DOCSLIB.ORG

To Read/Download

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
To Read/Download 1 President’s Column groups to attend our shows (with their membership cards) at SBS By Brandon Bentz, President member prices. My view is that we are one big community of Blues As we approach the New Year, it is time to lovers, and we need to be open-armed to each other. I also targeted sponsored shows at higher visibility venues, such as the Harmonica reflect on the past year. It is a useful exercise to undertake each year to critically evaluate Slapdown at the Harris Center. The Harris Center sends out their where you have been and where you want to seasonal mailers to 100,000+ members, and the advertising power go.I think this has been a great year, and could not be denied. In addition, their membership is a very affluent, I'd like to share with you how I became your educated, and involved group. We signed up 35 new individual and President. family memberships at that show. Our next show to be held there will be the Summer Soulstice 2019 with Wee Willie Walker, Terri I took over the Presidency a little less than a year ago, when Renee Odabi, and the Anthony Paule Soul Orchestra. Hope to see you Erickson was suddenly faced with a serious health problem. I had there. taken the Vice Presidency over just a few months earlier when the former VP stepped down. The Board voted me into the VP spot, to Next was the Board membership crisis. If we fell below a critical fill the vacancy and introduce new blood and new ideas. As a new number of Board members, our Non-profit would dissolve. So, we started a blitz of encouragement for not only new members, but Board of Directors member of the SBS, I had posed an idea to the Board to become a Confederation of Chapters across Northern members who would participate in our governance. We are now California, with the thought that it would strengthen the representa- seeing a big upswing in involved members who want to help on the tion of the Sacramento Blues Society regionally and nationally. Board or on Committees to steer our society toward the future. When Renee realized the responsibility of the Presidency would be Finally, our financial problems needed to be addressed. I became too much to contend with, while she dealt with her health, she an- the Chair of the Events Committee and we went to an every-other- nounced she needed to step down. At that time the Board proposed month schedule for sponsoring events. And we aimed to bring higher quality events to our stage, to make them more noteworthy that Renee and I switch positions, Renee would become the Vice President and I would assume the Presidency, with the contingency and attract more members and more affluent members. An example that the Board members help me navigate these responsibilities to was the Harmonica Slapdown, that profited the society more than - make up for my lack of experience. The Board agreed, and I have any other show in the recent past. Additionally, we now have some to say, they've proven to be an amazing support system. one who is spearheading fund raising and I anticipate that this will also bring in more money than before. Lastly, I want to recognize Immediately I was faced with the challenges of a dwindling mem- efforts by Board members to raise funds, such as the wonderful job bership, losing Board members to term limits and being at risk of Sally Katen is doing with donation raffles at our Hall of Fame and falling below the critical Board member numbers, as well as a very Membership events. Kudos to her. lean Society budget. My first task to tackle was the membership. I realized that there were other Blues groups in the Sacramento area Overall, I think it has been a very positive year. But, at this new that had within their ranks disgruntled former SBS members. So, year time it is a time to anticipate the challenges of the future. I proposed to the Board that we allow these members of the other We continue to need more financial stability, more members, and The Sacramento Blues Society (SBS) is one of the oldest blues societies in California, founded in 1979. SBS is a 501(c)(3) nonprofit corporation formed to preserve and promote blues music as an art form. SBS has kept the blues tradition alive in the Sacramento area by promoting the local blues music scene, bringing international- ly renowned artists to the region and publishing the “Blue Notes” six times a year. SBS is an affiliate member of The Blues Foundation, which honored us with a 2015 Keeping the Blues Alive Award, and provides educational opportunities for young people with The Blues Foundation’s “Blues in The Schools” Program. 