Freshbake Bread a Big Aeasonal Drop in F O B D 50 Winter St
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Cloth Without Weaving: Beaten Barkcloth of the Pacific Islands, November 1, 2000-February 18, 2001
Cloth Without Weaving: Beaten Barkcloth of the Pacific Islands, November 1, 2000-February 18, 2001 Unlike most textiles, which are made of interworked yarns, beaten barkcloth is made of strips of the inner bark of trees such as the paper mulberry, breadfruit, or fig, pounded together into a smooth and supple fabric. It is an ancient craft, practiced in southern China and mainland Southeast Asia over 5,000 years ago. From there, the skill spread to eastern Indonesia and the Pacific Islands. While the technique is also known in South America and Africa, it is most closely associated with the islands of Polynesia. In Polynesia, the making of beaten barkcloth, or tapa, as it is commonly known, is primarily women's work. The technique is essentially the same throughout the Pacific Islands, with many local variations. Bark is stripped from the tree, and the inner bark separated from the outer. The inner bark is then pounded with wooden beaters to spread the fibers into a thin sheet. Large pieces of tapa can be made by overlapping and pounding together several smaller sheets. Women decorate the cloth in many ways, and techniques are often combined. Mallets carved or inlaid with metal or shell designs may impart a subtle texture to the surface. Color may be applied with stamps, stencils, freehand painting, or by rubbing dye into the tapa over a patterned board. Glazes may be brushed onto the finished cloth. Each tapa-producing culture has its own vocabulary of recognized decorative motifs. Many pattern names are drawn from the natural world, and the motifs appear as highly stylized images of local flora and fauna or simple geometric shapes. -
2010 NCAA Division I Football Records (FBS Records)
Football Bowl Subdivision Records Individual Records ....................................... 2 Team Records ................................................ 16 Annual Champions, All-Time Leaders ....................................... 22 Team Champions ......................................... 55 Toughest-Schedule Annual Leaders ......................................... 59 Annual Most-Improved Teams............... 60 All-Time Team Won-Lost Records ......... 62 National Poll Rankings ............................... 68 Bowl Coalition, Alliance and Bowl Championship Series History ............. 98 Streaks and Rivalries ................................... 108 Overtime Games .......................................... 110 FBS Stadiums ................................................. 113 Major-College Statistics Trends.............. 115 College Football Rules Changes ............ 122 2 INDIVIDUal REcorDS Individual Records Under a three-division reorganization plan ad- A player whose career includes statistics from five 3 Yrs opted by the special NCAA Convention of August seasons (or an active player who will play in five 2,072—Kliff Kingsbury, Texas Tech, 2000-02 (11,794 1973, teams classified major-college in football on seasons) because he was granted an additional yards) August 1, 1973, were placed in Division I. College- season of competition for reasons of hardship or Career (4 yrs.) 2,587—Timmy Chang, Hawaii, $2000-04 (16,910 division teams were divided into Division II and a freshman redshirt is denoted by “$.” yards) Division III. At -
The “African Print” Hoax: Machine Produced Textiles Jeopardize African Print Authenticity
