J2 Jazz Holiday Preview J3-J5 FM PROGRAM LISTINGS J6
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QUASIMODE: Ike QUEBEC
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ QUASIMODE: "Oneself-Likeness" Yusuke Hirado -p,el p; Kazuhiro Sunaga -b; Takashi Okutsu -d; Takahiro Matsuoka -perc; Mamoru Yonemura -ts; Mitshuharu Fukuyama -tp; Yoshio Iwamoto -ts; Tomoyoshi Nakamura -ss; Yoshiyuki Takuma -vib; recorded 2005 to 2006 in Japan 99555 DOWN IN THE VILLAGE 6.30 99556 GIANT BLACK SHADOW 5.39 99557 1000 DAY SPIRIT 7.02 99558 LUCKY LUCIANO 7.15 99559 IPE AMARELO 6.46 99560 SKELETON COAST 6.34 99561 FEELIN' GREEN 5.33 99562 ONESELF-LIKENESS 5.58 99563 GET THE FACT - OUTRO 1.48 ------------------------------------------ Ike QUEBEC: "The Complete Blue Note Forties Recordings (Mosaic 107)" Ike Quebec -ts; Roger Ramirez -p; Tiny Grimes -g; Milt Hinton -b; J.C. Heard -d; recorded July 18, 1944 in New York 34147 TINY'S EXERCISE 3.35 Blue Note 6507 37805 BLUE HARLEM 4.33 Blue Note 37 37806 INDIANA 3.55 Blue Note 38 39479 SHE'S FUNNY THAT WAY 4.22 --- 39480 INDIANA 3.53 Blue Note 6507 39481 BLUE HARLEM 4.42 Blue Note 544 40053 TINY'S EXERCISE 3.36 Blue Note 37 Jonah Jones -tp; Tyree Glenn -tb; Ike Quebec -ts; Roger Ramirez -p; Tiny Grimes -g; Oscar Pettiford -b; J.C. Heard -d; recorded September 25, 1944 in New York 37810 IF I HAD YOU 3.21 Blue Note 510 37812 MAD ABOUT YOU 4.11 Blue Note 42 39482 HARD TACK 3.00 Blue Note 510 39483 --- 3.00 prev. unissued 39484 FACIN' THE FACE 3.48 --- 39485 --- 4.08 Blue Note 42 Ike Quebec -ts; Napoleon Allen -g; Dave Rivera -p; Milt Hinton -b; J.C. -
Robert GADEN: Slim GAILLARD
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Robert GADEN: Robert Gaden -v,ldr; H.O. McFarlane, Karl Emmerling, Karl Nierenz -tp; Eduard Krause, Paul Hartmann -tb; Kurt Arlt, Joe Alex, Wolf Gradies -ts,as,bs; Hans Becker, Alex Beregowsky, Adalbert Luczkowski -v; Horst Kudritzki -p; Harold M. Kirchstein -g; Karl Grassnick -tu,b; Waldi Luczkowski - d; recorded September 1933 in Berlin 65485 ORIENT EXPRESS 2.47 EOD1717-2 Elec EG2859 Robert Gaden und sein Orchester; recorded September 16, 1933 in Berlin 108044 ORIENTEXPRESS 2.45 OD1717-2 --- Robert Gaden mit seinem Orchester; recorded December 1936 in Berlin 105298 MEIN ENTZÜCKENDES FRÄULEIN 2.21 ORA 1653-1 HMV EG3821 Robert Gaden mit seinem Orchester; recorded October 1938 in Berlin 106900 ICH HAB DAS GLÜCK GESEHEN 2.12 ORA3296-2 Elec EG6519 Robert Gaden mit seinem Orchester; recorded November 1938 in Berlin 106902 SIGNORINA 2.40 ORA3571-2 Elec EG6567 106962 SPANISCHER ZIGEUNERTANZ 2.45 ORA 3370-1 --- Robert Gaden mit seinem Orchester; Refraingesang: Rudi Schuricke; recorded September 1939 in Berlin 106907 TAUSEND SCHÖNE MÄRCHEN 2.56 ORA4169-1 Elec EG7098 ------------------------------------------ Slim GAILLARD: "Swing Street" Slim Gaillard -g,vib,vo; Slam Stewart -b; Sam Allen -p; Pompey 'Guts' Dobson -d; recorded February 17, 1938 in New York 9079 FLAT FOOT FLOOGIE 2.51 22318-4 Voc 4021 Some sources say that Lionel Hampton plays vibraphone. 98874 CHINATOWN MY CHINATOWN -
MEDIA KIT Radio Net Rate Card MPB Radio Is Our Statewide Radio Service, Carrying Local and NPR Programming
RADIO MEDIA KIT www.mpbonline.org Radio Net Rate Card MPB Radio is our statewide radio service, carrying local and NPR programming. Sponsorships are available. Radio Program / All rates net to station Time Period :15 Net Rate Day Part AM Drive Time M-F 6 AM - 9 AM $150 Day Time M-F 6 AM - 4 PM $75 PM Drive Time M-F 4 PM - 7 PM $125 Night Time M-F 7 PM - 6 AM $25 Weekend AM Sat 8 AM - 11 AM Sun 8 AM - 10 AM $75 Weekend Day Time Sat 11 AM - 8 PM Sun 10 AM - 6 PM $35 Weekend Night Time Sat 8 PM - 8 AM Sun 6 PM - 6 AM $25 Premium Programming Sponsoring Adjacent to Morning Edition M-F 5 AM - 8:30 AM $150 Mississippi Edition M-F 8:30 AM - 9 AM $150 Deep South Dining (Mon.) Money Talks (Tues.) Fix It 101 (Wed.) M-F 9 AM - 10 AM $150 Creature Comforts (Thur.) Gestalt Gardener (Fri.) All