State of the Media: Audio Today 2017 How America Listens
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Audio Today a Focus on African American & Hispanic Audiences April 2014
STATE OF THE MEDIA: AUDIO TODAY A FOCUS ON AFRICAN AMERICAN & HISPANIC AUDIENCES APRIL 2014 STATE OF THE MEDIA: AUDIO TODAY Q2 Copyright © 2014 The Nielsen Company 1 GROWTH AND THE AUDIO LANDSCAPE NATIONAL AUDIENCE HITS ALL-TIME HIGH Growth is a popular word today in America, whether you’re talking about the stock market, entertainment choices, or census trends. Through it all, radio consumption continues to increase; nearly 92% of all Americans 12 or older are tuning to radio in an average week. That’s 244.4 million of us, a record high! 244 MILLION AMERICANS LISTEN TO RADIO EACH WEEK This growth is remarkable considering the variety and number of media choices available to consumers today over-the-air and online via smartphones, tablets, notebooks/desktop computers and digital dashboards. Radio’s hyper-local nature uniquely serves each market which keeps it tied strongly to our daily lives no matter how (or where) we tune in. The radio landscape is also a diverse community of listeners from every corner of America, who reflect the same population trends of the country as a whole. Radio is one of the original mass mediums and as the U.S. population grows and the makeup of our citizens change, radio audiences follow suit. Alongside the national growth headline, both African American and Hispanic audiences have also reached a historic high with more than 71 million tuning in each week. Source: RADAR 120, March 2014, M-SU MID-MID, Total Listeners 12+/Hispanic 12+/African American 12+ 2 STATE OF THE MEDIA: AUDIO TODAY Q2 RADIO’S GROWTH CHART IS DIVERSIFIED Weekly Cume (000) March 2013 June 2013 Sept 2013 Dec 2013 March 2014 All Listeners 12+ 243,177 242,876 242,530 242,186 244,457 Hispanic 12+ 39,586 39,577 39,506 39,380 40,160 African American 12+ 30,987 30,862 30,823 30,742 31,186 71 MILLION AFRICAN AMERICANS AND HISPANICS The focus for this quarter’s Audio Today report is the African American and Hispanic listener; combined these listeners account for nearly a third (29.6%) of the total national audience. -
A Toolkit for Working with the Media
Utilizing the Media to Facilitate Social Change A Toolkit for Working with the Media WEST VIRGINIA FOUNDATION for RAPE INFORMATION and SERVICES www.fris.org 2011 Media Toolkit | 2 TABLE OF CONTENTS Media Advocacy……………………………….. ……….. 3 Building a Relationship with the Media……... ……….. 3 West Virginia Media…………………………………….. 4 Tips for Working with the Media……………... ……….. 10 Letter to the Editor…………………………….. ……….. 13 Opinion Editorial (Op-Ed)…………………….. ……….. 15 Media Advisory………………………………… ……….. 17 Press/News Release………………………….. ……….. 19 Public Service Announcements……………………….. 21 Media Interviews………………………………. ……….. 22 Survivors’ Stories and the Media………………………. 23 Media Packets…………………………………. ……….. 25 Media Toolkit | 3 Media Advocacy Media advocacy can promote social change by influencing decision-makers and swaying public opinion. Organizations can use mass media outlets to change social conditions and encourage political and social intervention. When working with the media, advocates should ‘shape’ their story to incorporate social themes rather than solely focusing on individual accountability. “Develop a story that personalizes the injustice and then provide a clear picture of who is benefiting from the condition.” (Wallack et al., 1999) Merely stating that there is a problem provides no ‘call to action’ for the public. Therefore, advocates should identify a specific solution that would allow communities to take control of the issue. Sexual violence is a public health concern of social injustices. Effective Media Campaigns Local, regional or statewide campaigns can provide a forum for prevention, outreach and raising awareness to create social change. This toolkit will enhance advocates’ abilities to utilize the media for campaigns and other events. Campaigns can include: public service announcements (PSAs), awareness events (Take Back the Night; The Clothesline Project), media interviews, coordinated events at area schools or college campuses, position papers, etc. -
Collected Press Clips
