The Kinks Preservation Act 2 Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

The Kinks Preservation Act 2 Mp3, Flac, Wma The Kinks Preservation Act 2 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Preservation Act 2 Country: US Released: 1974 MP3 version RAR size: 1314 mb FLAC version RAR size: 1628 mb WMA version RAR size: 1611 mb Rating: 4.9 Votes: 591 Other Formats: VOC WAV FLAC MIDI AA ASF MP3 Tracklist A1 Announcement A2 Introduction To Solution A3 When A Solution Comes A4 Money Talks A5 Announcement A6 Shepherds Of The Nation A7 Scum Of The Earth A8 Second-Hand Car Spiv A9 He's Evil A10 Mirror Of Love A11 Announcement A12 Nobody Gives (Part 1) A13 Nobody Gives (Conclusion) B1 Oh Where Oh Where Is Love? B2 Flash's Dream (The Final Elbow) B3 Flash's Confession B4 Nothing Lasts Forever B5 Announcement B6 Artificial Man B7 Scrapheap City B8 Announcement B9 Salvation Road Other versions Category Artist Title (Format) Label Category Country Year Preservation Act 2 (2xLP, LPL2-5040 The Kinks RCA Victor LPL2-5040 UK 1974 Album) Preservation Act 2 (CD, VICP-70007 The Kinks Victor VICP-70007 Japan 2008 Album, RE, SHM) Konk, Preservation Act 2 (CD, UICY-25359 The Kinks Universal UICY-25359 Japan 2013 Album, RE, RM, SHM) UMC Preservation Act 2 (2xLP, CPL2-5040 The Kinks RCA Victor CPL2-5040 Canada 1974 Album, Gat) Preservation Act 2 (CD, VEL 79722-2 The Kinks Konk, Velvel VEL 79722-2 Germany 1998 Album, RE, RM) Related Music albums to Preservation Act 2 by The Kinks The Kinks - Preservation Act 1 R. Kelly & Public Announcement - Honey Love The Kinks - Kinks Kollekted The Kinks - The Kinks Are The Village Green Preservation Society The Kinks - Alcohol Kinks, The - The Essential Kinks The Kinks - Percy - The Original Film Music The Kinks - Give The People What They Want The Kinks - Tarde De Verano (Los Kinks Vol.5) The Kinks - Come Dancing With The Kinks / The Best Of The Kinks 1977-1986.
Recommended publications
  • 1912 Durfee Record
    The Durfee Record Senior Class PUBLISHED B Y B . M . C. Durfee Hígh School 1912 To Principal George F. Pope : This book isrespectfully dedicated , as a mark obymembersfteem thees of the class of 1912. Principal George F . Pope e Faculty GEORGE FREDERICK POPE, A . M . Principal . Mathematics. WILLARD HENRY POOLE, A . B . Vice-Principal Physics and Chemistry . HANNAH REBECCA ADAMS, English . DAVID EMERSON GREENAWAY, A . B . History and Civil Government EMILY ELLEN WINWARD , French . WILLIAM JOHN WOODS, S. B ., Mechanics DAVID YOUNG COMSTOCK, A . M ., Latin . and Drawing . SAMUEL N . F. SANFORD, Secretary an d Librarian . JAMES WALLIS, Commercial Department . CHARLES FREDERIC WELLINGTON , A . B . GERTRUDE MARY BAKER, English . Assistant Secretary . HARRIET ANTHONY MASON SMITH, French . HELEN HATHEWAY IRONS, B . L ., French . ASA ELDRIDGE GODDARD, A . M ., Mathe- LENA PEASE ABBE, A. B ., Algebra . matics, Astronomy and Geology . FLORENCE ESTHER LOCKE, A. B ., German . HARRIET TRACY MARVELL, A. B . , Physiography, Physiology, Reviews . HARRIET DAVIS PROCTOR, A. B ., German and English . HERBERT MIL LER CHACE SKINNER, S. B . Mechanics and Drawing . ANSEL SYLVESTER RICHARDS, A . M . , English . EUNICE ALMENA LYMAN, A . B ., History . SUSAN WILLIAMS STEVENS, German an d CHARLES ADAMS PERRY, Mechanics an d Mathematics . Drawing. ROBERT REMINGTON GOFF, A . B ., Mathe- CECIL THAYER DERRY, A . B ., A . M . matics . Greek and Latin . JOHN SMITH BURLEY, PH . B ., English. BLANCHE AVELINE VERDER, B . S ., English WILLIAM WILSON GARDNER, A . B., English and History. and Mathematics . ALICE GERTRUDE LANGFORD, A. B ., Lati n LINDA RICHARDSON, A . M ., History and and History. Latin . WILLIAM DUNNIGAN MORRISON, A. B., ALICE BOND DAMON, A.
