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Titre Construit 1Er Responsable Série Edith Piaf
Titre construit 1er responsable Série Edith Piaf (1963-2003) (20) : Volume 20 : Carnegie Hall 1956-1957 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] Edith Piaf (1963-2003) (19) : Volume 19 : Carnegie Hall 1956 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] Edith Piaf (1963-2003) (18) : Volume 18 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] Edith Piaf (1963-2003) (17) : Volume 17 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] Léo chante Ferré (16) : Léo chante l'espoir Ferré, Léo (1916 - 1993) Léo chante Ferré / Léo Ferré [Universal Music S.A.] Edith Piaf (1963-2003) (16) : Volume 16 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] Intégrale 1965-1995 (16) : Disque 16 Sardou, Michel Intégrale 1965-1995 / Michel Sardou [Universal Music France S.a] Léo chante Ferré (15) : Léo chante Et ... basta ! Ferré, Léo (1916 - 1993) Léo chante Ferré / Léo Ferré [Universal Music S.A.] Edith Piaf (1963-2003) (15) : Volume 15 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] L'Intégrale (15) : Les Marquises Brel, Jacques L'Intégrale / Jacques Brel [Universal Music France S.a] Intégrale 1965-1995 (15) : Disque 15 Sardou, Michel Intégrale 1965-1995 / Michel Sardou [Universal Music France S.a] L'Intégrale studio de Claude Nougaro (14) : Embarquement immédiat Nougaro, Claude L'Intégrale studio de Claude Nougaro / Claude Nougaro [Mercury France] Intégrale 1965-1995 (14) : Disque 14 Sardou, Michel Intégrale 1965-1995 / Michel Sardou [Universal Music France S.a] Edith Piaf (1963-2003) -
Malouma Creative Teachers Intelligent Students Real Learning GUIDE 04
real learning intelligent students creative teachers Education Education Malouma and the Sahel Hawl Blues 04 Youth 05 TEACHER RESOURCE GUIDE About UMS UMS gratefully acknowledges the One of the oldest performing arts presenters in the coun- following corporations, foundations try, UMS serves diverse audiences through multi- and government agencies for their disciplinary performing arts programs in three distinct but generous support of the UMS Youth interrelated areas: presentation, creation, and education. Education Program: With a program steeped in music, dance, and theater, Ford Motor Company Fund UMS hosts approximately 80 performances and 150 free Michigan Council for Arts and Cultural educational activities each season. UMS also commissions new work, sponsors artist residencies, and organizes Affairs collaborative projects with local, national as well as many University of Michigan international partners. Arts at Michigan Arts Midwest While proudly affiliated with the University of Michigan Borders Group and housed on the Ann Arbor campus, UMS is a separate Chelsea Flowers not-for-profit organization that supports itself from ticket Community Foundation for sales, grants, contributions, and endowment income. Southeastern Michigan Doris Duke Charitable Foundation UMS Education and Heartland Arts Fund JazzNet Audience Development MASCO Corporation Department THE MOSAIC FOUNDATION (of R. & P. Heydon) UMS’s Education and Audience Development Department Margot Campos Designs seeks to deepen the relationship between audiences and Music for Little People art, as well as to increase the impact that the perform- National Dance Project of New England ing arts can have on schools and community. The pro- Foundation for the Arts gram seeks to create and present the highest quality arts National Endowment for the Arts education experience to a broad spectrum of community Office of the Senior Vice Provost for constituencies, proceeding in the spirit of partnership and Academic Affairs, University of collaboration. -
Les Chansons De Malouma, Entre Tradition, World Music Et Engagement Politique Catherine Taine-Cheikh
