Calendar February-March 1965
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Boston Symphony Orchestra Concert Programs, Season 67, 1947-1948, Subscription
SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Telephone, Commonwealth 6-1492 SIXTY-SEVENTH SEASON, 1947-1948 CONCERT BULLETIN of the Boston Symphony Orchestra SERGE KOUSSEVITZKY, Music Director Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk COPYRIGHT, 1948, BY BOSTON SYMPHONY ORCHESTRA, Inc. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot . President Henry B. Sawyer . Vice-President Richard C. Paine . Treasurer Philip R. Allen M. A. De Wolfe Howe John Nicholas Brown Jacob J. Kaplan Alvan T. Fuller Roger I. Lee Jerome D. Greene Lewis Perry N. Penrose Hallowell Raymond S. Wilkins Francis W. Hatch Oliver Wolcott George E. Judd, Manager 1281 [ ] © © © © © © © © © © © © © © © Only © © © © © © you can © © © © © © decide © © © © © © © © © © © Whether your property is large or small, it rep- © © resents the security for your family's future. Its ulti- © © © © mate disposition is a matter of vital concern to those © © you love. © © © © To assist you in considering that future, the Shaw- © © mut Bank has a booklet: "Should I Make a Will?" © © It outlines facts that everyone with property should © © © © know, and explains the many services provided by © © this Bank as Executor and Trustee. © © © © Call at any of our 2 J convenient 'offices, write or telephone © © for our booklet: "Should I Make a Will?" © © © © © © © © © The V^tional © © © © © Shawmut Bank © © 40 Water Street^ Boston © © Member Federal Deposit Insurance Corporation © © Capital $10,000,000 Surplus $20,000,000 © "Outstanding Strength"for 112 Years © © [ 1282 ] ! SYMPHONIANA Can you score 1 The "Missa Solemnis" 00? Peabody Award for Broadcasts Honor to Chaliapin New England Opera Theatre Finale FASHION THE 'MISSA SOLEMNIS" QUIZ Instead of trying to describe the mighty Mass in D major, to be per- 1. -
25 Stars Still Rising: Where Are They Now? 10 Years of New Artists of the Month June 2018 on the Cover
25 Stars Still Rising: Where are They Now? 10 Years of New Artists of the Month june 2018 ON THE COVER 1. KYLE ABRAHAM 1 2 3 4 5 CHOREOGRAPHER JUNE 2010 2. LEAH CROCETTO SOPRANO AUGUST 2010 3. MASON BATES 6 7 8 9 10 COMPOSER JUNE 2009 4. DU YUN COMPOSER MAY 2011 11 12 13 14 15 5. MIRGA GRAZNYTEˇ ˙-TYLA CONDUCTOR SEPTEMBER 2015 6. PATRICIA KOPATCHINSKAJA VIOLINIST DECEMBER 2013 7. SHEKU KANNEH-MASON 16 17 18 19 20 CELLIST JANUARY 2017 8. ROBERT FAIRCHILD DANCER JANUARY 2011 21 22 23 24 25 9. MICHAEL GILBERTSON COMPOSER MARCH 2016 10. RENE ORTH COMPOSER NOVEMBER 2015 11. QUINN KELSEY BARITONE MAY 2010 12. SEAN PANIKKAR 16. TAMARA STEfaNOVICH 21. CAROLINE GOULDING TENOR PIANIST VIOLINIST NOVEMBER 2010 MARCH 2010 DECEMBER 2009 13. SPERANZA SCAPPUCCI 17. LIONEL BRINGUIER 22. DANIIL TRIFONOV CONDUCTOR CONDUCTOR PIANIST NOVEMBER 2014 APRIL 2009 AUGUST 2011 14. ADAM PLACHETKA 18. TESSA LARK 23. JOSHUA ROMAN BARITONE VIOLINIST CELLIST/COMPOSER FEBRUARY 2009 AUGUST 2012 AUGUST 2009 15. CHRISTOPHER ALLEN 19. WARD STARE 24. OMER MEIR WELLBER CONDUCTOR CONDUCTOR CONDUCTOR JULY 2015 NOVEMBER 2011 JUNE 2014 20. DI WU 25. CORINNE WINTERS PIANIST SOPRANO MAY 2009 JANUARY 2012 Introduction Every month for nearly ten years, Musical America has featured a New Artist on our home page: someone Stephanie Challener Publisher and Managing Editor with a special talent that, for the most part, hasn’t yet been “discovered.” Speranza Scappucci had only been Susan Elliott conducting for two years when we found her in 2014, Editor, MusicalAmerica.com News and Special Reports but we sensed her “novice” status wouldn’t last long. -