The “African Print” Hoax: Machine Produced Textiles Jeopardize African Print Authenticity by Tunde M. Akinwumi Department of Home Science University of Agriculture, Abeokuta, Nigeria Abstract The paper investigated the nature of machine-produced fabric commercially termed African prints by focusing on a select sample of these prints. It established that the general design characteristics of this print are an amalgam of mainly Javanese, Indian, Chinese, Arab and European artistic tradition. In view of this, it proposed that the prints should reflect certain aspects of Africanness (Africanity) in their design characteristics. It also explores the desirability and choice of certain design characteristics discovered in a wide range of African textile traditions from Africa south of the Sahara and their application with possible design concepts which could be generated from Macquet’s (1992) analysis of Africanity. This thus provides a model and suggestion for new African prints which might be found acceptable for use in Africa and use as a veritable export product from Africa in the future. In the commercial parlance, African print is a general term employed by the European textile firms in Africa to identify fabrics which are machine-printed using wax resins and dyes in order to achieve batik effect on both sides of the cloth, and a term for those imitating or achieving a resemblance of the wax type effects. They bear names such as abada, Ankara, Real English Wax, Veritable Java Print, Guaranteed Dutch Java Hollandis, Uniwax, ukpo and chitenge. Using the term ‘African Print’ for all the brand names mentioned above is only acceptable to its producers and marketers, but to a critical mind, the term is a misnomer and therefore suspicious because its origin and most of its design characteristics are not African. -
Football Bowl Subdivision Records
FOOTBALL BOWL SUBDIVISION RECORDS Individual Records 2 Team Records 24 All-Time Individual Leaders on Offense 35 All-Time Individual Leaders on Defense 63 All-Time Individual Leaders on Special Teams 75 All-Time Team Season Leaders 86 Annual Team Champions 91 Toughest-Schedule Annual Leaders 98 Annual Most-Improved Teams 100 All-Time Won-Loss Records 103 Winningest Teams by Decade 106 National Poll Rankings 111 College Football Playoff 164 Bowl Coalition, Alliance and Bowl Championship Series History 166 Streaks and Rivalries 182 Major-College Statistics Trends 186 FBS Membership Since 1978 195 College Football Rules Changes 196 INDIVIDUAL RECORDS Under a three-division reorganization plan adopted by the special NCAA NCAA DEFENSIVE FOOTBALL STATISTICS COMPILATION Convention of August 1973, teams classified major-college in football on August 1, 1973, were placed in Division I. College-division teams were divided POLICIES into Division II and Division III. At the NCAA Convention of January 1978, All individual defensive statistics reported to the NCAA must be compiled by Division I was divided into Division I-A and Division I-AA for football only (In the press box statistics crew during the game. Defensive numbers compiled 2006, I-A was renamed Football Bowl Subdivision, and I-AA was renamed by the coaching staff or other university/college personnel using game film will Football Championship Subdivision.). not be considered “official” NCAA statistics. Before 2002, postseason games were not included in NCAA final football This policy does not preclude a conference or institution from making after- statistics or records. Beginning with the 2002 season, all postseason games the-game changes to press box numbers. -
Schiffer Fashion Press BACKLIST 1 3 Plaids: a Visual Survey of Pattern
Schiffer Fashion Press BACKLIST 13 Plaids: A Visual Survey of Pattern Varia- Metallic Textile Designs. Tina Skin- Funky Fabrics of the ’60s. Joy Shih. tions. Tina Skinner. More than fi ve decades of ner. They’re hot, they’re shiny, and they’re The wide range of sixties fabric designs twentieth century plaids. Photographs of actual oh-so-glamorous. This book revisits me- refl ected the transition from the comfort- printed and woven textiles. A sweeping survey of tallic’s past, with historic fabric swatches ing tranquility of the early years to the plaids, from the standard checks and ginghams from Europe and Japan dating back to bolder, more “hip” end of the decade. to the farthest reaches of designers’ imaginations. the 1950s, and takes us to today’s top A nostalgic tour of pastel and splashy Size: 8 1/2" x 11" • 558 color photos • 112 pp. European couture houses in a visual fl orals, patchwork calicos, denims and ISBN: 0-7643-0481-X • soft cover • $24.95 exploration of metallics’ allure. stripes, wild abstract geometrics, and Size: 11" x 8 1/2" • 237 color neon paisleys. photos • 112 pp. Size: 11" x 8 1/2" • 250+ color ISBN: 0-7643-0635-9 • soft cover • $19.95 photos • 112 pp. ISBN: 0-7643-0174-8 • soft cover • $19.95 Foulards: A Picture Book of Prints Art Deco Era Textile Designs. Tina Designer Fabrics of the Early ‘60s. for Men’s Wear. Tina Skinner. 