Some Aspects of Singing Development, the Song Creating Process and Favorite Songs of Estonian Children
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Lordi Killection
Lordi Killection Release January 31, 2020 Genre Hardrock / Heavy Metal Producer Studio Cover Artwork Mr. Lordi TIP Photographer Nobody knows exactly how old the Finish monsters really are or how long they’ve been striking terror into people’s hearts. Officially the Rock/Heavy Metal monsters LORDI were founded in 1992 by lead singer, songwriter, visual art designer and costume designer Mr. Lordi. The band has deep Finnish roots, originating from the city of Rovaniemi, in Lapland. In 2006 they celebrated their international breakthrough by winning the Eurovision Song Contest (“Hard Rock Hallelujah”) They are Finland’s only winners to date and they earned more points than any other artists in the history of the Eurovision Song Contest up to that time. But is it possible that this is only a pale misperception of our poor, small, pathetic reality? Is there, however unlikely it may seem, another truer reality? What if LORDI would have already been making music since the early 70's? And what if they have been releasing one hit single after the other since those times and now, almost 50 years later, are looking back on a full collection of songs that have been successful ever since? This is exactly the idea that LORDI are celebrating, or maybe a more appropriate word is executing, with their newest studio album “Killection.” Killection will be released on January 31st via AFM Records/Soulfood Music. Once more Mr Lordi, the master of the masquerade, presents us with one of his ideas, absurd and genius at the same time, and comes up with a concept that has never been done before in the music industry: "Killection" is a compilation album that simply says “what if” LORDI had been in existence since the early 70's. -
Lähikuvan Koko Numero 1-2021
LÄHIKUVA 1/2021 (34. vuosikerta) JA AUDIOVISUAALISTEN ESITYSKÄYTÄNTÖJEN MURROS Laulukilpailusta show-kilpailuksi? Belgium, one point Syntetisaattoreita, ironiaa ja provokaatioita Euroviisuesityksen audiovisuaalinen rakentuminen LÄHIKUVA • 1/2021 LÄHIKUVA 1/2021 • 34. vuosikerta ISSN 2343-399X LÄHIKUVA on audiovisuaaliseen kulttuuriin keskitty- SISÄLLYS vä, neljästi vuodessa ilmestyvä tieteellinen referee- julkaisu, joka on avoin kirjoitusfoorumi kaikille. Pääkirjoitus JULKAISIJAT Lähikuva-yhdistys ry:n jäsenet sekä Lähikuvan kan- Mari Pajala, Pertti Grönholm ja Yrjö Heinonen natusyhteisöt: Yhdentymisen juhlaa ja ihanteiden kamppailua. Suomen Elokuvatutkimuksen Seura ry Turun elokuvakerho ry Euroviisujen muuttuvat muodot ja merkitykset 3 Varsinais-Suomen elokuvakeskus ry International Institute for Popular Culture (IIPC-kes- Artikkelit kus), Turun yliopisto Mediatutkimus, Turun yliopisto Mari Pajala Viestintätieteet, Tampereen yliopisto Laulukilpailusta show-kilpailuksi? TOIMITUS Televisiospektaakkelin ylirajaistuva tuotanto Päätoimittaja Eurovision laulukilpailussa 9 Kaisa Hiltunen [email protected] Toimitussihteeri Pertti Grönholm Antti Lindfors [email protected] Belgium, one point. Numeron 1/2021 vastaavat toimittajat Syntetisaattoreita, ironiaa ja provokaatioita Pertti Grönholm, Yrjö Heinonen ja Mari Pajala Eurovision laulukilpailuissa vuosina 1980 ja 1983 33 Toimituskunta Yrjö Heinonen Outi Hakola [email protected] Kaisu Hynnä-Granberg [email protected] Euroviisuesityksen audiovisuaalinen rakentuminen: Miina Kaartinen -
1912 Durfee Record
The Durfee Record Senior Class PUBLISHED B Y B . M . C. Durfee Hígh School 1912 To Principal George F. Pope : This book isrespectfully dedicated , as a mark obymembersfteem thees of the class of 1912. Principal George F . Pope e Faculty GEORGE FREDERICK POPE, A . M . Principal . Mathematics. WILLARD HENRY POOLE, A . B . Vice-Principal Physics and Chemistry . HANNAH REBECCA ADAMS, English . DAVID EMERSON GREENAWAY, A . B . History and Civil Government EMILY ELLEN WINWARD , French . WILLIAM JOHN WOODS, S. B ., Mechanics DAVID YOUNG COMSTOCK, A . M ., Latin . and Drawing . SAMUEL N . F. SANFORD, Secretary an d