Travel to Italy
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Tour Itinerary
GEEO ITINERARY ITALY – Summer Day 1: Rome Arrive at any time. Arrive in Rome at any time. On Day 1, there are no planned activities until your Group Meeting that evening around 6:00 p.m. or 7:00 p.m., so check into the hotel – check-in time is approximately 3:00 p.m. – and enjoy the city. Check the notice boards or ask at reception for the exact time and location of the group meeting. After the meeting, you might like to take the option of heading out for a meal in a nearby local restaurant to further get to know your tour leader and traveling companions. Please make every effort to arrive on time for this important welcome meeting. If you are delayed and will arrive late, please inform us. Your tour leader will then leave you a message at the front desk informing you of where and when to meet up. We recommend booking pre-tour accommodation to fully explore this magnificent city. We will be in touch 90 days before departure to take your extra hotel night requests. Please note that if Vatican City is on your must-see list, we highly recommend purchasing your tickets online several weeks prior to your trip. Advance tickets can be reserved online through https://www.weekendinitaly.com/en/rome. Same-day entrance to St. Peter's Basilica and the Vatican Museums (including the Sistine Chapel) cannot be guaranteed without advance tickets. We also recommend pre-booking your ticket to the Colosseum to guarantee entrance and avoid long lines. -
Party Details
IMPORTANT INFORMATION – PLEASE READ Holiday Documentation – Camping Fabulous Campsite Your on-site service is provided by the Campsite’s Reception who will be pleased to assist with any queries you may have. Upon your arrival at Reception you will be asked for a cautionary deposit (approx. €100– debit/credit card), fully refundable subject to the mobile home being left in a clean and satisfactory state with complete inventory ready for immediate occupancy by the next customer. Payment for your tourist tax * if required is payable on arrival. If you anticipate arriving later than 1900 hrs, please telephone the campsite on (+39) 065259354 and advise them appropriately. You will need to take with you personal towels, beach towels, washing up materials, cloths, although you can buy the latter at the on-site shop or local supermarket. Campsites in Europe have strict swimming pool rules that are enforced by local authorities. These rules require swimming costumes/trunks to be worn and may prohibit the wearing of shorts and other items of clothing in the swimming pool. Please check your campsite rules on arrival for specific details. You will need to book a time with Reception for them to check over your mobile home on your day of departure. If you are departing early, you will need to arrange with Reception for them to check over your mobile home the night before departure. In the unlikely event of difficulties finding the campsite, call Camping Fabulous Reception on (+39) 065259354. Insurance It is part of our conditions of booking that all party members have personal travel insurance. -
21 CHAPTER I the Formation of the Missionary Gaspar's Youth The
!21 CHAPTER I The Formation of the Missionary Gaspar’s Youth The Servant of God was born on January 6, 1786 and was baptized in the parochial church of San Martino ai Monti on the following day. On that occasion, he was given the names of the Holy Magi since the solemnity of the Epiphany was being celebrated. I received this information from the Servant of God himself during our familiar conversations. The Servant of God’s parents were Antonio Del Bufalo and Annunziata Quartieroni. I likewise learned from conversation with the father of the Servant of God as well as from him that at first Antonio was engaged in work in the fields but later, when his income was running short, he applied as a cook in service to the most excellent Altieri house. The Del