350+ Skinner. More than 300 historic fab- Tina Skinner. From top couture fabric photos of historic fabric swatches ric samples from the mid-1920s and design houses of Paris during the early explore design variations in foulards, 1930s provide a visual textbook of the 1960s, this visual feast explores a mul- small motifs printed on silks and fabrics everyday fabrics used for housedresses titude of styles, ranging from playful that were intended for men’s ties and and curtains, adorned with the era’s geometrics to novelty prints and from dressing gowns. -
All-Time All-America Teams
1944 2020 Special thanks to the nation’s Sports Information Directors and the College Football Hall of Fame The All-Time Team • Compiled by Ted Gangi and Josh Yonis FIRST TEAM (11) E 55 Jack Dugger Ohio State 6-3 210 Sr. Canton, Ohio 1944 E 86 Paul Walker Yale 6-3 208 Jr. Oak Park, Ill. T 71 John Ferraro USC 6-4 240 So. Maywood, Calif. HOF T 75 Don Whitmire Navy 5-11 215 Jr. Decatur, Ala. HOF G 96 Bill Hackett Ohio State 5-10 191 Jr. London, Ohio G 63 Joe Stanowicz Army 6-1 215 Sr. Hackettstown, N.J. C 54 Jack Tavener Indiana 6-0 200 Sr. Granville, Ohio HOF B 35 Doc Blanchard Army 6-0 205 So. Bishopville, S.C. HOF B 41 Glenn Davis Army 5-9 170 So. Claremont, Calif. HOF B 55 Bob Fenimore Oklahoma A&M 6-2 188 So. Woodward, Okla. HOF B 22 Les Horvath Ohio State 5-10 167 Sr. Parma, Ohio HOF SECOND TEAM (11) E 74 Frank Bauman Purdue 6-3 209 Sr. Harvey, Ill. E 27 Phil Tinsley Georgia Tech 6-1 198 Sr. Bessemer, Ala. T 77 Milan Lazetich Michigan 6-1 200 So. Anaconda, Mont. T 99 Bill Willis Ohio State 6-2 199 Sr. Columbus, Ohio HOF G 75 Ben Chase Navy 6-1 195 Jr. San Diego, Calif. G 56 Ralph Serpico Illinois 5-7 215 So. Melrose Park, Ill. C 12 Tex Warrington Auburn 6-2 210 Jr. Dover, Del. B 23 Frank Broyles Georgia Tech 6-1 185 Jr. -
APBA 1960 Football Season Card Set the Following Players Comprise the 1960 Season APBA Football Player Card Set
APBA 1960 Football Season Card Set The following players comprise the 1960 season APBA Football Player Card Set. The regular starters at each position are listed first and should be used most frequently. Realistic use of the players below will generate statistical results remarkably similar to those from real life. IMPORTANT: When a Red "K" appears in the R-column as the result on any kind of running play from scrimmage or on any return, roll the dice again, refer to the K-column, and use the number there for the result. When a player has a "K" in his R-column, he can never be used for kicking or punting. If the symbol "F-K" or "F-P" appears on a players card, it means that you use the K or P column when he recovers a fumble. BALTIMORE 6-6 CHICAGO 5-6-1 CLEVELAND 8-3-1 DALLAS (N) 0-11-1 Offense Offense Offense Offense Wide Receiver: Raymond Berry Wide Receiver: Willard Dewveall Wide Receiver: Ray Renfro Wide Receiver: Billy Howton Jim Mutscheller Jim Dooley Rich Kreitling Fred Dugan (ET) Tackle: Jim Parker (G) Angelo Coia TC Fred Murphy Frank Clarke George Preas (G) Bo Farrington Leon Clarke (ET) Dick Bielski OC Sherman Plunkett Harlon Hill A.D. Williams Dave Sherer PA Guard: Art Spinney Tackle: Herman Lee (G-ET) Tackle: Dick Schafrath (G) Woodley Lewis Alex Sandusky Stan Fanning Mike McCormack (DT) Tackle: Bob Fry (G) Palmer Pyle Bob Wetoska (G-C) Gene Selawski (G) Paul Dickson Center: Buzz Nutter (LB) Guard: Stan Jones (T) Guard: Jim Ray Smith(T) Byron Bradfute Quarterback: Johnny Unitas Ted Karras (T) Gene Hickerson Dick Klein (DT) -
Antiques, Furnishings, Collectors' Items, Textiles & Vintage Fashion