Future of Music Coalition press clips following release of radio study November 2002 - January 2003 Study Shows an Increase in Overlap of Radio Playlists; The report by an artists' rights group says that morestations with different formats play the same songs. Industry officials disagree. By Jeff Leeds Los Angeles Times, November 15, 2002 http://www.latimes.com/business/la-fi-radio15nov15,0,4652989.story Ever since the Clinton administration Moreover, the study says, radio handful of giant media companies, loosened restrictions on how many companies that have grown the most including Clear Channel and Viacom radio stations a broadcaster could under deregulation are limiting the Inc.'s Infinity Broadcasting, which own, record label executives have choice of music by operating two or operates more than 180 stations. complained that media consolidation more stations in the same market Radio industry officials dismissed the would lead to bland playlists and with the same music format. The study's conclusions. homogenous programming. report said that Clear Channel Communications Inc., the nation's "The big gap in the logic is that the Now a coalition of musicians and biggest radio conglomerate, has 143 authors don't believe radio stations independent record label executives stations with similar music formats in care about what consumers do," said say they have statistical proof that the same market. Jodie Renk, general manager of Core the relaxation of ownership rules has Callout Research, a firm that tests stifled recording artists and The study contradicts the conclusions new songs with radio listeners. "damaged radio as a public of a September report by the Federal resource." The study was done by the Communications Commission. -
UNITED STATES SECURITIES and EXCHANGE COMMISSION Washington, D.C
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2009 OR o TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number 001-09553 CBS CORPORATION (Exact name of registrant as specified in its charter) DELAWARE 04-2949533 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification Number) 51 W. 52nd Street New York, NY 10019 (212) 975-4321 (Address, including zip code, and telephone number, including area code, of registrant's principal executive offices) Securities Registered Pursuant to Section 12(b) of the Act: Name of Each Exchange on Title of Each Class Which Registered Class A Common Stock, $0.001 par value New York Stock Exchange Class B Common Stock, $0.001 par value New York Stock Exchange 7.625% Senior Debentures due 2016 American Stock Exchange 7.25% Senior Notes due 2051 New York Stock Exchange 6.75% Senior Notes due 2056 New York Stock Exchange Securities Registered Pursuant to Section 12(g) of the Act: None (Title of Class) Indicate by check mark if the registrant is a well-known seasoned issuer (as defined in Rule 405 of the Securities Act of 1933). Yes ☒ No o Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Securities Exchange Act of 1934. -
CKOS-FM Fort Mcmurray – Technical Changes
Broadcasting Decision CRTC 2014-599 PDF version Route reference: Part 1 application posted on 20 March 2014 Ottawa, 18 November 2014 King’s Kids Promotions Outreach Ministries Incorporated Fort McMurray, Alberta Application 2014-0207-3 CKOS-FM Fort McMurray – Technical changes The Commission approves an application by King’s Kids Promotions Outreach Ministries Incorporated to change the authorized contours of the English-language low-power specialty (Christian music) radio station CKOS-FM Fort McMurray. Consequently, the station’s licence class will change from low-power unprotected to protected B. As a result of these changes, local listeners will see an increase in the quality of the station’s signal, and listeners living farther away will now be able to receive its programming. Application 1. King’s Kids Promotions Outreach Ministries Incorporated (King’s Kids) filed an application to change the authorized contours of the English-language low-power specialty (Christian music) radio station CKOS-FM Fort McMurray, Alberta, by relocating the transmitter site, and by increasing the average effective radiated power (ERP) from 35 to 40,000 watts and the effective height of antenna above average terrain (EHAAT) from 72.1 to 96.5 metres.1 This increase in power would result in CKOS-FM changing from a low-power unprotected service to a protected class B service. The Commission did not receive any interventions regarding this application. 2. In Broadcasting Regulatory Policy 2014-554, the Commission issued a revised approach for low-power radio stations whereby licensees who wish to move from a low-power unprotected status to a protected status are now required to file an application to obtain a new broadcasting licence. -
