The Twenty-Third Oxford Conference for the Book, March 2–4, 2016
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&Blues GUITAR SHORTY
september/october 2006 issue 286 free jazz now in our 32nd year &blues report www.jazz-blues.com GUITAR SHORTY INTERVIEWED PLAYING HOUSE OF BLUES ARMED WITH NEW ALLIGATOR CD INSIDE: 2006 Gift Guide: Pt.1 GUITAR SHORTY INTERVIEWED Published by Martin Wahl By Dave Sunde Communications geles on a rare off day from the road. Editor & Founder Bill Wahl “I would come home from school and sneak in to my uncle Willie’s bedroom Layout & Design Bill Wahl and try my best to imitate him playing the guitar. I couldn’t hardly get my Operations Jim Martin arms over the guitar, so I would fall Pilar Martin down on the floor and throw tantrums Contributors because I couldn’t do what I wanted. Michael Braxton, Mark Cole, Grandma finally had enough of all that Dewey Forward, Steve Homick, and one morning she told my Uncle Chris Hovan, Nancy Ann Lee, Willie point blank, I want you to teach Peanuts, Mark Smith, Dave this boy how to ‘really’ play the guitar Sunde, Duane Verh and Ron before I kill him,” said Shorty Weinstock. Photos of Guitar Shorty Fast forward through years of late courtesy of Alligator Records night static filled AM broadcasts crackling the southbound airwaves out of Cincinnati that helped further de- Check out our costantly updated website. Now you can search for CD velop David’s appreciative musical ear. Reviews by artists, Titles, Record T. Bone Walker, B.B. King and Gospel Labels, keyword or JBR Writers. 15 innovator Sister Rosetta Tharpe were years of reviews are up and we’ll be the late night companions who spent going all the way back to 1974. -
Drums • Bobby Bradford - Trumpet • James Newton - Flute • David Murray - Tenor Sax • Roberto Miranda - Bass
1975 May 17 - Stanley Crouch Black Music Infinity Outdoors, afternoon, color snapshots. • Stanley Crouch - drums • Bobby Bradford - trumpet • James Newton - flute • David Murray - tenor sax • Roberto Miranda - bass June or July - John Carter Ensemble at Rudolph's Fine Arts Center (owner Rudolph Porter)Rudolph's Fine Art Center, 3320 West 50th Street (50th at Crenshaw) • John Carter — soprano sax & clarinet • Stanley Carter — bass • William Jeffrey — drums 1976 June 1 - John Fahey at The Lighthouse December 15 - WARNE MARSH PHOTO Shoot in his studio (a detached garage converted to a music studio) 1490 N. Mar Vista, Pasadena CA afternoon December 23 - Dexter Gordon at The Lighthouse 1976 June 21 – John Carter Ensemble at the Speakeasy, Santa Monica Blvd (just west of LaCienega) (first jazz photos with my new Fujica ST701 SLR camera) • John Carter — clarinet & soprano sax • Roberto Miranda — bass • Stanley Carter — bass • William Jeffrey — drums • Melba Joyce — vocals (Bobby Bradford's first wife) June 26 - Art Ensemble of Chicago Studio Z, on Slauson in South Central L.A. (in those days we called the area Watts) 2nd-floor artists studio. AEC + John Carter, clarinet sat in (I recorded this on cassette) Rassul Siddik, trumpet June 24 - AEC played 3 nights June 24-26 artist David Hammond's Studio Z shots of visitors (didn't play) Bobby Bradford, Tylon Barea (drummer, graphic artist), Rudolph Porter July 2 - Frank Lowe Quartet Century City Playhouse. • Frank Lowe — tenor sax • Butch Morris - drums; bass? • James Newton — cornet, violin; • Tylon Barea -- flute, sitting in (guest) July 7 - John Lee Hooker Calif State University Fullerton • w/Ron Thompson, guitar August 7 - James Newton Quartet w/guest John Carter Century City Playhouse September 5 - opening show at The Little Big Horn, 34 N. -
Ed 366 968 Author Title Institution Report No Pub
