Radio Market Survey Population, Rankings & Information
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Baseball Broadcasting in the Digital Age
Baseball broadcasting in the digital age: The role of narrative storytelling Steven Henneberry CAPSTONE PROJECT University of Minnesota School of Journalism and Mass Communication June 29, 2016 Table of Contents About the Author………………………………………………………………………………… 3 Acknowledgements……………………………………………………………………………… 4 Executive Summary……………………………………………………………………………… 5 Introduction/Background…………………………………………………………………… 6 Literature Review………………………………………………………………………………… 10 Primary Research Studies Study I: Content Analysis…………………………………………………………… 17 Study II: Broadcaster Interviews………………………………………………… 31 Study III: Baseball Fan Interviews……………………………………………… 48 Conclusion/Recommendations…………………………………………………………… 60 References………………………………………………………………………………………….. 65 Appendix (A) Study I: Broadcaster Biographies Vin Scully……………………………………………………………………… 69 Pat Hughes…………………………………………………………………… 72 Ron Coomer…………………………………………………………………… 72 Cory Provus…………………………………………………………………… 73 Dan Gladden…………………………………………………………………… 73 Jon Miller………………………………………………………………………… 74 (B) Study II: Broadcaster Interview Transcripts Pat Hughes…………………………………………………………………… 75 Cory Provus…………………………………………………………………… 82 Jon Miller……………………………………………………………………… 90 (C) Study III: Baseball Fan Interview Transcripts Donna McAllister……………………………………………………………… 108 Rick Moore……………………………………………………………………… 113 Rowdy Pyle……………………………………………………………………… 120 Sam Kraemer…………………………………………………………………… 121 Henneberry 2 About the Author The sound of Chicago Cubs baseball has been a near constant part of Steve Henneberry’s life. -
Stations Monitored
Stations Monitored 10/01/2019 Format Call Letters Market Station Name Adult Contemporary WHBC-FM AKRON, OH MIX 94.1 Adult Contemporary WKDD-FM AKRON, OH 98.1 WKDD Adult Contemporary WRVE-FM ALBANY-SCHENECTADY-TROY, NY 99.5 THE RIVER Adult Contemporary WYJB-FM ALBANY-SCHENECTADY-TROY, NY B95.5 Adult Contemporary KDRF-FM ALBUQUERQUE, NM 103.3 eD FM Adult Contemporary KMGA-FM ALBUQUERQUE, NM 99.5 MAGIC FM Adult Contemporary KPEK-FM ALBUQUERQUE, NM 100.3 THE PEAK Adult Contemporary WLEV-FM ALLENTOWN-BETHLEHEM, PA 100.7 WLEV Adult Contemporary KMVN-FM ANCHORAGE, AK MOViN 105.7 Adult Contemporary KMXS-FM ANCHORAGE, AK MIX 103.1 Adult Contemporary WOXL-FS ASHEVILLE, NC MIX 96.5 Adult Contemporary WSB-FM ATLANTA, GA B98.5 Adult Contemporary WSTR-FM ATLANTA, GA STAR 94.1 Adult Contemporary WFPG-FM ATLANTIC CITY-CAPE MAY, NJ LITE ROCK 96.9 Adult Contemporary WSJO-FM ATLANTIC CITY-CAPE MAY, NJ SOJO 104.9 Adult Contemporary KAMX-FM AUSTIN, TX MIX 94.7 Adult Contemporary KBPA-FM AUSTIN, TX 103.5 BOB FM Adult Contemporary KKMJ-FM AUSTIN, TX MAJIC 95.5 Adult Contemporary WLIF-FM BALTIMORE, MD TODAY'S 101.9 Adult Contemporary WQSR-FM BALTIMORE, MD 102.7 JACK FM Adult Contemporary WWMX-FM BALTIMORE, MD MIX 106.5 Adult Contemporary KRVE-FM BATON ROUGE, LA 96.1 THE RIVER Adult Contemporary WMJY-FS BILOXI-GULFPORT-PASCAGOULA, MS MAGIC 93.7 Adult Contemporary WMJJ-FM BIRMINGHAM, AL MAGIC 96 Adult Contemporary KCIX-FM BOISE, ID MIX 106 Adult Contemporary KXLT-FM BOISE, ID LITE 107.9 Adult Contemporary WMJX-FM BOSTON, MA MAGIC 106.7 Adult Contemporary WWBX-FM -
Emergency Pocket Guide