Radio YEARBOOK® 2015
Radio YEARBOOK® 2015 Also available on CD ROM and via the Internet through BIA/Kelsey’s MEDIA Access Pro™ BIA/Kelsey • 15120 Enterprise Ct., Chantilly, VA 20151-1217 Phone: 703-818-2425 • Fax: 703-803-3299 • E-mail: [email protected] • Web: www.biakelsey.com BIA/Kelsey’s Radio Yearbook® 2015 Copyright © 2015 BIA Advisory Services, LLC Thomas J. Buono, Publisher BIA/Kelsey • 15120 Enterprise Ct., Chantilly, VA 20151-1217 Phone: 703-818-2425 • Fax: 703-803-3299 • E-mail: [email protected] • Web: www.biakelsey.com Table of Contents Copyrights and Acknowledgements ....................................................................................................... iv United States Overview ......................................................................................................................... v Sample Metro Market ............................................................................................................................. vi Metro Market Stations’ Key .................................................................................................................. vii Keys & Codes .......................................................................................................................................viii Metro Market Stations (Alphabetical Order) ...............................................................................................1 Non-Metro Stations (State and City of License Order) ...........................................................................403 Group Owners .........................................................................................................................................545 -
Station Ownership and Programming in Radio
FCC Media Ownership Study #5: Station Ownership and Programming in Radio By Tasneem Chipty CRA International, Inc. June 24, 2007 * CRA International, Inc., 200 Clarendon Street, T-33, Boston, MA 02116. I would like to thank Rashmi Melgiri, Matt List, and Caterina Nelson for helpful discussions and valuable assistance. The opinions expressed here are my own and do not necessarily reflect those of CRA International, Inc., or any of its other employees. Station Ownership and Programming in Radio by Tasneem Chipty, CRA International, June, 2007 I. Introduction Out of concern that common ownership of media may stifle diversity of voices and viewpoints, the Federal Communications Commission (“FCC”) has historically placed limits on the degree of common ownership of local radio stations, as well as on cross-ownership among radio stations, television stations, and newspapers serving the same local area. The 1996 Telecommunications Act loosened local radio station ownership restrictions, to different degrees across markets of different sizes, and it lifted all limits on radio station ownership at the national level. Subsequent FCC rule changes permitted common ownership of television and radio stations in the same market and also permitted a certain degree of cross-ownership between radio stations and newspapers. These changes have resulted in a wave of radio station mergers as well as a number of cross-media acquisitions, shifting control over programming content to fewer hands. For example, the number of radio stations owned or operated by Clear Channel Communications increased from about 196 stations in 1997 to 1,183 stations in 2005; the number of stations owned or operated by CBS (formerly known as Infinity) increased from 160 in 1997 to 178 in 2005; and the number of stations owned or operated by ABC increased from 29 in 1997 to 71 in 2005. -
Baseball Broadcasting in the Digital Age