Les chansons de Malouma, entre tradition, world music et engagement politique Catherine Taine-Cheikh To cite this version: Catherine Taine-Cheikh. Les chansons de Malouma, entre tradition, world music et engagement politique. L. Bettini et P. La Spisa. Au-delà de l’arabe standard. Moyen arabe et arabe mixte dans les sources médiévales, modernes et contemporaines, Dipartimento di Linguistica, Università di Firenze, pp.337-362, 2013, Quaderni di Semistica n° 28 (2012). halshs-00982492 HAL Id: halshs-00982492 https://halshs.archives-ouvertes.fr/halshs-00982492 Submitted on 23 Apr 2014 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. LES CHANSONS DE MALOUMA, ENTRE TRADITION, WORLD MUSIC ET ENGAGEMENT POLITIQUE Catherine TAINE-CHEIKH LACITO (CNRS - Universités Paris III et Paris IV) Dans la société bédouine de Mauritanie, musique et chants sont restés, jusqu'à très récemment, l'apanage exclusif d'un groupe social particulier, celui des griots (īggâwən). Mais, petit à petit, leur statut de groupe quasi casté évolue. Alors que, traditionnellement, leur rôle était de composer et chanter les louanges des éléments les plus valeureux des tribus guerrières, ils sont devenus peu à peu, du moins pour les plus doués d'entre eux, des musiciens-chanteurs professionnels. -
6 November 2009 Page 1 of 44
Radio 3 Listings for 31 October – 6 November 2009 Page 1 of 44 SATURDAY 31 OCTOBER 2009 15 instruments Canadian Chamber Ensemble SAT 01:00 Through the Night (b00nhmx5) Raffi Armenian (conductor) 1.00am Ferguson, Howard (1908-1999): Overture for an Occasion 4.42am Ulster Orchestra Bridge, Frank (1879-1941): Miniature No 2 in G minor Kenneth Montgomery (conductor) (Hornpipe) Moshe Hammer (violin) 1.09am Tsuyoshi Tsutsumi (cello) Elgar, Edward (1857-1934): Cello Concerto in E minor, Op 85 William Tritt (piano) Paul Watkins (cello) BBC Symphony Orchestra 4.45am Jiri Belohlavek (conductor) Vaughan Williams, Ralph (1872-1958): Romance for viola and piano 1.36am Steven Dann (viola) Brahms, Johannes (1833-1897): Symphony No 4 in E minor Bruce Vogt (piano) City of Birmingham Symphony Orchestra Sakari Oramo (conductor) 4.52am Liszt, Franz (1811-1886): Hungarian Rhapsody No 6 2.17am Jeno Jando (piano) Gluck, Christoph Willibald (1714-1787), arr Kempff, Wilhelm: Orpheus' Lament; Dance of the Blessed Spirits (Orfeo ed 5.01am Euridice) Goldmark, Karoly (1830-1915): Scherzo in E minor for Angela Hewitt (piano) orchestra, Op 19 Hungarian Radio Orchestra 2.22am Adam Medveczky (conductor) Mozart, Wolfgang Amadeus (1756-1791): Ch'io me scordi di te? - recitative and rondo for soprano, piano and orchestra, K505 5.07am Veronique Gens (soprano) Trad Hungarian: Dances from Csiksomelyo Lars Vogt (piano) Csaba Nagy (tarogato) Salzburg Mozarteum Orchestra Viktoria Herencsar (cimbalom) Ivor Bolton (conductor) 5.11am 2.32am Ravel, Maurice (1875-1937): Chants populaires -
Tesi Doctoral Ruben Gomez Muns
LA WORLD MUSIC EN EL MEDITERRÁNEO (1987-2007): 20 AÑOS DE ESCENA MUSICAL, GLOBALIZACIÓN E INTERCULTURALIDAD Rubén Gómez Muns ADVERTIMENT. L'accés als continguts d'aquesta tesi doctoral i la seva utilització ha de respectar els drets de la persona autora. Pot ser utilitzada per a consulta o estudi personal, així com en activitats o materials d'investigació i docència en els termes establerts a l'art. 32 del Text Refós de la Llei de Propietat Intel·lectual (RDL 1/1996). Per altres utilitzacions es requereix l'autorització prèvia i expressa de la persona autora. En qualsevol cas, en la utilització dels seus continguts caldrà indicar de forma clara el nom i cognoms de la persona autora i el títol de la tesi doctoral. No s'autoritza la seva reproducció o altres formes d'explotació efectuades amb finalitats de lucre ni la seva comunicació pública des d'un lloc aliè al servei TDX. Tampoc s'autoritza la presentació del seu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant als continguts de la tesi com als seus resums i índexs. ADVERTENCIA. El acceso a los contenidos de esta tesis doctoral y su utilización debe respetar los derechos de la persona autora. Puede ser utilizada para consulta o estudio personal, así como en actividades o materiales de investigación y docencia en los términos establecidos en el art. 32 del Texto Refundido de la Ley de Propiedad Intelectual (RDL 1/1996). Para otros usos se requiere la autorización previa y expresa de la persona autora. -
