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Parallels and Analogies in the Interwar Architecture in Latvia and Czechoslovakia
Scientific Journal of Latvia University of Agriculture Landscape Architecture and Art, Volume 10, Number 10 Parallels and Analogies in the Interwar Architecture in Latvia and Czechoslovakia Renāte Čaupale, Riga Technical University, Latvia University of Agriculture Abstract. The interconnections of the interactions between the art and architecture of the Latvian and Czechoslovakian nations are relatively fragmented. However, there is one large European cultural space in which both parallels and analogies can be found, as required by the communicative role of art and architecture. In the 1920s and 1930s, a European architecture that was founded on modern features could be found in the architecture of the new Latvian state. Art Deco aesthetics was one of the operative events of the interwar period. Its expression changed along with the changes occurring during this time period, retaining the decorativeness principles of Art Deco. Art Deco aesthetics encompass several distinct but related design trends, including the following: interpretation of elements of folklore – Ansis Cīrulis in Latvia and Pavel Janák in Czechoslovakia authored masterfully designed interior examples. Regardless of their creative potential after the First Wold War, artists and architects in many new states were drawn into the stream of contemporary trends – the folkloristic style, which became one of the decisive sources of inspiration for demonstrating national self-determination, which, in turn, is typical of all cultures and civilisations and can sometimes be international. An analogous interpretation of folklore brings these processes together, which allows them to be identified as folkloristic Art Deco trends. There are moments when folkloristic Art Deco as a component of Modernism art and architecture of the 1920-30s organically foreshadows the aesthetics of pre-postmodernism; modernization of the classic form, which has been highlighted directly in the period of the leader cult common in new states. -
The Fondation Louis Vuitton
THE FONDATION LOUIS VUITTON A new ambition for LVMH's corporate patronage Created by the LVMH group and its Maisons in 2006 on the initiative of Bernard Arnault, the Fondation Louis Vuitton forms part of the art and culture patronage programme developed by the group for over twenty years. It also marks a new step driven by a renewed ambition: – A lasting commitment with the desire to become firmly rooted in a particular place and bring an institution to life over the long term. – A major philanthropic gesture towards the city of Paris with the construction of an exceptional building on municipal state property and the signature of a 55-year occupancy agreement with Paris city council. Driven by a desire to work for the common good, the Fondation Louis Vuitton demonstrates a clear commitment to contemporary art and looks to make it accessible to as many people as possible. To foster the creation of contemporary art on a national and international scale, the Fondation Louis Vuitton calls on a permanent collection, commissions from artists, temporary modern and contemporary art exhibitions and multidisciplinary events. One of its priorities is to fulfil an educational role, especially among the young. A new monument for Paris Frank Gehry has designed a building that, through its strength and singularity, represents the first artistic step on the part of the Fondation Louis Vuitton. This large vessel covered in twelve glass sails, situated in the Bois de Boulogne, on the edge of avenue du Mahatma Gandhi, is attached to the Jardin d'Acclimatation. Set on a water garden created for the occasion, the building blends into the natural environment, amidst the wood and the garden, playing with light and mirror effects. -
Twenty-Four Conservative-Liberal Thinkers Part I Hannes H
Hannes H. Gissurarson Twenty-Four Conservative-Liberal Thinkers Part I Hannes H. Gissurarson Twenty-Four Conservative-Liberal Thinkers Part I New Direction MMXX CONTENTS Hannes H. Gissurarson is Professor of Politics at the University of Iceland and Director of Research at RNH, the Icelandic Research Centre for Innovation and Economic Growth. The author of several books in Icelandic, English and Swedish, he has been on the governing boards of the Central Bank of Iceland and the Mont Pelerin Society and a Visiting Scholar at Stanford, UCLA, LUISS, George Mason and other universities. He holds a D.Phil. in Politics from Oxford University and a B.A. and an M.A. in History and Philosophy from the University of Iceland. Introduction 7 Snorri Sturluson (1179–1241) 13 St. Thomas Aquinas (1225–1274) 35 John Locke (1632–1704) 57 David Hume (1711–1776) 83 Adam Smith (1723–1790) 103 Edmund Burke (1729–1797) 129 Founded by Margaret Thatcher in 2009 as the intellectual Anders Chydenius (1729–1803) 163 hub of European Conservatism, New Direction has established academic networks across Europe and research Benjamin Constant (1767–1830) 185 partnerships throughout the world. Frédéric Bastiat (1801–1850) 215 Alexis de Tocqueville (1805–1859) 243 Herbert Spencer (1820–1903) 281 New Direction is registered in Belgium as a not-for-profit organisation and is partly funded by the European Parliament. Registered Office: Rue du Trône, 4, 1000 Brussels, Belgium President: Tomasz Poręba MEP Executive Director: Witold de Chevilly Lord Acton (1834–1902) 313 The European Parliament and New Direction assume no responsibility for the opinions expressed in this publication. -