Librarian . JAMES WALLIS, Commercial Department . CHARLES FREDERIC WELLINGTON , A . B . GERTRUDE MARY BAKER, English . Assistant Secretary . HARRIET ANTHONY MASON SMITH, French . HELEN HATHEWAY IRONS, B . L ., French . ASA ELDRIDGE GODDARD, A . M ., Mathe- LENA PEASE ABBE, A. B ., Algebra . matics, Astronomy and Geology . FLORENCE ESTHER LOCKE, A. B ., German . HARRIET TRACY MARVELL, A. B . , Physiography, Physiology, Reviews . HARRIET DAVIS PROCTOR, A. B ., German and English . HERBERT MIL LER CHACE SKINNER, S. B . Mechanics and Drawing . ANSEL SYLVESTER RICHARDS, A . M . , English . EUNICE ALMENA LYMAN, A . B ., History . SUSAN WILLIAMS STEVENS, German an d CHARLES ADAMS PERRY, Mechanics an d Mathematics . Drawing. ROBERT REMINGTON GOFF, A . B ., Mathe- CECIL THAYER DERRY, A . B ., A . M . matics . Greek and Latin . JOHN SMITH BURLEY, PH . B ., English. BLANCHE AVELINE VERDER, B . S ., English WILLIAM WILSON GARDNER, A . B., English and History. and Mathematics . ALICE GERTRUDE LANGFORD, A. B ., Lati n LINDA RICHARDSON, A . M ., History and and History. Latin . WILLIAM DUNNIGAN MORRISON, A. B., ALICE BOND DAMON, A. -
Lijroc,Har1 S
See Chart Legend for rules and explanations. D 200E. VNL. Business Media, Inc. and Nielsen SoundScan. Inc. All rights reserved SALES DÁ17 COMPILED BY Nielsen SoundScan LIJROC,HAR1 S r.. ARTIST ARTIST .0¡-¡--g TITLE IMPRINT 8 NUMBER / DISTRIBUTING LABEL 3 3ó TITLE IMPRINT 8 NUMBER / DISTRIBUTING LABEL MICHAEL BUBLE WILL DOWNING 76 fi #1 IT'S TIME 143 /REPRISE 48946 /WARNER BROS o ® THE BEST OF WILL DOWNING. THE MILLENNIUM COLLECTION H'.P ' P 'SP', EUROCHARTS ARE COMPILED BY BILLBOARD FROM THE NATIONAL SINGLES AND ALBUM =i ELVIS COSTELLO & ALLEN TOUSSAINT MARION MEADOWS 4, á3 SALES CHARTS OF 20 EUROPEAN COUNTRIES. JUNE 14, 2006 3 THE RIVER IN REVERSE VERVE FORECAST 006660 /VG DRESSED TO CHILL HEADS UP 3106 HIPS DON'T LIE C+I 0 1 1 KATIE MELUA HERBIE HANCOCK SHAKIRA FT. WYCLEF JEAN EPIC NEm 11' PIECE BY PIECE DRAMATICO /UNIVERSAL MOTOWN 006868 /UMRG POSSIBILITIES HEAR/HANCOCK 70013/VECTOR CRAZY 2 2 3cßCHRIS BOTTI MIND/ ABAIR GNARLS BARKLEY DOWNTOWN /ATLANTIC 8 3 AGAIN: THE DUETS COLUMBIA 77505/SONY MUSIC L'SE LESS ORDINARY GRP 006222/VG MANEATER TO LOVE 3 6 4NAT KING COLE EVERETTE HARP NELLY FURTADO MOSLEY /GEFFEN 2 3 THE VERY BEST OF NAT KING COLE CAPITOL 59324 IN THE MOMENT SHANACHIE 5140 WE ARE THE CHAMPIONS (DING A DANG DONG) 4 73 fCHRIS BOTTI GERALD ALBRIGHT CRAZY FROG MACHT RECORDS 7 11 -- WHEN I FALL IN LOVE COLUMBIA 92872/SONY MUSIC NEW BEGINNINGS PEAK 8540 /CONCORD LIVING ON VIDEO 5 3 MICHAEL BUBLE JAMIE CULLUM PAKITO PANIC /ULM 4 2 35 CAUGHT IN THE ACT 143/REPRISE 49444/WARNER BRCS. -
Congratulations on Your New Match! We Are Thrilled That You Have Decided to Opt in for Connection During a Time of Social Distancing
Congratulations on your new match! We are thrilled that you have decided to opt in for connection during a time of social distancing. We understand that starting a new match off through a virtual platform can potentially feel awkward, so we’ve developed a template of conversation prompts to help you begin getting to know one another. How to Use: The first three months of suggested conversations and activities in your match are outlined below. You’ll notice that we’ve designed this template to follow a natural progression beginning with getting to know one another, discussing your different experiences, and goal setting for the future. We strongly recommend spending a minimum of 10-15 minutes each week, talking about the prompts below. Bigs and Littles should take turns leading the conversation each week and always make sure to check in with each other and make space to talk about and express feelings. Note: Keep in mind that this is intended to be a helpful guide and is not required in your match. If you and your Little prefer to come up with your own conversation topics and activities, go for it! Take what works for you and leave the rest. Goal | The goal for this month is to get to know your new Little/Big by learning about their family, friends, likes/dislikes, hobbies, and favorite things, etc. Instructions: Each week review the prompt and have a conversation. Try one of the suggested activities or come up with your own. Try to think out of the box! Week 1: Review Ice Breaker from Match Meeting. -
