Who Were the Feinn?
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Islandman Translated: Tomas O'crohan, Autobiography and the Politics of Culture
University of Wollongong Research Online University of Wollongong Thesis Collection 1954-2016 University of Wollongong Thesis Collections 2005 Islandman translated: Tomas O'Crohan, autobiography and the politics of culture Irene M. Lucchitti University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/theses University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Lucchitti, Irene, Islandman translated: Tomas O'Crohan, autobiography and the politics of culture, PhD thesis, Faculty of Arts, University of Wollongong, 2005. -
A MAD GOD's DREAM by Donald Smith
1 A MAD GOD’S DREAM By Donald Smith Late afternoon in Edinburgh, the streets ablaze with July sunshine. It was impossible to go straight from a chill rehearsal studio to the shades of Haymarket Station, so Ciaran turned upwards round the Castle Rock. From Johnston Terrace he climbed the precipitous stairs to Castlehill and was rewarded by a panorama of the city undulating towards the Pentland Hills. What had Hugh MacDiarmid called this town - ‘a mad god’s dream’. If so the god had been drunk on nectar, on sun-drenched pleasures, on golden IPA. There was something lofty in Ciaran’s perspective. I’d better descend, he thought, before I’m tumbled. He started down the Royal Mile, sweat runnelling over his brow. This route reminded him of the day, less than a year before when he, Peter, and Madge Drummond, had met at the Scottish Storytelling Centre. Nothing had felt the same since; urged on by Madge, Peter - the Royal Lyceum Theatre’s Director - had upgraded Ciaran’s project to a full company production. Later came the mind-blowing news that it was intended for the Edinburgh International Festival - mainstage! Was that only ten months ago? For the young writer it was a revolution comparable in its effect to Joyce’s Portrait of the Artist as a Young Man or MacDiarmid’s Drunk Man Looks at a Thistle’. Which said something about Ireland and Scotland, though exactly what eluded Ciaran at that euphoric moment. This young artist had a full-scale production before he even had a fully written script. -
1 FIONN in HELL an Anonymous Early Sixteenth-Century Poem In
1 FIONN IN HELL An anonymous early sixteenth-century poem in Scots describes Fionn mac Cumhaill as having ‘dang þe devill and gart him ʒowle’ (‘struck the Devil and made him yowl’) (Fisher 1999: 36). The poem is known as ‘The Crying of Ane Play.’ Scots literature of the late medieval and early modern period often shows a garbled knowledge of Highland culture; commonly portraying Gaels and their language and traditions negatively. Martin MacGregor notes that Lowland satire of Highlanders can, ‘presuppose some degree of understanding of the language, and of attendant cultural and social practices’ (MacGregor 2007: 32). Indeed Fionn and his band of warriors, 1 collectively Na Fiantaichean or An Fhèinn0F in modern Scottish Gaelic, are mentioned a number of times in Lowland literature of the period (MacKillop 1986: 72-74). This article seeks to investigate the fate of Fionn’s soul in late medieval and early modern Gaelic literature, both Irish and Scottish. This is done only in part to consider if the yowling Devil and his encounter with Fionn from the ‘The Crying of Ane Play’ might represent something recognizable from contemporaneous Gaelic literature. Our yowling Devil acts here as something of a prompt for an investigation of Fionn’s potential salvation or damnation in a number of sixteenth-century, and earlier, Gaelic ballads. The monumental late twelfth- or early thirteenth-century (Dooley 2004) text Acallam na 2 Senórach (‘The Colloquy of the Ancients’) will also be considered here.1F Firstly, the Scots poem must be briefly investigated in order to determine its understanding of Gaelic conventions. -
Encyclopedia of CELTIC MYTHOLOGY and FOLKLORE