DOCUMENT RESUME ED 366 968 CS 214 219 AUTHOR Reynolds, Mark, Ed. TITLE Two-Year College English: Essays for a New Century. INSTITUTION National Council of Teachers of English, Urbana, REPORT NO ISBN-0-8141-5541-3 PUB DATE 94 NOTE 246p. AVAILABLE FROMNational Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 55413-3050; $14.95 members, $19.95 nonmembers). PUB TYPE .Collected Works General (020) Books (010) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS *College English; *English Instruction; Faculty Development; Instructional Effectiveness; *Nontraditional Students; *Two Year Colleges; Undergraduate Students; *Writing Instruction IDENTIFIERS Curriculum Emphases; Educational Issues; Faculty Attitudes; Technical Communication; Writing Development ABSTRACT Noting that the nearly 1,400 two-year colleges in the United States enroll almost half of all students in highereducation, this collection of essays discusses the students, thecurriculum, and the faculty at these colleges. In essence, the collectionsurveys what is "on the minds" of two-year college Englishteachers. The essays and their authors are:(1) "Introduction" (Mark Reynolds); (2) "I Am Not the Look in Your Eyes" (Janice M. Albert);(3) "This New Breed of College Students" (Mary L. Needham); (4) "'TheOld Lady in the Student Lounge': Integrating the Adult Female Studentinto the College Classroom" (Mary Kay Morrison);(5) "What Happened to Darleen? Reconstructing the Life and Schooling ofan Underprepared Learner" (Smokey Wilson);(6) "Latina/o College Writing Students: Linguistic, Cultural, and Gender Issues" (Kate Mangelsdorf); (7) "Aliteracy among Community College Students" (Raelyn AugustinJoyce); (8) "Today for Tomorrow: Program and Pedagogy for 21-stCentury College Students" (Claudia M. -
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1 President’s Column groups to attend our shows (with their membership cards) at SBS By Brandon Bentz, President member prices. My view is that we are one big community of Blues As we approach the New Year, it is time to lovers, and we need to be open-armed to each other. I also targeted sponsored shows at higher visibility venues, such as the Harmonica reflect on the past year. It is a useful exercise to undertake each year to critically evaluate Slapdown at the Harris Center. The Harris Center sends out their where you have been and where you want to seasonal mailers to 100,000+ members, and the advertising power go.I think this has been a great year, and could not be denied. In addition, their membership is a very affluent, I'd like to share with you how I became your educated, and involved group. We signed up 35 new individual and President. family memberships at that show. Our next show to be held there will be the Summer Soulstice 2019 with Wee Willie Walker, Terri I took over the Presidency a little less than a year ago, when Renee Odabi, and the Anthony Paule Soul Orchestra. Hope to see you Erickson was suddenly faced with a serious health problem. I had there. taken the Vice Presidency over just a few months earlier when the former VP stepped down. The Board voted me into the VP spot, to Next was the Board membership crisis. If we fell below a critical fill the vacancy and introduce new blood and new ideas. -
For Immediate Release Contact:Marnie Klein [email protected]
For Immediate Release Contact:Marnie Klein [email protected] Oceanside Theatre Company at The Brooks kicks off its 2018 Music Series on Sunday, April 22, with two American blues treasures: The Rick Holmstrom Band and Nathan James and The Rhythm Scratchers. The Brooks Theatre is located at 217 North Coast Highway, Oceanside, California. Doors open at 6:30 p.m. for happy hour. The show starts at 7:30 p.m. All seats are $25 and tickets are available online at www.oceansidetheatre.org. Holmstrom is an electric blues and rhythm and blues guitarist, singer and songwriter who has worked with musical legends such as Jimmy Rogers, Billy Boy Arnold, R.L. Burnside, Smokey Wilson, Johnny Dyer, William Clarke and Rod Piazza. Holmstrom is currently the bandleader for the great Mavis Staples and can be heard on her Grammy-winning album “You Are Not Alone.” Holmstrom has numerous studio recordings to his credit with his groundbreaking third album “Hydraulic Groove” peaking at No. 9 on the Billboard Top Blues Albums chart. Internationally acclaimed blues guitarist and Oceanside resident Nathan James is a well respected and experienced guitarist in his field, having created a musical identity with his handcrafted washboard guitar, mastery of the Piedmont finger style and passion for blues and American roots music. James has worked with such well known artists as Jamie Wood, Johnny Dyer, Kim Wilson, Pinetop Perkins, Janiva Magness, Rick Holmstrom, Mark Hummel, Gary Primich and blues veteran James Harman. With his trio, The Rhythm Scratchers, James forges a distinct sound that combines elements of 1920's acoustic blues, amplified juke joint hill country, and 1950's uptown blues mixed with 1960's soulful R&B. -