2019 Committee Chairs Board of Directors 2019 Board of Directors Blues in the Schools - Lisa Phenix Meetings - 2nd Brandon Bentz Hall of Fame - Sally Katen Tuesday of each Cari Chenkin Events - TBD Month, 7:00 p.m. Ro Bloodwell Membership & Sponsorships - Linda McShane All SBS Members in Art Quinn good standing are invited Public Relations & Social Media - Art Quinn Rich Gormley to attend. Volunteer Coordinator -TBD Mari Lu Onweller For more details, Donor Gifts - TBD including meeting Jim Tatol Blue Notes Newsletter - Cari Chenkin location, check: Rosemaire Duffy Website and IBC Competition - Dave Alcock www.sacblues.com/ Tony Westlake who-we-are/ Help keep the Blues alive - Contact a Chair or Board Member to volunteer for the Board or a Committee! 2 President's Column, con't. from P. 2 February Is Black History Month increased member participation. We also need to hold onto our February is Black History Month, and it’s worth mentioning here younger fanbase, which is being addressed in our Blues In the because the Blues, the music that this Society is dedicated to sup- Schools project, but we need other ideas to complement their porting and preserving, can actually be considered a history of the success. Finally, we will need leadership which will continue these Black American experience. positive steps. My term as President will expire in January and, due From this perspective, it’s important to recognize the sacrifices, to my getting a great job with an ENT group in Yakima, WA, I will be struggles, contributions and achievements that African-Americans relocating. I hope to create a vibrant Blues scene in Yakima, and will have made, and how the music they created has not only chronicled still continue my relationship with the SBS until it is time for me to those milestones, but has also given rise to most of the popular “go back to Mother Earth”. I hope you feel as I believe, that I have music genres we listen to today. Those of us who are teachers, par- helped to steer this big battleship of a society toward calmer waters. ents and grandparents have an obligation to educate our children And I hope the new skipper of the Society will come on board with to understand the power, beauty and history of Blues, and how it his/her own ideas and energy, and continue this forward progress. relates to American history and culture. It’s crucial to heighten our It has been an honor to be your President, and I look forward to awareness and understanding of a significant segment of society continuing to collaborate on into the future. that for too long has been marginalized and suppressed. 2018 Board of Directors Election Results When researching ideas for this article, I came across a number of websites offering a rich variety of essays, information, photos and The Sacramento Blues Society had its annual member meeting, sound clips about the history of the Blues and American culture. I’m combined with our holiday party and election for vacancies on the including a partial list here, so those interested in learning or teach- Board of Directors for 2019. Six new Directors were elected: Ro ing about it can enjoy those resources. Bloodwell, Cari Chenkin, Rosemaire Duffy, Marilu Onweller, Jim Tatol and Tony Westlake. They will join continuing Board members ▪ https://www.allaboutbluesmusic.com/black-history-month/ Brandon Bentz, Art Quinn and Rich Gormley to complete the 2019 ▪ http://teachrock.org/teachrock-during-black-history-month-part- Board of Directors. Officers will be elected from the Board members 3-music-as-a-representation-of-people-and-place/ at the January Board of Directors meeting on January 8, 2019, and ▪ https://nafme.org/during-black-history-month-in-february-explore- the new slate of officers will be listed in the next issue of the Blue musics-rich-role/ Notes. ▪ http://www.toledolibrary.org/blog/10-influential-songs-to-celebrate- black-history-month ▪ http://library.rockhall.com/black_history_month/BHM/music ▪ https://www.pbs.org/theblues/classroom/defhistory.html Part of the Sacramento Blues Society’s mission of “keeping the Cari Chenkin Blues alive” should include making sure that we all do our part Ro Bloodwell MariLu Onweller to honor the Black musicians who created (and still perform) this uniquely American art form, and to share our knowledge of it with future generations. Membership Update By Linda McShane Hello SBS Members, Tony Westlake As I finish processing 52 membership forms from December, I am Jim Tatol happy to say that 29 are new members & 23 are renewing! Wel- Sacramento Blues Society Publications come to the new members & thank you all for supporting our local Blues Society! Blues News, Weekly E-mail - Willie Brown Blue Notes, Bi-Monthly Newsletter - Now for the hard part! The December membership party is always Cari Chenkin, Editor fun & brings in many new members.The SBS would love to provide more successful events during the year, but it takes work! So if you Layout this issue: Cari Chenkin can volunteer to help out in any way, please step up.