Things Considered M-F 4 PM - 6 PM $100 Marketplace M-F 6 PM - 6:30 PM $150 All rates are net. Radio production is included and voiced by an MPB radio announcer. Certain minimums apply. All sponsorship messages must be approved by MPB to meet FCC guidelines for non-commercial stations. Rates and programming are subject to change. Please check with your account executive for current offerings. Biloxi WMAH 90.3 | Booneville WMAE 89.5 | Bude WMAU 88.9 | Greenwood WMAO 90.9 Jackson WMPN 91.3 | Meridian WMAW 88.1 | MS State WMAB 89.9 | Oxford WMAV 90.3 CEDRIC GRIZZELL THOMAS LAMBERT 601.432.6615 [email protected] 601.432.6309 [email protected] AM Weekday 9Mornings Southern cuisine is world-renowned, and there’s so much more to cooking Mon. -
FYE Int 100120A.Indd
FirstYear & Common Reading CATALOG NEW & RECOMMENDED BOOKS Dear Common Reading Director: The Common Reads team at Penguin Random House is excited to present our latest book recommendations for your common reading program. In this catalog you will discover new titles such as: Isabel Wilkerson’s Caste, a masterful exploration of how America has been shaped by a hidden caste system, a rigid hierarchy of human rankings; Handprints on Hubble, Kathrn Sullivan’s account of being the fi rst American woman to walk in space, as part of the team that launched, rescued, repaired, and maintained the Hubble Space Telescope; Know My Name, Chanel Miller’s stor of trauma and transcendence which will forever transform the way we think about seual assault; Ishmael Beah’s powerful new novel Little Family about young people living at the margins of society; and Brittany Barnett’s riveting memoir A Knock at Midnight, a coming-of-age stor by a young laer and a powerful evocation of what it takes to bring hope and justice to a legal system built to resist them both. In addition to this catalog, our recently refreshed and updated .commonreads.com website features titles from across Penguin Random House’s publishers as well as great blog content, including links to author videos, and the fourth iteration of our annual “Wat Students Will Be Reading: Campus Common Reading Roundup,” a valuable resource and archive for common reading programs across the countr. And be sure to check out our online resource for Higher Education: .prheducation.com. Featuring Penguin Random House’s most frequently-adopted titles across more than 1,700 college courses, the site allows professors to easily identif books and resources appropriate for a wide range of courses. -
The Voices of NPR
Episode 11 – Michael Goldfarb – All Along the Watchtower The Voices of NPR And now a personal word, Michael Goldfarb has the voice of a journalist who has witnessed important events. He speaks with weariness and authority. His voice evokes a chorus of NPR announcers who report from near and distant places. Writer Dierdre Mask noted in an article in the Atlantic magazine, “We can’t see NPR reporters, so we have to picture them. And because they are with us in our most private moments—alone in the car, half-asleep in bed—we start to think we know them.” And we do think we know them. Their voices are iconic: distinct, informative, comforting, familiar. Their voices are the sounds of our better selves when we are bright and learned and engaged in the affairs of the world. No matter the day’s events, they give us hope that in a crazy world, sense and sensibility will prevail. Here are a few names I grew up with: Susan Stamberg, Bob Edwards, Carl Kasell, Noah Adams, Linda Wertheimer, Robert Siegel, Scott Simon, Cokie Roberts, and Bob Mondello. Each name evokes a voice, a style, a beat, that is the news soundtrack of our lives and shared imagination. We hear their stories as they report from bureaus from foreign capitals: Eleanor Beardsley, Paris; Rob Gifford, London; Ofiebea Quist-Arcton, Dakar; and, of course, Sylvia Poggioli, Rome. We hear war correspondents in the thick of battle: Michael Golfarb in Northern Ireland and Bosnia; Kelly McEvers in the midst of death and kidnapping in the Arab Spring, Tom Bowman among the fire and mortars of Helmand Province, and David Gilkey ambushed and killed by the Taliban. -
