Radio 2015 Formats’ Fortunes and Future

Total Page:16

File Type:pdf, Size:1020Kb

Radio 2015 Formats’ Fortunes and Future Today, our ears are crowded, given the many additional choices for our listening time, compared to traditional radio of just a few decades ago. Our smartphones are packed with downloaded songs and albums and apps that provide us with access to streaming music services, such as Pandora, Spotify and iTunes Radio. In addition, all these choices are available in most new cars, including Sirius XM satellite radio. This has resulted in the state of the traditional radio medium to be essentially the same as Radio traditional broadcast (and even cable) TV: Both continue to hold their strong positions as major sources of news, entertainment, sports and other content and major generators of network and local advertising revenues, but digital is quickly closing the gap. If media ad spending is any measure of consumers’ interaction with any specific medium, A Special Report from THE MEDIACENTER then digital will remain radio and TV’s biggest 2015 challenger moving forward. For 2015, ad spending in digital media will increase 13.0 percent, but just 1.8 percent for radio and 1.7 percent for TV. In addition, as radio and TV’s share declines through 2018, digital’s will increase, finally surpassing TV during 2018 and having more than 5 times the share of radio. It’s absolutely critical that you, as a TV account executive, understand the current state of radio. Not just because it is a competing medium, but maybe, more importantly, because you’ll have an advantage over your competition when you present yourself as a local media consultant and expert to your prospects and clients. Being able to share insights and data about radio’s strengths and weaknesses will put you in a better position to influence how and where local businesses allocate their advertising budget – and, with the support of THE MEDIACENTER will make you a winner in the long run. THE MEDIACENTER 7000 Kennedy Blvd. East, M-9 Guttenberg, NJ 07093 866-921-1026 [email protected] Loyal Listeners Just as TV can show an almost ubiquitous penetration of American life, radio delivers Radio similar numbers, with 243 million Americans, 12+, listening to radio each week, which calculates to more than a 91-percent weekly penetration rate. The daily reach of radio for persons, 12+, was 66.2 percent and the total weekly time listening was 13 hours, 24 2015 minutes, according to Nielsen’s June 2015 RADAR® report. Radio’s Daily Reach by Age and Gender, 2015 Age Range Persons, 12+ Men Women 12+ 66.2% 66.9% 65.4% 12–17 56.0% 53.1% 59.0% 18+ 67.2% 68.4% 66.0% 18–24 61.2% 59.2% 63.4% 18–34 64.6% 63.2% 65.9% 18–49 67.6% 67.3% 68.0% 25–54 70.1% 70.7% 69.6% 55+ 65.1% 68.6% 62.2% 35–64 71.3% 73.0% 69.5% 65+ 60.6% 64.2% 57.8% Radio Advertising Bureau (Nielsen RADAR), June 2015 Parts of the table above are highlighted to bring attention to the fact that teens and male teens, specifically, have the lowest radio penetration rate while the highest is among adults, 35–64. Radio’s almost total penetration is further revealed when comparing more detailed data of the three primary generations – Millennials, Generation X and Baby Boomers – and two of the major ethnic groups – Hispanics and African Americans. Comparison of Three Major Generations’ Radio Use, Q4 2014 Millennials Generation X Baby Boomers Metric (18–34) (35–49) (50–64) Total weekly listeners 66.6 million 57.9 million 57.9 million Men 53% 53% 53% Women 47% 47% 47% Weekly penetration 91.3% 94.0% 93.5% Total weekly time listening 11:26 13:45 15:06 Top daypart 3pm–7pm 6am–10am 10am–3pm Top format Country Country Country Listening in the home 27% 27% 34% Listening outside the home 73% 73% 66% Nielsen, State of the Media: Audio Today, March 2015 www.mediacenteronline.com Comparison of Two Major Ethnic Groups’ Radio Use, Q4 2014 Another important data point is the amount of time the African full-time employed of the three major generations and two Metric Hispanics Americans major ethnic groups listen to radio weekly: Millennials, Total weekly listeners 39.9 million 30.9 million 12.25 hours; Generation X, 13.7 hours; Baby Boomers, 15.25 hours; Hispanics, 14.0 hours; and African Americans, Men 53% 48% 12.75 hours. Women 47% 52% Weekly penetration 93.1% 91.0% On an annual basis, radio listening peaks during the spring and fall months. For the entire 13-month period from January Total weekly time listening 12:43 12:59 2014 through January 2015, however, the range was very Top daypart 10am–3pm 3pm–7pm narrow, with January 2015 having the smallest number of Mexican Urban Adult listeners, at 10.3 million persons, 6+, for an average quarter Top format Regional