PERSONAL EMERGENCY EMERGENCY CONTACT EMERGENCY CONTACT GO BAG CHECKLIST EMERGENCY CONTACT GO BAG CHECKLIST PREPAREDNESS NOTIFICATION INFORMATION INFORMATION PANEL APANEL A--44 CCSF Alert (Primary): During a Disaster: Q Water & non-perishable food CCSF Alert EMERGENCY Expect to receive an Emergency Notification from the Controller’s Office Q Basic first aid supplies •Text POCKET GUIDE • Text or DHR. If you do not receive a notification Q Prescription medications or cannot reach your supervisor within 12 •Email hours, you must try the following until you • Email Q Radio receive instructions: # • •VoiceVoice Controller’s Disaster Hotline: Q Flashlight Controller’s Disaster Hotline: 916-552-6928 (recorded information) Check with supervisor for current Q AM Radio: Batteries [for illustrative purposes only, adjust/recreate as needed][for illustrative purposes only, adjust/recreate as needed] emergency contact list APPENDIX B Radio: KCBS 740, KGO 810, KNBR 680 purposes only, adjust/recreate as needed] [for illustrative purposes only, adjust/recreate as needed] Call-down (Alternate): [for illustrative KCBS 740 AM, KGO 810 AM, Call-down Q Cash, small denominations Web: KNBR 680 AM Staff that I need to contact Status Status Staff Staff www.sfcontroller.org MessageMessage during an emergency: during an emergency: Q Sturdy shoes & change of clothes DirectorsDirectors Twitter:Web: @sfcontroller Supervisors Supervisors www.sfcontroller.org Email: Q Whistle ManagersManagers Twitter: @sfcontroller [email protected] Managers Managers Q Q Dust mask [email protected]: SupervisorsSupervisors [email protected] Directors Directors Message Remember to keep this pocket guide, Message For more information visit: Disaster Service StaffStaff StatusStatus Employees are responsible for maintaining contact info, & DSW ID badge with you. -
WBGB, WEEI, WEEI-FM, WMJX, WWBX EEO PUBLIC FILE REPORT December 1, 2019 - November 30, 2020
Page: 1/16 WBGB, WEEI, WEEI-FM, WMJX, WWBX EEO PUBLIC FILE REPORT December 1, 2019 - November 30, 2020 ENTERCOM Boston,MA IS AN EQUAL OPPORTUNITY EMPLOYER. Address: Contact Person/Title: 83 Leo Birmingham Parkway, Mark Hannon Brighton, MA - 02135 Reg. President/Market Manager Telephone Number: E-Mail Address: 617-746-1426 [email protected] I. VACANCY LIST See Section II, the "Master Recruitment Source List" ("MRSL") for recruitment source data Recruitment Sources ("RS") RS Referring Job Title Used to Fill Vacancy Hiree Account Executive 1-71, 74, 76, 78 76 Digital Project Manager 1-74, 76-77 74 Digital Project Manager 1-74, 76-77 73 Receptionist 1-59, 61-72, 75-76 76 Page: 2/16 WBGB, WEEI, WEEI-FM, WMJX, WWBX EEO PUBLIC FILE REPORT December 1, 2019 - November 30, 2020 II. MASTER RECRUITMENT SOURCE LIST ("MRSL") a. Agencies Notified by Outreach Source Entitled No. of Interviewees RS to Vacancy Referred by RS RS Information Number Notification? Over (Yes/No) Reporting Period Assumption College 500 Salisbury Street Worcester, Massachusetts 1609 1 Phone : 508-767-7227 N 0 Url : https://app.joinhandshake.com Shannon Curtis Manual Posting Bay State College 31 St James Ave Boston, Massachusetts 2116 2 Phone : 617-217-9301 N 0 Email : [email protected] Jeff Mason Bentley University 175 Forest Street Waltham, Massachusetts 2452 3 Phone : xxxxxxxxx Y 0 Email : [email protected] General Recruiting Berklee College of Music 921 Boylston Street Boston, Massachusetts 2215 4 Phone : 617-266-1400 N 0 Email : [email protected] Career Center Berkshire Community College 1350 West Street Pittsfield, Massachusetts 1201 5 Phone : 413-236-1637 N 0 Email : [email protected] Career Center Boston College 140 Commonwealth Ave Chestnut Hill, Massachusetts 2467 Phone : 617-552-4769 6 Url : https://bc-csm.symplicity.com/students/?signin_tab N 0 Employer Recruiting Manual Posting Prong 2 Ended Date: 10/28/2020 Page: 3/16 WBGB, WEEI, WEEI-FM, WMJX, WWBX EEO PUBLIC FILE REPORT December 1, 2019 - November 30, 2020 II. -