Baseball broadcasting in the digital age: The role of narrative storytelling Steven Henneberry CAPSTONE PROJECT University of Minnesota School of Journalism and Mass Communication June 29, 2016 Table of Contents About the Author………………………………………………………………………………… 3 Acknowledgements……………………………………………………………………………… 4 Executive Summary……………………………………………………………………………… 5 Introduction/Background…………………………………………………………………… 6 Literature Review………………………………………………………………………………… 10 Primary Research Studies Study I: Content Analysis…………………………………………………………… 17 Study II: Broadcaster Interviews………………………………………………… 31 Study III: Baseball Fan Interviews……………………………………………… 48 Conclusion/Recommendations…………………………………………………………… 60 References………………………………………………………………………………………….. 65 Appendix (A) Study I: Broadcaster Biographies Vin Scully……………………………………………………………………… 69 Pat Hughes…………………………………………………………………… 72 Ron Coomer…………………………………………………………………… 72 Cory Provus…………………………………………………………………… 73 Dan Gladden…………………………………………………………………… 73 Jon Miller………………………………………………………………………… 74 (B) Study II: Broadcaster Interview Transcripts Pat Hughes…………………………………………………………………… 75 Cory Provus…………………………………………………………………… 82 Jon Miller……………………………………………………………………… 90 (C) Study III: Baseball Fan Interview Transcripts Donna McAllister……………………………………………………………… 108 Rick Moore……………………………………………………………………… 113 Rowdy Pyle……………………………………………………………………… 120 Sam Kraemer…………………………………………………………………… 121 Henneberry 2 About the Author The sound of Chicago Cubs baseball has been a near constant part of Steve Henneberry’s life. -
Radio Market Survey Population, Rankings & Information
RADIO MARKET SURVEY POPULATION, RANKINGS & INFORMATION SPRING 2019 2019 Radio Market Survey Rankings, Frequency, Type And Population: By Rank ............................... 1 2019 Radio Market Survey Rankings, Frequency, Type And Population: By Market ............................ 8 Total Survey Area Population ..................................................................................................................... 15 Television DMA Regions ............................................................................................................................. 21 These population estimates are based upon Census 2010 counts updated and projected to January 1, 2019, by Claritas, LLC. Additional markets may be added and the survey frequency of some markets may be changed during the year. All information contained herein reflects Spring 2019 Nielsen Audio market definitions. Copyright © 2019 The Nielsen Company (US), LLC. All rights reserved. Nielsen and the Nielsen logo are trademarks or registered trademarks of The Nielsen Company (US), LLC. COR-17-30094 RADIO MARKET SURVEY POPULATION, RANKINGS & INFORMATION—SPRING 2019 MARKET SURVEY RANKINGS, FREQUENCY, TYPE AND POPULATION BY RANKING MKT METRO 12+ HISPANIC 12+ BLACK 12+ CODE RANK TYPE FREQ MARKET DST POPULATION POPULATION* POPULATION** 001 1 PPM 13 New York BH 16,458,200 4,080,900 2,782,200 003 2 PPM 13 Los Angeles BH 11,518,300 4,922,900 815,500 005 3 PPM 13 Chicago BH 7,978,400 1,660,100 1,344,800 009 4 PPM 13 San Francisco BH 6,770,200 1,484,800 445,100 024 5 PPM 13 Dallas-Ft. Worth BH 6,198,600 1,652,000 1,025,300 033 6 PPM 13 Houston-Galveston BH 5,906,700 2,040,900 1,035,600 015 7 PPM 13 Washington, DC BH 4,996,800 779,600 1,345,300 047 8 PPM 13 Atlanta BH 4,911,500 483,500 1,728,100 007 9 PPM 13 Philadelphia BH 4,622,400 411,700 960,400 013 10 PPM 13 Boston BH 4,337,000 478,400 349,700 429 11 PPM 13 Miami-Ft. -
2020 WVBA Awards Brochure .Pdf
17th Annual Marriott Waterfront Place, Morgantown, WV Saturday, April 4, 2020 Radio Division Best On-Air Radio Personality: This can be any on-air radio personality who has a regular air shift in West The WVBA radio awards are divided into two market size Virginia. Can be one single show or a compilation of "best categories - RANKED and UNRANKED. of" material. RANKED include all stations licensed to designated Metro A single individual can enter only one category described Counties of any Neilson rated radio market. In West above in a single awards year. (Exception: a sport Virginia those include (1) Wheeling, (2) Parkersburg, (3) announcer may submit in both P x P and sportscast, a Huntington, (4) Charleston, (5) Morgantown-Fairmont- news reporter in both newscast and talk categories). The Clarksburg, (6) Beckley