Contemporary hour, and May 2014 having the largest, at 11.4 million. Listening in the home 32% 38% No other medium puts the majority of listeners closer to Listening outside the 68% 62% retailers and other businesses, since the majority of radio home users are not home during all dayparts. Nielsen, State of the Media: Audio Today, March 2015 The Workday’s Companion Radio continues to deliver peak audiences during the Radio Listening Location by Daypart, Persons, 12+, Q4 2014 traditional dayparts: AM drive, 6am–10am; midday, 10am– Daypart Not Home At Home 3pm; and PM drive, 3pm–7pm, with 7am–8am, the highest- Mon–Sun, 6am–midnight 64% 36% rated hour during the weekday and midday, 10am–3pm, the AM Drive, 6am–10am 61% 39% highest-rated daypart. Midday, 10am–3pm 72% 28% In addition, the total number of listeners, 12+, increased PM Drive, 3pm–7pm 72% 28% every weekday during spring 2014: Monday, 176.1 million; Evenings, 7pm–midnight 53% 48% Tuesday, 178.0 million; Wednesday, 177.1 million; Thursday, Weekends, 6am–midnight 55% 45% 186.3 million; and Friday, 184.9 million. The weekend days have the fewest total number of listeners: Saturday, 156.0 Nielsen, State of the Media: Audio Today, March 2015 million, and Sunday, 137.6 million. www.mediacenteronline.com Radio 2015 Formats’ Fortunes and Future News has always been major programming Radio content on all radio stations; however, according to the latest Radio Television Digital News Association (RTDNA)/Hofstra University 2015 Survey, the amount of time stations scheduled for local news and the number of stations with any on-air news reports continued to decline – and has likely done so for decades. Conducted during Q4 2014, the study found local news lost another two minutes from the average weekday time stations scheduled news broadcasts, decreasing to 75.6 minutes. In addition, the number of stations with local newscasts decreased 3.8 percent during 2014, to 66.25 percent of the 868 stations responding to the survey, which is half of 2013’s decrease of 7.7 percent. The number of US all-news stations has also declined from 37 during 2012 to 31 for 2014, and the all-news format is the lowest ranking format on Nielsen’s Top Formats of 2014. Number two on that list is the news/talk/information format. The number of stations with this format has varied during the past five years, from a low of 1,922 stations during 2010 to a high of 1,994 during 2013. There were four fewer news/talk/information format stations during 2014, or 1,990. Country is the clear #1 radio format with a total listening share that is almost 50 percent more than the #2 format, news/talk/information. America’s Top Radio Formats by Total Listening, 2014 Format Percent Format Percent #1: Country 15.2% Rhythmic Contemporary #12: 3.0% #2: News/Talk 10.6% Hit Radio (CHR) Pop Contemporary Hit #13: Mexican Regional 2.6% #3: 8.0% Radio (CHR) #14: Active Rock 2.0% #4: Adult Contemporary (AC) 7.6% #15: Adults Hits + ‘80s Hits 1.9% #5: Classic Rock 5.6% #16: Alternative 1.8% #6: Classic Hits 5.5% Album-Oriented Rock #17: 1.7% Hot Adult (AOR) + Mainstream Rock #7: 5.3% Contemporary (AC) #18: Classical 1.5% Urban Adult #8: 4.3% Spanish Contemporary Contemporary (AC) #19: + Spanish Hot Adult 1.3% #9: Contemporary Christian 3.5% Contemporary #10: All Sports 3.3% #20: Religious 1.3% #11: Urban Contemporary 3.2% #21: All News 1.3% Nielsen, State of the Media: Audio Today, March 2015 Despite the country format’s lofty position, Keith Hill, one of the most experienced and respected radio consultants, created controversy during spring 2015 when he declared that country stations played too many songs by female artists. He said he had the data to prove that when a station’s total playlist is more than 15 percent female, its ratings decrease. According to Hill, whenever he recommends this change to any station that has requested his programming guidance, its ratings increase. www.mediacenteronline.com Ad Sales Angst The findings of January–May 2015 research from Borrell Associates added to the radio industry’s advertising angst. Envision media ad spending as a mountain range. TV and Of the 7,228 small, local businesses (SMBs) Borrell radio are the two tallest peaks. Newspaper once rivaled the surveyed, 37 percent said they wouldn’t be buying any height of TV and radio, but it, and all other traditional media, radio advertising, compared to 23 percent during 2010. have eroded significantly. Although TV and radio have According to these SMBs, even the online/digital medium weathered the ravages of time, there is a new peak growing would receive slightly less of their advertising buys than at a rapid rate – digital – and it is about to stand shoulder to for 2010.