    [Show full text]
  • “What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960S and 1970S by Kathryn B. C
    “What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960s and 1970s by Kathryn B. Cox A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music Musicology: History) in the University of Michigan 2018 Doctoral Committee: Professor Charles Hiroshi Garrett, Chair Professor James M. Borders Professor Walter T. Everett Professor Jane Fair Fulcher Associate Professor Kali A. K. Israel Kathryn B. Cox [email protected] ORCID iD: 0000-0002-6359-1835 © Kathryn B. Cox 2018 DEDICATION For Charles and Bené S. Cox, whose unwavering faith in me has always shone through, even in the hardest times. The world is a better place because you both are in it. And for Laura Ingram Ellis: as much as I wanted this dissertation to spring forth from my head fully formed, like Athena from Zeus’s forehead, it did not happen that way. It happened one sentence at a time, some more excruciatingly wrought than others, and you were there for every single sentence. So these sentences I have written especially for you, Laura, with my deepest and most profound gratitude. ii ACKNOWLEDGMENTS Although it sometimes felt like a solitary process, I wrote this dissertation with the help and support of several different people, all of whom I deeply appreciate. First and foremost on this list is Prof. Charles Hiroshi Garrett, whom I learned so much from and whose patience and wisdom helped shape this project. I am very grateful to committee members Prof. James Borders, Prof. Walter Everett, Prof.
    [Show full text]
  • “Heretic Streak”: the Orwellian Aesthetic in Ray Davies' Song Writing And
    STUDIA HUMANISTYCZNE AGH Tom 15/2 • 2016 http://dx.doi.org/10.7494/human.2016.15.2.7 Izabela Curyłło-Klag* Jagiellonian University in Krakow UTOPIA, DYSTOPIA AND THE “HERETIC STREAK”: THE ORWELLIAN AESTHETIC IN RAY DAVIES’ SONG WRITING AND OTHER CREATIVE PROJECTS The article explores the infl uence of Orwell’s fi ction on the creative output of Ray Davies, one of Britain’s fi nest songwriters and the erstwhile frontman of The Kinks, a ‘British Invasion’ group. The Davies oeuvre can be placed alongside Orwell’s work due to its entertainment value, sharpness of ob- servation and complex, confl icted socio-political sympathies. By balancing utopian visions with dystopian premonitions and by offering regular critiques of the culture they hold dear, Orwell and Davies represent the same tradition of cautious patriotism. They also share a similar aesthetic, communicating their insights through humour, self-mockery and acerbic wit. Keywords: Orwell, Ray Davies, pop culture, dystopia, utopia In the opening frame of a documentary on The Kinks, Hugh Fielder, a well-known English music critic, comments: “If George Orwell wrote songs, and was not a member of the socialist party, he’d be writing Ray Davies’ songs”. He then immediately checks himself: “Sorry, that’s a literary allusion, it’s probably gonna go whoosh” (The Kinks Story 2010: 3’21). Mentioning literature with reference to a British Invasion band is not exactly the done thing: rockers do not usually enthuse over writers, even if they share their love of words. Not long ago for instance, the frontman of Oasis declared that reading fi ction is a waste of time, and dismissed the whole publishing business as elitist, since it allows “people who write and read and review books [to put] themselves a tiny little bit above the rest of us” (Gallagher 2013).