Blues Aus Der Wüste Das Theoretische System Der Musique Maure
Blues aus der Wüste Das theoretische System der Musique Maure Modi, Instrumente und Mikrotonalität von Mike Herting nach Maalouma bint Meidah und Lemrabott ibn Meidah unter Mitarbeit von Aly Ndao Zeichnungen von Isabelle Fiadeiro Über den Autor: Mike Herting ist einer der führenden deutschen Musiker seiner Generation und Fachmann für interkulturelle Zusammenarbeit. Neben dem Studium der klassischen Musik und der Komposition beschäftigte er sich seit frühester Jugend mit dem Jazz und in der Folge mit den Musiken der Welt. Als Komponist, Leiter und Pianist arbeitete er mit einigen der besten Ensembles der Welt: mit der WDR-Bigband, dem London Philharmonic Orchestra, dem Bundesjazzorchester, der NDR-Bigband. Als erster brachte er im Jahr 2000 die klassische südindische Musik in Verbindung mit dem Klangkörper der WDR-Bigband, ausgedehnte Tourneen mit dem Bundesjazzorchester führten ihn nach Indien und Westafrika, jeweils in Verbindung mit führenden Musikern der dortigen Region. Mike Herting arbeitet zur Zeit an der „Sai Symphony“, ein fünfsätziges Werk für klassisches Orchester und einige der besten indischen Solisten, das im November 2015 in Indien aufgeführt werden wird. 2 Inhaltsverzeichnis Vorwort Einleitung Das Tonale System Teil 1: Modi Teil 2: Form Teil 3: Instrumente und Stimmung Teil 4: Die drei Wege; Schwarz und Weiß Teil5: Mikrotonalität Rhythmus Nachwort Anhang 3 Vorwort Schon vor langer Zeit hatte ich zum ersten Mal Musik aus Mauretanien gehört, die mir irgend jemand in den achtziger Jahren auf Kassette überlassen hatte, von einer Sängerin namens Aicha mint Chigalih. Ich liebte diese Kassette und hörte sie oft, auch wenn ich weder den Text noch die Musik verstand. Aber ich erkannte eine große Kraft und Leidenschaft in dieser archaischen, aber dennoch kunstvoll klingenden Musik. -
Compuware, Whalers Could Be up for Grabs Karmanos Might Give up Franchise Amid Streamlining Efforts
i t Daylight Saving Tinf Antique Collector Toy culture meets fine art Don t forget to turn your dock forward one hour Sunday makes it personal at CPOP gallery in Detroit morning also don t tfffrnT forget to change the batteries in your smoke detectors AT HOME SECTION B INSERTED SECTION a Your hometown newspaper serving Plymouth and Plymouth Township for 119 y e a rs THURSDAY March 31 2005 75 cents Volume 119 N umber 63 iviviv.hometoivnlife.com © 20 05 Hometown Communications N etwork Plym outh native Billy Dickey, in fear for his life and that of his son, didn’t think the van w as w orth dying for. His son had other ideas, lending life-and-death connotation to the alleged thief’s question. Compuware, Whalers could be up for grabs Karmanos might give up franchise amid streamlining efforts BY TONY BRUSCATO STAFF WRITER For Sale One 3,500-seat arena, complete with a d junior hockey team, m a great location Price ^ Negotiable Compuware Arena president Mike Vellucci con firmed the two-sheet ice arena and the Plymouth Whalers are for sale - at the right pnce PHOTOS BY TOM HAWLEY | STAFF PHOTOGRAPHER “We don t have the ‘For Sale sign out, but we 11 lis Billy Dickey of Canton, who grew up m Plymouth still shows the effects of injuries he sustained during an attack at a home he and his sort are fixing up m Detroit ten,” said Vellucci “(Arena and hockey team owner) Peter Karmanos is streamlining operations, and if somebody is interested, he’ll look at any offers As far as pnce, we really haven’t gotten that far” Karmanos is currently in the process -
5 September 2008 Page 1 of 38