Recommended publications
  • Audio Today a Focus on African American & Hispanic Audiences April 2014
    STATE OF THE MEDIA: AUDIO TODAY A FOCUS ON AFRICAN AMERICAN & HISPANIC AUDIENCES APRIL 2014 STATE OF THE MEDIA: AUDIO TODAY Q2 Copyright © 2014 The Nielsen Company 1 GROWTH AND THE AUDIO LANDSCAPE NATIONAL AUDIENCE HITS ALL-TIME HIGH Growth is a popular word today in America, whether you’re talking about the stock market, entertainment choices, or census trends. Through it all, radio consumption continues to increase; nearly 92% of all Americans 12 or older are tuning to radio in an average week. That’s 244.4 million of us, a record high! 244 MILLION AMERICANS LISTEN TO RADIO EACH WEEK This growth is remarkable considering the variety and number of media choices available to consumers today over-the-air and online via smartphones, tablets, notebooks/desktop computers and digital dashboards. Radio’s hyper-local nature uniquely serves each market which keeps it tied strongly to our daily lives no matter how (or where) we tune in. The radio landscape is also a diverse community of listeners from every corner of America, who reflect the same population trends of the country as a whole. Radio is one of the original mass mediums and as the U.S. population grows and the makeup of our citizens change, radio audiences follow suit. Alongside the national growth headline, both African American and Hispanic audiences have also reached a historic high with more than 71 million tuning in each week. Source: RADAR 120, March 2014, M-SU MID-MID, Total Listeners 12+/Hispanic 12+/African American 12+ 2 STATE OF THE MEDIA: AUDIO TODAY Q2 RADIO’S GROWTH CHART IS DIVERSIFIED Weekly Cume (000) March 2013 June 2013 Sept 2013 Dec 2013 March 2014 All Listeners 12+ 243,177 242,876 242,530 242,186 244,457 Hispanic 12+ 39,586 39,577 39,506 39,380 40,160 African American 12+ 30,987 30,862 30,823 30,742 31,186 71 MILLION AFRICAN AMERICANS AND HISPANICS The focus for this quarter’s Audio Today report is the African American and Hispanic listener; combined these listeners account for nearly a third (29.6%) of the total national audience.
