Get to Know Prague Yourself Enjoy a Many Discounts and Have a Lot of Fun
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Where to Go 365 90 Dní Dní V Praze
discount 10 % inside Pragi Praguei where to go 365 90 dní dní v Praze information and sights na november 17 – january 18 Moravě s dětmi 2 Pragi Praguei Currently... 365 THE MOST ENTERTAINING dní 90 dní v Praze WAX MUSEUM Illusorium • an interactive exhibition that presents some well-known and lesser-known optical illusions na National Technical Museum, until 31 December www . klamarium.cz Moravě Bedřich Smetana: Má vlast (My Country) • concert commemorating the premiere of symphonic poems s Žofín Palace on Slavonic Island, 5 November www . severoceskafilharmonie.cz dětmi Národní třída Promenade • theatre and music at a site connected with events of November 1939 and 1989 Národní třída, 17 November www . dikyzemuzem.cz YOUR VISIT Un ballo in maschera • a new production of Verdi’s opera inspired by the murder of King Gustav III of Sweden OF PRAGUE National Theatre, 9 and 21 November www . narodni-divadlo.cz Japan Week • exhibitions, dance, music, and workshops presenting traditional and modern Japanese culture STARTS Various venues around Prague from 18 to 23 November www . japanweek.cz HERE! Tours of Prague’s underground structures • access to the underground areas of selected Prague buildings Various sites around Prague, 25 and 26 November www . nadenpodzem.cz Festival of Advent and Christmas Music • public performances at a choral competition Various venues around Prague, 1 and 2 December www . or-fea.cz More than the Laboratory • an exhibition of discoveries made by amateur science fans National Museum of Agriculture, until 7 January www . nzm.cz Christmas Night Run • a run along the banks of the Vltava • Jan Palach Square, 16 December www . -
On the Structure of the Roman Pantheon 25
College Art Association http://www.jstor.org/stable/3050861 . Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at . http://www.jstor.org/action/showPublisher?publisherCode=caa. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. College Art Association is collaborating with JSTOR to digitize, preserve and extend access to The Art Bulletin. http://www.jstor.org On the Structureof the Roman Pantheon Robert Mark and Paul Hutchinson Since the time of its construction, the bold, brilliantly simple schema of Hadrian's Pantheon has inspired much emulation, commendation, and even fear. Modern commentators tend to view the building as a high point in an "architectural rev- olution" brought about mainly through the Roman development of a superior poz- zolana concrete that lent itself to the forming of unitary, three-dimensional struc- tures. -
A Study of the Pantheon Through Time Caitlin Williams
Union College Union | Digital Works Honors Theses Student Work 6-2018 A Study of the Pantheon Through Time Caitlin Williams Follow this and additional works at: https://digitalworks.union.edu/theses Part of the Ancient History, Greek and Roman through Late Antiquity Commons, and the Classical Archaeology and Art History Commons Recommended Citation Williams, Caitlin, "A Study of the Pantheon Through Time" (2018). Honors Theses. 1689. https://digitalworks.union.edu/theses/1689 This Open Access is brought to you for free and open access by the Student Work at Union | Digital Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Union | Digital Works. For more information, please contact [email protected]. A Study of the Pantheon Through Time By Caitlin Williams * * * * * * * Submitted in partial fulfillment of the requirements for Honors in the Department of Classics UNION COLLEGE June, 2018 ABSTRACT WILLIAMS, CAITLIN A Study of the Pantheon Through Time. Department of Classics, June, 2018. ADVISOR: Hans-Friedrich Mueller. I analyze the Pantheon, one of the most well-preserVed buildings from antiquity, through time. I start with Agrippa's Pantheon, the original Pantheon that is no longer standing, which was built in 27 or 25 BC. What did it look like originally under Augustus? Why was it built? We then shift to the Pantheon that stands today, Hadrian-Trajan's Pantheon, which was completed around AD 125-128, and represents an example of an architectural reVolution. Was it eVen a temple? We also look at the Pantheon's conversion to a church, which helps explain why it is so well preserVed. -
The Book of the Rotunda Hospital
