Stolen Generations
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Aboriginal Agency, Institutionalisation and Survival
2q' t '9à ABORIGINAL AGENCY, INSTITUTIONALISATION AND PEGGY BROCK B. A. (Hons) Universit¡r of Adelaide Thesis submitted for the degree of Doctor of Philosophy in History/Geography, University of Adelaide March f99f ll TAT}LE OF CONTENTS ii LIST OF TAE}LES AND MAPS iii SUMMARY iv ACKNOWLEDGEMENTS . vii ABBREVIATIONS ix C}IAPTER ONE. INTRODUCTION I CFIAPTER TWO. TI{E HISTORICAL CONTEXT IN SOUTH AUSTRALIA 32 CHAPTER THREE. POONINDIE: HOME AWAY FROM COUNTRY 46 POONINDIE: AN trSTä,TILISHED COMMUNITY AND ITS DESTRUCTION 83 KOONIBBA: REFUGE FOR TI{E PEOPLE OF THE VI/EST COAST r22 CFIAPTER SIX. KOONIBBA: INSTITUTIONAL UPHtrAVAL AND ADJUSTMENT t70 C}IAPTER SEVEN. DISPERSAL OF KOONIBBA PEOPLE AND THE END OF TI{E MISSION ERA T98 CTIAPTER EIGHT. SURVTVAL WITHOUT INSTITUTIONALISATION236 C}IAPTER NINtr. NEPABUNNA: THtr MISSION FACTOR 268 CFIAPTER TEN. AE}ORIGINAL AGENCY, INSTITUTIONALISATION AND SURVTVAL 299 BIBLIOGRAPI{Y 320 ltt TABLES AND MAPS Table I L7 Table 2 128 Poonindie location map opposite 54 Poonindie land tenure map f 876 opposite 114 Poonindie land tenure map f 896 opposite r14 Koonibba location map opposite L27 Location of Adnyamathanha campsites in relation to pastoral station homesteads opposite 252 Map of North Flinders Ranges I93O opposite 269 lv SUMMARY The institutionalisation of Aborigines on missions and government stations has dominated Aboriginal-non-Aboriginal relations. Institutionalisation of Aborigines, under the guise of assimilation and protection policies, was only abandoned in.the lg7Os. It is therefore important to understand the implications of these policies for Aborigines and Australian society in general. I investigate the affect of institutionalisation on Aborigines, questioning the assumption tl.at they were passive victims forced onto missions and government stations and kept there as virtual prisoners. -
Download Our Reflect Reconciliation Action Plan
The Telecommunications Industry Ombudsman’s Reflect Reconciliation Action Plan July 2020 to June 2021 The Telecommunications Industry Contents Ombudsman acknowledges the Overview traditional owners of country Artist acknowledgement 3 Message from the Ombudsman 4 throughout Australia and their Message from Reconciliation Australia 5 Our approach to reconciliation 6 continuing connection to land, Our business 7 Our reconciliation journey 9 culture, and community. Reconciliation actions Relationships 12 We pay our respects to elders Respect 14 past, present, and future. Opportunities 17 Governance 18 TIO | Reflect Reconciliation Action Plan 2 Overview Artist acknowledgement About the artist Artist, Jasmine Sarin is a proud Kamilaroi and Jerrinja woman with a passion for Aboriginal culture and art. She is a self-taught visual artist and graphic designer who grew up predominantly on the south coast of New South Wales in Nowra and Woollongong. Her business, JS Koori Designs, strives to build and grow a sustainable Aboriginal owned and operated business by celebrating the world’s oldest living culture. The Telecommunications Industry Ombudsman commissioned Jasmine to produce the artwork contained in this document. Artwork: Created by Jasmine Sarin Title: Ngara (2020) About the artwork “The centre is you guys, it’s everything TIO stands for. Think of the circles as rings in a tree, they carry knowledge and each one is different just as each person that works within TIO is different and brings something unique. Its also representative of the journey TIO has been through thus far. The connecting lines to the centre link to everything around it. These other circles are the members and providers you work with. -
Stretch Reconciliation Action Plan