Atlanta Symphony Guild, Inc
For over 28 y,ear& ] modern S y m p h o n i e s in Store Design and Commercial Construction i II. ABRAMS, II. contractors and designers 362 JONES AVENUE, N. W. CYpress 1541 OFFICERS - ATLANTA SYMPHONY GUILD, INC. President — James C. Malone Vice Presidents Executive Committee Musical Director James V. Carmichael Charles H. Jagels, Chairm an Henry Sopkin Mrs. Rembert Marshall Vice-Chm n. Bruce F. Woodruff, M a n a g er Marvin McDonald Jackson P. Dick, Sr. Leslie C. White Secreta ry Mrs. Lon Grove Ralph Williams Richard Schwab Treasurer Joseph Seitz Joseph E. Birnie and officers Comptroller H. Ashlin Dykes BOARD OF DIRECTORS Mrs. Robert F. Adamson Mrs. Lon Grove Mrs. Maurice Pepper Ivan Allen, Jr. Mrs. Evans Hall, Jr. Mrs. Charles T. Pottinger Philip H. Alston, Jr. Mrs. Charles Hardy (Gainesville) Mrs. Clifford N. Ragsdale Mrs. Louis Aronstam Arthur Harris, Jr. Col. Charles A. Rawson Marcus Bartlett Mrs. Arthur Harris, Jr. Mrs. J. D. Robinson, Sr. Russell Bellman William B. Hartsfield Sam Rothberg George C. Biggers Rawson Haverty Mrs. James O'Hear Sanders Joseph E. Birnie Mrs. Lewis I. Hirsch Mrs. T. Erwin Schneider Herbert Bondurant Hugh Hodgson Richard Schwab Harllee Branch, Jr. Mrs. Lindsey Hopkins, Sr. Joseph Seitz Mrs. J. Bulow Campbell Clark Howell Mrs. Albert Selig Mrs. C. H. Candler, Sr. Charles H. Jagels Jesse M. Shelton James V. Carmichael Miss Ira Jarrell John A. Sibley Mrs. Julian Carr Mrs. A. Thornton Kennedy Mrs. Robert Chambers Mrs. Alex King Mrs. Howard C. Smith Mrs. Ryburn G. Clay C o dy Laird Robert R. -
Season 2013-2014
23 Season 2013-2014 Thursday, February 13, at 8:00 The Philadelphia Orchestra Friday, February 14, at 8:00 Saturday, February 15, at 8:00 Vladimir Jurowski Conductor Vsevolod Grivnov Tenor Alexey Zuev Piano Sherman Howard Speaker Tatiana Monogarova Soprano Sergei Leiferkus Baritone Westminster Symphonic Choir Joe Miller Director Rachmaninoff/ Songs orch. Jurowski I. “Christ Is Risen,” Op. 26, No. 6 II. “Dreams,” Op. 38, No. 5 III. “The Morn of Life,” Op. 34, No. 10 IV. “So Dread a Fate,” Op. 34, No. 7 V. “All Things Depart,” Op. 26, No. 15 VI. “Come Let Us Rest,” Op. 26, No. 3 VII. “Before My Window,” Op. 26, No. 10 VIII. “The Little Island,” Op. 14, No. 2 IX. “How Fair this Spot,” Op. 21, No. 7 X. “What Wealth of Rapture,” Op. 34, No. 12 (U.S. premiere of orchestrated version) Rachmaninoff Piano Concerto No. 4 in G minor, Op. 40 I. Allegro vivace II. Largo III. Allegro vivace Intermission 24 Rachmaninoff The Bells, Op. 35 I. Allegro, ma non tanto II. Lento—Adagio III. Presto—Prestissimo IV. Lento lugubre—Allegro—Andante— Tempo I This program runs approximately 1 hour, 45 minutes. These concerts are presented in cooperation with the Sergei Rachmaninoff Foundation. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit www.wrti.org to listen live or for more details. 3 Story Title 25 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra community itself. His concerts to perform in China, in 1973 is one of the preeminent of diverse repertoire attract at the request of President orchestras in the world, sold-out houses, and he has Nixon, today The Philadelphia renowned for its distinctive established a regular forum Orchestra boasts a new sound, desired for its for connecting with concert- partnership with the National keen ability to capture the goers through Post-Concert Centre for the Performing hearts and imaginations of Conversations. -
