Rumor: Xbox 360 Games to Be Playable on Windows 8 PC's 12 July 2011, by Katie Gatto

Total Page：16

File Type：pdf, Size：1020Kb

Rumor: Xbox 360 games to be playable on Windows 8 PC's 12 July 2011, by Katie Gatto are expecting the announcement of yet another next generation video game console at E3 2012. If that is the case then the Windows 8 maneuver may be a way to expand the sales of the considerable library of Xbox 360 titles after the console is no longer the newest thing. More information: via Insideris © 2010 PhysOrg.com Windows 8 screenshot (PhysOrg.com) -- A number of different sites are reporting the rumors that are making gamers ears twitch. The rumor says that Microsoft is about to make a big addition to the desktop version of its upcoming Windows 8 operating system; the ability to play their Xbox 360 game disks on their PC. Of course, since this is only a rumor there is no way to know if this supposed feature is expected to show up in all of the Windows 8 machines out there, or if certain hardware specifications that will need to be met in order to play with the Xbox 360 games. While this does have the potential to expand the base of Xbox 360 users it would also neuter the consoles sales, since there would be no need to buy both a game console and a PC. Though, if this turns out to be true, the company may have to deal with some resentment from the early adopters of the Xbox 360 who had to buy the console, pay to upgrade their hard drive size and then pay for a separate wireless connectivity point in order to get online. Then again if the rest of the Microsoft video gaming rumors turn out to be true Xbox 360 fans may already be onto the next thing. Many gamers 1 / 2 APA citation: Rumor: Xbox 360 games to be playable on Windows 8 PC's (2011, July 12) retrieved 2 October 2021 from https://phys.org/news/2011-07-rumor-xbox-games-playable-windows.html This document is subject to copyright. Apart from any fair dealing for the purpose of private study or research, no part may be reproduced without the written permission. The content is provided for information purposes only. 2 / 2 Powered by TCPDF (www.tcpdf.org).

Copy Link

Recommended publications

Nesoulad Herní a Narativní Roviny Ve Videohrách
MASARYKOVA UNIVERZITA Filozofická fakulta Ústav hudební vědy Teorie interaktivních médií Nesoulad herní a narativní roviny ve videohrách Bakalářská diplomová práce Autor: Jan Andrš (#488277) Vedoucí práce: Mgr. Bc. Silvester Buček 2021 Prohlášení Prohlašuji, že jsem tuto bakalářskou diplomovou práci vypracoval samostatně, s využitím uvedeným pramenů a literatury. Jan Andrš V Praze, 21. 5. 2021 1 Předmluva Game studies FTW. Za konzultace a cenné rady děkuji Silvesteru Bučkovi, za vstřícnost Tomáši Krátkému a za trpělivou podporu N. a T. 2 Anotace Bakalářská práce se zaměřuje na nesoulad mezi herní a narativní rovinou v ideologickém diskurzu vybrané videohry. Tento nesoulad nám umožňuje nahlédnout na videohry jako na ideologicky komplexní a nesourodé artefakty a zkoumat je jako sociokulturní fenomény. V teoretickém rámci práce vychází z kritické kulturní analýzy Douglase Kellnera a na něj navazujících autorů. Cílem práce je provést kritickou analýzu videohry akční RPG Dishonored, identifikovat rozpory mezi herní a příběhovou rovinou a rozebrat je zejména v kontextu progresivně-konzervativního ideologického střetu. Klíčová slova Herní studia, herně-narativní disonance, ideologie ve videohrách, kritická kulturní analýza Abstract The thesis focuses on ludo-narrative dissonance in videogames‘ ideological discourse. Ludo-narrative dissonance dissonance allows us to analyze videogames as ideologically complex and diverse socio-cultural phenomenon. In its theoretical framework, the thesis is building on critical cultural analysis presented by Douglas Kellner and related authors. The objective of the thesis is to perform a critical analysis of an action RPG videogame Dishonored, identify dissonance between ludic and narrative dimensions and analyze them in the context of progressive-conservative ideological clash. Keywords Game studies, ludo-narrative dissonance, ideology in videogames, critical cultural analysis 3 Obsah 1.