Antiques, Furnishings, Collectors' Items, Textiles & Vintage Fashion Thursday 23rd November 2017, 10am Viewing Wednesday 22nd November 10.30am-6pm and day of sale from 9am THE OLD BREWERY BAYNTON ROAD ASHTON BS3 2EB [email protected] 0117 953 1603 www.bristolauctionrooms.co.uk Live Bidding at @BristolAuctionRooms @BristolSaleroom BUYERS PREMIUM 24% (INCLUSIVE OF VAT) PLUS VAT ON THE HAMMER PRICE AT 20% WHERE INDICATED Sale No. 191 Catalogue £2 IMPORTANT NOTICES We suggest you read the following guide to buying at Bristol Auction Rooms in conjunction with our full Terms & Conditions at the back of the catalogue. HOW TO BID To register as a buyer with us, you must register online or in person and provide photo and address identification by way of a driving licence photo card or a passport/identity card and a utility bill/bank statement. This is a security measure which applies to new registrants only. We operate a paddle bidding system. Lots are offered for sale in numerical order and we usually offer approximately 80-120 lots per hour. We recommend that you arrive in plenty of time before the lots you are wishing to bid on are up for sale. ABSENTEE BIDS If you cannot attend an auction in person, Bristol Auction Rooms can bid on your behalf, acting upon your instructions to secure an item for you at the lowest possible price as allowed by other bids and reserves. You can leave bids in person, through our website, by email or telephone - detailing your intended bids clearly, giving your price limit for each lot (excluding Buyer’s Premium and VAT). -
(Iowa City, Iowa), 1961-12-16
Regents Ok 12-Week Summer Sess"ions "lor State Schools New' Plan Presidents May Lead ai owan Endorse New To Trimester Serving the State and the People of Iowa City Summer Plan Students May Mixed Feelings 5 Cent.s per Copy Saturday, December 16.1961. Iowa City. Jowa Complete College Greet Proposal In Three Years On SUI Campul Iy IARI IUlleR (Combined from L•• sed Wi .... Assi ...... City E" DES MOINES - The Slate Tbe year·round operalioa pIaa Board oC Regents Friday gave the for Iowa's tate-supported ~ nod to a plan enabling students at and unlven;ili was liven the ao ••• LB. head Friday with tbe complete 69' SUI. Iowa Slate University. and Van Allen, Former A$sistant ndo menl of the pr ldents 01 the Slate College of Iowa to com· tbe three school involved, but plete their college work in three with mbed feellJlg reported on the years. SUI campus. LB. SUI PretideDt Vlrail Hancher EAK 49~ The plan calls for an optional 12· emphasized the Pf'OlTam Is not a week summer session in addition to trimester pIau_ He &ald. "It Is aD the present two l8-week semesters extension IDd an eqNlDSioa or the 3 LB. $189 at SUI. However, President Han· CAN ummer 8dlvities. If the studentl NICS . cher noted that the plan. iC suc· r pond 10 the year·around studJ cessCul, could lead to a trimester Differ on Space Belt Theory idea, we will be able latu to de system. t rmin whether or not a dIaD&e 01 nt Although students may now com· , ay tema to a trimeller, or a four PKG.LB·4 •• r••••• ,7" plete theil' college education in quartu I)' tem is ad !sable." three years by nttending summer A trimeatt'r y tern. -
Mounting Barkcloth with Rare Earth Magnets
Mounting barkcloth with rare earth magnets: the compression and fiber resiliency answer Gwen Spicer Abstract The use of magnets to mount barkcloth is common, yet details of the specific techniques used had not been adequately documented. An investigation of magnetic systems globally found that while all current systems use 'point fasteners' on the surface of the cloth, this is where the similarities end. The unresolved question for mounting barkcloth is the potential for compression. Compression is a significant issue for art works on paper, especially when magnets are located on the face. How are backcloth and paper different? While researching various materials frequently placed together and used within a magnetic mounting system, otherwise known as ‘the gap’, some interesting ancillary results were found. Materials are typically selected for their archival value, which includes their long-term stability. Over time, a set of preferred