Load more

Recommended publications
  • &Blues GUITAR SHORTY
    september/october 2006 issue 286 free jazz now in our 32nd year &blues report www.jazz-blues.com GUITAR SHORTY INTERVIEWED PLAYING HOUSE OF BLUES ARMED WITH NEW ALLIGATOR CD INSIDE: 2006 Gift Guide: Pt.1 GUITAR SHORTY INTERVIEWED Published by Martin Wahl By Dave Sunde Communications geles on a rare off day from the road. Editor & Founder Bill Wahl “I would come home from school and sneak in to my uncle Willie’s bedroom Layout & Design Bill Wahl and try my best to imitate him playing the guitar. I couldn’t hardly get my Operations Jim Martin arms over the guitar, so I would fall Pilar Martin down on the floor and throw tantrums Contributors because I couldn’t do what I wanted. Michael Braxton, Mark Cole, Grandma finally had enough of all that Dewey Forward, Steve Homick, and one morning she told my Uncle Chris Hovan, Nancy Ann Lee, Willie point blank, I want you to teach Peanuts, Mark Smith, Dave this boy how to ‘really’ play the guitar Sunde, Duane Verh and Ron before I kill him,” said Shorty Weinstock. Photos of Guitar Shorty Fast forward through years of late courtesy of Alligator Records night static filled AM broadcasts crackling the southbound airwaves out of Cincinnati that helped further de- Check out our costantly updated website. Now you can search for CD velop David’s appreciative musical ear. Reviews by artists, Titles, Record T. Bone Walker, B.B. King and Gospel Labels, keyword or JBR Writers. 15 innovator Sister Rosetta Tharpe were years of reviews are up and we’ll be the late night companions who spent going all the way back to 1974.
    [Show full text]
  • Blues Notes June 2016
    VOLUME TWENTY-ONE, NUMBER SIX • JUNE 2016 Sunday, June 5th @ 5 pm - Zoo Bar CURTIS SALGADO Tuesday, June 7th @ 6 pm • 21st Saloon, Omaha, NE $10 for BSO members, $20 for non-members Join the BSO or renew at the door Advance tix @ www.eventbrite.com GOLDEN STATE - LONE STAR REVUE Also Appearing Thursday, June 30th @ 5 pm $15 Wednesday, June 8th @ 6 pm • Zoo Bar, Lincoln, NE 21st Saloon, Omaha WEEKLY BLUES SERIES 4727 S 96th Plaza SOARING WINGS BLUES FESTIVAL Thurs. shows @ 6pm • Sat. shows @ 8 pm with John Primer & Watermelon Slim Bands subject to change Saturday, June 4th June 2nd .............................................................Davy Knowles ($10) June 4th (8 pm) ... Swamp Productions Presents Swampboy Blues Band, SUMMER ARTS FESTIVAL Sweet Tea, Bad Judgement & 40 Sinners ($5) June 10, 11, & 12 June 7th (Tues)........................................................... Curtis Salgado Featuring ($10 BSO Members, $20 Non Members, Bernard Allison Friday, June10th advance tickets at www.eventbrite.com) June 9th (5 pm) ......................................... Tale of 3 Cities Tour ($10) BLUES AT BEL AIR Hector Anchondo, Amanda Fish, and Delta Sol - Sunday June 12th Front and Center opens at 5pm! featuring June 10th (9 pm) ........Achilles Last Stand - Led Zepplin Tribute ($5) The Mighty Jailbreakers June 11th (8 pm) .... Luther James Band ($5) Summer Arts Fest After Party and The Bel Airs June 16th (5 pm) .......... Markey Blue ($10) - Dilemma opens at 5pm June 18th (8 pm) ........ Blue House and the Rent to Own Horns ($5) BRIDGE BEATS June 23rd (5 pm) ....Bruce Katz Band ($10) - Far & Wide opens at 5pm Saturday June 10th & 24th June 25th (8 pm) ............................................Rhythm Collective ($5) June 30th (5 pm) ...................
    [Show full text]
  • Jimmy D. Lane
    Jimmy D. Lane Biography "Son of the Blues" At the age of 47, Jimmy D. Lane has already led quite a full life. The musicians he knows makes for an impressive resume. He has worked with Eric Clapton, Mick Jagger, Jim Keltner, Keith Richards, B.B. King, Van Morrison, Jonny Lang, Gary Moore, Double Trouble, Taj Mahal, Stephen Stilles, Jeff Healy, Jimmie Lee Robinson, Lowell Fulson, and Snooky Pryor, Kim Wilson, Pinetop Perkins, Johnny ‘Big Moose’ Walker, Johnnie Johnson, Kim Wilson, Robert Plant, Jimmy Page, Harry Hypolite, George ‘Wild Child’ Butler, David ‘HoneyBoy’ Edwards, Weepin’ Willie Robinson, Little Hatch, Nancy Bryan, Willie Kent, Henry Gray, Lazy Lester and Eomot RaSun. He has also worked with venerable blues greats such as Sam Lay, Hubert Sumlin, Carey Bell, Dave Meyers and his father, the legendary Jimmy Rogers. Born July 4th, 1965 in Chicago, he grew up in a household where he became acquainted with a veritable who's who of Chicago bluesmen. Muddy Waters, Howlin' Wolf, Willie Mabon, Little Walter and Albert King, to name a few, would all stop by the house to visit the "old man." Coming from this environment has instilled in Lane the deepest respect for elder statesmen of the blues. "I feel blessed and fortunate, to have known all those cats, and I do not take it for granted." At the age of eight, he began playing his dad's guitar, which he wasn't supposed to do. "I would break a string and put it back in the case like he wasn't going to discover it," Lane recalls.