Taj Mahal Andyt & Nick Nixon Nikki Hill Selwyn Birchwood
Taj Mahal Andy T & Nick Nixon Nikki Hill Selwyn Birchwood JOE BONAMASSA & DAVE & PHIL ALVIN NUMBER FIVE www.bluesmusicmagazine.com US $7.99 Canada $9.99 UK £6.99 Australia A$15.95 COVER PHOTOGRAPHY © ART TIPALDI NUMBER FIVE 6 KEB’ MO’ Keeping It Simple 5 RIFFS & GROOVES by Art Tipaldi From The Editor-In-Chief 24 DELTA JOURNEYS 11 TAJ MAHAL “Jukin’” American Maestro by Phil Reser 26 AROUND THE WORLD “ALife In The Music” 14 NIKKI HILL 28 Q&A with Joe Bonamassa A Knockout Performer 30 Q&A with Dave Alvin & Phil Alvin by Tom Hyslop 32 BLUES ALIVE! Sonny Landreth / Tommy Castro 17 ANDY T & NICK NIXON Dennis Gruenling with Doug Deming Unlikely Partners Thorbjørn Risager / Lazy Lester by Michael Kinsman 37 SAMPLER 5 20 SELWYN BIRCHWOOD 38 REVIEWS StuffOfGreatness New Releases / Novel Reads by Tim Parsons 64 IN THE NEWS ANDREA LUCERO courtesy of courtesy LUCERO ANDREA FIRE MEDIA SHORE © PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. “Leave your ego, play the music, PRESIDENT: Jack Sullivan love the people.” – Luther Allison EDITOR-IN-CHIEF: Art Tipaldi CUSTOMER SERVICE: Kyle Morris Last May, I attended the Blues Music Awards for the twentieth time. I began attending the GRAPHIC DESIGN: Andrew Miller W.C.Handy Awards in 1994 and attended through 2003. I missed 2004 to celebrate my dad’s 80th birthday and have now attended 2005 through 2014. I’ve seen it grow from its CONTRIBUTING EDITORS David Barrett / Michael Cote / Thomas J. Cullen III days in the Orpheum Theater to its present location which turns the Convention Center Bill Dahl / Hal Horowitz / Tom Hyslop into a dazzling juke joint setting. -
Dance of the Holy Ghosts: a Play on Memory: Digital Dramaturgy
dance of the holy ghosts: a play on memory: Digital Dramaturgy By Marcus Gardley Directed by Kwame Kwei-Armah Oct 9–Nov 17, 2013 Oscar Clifton is a Blues man living through his memories of the past, until his estranged grandson Marcus pays a visit. Together, they confront a history of loves, regrets, and missed opportunities. This acclaimed play by Marcus Gardley is a poetic family drama set in the key of Blues—a memory- scape skipping seamlessly across the decades. Meet Marcus Gardley Playwright's Biography Marcus Gardley grew up in the 1980s in Oakland, surrounded by a tight-knit community and raised by parents and grandparents from the South. He recalls, “Growing up in Oakland was really magical. I have family that all lived in the same vicinity; it was a huge community. I grew up in a political environment, but also a spiritual and diverse one. It had a huge effect on me.” Gardley spent his Sundays listening to his father preach, and the Black Church has informed and inspired some of his finest work. Though he started out as a poet, Gardley became captivated by playwriting during his college years at San Francisco State. He went on to Yale School of Drama, where he studied under celebrated playwright Lynn Nottage. Since then, Gardley has had productions at major theaters across the United States, and his work has garnered accolades for its soulful sincerity and lyricism. He currently splits his time between New York City and Providence, Rhode Island, where he teaches playwriting at Brown University. He makes a mean dish of Brussels sprouts and thoroughly enjoys mint juleps. -
CBS Newsletter November-2017