    [Show full text]
  • A Toolkit for Working with the Media
    Utilizing the Media to Facilitate Social Change A Toolkit for Working with the Media WEST VIRGINIA FOUNDATION for RAPE INFORMATION and SERVICES www.fris.org 2011 Media Toolkit | 2 TABLE OF CONTENTS Media Advocacy……………………………….. ……….. 3 Building a Relationship with the Media……... ……….. 3 West Virginia Media…………………………………….. 4 Tips for Working with the Media……………... ……….. 10 Letter to the Editor…………………………….. ……….. 13 Opinion Editorial (Op-Ed)…………………….. ……….. 15 Media Advisory………………………………… ……….. 17 Press/News Release………………………….. ……….. 19 Public Service Announcements……………………….. 21 Media Interviews………………………………. ……….. 22 Survivors’ Stories and the Media………………………. 23 Media Packets…………………………………. ……….. 25 Media Toolkit | 3 Media Advocacy Media advocacy can promote social change by influencing decision-makers and swaying public opinion. Organizations can use mass media outlets to change social conditions and encourage political and social intervention. When working with the media, advocates should ‘shape’ their story to incorporate social themes rather than solely focusing on individual accountability. “Develop a story that personalizes the injustice and then provide a clear picture of who is benefiting from the condition.” (Wallack et al., 1999) Merely stating that there is a problem provides no ‘call to action’ for the public. Therefore, advocates should identify a specific solution that would allow communities to take control of the issue. Sexual violence is a public health concern of social injustices. Effective Media Campaigns Local, regional or statewide campaigns can provide a forum for prevention, outreach and raising awareness to create social change. This toolkit will enhance advocates’ abilities to utilize the media for campaigns and other events. Campaigns can include: public service announcements (PSAs), awareness events (Take Back the Night; The Clothesline Project), media interviews, coordinated events at area schools or college campuses, position papers, etc.
    [Show full text]
  • Collected Press Clips
    Future of Music Coalition press clips following release of radio study November 2002 - January 2003 Study Shows an Increase in Overlap of Radio Playlists; The report by an artists' rights group says that morestations with different formats play the same songs. Industry officials disagree. By Jeff Leeds Los Angeles Times, November 15, 2002 http://www.latimes.com/business/la-fi-radio15nov15,0,4652989.story Ever since the Clinton administration Moreover, the study says, radio handful of giant media companies, loosened restrictions on how many companies that have grown the most including Clear Channel and Viacom radio stations a broadcaster could under deregulation are limiting the Inc.'s Infinity Broadcasting, which own, record label executives have choice of music by operating two or operates more than 180 stations. complained that media consolidation more stations in the same market Radio industry officials dismissed the would lead to bland playlists and with the same music format. The study's conclusions. homogenous programming. report said that Clear Channel Communications Inc., the nation's "The big gap in the logic is that the Now a coalition of musicians and biggest radio conglomerate, has 143 authors don't believe radio stations independent record label executives stations with similar music formats in care about what consumers do," said say they have statistical proof that the same market. Jodie Renk, general manager of Core the relaxation of ownership rules has Callout Research, a firm that tests stifled recording artists and The study contradicts the conclusions new songs with radio listeners. "damaged radio as a public of a September report by the Federal resource." The study was done by the Communications Commission.
    [Show full text]
  • UNITED STATES SECURITIES and EXCHANGE COMMISSION Washington, D.C
    UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2009 OR o TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number 001-09553 CBS CORPORATION (Exact name of registrant as specified in its charter) DELAWARE 04-2949533 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification Number) 51 W. 52nd Street New York, NY 10019 (212) 975-4321 (Address, including zip code, and telephone number, including area code, of registrant's principal executive offices) Securities Registered Pursuant to Section 12(b) of the Act: Name of Each Exchange on Title of Each Class Which Registered Class A Common Stock, $0.001 par value New York Stock Exchange Class B Common Stock, $0.001 par value New York Stock Exchange 7.625% Senior Debentures due 2016 American Stock Exchange 7.25% Senior Notes due 2051 New York Stock Exchange 6.75% Senior Notes due 2056 New York Stock Exchange Securities Registered Pursuant to Section 12(g) of the Act: None (Title of Class) Indicate by check mark if the registrant is a well-known seasoned issuer (as defined in Rule 405 of the Securities Act of 1933). Yes ☒ No o Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Securities Exchange Act of 1934.