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BILL HOLMAN NEA Jazz Master (2010) Interviewee: Bill Holman (May 21, 1927 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: February 18-19, 2010 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 84 pp. Brown: Today is Thursday, February 18th, 2010, and this is the Smithsonian Institution National Endowment for the Arts Jazz Masters Oral History Program interview with Bill Holman in his house in Los Angeles, California. Good afternoon, Bill, accompanied by his wife, Nancy. This interview is conducted by Anthony Brown with Ken Kimery. Bill, if we could start with you stating your full name, your birth date, and where you were born. Holman: My full name is Willis Leonard Holman. I was born in Olive, California, May 21st, 1927. Brown: Where exactly is Olive, California? Holman: Strange you should ask [laughs]. Now it‟s a part of Orange, California. You may not know where Orange is either. Orange is near Santa Ana, which is the county seat of Orange County, California. I don‟t know if Olive was a part of Orange at the time, or whether Orange has just grown up around it, or what. But it‟s located in the city of Orange, although I think it‟s a separate municipality. Anyway, it was a really small town. I always say there was a couple of orange-packing houses and a railroad spur. Probably more than that, but not a whole lot. -
THE FIRST FORTY YEARS INTRODUCTION by Susan Stamberg
THE FIRST FORTY YEARS INTRODUCTION by Susan Stamberg Shiny little platters. Not even five inches across. How could they possibly contain the soundtrack of four decades? How could the phone calls, the encounters, the danger, the desperation, the exhilaration and big, big laughs from two score years be compressed onto a handful of CDs? If you’ve lived with NPR, as so many of us have for so many years, you’ll be astonished at how many of these reports and conversations and reveries you remember—or how many come back to you (like familiar songs) after hearing just a few seconds of sound. And you’ll be amazed by how much you’ve missed—loyal as you are, you were too busy that day, or too distracted, or out of town, or giving birth (guess that falls under the “too distracted” category). Many of you have integrated NPR into your daily lives; you feel personally connected with it. NPR has gotten you through some fairly dramatic moments. Not just important historical events, but personal moments as well. I’ve been told that a woman’s terror during a CAT scan was tamed by the voice of Ira Flatow on Science Friday being piped into the dreaded scanner tube. So much of life is here. War, from the horrors of Vietnam to the brutalities that evanescent medium—they came to life, then disappeared. Now, of Iraq. Politics, from the intrigue of Watergate to the drama of the Anita on these CDs, all the extraordinary people and places and sounds Hill-Clarence Thomas controversy. -
Program Listings” (USPS Robert A
WXXI-TV/HD | WORLD | CREATE | AM1370 | CLASSICAL 91.5 | WRUR 88.5 | THE LITTLE | WXXI-KIDS PUBLIC TELEVISION & PUBLIC RADIO FOR ROCHESTER JULY 2020 July marks the 30th anniversary of the Americans with Disabilities Act, the civil rights law that prohibits discrimination against individuals with disabilities in all areas of public life. To commemorate this law, WXXI is leading A MULTI-PLATFORM REPORTING EFFORT TOUCHING THE SOUND a national initiative that uses the power ONLINE AT WXXINEWS.ORG FRIDAY, JULY 10 AT 10 PM ON WXXI-TV of public media to inform and transform attitudes and behavior about inclusion. It’s called Move to Include and it is modeled after the local version of the same name that WXXI and the Golisano Foundation launched in 2014. Move to Include spotlights people of differing abilities and