Poland, the Czech Republic, Russia, Mauritius, Seychelles, and in Newsrooms Across the United States
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European Union News Th Case Study: Europa FM Uropean Union News
Interdisciplinary Dimensions of Communication Science Interdisciplinary Dimensions of Communication Science European Union News Themes in Romanian Radio Stations. Case Study: Europa FM and Radio Romania Actualitati Antonia-Ioana Matei1, Florica Iuhaş2 Abstract: With Romania’s integration in the European Union, the media content related to the member states has acquired growing importance. The themes of journalism were enriched with new approaches towards national image in the European context and vice versa. At a first level, the study aims to conduct a quantitative analysis on the news topics broadcasted by Radio Romania Actualitati and Europa FM, for the duration of 32 days. The qualitative component focuses on the topics addressed in radio news in order to see what is the media content which reflects the image of the European Union. The findings show, beyond the numbers, that the editorial policy of the Romanian media is not concerned with the interests of the citizens - from the perspective of common themes - but rather with how can the EU, as a unified body, help member countries solve their problems. Keywords: European Union; editorial policy; Romanian media 1. Introduction On the canvas of media discourse in post-revolution Romania, many topics have occurred, aimed on the one hand at the image of Romania in the context of its pre-accession to the EU, on the other, at its new European identity. In the past three years, the reality of joining the EU brought a common approach from all member states which intend – each one - to make meaningful analysis of all dimensions covering the European Community. -
Radio and Television Correspondents' Galleries
RADIO AND TELEVISION CORRESPONDENTS’ GALLERIES* SENATE RADIO AND TELEVISION GALLERY The Capitol, Room S–325, 224–6421 Director.—Michael Mastrian Deputy Director.—Jane Ruyle Senior Media Coordinator.—Michael Lawrence Media Coordinator.—Sara Robertson HOUSE RADIO AND TELEVISION GALLERY The Capitol, Room H–321, 225–5214 Director.—Tina Tate Deputy Director.—Olga Ramirez Kornacki Assistant for Administrative Operations.—Gail Davis Assistant for Technical Operations.—Andy Elias Assistants: Gerald Rupert, Kimberly Oates EXECUTIVE COMMITTEE OF THE RADIO AND TELEVISION CORRESPONDENTS’ GALLERIES Joe Johns, NBC News, Chair Jerry Bodlander, Associated Press Radio Bob Fuss, CBS News Edward O’Keefe, ABC News Dave McConnell, WTOP Radio Richard Tillery, The Washington Bureau David Wellna, NPR News RULES GOVERNING RADIO AND TELEVISION CORRESPONDENTS’ GALLERIES 1. Persons desiring admission to the Radio and Television Galleries of Congress shall make application to the Speaker, as required by Rule 34 of the House of Representatives, as amended, and to the Committee on Rules and Administration of the Senate, as required by Rule 33, as amended, for the regulation of Senate wing of the Capitol. Applicants shall state in writing the names of all radio stations, television stations, systems, or news-gathering organizations by which they are employed and what other occupation or employment they may have, if any. Applicants shall further declare that they are not engaged in the prosecution of claims or the promotion of legislation pending before Congress, the Departments, or the independent agencies, and that they will not become so employed without resigning from the galleries. They shall further declare that they are not employed in any legislative or executive department or independent agency of the Government, or by any foreign government or representative thereof; that they are not engaged in any lobbying activities; that they *Information is based on data furnished and edited by each respective gallery. -
1 Decizia Nr. 63 Din 30.10.2012 Referitoare La Plângerea Înaintată De Către SC RCS&RDS SA Împotriva SC Antena TV Group