Bufalos were upright people and were endowed sufficiently for their own maintenance as well as that of the family. They had two sons: one was named Luigi who married the upright young lady Paolina Castellini and were the parents of a daughter whose name was Luigia. The other son, our Servant of God. Luigi and Gaspar’s sister-in-law, as well as his father and mother, are now deceased. As far as I know, the aforementioned parents were full of faith, piety and other virtues made know to me not only by the Servant of God, honoring his father and mother, but also by Monsignor [Antonio] Santelli who was the confessor of his mother and a close friend of the Del Bufalo family. -
Animal Life in Italian Painting
UC-NRLF III' m\ B 3 S7M 7bS THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA PRESENTED BY PROF. CHARLES A. KOFOID AND MRS. PRUDENCE W. KOFOID ANIMAL LIFE IN ITALIAN PAINTING THt VISION OF ST EUSTACE Naiionai. GaM-KUV ANIMAL LIFE IN ITALIAN PAINTING BY WILLIAM NORTON HOWE, M.A. LONDON GEORGE ALLEN & COMPANY, LTD. 44 & 45 RATHBONE PLACE 1912 [All rights reserved] Printed by Ballantvne, Hanson 6* Co. At the Ballantyne Press, Edinburgh / VX-/ e3/^ H67 To ©. H. PREFACE I OWE to Mr. Bernhard Berenson the suggestion which led me to make the notes which are the foundation of this book. In the chapter on the Rudiments of Connoisseurship in the second series of his Study and Criticism of Italian Art, after speaking of the characteristic features in the painting of human beings by which authorship " may be determined, he says : We turn to the animals that the painters, of the Renaissance habitually intro- duced into pictures, the horse, the ox, the ass, and more rarely birds. They need not long detain us, because in questions of detail all that we have found to apply to the human figure can easily be made to apply by the reader to the various animals. I must, however, remind him that animals were rarely petted and therefore rarely observed in the Renaissance. Vasari, for instance, gets into a fury of contempt when describing Sodoma's devotion to pet birds and horses." Having from my schooldays been accustomed to keep animals and birds, to sketch them and to look vii ANIMAL LIFE IN ITALIAN PAINTING for them in painting, I had a general recollection which would not quite square with the statement that they were rarely petted and therefore rarely observed in the Renaissance. -
Renaissance Art Alpha-Numeric Class Code: ARTH-UA9005 Tuesdays and Thursdays, H 5:00–6:15 Pm, Daylight Savings Time Blended Villa Ulivi, “Arezzo” Room
Spring 2021 - Renaissance Art Alpha-Numeric Class Code: ARTH-UA9005 Tuesdays and Thursdays, h 5:00–6:15 pm, Daylight Savings Time Blended Villa Ulivi, “Arezzo” Room Spring 2021 We know that you may be taking courses at multiple locations this semester. If you are enrolled in this course 100% remotely and are not a Go Local/Study Away student for this course site, please make sure that you’ve completed the online academic orientation via NYU Classes so you are aware of site specific support, policies and procedures. Please contact [email protected] if you have trouble accessing the NYU Classes site. If you are attending in person, you will be instructed to choose your seat on the first day and are expected to use that seat for the entire semester due to NYU COVID-19 safety protocol. Class Description: NYU Students who have already taken ARTH-UA 2 will not receive major credit for ARTH-UA 5 [Renaissance Art survey] or ARTH-UA 6 [Modern Art survey]. This course is an introduction to Renaissance Art by exploring in-depth the historical, political, and cultural evolution of Italy and Europe between the 15th and early 16th centuries. The course analyzes the historical and social background of the beginning of the Renaissance during the early 15th century and the impact of Medici's patronage on Filippo Lippi, Verrocchio, Botticelli, Perugino, and Ghirlandaio. It then investigates the "Golden Age" of the High Renaissance, specifically focusing on Leonardo da Vinci, Raphael Sanzio, and Michelangelo Buonarroti. By the end of this course, students gain a thorough knowledge of the Italian and European Renaissance Age, developing practical perception and a confident grasp of the material, understanding the relationship betweenSample historical and artistic events, and valuingSyllabus the importance of patronage. -