.'<••'',- '.' '': ,( I' /' 'v%. THE 8G»K ':my\- iOSPITAL KlRtPATRICK JELLETT THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES THE BOOK OF THE ROTUNDA HOSPITAL BARTHOLOMEW MOSSE (fROM THE PORTRAIT IN THE BOARD ROOM OF THE HOSPITAL). THE BOOK OP THE ROTUNDA HOSPITAL AN ILLUSTRATED HISTORY OF THE DUBLIN LYING-IN HOSPITAL FROM ITS FOUNDATION IN 1745 TO THE PRESENT TIME T. PERCY C. [KIRKPATRICK, M.D., M.R.LA. FELLOW AND REGIS TEAE OP THE EOYAL COLLEGE OP PHYSICIANS OF IRELAND EDITED BY HENRY JELLETT, M.D., F.R.C.P.L MASTER OF THE HOSPITAL XonDon ADLARD & SON, BARTHOLOMEW PRESS BARTHOLOMEW" CLOSE, E.G. 1913 PRINTED BY ADLAKD AND SON LONDON AND DOEKINO tl/st:.T)iV. 1^/5 MISERIS • SOLAMEN • INSTITUIT M • DCC • L • VII Great hearted Founder, to whose prescient care we owe a debt that never can be paid, Accept the duteous thanks that love inspires, accept the tribute of a nation's praise. You worked to save the sick, to soothe the pain of those who heavy laden called for help, But, e'er the work was finished, passed away, leaving the future in Another's hands. Your statue stands within our ancient halls, your portrait looks upon our daily work. Poor dead and useless things, where every stone brings back again your living memory. What need have we of bronze or sculptor's skill to call back those who leave such work as you Whose sacrifice lives on—an endless spring of healing water on a thirsty earth ? J. PEEFACE rilHB Dublin Lying-in Hospital stands pre-eminent among similar "*- institutions of Great Britain and Ireland, whether one regards it from the point of view of its age, or the mag-nitude of the work it has done and is still doing. -
Burning Bush
presents BURNING BUSH A Film by Agnieszka Holland 2013 / Czech Republic / in Czech with English subtitles / Color A Kino Lorber Release from Kino Lorber, Inc. 333 West 39 St., Suite 503 New York, NY 10018 (212) 629-6880 Publicity Contact: Rodrigo Brandão – [email protected] Matt Barry – [email protected] SHORT SYNOPSIS The three-part drama, directed by the Polish director Agnieszka Holland, is HBO Europe’s most ambitious, big-budget project to date. The film returns to a pivotal time in modern Czech history, ignored in Czech cinema until now. It begins with a reconstruction of the shocking act of a Czech university student, who in protest of the Soviet occupation of Czechoslovakia, set himself on fire in Prague’s Wenceslas Square on January 16, 1969, and died four days later. Through the story of the brave defense attorney Dagmar Burešová, who defended Palach’s legacy in a doomed lawsuit, the film examines the transformations taking place in Czechoslovak society after the invasion of the armies of the Warsaw Pact in August of 1968 and the installation of a hardline Communist government. It depicts the beginnings of Czech and Slovak resistance against the occupation, which reached its apex with the mass protests during Palach’s funeral. It also shows the nation’s gradual resignation under the pressure of fear and harsher persecution. LONG SYNOPSIS Part I On the 16th of January1969 on Wenceslas Square in Prague, a young student sets himself on fire in front of dozens of passers-by. Police Major Jireš (Ivan Trojan) investigates the circumstances of Palach’s actions. -
Rotunda ROM Magazine Subject Index V. 1 (1968) – V. 42 (2009)
Rotunda ROM Magazine Subject Index v. 1 (1968) – v. 42 (2009) 2009.12.02 Adam (Biblical figure)--In art: Hickl-Szabo, H. "Adam and Eve." Rotunda 2:4 (1969): 4-13. Aesthetic movement (Art): Kaellgren, P. "ROM answers." Rotunda 31:1 (1998): 46-47. Afghanistan--Antiquities: Golombek, L. "Memories of Afghanistan: as a student, our writer realized her dream of visiting the exotic lands she had known only through books and slides: thirty-five years later, she recalls the archaeoloigical treasures she explored in a land not yet ruined by tragedy." Rotunda 34:3 (2002): 24-31. Akhenaton, King of Egypt: Redford, D.B. "Heretic Pharoah: the Akhenaten Temple Project." Rotunda 17:3 (1984): 8-15. Kelley, A.L. "Pharoah's temple to the sun: archaeologists unearth the remains of the cult that failed." Rotunda 9:4 (1976): 32-39. Alabaster sculpture: Hickl-Szabo, H. "St. Catherine of Alexandria: memorial to Gerard Brett." Rotunda 3:3 (1970): 36-37. Keeble, K.C. "Medieval English alabasters." Rotunda 38:2 (2005): 14-21. Alahan Manastiri (Turkey): Gough, M. "They carved the stone: the monastery of Alahan." Rotunda 11:2 (1978): 4-13. Albertosaurus: Carr, T.D. "Baby face: ROM Albertosaurus reveals new findings on dinosaur development." Rotunda 34:3 (2002): 5. Alexander, the Great, 356-323 B.C.: Keeble, K.C. "The sincerest form of flattery: 17th-century French etchings of the battles of Alexander the Great." Rotunda 16:1 (1983): 30-35. Easson, A.H. "Macedonian coinage and its Hellenistic successors." Rotunda 15:4 (1982): 29-31. Leipen, N. "The search for Alexander: from the ROM collections." Rotunda 15:4 (1982): 23-28. -
The Chronological History of the Rotunda Hospital