    [Show full text]
  • Golden Gate Grooves, January 2014
    Golden Gate Grooves, January 2014 CD REVIEWS Billy Boy Arnold, Charlie Musselwhite, The singers/harmonica players under whose names Remembering Little Walter was issued are an enviable Mark Hummel, Sugar Ray Norcia, James all-star assemblage: Hummel, Harman, Charlie Harman, Remembering Little Walter Musselwhite, Billy Boy Arnold, and Sugar Ray Norcia. Together they make up something like 50% of any by Tom Hyslop reasonable person’s list of the pre-eminent living Latter-day harp men talk harmonica players, and the environment, as one might about Big Walter’s tone, expect, makes for committed and spirited emulate the conversational performances. Sugar Ray’s intense “Mean Old World” is styles of both Sonny Boys, dynamite, as is Musselwhite’s take on the up-tempo admire the power and “One Of These Mornings,” a relative rarity, which also playfulness of Cotton, and features a daredevil guitar break. Tone and dynamics dig Junior Wells’s attitude. are at an impossibly high level throughout—Hummel Some may work on Jimmy and the band dial in a perfect late-night mood on “Blue Reed’s high-end approach, Light,” and the way Harman drives “Crazy Mixed Up or give lip service to Snooky World” hard before breaking it down to a whisper at Pryor or even Louis Myers. But Marion Walter Jacobs the end is masterly. Billy Boy’s “Can’t Hold Out Much was The Man, the player whose stylistic innovations Longer” is splendid on every level. revolutionized the way the instrument was played, and whose technique, taste, and tones continue to baffle That recaps only about half of the program, but the rest and inspire musicians more than 60 years after his of the songs (each performer sings two) are excellent as debut, and nearly 45 years after his untimely death.
    [Show full text]
  • Drums • Bobby Bradford - Trumpet • James Newton - Flute • David Murray - Tenor Sax • Roberto Miranda - Bass
    1975 May 17 - Stanley Crouch Black Music Infinity Outdoors, afternoon, color snapshots. • Stanley Crouch - drums • Bobby Bradford - trumpet • James Newton - flute • David Murray - tenor sax • Roberto Miranda - bass June or July - John Carter Ensemble at Rudolph's Fine Arts Center (owner Rudolph Porter)Rudolph's Fine Art Center, 3320 West 50th Street (50th at Crenshaw) • John Carter — soprano sax & clarinet • Stanley Carter — bass • William Jeffrey — drums 1976 June 1 - John Fahey at The Lighthouse December 15 - WARNE MARSH PHOTO Shoot in his studio (a detached garage converted to a music studio) 1490 N. Mar Vista, Pasadena CA afternoon December 23 - Dexter Gordon at The Lighthouse 1976 June 21 – John Carter Ensemble at the Speakeasy, Santa Monica Blvd (just west of LaCienega) (first jazz photos with my new Fujica ST701 SLR camera) • John Carter — clarinet & soprano sax • Roberto Miranda — bass • Stanley Carter — bass • William Jeffrey — drums • Melba Joyce — vocals (Bobby Bradford's first wife) June 26 - Art Ensemble of Chicago Studio Z, on Slauson in South Central L.A. (in those days we called the area Watts) 2nd-floor artists studio. AEC + John Carter, clarinet sat in (I recorded this on cassette) Rassul Siddik, trumpet June 24 - AEC played 3 nights June 24-26 artist David Hammond's Studio Z shots of visitors (didn't play) Bobby Bradford, Tylon Barea (drummer, graphic artist), Rudolph Porter July 2 - Frank Lowe Quartet Century City Playhouse. • Frank Lowe — tenor sax • Butch Morris - drums; bass? • James Newton — cornet, violin; • Tylon Barea -- flute, sitting in (guest) July 7 - John Lee Hooker Calif State University Fullerton • w/Ron Thompson, guitar August 7 - James Newton Quartet w/guest John Carter Century City Playhouse September 5 - opening show at The Little Big Horn, 34 N.