On the Structure of the Roman Pantheon 25
College Art Association http://www.jstor.org/stable/3050861 . Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at . http://www.jstor.org/action/showPublisher?publisherCode=caa. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. College Art Association is collaborating with JSTOR to digitize, preserve and extend access to The Art Bulletin. http://www.jstor.org On the Structureof the Roman Pantheon Robert Mark and Paul Hutchinson Since the time of its construction, the bold, brilliantly simple schema of Hadrian's Pantheon has inspired much emulation, commendation, and even fear. Modern commentators tend to view the building as a high point in an "architectural rev- olution" brought about mainly through the Roman development of a superior poz- zolana concrete that lent itself to the forming of unitary, three-dimensional struc- tures. -
Children's Drawings from the Terezín Ghetto, 1942-1944
The Jewish Museum in Prague JMP Explore Permanent collection Children’s Drawings from the Terezín Ghetto, 1942-1944 Children’s Drawings from the Terezín Ghetto, 1942-1944 The exhibition is on the first floor of the Pinkas Synagogue The story of children deported to the Terezín ghetto Comprised of 19 sections, this exhibition outlines the story of Jewish children deported to the Terezín ghetto during the Second World War. In 1941–1945, Terezín served as a way station to the concentration and death camps in the east. The story begins with reflections on the events immediately following 15 March 1939, when Bohemia and Moravia were occupied by the Nazis and transformed into a Protectorate. This is followed by a description of transports to the Terezín ghetto (starting on 24 November 1941), everyday ghetto life and the conditions in the children's homes. There are also depictions of holiday celebrations and of the dreams that the imprisoned children had of returning home or of travelling to Palestine. This section provides a sort of poetic interlude between the brutal uprooting from their homes and deportation to Auschwitz, which is the final and most tragic chapter of the whole story. Friedl Dicker-Brandeis and art classes in Terezín The story is depicted through children’s drawings which were created in the Terezín ghetto between 1942 and 1944. These drawings were made during art classes that were organized by Friedl Dicker-Brandeis (1898–1944), a painter, interior and stage designer, graduate of the Bauhaus, and pupil of Franz Čížek, Johann Itten, Lyonel Feininger, Oskar Schlemmer and Paul Klee. -
Świat Materii W Testamentach Szlachty Czeskiej I Polskiej Z XVII Wieku
KWARTALNIK HISTORII KULTURY MATERIALNEJ 67 (4), 2019 PL ISSN 0023-5881 www.iaepan.edu.pl DOI: 10.23858/KHKM67.2019.4.004 Andrzej Klonder Świat materii w testamentach szlachty czeskiej i polskiej z XVII wieku Słowa kluczowe: Polska, Czechy, szlachta, testament, wiek XVII Key words: Poland, Bohemia, nobility, testament, 17th century I. Wstęp. II. Edycje testamentów. 1. Szlachta polska. 2. Szlachta czeska. III. Prawo o zawartości testamentów (przepisy, porady, wzorce). IV. Ruchomości w testamentach z Korony Polskiej. 1. Charakter informacji. O czym milczą i mówią testamenty. 2. Rzeczy luksusowe. V. Ruchomości w testamentach z Czech. 1. Charakter informacji. 2. Rzeczy luksusowe. VI. Zakończenie I. Wstęp Poglądy historiografii polskiej i krajów ościennych (Czech, krajów języka niemieckiego) na rolę testamentu jako źródła poznania dawnej kultury materialnej od dawna są zróżnicowane i stale ewoluują. Na progu wieku XX klasyk polskiej historii prawa, Przemysław Dąbkowski, określił testament za Jakubem Haurem, szlacheckim pisarzem z drugiej połowy XVII w. jako „prawie zwierciadło człowieka żywego”1. Doceniając źródłowe znaczenie testamentu nie wni- kał jednak głębiej w szczegóły majątkowych dyspozycji testatorów. Wskazał jedynie, że do ruchomości, którymi swobodnie dysponowali, należały pieniądze, zwierzęta, a nawet niektóre „budowania”2. Z czasem historycy zaczęli poświęcać więcej uwagi rzeczom notowanym w tych dokumentach. Przed laty bez mała trzydziestu Maciej Gołembiowski, historyk i archiwista to- ruński, charakteryzując testament jako źródło, przypisywał mu wielką wszechstronność. Pod- kreślał, że — zwłaszcza analizowane w większej liczbie — akty ostatniej woli „wydają się kopalnią wiedzy o zbiorowościach ludzkich w przeszłości i to zarówno o ich duchowości, jak i ż yciu materialnym” [podkr. — A.K.]3. Już w obecnym stuleciu wydawcy jednego z cenniejszych wyborów staropolskich testamentów, we wstępie do tej edycji, w kilkunastu punktach przedstawili dziedziny życia, o których informują testamenty. -
The Czechs and the Lands of the Bohemian Crown