HISTORY OF THE HOSPITAL In 1745 Bartholomew Mosse, surgeon and man-midwife, founded the original Dublin Lying-In Hospital as a maternity training hospital, the first of its kind. In 1757 the institution moved to a different location where it became “The New Lying-In Hospital”. This is the hospital complex that is referred to today as simply “The Rotunda”. The Rotunda Hospital is therefore unique as an institution in that it has continued to provide an unbroken record of service to women and babies since its foundation in 1745 and has occupied its present premises since 1757. Should you wish to learn more about The Rotunda Hospital’s history, the book Masters, Midwives, and Ladies- in-Waiting (edited by Alan Browne, a former Master of the Rotunda, published by A&A Farmar, Dublin, 1995) gives a detailed account of developments in the Rotunda over the period 1945-95, which was the fifty-year period of greatest change in the history of obstetrical care. BARTHOLOMEW MOSSE 1712 Bartholomew Mosse was born the fifth child of Rev Thomas Mosse, Rector of Maryborough, now Portlaoise, and his wife Martha. 1728 Mosse, who had been privately educated by a tutor at home, was sent to serve as apprentice to a Barber Surgeon, Mr John Stone, in Dublin. 1733 Mosse was examined and qualified to practice as a surgeon by Mr John Nichols, joint Surgeon-General to the army in Ireland. Mosse obtained glowing testimonials from his master and his examiner. It is probable that he was surgical assistant to these men (themselves surgeons to Mercer’s and Dr Steevens’s Hospitals respectively) within a short time of his qualification. -
Czech Republic Today
Rich in History 1 2 Magic Crossroads Whenever European nations were set in motion, they met in a rather small area called the Czech Republic today. Since the early Middle Ages, this area was crossed by long trade routes from the severe North to the sunny South; at the beginning of the first millennium, Christianity emerged from the West, and at its end communism arrived from the East. For six hundred years, the country was an independent Czech kingdom, for three hundred years, it belonged among Austro-Hungarian Empire lands, and since 1918 it has been a republic. In the 14th century, under the Bohemian and German King and Roman Emperor Charles IV, as well as in the 16th century under the Emperor Rudolf II, the country enjoyed a favourable position in European history and also played a great role internationally in the arts and in social affairs. In 1989, the whole world admired the Czechoslovak “velvet revolution” lead by charismatic dramatist Václav Havel, which put an end to socialist experimentation. Numerous famous architects, who built Romanesque churches in Germany but were no longer commissioned to build in their home countries due to the coming Gothic period, succeeded there; at the same time, the French type of Gothic architecture took root in Bohemia. A number of Italian Renaissance or Baroque architects, painters and sculptors, who crossed the Alps to find new opportunity for creating master works and look for well-paid jobs, were hired by members of Czech nobility and clergy; astonished by the mastery of Czech builders and craftsmen with whom they cooperated, they created wonderful castles and breathtaking Catholic churches. -
Prague Half Marathon
ENJOY THE RUNNING FESTIVITIES! www.runczech.com RunCzech Running League SPORTISIMO 5 APRIL 2014 PRESS GUIDE ENG PRAGUE HALF MARATHON THE RACE IS A PART OF THE RUNCZECH RUNNING LEAGUE PRESS GUIDE ENG MEDIA INFORMATION Dear sports friends, Welcome to the 16th edition of Sportisimo Prague Half Marathon. The Press Guide, which you are holding in your hands, contains basic information for journalists relating to the Sportisimo Prague Half Marathon. Other importnat facts about the race and elite athletes are presented in the Event Guide. We hope you find everything you need to cover this year’s event, but please do not hesitate to ask anyone of the Press Team if you need anything else. THE PRESS TEAM The Press Team is based at the hotel Hilton Prague from Thursday to Friday, on the race day at Rudolfi- num, Jan Palach Square, nearby the start/finish of the event. Zdenka Pecková PR & Media 777 537 981 [email protected] Diana Rybachenko International Promotion Manager 777 746 801 [email protected] Ieva Razbadauskyte International Hospitality 777 786 691 [email protected] Slavomír Michalik Marketing & Communication 702 208 050 [email protected] Karolína Holušová PR & Communication 739 294 390 [email protected] Tomáš Nohejl Media Support 773 407 114 [email protected] Jim Moberly Foreign Media Support 737 186 997 [email protected] Martin Martinec Social Media 775 443 642 [email protected] PRESS CENTRE Press Centre is a place where members of the media can pick up their accrediation passes. The latest information about the race will be available there as well as internet access. -
Chapter 3 Who Built the Pantheon? Agrippa, Apollodorus, Hadrian And
