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Audio Today a Focus on African American & Hispanic Audiences April 2014
STATE OF THE MEDIA: AUDIO TODAY A FOCUS ON AFRICAN AMERICAN & HISPANIC AUDIENCES APRIL 2014 STATE OF THE MEDIA: AUDIO TODAY Q2 Copyright © 2014 The Nielsen Company 1 GROWTH AND THE AUDIO LANDSCAPE NATIONAL AUDIENCE HITS ALL-TIME HIGH Growth is a popular word today in America, whether you’re talking about the stock market, entertainment choices, or census trends. Through it all, radio consumption continues to increase; nearly 92% of all Americans 12 or older are tuning to radio in an average week. That’s 244.4 million of us, a record high! 244 MILLION AMERICANS LISTEN TO RADIO EACH WEEK This growth is remarkable considering the variety and number of media choices available to consumers today over-the-air and online via smartphones, tablets, notebooks/desktop computers and digital dashboards. Radio’s hyper-local nature uniquely serves each market which keeps it tied strongly to our daily lives no matter how (or where) we tune in. The radio landscape is also a diverse community of listeners from every corner of America, who reflect the same population trends of the country as a whole. Radio is one of the original mass mediums and as the U.S. population grows and the makeup of our citizens change, radio audiences follow suit. Alongside the national growth headline, both African American and Hispanic audiences have also reached a historic high with more than 71 million tuning in each week. Source: RADAR 120, March 2014, M-SU MID-MID, Total Listeners 12+/Hispanic 12+/African American 12+ 2 STATE OF THE MEDIA: AUDIO TODAY Q2 RADIO’S GROWTH CHART IS DIVERSIFIED Weekly Cume (000) March 2013 June 2013 Sept 2013 Dec 2013 March 2014 All Listeners 12+ 243,177 242,876 242,530 242,186 244,457 Hispanic 12+ 39,586 39,577 39,506 39,380 40,160 African American 12+ 30,987 30,862 30,823 30,742 31,186 71 MILLION AFRICAN AMERICANS AND HISPANICS The focus for this quarter’s Audio Today report is the African American and Hispanic listener; combined these listeners account for nearly a third (29.6%) of the total national audience. -
Phil Morettini Named Tech Columnist/Blogger on San Diego News Network (SDNN)
FOR IMMEDIATE RELEASE Phil Morettini named Tech Columnist/Blogger on San Diego News Network (SDNN) PJM Consulting President to Write Weekly Column on Technology and Software Business SAN DIEGO, Calif., May 12, 2009 – PJM Consulting announced today that the firmʹs President, Phil Morettini, has been named to write a Blog Column on the San Diego News Network. The column is entitled ʺMorettini on San Diego (SD) Techʺ and will provide viewpoints and commentary on current news, trends and important topics in the technology business. There will be a local emphasis on software and technology activity in the San Diego metro area, but the column will also include topics of global interest. A number of articles on Software and Tech Management topics are already available in the SDNN business section. The format is designed to be interactive, and user comments and feedback are welcomed. RSS feeds are available for newsreader subscriptions. Recent articles written by Mr. Morettini on the SDDN website include such titles as ʺBack to the Future: Cloud Computing and SaaS", "Use White Papers for marketing", "Oracle eats Sun — indigestion?" and "The shrinking venture capitalist." Mr. Morettini is an experience senior executive with extensive experience in both Fortune 500 tech companies, as well as extensive software startup experience. He has served as a CEO, VP/General Manager and VP, Sales & Marketing across a number of high tech market segments. In 2000, he founded PJM Consulting to serve the software and IT companies in need of outside expertise and senior management bandwidth. SDNN is a new, web‑based news site providing full coverage of the San Diego Area. -
A Toolkit for Working with the Media
Utilizing the Media to Facilitate Social Change A Toolkit for Working with the Media WEST VIRGINIA FOUNDATION for RAPE INFORMATION and SERVICES www.fris.org 2011 Media Toolkit | 2 TABLE OF CONTENTS Media Advocacy……………………………….. ……….. 3 Building a Relationship with the Media……... ……….. 3 West Virginia Media…………………………………….. 4 Tips for Working with the Media……………... ……….. 10 Letter to the Editor…………………………….. ……….. 13 Opinion Editorial (Op-Ed)…………………….. ……….. 15 Media Advisory………………………………… ……….. 17 Press/News Release………………………….. ……….. 19 Public Service Announcements……………………….. 21 Media Interviews………………………………. ……….. 22 Survivors’ Stories and the Media………………………. 23 Media Packets…………………………………. ……….. 