materials became well established; these encompass both natural and synthetic materials, woven and non-woven alike. The phrase ‘like with like’ is often used when materials are selected. This long-held philosophy should be re-examined. Compression relates to an object’s ability to regain shape once a force is applied, one aspect of its resiliency. It appears that barkcloth is less likely to experience compression than does paper, although both media are cellulosic. Cellulose is rated as a low-resilience fiber, when compared to proteins and polyester. These materials most likely have different compression potentials due to the different ways in which paper and barkcloth are prepared. This and other surface phenomena will be discussed. The investigation will briefly summarise why the 'point-fasteners' system appear to be favoured over ‘large area pressure.’ Introduction The conservation and mounting of barkcloth has long been a challenge. -
Fabric Dictionary
FABRIC DICTIONARY A Absorbency- The ability of a fabric to take in moisture. Acetate- A manufactured fiber formed by compound of cellulose, refined from cotton linters and/or wood pulp, and acedic acid that has been extruded through a spinneret and then hardened. Acrylic- A manufactured fiber, its major properties include a soft, wool-like hand, machine washable and dryable and excellent color retention. Alpaca- A natural hair fiber obtained from the Alpaca sheep, a domesticated member of the llama family. Angora- The hair of the Angora goat. Also known as Angora mohair. Angora may also apply to the fur of the Angora rabbit. Antique Satin-A reversible satin-weave fabric with satin floats on the technical face and surface slubs on the technical back created by using slub-filling yarns. It is usually used with the technical back as the right side for drapery fabrics and often made of a blend of fibers. Argyle- A pattern designed with different color diamond shapes knit into a fabric. B Bamboo Fabric- Bamboo fabric is a natural textile made from the pulp of the bamboo grass. Bamboo fabric has been growing in popularity because it has many unique properties and is more sustainable than most textile fibers. Bamboo fabric is light and strong, has excellent wicking properties, and is to some extent antibacterial. Barkcloth- A textured woven, usually printed cotton fabric that was popular in the 30s-40s and 50s as an interiors fabric. The prints were often large vines, leaves and florals. Basket Weave- A distinctive technique of weaving that creates a fabric resembling basket work with interwoven fibers. -
(Iowa City, Iowa), 1957-12-19
Delivery of Iowan ~y V. Averinnov, WiD o!bk and conduct 8C). Iowa (ity Isn't Bead 5,,*.. .Uri... delivery ., lalions in accordance The Daily 1__ cIuri... Chriat· !mlltional Geophysical rn.1 ,,~ must Mtifr The , th e Tass diSp, Ch D_ily 1_.,. Clre"'..- Deput. Spot for Holidays an ment by rn.11 befwe Dec. 21. Serving The State ersity of Iowa and the People of Iowa City By KAREN CLAUSE , Monday through Friday the Union Dolly Iowan Siaft Wrller I n Sale I facililJes, including the bowling al· Established in 1008 - Five Gents a Copy fember of Associated Pre AP Leased Wire and Photo serYl~ Iowa City, Iowa. Thursday. December It. 1951 iel your I! you have the idea that IOwa lys, pool tablcs and Gold Feather City is a "dcad city" during the Room, will be open from 8 a.m. to ~ hri stmas holidays, you are 5 p.m., but no food will be served, wrong. Union officials stated. Council Urges Many of tha 1500 married stu. Although Student Health authori· more. dents at SUI, as well as faculty ties hope to have little business family members, remain in Iowa City dur- during the holidays, the health ing vacation. Most University fa· center will be open on week-days Student Seats 9 12 1 re cilities ·stay open during this time, from a.m. to noon and p.m. s to Stockpiles, at least on a limited basis, to ac· to 4 p.m. On Saturdays and Sun· commodate these people and other days Student Health will maintain Be Extended mart students who don't go home for the usual hours of 9 a.m.