Archivio Pino Pizzigoni (Inventario)
ARCHIVIO PINO PIZZIGONI (INVENTARIO) Bergamo, 10 Gennaio 1992 (Trascritto dal dattiloscritto originale nel 2017, a cura di Mario Casirati) PREMESSA L'archivio dell'architetto Pino Pizzigoni (1901 - 1967) si divide in sezioni, contrassegnate dalle lettere A, B, C, L, M, N, P, R, S, T. Le prime due sono le più consistenti, in quanto comprendono la maggior parte dei progetti. Nella sezione A sono raccolte in cartelle di medie dimensioni (crn 40x30) i disegni di piccolo e medio formato. Nella sezione B sono stati invece collocati i disegni di grandi dimensioni e pertanto le cartelle di questa sezione misurano cm 100x70. La distinzione tra sezione A e B è data quindi solo dal formato dei disegni. Può pertanto accadere che disegni che riguardano un medesimo progetto possano trovarsi sia nell'una che nell'altra sezione. L'utente dovrà prestare attenzione: per essere certo della completezza della ricerca dovrà servirsi degli Indici posti in fine al presente inventario, i quali rinviano, per ogni singola voce, ad arnbedue le sezioni. Tutte le cartelle delle sezioni A e B sono contrassegnate dalla sigla PIZ. (PIZZIGONI) seguita dalla lettera di sezione (A o B) e dal numero d'ordine progressivo in cifre arabe. In ogni cartella, accanto ai disegni si possono trovare scritti e fotografie. L'inventario segnala pertanto, di ogni cartella, la consistenza e la natura dei materiali contenutivi, adottando le lettere a, b, c. Con a) si indicano i disegni, con b) gli scritti, con c) le fotografie. Ogni lettera è poi seguita dal numero di consistenza: ad esempio a, 1- 12, vuol indicare che nella cartella vi sono 12 disegni. -
Jalkapalloelämän Alkeismuodot
JALKAPALLOELÄMÄN ALKEISMUODOT Pyhä milanolaisten ultrakannattajien yhteisöllisyyttä uusintavana kategoriana Ville Niemelä Uskontotieteen pro gradu -tutkielma Maaliskuu 2019 HELSINGIN YLIOPISTO − HELSINGFORS UNIVERSITET Tiedekunta/Osasto − Fakultet/Sektion Laitos − Institution Teologinen tiedekunta Tekijä − Författare Ville Valtteri Niemelä Työn nimi − Arbetets titel Jalkapalloelämän alkeismuodot: Pyhä milanolaisten ultrakannattajien yhteisöllisyyttä uusinta- vana kategoriana Oppiaine − Läroämne Uskontotiede Työn laji − Arbetets art Aika − Datum Sivumäärä − Sidoantal Pro gradu -tutkielma Maaliskuu 2019 100 Tiivistelmä − Referat Tutkimus sijoittuu uskontososiologian, urheilusosiologian ja pyhän tutkimuksen leikkauspis- teeseen. Kahden suuren milanolaisen jalkapalloseuran – punamustan Milanin ja sinimustan Interin – ultrakannattajien yhteisöllisyyttä tarkastellaan jälkidurkheimilaisen teorianmuodos- tuksen valossa. Teoreettisen viitekehyksen keskiössä on Gordon Lynchin pyhän kulttuuri- sosiologia. Pyhä on kollektiivinen representaatio – näennäisessä järkkymättömyydessään ja pakottavuudessaan voimantäyteinen sekä tahrattomuudessaan kielletty. Sen vastapoolina on kielloilla eristetty saastuttava profaani. Tekstiaineistona hyödynnetään ultraryhmittymien kannatuslauluja, banderolleja ja katsomokoreografioita. Tutkimuksen keskeiset kysymykset liittyvät ultrien pyhän symbolikoodiston ja sen ympärille rakentuvan sosiaalisen todellisuuden selvittämiseen. Menetelminä käytetään laadullista si- sällönanalyysia ja diskurssianalyysia. Metodeista jälkimmäinen -
Piano Delle Regole Comune Di Bergamo