    [Show full text]
  • Printable Pdf Version
    Follow the Kinks through the dark alleyways and passages of L O N D O N If you don’t have enough time to attempt The Great North London Kinks Tour, you might like to take in at least a few of the major Kinks locations in and around Muswell Hill, as described on the Jim Smart / Geoff Lewis Big Black Smoke site. Much of the research which has led to this route was carried out by Peter Ølgaard, Olga Ruocco and Jayne Morgan. Wherever you are starting from, get onto the Northern Line of the underground, and travel to Archway. Walk across to the Archway Tavern (22). Sadly it is not a proper pub any more, so no longer suitable for a quick drink to get your tour started Take a number 134 bus to Muswell Hill Broadway (8).On a clear fresh morning, Peter recommends the attractive ride up Muswell Hill Road. Ray Davies mentions in “X-Ray” riding the 134 down to Leicester Square, although nowadays the route only runs as far as Tottenham Court Road. Walk along Fortis Green (or take a 102 bus). You will pass Midhurst Avenue, where Ray and Rasa had their second home (anyone know which number?) After a while you will come to Denmark Terrace. Number 6 was the Davies family home (13). Directly opposite is the wonderful Clissold Arms (12). Have a few more beers and look at the Kinks exhibits on display there. Remember that time is tight - you may have trouble tearing yourself away. Continuing along Fortis Green, you see number 87, which was Ray and Rasa's third home (14).
    [Show full text]
  • Authenticity, Politics and Post-Punk in Thatcherite Britain
    ‘Better Decide Which Side You’re On’: Authenticity, Politics and Post-Punk in Thatcherite Britain Doctor of Philosophy (Music) 2014 Joseph O’Connell Joseph O’Connell Acknowledgements Acknowledgements I could not have completed this work without the support and encouragement of my supervisor: Dr Sarah Hill. Alongside your valuable insights and academic expertise, you were also supportive and understanding of a range of personal milestones which took place during the project. I would also like to extend my thanks to other members of the School of Music faculty who offered valuable insight during my research: Dr Kenneth Gloag; Dr Amanda Villepastour; and Prof. David Wyn Jones. My completion of this project would have been impossible without the support of my parents: Denise Arkell and John O’Connell. Without your understanding and backing it would have taken another five years to finish (and nobody wanted that). I would also like to thank my daughter Cecilia for her input during the final twelve months of the project. I look forward to making up for the periods of time we were apart while you allowed me to complete this work. Finally, I would like to thank my wife: Anne-Marie. You were with me every step of the way and remained understanding, supportive and caring throughout. We have been through a lot together during the time it took to complete this thesis, and I am looking forward to many years of looking back and laughing about it all. i Joseph O’Connell Contents Table of Contents Introduction 4 I. Theorizing Politics and Popular Music 1.
    [Show full text]
  • RSD List 2020
    Artist Title Label Format Format details/ Reason behind release 3 Pieces, The Iwishcan William Rogue Cat Resounds12" Full printed sleeve - black 12" vinyl remastered reissue of this rare cosmic, funked out go-go boogie bomb, full of rapping gold from Washington D.C's The 3 Pieces.Includes remixes from Dan Idjut / The Idjut Boys & LEXX Aashid Himons The Gods And I Music For Dreams /12" Fyraften Musik Aashid Himons classic 1984 Electonic/Reggae/Boogie-Funk track finally gets a well deserved re-issue.Taken from the very rare sought after album 'Kosmik Gypsy.The EP includes the original mix, a lovingly remastered Fyraften 2019 version.Also includes 'In a Figga of Speech' track from Kosmik Gypsy. Ace Of Base The Sign !K7 Records 7" picture disc """The Sign"" is a song by the Swedish band Ace of Base, which was released on 29 October 1993 in Europe. It was an international hit, reaching number two in the United Kingdom and spending six non-consecutive weeks at number one on the Billboard Hot 100 chart in the United States. More prominently, it became the top song on Billboard's 1994 Year End Chart. It appeared on the band's album Happy Nation (titled The Sign in North America). This exclusive Record Store Day version is pressed on 7"" picture disc." Acid Mothers Temple Nam Myo Ho Ren Ge Kyo (Title t.b.c.)Space Age RecordingsDouble LP Pink coloured heavyweight 180 gram audiophile double vinyl LP Not previously released on vinyl Al Green Green Is Blues Fat Possum 12" Al Green's first record for Hi Records, celebrating it's 50th anniversary.Tip-on Jacket, 180 gram vinyl, insert with liner notes.Split green & blue vinyl Acid Mothers Temple & the Melting Paraiso U.F.O.are a Japanese psychedelic rock band, the core of which formed in 1995.The band is led by guitarist Kawabata Makoto and early in their career featured many musicians, but by 2004 the line-up had coalesced with only a few core members and frequent guest vocalists.