Radio, the Original Electronic Media, Is the Load-Bearing Wall in Audio’S House
JUNE 2019 AUDIO TODAY 2019 HOW AMERICA LISTENS Copyright © 2019 The Nielsen Company (US), LLC. All Rights Reserved. I was on a flight recently and the seat-back tray table had an advertisement glued onto it. Can you believe it? I paid $600 to look at an ad for two hours. The fact of the matter is, as consumers, our eyeballs are maxed out. There are virtually no open spaces left to bolt a video screen, or paste yet another logo. As the media landscape continues to fragment and evolve, a new trend is emerging: AUDIO-based content is hip and decidedly in fashion. You’d have to be a hermit not to know that audio, in all its various forms, is increasingly winning the attention of American consumers. Podcasting, streaming and smart speakers are all shining new light on what’s being called “the other channel into the consumer’s mind.” BRAD KELLY, MANAGING DIRECTOR Some of this appeal can be attributed to a long and sustained legacy. AM/FM radio, the original electronic media, is the load-bearing wall in audio’s house. Broadcast radio’s NIELSEN AUDIO continued success and resiliency is due in large part to the enviable space it occupies in the automotive console. It’s free, ubiquitous, and at the fingertips of virtually every consumer on the road today. Add to that solid foundation all the new delivery platforms and limitless content being offered from streaming and podcasters, and it’s easy to understand why the sector is growing. Voice- activated assistants are becoming commonplace, which makes access to audio content seamless and easy. -
Who Pays SX Q3 2019.Xlsx
Who Pays SoundExchange: Q3 2019 Entity Name License Type AMBIANCERADIO.COM BES Aura Multimedia Corporation BES CLOUDCOVERMUSIC.COM BES COROHEALTH.COM BES CUSTOMCHANNELS.NET (BES) BES DMX Music BES F45 Training Incorporated BES GRAYV.COM BES Imagesound Limited BES INSTOREAUDIONETWORK.COM BES IO BUSINESS MUSIC BES It's Never 2 Late BES Jukeboxy BES MANAGEDMEDIA.COM BES MIXHITS.COM BES MTI Digital Inc - MTIDIGITAL.BIZ BES Music Choice BES Music Maestro BES Music Performance Rights Agency, Inc. BES MUZAK.COM BES NEXTUNE.COM BES Play More Music International BES Private Label Radio BES Qsic BES RETAIL ENTERTAINMENT DESIGN BES Rfc Media - Bes BES Rise Radio BES Rockbot, Inc. BES Sirius XM Radio, Inc BES SOUND-MACHINE.COM BES Startle International Inc. BES Stingray Business BES Stingray Music USA BES STUDIOSTREAM.COM BES Thales Inflyt Experience BES UMIXMEDIA.COM BES Vibenomics, Inc. BES Sirius XM Radio, Inc CABSAT Stingray Music USA CABSAT Music Choice PES MUZAK.COM PES Sirius XM Radio, Inc Satellite Radio #1 Gospel Hip Hop Webcasting 102.7 FM KPGZ-lp Webcasting 411OUT LLC Webcasting 630 Inc Webcasting A-1 Communications Webcasting ACCURADIO.COM Webcasting Ad Astra Radio Webcasting AD VENTURE MARKETING DBA TOWN TALK RADIO Webcasting Adams Radio Group Webcasting ADDICTEDTORADIO.COM Webcasting africana55radio.com Webcasting AGM Bakersfield Webcasting Agm California - San Luis Obispo Webcasting AGM Nevada, LLC Webcasting Agm Santa Maria, L.P. Webcasting Aloha Station Trust Webcasting Alpha Media - Alaska Webcasting Alpha Media - Amarillo Webcasting -
Audio and Podcasting Fact Sheet