disability through television specials, radio programs, news, special events, and social media. The Corporation for Public Broadcasting recognized the importance of the Move to Include model and awarded WXXI a grant to expand efforts to five additional public media stations. Together the stations are creating MEN CARING SIGNING BLACK IN AMERICA programming to meet their community needs SATURDAY, JULY 25 AT 5:30 PM ON WXXI-TV FRIDAY, JULY 17 AT 8:30 PM ON WXXI-TV while expanding awareness regionally and nationally. Join us as we celebrate people of all abilities with special programming throughout the month. To learn more about this initiative visit movetoinclude.us. SUPPORT FOR WXXI LIVE FORUM DE’VIA: DEAF VIEW/IMAGE ART MOVE TO INCLUDE THURSDAY, JULY 23 AT 8 PM ON WXXI-TV ONLINE AT ARTSINFOCUS.TV IS PROVIDED BY: FASCINATIN’ RHYTHM WITH MICHAEL LASSER SATURDAYS AT 11 AM ON WXXI-TV DETAILS ON PAGE 18>> DETAILS ON PAGE 18>> UNLADYLIKE 2020: AMERICAN MASTERS FRIDAY, JULY 10 AT 9 PM ON WXXI-TV Explore the stories of pioneering women in American politics who advocated for suffrage and civil rights over 100 years ago, including the first women in the U.S. -
Theracecardproject 2011 Master
The Race Card™ by Michele Norris 6 WORD Essay Anything Else? First Last City State Twitter My Great Great Grandfather owned Slaves NYC NY Too much to do about nothing Cedar Rapids IA Who I am. Who I am not Not that far. Not that Close Peter Haas Washington DC DC I prefer the word "ethnic" altogether Chris Matthews Washington DC DC Too yellow or not yellow enough - I'm Japanese American with Jean Tokuda Pasadena CA a Japanese mom and a Irwin Is it getting better or worse? - Those are my six words. I Brad Aden St. Louis MO was in such hopes after the Presidential election that we were starting to run the Is it race (because) we're always running - Bill Zepf My Constant companion, good, bad, unrelenting. 58 years old Michael Miller Running from, to, or in place? Ron Martin- Adkins When you're 14, it doesn't matter. Brooke Bradley La Jolla CA Why only six words? Not fair! San Jose CA Humankind. Biological Diversity. Prejudice. Understanding. Unity Howard Cohen Race. Nationality. Gender Don't Define Us- Rosine Oliver UT 84103 Salt Lake City, Race Matters. Risk Talking. Listen Deeply. Lauren Weitzman One Human Race Many Ethnicities, Cultures. (according to many Romana Santiago But if you go by what you WHEN YOU CONNECT RACE Stop! My race will always exist. Also....I love this bible verse -Chonya Davis- Washington DC DC - my first thought!The race Johnson Majorities and minorities exchange places worldwide. Janet Lauroesch Whites need to understand white privilege. Enjoyed your talk at the Diane Kramer Austin TX Texas Book Festival last weekend. -
Legends of West Brochure
JAZZ AID P U.S. POSTAGE presents WEST NONPROFIT ORG. PERMIT NO. 1260 LONG BEACH, CA. COAST 3 LEGENDS OF THE WEST 17 Concerts 8 Panel Discussions A Four Day 5 Film Showings Jazz Festival September 29 ~ October 2, 2005 8-0038 Four Points Sheraton-LAX NG BEACH, CA 9080 CA BEACH, NG .O. BOX 8038.O. BOX LO THE ANGELES LOS JAZZ INSTITUTE P WAY OUT WEST 1957 BY WILLIAM CLAXTON lajazzinstitute.org Bud Shank | Johnny Mandel | Chico Hamilton Quintet | Paul Horn BONUS EVENT Frank Morgan | Buddy Collette | Med Flory | Howard Rumsey In our continuing effort to pay tribute to the Lennie Niehaus | Jack Costanzo | Dave Pell Octet | Herb Geller brilliant artists who have Allyn Ferguson’s Chamber Jazz Sextet | Anthony Ortega | Bill Trujillo been significant figures of the Los Angeles Jazz Scene, FEATURING Claude Williamson | Chuck Flores | John Pisano | Fred Katz we are pleased to announce Jazz West Coast 3- ABOUT THE Legends of the West. Festival Los Angeles Legends of the West is a musical celebration of Facts Jazz Institute both the musicians and The Los Angeles Jazz Institute houses the behind the scenes people Dates and maintains one of the largest whose innovative explorations SEPTEMBER 29-OCTOBER 2, 2005 jazz archives in the world.All styles created a unique jazz scene and eras are represented with a here on the west coast. Place special emphasis on the preservation The Four Points Sheraton at LAX and documentation of jazz in southern In addition to 17 concerts, 9750 Airport Blvd., California. Many artists personal there will also be film showings, Los Angeles, CA 90045 collections are being preserved at panel discussions, photo exhibits The special convention rate is the Institute including the archives and special presentations where $82 and $92 per night. -