the encyclopedia of CELTIC MYTHOLOGY AND FOLKLORE Patricia Monaghan The Encyclopedia of Celtic Mythology and Folklore Copyright © 2004 by Patricia Monaghan All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Monaghan, Patricia. The encyclopedia of Celtic mythology and folklore / Patricia Monaghan. p. cm. Includes bibliographical references and index. ISBN 0-8160-4524-0 (alk. paper) 1. Mythology, Celtic—Encyclopedias. 2. Celts—Folklore—Encyclopedias. 3. Legends—Europe—Encyclopedias. I. Title. BL900.M66 2003 299'.16—dc21 2003044944 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Facts On File on the World Wide Web at http://www.factsonfile.com Text design by Erika K. Arroyo Cover design by Cathy Rincon Printed in the United States of America VB Hermitage 10 9 8 7 6 5 4 3 2 1 This book is printed on acid-free paper. CONTENTS 6 INTRODUCTION iv A TO Z ENTRIES 1 BIBLIOGRAPHY 479 INDEX 486 INTRODUCTION 6 Who Were the Celts? tribal names, used by other Europeans as a The terms Celt and Celtic seem familiar today— generic term for the whole people. -
Ebook Download Irish Fairy Tales Ebook
IRISH FAIRY TALES PDF, EPUB, EBOOK Joseph Jacobs | 240 pages | 05 May 2001 | Wordsworth Editions Ltd | 9781840224344 | English | Herts, United Kingdom Irish Fairy Tales PDF Book Ms Bright marked it as to-read Mar 05, Travel Enter! Not registered? Of course, the Mythological Cycle contains the stories of gods and goddesses and how the Irish came to be. Fionn volunteers to defend the city against Aillen. Categories : Irish folklore Macmillan Publishers books Books illustrated by Arthur Rackham books Irish books Collections of fairy tales children's books. Add links. There are countless tales of leprechauns who gave tricky riddles, pookas who upended water pails and turned milk sour, local people who fell asleep near a fairy mound and were transported to the otherworld for a thousand years, and peaceful babies who were stolen by the fairies and swapped for a changeling who did nothing but fuss and cry. Suffolk Folk Tales. There is no ruined castle, no ancient building that does not have at least one tale of a ghost that haunts its walls. Birte marked it as to-read Apr 25, Carl insists that only he can outrun Cael. Jen C marked it as to-read May 25, Cael and Carl travel to the race's starting point, while the Fianna wait at the finish. Not available This product is currently unavailable. Mongan agrees and takes the cows home with him. Despite the family feud, Fionn and Goll remain personal friends. Retrieved 5 January Lir remarried a woman named Aoife who quickly grew jealous of the kids and began to plot their murder. -
103900189.23.Pdf
r^^-CTvw. >c Z T7) 2^ ,sC^^ i %^ ..,^K.JU H^ l^ofW. I f^ f\« ./. i. 3/ Owners of Gra«llc MSS, MSS.V-XXXI. Deposited in the Librazy hy the su(»3«saors of the Agent for Major MoLatiohlan, of Kilbrlde. MSo, T'- The prapazrty of the Hl^land A XUVX, Agricultxiral Society of Scotland •nd deposited by the Society in the Libraxy. ]CSS.XXX\ni- The property of the Highland LII. Society of London, and deposited ly the Society in the Library, MSS.LIII- The proper^ of the liij^land A LW. Agricultural Society of Scotland. MBS.LXVI- The property of the Hij^and A LXXI. Agricultujr&l Society of Scotland. WIG others are the prop rty of the Faculty, For Dencriptions and naaes of aimers of the MSS. ••e Poeras of Ossian^. 1807, vol. III.pp. 566-75, 'ii ■n o on \ i ^ S^'^^^M.. AJv^lt- n^^iu..^..jf^ GAELIC MSS. IN ADVOCATE C I LIBRARY No. of Page of i^o. of Page of MS. ' atalogue 1 MS. Catalogue 7ki, 106, 180, XVII. 50. 186, 188, 130 XVIII. 51. II. 6, 108, 187. XIX. 136, 200, 204 III. 17. x:^. IV. 23. XXI. 53. V. 79,, 103^^., x:.3, 20o . yjcii. ^•^ VI. ;-4, 110, 181. XXIII. 55. VII. 84, 112, 177, :o^.iv. ^4 J.79, 181, 187] XXV. r p. 85 VIII. li:., 195. XXVI. 5:, 87 IX. 26, 113. vXVII. 57. 26. i XXVIII. - _ y 138 XI. 3].. XXIX. 88. XII. 35. XKX. 115. ..III. 41. XXXI. 30. XiV . 4 J . -
Irish Myths and Legends
IRISH MYTHS AND LEGENDS By Mike McPhee [Text of an address to the Sydney Unitarian Church on 27 September 2020.] The mythology of pre-Christian Ireland was preserved in an oral tradition. known as Béaloideas. With the arrival of Christianity, the first manuscripts were written in the monasteries, preserving many of these tales. Though the Christian influence is also seen in these manuscripts, this literature represents the most extensive and best preserved of all the branches of Celtic mythology. Although many of the manuscripts have not sur- vived and much more material was probably never committed to writing, there is enough remaining to enable the identification of distinct, if overlapping, cycles: 1. The Mythological Cycle – prehistorical 