    [Show full text]
  • Spitzer's Aides Find It Difficult to Start Anew
    CNYB 07-07-08 A 1 7/3/2008 7:17 PM Page 1 SPECIAL SECTION NBA BETS 2008 ON OLYMPICS; ALL-STAR GAME HITS HOME RUN IN NEW YORK ® PAGE 3 AN EASY-TO-USE GUIDE TO THE VOL. XXIV, NO. 27 WWW.CRAINSNEWYORK.COM JULY 7-13, 2008 PRICE: $3.00 STATISTICS Egos keep THAT MATTER THIS Spitzer’s aides YEAR IN NEW YORK newspaper PAGES 9-43 find it difficult presses INCLUDING: ECONOMY rolling FINANCIAL to start anew HEALTH CARE Taking time off to decompress Local moguls spend REAL ESTATE millions even as TOURISM life. Paul Francis, whose last day business turns south & MORE BY ERIK ENGQUIST as director of operations will be July 11, plans to take his time three months after Eliot before embarking on his next BY MATTHEW FLAMM Spitzer’s stunning demise left endeavor, which he expects will them rudderless,many members be in the private sector. Senior ap images across the country,the newspa- of the ex-governor’s inner circle adviser Lloyd Constantine,who per industry is going through ar- have yet to restart their careers. followed Mr. Spitzer to Albany TEAM SPITZER: guably the darkest period in its A few from the brain trust that and bought a house there, has THEN AND NOW history, with publishers slashing once seemed destined to reshape yet to return to his Manhattan newsroom staff and giants like Tri- the state have moved on to oth- law firm, Constantine Cannon. RICH BAUM bune Co.standing on shaky ground. AT DEADLINE er jobs, but others are taking Working for the hard-driv- WAS The governor’s Things are different in New time off to decompress from the ing Mr.Spitzer,“you really don’t secretary York.
    [Show full text]
  • OF AFRICAN-AMERICANS African-American Experience
    LISTEN UP: AFRICAN-AMERICAN CONSUMERS AND MUSIC DIVERSE INTELLIGENCE SERIES AFRICAN- AMERICAN CONSUMERS AND MUSIC 53% For centuries, music has played a central role in the OF AFRICAN-AMERICANS African-American experience. Black musical traditions ARE UNDER THE AGE OF 35, have evolved over time into such quintessentially COMPARED TO 47% OF THE American music as gospel and the blues to jazz and hip TOTAL POPULATION hop. While the influence and artistic works of African- Americans have shaped the vast musical landscape enjoyed today, music for most African-Americans continues to have a powerful social significance. Totaling 44 million people and growing, the African- American community represents a significant audience 14% for the music industry. Blacks make up 14 percent of the total U.S. population and are proportionally younger than the rest of America.1 More than half of the BLACKS MAKE UP 14% Black population – 53 percent -- is under the age of 35, OF THE TOTAL U.S. compared the 47 percent of the total population. As a POPULATION AND ARE younger audience, African-Americans have an influence PROPORTIONALLY on music that is outsize to their share of the overall YOUNGER THAN THE REST OF AMERICA.1 population; and as early adopters of technology, this engaged and connected group has the power to inspire musical trends. 1Source: U.S. Census Bureau: State and County QuickFacts. Data derived from Population Estimates, American Community Survey 2 MUSIC AND THE MULTICULTURAL CONSUMER: AFRICAN-AMERICAN MUSICAL PREFERENCES African-Americans have a long history of creating definitive American pop music styles with global appeal.
    [Show full text]
  • CKOS-FM Fort Mcmurray – Technical Changes
    Broadcasting Decision CRTC 2014-599 PDF version Route reference: Part 1 application posted on 20 March 2014 Ottawa, 18 November 2014 King’s Kids Promotions Outreach Ministries Incorporated Fort McMurray, Alberta Application 2014-0207-3 CKOS-FM Fort McMurray – Technical changes The Commission approves an application by King’s Kids Promotions Outreach Ministries Incorporated to change the authorized contours of the English-language low-power specialty (Christian music) radio station CKOS-FM Fort McMurray. Consequently, the station’s licence class will change from low-power unprotected to protected B. As a result of these changes, local listeners will see an increase in the quality of the station’s signal, and listeners living farther away will now be able to receive its programming. Application 1. King’s Kids Promotions Outreach Ministries Incorporated (King’s Kids) filed an application to change the authorized contours of the English-language low-power specialty (Christian music) radio station CKOS-FM Fort McMurray, Alberta, by relocating the transmitter site, and by increasing the average effective radiated power (ERP) from 35 to 40,000 watts and the effective height of antenna above average terrain (EHAAT) from 72.1 to 96.5 metres.1 This increase in power would result in CKOS-FM changing from a low-power unprotected service to a protected class B service. The Commission did not receive any interventions regarding this application. 2. In Broadcasting Regulatory Policy 2014-554, the Commission issued a revised approach for low-power radio stations whereby licensees who wish to move from a low-power unprotected status to a protected status are now required to file an application to obtain a new broadcasting licence.