Radio 3 Listings for 30 August – 5 September 2008 Page 1 of 38 SATURDAY 30 AUGUST 2008 Fauré, Gabriel (1845-1924) Nocturne No.6 in D flat major (Op.63) SAT 01:00 Through the Night (b00d3qy4) Jean-Yves Thibaudet (piano) With Jonathan Swain. Durante, Francesco (1684-1755) PLAYLIST: Concerto per quartetto no.6 in A major Leifs, Jón (1899-1968) Concerto Köln Galda Loftr, overture to "Loftr op. 10' Salzedo, Carlos (1885-1961) Elgar, Edward ((1857-1934) Variations sur un thème dans le style ancien (Op.30) Variations on an original theme ('Enigma') for orchestra (op. 36) Mojca Zlobko (harp) Rachmaninov, Sergey (1873-1943) Spohr, Louis (1784-1859) Piano Concerto no. 3 (Op. 30) in D minor Fantasie and variations on a theme of Danzi in B minor (Op.81) Vikingur Heidar Olafsson (piano), Iceland Symphony Orchestra, Joze Kotar (clarinet), Slovene Philharmonic String Quartet Rumon Gamba (conductor) Bach, Johann Christoph (1642-1703) Kaldalón, Sigvaldi (1881-1946) Motet : Fürchte dich nicht Ave Maria Cantus Cölln: Johanna Koslowsky (soprano), Graham Pushee Vikingur Heidar Olafsson (piano) (counter-tenor), Gerd Türk & Wilfred Jochens (tenors), Stephan Schreckenberger (bass), Christoph Anselm Noll (organ), Konrad Beethoven, Ludwig van (1770-1827) Junghänel (director) The Mount of Olives (Op.85) Olga Pasichny (soprano), Corby Welch (tenor), Marcus Matz, Rudolf (1901-1988) Niedermeyr (bass), Das Neue Orchester, Oslo Cathedral Choir, Ballade Christoph Spering (conductor) Zagreb Piano Trio Goldmark, Károly (1830-1915) Grundt, Albert (1840-1878) / Knoll, Johann -
MAURITANIA Black African Twist
© Lonely Planet Publications 420 lonelyplanet.com MAURITANIA •• Highlights 421 HIGHLIGHTS HOW MUCH? Mauritania Nouakchott fish market ( p424 ) Watch doz- ens of colourful fishing boats roll in with Cup of tea in a nomad’s tent Free their glistening catch. Taxi ride in Nouakchott US$1.10 Chinguetti ( p428 ) Lose yourself in the labyrinthine lanes of the old city before Camel ride in the desert About US$22 experiencing the magic of the Saharan per day dunes. Wild coast meets Saharan dunes. This should be enough to lure you to Mauritania. If you’re Bush taxi fare (from Nouakchott to Oualâta ( p430 ) Push the frontiers by trav- Nouâdhibou) US$21 still diffident, a limited amount of hyperbole may strike a chord: think grandiose dune fields, elling to this remote desert town, one of Auberge room About US$7.50 per Mauritania’s best-kept secrets. ancient cities scoured by sandy winds, giddily deep canyons, eye-popping plateaus, sand person seas larger than many a small European country and a phalanx of enchanting oases. Iron-ore train ( p433 ) Hop on the world’s MAURITANIA longest train, and be ready for the bump- LONELY PLANET INDEX Sure, you may find similar landscapes in other parts of West Africa, but few are on the same iest journey of your life! scale as those in Mauritania. And few are as varied. Where else could you find such a startling Banc d’Arguin ( p427 ) Pack your binoculars 1L petrol US$0.80 and observe vast flocks of birds from a interplay of dunes and ocean? If it’s tranquillity you’re after, fear not: unlike Senegal, the Mau- 1L bottled water US$0.90 MAURITANIA MAURITANIA traditional pirogue (traditional canoe). -
Chicago Classical Oriental Ensemble: Children's Songs of the Arab World
007l087l08 YYouthouth EEducationducation CCreativereative TTeachers...Intelligenteachers...Intelligent SStudents...Realtudents...Real LLearningearning CChicagohicago CClassicallassical OOrientalriental EEnsemble:nsemble: CChildren’shildren’s SSongsongs ooff tthehe AArabrab WorldWorld TTeachereacher RResourceesource GGuideuide UMS greatefuly acknowleges the About UMS following corporation, foundations, and government agenies for their generous sup- One of the oldest performing arts presenters in the country, UMS serves diverse audiences through multi- port of the UMS Youth Education Program: disciplinary performing arts programs in three distinct but interrelated areas: presentation, creation, and education. With a program steeped in music, dance, theater, and edu- cation, UMS hosts approximately 80 performances and 150 free educational activities each season. UMS also commis- sions new work, sponsors artist residencies, and organizes collaborative projects with local, national as well as many international partners. While proudly affiliated with the University of Michigan and housed on the Ann Arbor campus, UMS is a separate not- for-profit organization that supports itself from ticket sales, grants, contributions, and endowment income. Arts at Michigan