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Liste Des Indicatifs Téléphoniques Internationaux Par Indicatif 1 Liste Des Indicatifs Téléphoniques Internationaux Par Indicatif
Liste des indicatifs téléphoniques internationaux par indicatif 1 Liste des indicatifs téléphoniques internationaux par indicatif Voici la liste des indicatifs téléphoniques internationaux, permettant d'utiliser les services téléphoniques dans un autre pays. La liste correspond à celle établie par l'Union internationale des télécommunications, dans sa recommandation UIT-T E.164. du 1er février 2004. Liste par pays | Liste par indicatifs Le symbole « + » devant les indicatifs symbolise la séquence d’accès vers l’international. Cette séquence change suivant le pays d’appel ou le terminal utilisé. Depuis la majorité des pays (dont la France), « + » doit être remplacé par « 00 » (qui est le préfixe recommandé). Par exemple, pour appeler en Hongrie (dont l’indicatif international est +36) depuis la France, il faut composer un Indicatifs internationaux par zone numéro du type « 0036######### ». En revanche, depuis les États-Unis, le Canada ou un pays de la zone 1 (Amérique du Nord et Caraïbes), « + » doit être composé comme « 011 ». D’autres séquences sont utilisées en Russie et dans les anciens pays de l’URSS, typiquement le « 90 ». Autrefois, la France utilisait à cette fin le « 19 ». Sur certains téléphones mobiles, il est possible d’entrer le symbole « + » directement en maintenant la touche « 0 » pressée plus longtemps au début du numéro à composer. Mais à partir d’un poste fixe, le « + » n'est pas accessible et il faut généralement taper à la main la séquence d’accès (code d’accès vers l'international) selon le pays d’où on appelle. Zone 0 La zone 0 est pour l'instant réservée à une utilisation future non encore établie. -
Middle East 1 Middle East
Middle East 1 Middle East Middle East Map of the Middle east. (Green color) Countries 18–38 (varying definitions) Languages Middle East: Arabic, Aramaic, Azerbaijani, French, Greek, Hebrew, Kurdish, Persian, Somali, Turkish Greater Middle East: Arabic, Armenian, Azerbaijani, Balochi, Berber, Dari, French, Greek, Georgian, Hebrew, Kurdish, Pashto, Persian, Somali, Tigrinya, Turkish, Urdu Time Zones UTC +3:30 (Iran) to UTC +2:00 (Egypt) (traditional definition) Largest Cities In rank order: Istanbul, Cairo, Tehran, Baghdad, Riyadh, Jeddah, Ankara The Middle East[1] is a region that roughly encompasses Western Asia. The term is considered to be Eurocentric and used as a synonym for Near East, in opposition to Far East. The corresponding adjective is Middle-Eastern and the derived noun is Middle-Easterner. The largest ethnic group in the middle east are Arabs,[2] with Turks, Turkomans, Persians, Kurds, Azeris, Copts, Jews, Maronites, Assyro-Chaldeans, Circassians, Armenians, Druze and numerous other ethnic groups forming other significant populations. The history of the Middle East dates back to ancient times, and throughout its history, the Middle East has been a major center of world affairs. When discussing ancient history, however, the term Near East is more commonly used. The Middle East is also the historical origin of major religions such as Judaism, Christianity, and Islam as well as the less common Baha'i faith, Mandaeism, Druze faith and others. The Middle East generally has an arid and hot climate, with several major rivers providing for irrigation to support agriculture in limited areas, especially in Mesopotamia and the rest of the Fertile Crescent. Many countries located around the Persian Gulf have large quantities of crude oil, which has resulted in much wealth particularly for nations in the Arabian peninsula. -
Song, State, Sawa Music and Political Radio Between the US and Syria