    [Show full text]
  • Song Title Artist Genre
    Song Title Artist Genre - General The A Team Ed Sheeran Pop A-Punk Vampire Weekend Rock A-Team TV Theme Songs Oldies A-YO Lady Gaga Pop A.D.I./Horror of it All Anthrax Hard Rock & Metal A** Back Home (feat. Neon Hitch) (Clean)Gym Class Heroes Rock Abba Megamix Abba Pop ABC Jackson 5 Oldies ABC (Extended Club Mix) Jackson 5 Pop Abigail King Diamond Hard Rock & Metal Abilene Bobby Bare Slow Country Abilene George Hamilton Iv Oldies About A Girl The Academy Is... Punk Rock About A Girl Nirvana Classic Rock About the Romance Inner Circle Reggae About Us Brooke Hogan & Paul Wall Hip Hop/Rap About You Zoe Girl Christian Above All Michael W. Smith Christian Above the Clouds Amber Techno Above the Clouds Lifescapes Classical Abracadabra Steve Miller Band Classic Rock Abracadabra Sugar Ray Rock Abraham, Martin, And John Dion Oldies Abrazame Luis Miguel Latin Abriendo Puertas Gloria Estefan Latin Absolutely ( Story Of A Girl ) Nine Days Rock AC-DC Hokey Pokey Jim Bruer Clip Academy Flight Song The Transplants Rock Acapulco Nights G.B. Leighton Rock Accident's Will Happen Elvis Costello Classic Rock Accidentally In Love Counting Crows Rock Accidents Will Happen Elvis Costello Classic Rock Accordian Man Waltz Frankie Yankovic Polka Accordian Polka Lawrence Welk Polka According To You Orianthi Rock Ace of spades Motorhead Classic Rock Aces High Iron Maiden Classic Rock Achy Breaky Heart Billy Ray Cyrus Country Acid Bill Hicks Clip Acid trip Rob Zombie Hard Rock & Metal Across The Nation Union Underground Hard Rock & Metal Across The Universe Beatles
    [Show full text]
  • Tom Robinson
    Tom Robinson Thomas Giles Robinson (born 1 June 1950) is a British singer-songwriter, bassist, radio presenter and long-time LGBT rights activist, best known for the hits "Glad to Be Gay", "2-4-6-8 Motorway", and "Don't Take No for an Answer", with his Tom Robinson Band. He later peaked at No. 6 in the UK Singles Chart with his solo single "War Baby". In 1973, Robinson moved to London and joined the acoustic trio Café Society. They impressed Ray Davies, of The Kinks, enough for him to sign them to his Konk label and produce their debut album. According to Robinson, Davies's other commitments made the recording a lengthy process and, after it sold only 600 copies, he left the band. Subsequently, when the Tom Robinson Band were playing at the Nashville Rooms in London, Robinson saw Davies enter and sarcastically performed The Kinks' hit "Tired of Waiting for You". Davies retaliated with the less- than-complimentary Kinks single "Prince of the Punks", about Robinson. In London, Robinson became involved in the emerging gay scene and embraced the politics of gay liberation, which linked gay rights to wider issues of social justice. Inspired by an early Sex Pistols gig, he founded the more political Tom Robinson Band in 1976. The following year the group released the single "2-4-6-8 Motorway", which peaked at No. 5 in the UK Singles Chart for two weeks. The song alludes obliquely to a gay truck driver. In February 1978, the band released the live extended play Rising Free, which peaked at No.