Choral Problems and Choral Clinics Peter J. Wi/Housky Today's Musical
Choral Problems and Choral Clinics Peter J. Wi/housky Today's Musical Creation in Education Henry Cowell Singing with Orchestra Frances Yeend So Paderewski Played the Trombone! James Francis Cooke Once In a Century Rose Hey/but Breaking a Boston Symphony Tradition Marion L. Briggs Recitals: To Have or Not to Have Them Rose Grossman London's Unique New Festival Hall Li/i Fo/des TEACHING • • • LeTTeRS EASE T 0 THE E D ITO R ENJOYMENT ANI) liTo a Old'! Don't You Believe It!" of married women who ply their Sir: May I add defiuite support so-called musical tinkerings for to a recent article in ETUDE- their spending money, whose hus- Yours through the "Too Old? Don't You Believe It!" bands are included in the first ten -hy Ladd Hamilton. (May 1954). or fifteen occupations listed; then, Forty in September, I have been one is excluding the bona-fide whacking away at a piano course music teacher, the one whose in- since February at the Texas School come is solely and strictly derived of Fine Arts (Mrs. Linnea Smith, from instruction, a church or FOLK-WAYS U.S.A. teacher), and enjoy it tremendous- orchestral position, or composing. ly. I don't feel any particular senti- These are the people who .devote ment about "I wish this had their time and energy to their life fIRST RECITAL happened to me years ago," be- work only to be forced to compete GREAT SUCCESS cause years ago it didn't especially with such of the class who do so 10 Year Old p' • Series interest me-but, with all the con- only as a pastime or for the pin S tantst teals the Show centration and attention that it money obtainable from it. -
Boston Symphony Orchestra Concert Programs, Summer, 2006
2006 Tanglewood BOSTON SYMPHONY ORCHESTRA 125th Season, 2005-2006 Saturday, July 22, at 8:30 JAMES LEVINE conducting Please note that bass Ferruccio Furlanetto has regretfully had to withdraw from this concert performance of Don Giovanni because of illness. We are grateful that bass- baritone Luca Pisaroni has agreed at very short notice to sing the role of Leporello in Mr. Furlanetto's place. Luca Pisaroni Making his Boston Symphony Orchestra and Tanglewood debuts this evening, bass-baritone Luca Pisaroni grew up in Busseto, Parma. His musical training began at the Conservatorio Giuseppe Verdi in Milan and continued with Renato Sassola in Buenos Aires and Armen Boyajian and John Fisher in New York. His opera credits include Figaro in Le nozze di Figaro in Klagenfurt (for which he was awarded the Vienna State Opera's Eberhard-Wachter-Medal, as "young revelation of the season"), Masetto in Don Giovanni at the 2002 Salzburg Festival under Nikolaus Harnoncourt, Colline in La boheme at the Opera-Bastille in Paris, Figaro in Le nozze di Figaro at the Opera National du Rhin in Strasbourg and at the Theatre des Champs-Elysees, Alidoro in La Cenerentola in Santiago, Chile, and Guglielmo in Costfan tutte at the Mozartwochen at the Salzburg Landestheater. He returned to the 2003 Salzburg Festival for Publio in La clemenza di Tito, also reprising Masetto under Nikolaus Harnoncourt that same year. In concert, he has sung Haydn's Nelson Mass at the Salzburg Easter Festival, Zebul in Handel's Jephtha with the Berlin Philharmonic, Michael Haydn's Requiem in C minor at the Salzburg Festival under Ivor Bolton, Mozart's Coronation Mass with Jean-Christophe Spinosi, and Mozart's Mass in C Minor at the Salzburg Festival under Mark Minkowski. -