Song, State, Sawa Music and Political Radio between the US and Syria Beau Bothwell Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 Beau Bothwell All rights reserved ABSTRACT Song, State, Sawa: Music and Political Radio between the US and Syria Beau Bothwell This dissertation is a study of popular music and state-controlled radio broadcasting in the Arabic-speaking world, focusing on Syria and the Syrian radioscape, and a set of American stations named Radio Sawa. I examine American and Syrian politically directed broadcasts as multi-faceted objects around which broadcasters and listeners often differ not only in goals, operating assumptions, and political beliefs, but also in how they fundamentally conceptualize the practice of listening to the radio. Beginning with the history of international broadcasting in the Middle East, I analyze the institutional theories under which music is employed as a tool of American and Syrian policy, the imagined youths to whom the musical messages are addressed, and the actual sonic content tasked with political persuasion. At the reception side of the broadcaster-listener interaction, this dissertation addresses the auditory practices, histories of radio, and theories of music through which listeners in the sonic environment of Damascus, Syria create locally relevant meaning out of music and radio. Drawing on theories of listening and communication developed in historical musicology and ethnomusicology, science and technology studies, and recent transnational ethnographic and media studies, as well as on theories of listening developed in the Arabic public discourse about popular music, my dissertation outlines the intersection of the hypothetical listeners defined by the US and Syrian governments in their efforts to use music for political ends, and the actual people who turn on the radio to hear the music. -
Looters Vs. Traitors: the Muqawama (“Resistance”) Narrative, and Its Detractors, in Contemporary Mauritania Elemine Ould Mohamed Baba and Francisco Freire
Looters vs. Traitors: The Muqawama (“Resistance”) Narrative, and its Detractors, in Contemporary Mauritania Elemine Ould Mohamed Baba and Francisco Freire Abstract: Since 2012, when broadcasting licenses were granted to various private television and radio stations in Mauritania, the controversy around the Battle of Um Tounsi (and Mauritania’s colonial past more generally) has grown substantially. One of the results of this unprecedented level of media freedom has been the prop- agation of views defending the Mauritanian resistance (muqawama in Arabic) to French colonization. On the one hand, verbal and written accounts have emerged which paint certain groups and actors as French colonial power sympathizers. At the same time, various online publications have responded by seriously questioning the very existence of a structured resistance to colonization. This article, drawing pre- dominantly on local sources, highlights the importance of this controversy in study- ing the western Saharan region social model and its contemporary uses. African Studies Review, Volume 63, Number 2 (June 2020), pp. 258– 280 Elemine Ould Mohamed Baba is Professor of History and Sociolinguistics at the University of Nouakchott, Mauritania (Ph.D. University of Provence (Aix- Marseille I); Fulbright Scholar resident at Northwestern University 2012–2013), and a Senior Research Consultant at the CAPSAHARA project (ERC-2016- StG-716467). E-mail: [email protected] Francisco Freire is an Anthropologist (Ph.D. Universidade Nova de Lisboa 2009) at CRIA–NOVA FCSH (Lisbon, Portugal). He is the Principal Investigator of the European Research Council funded project CAPSAHARA: Critical Approaches to Politics, Social Activism and Islamic Militancy in the Western Saharan Region (ERC-2016-StG-716467). -
Table of Contents: Lesson Set for “Cities of Light”
TABLE OF CONTENTS: LESSON SET FOR “CITIES OF LIGHT” BASIC LESSONS ENRICHMENT LESSONS INTRODUCTORY ACTIVITIES 1: Vocabulary Lesson 7: Map Activities ● Words and definitions by segment ● Al-Andalus in world/regional history ● Introduction to quotes by experts & ● Al-Andalus the Jewel: geographic characteristics context clues of the Iberian Peninsula 2: Viewers Guide 8: Introduction to the Abrahamic Faiths ● Overview of each film chapter ● Background reading and activity MAKING THE POINT OF THE FILM 3: Reading a Historical Map Sequence 9: Material Culture: Achievements of al-Andalus ● Outline maps showing periods in al- ● Material culture in al-Andalus in text and image Andalus history (sciences, arts, technologies, crafts) 4: Timeline Activity 10: Andalusian Literature [Primary Source ● Tracing the chronology of events and Activity]: periods in Andalusian history ● Poetry highlighting aspects of life in al-Andalus, with analysis (technology, reflections on politics, social life) 5: Discussing the Film 11: Story of the Transfer of Knowledge from the ● Questions