November 2017 BLUES NEWS CBS OFFICERS AND BOARD ELECTIONS November 13th, 2017 Cleveland Blues Society 11/10/2017 1 Inside this OCTOBER JAM i s s u e : October Jam Band 2-3 ANTHONY LOVANO’S Blues You Should Know 6-9 SUPERNATURAL BAND By Bob AT THE MUSIC BOX SUPPER CLUB Upcoming Jams 5 Schnuck Announcment 10 Do you have an idea for an article?—email Elaine [email protected] Anthony Lovano on Drums, been hosting jams of his own all around Newsletter town, and for the past three years at Coaches Tim Matson on Guitar, Place every Tuesday. His dad was a big Contributors Art Jenson on Bass and influence, where he gained exposure to John Coltraine, Miles Davis, Elvin Jones, McCoy News Director:...Elaine DeStephano Reginald Redd on Sax Tyner, Stanley Turrentine,and Wayne Shorter Cleveland native and fine drummer, Anthony at a young age. All this led to his current love Layout Editor: ……………….Kris Diehl Lovano, has been blessed with a wonderful for BE BOP JAZZ. Here locally, he points out family background beginning with his dad , Columnists: ……………..…..Bob Frank his guitarist Tim Matson is "his guy" on Tony "Big T " Tony Lovano, who he played guitar. Anthony feels" he is blessed to play Photographers: with right up until his passing in early 1986, music" and it is " his true love". What does he …………………....Elaine DeStephano and his brother, national recording jazz look for when playing and jamming? "A great saxaphone artist Joe Lovano. Anthony has groove!". Currently he has been digging on been a Blues Society member since the the music of Robin Ford. -
Wilson Pickett, New York City, 1981; Swamp Dogg; Aretha Franklin, New York City, 1982; Fred Wesley, 2011; Dr
HYTHM AND LUES From left top and clockwise: Wilson Pickett, New York City, 1981; Swamp Dogg; Aretha Franklin, New York City, 1982; Fred Wesley, 2011; Dr. Mable John. Photos: © Fredrich Cantor; Courtesy of Swamp Dogg; © Fredrich Cantor; Mark Puryear, Smithsonian Institution; Courtesy of Stax Museum of American Soul Music Right side: The Dixie Cups® began performing rhythm and blues music in 1963; the group now includes original members Barbara A. Hawkins (right) and Rosa L. Hawkins (left), joined by Athelgra Neville. Photo by Richard Strauss, Smithsonian Institution Rhythm and Blues 53 Tell It Like It Is by Mark Puryear In 1964 The Dixie Cups®, a female vocal trio from New Orleans, crooned out a cheerful version of “Chapel of Love” and knocked the Beatles from their number one spot on the pop charts. A year later, the trio released “Iko Iko,” a song first released in 1954 by James “Sugar Boy” Crawford as “Jock-A-Mo,” whose lyrics recount the meeting of two groups of Mardi Gras Indians. Since then, this song has been cov- ered by artists from the Grateful Dead to Cyndi Lauper, and continues to move new generations with its infectious New Orleans rhythms. The career of The Dixie Cups, and their direct and indirect roles in carrying rhythm and blues (R&B) into mainstream consciousness, speaks to the enduring pow- er of this music to transcend region and musical category and become a representative sound of the country. Musical Crossroads by Dwandalyn Reece The National Museum of African American History of musical genres, highlighting musical innovations, and Culture (NMAAHC) was established by an act of significant time periods and events along with Congress in 2003 making it the nineteenth museum historic performances to capture the music’s impact of the Smithsonian Institution. -
James Armstrong –
James Armstrong B•I•O•G•R•A•P•H•Y Guitarist, singer and songwriter James Armstrong has a bright future in blues music. His song "Pennies and Picks" from his third Hightone Records release, Got It Goin' On, garnered a 2001 WC Handy nomination for Song of the Year. Armstrong himself was nominated for Contemporary Male Blues Guitarist of the Year. It's easy to see why ... Armstrong tours extensively and his shows are considered one of the best on the circuit. The son of a blues-singing mother and jazz guitar-playing father, James Armstrong got the music bug at an early age. He formed his first band in the seventh grade, and progressed rapidly ever since. Armstrong singles out Jimi Hendrix and Robert Cray as singing influences, and Albert Collins, Albert King and Eric Clapton as guitarists whose