Reconciliation Action Plan 2018 – 2020 Underwater Garden by Timeisha Simpson Timeisha Simpson is an emerging artist from Port Lincoln who has exhibited both on the West Coast and in Adelaide. She was studying in Year 9 when she created this work as part of Port Lincoln High School’s (PLHS) Aboriginal Arts Program. The PLHS Arts Program is an outlet for young artists to express themselves creatively. Local artist Jenny Silver has been working with the Arts Program for some time and has built strong relationships with all of the participating young artists. Many of the art works produced explore connections with culture, identity, family and place. It provides opportunities for the artists to be part of exhibitions across the state and their success at these exhibitions has created positive discussions with the wider community. An important aspect of the program is the emphasis on enterprise and the creation of individual artist portfolios. Jenny worked with Timeisha to create Underwater Garden, an acrylic painting that celebrates the richness and health of the water around Port Lincoln. Both artists spend a lot of time in the ocean and chose seaweed to represent growth and movement. Timeisha and Jenny developed authentic relationships with the community while on country which was integral in initial ideation for this piece. Timeisha says, ”The painting celebrates all the different bright coloured seaweeds in the ocean, I see these seaweeds when I go diving, snorkelling and fishing at the Port Lincoln National Park with my friends and family. I really enjoy going to Engine Point because that is where we go diving and snorkelling off the rocks, and for fishing we go to Salmon Hole and other cliff areas”. -
Voices of Aboriginal Tasmania Ningina Tunapri Education
voices of aboriginal tasmania ningenneh tunapry education guide Written by Andy Baird © Tasmanian Museum and Art Gallery 2008 voices of aboriginal tasmania ningenneh tunapry A guide for students and teachers visiting curricula guide ningenneh tunapry, the Tasmanian Aboriginal A separate document outlining the curricula links for exhibition at the Tasmanian Museum and the ningenneh tunapry exhibition and this guide is Art Gallery available online at www.tmag.tas.gov.au/education/ Suitable for middle and secondary school resources Years 5 to 10, (students aged 10–17) suggested focus areas across the The guide is ideal for teachers and students of History and Society, Science, English and the Arts, curricula: and encompasses many areas of the National Primary Statements of Learning for Civics and Citizenship, as well as the Tasmanian Curriculum. Oral Stories: past and present (Creation stories, contemporary poetry, music) Traditional Life Continuing Culture: necklace making, basket weaving, mutton-birding Secondary Historical perspectives Repatriation of Aboriginal remains Recognition: Stolen Generation stories: the apology, land rights Art: contemporary and traditional Indigenous land management Activities in this guide that can be done at school or as research are indicated as *classroom Activites based within the TMAG are indicated as *museum Above: Brendon ‘Buck’ Brown on the bark canoe 1 voices of aboriginal tasmania contents This guide, and the new ningenneh tunapry exhibition in the Tasmanian Museum and Art Gallery, looks at the following -
Rare Books Lib
RBTH 2239 RARE BOOKS LIB. S The University of Sydney Copyright and use of this thesis This thesis must be used in accordance with the provisions of the Copynght Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act gran~s the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author's moral rights if you: • fail to acknowledge the author of this thesis if you quote sections from the work • attribute this thesis to another author • subject this thesis to derogatory treatment which may prejudice the author's reputation For further information contact the University's Director of Copyright Services Telephone: 02 9351 2991 e-mail: [email protected] Camels, Ships and Trains: Translation Across the 'Indian Archipelago,' 1860- 1930 Samia Khatun A thesis submitted in fuUUment of the requirements of the degree of Doctor of Philosophy Department of History, University of Sydney March 2012 I Abstract In this thesis I pose the questions: What if historians of the Australian region began to read materials that are not in English? What places become visible beyond the territorial definitions of British settler colony and 'White Australia'? What past geographies could we reconstruct through historical prose? From the 1860s there emerged a circuit of camels, ships and trains connecting Australian deserts to the Indian Ocean world and British Indian ports. -
Banyule City Council Innovate Reconciliation Action Plan