2. The Ulster Cycle – c. 1st Century CE 3. The Fenian Cycle – c. 3rd Century CE 4. The Historical Cycle – 5th Century CE onward There are also a number of extant mythological texts that do not fit into any of the cycles, and many recorded folk tales that continued as the oral tradition ran parallel to the manuscript tradition which, while not strictly mythological, feature personages from one or more of these four cycles. The Lebor Gabála Érenn (literally ‘The Book of the Takings of Ireland’), known in English as The Book of Invasions, is a collection of poems and prose narratives in the Irish language intended to be a history of Ireland and the Irish from the creation of the world to the Middle Ages. There are a number of versions, the earliest of which was compiled by an anonymous writer in the 11th Century. -
Celtic Mythology in the Arthurian Legend Master’S Diploma Thesis
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Lucie Duzbabová Celtic Mythology in the Arthurian Legend Master’s Diploma Thesis Supervisor: prof. Mgr. Milada Franková, CSc., M.A. 2010 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature Acknowledgement I would like to thank my supervisor prof. Mgr. Milada Franková, CSc., M.A. for her patience and kind help, as well as for her helpful suggestions and valuable advice. Table of Contents 1. Introduction ................................................................................................................. 1 2. Celtic Mythology ......................................................................................................... 4 2.1 The World of the Celts ......................................................................................... 4 2.1.1 The Origin of the Celtic people .................................................................... 5 2.1.2 Celtic Society ................................................................................................. 7 2.2 The Role of Religion and Mythology in the Life of the Celts ............................ 9 3. Irish Mythology ......................................................................................................... 15 3.1 The Mythological Cycle ..................................................................................... -
Royal Irish Academy
/iUj^<? ClaJkc^X^ ROYAL IRISH ACADEMY TODD LECTURE SERIES VOLUME XVI I^UNO MEYER, Ph.D. FIANAIGECHT BEING A COLLECTION OF HITHERTO INEDITED IRISH POEMS AND TALES RELATING TO FINN AND HIS FIANA, WITH AN ENGLISH TRANSLATION DUBLIN HODGES, FIGGIS. & CO. LTD. LONDON: WILLIAMS & NORGATE 1910 (Reprintbd 1937) ROYAL IRISH ACADEMY TODD LECTURE SERIES VOLUME XVI. KUNO MEYEK FIANAIGECHT BEING A COLLECTION OF HITHEETO INEDITEl) IRISH POEMS AND TALES EELATING TO FINN AND HIS FIANA, WITH AN ENGLISH TRANSLATION DUBLIN HODGES, FIGGIS, & CO., Ltd. I-ONDON : WILLIAMS & NORGATE 1910 MaA" anrf Printed bv the Replika Process in Great Britain i PERCY LUND, HUMPHRIES & CO. I.TO. 12 Pedford Square, London, W.C.i and at Bradford CONTENTS PAGB Introduction ......... v I. Reicne Fothaid Canainne ...... 1 II. The Quarrel between Finn and Oisin .... 22 III. AiLiLii AuLOM, Mac Con, and Find ua Báiscne . 28 IV. Erard mac Coisse cecinit 42 V. The Finn Episode from Gilla in Chomded húa Cormaic's Poem " A Ri ríchid, réidig dam " .... 46 VI. The Chase of Sid na mBan Finn and the Death of Finn 52 Glossary of the Rarer Words . .101 Index of Personal Names . .111 Index OF Places AND Tribes . .113 Addenda et Corrigenda . .114 . INTRODUCTION There can be no doubt that the oldest form of the word variously written fian and fianv} is fian, a feminine a-stem; making its genitive singular féine, and its nominative, accusative, and vocative plural fiana. This is its spelling when the word makes its first appearance in two manuscripts of the ninth century, the Book of Armagh and the St. -
The Fianna of Fionn