25 Media Toolkit | 3 Media Advocacy Media advocacy can promote social change by influencing decision-makers and swaying public opinion. Organizations can use mass media outlets to change social conditions and encourage political and social intervention. When working with the media, advocates should ‘shape’ their story to incorporate social themes rather than solely focusing on individual accountability. “Develop a story that personalizes the injustice and then provide a clear picture of who is benefiting from the condition.” (Wallack et al., 1999) Merely stating that there is a problem provides no ‘call to action’ for the public. Therefore, advocates should identify a specific solution that would allow communities to take control of the issue. Sexual violence is a public health concern of social injustices. Effective Media Campaigns Local, regional or statewide campaigns can provide a forum for prevention, outreach and raising awareness to create social change. This toolkit will enhance advocates’ abilities to utilize the media for campaigns and other events. Campaigns can include: public service announcements (PSAs), awareness events (Take Back the Night; The Clothesline Project), media interviews, coordinated events at area schools or college campuses, position papers, etc. -
Download YAM011
yetanothermagazine filmtvmusic aug2010 lima film festival 2010 highlights blockbuster season from around the world in this yam we review // aftershocks, inception, toy story 3, the ghost writer, taeyang, se7en, boa, shinee, bibi zhou, jing chang, the derek trucks band, time of eve and more // yam exclusive interview with songwriter diane warren film We keep working on that, but there’s toy story 3 pg4 the ghost writer pg5 so much territory to cover, and so You know the address: aftershocks pg6 very little of us. This is why we need [email protected] inception pg7 lima film festival// yam contributors. We know our highlights pg9 readers are primarily located in the amywong // cover// US, but I’m hoping to get people yam exclusive from other countries to review their p.s.: I actually spoke to Diane interview with diane warren pg12 local releases. The more the merrier, Warren. She's like the soundtrack music people. of our lives, to anyone of my the derek trucks band - roadsongs pg16 generation anyway. Check it out. se7en - digital bounce pg16 shinee - lucifer pg17 Yup, we’re grovelling for taeyang - solar pg17 contributors. I’m particularly eminem - recovery pg18 macy gray - the sellout pg18 interested in someone who is jing chang - the opposite me pg18 located in New York, since we’ve bibi zhou - i.fish.light.mirror pg18 nick chou - first album pg19 received a couple of screening boa - hurricane venus pg19 invites, but we got no one there. tv Interested? Hit me up. bad guy pg20 time of eve pg20 books uso. -
UNITED STATES SECURITIES and EXCHANGE COMMISSION Washington, D.C
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2009 OR o TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number 001-09553 CBS CORPORATION (Exact name of registrant as specified in its charter) DELAWARE 04-2949533 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification Number) 51 W. 52nd Street New York, NY 10019 (212) 975-4321 (Address, including zip code, and telephone number, including area code, of registrant's principal executive offices) Securities Registered Pursuant to Section 12(b) of the Act: Name of Each Exchange on Title of Each Class Which Registered Class A Common Stock, $0.001 par value New York Stock Exchange Class B Common Stock, $0.001 par value New York Stock Exchange 7.625% Senior Debentures due 2016 American Stock Exchange 7.25% Senior Notes due 2051 New York Stock Exchange 6.75% Senior Notes due 2056 New York Stock Exchange Securities Registered Pursuant to Section 12(g) of the Act: None (Title of Class) Indicate by check mark if the registrant is a well-known seasoned issuer (as defined in Rule 405 of the Securities Act of 1933). Yes ☒ No o Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Securities Exchange Act of 1934. -
Citizen Journalism: Historical Roots and Contemporary Challenges Wally Hughes Western Kentucky University, [email protected]
Western Kentucky University TopSCHOLAR® Honors College Capstone Experience/Thesis Honors College at WKU Projects Spring 5-10-2011 Citizen Journalism: Historical Roots and Contemporary Challenges Wally Hughes Western Kentucky University, [email protected] Follow this and additional works at: http://digitalcommons.wku.edu/stu_hon_theses Part of the Arts and Humanities Commons Recommended Citation Hughes, Wally, "Citizen Journalism: Historical Roots and Contemporary Challenges" (2011). Honors College Capstone Experience/ Thesis Projects. Paper 305. http://digitalcommons.wku.edu/stu_hon_theses/305 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Honors College Capstone Experience/ Thesis Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. CITIZEN JOURNALISM: HISTORICAL ROOTS AND CONTEMPORARY CHALLENGES A Capstone Experience/Thesis Project Presented in Partial Fulfillment of the Requirements for the Degree Bachelor of Arts with Honors College Graduate Distinction at Western Kentucky University By Wally Hughes ***** Western Kentucky University 2010 CE/T Committee: Approved by Professor Mac Mckerral, Adviser Dr. Jeffrey Kash Mac Mckerral Dr. Angela Jones School of Journalism Copyright by Wally Hughes 2010 ABSTRACT The purpose of this thesis is to analyze what effect, if any, citizen journalism is having on journalism and ethics in today’s society. It starts by examining the role citizen journalism played in the early American colonies to show that the concept of citizen journalism is not new but has played a vital role throughout American history. Next, the focus shifts to the events and reasons that led to the re-emergence of citizen journalism during the past few decades, such as media consolidation and new technology. -
