roads, was integrated into the earth embankments on both sides of the freeway, as well as onto the concrete pier. BUCKHEAD PARK OVER GA400 96 09/23/16 | ROGERS PARTNERS Architect+Urban Designers CONCEPT STUDY - PART 1 unknown (construction cost) 8.2 acres (357,200 sqft) I-696 Pedestrian Plazas Designer: MDOT Year completed: 1989 Location: Oak Park, MI Length: A set of three 700 ft long bridge decks Width(s): 170 ft (width of highway) A set of three landscaped plazas were incorporated into the design and construction if I-696, forming the tunnels through which the highway passes. These structures are a set of three 700-foot-wide bridges that cross the freeway within a mile. They allow members of the Jewish community to walk to synagogues on the Sabbath and other holidays when Jewish law prohib- its driving. These plazas had their length limited; if they were longer they would be considered tunnels that would require ventilation systems. BUCKHEAD PARK OVER GA400 97 PRECEDENT RESEARCH $6.8M (construction cost) 0.15 acres (6,400 sqft) $1,063/sf Melkwegbridge Designer: NEXT Architects; Rietveld Landscape Year completed: 2012 Location: Purmerend, Netherlands Length: 330 ft for bicycle pathway; 150 ft for pedestrian pathway Width(s): 12 ft for bicycle pathway; 16 ft for pedestrian pathway A steeply arching upper level for pedestrians and a zig-zagging lower level for cyclists and wheelchairs.
  • View Program

    View Program

    Program Giuseppe Verdi (1813-1901) INTERMISSION “Qual voluttà trascorrere” from I Lombardi (15 minutes) (Ms. Clark, Mr. Guerrero, and Mr. Brownlee) Ludwig van Beethoven (1770-1827) Verdi Rondo in C Major “Infelice, e tu credevi” from Ernani (Mr. Allen) (Mr. Brownlee) Frédéric Chopin (1810-1849) Georges Bizet (1838-1875) Valse in C-sharp Minor “Quand la flamme de l’amour” from La jolie fille de Perth (Mr. Allen) (Mr. Brownlee) Wolfgang Amadeus Mozart (1756-1791) Verdi Farewell Scene from Die Zauberflöte “Parigi, o cara” from La traviata (Ms. Clark, Mr. Guerrero, and Mr. Brownlee) (Ms. Clark and Mr. Guerrero) Verdi Giacomo Puccini (1858-1924) “La donna è mobile” from Rigoletto “In quelle trine morbide” from Manon Lescaut (Mr. Guerero) (Ms. Clark) Franz Lehár (1870-1948) Charles Gounod (1818-1893) “Nobody Could Love You More” from Paganini “Jewel Song” from Faust (Ms. Clark and Mr. Guerrero) (Ms. Clark) Puccini Gaetano Donizetti (1797-1848) “Quando m’en vo’” (Musetta’s Waltz) from La bohème “Ecco il magico liquore” from L’elisir d’amore (Ms. Clark) (Mr. Guerrero and Mr. Brownlee) Gioachino Rossini (1792-1868) Puccini “La calunnia” from Il barbiere di Siviglia “E lucevan le stelle” from Tosca (Mr. Brownlee) (Mr. Guerrero) Gounod Friedrich von Flotow (1812-1883) Prison Scene —Trio from Faust “M’appari” from Martha (Ms. Clark, Mr. Guerrero, and Mr. Brownlee) (Mr. Guerrero) Ambroise Thomas (1811-1896) “Légères hirondelles” from Mignon (Ms. Clark and Mr. Brownlee) Verdi Program and personnel subject to change. “Perdon, perdon, Amelia” from Simon Boccanegra As a courtesy to the artists, please remain seated until they have left the hall.