Decizia nr. 63 din 30.10.2012 referitoare la plângerea înaintată de către SC RCS&RDS SA împotriva SC Antena TV Group SA Consiliul Concurenţei În baza: 1. Decretului Preşedintelui României nr. 700/27.04.2009 pentru numirea Preşedintelui Consiliului Concurenţei, publicat în Monitorul Oficial al României, Partea I, nr. 284 din 30 aprilie 2009; 2. Decretului Preşedintelui României nr. 973/19.12.2011 privind numirea unui Vicepreşedinte al Consiliului Concurenţei, publicat în Monitorul Oficial al României, Partea I, nr. 901 din 20 decembrie 2011; 3. Decretului Preşedintelui României nr. 703/27.04.2009 pentru numirea unui membru al Consiliului Concurenţei, publicat în Monitorul Oficial al României, partea I, nr. 284 din 30 aprilie 2009 4. Decretului Preşedintelui României nr. 974/19.12.2011 pentru numirea unui membru al Consiliului Concurenţei, publicat în Monitorul Oficial al României, Partea I, nr. 901 din 20 decembrie 2011; 5. Legii concurenţei nr. 21/1996, republicată, cu modificările şi completările ulterioare, publicată în Monitorul Oficial al României, partea I, nr. 742 din 16 august 2005 (numită în continuare Legea concurenţei); 6. Regulamentului de organizare, funcţionare şi procedură al Consiliului Concurenţei, publicat în Monitorul Oficial al României, Partea I, nr. 113 din 14 februarie 2012 ; 7. Regulamentului privind analiza şi soluţionarea plângerilor referitoare la încălcarea prevederilor art. 5, 6 şi 9 din Legea concurenţei nr. 21/1996 şi a prevederilor art. 101 şi 102 din Tratatul privind funcţionarea Uniunii Europene, publicat în Monitorul Oficial al României, Partea I, nr. 687 din data de 12 octombrie 2011, cu modificările şi completările ulterioare; 8. Instrucţiunilor privind definirea pieţei relevante, publicate în Monitorul Oficial al României, Partea I, nr. -
SERVICII DE TELEVIZIUNE Agenda
“ TELEKOM TV CEA MAI BUNA EXPERIENTA DE DIVERTISMENT” SERVICII DE TELEVIZIUNE agenda INTRO SERVICII TELEVIZIUNE IPTV ARGUMENTE DE VANZARE CONTINUT FUNCTIONALITATI DVBC ARGUMENTE DE VANZARE CONTINUT FUNCTIONALITATI DTH ARGUMENTE DE VANZARE CONTINUT FUNCTIONALITATI CATV ARGUMENTE DE VANZARE 2 TEHNOLOGIILE TV DISPONIBILE IN TELEKOM DTH =Televiziune digitala prin satelit IPTV = Televiziune digitala prin Internet DTH (Direct To Home) este intregul sistem de transmitere a IPTV (Internet Protocol Television ) reprezinta comunicarea semnalului de la HeadEnd pana la satelit si inapoi catre imaginilor si a sunetului intr-o retea care se bazează pe IP. In sistemul de receptie al abonatului. Romtelecom IPTV-ul este disponibil in retelele ADSL, VDSL si GPON. CATV = Televiziune analogica DVB-C = Televiziune digitala prin cablu CATV ( Community Access Television ) este sistemul de DVB-C (Digital Video Broadcasting - Cable) reprezinta distribuire a canalelor TV catre abonati prin intermediul standardul de emisie a televiziuniilor prin cablu in sistem semnalelor RF transmise prin cablu coaxial. digital. In Telekom, aceasta tehnologie este oferita prin intermediul retelelor FTTB/FTTH. Nu sunt necesare echipamente sublimentare pentru functionarea serviciului . Permite conectarea unui numar nelimitat de TV-uri in casa abonatului; 3 SOLUTII COMPLETE DE TELEVIZIUNE cea mai mare diversitate de canale TV cunoscute pentru majoritatea oamenilor (canale must have) competitii sportive in exclusivitate televiziune online gratuita promotii cu HBO inclus (canalul -
Inside Russia's Intelligence Agencies
EUROPEAN COUNCIL ON FOREIGN BRIEF POLICY RELATIONS ecfr.eu PUTIN’S HYDRA: INSIDE RUSSIA’S INTELLIGENCE SERVICES Mark Galeotti For his birthday in 2014, Russian President Vladimir Putin was treated to an exhibition of faux Greek friezes showing SUMMARY him in the guise of Hercules. In one, he was slaying the • Russia’s intelligence agencies are engaged in an “hydra of sanctions”.1 active and aggressive campaign in support of the Kremlin’s wider geopolitical agenda. The image of the hydra – a voracious and vicious multi- headed beast, guided by a single mind, and which grows • As well as espionage, Moscow’s “special services” new heads as soon as one is lopped off – crops up frequently conduct active measures aimed at subverting in discussions of Russia’s intelligence and security services. and destabilising European governments, Murdered dissident Alexander Litvinenko and his co-author operations in support of Russian economic Yuri Felshtinsky wrote of the way “the old KGB, like some interests, and attacks on political enemies. multi-headed hydra, split into four new structures” after 1991.2 More recently, a British counterintelligence officer • Moscow has developed an array of overlapping described Russia’s Foreign Intelligence Service (SVR) as and competitive security and spy services. The a hydra because of the way that, for every plot foiled or aim is to encourage risk-taking and multiple operative expelled, more quickly appear. sources, but it also leads to turf wars and a tendency to play to Kremlin prejudices. The West finds itself in a new “hot peace” in which many consider Russia not just as an irritant or challenge, but • While much useful intelligence is collected, as an outright threat. -