Musical Explorers My City, My Song a Program of the Weill Music Institute at Carnegie Hall for Students in Grades K–2
Weill Music Institute Musical Explorers My City, My Song A Program of the Weill Music Institute at Carnegie Hall for Students in Grades K–2 Student Guide Weill Music Institute Musical Explorers My City, My Song A Program of the Weill Music Institute at Carnegie Hall for Students in Grades K–2 Student Guide WEILL MUSIC INSTITUTE Joanna Massey, Director, School Programs Jacqueline Stahlmann, Manager, Elementary School Programs Marie Ortinau, Administrative Assistant, Elementary School Programs PUBLISHING AND CREATIVE SERVICES Jay Goodwin, Managing Editor, WMI Carol Ann Cheung, Senior Editor Evelyn Ochoa, Graphics Manager CONTRIBUTORS Daniel Levy, Consultant Sophie Hogarth, Illustrator Scott Lehrer, Audio Production Weill Music Institute at Carnegie Hall 881 Seventh Avenue | New York, NY 10019 Phone: 212-903-9670 | Fax: 212-903-0758 [email protected] carnegiehall.org/MusicalExplorers Lead funding for Musical Explorers has been provided by Ralph W. and Leona Kern. Major funding for Musical Explorers has been provided by the Charles Haimoff Endowment, E.H.A. Foundation, and The Walt Disney Company. Additional support has been provided by the Ella Fitzgerald Charitable Foundation. Musical Explorers is also made possible, in part, by an endowment gift from The Irene Diamond Fund. © 2014 The Carnegie Hall Corporation. All rights reserved. 1 Welcome to Our Musical Trip! Welcome, Musical Explorers! I’m your conductor, and I’ll help you explore our musical city. Together, we’ll meet our singers and hear their songs and stories. Come along with me and make your discoveries! Subway map © 2014 and MTA New York City subway logo ™ Metropolitan Transportation Authority. Used with permission. -
Kappale Artisti
14.7.2020 Suomen suosituin karaokepalvelu ammattikäyttöön Kappale Artisti #1 Nelly #1 Crush Garbage #NAME Ednita Nazario #Selˆe The Chainsmokers #thatPOWER Will.i.am Feat Justin Bieber #thatPOWER Will.i.am Feat. Justin Bieber (Baby I've Got You) On My Mind Powderˆnger (Barry) Islands In The Stream Comic Relief (Call Me) Number One The Tremeloes (Can't Start) Giving You Up Kylie Minogue (Doo Wop) That Thing Lauren Hill (Every Time I Turn Around) Back In Love Again LTD (Everything I Do) I Do It For You Brandy (Everything I Do) I Do It For You Bryan Adams (Hey Won't You Play) Another Somebody Done Somebody Wrong Song B. J. Thomas (How Does It Feel To Be) On Top Of The W England United (I Am Not A) Robot Marina & The Diamonds (I Can't Get No) Satisfaction The Rolling Stones (I Could Only) Whisper Your Name Harry Connick, Jr (I Just) Died In Your Arms Cutting Crew (If Paradise Is) Half As Nice Amen Corner (If You're Not In It For Love) I'm Outta Here Shania Twain (I'll Never Be) Maria Magdalena Sandra (It Looks Like) I'll Never Fall In Love Again Tom Jones (I've Had) The Time Of My Life Bill Medley & Jennifer Warnes (I've Had) The Time Of My Life Bill Medley-Jennifer Warnes (I've Had) The Time Of My Life (Duet) Bill Medley & Jennifer Warnes (Just Like) Romeo And Juliet The Re˜ections (Just Like) Starting Over John Lennon (Marie's The Name) Of His Latest Flame Elvis Presley (Now & Then) There's A Fool Such As I Elvis Presley (Reach Up For The) Sunrise Duran Duran (Shake, Shake, Shake) Shake Your Booty KC And The Sunshine Band (Sittin' On) The Dock Of The Bay Otis Redding (Theme From) New York, New York Frank Sinatra (They Long To Be) Close To You Carpenters (We're Gonna) Rock Around The Clock Bill Haley & His Comets (Where Do I Begin) Love Story Andy Williams (You Drive Me) Crazy Britney Spears (You Gotta) Fight For Your Right (To Party!) The Beastie Boys 1+1 (One Plus One) Beyonce 1000 Coeurs Debout Star Academie 2009 1000 Miles H.E.A.T. -
“Heretic Streak”: the Orwellian Aesthetic in Ray Davies' Song Writing And