Info Fair Resources
………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… Info Fair Resources ………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… SCHOOL OF VISUAL ARTS 209 East 23 Street, New York, NY 10010-3994 212.592.2100 sva.edu Table of Contents Admissions……………...……………………………………………………………………………………… 1 Transfer FAQ…………………………………………………….…………………………………………….. 2 Alumni Affairs and Development………………………….…………………………………………. 4 Notable Alumni………………………….……………………………………………………………………. 7 Career Development………………………….……………………………………………………………. 24 Disability Resources………………………….…………………………………………………………….. 26 Financial Aid…………………………………………………...………………………….…………………… 30 Financial Aid Resources for International Students……………...…………….…………… 32 International Students Office………………………….………………………………………………. 33 Registrar………………………….………………………………………………………………………………. 34 Residence Life………………………….……………………………………………………………………... 37 Student Accounts………………………….…………………………………………………………………. 41 Student Engagement and Leadership………………………….………………………………….. 43 Student Health and Counseling………………………….……………………………………………. 46 SVA Campus Store Coupon……………….……………….…………………………………………….. 48 Undergraduate Admissions 342 East 24th Street, 1st Floor, New York, NY 10010 Tel: 212.592.2100 Email: [email protected] Admissions What We Do SVA Admissions guides prospective students along their path to SVA. Reach out -
CKOS-FM Fort Mcmurray – Technical Changes
Broadcasting Decision CRTC 2014-599 PDF version Route reference: Part 1 application posted on 20 March 2014 Ottawa, 18 November 2014 King’s Kids Promotions Outreach Ministries Incorporated Fort McMurray, Alberta Application 2014-0207-3 CKOS-FM Fort McMurray – Technical changes The Commission approves an application by King’s Kids Promotions Outreach Ministries Incorporated to change the authorized contours of the English-language low-power specialty (Christian music) radio station CKOS-FM Fort McMurray. Consequently, the station’s licence class will change from low-power unprotected to protected B. As a result of these changes, local listeners will see an increase in the quality of the station’s signal, and listeners living farther away will now be able to receive its programming. Application 1. King’s Kids Promotions Outreach Ministries Incorporated (King’s Kids) filed an application to change the authorized contours of the English-language low-power specialty (Christian music) radio station CKOS-FM Fort McMurray, Alberta, by relocating the transmitter site, and by increasing the average effective radiated power (ERP) from 35 to 40,000 watts and the effective height of antenna above average terrain (EHAAT) from 72.1 to 96.5 metres.1 This increase in power would result in CKOS-FM changing from a low-power unprotected service to a protected class B service. The Commission did not receive any interventions regarding this application. 2. In Broadcasting Regulatory Policy 2014-554, the Commission issued a revised approach for low-power radio stations whereby licensees who wish to move from a low-power unprotected status to a protected status are now required to file an application to obtain a new broadcasting licence. -
Sam Moore BIO for Years Sam Moore Was Best Known for His Work With
Sam Moore BIO For years Sam Moore was best known for his work with the historic soul duo Sam & Dave. The rapid-fire style, built on the call and response of gospel, was fashioned and pioneered by Sam and became the trademark of the duo. Songs like Hold On I’m Coming, I Thank You, When Something Is Wrong With My Baby, Soul Sister, Brown Sugar, Wrap It Up and his monster hit Soul Man catapulted them up both the Pop and R & B Charts. Sam & Dave sold more than 10 million records worldwide. The music and sound of Sam & Dave became so popular that the duo served as the inspiration for The Blues Brothers parody by Dan Aykroyd and John Belushi. Though he has tremendous love and respect for the music he created as “the voice” of the duo, Sam, who has been called “the blast furnace of soul,” has maintained his appeal and his stardom as a solo artist and continues to tour scoring critical acclaim for his work. He recorded Rainy Night In Georgia, as a duet with Conway Twitty, which earned them a platinum record as well as two Country Music Association Awards nominations. This was Twitty’s last recording. The Grammy Award winner has countless television appearances globally including The Leno Show, Late Night With David Letterman, Later With Jools, The Today Show, Entertainment Tonight, The Grammys and many others. Sam has also appeared in several major movies including One Trick Pony, Tapeheads, Blues Brothers 2000 and Night of The Golden Eagle. A documentary filmed by the legendary D.A. -
Quintet/String Orchestra Repertoire