    [Show full text]
  • Radio Airplay and the Record Industry: an Economic Analysis
    Radio Airplay and the Record Industry: An Economic Analysis By James N. Dertouzos, Ph.D. For the National Association of Broadcasters Released June 2008 Table of Contents About the Author and Acknowledgements ................................................................... 3 Executive Summary....................................................................................................... 4 Introduction and Study Overview ................................................................................ 7 Overview of the Music, Radio and Related Media Industries....................................... 15 Previous Evidence on the Sales Impact of Radio Exposure .......................................... 31 An Econometric Analysis of Radio Airplay and Recording Sales ................................ 38 Summary and Policy Implications................................................................................. 71 Appendix A: Options in Dealing with Measurement Error........................................... 76 Appendix B: Supplemental Regression Results ............................................................ 84 © 2008 National Association of Broadcasters 2 About the Author and Acknowledgements About the Author Dr. James N. Dertouzos has more than 25 years of economic research and consulting experience. Over the course of his career, Dr. Dertouzos has conducted more than 100 major research projects. His Ph.D. is in economics from Stanford University. Dr. Dertouzos has served as a consultant to a wide variety of private and public
    [Show full text]
  • Columbus Ohio Radio Station Guide
    Columbus Ohio Radio Station Guide Cotemporaneous and tarnal Montgomery infuriated insalubriously and overdid his brigades critically and ultimo. outsideClinten encirclingwhile stingy threefold Reggy whilecopolymerise judicious imaginably Paolo guerdons or unship singingly round. or retyping unboundedly. Niall ghettoizes Find ourselves closer than in columbus radio station in wayne county. Korean Broadcasting Station premises a Student Organization. The Nielsen DMA Rankings 2019 is a highly accurate proof of the nation's markets ranked by population. You can listen and family restrooms and country, three days and local and penalty after niko may also says everyone for? THE BEST 10 Mass Media in Columbus OH Last Updated. WQIO The New Super Q 937 FM. WTTE Columbus News Weather Sports Breaking News. Department of Administrative Services Divisions. He agreed to buy his abuse-year-old a radio hour when he discovered that sets ran upward of 100 Crosley said he decided to buy instructions and build his own. Universal Radio shortwave amateur scanner and CB radio. Catholic Diocese of Columbus Columbus OH. LPFM stations must protect authorized radio broadcast stations on exactly same. 0 AM1044 FM WRFD The Word Columbus OH Christian Teaching and Talk. This plan was ahead to policies to columbus ohio radio station guide. Syndicated talk programming produced by Salem Radio Network SRN. Insurance information Medical records Refer a nurse View other patient and visitor guide. Ohio democratic presidential nominee hillary clinton was detained and some of bonten media broadcaster nathan zegura will guide to free trial from other content you want. Find a food Station Unshackled. Cleveland Clinic Indians Radio Network Flagship Stations.