INNOVATE RECONCILIATION ACTION PLAN September 2020 - September 2022 Mam-badool Djerring Let’s work together 1 Aboriginal artist and artwork acknowledgement Fire, Water, Land (2019) Artwork and story by Judy Nicholson, Wurundjeri Woi-wurrung artist. “Before people mastered the fire, the diet consisted mainly of seeds, plants and fruits, but much of the plants could not be digested. By heat-treating them, more plants could be eaten, and new nutrients were available. The heat killed parasites and made it easier to digest meat. Something that led to a higher calorie and nutritional intake, which made it easier to survive and have more children.” Banyule Council selected this beautiful piece of artwork for our RAP cover, as the short-finned eels and the Australian raven both feature in this picture and are recognised by the Wurundjeri Woi-wurrung as being historically significant animals to Banyule Flats. The Australian Raven is known as Whaa and is the Wurundjeri Woi-wurrung people’s moiety. Banyule Flats was also an important area of annual eel trapping and spear fishing for Wurundjeri Woi-wurrung People. Eagle Dreaming – Bunjil’s Wives (2019) Artwork and story by Judy Nicholson “During mating season from the months of June to August, the nest, though defended from other wedge-tailed eagles, is left unprotected from other predators. Parents will play an equal role in providing food for their chicks but will continue to offer little in the way of protection. By Inhabiting the banks of the Yarra (Birrarung) and its developments Bunjil is able to secure his territory and family by making an honest agreement with Whaa the crow that “no-one ever take fire into their own hands without careful consideration of others first”. -
Open Letter of Concern to the NSW Aboriginal Affairs Minister About The
Date: 5 March 2019 The Hon. Sarah Mitchell, MLC Minister for Aboriginal Affairs GPO Box 5341 SYDNEY NSW 2001 Dear Minister, Open Letter of Concern about the Narrow Scope of the NSW Stolen Generations Reparations Scheme The NSW Young Lawyers’ Human Rights Committee is concerned over the exclusion of some Stolen Generations people from the Stolen Generations Reparations Scheme (‘Reparations Scheme’). We recommend that the NSW Government immediately rectify the eligibility criteria of the Stolen Generations Reparations Scheme so that members of the Stolen Generations are eligible for reparations regardless of which government agency (including the Child Welfare Department) was involved in their removal in pursuance of the NSW Government policy of assimilation. NSW Young Lawyers NSW Young Lawyers is a division of The Law Society of New South Wales. NSW Young Lawyers supports practitioners in their professional and career development in numerous ways, including by encouraging active participation in its 15 separate committees, each dedicated to particular areas of practice. Membership is automatic for all NSW lawyers (solicitors and barristers) under 36 years and/or in their first five years of practice, as well as law students. NSW Young Lawyers currently has over 15,000 members. The Human Rights Committee The Human Rights Committee (“HRC”) comprises a group of over 1,200 members interested in human rights law, drawn from lawyers working in academia, for government, private and the NGO sectors and other areas of practice that intersect with human rights law, as well as barristers and law students. The objectives of the HRC are to raise awareness about human rights issues and provide education to the legal profession and wider community about human rights and its application under both domestic and international law. -
Reconciliation Action Plan May 2020 - May 2022 2 Royal Australasian College of Surgeons
