Crossroads of Courage Season Two Fiction
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Lusardi 1999- Blackbeard Shipwreck Project with a Note on Unloading A
The Blackbeard Shipwreck Project, 1999: With a Note on Unloading a Cannon By: Wayne R. Lusardi NC Underwater Archaeological Conservation Laboratory Institute of Marine Sciences 3431 Arendell Street Morehead City, North Carolina 28557 Lusardi ii Table of Contents Introduction..........................................................................................................................................1 1999 Field Season.................................................................................................................................1 Figure 1: Two small cast-iron cannons during removal of concretion and associated ballast stones. ...................................................................................................................................1 The Artifacts .........................................................................................................................................2 Ship Parts and Equipment...................................................................................................................2 Arms...................................................................................................................................................2 Figure 2: Weight marks on breech of cannon C-21..............................................................3 Figure 3: Contents of cannon C-19 included three iron drift pins, a solid round shot and three wads of cordage.........................................................................................................3 -
The Pirates' Code
The Pirates’ Code Scan to watch an instructional video! Components Legend Legend Legend Dread Legend Dread Dread Pirate Sure-fire Dread Pirate Sure-fire Pirate Sure-fire Pirate - Buccaneer Sure fire Buccaneer Buccaneer Buccaneer Swash 1 Market Mat Swash Buckler Swash Buckler Swash Buckler Buckler Corsair Corsair Corsair Corsair Pirate Pirate Pirate Pirate Sea Dog Sea Dog Sea Dog Repair Sea Dog Repair Repair Extort Repair Extort : Extort Cannons: Extort Cannons: Cannons: Rigging 1 Cannons Rigging 1 Rigging 1 1 Rigging 1 1 2 Port Tokens 1 1 4 Legend Mats 4 Helm Mats 16 Map Cards 8 8 6 6 6 4 4 4 2 2 2 1-4 1-4 1-3 1-3 1-3 1-2 1-2 1-2 . Cpt. Carmen RougeCpt Morgan Whitecloud FRONTS . Francisco de Guerra Cpt. Magnus BoltCpt BACKS 11 Merchant Cards 4 Double-Sided Captain Cards Alice O’Malice 1 Doc Blockley Lisa Legacy Sydney Sweetwater Buck Cannon Betty Blunderbuss Eliza Lucky Ursula Bane Willow Watch Taylor Truenorth Quartermaster Quigley Jolly Rodge Silent Seamus Lieutenant Flint Raina Rumor Black-Eyed Brutus Pale Pim 2 Salty Pete 2 Cutter Fang BACKS Sara Silver Jack “Fuse” Rogers Chopper Donovan Sally Suresight FRONTS Tina Trickshot 24 Crew Cards BACKS BACKS FRONTS 20 Search Tokens FRONTS 20 Order Tokens (5 in 4 colors) 2 4 Pirate Ships (in 4 colors) 2 Merchant Ships (in 2 colors) 1 Navy Ship 4 Captains (in 4 colors) 16 Deckhands 4 Legend Tokens 12 Treasures (4 in 4 colors) (in 4 colors) (3 in 4 colors) 1 Booty Bag 40 Booty Crates 4 Gold 3 Dice 12 Sure-fire Tokens (10 in 4 colors) Doubloons Prologue You helm a notorious pirate ship in the swashbuckling days of yore. -
The Low Countries. Jaargang 11
The Low Countries. Jaargang 11 bron The Low Countries. Jaargang 11. Stichting Ons Erfdeel, Rekkem 2003 Zie voor verantwoording: http://www.dbnl.org/tekst/_low001200301_01/colofon.php © 2011 dbnl i.s.m. 10 Always the Same H2O Queen Wilhelmina of the Netherlands hovers above the water, with a little help from her subjects, during the floods in Gelderland, 1926. Photo courtesy of Spaarnestad Fotoarchief. Luigem (West Flanders), 28 September 1918. Photo by Antony / © SOFAM Belgium 2003. The Low Countries. Jaargang 11 11 Foreword ριστον μν δωρ - Water is best. (Pindar) Water. There's too much of it, or too little. It's too salty, or too sweet. It wells up from the ground, carves itself a way through the land, and then it's called a river or a stream. It descends from the heavens in a variety of forms - as dew or hail, to mention just the extremes. And then, of course, there is the all-encompassing water which we call the sea, and which reminds us of the beginning of all things. The English once labelled the Netherlands across the North Sea ‘this indigested vomit of the sea’. But the Dutch went to work on that vomit, systematically and stubbornly: ‘... their tireless hands manufactured this land, / drained it and trained it and planed it and planned’ (James Brockway). As God's subcontractors they gradually became experts in living apart together. Look carefully at the first photo. The water has struck again. We're talking 1926. Gelderland. The small, stocky woman visiting the stricken province is Queen Wilhelmina. Without turning a hair she allows herself to be carried over the waters. -