for each film segment Ancients to Islamic Spain to Europe 12: Legend vs. History: Will the Real El Cid Please Stand Up? CONCLUDING ACTIVITIES 6: Tolerance and Intolerance: 13: Analyzing Secondary Sources: How Do Conditions and Outcomes Modern Historians Assess the Significance of a. Questions, Flow Charts & Keys Muslim Spain? b. Applying the film’s message to our times ● How do historians view the legacy of Spain ● What lessons can we draw from this legacy? SPECIAL FEATURE: Historical Fiction: The Sword CITIES OF LIGHT Film, website, and curriculum lesson plans made possible with support from Unity Productions Foundation, the U.S. Department of Education Title VI grant awarded to Georgetown University, and the United States Institute of Peace. -
Botschafterin Der Sterne | Norient.Com 5 Oct 2021 13:19:41
Botschafterin der Sterne | norient.com 5 Oct 2021 13:19:41 Botschafterin der Sterne by Thomas Burkhalter Die libanesische Sängerin Fairuz ist die Ikone des libanesischen Liedes. Mit ihren Komponisten, den Gebrüdern Rahbani, hat sie der libanesischen Musik und Kultur eine starke Identität gegeben. Die Sängerin Fairuz und ihre Komponisten Assy und Mansour Rahbani gelten im Libanon als nationale, kulturelle und politische Symbole. Ab den 50er Jahren verpasste das Trio der libanesischen Musik eine starke Identität und vermochte sich von der vorherrschenden Kulturszene Ägypten abzutrennen. Heute jedoch, elf Jahre nach dem Bürgerkrieg, kämpft die Musikszene Libanon etwas orientierungslos gegen eine wirtschaftliche Misere an. Ein Gespräch mit dem 2009 verstorbenen Mansour Rahbani. https://norient.com/podcasts/fairuz Page 1 of 8 Botschafterin der Sterne | norient.com 5 Oct 2021 13:19:41 Diese Sendung wurde ausgestrahlt am 25.1.2002 in der Sendung Musik der Welt auf Schweizer Radio DRS2. Hintergrundinfos zu Fairuz Rezension eines wunderbaren Fairuz-Buches von Ines Weinrich. Von Thomas Burkhalter. Ines Weinrich, Fayruz und die Rahbani Brüder – Musik, Moderne und Nation im Libanon. Würzburg: Ergon Verlag, 2006. Fayruz is much more than just a Lebanese singer; her name stands for a concept with musical, poetical and political connotations: This is the leitmotiv in Ines Weinrichs book on Fayruz, the Diva of Lebanese singing, and her composers Asi and Mansour Rahbani. Through the analysis of their work, the book «Fayruz und die Brüder Rahbani – Musik, Moderne und Nation im Libanon» tracks down significant processes in the history of Lebanon since its formal independence in 1943. It reveals a nation that is continuously searching for its identity and position in the regional and global setting. -
Poverty and the Struggle to Survive in the Fuuta Tooro Region Of
What Development? Poverty and the Struggle to Survive in the Fuuta Tooro Region of Southern Mauritania Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Christopher Hemmig, M.A. Graduate Program in Near Eastern Languages and Cultures. The Ohio State University 2015 Dissertation Committee: Sabra Webber, Advisor Morgan Liu Katey Borland Copyright by Christopher T. Hemmig 2015 Abstract Like much of Subsaharan Africa, development has been an ever-present aspect to postcolonial life for the Halpulaar populations of the Fuuta Tooro region of southern Mauritania. With the collapse of locally historical modes of production by which the population formerly sustained itself, Fuuta communities recognize the need for change and adaptation to the different political, economic, social, and ecological circumstances in which they find themselves. Development has taken on a particular urgency as people look for effective strategies to adjust to new realities while maintaining their sense of cultural identity. Unfortunately, the initiatives, projects, and partnerships that have come to fruition through development have not been enough to bring improvements to the quality of life in the region. Fuuta communities find their capacity to develop hindered by three macro challenges: climate change, their marginalized status within the Mauritanian national community, and the region's unfavorable integration into the global economy by which the local markets act as backwaters that accumulate the detritus of global trade. Any headway that communities can make against any of these challenges tends to be swallowed up by the forces associated with the other challenges. -