NUMBERS, FACTS AND TRENDS SHAPING YOUR WORLD ABOUT FOLLOW MY ACCOUNT DONATE Journalism & Media SEARCH MENU RESEARCH AREAS FACT SHEET JULY 12, 2018 Audio and Podcasting Fact Sheet MORE FACT SHEETS: STATE OF THE NEWS MEDIA Audience Economics The audio news sector in the United States is split by modes of delivery: traditional terrestrial (AM/FM) radio and digital formats such as online radio and podcasting. While terrestrial radio reaches almost the entire U.S. population Ownership and remains steady in its revenue, online radio and podcasting audiences have continued to grow over the past decade. Explore the patterns and longitudinal data about audio and podcasting below. Data on other public radio Find out more beyond podcasting are available in a separate fact sheet. Audience The audience for terrestrial radio remains steady and high: In 2017, 90% of Americans ages 12 and older listened to terrestrial radio in a given week, according to Nielsen Media Research data published by the Radio Advertising Bureau, a figure that has changed little since 2009. Note: This and most data on the radio sector apply to all types of listening and do not break out news, except where noted. Nielsen lists news/talk among the most listened-to radio formats; in 2017, the news/talk format earned 9.9% of radio audiences during any 15-minute period during the day. Weekly terrestrial radio listenership Chart Data Share Embed % of Americans ages 12 and older who listen to terrestrial (AM/FM) radio in a given week % of Americans ages 12 and older Year who listen to terrestrial (AM/FM) radio in a given week 2009 92% 2010 92% 2011 93% 2012 92% 2013 92% 2014 91% 2015 91% 2016 91% 2017 90% Source: Nielsen Audio RADAR 136, March 2018, publicly available via Radio Advertising Bureau. -
State of the Media: Audio Today 2017 How America Listens
JUNE 2017 STATE OF THE MEDIA: AUDIO TODAY 2017 HOW AMERICA LISTENS Copyright © 2017 The Nielsen Company WELCOME Let’s give credit where it’s due. Radio is remarkably resilient. When Nielsen entered the Audio measurement space, for the first time radio Brad Kelly, was stacked up against the competition -- and the results surprised a few Managing director people. Despite the countless media and entertainment options available Nielsen audio today, AM/FM radio continues to be the top weekly reach medium. 271 MILLION AMERICANS 6+ LISTEN TO RADIO EACH WEEK* Marketers and Brand Managers are rediscovering radio. It is a mass medium that can deliver targetability and message frequency in markets large and small. And as the audio pie continues to grow (Americans are carving out more and more time each day to listen), radio consumers tune in when and where it counts. Listening outside the home and, specifically, in the car is a huge part of the radio ecosystem. This gives advertisers the opportunity to uniquely deliver their message just prior to purchase. Not to be outdone by digital, radio is an active participant in the digital arena. Delivery platforms like AM/FM streaming audio, HD radio, and NextRadio are creating new user experiences. And the radio data is feeding seamlessly into Programmatic Solutions and the Marketing Cloud. Accountability is more than a buzz word. Advertisers increasingly insist on it and radio delivers. Nielsen provides the independent measurement, and our Audio data is now powering high caliber analytics in variety of new ways. Marketing Mix Modeling, Return on Ad Spend, cross-media Incremental Reach, the list goes on. -
KGO-AM, KNBR-AM, KNBR-FM, KSAN-FM, KSFO-AM, KTCT-AM EEO PUBLIC FILE REPORT August 1, 2019 - July 31, 2020