[Show full text]
New Roof Worries Students the Building Is Unoccupied to Avoid IAQ Problems,” the Website Warned
FOX HIGH SCHOOL November 15, 2012 Volume 8, Issue 2 projects. “Schedule roofing work near fresh air intakes at a time when New roof worries students the building is unoccupied to avoid IAQ problems,” the website warned. By Veronica Cheney Dr. Rossiter stated, “The smells not Staff Writer nice but it’s not toxic. We have EPA (Environmental Protection Agency) We have all been aware of the roof- certifications that the smell isn’t ing that has taken place for the past few toxic but it’s not a pretty smell.” weeks. If not from the pounding noises The least amount of disruption is then from the smell of the hot asphalt as the goal, and the roofers will soon it seeps in, giving some of us headaches. be finished. “Because they have two The workers are not just tarring the companies working simultaneously, top of our school, but they are taking up it’s going a lot faster,” reported Dr. the whole roof, down to the metal, and Rossiter. replacing it. Dr. Kevin Rossiter explained Four classrooms are being done that on some heavy, rainy days there each day in two places around FHS, had been up to 21 leaks. Now the school which makes eight a day, eighty will have a brand new roof. rooms after ten days. There are Christopher Pyles, one of the roof- 110 classrooms in the school. If the ers, explained several steps they are weather stays nice it should not taking in the renovation. First there is take very much longer. foam insulation.
[Show full text]
Assassin's Creed III and the Aesthetics of Disappointment
Assassin’s Creed III and the Aesthetics of Disappointment Jonathan Church Arcadia University Dept. of Sociology, Anthropology and Criminal Justice Glenside, PA 19038, USA 0012155724017 [email protected] Michael Klein Arcadia University Dept. of Sociology, Anthropology and Criminal Justice Glenside, PA 19038, USA [email protected] ABSTRACT Using a case example of the cycle of prerelease, release, and post-release commentary, criticism and reviews of Assassin’s Creed III from June 2012-January 2013, this paper examines how video game players produce a “culture of history” about the game they play through their commitment to commentary and critique mainly found in user reviews in gaming enthusiast press websites. This paper examines how an aesthetic of disappointment generates a comparative sense of gamers’ cultural present by framing aspects that should have been improved upon from the series’ past as well as in terms of expectations for the future of gaming. This paper concludes by suggesting that part of the pleasure of contemporary gaming for many self-identified “core” gamers is being able to both play games and aesthetically discuss the game being played as part of a culture of history with other gamers, a form of paidiaic play for “gaming capital”. Keywords Criticism, video games, affinity spaces, neoliberalism, paidiaic play INTRODUCTION This paper examines how video gaming enthusiast blog sites that cultivate community participation, reviews and forums, are generating affinity spaces (Gee 2005) where video game players enact their identities and construct what Suominen (2011) has called a “culture of history.” We argue that the aggregation of these sites may be thought of as a kind of neoliberal archive.
[Show full text]
2012 Event Technology Awards
COVER STORY It was just a decade ago that we lived life without so many of the high-tech tools and 201 2 EVENT gadgets that we can’t imagine living without today. There were no iPhones, no iPads and no touch screens. (Fingers were used to push actual buttons. Buttons!) Data collectors had TECH NO LOGY yet to discover QR codes, RFID, NFC or geolocation. Holograms and large-scale projections were cool theater tricks, but never AW ARDS saw the light of day in a marketing context. And 3D, well, it was still stuck in vintage movie theater photos of screaming audiences THE YEAR’S TOP WINNERS FROM THE watching “The Blob.” Probably the hottest event technology going in 2002 was the clunky ONLY RECOGNITION PROGRAM FOR 15-pound laptop where consumers could fill in “DIGITAL + LIVE” CAMPAIGNS 20 data fields to “register” at events. Sounds awesome, right? Thanks to the ingenuity of event marketers everywhere, times have changed. And those low-tech experiences have gone the way of the Commodore 64. What follows is our second annual Event Technology Awards report, where we bring you the industry’s 30 best digital+live campaigns as voted on by 12 brand-side judges –all the cool tools, smart apps, websites, bits, bytes and lumens that have transformed today’s best technologies into immersive, ROI-generating programs. Congratulations to all of this year’s winners. www.eventmarketer.com NOVEMBER/DECEMBER 2012 EVENT MARKETER 45 THE 2012 EVENT TECHNOLOGY AWARDS Event marketers have joined the ranks of the throughout the event helped boost their EVENT TECHNOLOGY smartphone obsessed, unlocking the scores.