American Eagle Outfitters and the Black Eyed Peas Get Serious About ''Monkey Business''
NEWS RELEASE American Eagle Outfitters and The Black Eyed Peas Get Serious About ''Monkey Business'' 5/25/2005 WARRENDALE, Pa.--(BUSINESS WIRE)--May 25, 2005-- AE Launches In-store and Online Nationwide Promotion with DMX MUSIC and Interscope Records to Debut The Black Eyed Peas' New Album American Eagle Outfitters, Inc. (AE) (NASDAQ:AEOS) along with DMX MUSIC and Interscope Records today announced an innovative, cross-promotional marketing campaign to launch The Black Eyed Peas' new album, "Monkey Business." The partnership brings together one of today's hottest bands and one of the nation's leading lifestyle retailers for an initiative that is unprecedented in size and scope. Kicking off Saturday, May 28th, the promotion features exclusive listening parties in AE's 847 stores throughout the United States and Canada and is highlighted by a sweepstakes on ae.com in which one lucky person can win a trip for two to AE's new flagship store in Seattle for a shopping spree with The Black Eyed Peas on June 25th. This comprehensive program, designed and implemented by DMX MUSIC and AE with the support of Interscope Records, gives shoppers in American Eagle Outfitters stores a preview of The Black Eyed Peas' forthcoming release between the hours of 1 and 4pm on May 28th. In addition, selected AE stores in 13 major markets (New York, Los Angeles, Seattle, Chicago, Washington D.C., Philadelphia, Boston, Dallas, Atlanta, Miami, Detroit, San Francisco, and Pittsburgh) will host special events that day which will include exciting giveaways such as gift bags for the first 50 people to arrive plus tickets for local Black Eyed Peas concerts and AE merchandise. -
Going on the Account: Examining Golden Age Pirates As a Distinct
GOING ON THE ACCOUNT: EXAMINING GOLDEN AGE PIRATES AS A DISTINCT CULTURE THROUGH ARTIFACT PATTERNING by Courtney E. Page December, 2014 Director of Thesis: Dr. Charles R. Ewen Major Department: Anthropology Pirates of the Golden Age (1650-1726) have become the stuff of legend. The way they looked and acted has been variously recorded through the centuries, slowly morphing them into the pirates of today’s fiction. Yet, many of the behaviors that create these images do not preserve in the archaeological environment and are just not good indicators of a pirate. Piracy is an illegal act and as a physical activity, does not survive directly in the archaeological record, making it difficult to study pirates as a distinct maritime culture. This thesis examines the use of artifact patterning to illuminate behavioral differences between pirates and other sailors. A framework for a model reflecting the patterns of artifacts found on pirate shipwrecks is presented. Artifacts from two early eighteenth century British pirate wrecks, Queen Anne’s Revenge (1718) and Whydah (1717) were categorized into five groups reflecting behavior onboard the ship, and frequencies for each group within each assemblage were obtained. The same was done for a British Naval vessel, HMS Invincible (1758), and a merchant vessel, the slaver Henrietta Marie (1699) for comparative purposes. There are not enough data at this time to predict a “pirate pattern” for identifying pirates archaeologically, and many uncontrollable factors negatively impact the data that are available, making a study of artifact frequencies difficult. This research does, however, help to reveal avenues of further study for describing this intriguing sub-culture. -
Privateering in the Colonial Chesapeake
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1989 Privateering in the Colonial Chesapeake David Alan Lester College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the United States History Commons Recommended Citation Lester, David Alan, "Privateering in the Colonial Chesapeake" (1989). Dissertations, Theses, and Masters Projects. Paper 1539625540. https://dx.doi.org/doi:10.21220/s2-vcme-3217 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. PRIVATEERING IN THE COLONIAL CHESAPEAKE A Thesis Presented to The Faculty of the Department of History The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by David Lester 1989 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts • /!// r (a Author Approved, August 1989 A xLuUL James L. Axtell Thaddeus W. Tate 'ames P. Whittenburg ii TABLE OF CONTENTS Page ABSTRACT ................................................ iv INTRODUCTION ........................................... 2 CHAPTER I. THE ECONOMICS OF PRIVATEERING ............. 4 CHAPTER II. THE REGULATION OF PRIVATEERING ............ 2 4 CONCLUSION .............................................. 50 BIBLIOGRAPHY......................................... .. 5 7 iii ABSTRACT This study focuses on the economic and legal aspects of the involvement of privately owned vessels from the Chesapeake Bay region in maritime warfare from their first use through the Revolution. -