View Program
Program Giuseppe Verdi (1813-1901) INTERMISSION “Qual voluttà trascorrere” from I Lombardi (15 minutes) (Ms. Clark, Mr. Guerrero, and Mr. Brownlee) Ludwig van Beethoven (1770-1827) Verdi Rondo in C Major “Infelice, e tu credevi” from Ernani (Mr. Allen) (Mr. Brownlee) Frédéric Chopin (1810-1849) Georges Bizet (1838-1875) Valse in C-sharp Minor “Quand la flamme de l’amour” from La jolie fille de Perth (Mr. Allen) (Mr. Brownlee) Wolfgang Amadeus Mozart (1756-1791) Verdi Farewell Scene from Die Zauberflöte “Parigi, o cara” from La traviata (Ms. Clark, Mr. Guerrero, and Mr. Brownlee) (Ms. Clark and Mr. Guerrero) Verdi Giacomo Puccini (1858-1924) “La donna è mobile” from Rigoletto “In quelle trine morbide” from Manon Lescaut (Mr. Guerero) (Ms. Clark) Franz Lehár (1870-1948) Charles Gounod (1818-1893) “Nobody Could Love You More” from Paganini “Jewel Song” from Faust (Ms. Clark and Mr. Guerrero) (Ms. Clark) Puccini Gaetano Donizetti (1797-1848) “Quando m’en vo’” (Musetta’s Waltz) from La bohème “Ecco il magico liquore” from L’elisir d’amore (Ms. Clark) (Mr. Guerrero and Mr. Brownlee) Gioachino Rossini (1792-1868) Puccini “La calunnia” from Il barbiere di Siviglia “E lucevan le stelle” from Tosca (Mr. Brownlee) (Mr. Guerrero) Gounod Friedrich von Flotow (1812-1883) Prison Scene —Trio from Faust “M’appari” from Martha (Ms. Clark, Mr. Guerrero, and Mr. Brownlee) (Mr. Guerrero) Ambroise Thomas (1811-1896) “Légères hirondelles” from Mignon (Ms. Clark and Mr. Brownlee) Verdi Program and personnel subject to change. “Perdon, perdon, Amelia” from Simon Boccanegra As a courtesy to the artists, please remain seated until they have left the hall. -
Carnival Set for Dad's Day, Feb. 6
Eastern Washington University EWU Digital Commons Eastern Washington University Digital History Student Newspapers Collections 2-3-1960 Easterner, Vol. 10, No. 12, February 3, 1960 Associated Students of Eastern Washington State College Follow this and additional works at: https://dc.ewu.edu/student_newspapers Recommended Citation Associated Students of Eastern Washington State College, "Easterner, Vol. 10, No. 12, February 3, 1960" (1960). Student Newspapers. 1165. https://dc.ewu.edu/student_newspapers/1165 This Book is brought to you for free and open access by the Eastern Washington University Digital History Collections at EWU Digital Commons. It has been accepted for inclusion in Student Newspapers by an authorized administrator of EWU Digital Commons. For more information, please contact [email protected]. ; , I I Carnival Set For Dad's Day, Feb. 6 Fathers of Eastern's stu Bl1,1e Key and the Veterans dents will reign supreme this club will begin selling tickets Saturday, during the annual today. Mary Lieberman and .. Dad's Day celebration. Dave Acree are co-chairman of A full day of festivities has the ticket selling committee. been plan ed, including a bas Many people are working ketball game between Eastern hard to make this carnival a and Pacific Lutheran univer huge success. These include sity and one of the biggest Ray Raschko and Mike Mat- AMS-A WS sponsored carni vals in the school's history. Spurs will register the Dads The line-up of sponsors and as they arrive on campus. Pri booths for the carnival in zes will be awarded to the D~d clude: who traveled the longest dis Dame's club-Cookies and tance, the oldest Dad· and the coffee youngest. -