THE FIANNA OF FIONN By P. H. PEARSE, B.A., Barrister-at-Law. Published by An Chartlann The Fianna of Fionn The Fianna of to-day are the third heroic companionship that has borne that famous name. The first Fianna, the Fianna of Fionn, have been dead for nearly two thousand years; a few grey-haired men, the veterans of the second Fianna, are with us still, and any boy who has seen and spoken to one of these will carry a great memory with him through life, for there have never been nobler or braver men in Ireland than they, nor any that loved Ireland better; the lads of the third Fianna, the familiar green-shirted bare-kneed young soldiers who have prepared the way for our Irish Volunteers, inherit the gallant name and tradition of the ancient Fianna and the mighty purpose of the modern Fenians. Were ever boys heirs to so great an inheritance? The story of those old Fianna of Fionn should be part of the daily thought of every Irish boy, and especially of every boy of the new Fianna. Their story is one of the proudest and saddest of all stories: proud because it tells of such valour and truth and cleanness of life, sad inasmuch as it shows how a goodly fellowship passed away and became only a name on the lips of shanachies because its members quarrelled among themselves and brother turned his arms against brother. For no strength of hand or valour of heart will hold a league or an army or a nation together unless there be peace and gentle brotherhood between all who are of that league or army or nation. -
La Leyenda De Finn Y Los Fianna Cantada Por El Bardo Ossian*
Capítulo I La leyenda de Finn y los Fianna cantada por el bardo Ossian* 1. ORÍGENES Y JUVENTUD El Sueño de Ossian, óleo de Ingres, 1812. El día que nació Finn Mac Cumhill empezaba una nueva era. La edad del mundo de los héroes, de los guerreros de la Rama Roja, de las hazañas y sacrifi- cios de las heroínas celtas y también la época en la que los rituales mágicos toca- ban a su fin. El mundo pagano declinaba y la sociedad de la isla veía llegar una corriente impetuosa de creencias y saberes llegados del lejano y cálido Medite- * Ossian aparece en los textos en celta muchas veces, Osian en los textos en inglés. 1 RELATOS CELTAS PRIMITIVOS DEL BARDO OSSIAN rráneo, era la nueva edad del mundo cristiano. No sabemos a ciencia cierta cuan- do nació Finn, si es que realmente existió, pero podemos pensar con un margen mínimo de errores que sus hazañas acontecieron en el s. III o IV d. C. y ateniéndo- nos a los relatos sería gracias a su hijo el guerrero y bardo Ossian que conoce- mos de su existencia y hazañas. En los textos se nos presenta un mundo de guerreros nacidos en una época en la que el corazón controlaba a la razón, la furia al sentido común y la guerra a la sabiduría. Una época en la que el viento solitario y salvaje estremecía las olas del mar y los verdes campos de Erin se in- clinaban a su paso en un mundo escasamente poblado. Una época de guerreros, de grandes cacerías, de amores trágicos, de honor y guerra, de riquezas y mise- ria, y por encima de todo una agridulce soledad. -
Disease and Illness in Medieval Ireland
Disease and Illness in Medieval Ireland Submitted in fulfilment of Ph D degree Supervisors: Dr Abdullahi El-Tom Dr Séamas Ó Siocháin Department of Anthropology at The National University of Ireland: Maynooth Ciara Crawford June 2011 1 Front Page 1 Table of Contents 2 Dedication 3 Acknowledgements 4 Summary 6 Chapter 1 Introduction 7 Chapter 2 Early Irish Society 24 Chapter 3 Methodology 58 Chapter 4 Anthropological Literature Review 101 Chapter 5 Hagiography 147 Chapter 6 The Annals 188 Chapter 7 The Law Texts 231 Chapter 8 Conclusion 279 Appendix: Glossary of Terms 305 Bibliography 309 I declare that the thesis presented here is my original work and has not been submitted to any other institution. ………………………………………... Ciara Crawford. 2 A Jordan Lena Chéile a Thógtar na Caisleáin 3 Acknowledgements Firstly, I must acknowledge my academic supervisors, Dr Abdullahi El- Tom and Dr Séamas Ó Síocháin; Abdullahi for giving me the opportunity, encouragement, friendship and support, Séamas for your patience, insight and guidance; I owe a debt of thanks and appreciation. My thanks to Carmel Crawford, my mother, and the person who provided never-ending encouragement and support throughout this journey; your love and support provided strength in my heart. I offer my thanks to my brother Gary Crawford who offered continual practical support and understanding; this holds a place in my heart also. A special thanks to Peter Conlon, for both your endurance and sustained patience; this was very much appreciated. Jordan, my son, who took this journey with me, I cannot find the words to express my gratitude and love for you; I dedicate this thesis to you.