P G T COMUNE DI BERGAMO R G A E M AREA POLITICHE DEL TERRITORIO B O P iano di DIREZIONE PIANIFICAZIONE URBANISTICA UFFICIO PIANO DI GOVERNO DEL TERRITORIO Governo del E C L I L T I T M A ' I T erritorio D E COORDINAMENTO UFFICIO PGT ARCH. GIORGIO CAVAGNIS GRUPPO DI PROGETTAZIONE INVENTARIO DEI BENI CULTURALI, AMBIENTALI E ARCHEOLOGICI ARCH. GIORGIO CAVAGNIS ARCH. SILVIA PERGAMI SIG.RA DANIELA ALBERTI SIG.RA BARBARA TRIACCA CONTRIBUTO PER GLI ASPETTI STORICO/ARCHITETTONICI DIREZIONE REGIONALE PER I BENI CULTURALI E PAESAGGISTICI DELLA LOMBARDIA SOPRINTENDENZA PER I BENI ARCHITETTONICI E PER IL PAESAGGIO PER LE PROVINCE DI MILANO, BERGAMO, COMO, LECCO, LODI, PAVIA, SONDRIO E VARESE CONTRIBUTO PER GLI ASPETTI ARCHEOLOGICI SOPRINTENDENZA PER I BENI ARCHEOLOGICI DELLA LOMBARDIA CONTRIBUTO PER GLI ASPETTI AMBIENTALI E PAESAGGISTICI REGIONE LOMBARDIA DIREZIONE GENERALE TERRITORIO E URBANISTICA - TUTELA E VALORIZZAZIONE DEL TERRITORIO ELABORAZIONI CARTOGRAFICHE UFFICIO PIANO DI GOVERNO DEL TERRITORIO UFFICIO SISTEMA INFORMATIVO TERRITORIALE AGGIORNATO AL 11.12.2017 Del. C.C. n. 152 Reg./97-2017 P I A N O D E L L E R E G O L E ALLEGATO 2 INVENTARIO DEI BENI CULTURALI, AMBIENTALI E ARCHEOLOGICI IBCAA RELAZIONE Piano delle Regole Comune di Bergamo COORDINAMENTO arch. GIORGIO CAVAGNIS UFFICIO DI PIANO DI GOVERNO DEL TERRITORIO GRUPPO DI PROGETTAZIONE arch. GIORGIO CAVAGNIS INVENTARIO arch. SILVIA PERGAMI BENI CULTURALI AMBIENTALI E sig.ra DANIELA ALBERTI ARCHEOLOGICI sig.ra BARBARA TRIACCA CONTRIBUTO PER GLI ASPETTI STORICO/ARCHITETTONICI: Direzione Regionale per i Beni arch. RANIERO BELLONI Culturali e Paesaggistici della arch. ANDREA COSTA Lombardia Soprintendenza per i Beni arch. -
Carta Della Qualità Dei Servizi Del Trasporto Pubblico E Dei Servizi Complementari Atac 2019 Indice
Carta della qualità dei servizi del trasporto pubblico e dei servizi complementari Atac 2019 Indice Capitolo 1 – La Carta dei Servizi 3 1.1 La Carta dei Servizi: obiettivi 3 1.2 I Contratti di Servizio con Roma Capitale 3 1.3 Le Associazioni e il processo partecipativo 4 1.4 Le fonti normative e di indirizzo 4 Capitolo 2 – Atac si presenta 5 2.1 I principi dell’Azienda 5 3.2 Il trasporto pubblico su metropolitana 9 3.3 Sosta 19 3.4 Sicurezza 22 Capitolo 4 - L’attenzione alla qualità 23 4.1 La rendicontazione dell’attività di monitoraggio permanente 23 4.2 Gli indicatori di qualità erogata e programmata 23 4.3 Le segnalazioni degli utenti 30 4.4 Indagini di customer satisfaction 31 Capitolo 5 - La politica per il Sistema di Gestione di Atac SpA 34 5.1 Strategia aziendale 34 5.2 Salute e sicurezza degli utenti e tutela del patrimonio aziendale 34 5.3 Il rispetto dell’ambiente e l’uso razionale dell’energia 34 Capitolo 7 - Comunicazione e informazione 50 7.3 Nucleo Operativo sul Territorio 50 7.4 Altri canali di informazione e comunicazione 50 Appendice A - Diritti, doveri e condizioni generali di utilizzo dei servizi 57 2 Capitolo 1 La Carta dei Servizi 1.1 La Carta dei Servizi: obiettivi renza 1 agosto 2015; - Contratto di servizio per i servizi complementari al tra- La Carta della Qualità dei Servizi è il documento attraver- so il quale ogni ente erogatore di pubblici servizi assume una serie di impegni nei confronti della propria utenza, settembre 2017 con decorrenza 1 gennaio 2017. -
Mandag Den 13. Marts Kl. 05.00 (Senest) Mødes Vi Under Uret I
Mandag den 13. marts Kl. 05.00 (senest) mødes vi under uret i banegårdshallen i Århus. Afgang fra Århus H kl. 05.22. Kl. 08.35 ankomst København H, hvor Johan tager imod os. Kl. 08.56 afgang med Øresundstog mod Kastrup Kl. 09.08 ankomst Kastrup. Kl. 09.45 starter bagageindlevering. Kl. 11.45 afgang med easy Jet EZY2654 til Milano med ankomst kl. 13.50 til Malpensa Lufthavn, Milano. Indkvartering på Hotel Golf Viale Fratelli Rosselli, 56 50123 Firenze Tlf.: +39 055 281818 Link til hotellets hjemmeside http://www.hotelgolf.it/ Efter indkvarteringen er der fælles byrundtur med oplæg af Jakob (Palazzo Strozzi) og Simon + Svend (Firenzes udvikling fra Romerriget over renæssancen til nu). Kl. 24.00 seneste sengetid. Nattevagt (skæld ud + kontakt hvis problemer): Katrine Tirsdag den 14. marts Morgenmad kl. 7.15 – 8.15 Kl. 08.30 afgang fra hotellet. Ved Santa Maria Novella Santa Maria