Millington Strings Quintet Repertoire 2019 Title Composer A Chloris Reynaldo Hahn A Summer Place Percy Faith/Max Steiner A Thousand Years Hodges/Perri Adagietto fr Symphony # 5 Gustav Mahler Adagio Tomaso Albinoni Adagio Cantabile Ludwig van Beethoven Agnus Dei Johann Sebastian Bach Air (fr 2nd French Suite) Johann Sebastian Bach Air (fr Water Music) Georg Friedrich Handel Air (On The G String) Johann Sebastian Bach All Hail to Thee Ingemar Braennstroem All I Ask Of You Andrew Lloyd-Webber All I Want Is You Bono All You Need Is Love John Lennon/Paul McCartney Amazing Grace English/American Traditional Americana Suite, Mvt 1: 400 HP, Heavy Foot Stephen H Millington Americana Suite, Mvt 2: Foxy Stephen H Millington Americana Suite, Mvt 3: Starry Night, Starry Eyes Stephen H Millington Americana Suite, Mvt 4: Aretha Stephen H Millington And I Love Her John Lennon/Paul McCartney And So It Goes Billy Joel Andante (fr Water Music) Georg Friedrich Handel Andante Festivo Jean Sibelius Ang Tangi Kong Pag-Ibig Constancio de Guzman Anitra's Dance Edvard Grieg Aniversary Waltz Dave Franklin/Al Dubin April In Portugal Raul Ferrao Aria sopra la Bergamasca Marco Uccellini Tuesday, August 6, 2019 Page 1 of 14 Title Composer Arioso Johann Sebastian Bach Asher Bara Israeli Traditional Asher Boro Israeli Traditional Ashokan Farewell Jay Ungar At Last Mack Gordon/Harry Warren Ave Maria Johann Sebastian Bach/Charles Gounod Ave Maria Franz Schubert Bachianas # 5 Heitor Villa-Lobos Badinerie Johann Sebastian Bach Ballade Ciprian Porumbescu Be Thou My Vision -
Radio YEARBOOK® 2015
Radio YEARBOOK® 2015 Also available on CD ROM and via the Internet through BIA/Kelsey’s MEDIA Access Pro™ BIA/Kelsey • 15120 Enterprise Ct., Chantilly, VA 20151-1217 Phone: 703-818-2425 • Fax: 703-803-3299 • E-mail: [email protected] • Web: www.biakelsey.com BIA/Kelsey’s Radio Yearbook® 2015 Copyright © 2015 BIA Advisory Services, LLC Thomas J. Buono, Publisher BIA/Kelsey • 15120 Enterprise Ct., Chantilly, VA 20151-1217 Phone: 703-818-2425 • Fax: 703-803-3299 • E-mail: [email protected] • Web: www.biakelsey.com Table of Contents Copyrights and Acknowledgements ....................................................................................................... iv United States Overview ......................................................................................................................... v Sample Metro Market ............................................................................................................................. vi Metro Market Stations’ Key .................................................................................................................. vii Keys & Codes .......................................................................................................................................viii Metro Market Stations (Alphabetical Order) ...............................................................................................1 Non-Metro Stations (State and City of License Order) ...........................................................................403 Group Owners .........................................................................................................................................545 -
Station Ownership and Programming in Radio
FCC Media Ownership Study #5: Station Ownership and Programming in Radio By Tasneem Chipty CRA International, Inc. June 24, 2007 * CRA International, Inc., 200 Clarendon Street, T-33, Boston, MA 02116. I would like to thank Rashmi Melgiri, Matt List, and Caterina Nelson for helpful discussions and valuable assistance. The opinions expressed here are my own and do not necessarily reflect those of CRA International, Inc., or any of its other employees. Station Ownership and Programming in Radio by Tasneem Chipty, CRA International, June, 2007 I. Introduction Out of concern that common ownership of media may stifle diversity of voices and viewpoints, the Federal Communications Commission (“FCC”) has historically placed limits on the degree of common ownership of local radio stations, as well as on cross-ownership among radio stations, television stations, and newspapers serving the same local area. The 1996 Telecommunications Act loosened local radio station ownership restrictions, to different degrees across markets of different sizes, and it lifted all limits on radio station ownership at the national level. Subsequent FCC rule changes permitted common ownership of television and radio stations in the same market and also permitted a certain degree of cross-ownership between radio stations and newspapers. These changes have resulted in a wave of radio station mergers as well as a number of cross-media acquisitions, shifting control over programming content to fewer hands. For example, the number of radio stations owned or operated by Clear Channel Communications increased from about 196 stations in 1997 to 1,183 stations in 2005; the number of stations owned or operated by CBS (formerly known as Infinity) increased from 160 in 1997 to 178 in 2005; and the number of stations owned or operated by ABC increased from 29 in 1997 to 71 in 2005.