STUDIA HUMANISTYCZNE AGH Tom 15/2 • 2016 http://dx.doi.org/10.7494/human.2016.15.2.7 Izabela Curyłło-Klag* Jagiellonian University in Krakow UTOPIA, DYSTOPIA AND THE “HERETIC STREAK”: THE ORWELLIAN AESTHETIC IN RAY DAVIES’ SONG WRITING AND OTHER CREATIVE PROJECTS The article explores the infl uence of Orwell’s fi ction on the creative output of Ray Davies, one of Britain’s fi nest songwriters and the erstwhile frontman of The Kinks, a ‘British Invasion’ group. The Davies oeuvre can be placed alongside Orwell’s work due to its entertainment value, sharpness of ob- servation and complex, confl icted socio-political sympathies. By balancing utopian visions with dystopian premonitions and by offering regular critiques of the culture they hold dear, Orwell and Davies represent the same tradition of cautious patriotism. They also share a similar aesthetic, communicating their insights through humour, self-mockery and acerbic wit. Keywords: Orwell, Ray Davies, pop culture, dystopia, utopia In the opening frame of a documentary on The Kinks, Hugh Fielder, a well-known English music critic, comments: “If George Orwell wrote songs, and was not a member of the socialist party, he’d be writing Ray Davies’ songs”. He then immediately checks himself: “Sorry, that’s a literary allusion, it’s probably gonna go whoosh” (The Kinks Story 2010: 3’21). Mentioning literature with reference to a British Invasion band is not exactly the done thing: rockers do not usually enthuse over writers, even if they share their love of words. Not long ago for instance, the frontman of Oasis declared that reading fi ction is a waste of time, and dismissed the whole publishing business as elitist, since it allows “people who write and read and review books [to put] themselves a tiny little bit above the rest of us” (Gallagher 2013). -
Printable Pdf Version
Follow the Kinks through the dark alleyways and passages of L O N D O N If you don’t have enough time to attempt The Great North London Kinks Tour, you might like to take in at least a few of the major Kinks locations in and around Muswell Hill, as described on the Jim Smart / Geoff Lewis Big Black Smoke site. Much of the research which has led to this route was carried out by Peter Ølgaard, Olga Ruocco and Jayne Morgan. Wherever you are starting from, get onto the Northern Line of the underground, and travel to Archway. Walk across to the Archway Tavern (22). Sadly it is not a proper pub any more, so no longer suitable for a quick drink to get your tour started Take a number 134 bus to Muswell Hill Broadway (8).On a clear fresh morning, Peter recommends the attractive ride up Muswell Hill Road. Ray Davies mentions in “X-Ray” riding the 134 down to Leicester Square, although nowadays the route only runs as far as Tottenham Court Road. Walk along Fortis Green (or take a 102 bus). You will pass Midhurst Avenue, where Ray and Rasa had their second home (anyone know which number?) After a while you will come to Denmark Terrace. Number 6 was the Davies family home (13). Directly opposite is the wonderful Clissold Arms (12). Have a few more beers and look at the Kinks exhibits on display there. Remember that time is tight - you may have trouble tearing yourself away. Continuing along Fortis Green, you see number 87, which was Ray and Rasa's third home (14). -
Year 15, Issue 4, November 8, 2017: Odyssey Moments
YearOdyssey Oracle 15, Issue 4 November 8, 2017 11-8-2017 ODYSSEY MOMENTS In this Oracle . Proud of Ourselves ............................... 3 Channeling Frederick Douglass ............ 7 Channeling William Lloyd Garrison ...... 8 Special Places ....................................... 9 What’s in a Name ............................... 16 Reflections .......................................... 23 Finding Plato’s Cave Today ................ 27 Moved By Music ................................. 33 What Will Home Be? .......................... 