    [Show full text]
  • On the Road to Memphis
    Ottawa BLUES Society Winter 2008 MonkeyJunk In this issue: OBS AGM & Christmas Party 3 Save DAWG FM 4 Kat Danser’s Blues Pilgrimage 6 On the Road to Cisco Bluesfest News 8 Blues on the Rideau 10 International Blues Challenge 12 Memphis CD Reviews 13 Postcards From The Road 18 Corporate Directory 22 New and Renewing OBS Members – July-December 2008 We welcome two new Corporate Members to the Ottawa Blues Society Gerald Baillie, David Bedard, Pierre Brisson, Ross Brown & Lori Kerfoot, Colin Chesterman, Brian Clark, Bob Crane (family), Louise Dontigny, James Doran & Diane Leduc-Doran, Jean-Louis Dubé, Alison Edgar, Cleo Evans, Bernard Fournier, Robewrt Gowan, Mike Graham, Sandy Kusugak, Jeff Lockhart, Jack Logan, Annette Longchamps, Hugh MacEachern, Fraser Manson, Tom Morelli, Tom Morris, Gary and Vickie Paradis, Roxanne Pilon, Terry Perkins, Chris Pudney, Jeff Roberts, Mark Roberts, Tom Rowe, Jim Roy (benefactor), Bill Saunders, Ursula Scherfer, Ken Stasiak, John Swayze, Liz Sykes (benefactor), Ian Tomlinson, Chris & Linda Waite, Gord White, Larry Williams, Ross Wilson, Linda and Pat Yarema www.worksburger.com www.lorenzos.ca 2 OBScene Deadlines 3 OBS CONTACTS OBS Annual General Meeting Issue Copy Deadline Distribution Date Website: www.OttawaBluesSociety.com OBS Mission Spring March 15 Online in April & Christmas Party E-mail: Please use feedback form on website Summer June 15 Mailed in early July Saturday, December 6, 2008 CORRESPONDENCE AND ADDRESS CHANGES To foster appreciation, Ottawa Blues Society promotion, preservation P.O. Box 708, Station “B” The OBS AGM got underway at 8:15 pm with Cover charges for this event, along with money From the Editor … and enjoyment of the Ottawa, ON K1P 5P8 reports from the President and Board Members.
    [Show full text]
  • Ed 366 968 Author Title Institution Report No Pub
    DOCUMENT RESUME ED 366 968 CS 214 219 AUTHOR Reynolds, Mark, Ed. TITLE Two-Year College English: Essays for a New Century. INSTITUTION National Council of Teachers of English, Urbana, REPORT NO ISBN-0-8141-5541-3 PUB DATE 94 NOTE 246p. AVAILABLE FROMNational Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 55413-3050; $14.95 members, $19.95 nonmembers). PUB TYPE .Collected Works General (020) Books (010) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS *College English; *English Instruction; Faculty Development; Instructional Effectiveness; *Nontraditional Students; *Two Year Colleges; Undergraduate Students; *Writing Instruction IDENTIFIERS Curriculum Emphases; Educational Issues; Faculty Attitudes; Technical Communication; Writing Development ABSTRACT Noting that the nearly 1,400 two-year colleges in the United States enroll almost half of all students in highereducation, this collection of essays discusses the students, thecurriculum, and the faculty at these colleges. In essence, the collectionsurveys what is "on the minds" of two-year college Englishteachers. The essays and their authors are:(1) "Introduction" (Mark Reynolds); (2) "I Am Not the Look in Your Eyes" (Janice M. Albert);(3) "This New Breed of College Students" (Mary L. Needham); (4) "'TheOld Lady in the Student Lounge': Integrating the Adult Female Studentinto the College Classroom" (Mary Kay Morrison);(5) "What Happened to Darleen? Reconstructing the Life and Schooling ofan Underprepared Learner" (Smokey Wilson);(6) "Latina/o College Writing Students: Linguistic, Cultural, and Gender Issues" (Kate Mangelsdorf); (7) "Aliteracy among Community College Students" (Raelyn AugustinJoyce); (8) "Today for Tomorrow: Program and Pedagogy for 21-stCentury College Students" (Claudia M.