Stanley Cowell Samuel Blaser Shunzo Ohno Barney
JUNE 2015—ISSUE 158 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM RAN BLAKE PRIMACY OF THE EAR STANLEY SAMUEL SHUNZO BARNEY COWELL BLASER OHNO WILEN Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 116 Pinehurst Avenue, Ste. J41 JUNE 2015—ISSUE 158 New York, NY 10033 United States New York@Night 4 Laurence Donohue-Greene: [email protected] Interview : Stanley Cowell by anders griffen Andrey Henkin: 6 [email protected] General Inquiries: Artist Feature : Samuel Blaser 7 by ken waxman [email protected] Advertising: On The Cover : Ran Blake 8 by suzanne lorge [email protected] Editorial: [email protected] Encore : Shunzo Ohno 10 by russ musto Calendar: [email protected] Lest We Forget : Barney Wilen 10 by clifford allen VOXNews: [email protected] Letters to the Editor: LAbel Spotlight : Summit 11 by ken dryden [email protected] VOXNEWS 11 by katie bull US Subscription rates: 12 issues, $35 International Subscription rates: 12 issues, $45 For subscription assistance, send check, cash or money order to the address above In Memoriam 12 by andrey henkin or email [email protected] Festival Report Staff Writers 13 David R. Adler, Clifford Allen, Fred Bouchard, Stuart Broomer, CD Reviews 14 Katie Bull, Thomas Conrad, Ken Dryden, Donald Elfman, Brad Farberman, Sean Fitzell, Miscellany 41 Kurt Gottschalk, Tom Greenland, Alex Henderson, Marcia Hillman, Event Calendar Terrell Holmes, Robert Iannapollo, 42 Suzanne Lorge, Marc Medwin, Robert Milburn, Russ Musto, Sean J. O’Connell, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman There is a nobility to turning 80 and a certain mystery to the attendant noun: octogenarian. -
JWSR V10n3-Complete Issue
Expansions And Contractions: World-Historical Change And The Western Sudan World-System (1200/1000 B.C.–1200/1250 A.D.)* Ray A. Kea part one: history, chronologies, and the new archaeology Introduction By the 12t century a.d. the principal trading centers of the Western Sudan world-system—including Kawkaw/Gao, Tadmakka, Koumbi Saleh, and Tegdaoust/Awdaghast—possessed, in the words of the archaeologist Timothy Insoll, an “Islamic character.” He elaborates on this phenomenon: “Their plans indicate that they exhibit many of the characteristics of the Islamic city or town as is found within the wider Islamic world” (Insoll 1996: 43; also Mauny 1967). What history accounts for the Islamic character of these places, and what pro- cesses, events, and relations generated their development? Recent archaeologi- cal research in West Africa provides some answers. The present study offers a re-interpretation of Western Sudan history based on the recent archaeologi- cal research. Recent archaeology has generated a tremendous amount of new information pertaining to the cultural, economic, political, and social aspects of this history (Bedaux 1972; Vallées du Niger 1993; McIntosh 1995; Pelzer 2000; Ray A. Kea Department of History University of California at Riverside [email protected] http://history.ucr.edu/ * Th is article is a revision of a paper presented at a workshop of the University of California Multi-Campus Research Unit in World History, February –, , abstract: University of California, Irvine. I wish to thank the anonymous reviewer for her/his Archaeological evidence from West of a West African state system played a comments and suggestions. In addition, I wish to extend my gratitude to Ms Linda Africa suggests a process of relatively generative role in the world-historical Bobbitt for preparing the maps. -
Botschafterin Der Sterne | Norient.Com 27 Sep 2021 12:39:25
Botschafterin der Sterne | norient.com 27 Sep 2021 12:39:25 Botschafterin der Sterne by Thomas Burkhalter Die libanesische Sängerin Fairuz ist die Ikone des libanesischen Liedes. Mit ihren Komponisten, den Gebrüdern Rahbani, hat sie der libanesischen Musik und Kultur eine starke Identität gegeben. Die Sängerin Fairuz und ihre Komponisten Assy und Mansour Rahbani gelten im Libanon als nationale, kulturelle und politische Symbole. Ab den 50er Jahren verpasste das Trio der libanesischen Musik eine starke Identität und vermochte sich von der vorherrschenden Kulturszene Ägypten abzutrennen. Heute jedoch, elf Jahre nach dem Bürgerkrieg, kämpft die Musikszene Libanon etwas orientierungslos gegen eine wirtschaftliche Misere an. Ein Gespräch mit dem 2009 