The European Union in the Fog
THE EUROPEAN UNION IN THE FOG Building Bridges between National Perspectives on the European Union Edited by Vivien Pertusot Final Report of the project “Building Bridges Between National Perspectives on the European Union” About Building Bridges Called “Building Bridges Between National Perspectives on the European Union”, the project aims to stimulate the public debate around national experts on the relationship between their Member State and the EU and on the future of the Union. This project confronts their visions with others’ from different member states, but also those of people from different horizons via workshops in Warsaw, Madrid, Paris and Brussels, which took place in 2015 gathering experts and local citizens. The project is coordinated by the French Institute of International Relations (Ifri) with three major partners: the Polish Institute of International Affairs (PISM), Real Instituto Elcano and EUROPEUM—European Institute for European Policy. The project has also benefited from the support of institutes in each Member State. You can find all the information and publications about the project at this address: http://www.ifri.org/en/recherche/zones-geographiques/europe/projet-building-bridges. March 2016. ISBN 978-2-36567-542-0. The opinions expressed in this report are the responsibility of the authors alone. Project coordinated by: Major partners: This project is supported by the Europe for Citizens programme of the European Union. The European Commission support for the production of this publication does not constitute an endorsement of the contents which reflects the views only of the authors, and the Commission cannot be held responsible for any use which may be made of the information contained therein. -
We Are All Rwandans”
UNIVERSITY OF CALIFORNIA Los Angeles “We are all Rwandans”: Imagining the Post-Genocidal Nation Across Media A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Film and Television by Andrew Phillip Young 2016 ABSTRACT OF DISSERTATION “We are all Rwandans”: Imagining the Post-Genocidal Nation Across Media by Andrew Phillip Young Doctor of Philosophy in Film and Television University of California, Los Angeles, 2016 Professor Chon A. Noriega, Chair There is little doubt of the fundamental impact of the 1994 Rwanda genocide on the country's social structure and cultural production, but the form that these changes have taken remains ignored by contemporary media scholars. Since this time, the need to identify the the particular industrial structure, political economy, and discursive slant of Rwandan “post- genocidal” media has become vital. The Rwandan government has gone to great lengths to construct and promote reconciliatory discourse to maintain order over a country divided along ethnic lines. Such a task, though, relies on far more than the simple state control of media message systems (particularly in the current period of media deregulation). Instead, it requires a more complex engagement with issues of self-censorship, speech law, public/private industrial regulation, national/transnational production/consumption paradigms, and post-traumatic media theory. This project examines the interrelationships between radio, television, newspapers, the ii Internet, and film in the contemporary Rwandan mediascape (which all merge through their relationships with governmental, regulatory, and funding agencies, such as the Rwanda Media High Council - RMHC) to investigate how they endorse national reconciliatory discourse. -
Media Influence Matrix Romania