Reconciliation Action Plan May 2020 - May 2022 2 Royal Australasian College of Surgeons On behalf of Reconciliation Australia, I am delighted to see the Royal Australasian College of Message from Surgeons continue its reconciliation journey and to formally endorse its first Innovate RAP. Reconciliation Through the development of an Innovate RAP the Royal Australasian College of Surgeons continues to play an important part in a community of over 1,000 dedicated corporate, Australia government, and not-for-profit organisations that have formally committed to reconciliation through the RAP program since its inception in 2006. RAP organisations across Australia are turning good intentions into positive actions, helping to build higher trust, lower prejudice, and pride in Aboriginal and Torres Strait Islander cultures. Reconciliation is no one single issue or agenda. Based on international research and benchmarking, Reconciliation Australia, defines and measures reconciliation through five critical dimensions: race relations; equality and equity; institutional integrity; unity; and historical acceptance. All sections of the community—governments, civil society, the private sector, and Aboriginal and Torres Strait Islander communities—have a role to play to progress these dimensions. The RAP program provides a framework for organisations to advance reconciliation within their spheres of influence. This Innovate RAP provides the Royal Australasian College of Surgeons with the key steps to establish its own unique approach to reconciliation. Through implementing an Innovate RAP, the Royal Australasian College of Surgeons will strengthen its approach to driving reconciliation through its business activities, services and programs, and develop mutually beneficial relationships with Aboriginal and Torres Strait Islander stakeholders. We wish the Royal Australasian College of Surgeons well as it embeds and expands its own unique approach to reconciliation. -
Appropriate Terminology, Indigenous Australian Peoples
General Information Folio 5: Appropriate Terminology, Indigenous Australian Peoples Information adapted from ‘Using the right words: appropriate as ‘peoples’, ‘nations’ or ‘language groups’. The nations of terminology for Indigenous Australian studies’ 1996 in Teaching Indigenous Australia were, and are, as separate as the nations the Teachers: Indigenous Australian Studies for Primary Pre-Service of Europe or Africa. Teacher Education. School of Teacher Education, University of New South Wales. The Aboriginal English words ‘blackfella’ and ‘whitefella’ are used by Indigenous Australian people all over the country — All staff and students of the University rely heavily on language some communities also use ‘yellafella’ and ‘coloured’. Although to exchange information and to communicate ideas. However, less appropriate, people should respect the acceptance and use language is also a vehicle for the expression of discrimination of these terms, and consult the local Indigenous community or and prejudice as our cultural values and attitudes are reflected Yunggorendi for further advice. in the structures and meanings of the language we use. This means that language cannot be regarded as a neutral or unproblematic medium, and can cause or reflect discrimination due to its intricate links with society and culture. This guide clarifies appropriate language use for the history, society, naming, culture and classifications of Indigenous Australian and Torres Strait Islander people/s. Indigenous Australian peoples are people of Aboriginal and Torres -
Restoring Identity
restoring identity Final report of the Moving forward consultation project Amanda Cornwall Public Interest Advocacy Centre 2009 Copyright © Public Interest Advocacy Centre Ltd (PIAC), June 2009 This work is copyright. Apart from any use as permitted under the Copyright Act 1968, no part may be reproduced by any process without prior permission. First published 2002 by PIAC Revised edition June 2009 by PIAC ISBN 978 0 9757934 5 9 ACKNOWLEDGMENTS The Public Interest Advocacy Centre (PIAC) would like to thank all of the people who participated in focus group meetings and made submissions as part of the project. We appreciate that for many people it is difficult to talk about the past and how it affects their lives today. We thank the members of the reference group for their support and hard work during the original project: Elizabeth Evatt, PIAC’s Chairperson; Audrey Kinnear, Co-Person of the National Sorry Day Committee; Brian Butler, ATSIC Social Justice Commission; Harold Furber, Northern Territory stolen generations groups; and Dr William Jonas, Aboriginal and Torres Strait Islander Social Justice Commissioner, HREOC. PIAC would like to thank Darren Dick, Chris Cunneen, Reg Graycar and Jennifer Clarke who provided comments on the draft report in 2002 and Tom Poulton, Bianca Locsin and Chris Govey, of Allens Arthur Robinson, who provided pro bono assistance in drafting the Stolen Generations Reparations Bill that appears as Appendix 4 of this revised edition. Cover Image: National Painting of the Stolen Generation by Joy Haynes Editor: Catherine Page Design: Gadfly Media Enquiries to: Public Interest Advocacy Centre Ltd ABN 77 002 773 524 Level 9, 299 Elizabeth Street Sydney NSW 2000 AUSTRALIA Telephone: (02) 8898 6500 Facsimile: (02) 8898 6555 E-mail: [email protected] www.piac.asn.au Aboriginal and Torres Strait Islander readers are warned that this publication may contain references to deceased persons. -