Ational Park Service \ R—- - \ '•
S Form 10-900 OMB No. 1024-0018 >v. 10-90) lited States Department of the Interior r^ ~~~~ -•-•"• :"• ational Park Service \ r—- - \ '• is form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete the National Register Historic Places Registration Form (National-Register Bulletin 16A). Complete each item by marking "x" in the appropriate box or by entering the information luested. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, d areas of significance, enter only categories and subcategories from the instructions. Place additional entries and narrative items on continuation sheets PS Form 10-900a). Use a typewriter, word processor, or computer, to complete all items. Name of Property storic name ___________The Queen Anne's Revenge her names/site number NCOSA# 31CR314: NCUAB# QQQ3BUI Location reet & number ____BHUHBH____________ not for publication _jc ty or town ____Atlantic Beach_________________ .vicinity x ate North Carolina_____ code _NC county Carteret_____ code 031 P code 28512 , State/Federal Agency Certification s the designated authority under the National Historic Preservation Act of 1986, as amended, I hereby certify that this X Dmination __ request for determination of eligibility meets the documentation standards for registering properties in the ational Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my pinion, the property X meets __ does not meet the National Register Criteria. I recommend that this property be Dnsidered significant X nationally _ statewide __ locally. -
Massachusetts Driver's Manual
$5.00 COMMONWEALTH OF MASSACHUSETTS DRIVER’S MANUAL MASSACHUSETTS OF DRIVER’S COMMONWEALTH Commonwealth of Massachusetts DRIVER’S MANUAL PASSENGER VEHICLES Revised 2/2018 REVISED 2/2018 The policies in this Driver’s Manual include changes that take effect on March 26, 2018. All other information you need to study for a learner’s permit exam and road test (such as safety laws and rules of the road) is current both before and after March 26, 2018. A Message to Massachusetts Motorists from Erin C. Deveney, Registrar of Motor Vehicles Dear Motorist, The MassDOT Registry of Motor Vehicles recognizes that the work we perform impacts you and nearly every person in the Commonwealth of Massachusetts. We give our customers the joy of getting their first license. We register vehicles that take people all over the state for work, school, to access medical care and for exciting and important events in their lives. We also have the very serious responsibility of making sure all drivers, as well as the vehicles on our roadways, are safe and fit to operate. The RMV is committed to providing you with efficient, reliable and professional customer service. The Driver’s Manual prepares you for your driving career and also for doing business with the Registry. It includes requirements for transactions we provide, as well as service options and RMV Service Center location information. To serve you better, we offer 28 transactions and services via our website, www.mass.gov/rmv. Online services bring the RMV to you. We have expanded the number of AAA locations offering Registry renewal services through an innovative public-private partnership. -
Twenty Thousand Leagues Under the Sea
IJ"J " l|g niSlMIII ia Ex Libris C. K. OGDEN " It made the round of the frigate." (Page 29) (Frontispiece 20.000 UagiH-a nmU-r the Sea] TWENTY THOUSAND LEAGUES UNDER THE SEA By JULES VERNE Author of "A Journey into the Interior of the Earth," 11 The Adventures of Captain Hatteras," etc. WARD, LOCK & CO., LIMITED LONDON AND MELBOURNE Printed in Great Britain by Butler & Tanner, Frame and London Stack CONTENTS PART I CHAP. PAGE I A FLOATING REEF 7 II FOR AND AGAINST . .10 III PLEASES . As MONSIEUR . .15 IV NED LAND ........ 19 V Ax RANDOM .......24 VI WITH ALL STEAM ON . .28 VII A WHALE OF AN UNKNOWN SPECIES . - 35 STRANGERS . VIII Two . .40 IX NED LAND'S ANGER ...... 46 THE BOSOM OF THE . X WATERS . .51 XI THE "NAUTILUS" ...... 58 XII EVERYTHING BY ELECTRICITY .... 63 XIII SUBMARINE PALACE ...... 68 XIV THE BLACK RIVER ...... 74 XV A WRITTEN INVITATION . .82 XVI AT THE BOTTOM OF THE SEA .... 88 XVII AFOOT ON THE SEA BED . .92 THE PACIFIC XVIII UNDER ..... 5 97 XIX A CONTINENT IN THE MAKING < * 102 XX STRANDED . f . 107 XXI SOME DAYS ON LAND . , . in XXII CAPTAIN NEMO'S THUNDERBOLT . .121 XXIII CROCODILE WORSHIP . 131 y>XIV THE CORAL KINGDOM . .138 5 6 CONTENTS PART IT CHAP. PAGE I THE INDIAN OCEAN . .146 II A FRESH PROPOSITION. 154 III A PEARL WORTH TEN MILLIONS . .163 IV THE RED SEA 171 V THE ARABIAN TUNNEL . .179 VI THE GRECIAN ARCHIPELAGO . .185 VII THE MEDITERRANEAN . .193 VIII VIGO BAY 196 IX A VANISHED CONTINENT .... -