[Show full text]
Video Games, Fair Use and the Internet: the Plight of the Let’S Play
VIDEO GAMES, FAIR USE AND THE INTERNET: THE PLIGHT OF THE LET’S PLAY Ivan O. Taylor Jr. TABLE OF CONTENTS Introduction .................................................................................................... 248 I. Background ......................................................................................... 249 A. Fighting for Rights ...................................................................... 249 B. Start of a Hobby........................................................................... 251 II. The Law as We Know It ..................................................................... 252 A. Copyright Law and its Expansion ............................................... 252 B. A Helpful Explanation ................................................................. 254 III. Fair Use and Companies ..................................................................... 257 A. Midway v. Publications International .......................................... 257 B. Sony v. Connectix ....................................................................... 257 C. Sony v. Bleem ............................................................................. 258 IV. Applying Fair Use to Let’s Plays ........................................................ 259 A. Resident Evil 5 (Co-Op) .............................................................. 260 1. Purpose and Character of Use ............................................... 260 2. Nature of Copyrighted Work ................................................. 260 3. Amount
[Show full text]
Elab Empower ABOUT THIS DOCUMENT
A REVIEW OF SOLAR PV BENEFIT & COST STUDIES 2nd Edition Contacts: 1820 Folsom Street | Boulder, CO 80302 | RMI.org Lena Hansen, Principal, [email protected] Copyright Rocky Mountain Institute Virginia Lacy, Senior Consultant, [email protected] 2nd Edition, published September 2013 Devi Glick, Analyst, [email protected] download at: www.rmi.org/elab_emPower ABOUT THIS DOCUMENT This report is a 2nd edition released in September 2013. This second edition updates the original with the inclusion of Xcel Energy's May 2013 study, Costs and Benefits of Distributed Solar Generation on the Public Service Company of Colorado, as well as clarifies select descriptions and charts. TABLE OF CONTENTS WHAT IS e-LAB? ES: EXECUTIVE SUMMARY................................. 3 The Electricity Innovation Lab (e-Lab) brings 01: FRAMING THE NEED..................................... 6 together thought leaders and decision makers from across the U.S. electricity sector to address critical institutional, regulatory, business, 02: SETTING THE STAGE.................................... 11 economic, and technical barriers to the economic deployment of distributed resources. 03: ANALYSIS FINDINGS.................................... 20 In particular, e-Lab works to answer three key questions: 04: STUDY OVERVIEWS..................................... 43 • How can we understand and effectively 05: SOURCES & ACRONYMS............................. 60 communicate the costs and beneﬁts of distributed resources as part of the electricity system and create greater grid OBJECTIVE AND ACKNOWLEDGEMENTS
[Show full text]
Chad Greene Art Director Overview
“Creating believable/immersive content (how games and films imitate life -- and each other)” Chad Greene Art Director Overview - Intro/About me - Central Media@Microsoft - Film Games Film - Technology/Hardware About Me Born and raised in Sandusky, Ohio BGSU • Bowling Green State University (Ohio) • Graduated in 1992 – Dual major: BFA Computer art & drawing – Using Atari STE’s with 4 MB RAM • No saving to the hard drive– it was ALL on floppy disks! • 16 colors • All animation had to be scripted • All work was recorded straight to VCR • No internet or networking of computers ‘The Ungrateful Dead’ - 1991 Work History Work History Twenty years of experience, working in film, video games, advertising/graphic design, and broadcast tv Current job/role – Art Director (Central Media @ Microsoft Studios) - CM Group overview - Multi-discipline team (audio, graphic designer’s, tech artist’s, animators, concept artist’s, modelers, vfx/lighting, etc) - Working on a range of projects that cover Xbox 360, Tablet/PC, Windows Phone and other entertainment related products Current job/role – Art Director (Central Media @ Microsoft Studios) My focus and challenges: - Art Direction – Xbox 360, PC’s/tablets, phones, and other entertainment related projects - Immersive / believable content - Workflows/pipelines for content creation - Narrative Design / Transmedia - New exploration – Kinect /Smart Glass Film Games Halo 1 - Graphic Improvements over the years games getting closer to film - Tech impacts game creation - Normal maps - Dynamic lighting - Camera
[Show full text]