N O V E M B E R 2 0 1 9 MEDIA INFLUENCE MATRIX: ROMANIA Author: Dumitrita Holdis Editor: Marius Dragomir Published by CEU Center for Media, Data and Society (CMDS), Budapest, 2019 About CMDS About the authors The Center for Media, Data and Society Dumitrita Holdis works as a researcher for the (CMDS) is a research center for the study of Center for Media, Data and Society at CEU. media, communication, and information Previously she has been co-managing the “Sound policy and its impact on society and Relations” project, while teaching courses and practice. Founded in 2004 as the Center for conducting research on academic podcasting. Media and Communication Studies, CMDS She has done research also on media is part of Central European University’s representation, migration, and labour School of Public Policy and serves as a focal integration. She holds a BA in Sociology from point for an international network of the Babes-Bolyai University, Cluj-Napoca and a acclaimed scholars, research institutions and activists. MA degree in Sociology and Social Anthropology from the Central European University. She also has professional background in project management and administration. She CMDS ADVISORY BOARD has worked and lived in Romania, Hungary, France and Turkey. Clara-Luz Álvarez Floriana Fossato Ellen Hume Monroe Price Marius Dragomir is the Director of the Center Anya Schiffrin for Media, Data and Society. He previously Stefaan G. Verhulst worked for the Open Society Foundations (OSF) for over a decade. Since 2007, he has managed the research and policy portfolio of the Program on Independent Journalism (PIJ), formerly the Network Media Program (NMP), in London. -
Funding Journalism
M A Y 2 0 1 9 Media Influence Matrix: Romania Funding Journalism Author: Dumitrita Holdis Editor: Marius Dragomir Published by CEU Center for Media, Data and Society (CMDS), Budapest, 2019 About CMDS About the Authors The Center for Media, Data and Society Dumitrita Holdis works as a researcher (CMDS) is a research center for the study for Center for Media, Data and Society. of media, communication, and Previously she has been co-managing the information policy and its impact on “Sound Relations” project, while teaching society and practice. Founded in 2004 as courses and conducting research on the Center for Media and Communication academic podcasting. She has done Studies, CMDS is part of CEU’s School of research also on media representation, Public Policy and serves as a focal point migration, and labour integration. She for an international network of acclaimed holds a BA in Sociology from the Babes- scholars, research institutions and Bolyai University, Cluj-Napoca and a MA activists. degree in Sociology and Social Anthropology from the Central European University. She also has professional background in project management and CMDS ADVISORY BOARD administration. She has worked and lived in Romania, Hungary, France and Turkey. Clara-Luz Alvarez Floriana Fossato Marius Dragomir is the Director of the Ellen Hume Center for Media, Data and Society. He Monroe Price previously worked for the Open Society Anya Schiffrin Foundations (OSF) for over a decade. Stefaan G. Verhulst Since 2007, he has managed the research and policy portfolio of the Program on Independent Journalism (PIJ), formerly the Network Media Program (NMP), in ACKNOWLEDGEMENTS London. -
Contents NO. 2
EUROPEAN JOURNAL OF TRANSFORMATION STUDIES 2013 Vol. 1, No. 2 © by Europe Our House, Tbilisi e-ISSN 2298-0997 Editor-in-Chief Tamar Gamkrelidze Europe Our House , Tbilisi (Georgia ) [email protected] Co-editors Dr. Arkadiusz Modrzejewski Dr. Tatiana Tökölyová University of Gdansk (Poland ) University College of International and Public [email protected] Affairs in Prague (the Czech republic), Educa- tion and Consultation Institute in Bratislava (Slovakia) Prof. Jakub Potulski [email protected] University of Gdansk (Poland ) [email protected] EDITORIAL ADVISORY BOARD Dr. Arkadiusz Modrzejewski , University of Gdansk, Poland – Chairperson Prof. Marwan Al-Absi , University of Constantine the Philosopher in Nitra, Slovakia Prof. Slavomír Gálik , University of ss. Cyril and Methodius in Trnava, Slovakia Prof. Stefan Ewertowski, University of Warmia and Mazury in Olsztyn, Poland Prof. Wojciech Forysinski , Eastern Mediterranean University, Famangusta, Northern Cyprus Prof. Branislav Fridrich , Comenius University in Bratislava, Slovakia Prof. Danuta Karnowska, Nicola Copernicus University in Torun, Poland Prof. Anatoliy Kruglashov , Chernivtsi National University, Ukraine Prof. Malkhaz Matsaberidze , Ivane Javakashvili Tbilisi State University Prof. Ruizan Mekvabidze , Gori State Teaching University, Georgia Dr. Lucia Mokrá, Comenius University in Bratislava, Slovakia Dr. Antoni Momoc , University of Bucharest, Romania Prof. Tatiana Papiashvili , Black See University in Tbilisi, Georgia Prof. Tereza-Brînduşa Palade -