Reflections on Scotland, the Caribbean and the Atlantic World, C
Morris, Michael (2013) Atlantic Archipelagos: A Cultural History of Scotland, the Caribbean and the Atlantic World, c.1740-1833. PhD thesis. http://theses.gla.ac.uk/3863/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Atlantic Archipelagos: A Cultural History of Scotland, the Caribbean and the Atlantic World, c.1740-1833. Michael Morris Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy. Department of English Literature School of Critical Studies University of Glasgow September 2012 2 Abstract This thesis, situated between literature, history and memory studies participates in the modern recovery of the long-obscured relations between Scotland and the Caribbean. I develop the suggestion that the Caribbean represents a forgotten lieu de mémoire where Scotland might fruitfully ‘displace’ itself. Thus it examines texts from the Enlightenment to Romantic eras in their historical context and draws out their implications for modern national, multicultural, postcolonial concerns. Theoretically it employs a ‘transnational’ Atlantic Studies perspective that intersects with issues around creolisation, memory studies, and British ‘Four Nations’ history. -
The Coach Tells Her Girls Aren’T Allowed
Julie is dealing with big changes... 1 . since her parents’ divorce. When she finds out that her new school has a basketball team, life starts looking up—until the coach tells her girls aren’t allowed. Julie decides to fight for a place on the team, and almost loses her best friend in the process. Meanwhile, a school project forces her to face some hard truths about her family—and herself. Julie Growing up in San Francisco in the 1970s, Julie learns that sometimes the best way to cope with change is to make a few changes of her own. The Big Break The Big Break Abridged Edition 8 $7.99 U.S. GGB04-AB1A ™ MADE IN CHINA Discover online games, HECHO EN CHINA quizzes, activities, and more at FABRIQUÉ EN CHINE americangirl.com/play Published by American Girl Publishing No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For my Richard, for my sisters, 19 20 21 22 23 24 QP 10 9 8 7 6 5 4 3 2 1 and for Louise, Annie, and Eliza This book is a work of fiction. Any similarity to real persons, living or dead, is coincidental and not intended by American Girl. References to real events, people, or places are used fictitiously. Other names, characters, places, and incidents are the products of imagination. All American Girl marks, Julie™, Julie Albright™, Ivy™, and Ivy Ling™ are trademarks of American Girl. Cover image by Mike Heath and David Roth Illustrations by Mike Heath and Chris Hynes Vignettes by Daniel Crisp, Robert Hunt, and Susan McAliley Cataloging-in-Publication Data available from the Library of Congress PICTURE CREDITS About the Author The following have provided permission to reprint images: covers—iStock.com/Valeriy_G; iStock.com/encrier; title page—iStock.com/TerraXplorer; MEGAN MCDONALD grew up in a iStock.com/vectorplusb; p. -
DANNY COLLINS by Dan Fogelman
DANNY COLLINS by Dan Fogelman White Shooting Draft - 05/21/13 Blue Draft - 06/07/13 Pink Pages - 06/18/13 Yellow Pages - 06/20/13 Green Pages - 06/28/13 Goldenrod Pages - 07/01/13 Salmon Pages - 07/08/13 Buff Pages - 07/30/13 Cherry Pages - 08/01/13 This material is the property of Danny Collins Productions, LLC and access and use of this material is intended solely for use by Danny Collins Productions, LLC, its personnel and other authorized persons. Dissemination or disclosure of the material in any form to any unauthorized persons or the sale or copying of this material in whole or in part is strictly prohibited. 1. OVER BLACK we hear the sounds of a TURNTABLE turning on. We hear a NEEDLE drop. The record plays a SONG. The SONG is pure, innocent, and simple... the kind of thing great singer-songwriters are made of. TEXT: “The following is kind-of based on a true story a little bit.” The words are lifted away in a haze of CIGARETTE SMOKE. 1 INT. CHIME IN MAGAZINE OFFICES - DAY (1971) 1 We listen to the song as we pick up snapshots from an office of an early 70’s music magazine: - Cigarettes are smoked indoors, everywhere. Smoke wafts over cubicles, everywhere. - Women wear mini-skirts. Really “mini” mini-skirts. - Music POSTERS and SIGNAGE line cubicle walls. Hendrix. Dylan. Simon and a Jew-fro’d Garfunkel. - A poster of a young RICHARD NIXON. Someone has drawn a MUSTACHE on Nixon’s face as well as a “SPEECH BUBBLE” which reads “I’m an asshole.” - We hone in on a SINGLE CIGARETTE.