Elektra 0 1 Stagione D’Opera 2013 / 2014 Richard Strauss La Scala Per L’Anno Santo
R E l i 10 e c k h t a r a r d S t r a u s s S t a g i o n e d ’ O p e r a 2 0 Elektra 1 Richard Strauss 3 / 2 0 1 4 Stagione d’Opera 2013 / 2014 La Scala per l’Anno Santo Elektra Tragedia in un atto Musica di Richard Strauss Libretto di Hugo von Hofmannsthal Nuova produzione In coproduzione con Festival d’Aix-en-Provence; Metropolitan Opera, New York; Finnish National Opera, Helsinki; Staatsoper Unter den Linden, Berlino; Gran Teatre del Liceu, Barcellona EDIZIONI DEL TEATRO ALLA SCALA Patrice Chéreau ci ha lasciati. Elektra è la sua ultima regia. Sono combattuto fra or - goglio e tristezza di fronte a questo spettacolo di addio che la Scala ha l’onore di alle - stire dopo la sua scomparsa. Ma, si sa, nessun artista muore davvero. In palcoscenico si sente ancora la presenza dell’uomo sensibile ed esigente che sof - fiava instancabilmente la vita nelle sue regie. Risuona ancora la sua voce, lampeggia il suo sguardo, si agitano le sue mani. Rimangono gli spettacoli con cui ha lasciato il suo segno inconfondibile nel teatro musicale del nostro tempo e negli ultimi anni di questo teatro: Patrice era il simbolo di quei registi di pensiero con i quali ho sempre amato la - vorare e che ho cercato di privilegiare. Alla Scala, Chéreau era entrato per la prima volta nel 1979, portando insieme a Pierre Boulez la straordinaria Lulu realizzata per l’Opéra di Parigi, voluta da Claudio Abbado per il Festival Berg da lui ideato. -
Boston Symphony Orchestra Concert Programs, Season 65,1945-1946
SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Telephone, Commonwealth 1492 SIXTY-FIFTH SEASON, 1945-1946 CONCERT BULLETIN of the Boston Symphony Orchestra SERGE KOUSSEVITZKY, Conductor Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk COPYRIGHT, 1946, BV BOSTON SYMPHONY ORCHESTRA, Inc. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot . President Henry B. Sawyer . Vice-President Richard C. Paine .. Treasurer Philip R. Allen M. A. De Wolfe Howe John Nicholas Brown Jacob J. Kaplan Alvan T. Fuller Roger I. Lee Jerome D. Greene Bentley W. Warren N. Penrose Hallowell Raymond S. Wilkins Oliver Wolcott G. E. Judd, Manager [ 1413 ] •:': :': :': :': '.' •:;:• 0- ®@@®®@®®®®®® *?> £><?>•:?> Q O O O cvJ C- •:':••: £^ Time for Review? Are your pl ins for the ultimate distribu tion of your property up to dare? Changes in your family situation caused by dead births, or marriages, changes in the value of your assets, the need to meet future taxes . these are but a feu of' the factors that suggest a review of your will. We invite you and your attorney to make use of our experience in property manage- C ment and settlement of estates by discus- C ing your program with our Trust Officers. C « PERSONAL TRUST DEPARTMENT c CI The Optional i a s Shawmut Bank Water Street, Boston @ 40 9 Member Federal Deposit Insurance Corporation Q Capital £10,000,000 Surplus $20,000,000 "Outstanding Strength" for 10S Years 8 #©##®®©@@@-@@@^®®#©®@@®@©®©@@@®©^:-®^^{3&* SYMPHONIANA WASHINGTON ALLSTON An exhibition of the paintings of Washington Allston is on view this week in the First Balcony Gallery. -