Novella Officina Profumo Farmaceutica di Santa Maria Novella Santissima Annunziata Santa Maria del Fiore (domkirken) Loggia del Mercato Nuovo Ponte Vecchio Piazzale Michelangelo Resten af dagen er til fri disposition. Kl. 01.00 seneste sengetid (Nattevagt: Marianne) Onsdag den 15. marts Morgenmad kl. 7.15 – 9.30 Kl. 09.45 hentes vi af en bus, som bringer os til Fattoria San Michele, hvor vi skal se på olivenolie- og vinproduktion med efterfølgende smagsprøver. Kl. 13.30 ankomst til Vinci, hvor vi skal se Museo Leonardiano. Resten af dagen er til fri disposition. Kl. 24.00 seneste sengetid (Nattevagt: Katrine) Torsdag den 16. marts Morgenmad kl. 7.15 til 7.30 !! Kl. -
12-13 October 2016 Sapienza University Rome, Italy
1 | P a g e IYP Regional Dialogue for Europe and Central Asia Practical information for participants 12-13 October 2016 Sapienza University Rome, Italy 2 | P a g e Index Arrival in Rome 3 Information about Public Transport system of Rome 5 Rome subway Map 6 Additional useful Information on the city of Rome 7 Registration/Lunch/Dinner at: Casa dell’Aviatore 8 How to get to the Sapienza University 9 Sapienza’s Campus Map 10 The Conference venue 11 List of hotels within walking distance of La Sapienza University 15 Restaurants near Sapienza 20 3 | P a g e Arrival in Rome 1) From Fiumicino Airport By Train To reach the airport train station follow the indications in the airport arrivals hall. Train tickets are sold at the station counter and at automated machines. You can pay with cash or by credit card. Alternatively, you can buy the tickets on-line: www.trenitalia.it The Rome Fiumicino “Leonardo da Vinci” Airport (FCO) is connected to the city centre via a direct express train and slower trains on the FR1 Regional Railway line. Leonardo Express: - direct train to Termini Station; - journey time 30 minutes; - ticket costs € 14; - the train leaves the airport every 30 minutes from 6:36 am to 11:36 pm. By Bus A number of bus companies provide transportation from the airport to the centre of Rome (‘Termini’ central train station or Piazza Cavour - Vatican Area). Tickets cost €4-6 one-way and €8/12 return trip; the journey lasts ca. 1 hour, but traffic during peak hours can severely delay the buses. -
The Italian Lakes, the Piedmont, Tuscany, Umbria & Rome
Gardens of Italy: The Italian Lakes, the Piedmont, Tuscany, Umbria & Rome 29 APR – 21 MAY 2019 Code: 21912 Tour Leaders Deryn Thorpe, David Henderson Physical Ratings Enjoy the famous gardens of northern and central Italy, including private masterpieces by Paolo Pejrone, Russell Page, Paolo Portoghesi and Pearson & Barfoot. Overview Tour Highlights Join Deryn Thorpe, award-winning print and radio garden journalist, to tour the gardens of five distinct regions of Italy. Deryn will be accompanied by award-winning artist David Henderson, who brings a profound knowledge of European art to ASA tours. Enjoy the magic of northern lakeside and island gardens including Villa Carlotta, Villa Balbianello, Isola Bella and Isola Madre. Meet Paolo Pejrone, student of Russell Page and currently Italy's leading garden designer. With him, view his own garden, 'Bramafam' and, by special appointment, the private Gardens of Casa Agnelli at Villar Perosa – one of Italy's most splendid examples of garden design. View Paolo Pejrone's work during private visits to the estate of the Peyrani family and the beautiful Tenuta Banna. See the work of Russell Page with an exclusive visit to the private gardens of Villa Silvio Pellico. Visit intimate urban gardens in Florence and Fiesole including Le Balze, designed by Cecil Pinsent; Villa di Maiano (featured in James Ivory's film A Room with a View); and the Giardini Corsini al Prato. Ramble through the historical centres of lovely old cities like Turin, Lucca, Siena, Florence and Perugia, and encounter masterpieces of Italian art in major churches and museums. Gaze out onto the Mediterranean from the spectacularly situated Abbey of La Cervara.