Page: 1/6 KGO-AM, KNBR-AM, KNBR-FM, KSAN-FM, KSFO-AM, KTCT-AM EEO PUBLIC FILE REPORT August 1, 2019 - July 31, 2020 I. VACANCY LIST See Section II, the "Master Recruitment Source List" ("MRSL") for recruitment source data Recruitment Sources ("RS") RS Referring Job Title Used to Fill Vacancy Hiree Sales Assistant 1-5, 7-10, 12-16, 18-23 21 Account Executive 1-5, 7-10, 12-23 21 Account Executive 1-5, 7-10, 12-23 21 Sales Assistant 1-5, 7-10, 12-15, 17-23 9 Sales Assistant 1-5, 7-10, 12-15, 17-23 9 KNBR Producer 1-15, 17-23 11 KNBR Producer 1-15, 17-23 11 Full Time Producer 1-10, 12-15, 17, 19-23 21 Accounts Receivable Specialist 1-10, 12-15, 17, 19-20, 22-23 9 Digital Project Manager 1-15, 17, 19-23 11 Web Content Producer 1-5, 7-9, 12-15, 17, 19-20, 22-23 9 This report was revised in July 2021 to address reporting issues Page: 2/6 KGO-AM, KNBR-AM, KNBR-FM, KSAN-FM, KSFO-AM, KTCT-AM EEO PUBLIC FILE REPORT August 1, 2019 - July 31, 2020 II. MASTER RECRUITMENT SOURCE LIST ("MRSL") Source Entitled No. of Interviewees RS to Vacancy Referred by RS RS Information Number Notification? Over (Yes/No) Reporting Period Academy of Art University 79 New Montgomery St. 1 San Francisco, California 94105 N 0 Email : [email protected] Academic Career Center Arriba Juntos 1850 Mission St. 2 San Francisco, California 94103 N 0 Fax : 1-415-863-9314 Edwin Narvaez California Broadcasters Assoc. -
CHANGING FACES of GREATER BOSTON a REPORT from BOSTON INDICATORS, the BOSTON FOUNDATION, UMASS BOSTON and the UMASS DONAHUE INSTITUTE the PROJECT TEAM
CHANGING FACES of GREATER BOSTON A REPORT FROM BOSTON INDICATORS, THE BOSTON FOUNDATION, UMASS BOSTON AND THE UMASS DONAHUE INSTITUTE THE PROJECT TEAM BOSTON INDICATORS is the research center at the UMASS BOSTON (UMB) is one of only two universities in Boston Foundation, which works to advance a thriving Greater the country with free-standing research institutes dedicated to Boston for all residents across all neighborhoods. We do this four major communities of color in the U.S. Working together by analyzing key indicators of well-being and by researching and individually, these institutes offer thought leadership to promising ideas for making our city more prosperous, equitable help shape public understanding of the evolving racial and and just. To ensure that our work informs active efforts to ethnic diversities in Boston, Massachusetts, and beyond. improve our city, we work in deep partnership with community The four research institutes are: groups, civic leaders and Boston’s civic data community to THE INSTITUTE FOR ASIAN AMERICAN produce special reports and host public convenings. STUDIES (IAAS) utilizes resources and expertise from THE BOSTON FOUNDATION is is one of the largest the university and the community to conduct research and oldest community foundations in America, with net assets on Asian Americans; to strengthen and further Asian of $1.3 billion. The Foundation is a partner in philanthropy, with American involvement in political, economic, social, and some 1,100 charitable funds established for the general benefit cultural life; and to improve opportunities and campus of the community or for special purposes. It also serves as a life for Asian American faculty, staff, and students and for major civic leader, think tank and advocacy organization dedi- those interested in Asian Americans. -
Beasley Media Group Licenses, Llc Eeo Public File Report