and (7) Bluefield. All stations submitter must include an Mp3 file that does not exceed whose city of license does not fall into a metro county of three-minutes in length. the seven rated markets compete in the UNRANKED category. Radio Creative Awards Radio Station of the Year Categories Best Use of Digital Media: Show us your best social media campaign, banner ad, web design or smart phone Country: Any station that plays any form of country app. Provide three screen shots of your entry, along with music including bluegrass, classic country and/or modern a brief description and any URL addresses. mainstream country. Best Radio Promotion/Event Coverage: This can be CHR: Contemporary Hit Radio—both pop and any local promotion or event the station created or has rhythmic—hip-hop, rap and straight top forty radio. -
Radio, the Original Electronic Media, Is the Load-Bearing Wall in Audio’S House
JUNE 2019 AUDIO TODAY 2019 HOW AMERICA LISTENS Copyright © 2019 The Nielsen Company (US), LLC. All Rights Reserved. I was on a flight recently and the seat-back tray table had an advertisement glued onto it. Can you believe it? I paid $600 to look at an ad for two hours. The fact of the matter is, as consumers, our eyeballs are maxed out. There are virtually no open spaces left to bolt a video screen, or paste yet another logo. As the media landscape continues to fragment and evolve, a new trend is emerging: AUDIO-based content is hip and decidedly in fashion. You’d have to be a hermit not to know that audio, in all its various forms, is increasingly winning the attention of American consumers. Podcasting, streaming and smart speakers are all shining new light on what’s being called “the other channel into the consumer’s mind.” BRAD KELLY, MANAGING DIRECTOR Some of this appeal can be attributed to a long and sustained legacy. AM/FM radio, the original electronic media, is the load-bearing wall in audio’s house. Broadcast radio’s NIELSEN AUDIO continued success and resiliency is due in large part to the enviable space it occupies in the automotive console. It’s free, ubiquitous, and at the fingertips of virtually every consumer on the road today. Add to that solid foundation all the new delivery platforms and limitless content being offered from streaming and podcasters, and it’s easy to understand why the sector is growing. Voice- activated assistants are becoming commonplace, which makes access to audio content seamless and easy. -
Audio and Podcasting Fact Sheet
NUMBERS, FACTS AND TRENDS SHAPING YOUR WORLD ABOUT FOLLOW MY ACCOUNT DONATE Journalism & Media SEARCH MENU RESEARCH AREAS FACT SHEET JULY 12, 2018 Audio and Podcasting Fact Sheet MORE FACT SHEETS: STATE OF THE NEWS MEDIA Audience Economics The audio news sector in the United States is split by modes of delivery: traditional terrestrial (AM/FM) radio and digital formats such as online radio and podcasting. While terrestrial radio reaches almost the entire U.S. population Ownership and remains steady in its revenue, online radio and podcasting audiences have continued to grow over the past decade. Explore the patterns and longitudinal data about audio and podcasting below. Data on other public radio Find out more beyond podcasting are available in a separate fact sheet. Audience The audience for terrestrial radio remains steady and high: In 2017, 90% of Americans ages 12 and older listened to terrestrial radio in a given week, according to Nielsen Media Research data published by the Radio Advertising Bureau, a figure that has changed little since 2009. Note: This and most data on the radio sector apply to all types of listening and do not break out news, except where noted. Nielsen lists news/talk among the most listened-to radio formats; in 2017, the news/talk format earned 9.9% of radio audiences during any 15-minute period during the day. Weekly terrestrial radio listenership Chart Data Share Embed % of Americans ages 12 and older who listen to terrestrial (AM/FM) radio in a given week % of Americans ages 12 and older Year who listen to terrestrial (AM/FM) radio in a given week 2009 92% 2010 92% 2011 93% 2012 92% 2013 92% 2014 91% 2015 91% 2016 91% 2017 90% Source: Nielsen Audio RADAR 136, March 2018, publicly available via Radio Advertising Bureau.