About the Computer and Video Game Industry
SALES2012, DEMOGRAPHIC AND USAGE DATA ESSENTIAL FaCTS ABOUT THE COMPUTER AND VIDEO GAME INDUSTRY [ iii ] “Computer and video games have reached a critical mass. Today, nearly every device with a screen plays games, providing interactive entertainment experiences for a wide and diverse population. The creativity of our developers and publishers produces an ever-expanding variety of games to choose from in different formats and across all platforms. Their innovations drive consumer demand for our products, solidifying our industry’s position as one of the strongest and most cutting-edge sectors in the U.S. economy.” —Michael D. Gallagher, president and CEO, Entertainment Software Association [ iv ] WHAT’S INSIDE WHO IS PLAYING 2 Who Plays Computer and Video Games? 3 Who Buys Computer and Video Games? AT PLAY 4 What Type of Online and Mobile Games are Played Most Often? 4 How Many Gamers Play on a Phone or Handheld Device? 5 How Many Gamers Play Games With Others? 5 How Long Have Gamers Been Playing? 6 Parents and Games 6 Do Parents Control What Their Kids Play? 7 Top Reasons Parents Play With Their Kids 8 What Were the Top-Selling Game Genres in 2011? 8 2011 Computer and Video Game Sales by Rating 9 What Were the Top-Selling Games of 2011? THE BOTTOM LINE 10 Sales Information 11 Total Consumer Spend on Games Industry 2011 WHO WE ARE 12 About ESA 12 ESA Members OTHER RESOURCES 13 ESA Partners The 2012 Essential Facts About the Computer and Video Game Industry was released by the Entertainment Software Association (ESA) at E3 2012.
[Show full text]
2012 Into the Pixel Collection Announced the AIAS and ESA
2012 Into the Pixel Collection Announced The AIAS and ESA Unveil Winning Pieces at the E3 2012 in Los Angeles CALABASAS, Calif – May 29, 2012 – The Academy of Interactive Arts & Sciences (AIAS) and the Entertainment Software Association (ESA) are pleased to announce the 16 winning pieces of the esteemed 2012 Into the Pixel (ITP) collection. Now in its ninth year, ITP is a juried art exhibition that brings together experts from the traditional fine art world and the interactive entertainment industry to display and discuss the art of the video game. The 2012 Into the Pixel art collection will be unveiled and presented at the annual E3 in the Los Angeles Convention Center from June 5-7, 2012 at the Concourse Foyer. “ITP is a testament to the artistry and creative vision of our industry’s innovators and remarkable talent,” said Michael D. Gallagher, president and CEO of the Entertainment Software Association, the trade association that represents U.S. computer and video game publishers. “I congratulate the selected artists for achieving their creative vision and having that talent recognized by their peers.” “The Academy is pleased to partner with the ESA to celebrate the finest art in video games from the year,” said Martin Rae, president, Academy of Interactive Arts & Sciences. “This year’s collection exhibits incredible creativity. We’re looking forward to unveiling this year’s collection at E3 and sharing it worldwide at other industry events!” “Artists are becoming more and more sophisticated about translating complex storytelling ideas into even the smallest details of the visual environment,” said Glenn R.
[Show full text]
Pure Nintendo Magazine Issue #6
PURENINTENDO.COM ISSUE #6 AUGUST 2012 magazine Feature Pikmin 3 Preview Rayman Legends Epic Mickey 20 34 E3 2012 Hands-on Power of Illusion Recap Nintendo had a big Concept Art showing at E3 2012 and we recap all of the Wii U/3DS Skyward Sword Heart New Super Mario games we got to play at 42 46 the show. Piece Walkthrough Bros. 2 Review PAGE 16 PDF compression, OCR, web optimization using a watermarked evaluation copy of CVISION PDFCompressor CONTENTS AUG 2012 39 4 6 50 20 8 16 55 52 58 34 46 26 56 42 4 Nintendo Direct Recap 34 Game Art: Epic Mickey 3DS 55 7 Wonders II Review 6 Character Profile: Marth 39 Mario Tennis/Pushmo QR Codes 56 Bomb Monkey Review 8 Pikmin 3 Hands-on 42 Skyward Sword Heart Piece Guide 57 Upcoming Releases 16 E3 2012 Hands-on 46 New Super Mario Bros. 2 Review 58 Let’s Talk: 3DS XL 20 Rayman Legends Preview 50 Kingdom Hearts 3D Review 60 Top News 26 E3 2012 Awards 52 Pokemon Conquest Review WELCOME/CONTENTS PDF compression,002 OCR, web optimization using a watermarked evaluation copy of CVISION PDFCompressor MESSAGE FROM THE EDITOR EDITOR: James Higginbotham EMAIL: [email protected] WEBSITE: purenintendo.com As you can tell we spent a lot of time revamping the magazine to make it better and are now offering a subscription for the first time. We are always looking for ways to make Pure Nintendo magazine better for everyone to enjoy. Welcome, to the 6th say that we all have fond no where near the prow- your feedback, we can fill issue of Pure Nintendo memories of a special is- ess of Nintendo Power those shoes left behind by magazine.