    [Show full text]
  • Fy2005 Report
    TABLE OF CONTENTS Amherst Facts................................................................................................ 3 Appointed Municipal Employees ................................................................. 5 Aquifer Protection Committee.................................................................... 25 Assessor's Office ......................................................................................... 27 Cable Advisory Committee......................................................................... 31 Committees and Boards ................................................................................ 8 Committee Recognition .............................................................................. 14 Office of the Collector................................................................................. 33 Community Preservation Act Committee................................................... 35 Community Services/Human Services ....................................................... 39 Comprehensive Planning Committee ......................................................... 43 Conservation Commission & Conservation Department........................... 47 Cultural Council .......................................................................................... 49 Departmental E-mail Addresses ................................................................... 2 Departments and Services............................................................................. 1 Disability Access Advisory Committee.....................................................
    [Show full text]
  • BACK to BASICS by Leslie E
    Section 106 of the National Historic Preservation Act: BACK TO BASICS by Leslie E. Barras PART 2: TECHNICAL REPORT 1785 Massachusetts Avenue, NW Washington, DC 20036 202.588.6000 [email protected] www.preservationnation.org ABOUT THE AUTHOR : This report was researched and drafted by Leslie E. Barras, an attorney and consultant based in Orange, Texas, who advises and assists public interest groups, government agencies, and businesses on issues relating to environmental and historic preservation advocacy and compliance (www.rulepilot.us). The report was prepared with editorial assistance and insights from the experiences of the legal staff of the National Trust for Historic Preservation. Copyright © 2010, National Trust for Historic Preservation. All rights reserved. THE NATIONAL TRUST FOR HISTORIC PRESERVATION (www.PreservationNation.org) is a non-profit membership organization bringing people together to protect, enhance and enjoy the places that matter to them. By saving the places where great moments from history—and the important moments of everyday life— took place, the National Trust for Historic Preservation helps revitalize neighborhoods and communities, spark economic development and promote environmental sustainability. With headquarters in Washington, DC, eight regional and field offices, 29 historic sites, and partner organizations in 50 states, territories, and the District of Columbia, the National Trust for Historic Preservation provides leadership, education, advocacy and resources to a national network of people, organizations and local communities committed to saving places, connecting us to our history and collectively shaping the future of America’s stories. Funding for this report was generously provided by the David & Julia Uihlein Special Initiatives Fund of the National Trust for Historic Preservation.
    [Show full text]
  • Oral History Interview with Marguerite Van Cook, 2016 September 19-21
    Oral history interview with Marguerite Van Cook, 2016 September 19-21 Funded by the Keith Haring Foundation. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Marguerite Van Cook on September 19 and 21, 2016. The interview took place in New York, N.Y., and was conducted by Alex Fialho for the Archives of American Art, Smithsonian Institution. This interview is part of the Archives of American Art's Visual Arts and the AIDS Epidemic: An Oral History Project. Marguerite Van Cook and Alex Fialho have reviewed the transcript. Their corrections and emendations appear below in brackets with initials. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview ALEX FIALHO: This is Alex Fialho interviewing Marguerite Van Cook at the Visual AIDS office in New York City, New York, on September 19, 2016, for the Archives of American Art, Smithsonian Institution, card number one. So, Marguerite, let's start at the beginning and spend some time on how you grew up. When and where were you born? MARGUERITE VAN COOK: I was born in Portsmouth, in England, on the South Coast, and I grew up there, and I spent some of my life on the Isle of Wight. My mother—when I was around 12, my mother and her boyfriend got a place in the country on the Isle of Wight, and they used to go there on the weekends.
    [Show full text]
  • Rock Album Discography Last Up-Date: September 27Th, 2021
    Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.
    [Show full text]