BEASLEY MEDIA GROUP LICENSES, LLC EEO PUBLIC FILE REPORT This Report covers full-time vacancy recruitment data for the Period: November 23, 2018 – November 22, 2019 1) Employment Unit: Beasley Media Group Licenses, LLC - Boston 2) Unit Members (Stations and Communities of License): WBOS-FM, Brookline, MA WBQT-FM, Boston, MA WKLB-FM, Waltham, MA WROR-FM, Framingham, MA WRCA(AM), Watertown, MA WBZ-FM, Boston, MA 3) EEO Contract Information for Employment Unit: Mailing Address: Telephone Number: 617-822-9600 Contact Person: John Coury 55 Morrissey Boulevard Business Manager Boston, MA 02125 [email protected] 4) Job Title Referral Source Referring Hiree: (a) Morning Show Co-Host - WKLB Management Referral (b) Program Director – WROR Management Referral (c) HR/AP Coordinator On Air Recruitment (d) Marketing Director Management Referral (e) Promotions Coordinator Employee Referral (f) On Air Personality/Host - WBOS Industry Referral (g) Morning Show Producer, WKLB Management Referral (h) Promotions Director, WROR Management Referral (i) Promotions Coordinator – WKLB/WBOS Management Referral (j) Videographer-Editor bbgi.com (k) Morning Show Host – WROR Management Referral (l) National/Local Sales Coordinator Internal Candidate (m) Morning Show Host/Anchor- WKLB Radio and Music Pros Newsletter (n) Afternoon Drive Announcer- WKLB Internal Candidate Stations WBOS‐FM, WBQT‐FM, WKLB‐FM, WBZ‐FM, WROR‐FM and WRCA are Equal Opportunity Employers. (a) Morning Show Co‐Host, WKLB‐FM Referral Source(s) of Hiree: Management Referral Did Recruitment # of Name of Organization Telephone Source Interviewees Notified of Job Vacancy Contact Address Number Request Referred Notification Yes or No Beasley Media Group 1520 South Blvd. Ste. -
Musiscfirst-Fmc-Fcc-Comment
EXECUTIVE SUMMARY The musicFIRST Coalition and the Future of Music Coalition take this opportunity to focus on competitive relationships between audio delivery platforms and the public interest in having access to recorded music via diverse, competitive and local audio delivery mechanisms. While we urge the Commission to consider music creators when analyzing competition between audio platforms, we also urge the Commission to recognize that owners of large AM/FM radio clusters within individual markets in the U.S. already have substantial competitive advantages over owners of smaller clusters and individual independent stations within those markets. In particular, if the Commission were to loosen the Local Radio Station Ownership Caps in its upcoming Quadrennial Review, history has made clear that such action would substantially reduce competition among AM/FM radio stations and profoundly harm the public interest in allowing radio entities with smaller market shares to effectively compete with their larger counterparts. For this reason musicFIRST and Future of Music Coalition are keenly interested in ensuring that ownership of AM/FM radio is not further deregulated in the U.S. In the wake of the passage of the Telecommunications Act of 1996, larger media companies bought local stations in order to consolidate them into large local clusters to take advantage of economies of scale. As a result, far fewer independent radio owners now operate stations in those markets, and the public interest in diversity, competition and localism of music on the airwaves suffer. Such consolidation also causes homogenization of AM/FM music playlists such that listeners of commercial AM/FM music-driven stations i now hear a substantially less diverse swath of artists and recordings than before consolidation.