[Show full text]
Nintendo Says No to Virtual Equality in Life Game (Update) 7 May 2014, by Derrik J
Nintendo says no to virtual equality in life game (Update) 7 May 2014, by Derrik J. Lang simulation. We hope that all of our fans will see that 'Tomodachi Life' was intended to be a whimsical and quirky game, and that we were absolutely not trying to provide social commentary." Tye Marini, a gay 23-year-old Nintendo fan from Mesa, Arizona, launched the campaign last month, urging Osaka, Japan-based Nintendo Co. and its subsidiary Nintendo of America Inc. to add same- sex relationship options to English versions of the hand-held Nintendo 3DS game. The game was originally released in Japan last year and features a cast of Mii characters—Nintendo's personalized avatars of real In this June 11, 2013 file photo, attendees play video players—living on a virtual island. Gamers can do games on the Nintendo 3DS at the Nintendo Wii U things like shop, visit an amusement park, play software showcase during the E3 game show in Los games, go on dates and encounter celebrities like Angeles. The gaming company said Tuesday, May 6, Christina Aguilera and Shaquille O'Neal. 2014, it wouldn't bow to pressure to allow players to engage in romantic entanglements with characters of the "I want to be able to marry my real-life fiancé's Mii, same sex in the English version of "Tomodachi Life" but I can't do that," Marini said in a video posted following a social media campaign launched last month seeking virtual equality for the game's characters, which online that attracted the attention of gaming blogs are modeled after real people.
[Show full text]
In the United States District Court for the Northern District of Texas Dallas Division
Case 3:14-cv-01849-P Document 26 Filed 06/25/14 Page 1 of 32 PageID 114 IN THE UNITED STATES DISTRICT COURT FOR THE NORTHERN DISTRICT OF TEXAS DALLAS DIVISION ) ZENIMAX MEDIA INC. and ID SOFTWARE LLC, ) ) CIVIL ACTION Plaintiffs, ) NO. 3:14-01849-P ) v. ) ) OCULUS VR, INC. and PALMER LUCKEY, ) ) Defendants. JURY TRIAL DEMANDED ) ANSWER AND AFFIRMATIVE DEFENSES “I warned [Luckey] ahead of time that it was a foregone conclusion that some of the media would report the Rift as my work, despite my ve[r]y explicit description otherwise.” -- id Software Technical Director and ZeniMax employee John Carmack on Meant To Be Seen (mtbs3d.com), referring to the Rift developed by Palmer Luckey (June 7, 2012) * * * Defendants Oculus VR, Inc. and Palmer Luckey (collectively, “Defendants”), by their attorneys, submit their Answer and Affirmative Defenses in response to Plaintiffs ZeniMax Media Inc. and id Software LLC’s (collectively, “ZeniMax”) Complaint. ZeniMax’s Complaint falsely claims ownership in Oculus VR technology in a transparent attempt to take advantage of the Oculus VR sale to Facebook. By deliberately misstating some facts and omitting others, ZeniMax makes the incredible assertion that it, a videogame software publishing company for personal computers and consoles like the Sony PlayStation, invented and developed a virtual reality hardware and software system. The truth is quite different. There is not a line of ZeniMax code or any of its technology in any Oculus VR product. Indeed, ZeniMax had never identified any ‘stolen’ code or technology in any Oculus VR product, Case 3:14-cv-01849-P Document 26 Filed 06/25/14 Page 2 of 32 PageID 115 although ZeniMax had the full source code for the Oculus VR software for over a year and a half (having received it directly from Oculus VR well before it was even released publicly), and could have analyzed it online anytime (at developer.oculusvr.com).
[Show full text]