Reflect - Reconciliation Action Plan May 2021 – April 2022 Ecosure and Avisure
aviation | wildlife | safety Reflect - Reconciliation Action Plan May 2021 – April 2022 Ecosure and Avisure 1 Contents Acknowledgement of Country 2 RAP Artwork 3 Foreword 5 Introduction 6 Our Businesses 6 Our RAP 11 Our Partnerships/Current Activities 13 Relationships 16 Respect 17 Opportunities 18 Governance 19 1 aviation | wildlife | safety Acknowledgement of Country Ecosure and Avisure acknowledge the Traditional Custodians of the lands and waters on which we work. We pay deep respect to Elders past and present who hold the songlines and dreaming of this Country on which we work. We honour and support the continuation of cultural, spiritual, and educational practices of Aboriginal and Torres Strait Islander peoples of this Nation. 2 aviation | wildlife | safety Reconcililiation Action Plan (RAP) Artwork The artwork that carries throughout this Reconciliation Action Plan (RAP) was completed by Aboriginal Artist, Ray Garrett. Ray is, a proud Darumbal man (Father’s side) and Wulli Wulli man (Mother’s side). Ray grew up in Rockhampton, Central Queensland on his father’s country along the mighty Tunuba (Fitzroy River). Ray says, “my artwork is a representation of myself and how I view the world, a way for me to relax and have some down time.” The artwork is proudly displayed and admired in our Rockhampton Office on Darumbal Country. The background of interconnected dots in Ecosure and Avisure’s corporate colours symbolises our collaboration as sister companies and our aspirations to have a positive impact and connect with First Nations Peoples, communities, and Country across the lands we work. The topic of conversation depicted in the four yarning circles are the services that Ecosure and Avisure provide. -
Bringing Them Home 20 Years On: an Action Plan for Healing Bringing Them Home 20 Years On: an Action Plan for Healing
Bringing Them Home 20 years on: an action plan for healing Bringing Them Home 20 years on: an action plan for healing Aboriginal and Torres Strait Islander Healing Foundation Contents Executive summary 4 Background 6 The Stolen Generations 7 The Bringing Them Home report 10 Responding to Bringing Them Home 14 Why action is needed now 19 An action plan for making things right 26 Action one: comprehensive response for Stolen Generations members 27 Action two: healing intergenerational trauma 40 Action three: creating an environment for change 45 Appendix 1: key themes and recommendations from the Bringing Them Home report 50 Bibliography 52 We acknowledge Stolen Generations members across Australia, including those who have passed on, for their courage in sharing their stories and wisdom in the Bringing Them Home report. Notes 54 This report, written by Pat Anderson and Edward Tilton, was guided by the Healing Foundation’s Stolen Generations Reference Committee. The Committee’s efforts were central to ensuring that this report reflects the experience of Stolen Generations and for forming the critical recommendations to bring about change in Australia. We acknowledge and thank all other contributors who were consulted for this report. 1 …the past is very much with us today, in the continuing devastation of the lives of Indigenous Australians. That devastation cannot be addressed unless the whole community listens with an open heart and mind to the stories of what has happened in the past and, having listened and understood, commits itself to reconciliation. Extract from the 1997 Bringing Them Home report 2 Executive summary On 26 May 1997 the landmark Bringing Them Home report was tabled in Federal While this report might primarily detail the response from government to the Parliament.