41 Emily Auerbach, Project Director; Oracle Editor [email protected] 608-262-3733 or 608-712-6321 Kevin Mullen, Associate Director; Oracle Editor [email protected] 608-572-6730 Emily Azad, Odyssey Coordinator [email protected] 608-262-3885 Colleen Johnson, Director of Development and Community Partnerships Beth McMahon, Oracle Designer www.odyssey.wisc.edu Odyssey Oracle 11-8-2017 2 Odyssey Oracle 11-8-2017 PROUD OF OURSELVES I am very proud of myself. I family growing up. I was can really say that for always and still am a someone my age, I have respectful person. But done many good things in growing up I colored my hair life. Taking full responsibility any color I wanted. I cut my for my daughter, I consider hair short and kept it that myself to be a good mom, way for a long time. I dressed always working to provide how I wanted because I for my little princess. I’m always trying to find always knew who I was. My hair color and the good in the bad, be happy, and give a style and way I dressed didn’t make me smile to those around me, even if sometimes I represent the “Bad Girl” stereotype that the feel my world crumbling. -
978 470-4700 FAX: 978 470-4740 Email: [email protected]
PLEASE PRINT Date of Wedding: DJ: 1 Main Street Suite #306 Andover, MA 01810 www.getadj.com 978 470-4700 FAX: 978 470-4740 email: [email protected] Same Gender Reception Form – Wedding Party Introductions Grandparents: (Please check one ) Announce into Room Acknowledge at Table None Grandparents: Grandparents: Intro Music DJ Selects Other: Parents: (use 2nd line if announced separately): Parents: (use 2nd line if announced separately): Intro Music Same as above DJ Selects Other: SameasssaaAbo vePrevious Attendant Attendant s s 1. 1. 2. 2. 3. 3. 4. 4. 5. 5. Flower Girl/Jr. Bridesmaid: Ring Bearer/Jr. Usher: Maid/Matron/Person of Honor Best Man/Woman 1. 1. 2. 2. Intro Music: Same as above DJ Selects Other: Previous Newlyweds : Please print all names and be sure this is the same order and the same pairings as you give to your venue. © 2016 AllStar Entertainment/www.getadj.com. All rights reserved. May not be printed or duplicated without prior permission. DJ: Your Name: Your Fiance’s Name: Place of Reception: Time of Ceremony? Travel Time from Ceremony to Reception:___________ minutes or On-Site Ceremony ___ Ceremony to be held in reception room in another room Outdoors Ceremony Music by: DJ Other ___________________ Ceremony from? to ______ (*background music should startD 30 min. BEFORE the scheduled start of the ceremony, to be playing as your guests are arriving.)J Cocktail Hour Music by: DJ Other Cocktails from? to DJ Total Hours DJ is booked: from to Sit-Down Meal Buffet/Stations Receiving Line: (Please specify) At Church We’ll Be Visiting -
Cultural Trauma and Life Stories
Aili Aarelaid-Tart Cultural Trauma And Life Stories KIKIMORA PUBLICATIONS A 15 Cultural Trauma and Life Stories ISBN 952-1-3416-5 ISSN 1455-481X Cover design: Vesa Tuukkanen Layout: Indrek Tart and Anu Heiskanen © The Aleksanteri Institute and the author Gummerus Printing 2006 Vaajakoski Contents Abbreviations 6 List of the table and figures 6 Preface 7 I Introduction 10 I.1 My life story: the framework for my field of study and research interests 10 I.2 Research design 14 1.2.1 The composition of the sample. Collaborations 14 1.2.2 Theoretical objectives 18 II Human time and life course 22 II.1 Human time: the compass within uncertainty 22 II.2 Modes of human time 24 II.2.1 Cultural time 25 II.2.2 Political time 26 II.2.3 Generational time 26 II.3 Individual life course and life story 30 II.4 Human time throughout the trauma prism 34 III Understanding of cultural trauma 40 III.1 Making sense of the theory of cultural trauma 40 III.1.1 Cultural trauma as a new master paradigm 40 III.1.2 Cultural trauma as social practice 41 III.1.3 Cultural trauma as a discourse 45 III.1.4 Discourses as a search for usable past 49 III.2 Trauma and explosion: re-building the cultural fabric 51 III.3 From life stories to the discourse of cultural trauma 53 IV Framing biographical research in post-traumatic social practice 57 IV.1 Unbalanced social memory 57 IV.1.1 A double trauma discourse let loose by the collapse of Socialism 57 IV.1.2 A non-unified European memory as the cause of new traumas 59 IV.2 Living through Estonia: the contours of the main CT