6 Rebellion and Catastrophe The Thirty Years’ War was the last great religious war in Europe, and the first Europe-wide conflict of balance-of-power politics. Beginning with the Bohemian rebellion in 1618, the war grew into a confrontation between the German Protestant princes and the Holy Roman Emperor, and finally became a contest between France and the Habsburgs’ two dynastic monarchies, involving practically all other powers. The war may be divided into four phases: the Bohemian-Palatinate War (1618– 23), the Danish War (1625–29), the Swedish War (1630–35), and the Franco-Swedish War (1635–48). When the war finally ended with the Peace of Westphalia in 1648, the treaties set the groundwork for the system of international relations still in effect today. The outcome of the war integrated the Bohemian crownlands more fully with the other Habsburg possessions in a family empire that aspired to maintain its position as one of the powers in the international state system. This aspiration involved recurrent conflicts, on one side with the Turks, and on the other with Louis XIV’s France. .......................... 10888$ $CH6 08-05-04 15:18:33 PS PAGE 68 Rebellion and Catastrophe 69 VAE VICTIS!: THE BOHEMIAN CROWNLANDS IN THE THIRTY YEARS’ WAR After the Battle of the White Mountain and Frederick’s flight from Prague (his brief reign earned him the epithet ‘‘The Winter King’’), the last garrisons loyal to the Estates in southern and western Bohemia surrendered in May 1622. Even before these victories Ferdinand II began to settle accounts with his Bohemian opponents. -
World Civ Chapter 21.Pdf
436 Seeking new land and new markets, European explorers sailed around the world. This painting by Theodore Gudin depicts French explorer La Salle’s Louisiana expedition of 1684. Methods of Government In Unit 4, you will learn about different methods of ruling a nation or empire. At the end of the unit, you will have a chance to compare and contrast the governments you have studied. (See pages 578–583.) 437 Absolute Monarchs in Europe, 1500–1800 Previewing Main Ideas POWER AND AUTHORITY As feudalism declined, stronger national kingdoms in Spain, France, Austria, Prussia, and Russia emerged under the control of absolute rulers. Geography Study the map. What large empire was surrounded by many of these national kingdoms? ECONOMICS Absolute rulers wanted to control their countries’ economies so that they could free themselves from limitations imposed by the nobility. In France, Louis XIV’s unrestrained spending left his country with huge debts. Geography What other evidence of unrestrained spending by an absolute ruler does the time line suggest? REVOLUTION In Great Britain, Parliament and the British people challenged the monarch’s authority. The overthrow of the king led to important political changes. Geography Study the map and the time line. Which British Stuart lands were most affected by the event occurring in 1649? INTERNET RESOURCES • Interactive Maps Go to classzone.com for: • Interactive Visuals • Research Links • Maps • Interactive Primary Sources • Internet Activities • Test Practice • Primary Sources • Current Events • Chapter Quiz 586 587 What are the benefits and drawbacks of having an absolute ruler? You live under the most powerful monarch in 17th-century Europe, Louis XIV of France, shown below. -
A Study of the Pantheon Through Time Caitlin Williams
Union College Union | Digital Works Honors Theses Student Work 6-2018 A Study of the Pantheon Through Time Caitlin Williams Follow this and additional works at: https://digitalworks.union.edu/theses Part of the Ancient History, Greek and Roman through Late Antiquity Commons, and the Classical Archaeology and Art History Commons Recommended Citation Williams, Caitlin, "A Study of the Pantheon Through Time" (2018). Honors Theses. 1689. https://digitalworks.union.edu/theses/1689 This Open Access is brought to you for free and open access by the Student Work at Union | Digital Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Union | Digital Works. For more information, please contact [email protected]. A Study of the Pantheon Through Time By Caitlin Williams * * * * * * * Submitted in partial fulfillment of the requirements for Honors in the Department of Classics UNION COLLEGE June, 2018 ABSTRACT WILLIAMS, CAITLIN A Study of the Pantheon Through Time. Department of Classics, June, 2018. ADVISOR: Hans-Friedrich Mueller. I analyze the Pantheon, one of the most well-preserVed buildings from antiquity, through time. I start with Agrippa's Pantheon, the original Pantheon that is no longer standing, which was built in 27 or 25 BC. What did it look like originally under Augustus? Why was it built? We then shift to the Pantheon that stands today, Hadrian-Trajan's Pantheon, which was completed around AD 125-128, and represents an example of an architectural reVolution. Was it eVen a temple? We also look at the Pantheon's conversion to a church, which helps explain why it is so well preserVed. -
Introduction