    [Show full text]
  • Radio YEARBOOK® 2015
    Radio YEARBOOK® 2015 Also available on CD ROM and via the Internet through BIA/Kelsey’s MEDIA Access Pro™ BIA/Kelsey • 15120 Enterprise Ct., Chantilly, VA 20151-1217 Phone: 703-818-2425 • Fax: 703-803-3299 • E-mail: [email protected] • Web: www.biakelsey.com BIA/Kelsey’s Radio Yearbook® 2015 Copyright © 2015 BIA Advisory Services, LLC Thomas J. Buono, Publisher BIA/Kelsey • 15120 Enterprise Ct., Chantilly, VA 20151-1217 Phone: 703-818-2425 • Fax: 703-803-3299 • E-mail: [email protected] • Web: www.biakelsey.com Table of Contents Copyrights and Acknowledgements ....................................................................................................... iv United States Overview ......................................................................................................................... v Sample Metro Market ............................................................................................................................. vi Metro Market Stations’ Key .................................................................................................................. vii Keys & Codes .......................................................................................................................................viii Metro Market Stations (Alphabetical Order) ...............................................................................................1 Non-Metro Stations (State and City of License Order) ...........................................................................403 Group Owners .........................................................................................................................................545
    [Show full text]
  • Station Ownership and Programming in Radio
    FCC Media Ownership Study #5: Station Ownership and Programming in Radio By Tasneem Chipty CRA International, Inc. June 24, 2007 * CRA International, Inc., 200 Clarendon Street, T-33, Boston, MA 02116. I would like to thank Rashmi Melgiri, Matt List, and Caterina Nelson for helpful discussions and valuable assistance. The opinions expressed here are my own and do not necessarily reflect those of CRA International, Inc., or any of its other employees. Station Ownership and Programming in Radio by Tasneem Chipty, CRA International, June, 2007 I. Introduction Out of concern that common ownership of media may stifle diversity of voices and viewpoints, the Federal Communications Commission (“FCC”) has historically placed limits on the degree of common ownership of local radio stations, as well as on cross-ownership among radio stations, television stations, and newspapers serving the same local area. The 1996 Telecommunications Act loosened local radio station ownership restrictions, to different degrees across markets of different sizes, and it lifted all limits on radio station ownership at the national level. Subsequent FCC rule changes permitted common ownership of television and radio stations in the same market and also permitted a certain degree of cross-ownership between radio stations and newspapers. These changes have resulted in a wave of radio station mergers as well as a number of cross-media acquisitions, shifting control over programming content to fewer hands. For example, the number of radio stations owned or operated by Clear Channel Communications increased from about 196 stations in 1997 to 1,183 stations in 2005; the number of stations owned or operated by CBS (formerly known as Infinity) increased from 160 in 1997 to 178 in 2005; and the number of stations owned or operated by ABC increased from 29 in 1997 to 71 in 2005.
    [Show full text]
  • Black Radio Today Executive Summary
    EXECUTIVE SUMMARY Black Radio Today 2013 How America Listens to Radio © 2013 Arbitron Inc. All Rights Reserved. Radio’s Enduring Relationship With Black America Arbitron Black Radio Today 2013 About 92% of Black consumers aged 12 years and over listen to the radio each week at home, at work, in the car and in other locations. Regardless of age, time of day or location, radio is a reliable media companion of Black consumers. Welcome to Black Radio Today 2013—an up-to-date look at radio listening nationwide and by these formats consumed by Black audiences during the Spring 2012 Diary and April-May-June 2012 PPM surveys: Gospel, Urban Adult Contemporary, Urban Contemporary, Contemporary Inspirational, Rhythmic Contemporary Hit Radio, Adult Contemporary, News/Talk/Information, Pop Contemporary Hit Radio and All Sports. Black Radio Today 2013 uses Arbitron and Scarborough research to develop a profile of radio listening by Black consumers across America, gathered from thousands of respondents in each of the services. You’ll find valuable insights on the enduring relationship between radio and Black listeners around the country. Keep up with Arbitron on our Facebook® and Twitter® accounts linked below. Follow the conversation: facebook.com/ArbitronInc @ArbitronInc PPM ratings are based on audience estimates and are the opinion of Arbitron and should not be relied on for precise accuracy or precise representativeness of a demographic or radio market. Black Radio Today and all ratings, data and other content contained in this report are protected under United States copyright and trademark laws, international conventions and other applicable laws. You may not quote, reference, link to, frame, copy, modify, distribute, publicly display, broadcast, transmit or make any commercial use of any portion of this report, including any ratings, data or other content.
    [Show full text]