TV News Channels in Europe: Offer, Establishment and Ownership European Audiovisual Observatory (Council of Europe), Strasbourg, 2018
TV news channels in Europe: Offer, establishment and ownership TV news channels in Europe: Offer, establishment and ownership European Audiovisual Observatory (Council of Europe), Strasbourg, 2018 Director of publication Susanne Nikoltchev, Executive Director Editorial supervision Gilles Fontaine, Head of Department for Market Information Author Laura Ene, Analyst European Television and On-demand Audiovisual Market European Audiovisual Observatory Proofreading Anthony A. Mills Translations Sonja Schmidt, Marco Polo Sarl Press and Public Relations – Alison Hindhaugh, [email protected] European Audiovisual Observatory Publisher European Audiovisual Observatory 76 Allée de la Robertsau, 67000 Strasbourg, France Tel.: +33 (0)3 90 21 60 00 Fax. : +33 (0)3 90 21 60 19 [email protected] http://www.obs.coe.int Cover layout – ALTRAN, Neuilly-sur-Seine, France Please quote this publication as Ene L., TV news channels in Europe: Offer, establishment and ownership, European Audiovisual Observatory, Strasbourg, 2018 © European Audiovisual Observatory (Council of Europe), Strasbourg, July 2018 If you wish to reproduce tables or graphs contained in this publication please contact the European Audiovisual Observatory for prior approval. Opinions expressed in this publication are personal and do not necessarily represent the view of the European Audiovisual Observatory, its members or the Council of Europe. TV news channels in Europe: Offer, establishment and ownership Laura Ene Table of contents 1. Key findings ...................................................................................................................... -
Paradise Lost (4.65 Mb Pdf File)
Edited by Tímea Junghaus and Katalin Székely THE FIRST ROMA PAVILION LA BIENNALE DI VENEZIA 2007 Table of Contents Acknowledgements 12 Foreword 13 Paradise Lost – The First Roma Pavilion by Tímea Junghaus 16 Statements 24 Second Site by Thomas Acton 30 Towards Europe’s First Nation by Michael M. Thoss 34 The Roma Pavilion in Venice – A Bold Beginning by Gottfried Wagner 36 Artists, Statements, Works Daniel BAKER 40 Tibor BALOGH 62 Mihaela CIMPEANU 66 Gabi JIMÉNEZ 72 András KÁLLAI 84 Damian LE BAS 88 Delaine LE BAS 100 Kiba LUMBERG 120 OMARA 136 Marian PETRE 144 Nihad Nino PUSˇIJA 148 Jenô André RAATZSCH 152 Dusan RISTIC 156 István SZENTANDRÁSSY 160 Norbert SZIRMAI - János RÉVÉSZ 166 Bibliography 170 Acknowledgements Foreword With this publication, the Open Society Institute, Allianz Kulturstiftung and the European Cultural Foundation announce The Open Society Institute, the Allianz Kulturstiftung and the European Cultural Foundation are pleased to sponsor the the First Roma Pavilion at the 52nd Venice Biennale, which presents a selection of contemporary Roma artists from eight First Roma Pavilion at the 52nd Venice Biennale. With artists representing eight countries, this is the first truly European European countries. pavilion in the Biennale's history, located in an exceptional space – Palazzo Pisani Santa Marina, a typical 16th-century Venetian palace in the city’s Canareggio district. This catalogue is the result of an initiative undertaken by the Open Society Institute’s Arts and Culture Network Program to find untapped talent and identify Roma artists who are generally unknown to the European art scene. During our A Roma Pavilion alongside the Biennale's national pavilions is a significant step toward giving contemporary Roma research, we contacted organisations, institutions and individuals who had already worked to create fair representations culture the audience it deserves.