Troy Chromatic Concerts Performers 1894-2007
Troy Chromatic Concerts 110 Seasons of Classical Music Excellence 1894-2007 1ST SEASON - 1894-1895 Raoul Pugno, piano, & Maude MacCarthy, violin Henry E. Krehbiel, lecturer, with Thomas Impett, tenor Marcella Sembrich, soprano Edward A. MacDowell, piano Bendix String Quartet & Augusta Cottlow, piano Mr. & Mrs. Max Heinrich 10TH SEASON - 1903-1904 Kneisel Quartet Jacques Thibaud, cello 2ND SEASON - 1895-1896 Lillian Nordica, soprano Louis C. Elson Ernestine Schumann-Heink, mezzo soprano Fannie Bloomfield Zeisler, piano Arbos String Quartet & Alfred Reisenauer, piano Plunket Greene, bass-baritone 11TH SEASON - 1904-1905 Kneisel Quartet Kneisel Quartet & Augusta Cottlow, piano 3RD SEASON - 1896-1897 Eugen d'Albert, piano Corrine Moore-Lawson Johanna Gadski, soprano Albert Lockwood, piano Louise Homer, contralto, & Emilio de Gogorza, baritone Kneisel Quartet 12TH SEASON - 1905-1906 Plunket Greene, bass-baritone Harold Bauer, piano 4TH SEASON - 1897-1898 Johanna Gadski, soprano Georg Henschel, baritone, & Mrs. Georg Henschel, Marie Nichols, violin, & Elsa Ruegger, cello soprano Herbert Witherspoon, bass Henri Marteau, violin 13TH SEASON - 1906-1907 David Bispham, baritone Ernestine Schumann-Heink, mezzo soprano Kneisel Quartet Josef Lhevinne, piano 5TH SEASON - 1898-1899 Alexandre Petschnikoff, violin, & Rudolf Ganz, piano In a Persian Garden Victor Harris, conductor George Hamlin, tenor David Bispham, baritone 14TH SEASON - 1907-1908 Emil Sauer, piano Susan Metcalfe, soprano Kneisel Quartet Emilio de Gogorza, baritone 6TH SEASON - 1899-1900 -
Franco Corelli
FRANCO CORELLI THE PERFORMANCE ANNALS 1951-1981 EDITED BY Frank Hamilton © 2003 http://FrankHamilton.org [email protected] sources Gilberto Starone’s performance annals form the core of this work; they were published in the book by Marina Boagno, Fr anco Corelli : Un Uomo, Una Voce, Azzali Editori s.n.c., Parma, 1990, and in English translation Fr anco Corelli : A Man, A Voice, Baskerville Publishers, Inc., Dallas, 1996. They hav ebeen merged with information from the following sources: Richard Swift of New York and Michigan has provided dates and corrections from his direct correspodence with the theatres and other sources: Bologna (Letter from Teatro Comunale: 5/16/86); Bussetto (see Palermo); Catania (L: Teatro Massimo Bellini: 5/26/86); Enghien-les- Bains (see Napoli); Genoa (L: L’Opera de Genoa: 5/13/86); Hamburg (L: Hamburgische Staatsoper: 5/15/86); Lausanne (L: Theatre Municipal, Lausanne: 5/12/86); Lisbon (L: Teatro Nacional São Carlos: 1986); Livorno (L: Comune di Livorno: 5/31/87); Madrid (L: Teatro Nacional de La Zarzuela: 1/26/87); Modena (L: Comune di Modena: 10/16/87); Napoli (Il Mondo Lirico); Nice (L: Opera de Nice: 5/2/86, 8/5/88); Palermo (L: Teatro Massimo: 6/10/86, 10/13/88); Piacenza (L: Comune di Piacenza u. o. Teatro Municipale: 6/10/86); Rome (Opera Magazine); Rovigo (L: Accademia dei Concordi, Rovigo: 11/11/86, 2/12/87); San Remo (L: Comune di San Remo: 11/8/86); Seattle (Opera News 11/1967); Trieste (L: Teatro Comunale: 4/30/86). The following reference books are listed alphabetically by venue.