Annual Report 2017
IDEAS LEADERSHIP ACTION OUR MISSION 2 Letter from Dan Porterfield, President and CEO WHAT WE DO 6 Policy Programs 16 Leadership Initiatives 20 Public Programs 26 Youth & Engagement Programs 30 Seminars 34 International Partnerships 38 Media Resources THE YEAR IN REVIEW 40 2017-2018 Selected Highlights of the Institute's Work 42 Live on the Aspen Stage INSTITUTIONAL ADVANCEMENT 46 Capital Campaigns 48 The Paepcke Society 48 The Heritage Society 50 Society of Fellows 51 Wye Fellows 52 Justice Circle and Arts Circle 55 Philanthropic Partners 56 Supporters STATEMENT OF FINANCIAL POSITION 90 2017 Annual Report WHO WE ARE 96 Our Locations 98 Aspen Institute Leadership 104 Board of Trustees LETTER FROM DAN PORTERFIELD, PRESIDENT AND CEO A LETTER FROM PRESIDENT AND CEO DAN PORTERFIELD There is nothing quite like the Aspen Institute. It is In the years to come, the Aspen Institute will deepen an extraordinary—and unique—American institution. our impacts. It is crucial that we enhance the devel- We work between fields and across divides as a opment of the young, address the urgent challenges non-profit force for good whose mission is to con- of the future, and renew the ideals of democratic so- vene change-makers of every type, established and ciety. I look forward to working closely with our many emerging, to frame and then solve society’s most partners and friends as we write the next chapter on important problems. We lead on almost every issue the Institute’s scope and leadership for America and with a tool kit stocked for solution-building—always the world. -
Table of Contents
TABLE OF CONTENTS Purpose of Knowledge Packs Knowledge Pack One Text Set: The Great Gatsby Text One Text Two Text Three Text Four Text Five Knowledge Pack Two Text Set: Friday Night Lights Text One Text Two Text Three Text Four Text Five Knowledge Pack Three Text Set: The Warmth of Other Suns Text One Text Two Text Three Text Four Knowledge Pack Four Text Set: Homeownership Text One Text Two Text Three Text Four Text Five Knowledge Pack Five Text Set: Space Text One Text Two Text Three Text Four Text Five Knowledge Pack Six Text Set: Genocide 1 Text One Text Two Text Three Text Four Knowledge Pack Seven Text Set: The American Dream Text One Text Two Text Three Text Four Text Five Knowledge Building Journals Rolling Knowledge Journals Sensational 6 Journals Annotation Strategy Rolling Knowledge Journal Template Sensational 6 Journal Template Teacher Directions for Implementation Analog/Print-Only Option Virtual/Technology Enhanced Option Final Project Possible Final Project Products Final Project Planning and Development Sample Student Schedule 2 Purpose of Knowledge Packs In-person learning, involving traditional ELA Guidebook implementation and virtual distance learning should be prioritized. However, the Department recognizes that if school buildings do not physically open, or if a hybrid model needs to be implemented, the time available for those types of interactions might be limited. However, it is important to remember that learning and activities assigned to students should be meaningful and should be in service of helping students master the knowledge and skills demanded by the ELA Guidebook unit. Therefore, the Department is partnering with CommonLit to release knowledge packs that will support students in building knowledge and vocabulary1.