work have inspired him. Based at the time in the Los Angeles area, Armstrong learned by playing - a lot of it - in the club scene of Southern California in the early 1980s. He recalls backing "Big" Joe Turner during that time at Santa Monica's Music Machine, and a similar gig with Albert Collins later on as part of a band that included guitarist Coco Montoya. Then there was that wild gig with Smokey Wilson in East L.A. that reinforced the image of the blues as a tough business on a young Armstrong. Armstrong's first HighTone release, 1995's Sleeping With a Stranger, drew widespread critical acclaim, as well as tremendous popularity on the European circuit. The great momentum he had going into early 1997 ended with the stabbing attack in April of that year. -
Band/Surname First Name Title Label No
BAND/SURNAME FIRST NAME TITLE LABEL NO DVD 13 Featuring Lester Butler Hightone 115 2000 Lbs Of Blues Soul Of A Sinner Own Label 162 4 Jacks Deal With It Eller Soul 177 44s Americana Rip Cat 173 67 Purple Fishes 67 Purple Fishes Doghowl 173 Abel Bill One-Man Band Own Label 156 Abrahams Mick Live In Madrid Indigo 118 Abshire Nathan Pine Grove Blues Swallow 033 Abshire Nathan Pine Grove Blues Ace 084 Abshire Nathan Pine Grove Blues/The Good Times Killin' Me Ace 096 Abshire Nathan The Good Times Killin' Me Sonet 044 Ace Black I Am The Boss Card In Your Hand Arhoolie 100 Ace Johnny Memorial Album Ace 063 Aces Aces And Their Guests Storyville 037 Aces Kings Of The Chicago Blues Vol. 1 Vogue 022 Aces Kings Of The Chicago Blues Vol. 1 Vogue 033 Aces No One Rides For Free El Toro 163 Aces The Crawl Own Label 177 Acey Johnny My Home Li-Jan 173 Adams Arthur Stomp The Floor Delta Groove 163 Adams Faye I'm Goin' To Leave You Mr R & B 090 Adams Johnny After All The Good Is Gone Ariola 068 Adams Johnny After Dark Rounder 079/080 Adams Johnny Christmas In New Orleans Hep Me 068 Adams Johnny From The Heart Rounder 068 Adams Johnny Heart & Soul Vampi 145 Adams Johnny Heart And Soul SSS 068 Adams Johnny I Won't Cry Rounder 098 Adams Johnny Room With A View Of The Blues Demon 082 Adams Johnny Sings Doc Pomus: The Real Me Rounder 097 Adams Johnny Stand By Me Chelsea 068 Adams Johnny The Many Sides Of Johnny Adams Hep Me 068 Adams Johnny The Sweet Country Voice Of Johnny Adams Hep Me 068 Adams Johnny The Tan Nighinggale Charly 068 Adams Johnny Walking On A Tightrope Rounder 089 Adamz & Hayes Doug & Dan Blues Duo Blue Skunk Music 166 Adderly & Watts Nat & Noble Noble And Nat Kingsnake 093 Adegbalola Gaye Bitter Sweet Blues Alligator 124 Adler Jimmy Midnight Rooster Bonedog 170 Adler Jimmy Swing It Around Bonedog 158 Agee Ray Black Night is Gone Mr. -
12-3-19 Auction Ad (All 78'S)
John Tefteller’s World’s Rarest Records Address: P. O. Box 1727, Grants Pass, OR 97528-0200 USA Phone: (541) 476–1326 or (800) 955–1326 • FAX: (541) 476–3523 E-mail: [email protected] • Website: www.tefteller.com Auction closes Tuesday, December 3, 2019 at 7:00 p.m. PT See #23 See #45 All Original 78 rpm Auction! R &B Vocal Groups / Gospel Groups / Blues / R &B / Rock & Roll /Rockabilly / Country / Cajun / Country Gospel Is this the return of Bill Sabis? Not exactly . but close! auctions with numerous genres a few times a year using the same For the past 5 years, I auctioned off approximately 8,000 78’s for long- format. The only difference is that these will be MY records, not Bill’s. time collector Bill Sabis, also known as “His Royal Koolness.” Those So sit back and devour this great list and relive the glory days of auctions ended earlier this year. Bill Sabis’All 78 rpm auctions! However, they were so successful that I am now going to do All 78 rpm Good luck! 15. The Cats And the Fiddle — “Lawdy-Clawdy/ 29. The Crescent City Gospel Singers — 43. The Five Keys — “I Hadn’t Anyone Til You/ Rare and Classic Sighing And Crying” BLUEBIRD 8870 M- “Heavenly Father/Let Us Pray Everyday” Hold Me” ALADDIN 3136 M- MB $50 MB $20 ARCADIA 109 VG- Small edge chip on 44. The Five Keys — “Can’t Keep From Crying/ R &B Vocal Groups / 16. The Cats And the Fiddle — “Part Of Me/ A-side—not into the grooves.