Bank of Ann Arbor Kathy Benton and Robert Brown Borders Group, Inc. UMS Education and The Dan Cameron Family Foundation/ Alan and Swanna Saltiel Audience Development CFI Group Chamber Music America Department Doris Duke Charitable Foundation DTE Energy Foundation UMS’s Education and Audience Development Department The Esperance Family Foundation seeks to deepen the relationship between audiences and JazzNet Endowment Masco Corporation Foundation art, as well as to increase the impact that the performing Michigan Economic Development arts can have on schools and community. The program Corporation seeks to create and present the highest quality arts edu- Thomas B. -
Op Reis Naar De Maghreb
Themalijst Op reis naar de Maghreb al-Maġrib al-ʿArabī) is een aanduiding voor het noordwestelijke deel ال عرب ي ال م غرب :De Maghreb (Arabisch van Afrika. In enge zin behoren Marokko, Algerije, Tunesië, Mauritanië en Libië tot de Maghreb. De letterlijke betekenis van het Arabische woord maghrib is plaats van de ondergang van de zon of westen. Binnen de Islamitische wereld ligt deze regio het meest in het westen, vanuit Saoedi-Arabië gezien. De Maghreb heeft een eigen identiteit binnen de Arabische wereld. Een van de kenmerken van de Maghreb is, dat hier de Maghrebijnse dialecten van het Arabisch worden gesproken, die onderling doorgaans redelijk verstaanbaar zijn, maar die op bepaalde onderdelen, zoals grammatica, verschillen van de Arabische dialecten die bijvoorbeeld in Egypte en het Midden-Oosten worden gesproken. Wel is het vocabulaire nog grotendeels gelijk. Een ander kenmerk van de Maghreb is, dat hier relatief veel Berbers leven of leefden. Verder is een groot deel van de Maghreb lange tijd onder Franse heerschappij geweest, en is de invloed van de Franse cultuur hier ook groot, en van het Frans, als taal van het onderwijs, de wetenschap en overheid. Met het grootste deel van de rest van de Arabische Wereld heeft de Maghreb onder meer gemeen, dat het Arabisch de officiële taal is, en dat de meerderheid van de bevolking islamitisch is. Arabisch In de hieronder gepresenteerde landen is de officiële taal Arabisch Voor een basiscursus Arabisch kun je achteraan de volwassenenafdeling (gelijkvloers) voor enkele boeken, o.a. Arabisch voor dummies (2007) taalcursus arab 838 Een Amerikaanse methode om via zelfstudie Modern Standaard Arabisch te leren, een gangbaar Arabisch in alle Arabische landen, dus niet de regionale dialecten zoals Marokkaans of Egyptisch. -
Pope John Paul II-1920-2005 Locals Join Papal Reflections
Chef adds little heat, lots of Magical carpet designs heart, to spices AT HOME, SECTION B TASTE, PAGEB5 your hometown newspaper serving Plymouth and Plymouth Township for 119 y e a rs THURSDAY I J April 7 2005 75 cents I Volume 119 Number 65 www.hometownlife.com Pope John Paul II-1920-2005 Underpass in Locals trouble - again BY TONY BRUSCATO STAFF WRITER The long-awaited Sheldon Road underpass could soon be .nothing more than a pipe dream join papal Wayne County officials must tell the State of Michigan by the end of May it has all its ducks m a row for the underpass at M-14 and Sheldon Road to qualify for $17 million m funding However, Plymouth and Plymouth Township offi cials are in no hurry to sign agreements which will commit either community to the project, putting the reflections state funding in jeopardy And, they aren t alone Neither Detroit Water and Sewer nor CSX Railroad have signed agreements to With funeral Friday, participate m the $12 million underpass project City commissioners Monday night tabled a resolu tion introduced by Commissioner Michele Potter that thoughts turn to would have voided a 1999 agreement with the county to pay one-third of the engineering costs The majori ty wanted to wait for legal counsel to give them an church's future opinion on the resolution Five years ago, the estimated engineering costs BY TONY BRUSCATO AND JULIE BROWN agreed to by commissioners was nearly $87,000 STAFF WRITERS According to Wayne County officials, engineering costs for the underpass are currently at $810,000, As a Top Gun