introduction Writing a Postwar History The biggest victim of the Stalinization of architecture was housing. [Karel] Teige would have recoiled in horror at the endless drab rows of prefabricated boxes of mass housing proliferating around all the major cities of Czechoslo- vakia. Here was the exact antithesis of his utopia of collective dwelling, resem- bling more the housing barracks of capitalist rent exploitation and greed than the joyful housing developments of a new socialist paradise. The result was one of the most depressing collections of banality in the history of Czech architecture, one that still mars the architectural landscape of this small coun- try and will be difficult—if not impossible—to erase from its map for decades, if not centuries. Eric Dluhosch, 2002 Few building types are as vilified as the socialist housing block. Built by the thousands in Eastern Europe in the decades after World War II, the apartment buildings of the planned economy are notorious for problems such as faulty construction methods, lack of space, nonexistent landscaping, long-term maintenance lapses, and general ugliness. The typical narrative of the con- struction and perceived failure of these blocks, the most iconic of which was the structural panel building (panelový dům or panelák, for short, in Czech), places the blame with a Soviet-imposed system of building that was forced upon the unwilling countries of Eastern Europe after the Communists came to power.1 This shift not only brought neoclassicism and historicism to the region but also ended the idealistic era of avant-garde modernism, which dis- appeared with the arrival of fascism in many European countries but sur- vived in Czechoslovakia through World War II. -
The Book of the Rotunda Hospital
.'<••'',- '.' '': ,( I' /' 'v%. THE 8G»K ':my\- iOSPITAL KlRtPATRICK JELLETT THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES THE BOOK OF THE ROTUNDA HOSPITAL BARTHOLOMEW MOSSE (fROM THE PORTRAIT IN THE BOARD ROOM OF THE HOSPITAL). THE BOOK OP THE ROTUNDA HOSPITAL AN ILLUSTRATED HISTORY OF THE DUBLIN LYING-IN HOSPITAL FROM ITS FOUNDATION IN 1745 TO THE PRESENT TIME T. PERCY C. [KIRKPATRICK, M.D., M.R.LA. FELLOW AND REGIS TEAE OP THE EOYAL COLLEGE OP PHYSICIANS OF IRELAND EDITED BY HENRY JELLETT, M.D., F.R.C.P.L MASTER OF THE HOSPITAL XonDon ADLARD & SON, BARTHOLOMEW PRESS BARTHOLOMEW" CLOSE, E.G. 1913 PRINTED BY ADLAKD AND SON LONDON AND DOEKINO tl/st:.T)iV. 1^/5 MISERIS • SOLAMEN • INSTITUIT M • DCC • L • VII Great hearted Founder, to whose prescient care we owe a debt that never can be paid, Accept the duteous thanks that love inspires, accept the tribute of a nation's praise. You worked to save the sick, to soothe the pain of those who heavy laden called for help, But, e'er the work was finished, passed away, leaving the future in Another's hands. Your statue stands within our ancient halls, your portrait looks upon our daily work. Poor dead and useless things, where every stone brings back again your living memory. What need have we of bronze or sculptor's skill to call back those who leave such work as you Whose sacrifice lives on—an endless spring of healing water on a thirsty earth ? J. PEEFACE rilHB Dublin Lying-in Hospital stands pre-eminent among similar "*- institutions of Great Britain and Ireland, whether one regards it from the point of view of its age, or the mag-nitude of the work it has done and is still doing. -
Jury Citation This Is the Inaugural Year of the Czech Architecture Awards
Jury citation This is the inaugural year of the Czech Architecture Awards, introduced by the Czech Chamber of Architects. Over 400 projects completed within the last five years from nearly every region of the Czech Republic were submitted, ranging from private houses to offices, public projects to cultural buildings, and education programmes to regeneration projects, all of which have been reviewed by a specially assembled Jury of architects and designers. This is a brave and forward thinking programme which aims to bring to the public theatre a critical debate focused on the demand for excellence within the construction industry. Even braver is that the Jury for this special prize has been assembled from an international stage of many European states; Holland, Germany, Slovakia, Belgium, Switzerland, the United Kingdom and Spain, in turn opening the debate to a wider international audience beyond the borders of the host country. It is of particular note however, that through an extensive judging process resulting with a shortlist of eight finalists including unanimous winner, non of the projects featured were built within the capital city, Prague. This suggests a broad depth of architectural endeavour for this country with an ambition to build high quality work but also raises worrying trends for a city which sees an intensity of many contemporary urban issues. As part of a three day trip, the Jury travelled the length and breadth of the Czech Republic to interrogate the architects and owners of projects for historical centres, projects in landscape settings, projects for domestic clients, regeneration and renovation projects. However it is also worrying to note an absence of meaningful projects managing the wider social concerns of mass housing or schools within urban settings.