Despite so much that is known about Roman buildings, Chapter 3 there is relatively little to say about the individuals involved in the ferment of their creation. We can reconstruct Who Built the Pantheon? confidently the original appearance of many a monument, but not much about their designers. This is not for want of Agrippa, Apollodorus, information; it is just not quite of the right kind. All around the Mediterranean survive ample ruins, including some Hadrian and Trajan strikingly well-preserved buildings, of which the Pantheon is the prime example. This physical evidence is illuminated by literary sources, inscriptions and brickstamps, and on Mark Wilson Jones occasion by maps and drawings inscribed in stone. Notwithstanding some long-running disputes, we can often be sure of the identity and date of individual monuments in major cities. We also possess quite a populous roster of architects’ names, thanks to numbers of their tombstones, along with the occasional textual mention of a few of the men at the top of their profession. Some buildings bear discreet architects’ inscriptions, yet these are nothing like as numerous and prominent as those of their patrons; it is they who take the credit. In short, it is normally impossible to join up specific surviving buildings with specific architects about whom we know any more than the name. In this the Roman period fares worse than the Greek, when architects were frequently tied to particular projects by specifications, contracts and accounts recorded on stone, while the names of famous protagonists can be found in the treatises of Roman writers, most notably Vitruvius and Pliny.1 By such means we know of no fewer than three individuals who had responsibility for the design of the Parthenon in one role or other, Ictinus, Kallikrates and Karpion, while a fourth, Phidias, the creator of Athena Parthenos, may also have had some architectural input. -
Temporary Exhibitions
[email protected] TEMPORARY EXHIBITIONS Jaroslav Róna – "Drawings from Elsewhere…" Until 6 October 2019, the Robert Guttmann Gallery hosts a new exhibition of work by the artist Jaroslav Róna (b. 1957), a founding member of the famous Czech art group Tvrdohlaví (The Stubborn). The subject of this exhibition is a set of Róna’s Drawings from Elsewhere from 2012–2018, which gives us an opportunity to delve more deeply into the artist’s world and ideas. Róna works in the fields of painting, sculpture, graphic art, drawing, mosaics, set design and stained glass. His drawings are an inseparable component of his work. They are the indispensable means of recording, seeking, shaping, and formulating new ideas and myths. All of Róna’s artworks convey a story, whether from the distant past or some future world, or whether about an entire civilization or an individual life. In this way, they differ from the purely visual or aesthetic visions of modern art concepts. Unlike the latter, they introduce into the work a certain motif that attracts us with its unusual shapes and dark striking colour. The motif pulls us into the action and provokes thought, but without providing any clear answers. We have to look for the meaning ourselves, to contribute to its understanding. The themes of Róna’s paintings and drawings cover a vast expanse, from the origin of the world to distant cosmic civilisations. Other works remind us of scenes from prehistoric Earth and from our own history – but they are all the fruit of the artist’s tireless imagination, fascinated by some object or idea for which he seeks an answer. -
Archaeoacoustic Approach to the Rotunda in Bény
Archaeoacoustic Approach to the Rotunda in Bény Irén Lovász, Paolo Debertolis IRÉN LOVÁSZ, PhD is an associate professor in the Institute of Arts Studies and General Humanities at KRE University in Budapest, Hungary. Her research has included ethnomusicology, anthropology of religion and music, sacred communication. She is also a professional singer, applying traditional singing in voice therapy. PAOLO DEBERTOLIS, M.D., aggregate professor at Department of Medical Sciences, University of Trieste (It- aly), President of Super Brain Research Group1(*) ABSTRACT: We would like to draw the attention to a medieval sacred place in Central Europe in the Carpathian basin, where unusual sound phenomena can be experienced. We focus our research on the „12 Apostoles’ Rotunda” of Bény. The settlement used to belong to the Hungarian Kingdom for cen- turies during the Middle Ages and also continuously until the first part of the 20th century. Now it is situated in the southern part of Slovakia. Recent studies suggest that the rotunda was already built by the 10-11th century, which raises more questions about who built it and for what purpose. The unique feature of the Rotunda are the 12 mysterious vaulted niches within. Each of these niches strengthens different resonances, which gives a unique sound to the human voice there, according to our hypothesis they were very probably tuned on purpose. In 2016 and 2017 fieldwork was undertaken to test the ro- tunda’s archaeoacoustic and resonant properties. Equipment, methods, results with our conclusion are described in this paper. KEYWORDS: acoustics, resonance, rotunda, niches, medieval, Central Europe Introduction (90%) belonging to ethnic minority nowa- days.