verstorbenen Mansour Rahbani. https://norient.com/index.php/podcasts/fairuz Page 1 of 8 Botschafterin der Sterne | norient.com 27 Sep 2021 12:39:25 Diese Sendung wurde ausgestrahlt am 25.1.2002 in der Sendung Musik der Welt auf Schweizer Radio DRS2. Hintergrundinfos zu Fairuz Rezension eines wunderbaren Fairuz-Buches von Ines Weinrich. Von Thomas Burkhalter. Ines Weinrich, Fayruz und die Rahbani Brüder – Musik, Moderne und Nation im Libanon. Würzburg: Ergon Verlag, 2006. Fayruz is much more than just a Lebanese singer; her name stands for a concept with musical, poetical and political connotations: This is the leitmotiv in Ines Weinrichs book on Fayruz, the Diva of Lebanese singing, and her composers Asi and Mansour Rahbani. Through the analysis of their work, the book «Fayruz und die Brüder Rahbani – Musik, Moderne und Nation im Libanon» tracks down significant processes in the history of Lebanon since its formal independence in 1943. It reveals a nation that is continuously searching for its identity and position in the regional and global setting. -
Titre Construit 1Er Responsable Série Edith Piaf
Titre construit 1er responsable Série Edith Piaf (1963-2003) (20) : Volume 20 : Carnegie Hall 1956-1957 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] Edith Piaf (1963-2003) (19) : Volume 19 : Carnegie Hall 1956 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] Edith Piaf (1963-2003) (18) : Volume 18 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] Edith Piaf (1963-2003) (17) : Volume 17 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] Léo chante Ferré (16) : Léo chante l'espoir Ferré, Léo (1916 - 1993) Léo chante Ferré / Léo Ferré [Universal Music S.A.] Edith Piaf (1963-2003) (16) : Volume 16 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] Intégrale 1965-1995 (16) : Disque 16 Sardou, Michel Intégrale 1965-1995 / Michel Sardou [Universal Music France S.a] Léo chante Ferré (15) : Léo chante Et ... basta ! Ferré, Léo (1916 - 1993) Léo chante Ferré / Léo Ferré [Universal Music S.A.] Edith Piaf (1963-2003) (15) : Volume 15 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] L'Intégrale (15) : Les Marquises Brel, Jacques L'Intégrale / Jacques Brel [Universal Music France S.a] Intégrale 1965-1995 (15) : Disque 15 Sardou, Michel Intégrale 1965-1995 / Michel Sardou [Universal Music France S.a] L'Intégrale studio de Claude Nougaro (14) : Embarquement immédiat Nougaro, Claude L'Intégrale studio de Claude Nougaro / Claude Nougaro [Mercury France] Intégrale 1965-1995 (14) : Disque 14 Sardou, Michel Intégrale 1965-1995 / Michel Sardou [Universal Music France S.a] Edith Piaf (1963-2003) -
Cyborg Art: an Explorative and Critical Inquiry Into Corporeal Human-Technology Convergence
http://waikato.researchgateway.ac.nz/ Research Commons at the University of Waikato Copyright Statement: The digital copy of this thesis is protected by the Copyright Act 1994 (New Zealand). The thesis may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: Any use you make of these documents or images must be for research or private study purposes only, and you may not make them available to any other person. Authors control the copyright of their thesis. You will recognise the author’s right to be identified as the author of the thesis, and due acknowledgement will be made to the author where appropriate. You will obtain the author’s permission before publishing any material from the thesis. Cyborg Art: An Explorative and Critical Inquiry into Corporeal Human-Technology Convergence A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy at the University of Waikato, by Elizabeth Margaretha Borst Faculty of Arts and Social Sciences © Elizabeth M. Borst, 2009 All rights reserved. This work may not be reproduced without permission of the author. University of Waikato, 2009 i ii Abstract This thesis introduces and examines the undervalued concept of corporeal human- technology interface art, or ‘cyborg art’, which describes literal, figural and metaphorical representations of increasing body and technology integration. The transforming (post)human being is therefore the focus; who we are today, and who or what we may become as humanity increasingly interfaces with technology. Theoretical analysis of cyborg imagery centres on the science fiction domain, in particular film and television, as opposed to art.