    [Show full text]
  • INSIDE THIS ISSUE: Performance Schedules and Blues News from The
    June/July 2016 #219 $5.00 US New England’s only independent Blues newsletter mailing the schedules of our outstanding, hard working TheBlues Bands and BluesBlues Clubs to dedicated Blues Fans Audiencesince for 25 years. © ATB/TBA 2016 INSIDE THIS ISSUE: Performance schedules and Blues news from the most talented local New England Blues Bands and Blues Clubs and Blues Festivals! Is that enough Blues for you? • Eddie Scheer, vocalist and multi talented musician, leader of the Love Dogs, talks to Art Simas about how he balances life and his music. Promo photo by Ken Boege • Blues news from her point of view, from our intrepid Ex President. Karen “Sistah K” Nugent • A new Festival in Antrim, NH- Bluesberry Jam with Big Bill Morganfield! • North Atlantic Blues Festival • Westford, MA Blues “n” Brews Festival • Barnful of Blues Festival with Luther “Gtr. Jr.” Johnson & The Magic Rockers!! are all coming up, how lucky are we, right here in New England? photos by Diana Shonk Leader of the Love Dogs Fetches Happiness in Living with Fa m i l y, Friends which we do about 4 or 5 times a year, we played 4 or 5 songs a n d M us ic, that we have never played before. Someone might come up with an idea and we all make it happen.” Every Day In the beginning, when he was dreaming about putting a band together, Scheer said, “I was simply thinking about the By Art Simas people who I thought would fit my musical ideas well. And look what happened. It’s just amazing that we’re all still together after all this time.
    [Show full text]
  • Mark Hummel Papers
    http://oac.cdlib.org/findaid/ark:/13030/c8r216s6 No online items Guide to the Mark Hummel Papers Sean Heyliger African American Museum & Library at Oakland 659 14th Street Oakland, California 94612 Phone: (510) 637-0198 Fax: (510) 637-0204 Email: [email protected] URL: http://www.oaklandlibrary.org/locations/african-american-museum-library-oakland © 2013 African American Museum & Library at Oakland. All rights reserved. Guide to the Mark Hummel MS 223 1 Papers Guide to the Mark Hummel Papers Collection number: MS 223 African American Museum & Library at Oakland Oakland, California Processed by: Sean Heyliger Date Completed: 2018-04-27 Encoded by: Sean Heyliger © 2013 African American Museum & Library at Oakland. All rights reserved. Descriptive Summary Title: Mark Hummel papers Dates: 1978-2012 Collection number: MS 223 Creator: Hummel, Mark Collection Size: .25 linear feet(1 box) Repository: African American Museum & Library at Oakland (Oakland, Calif.) Oakland, CA 94612 Abstract: The Mark Hummel Papers consist of photographs, blues show flyers, blues music publications, audio recordings, and newspaper clippings documenting the career of blues musician Mark Hummel and the San Francisco Bay Area blues scene in the 1970s-1990s. Languages: Languages represented in the collection: English Access No access restrictions. Collection is open to the public. Access Restrictions Materials are for use in-library only, non-circulating. Publication Rights Permission to publish from the Mark Hummel Papers must be obtained from the African American Museum & Library at Oakland. Preferred Citation Mark Hummel papers, MS 223, African American Museum & Library at Oakland, Oakland Public Library. Oakland, California. Acquisition Information Donated by blues musician Mark Hummel to the African American Museum & Library at Oakland on March 30, 2018.
    [Show full text]
  • For Immediate Release Contact:Marnie Klein [email protected]
    For Immediate Release Contact:Marnie Klein [email protected] Oceanside Theatre Company at The Brooks kicks off its 2018 Music Series on Sunday, April 22, with two American blues treasures: The Rick Holmstrom Band and Nathan James and The Rhythm Scratchers. The Brooks Theatre is located at 217 North Coast Highway, Oceanside, California. Doors open at 6:30 p.m. for happy hour. The show starts at 7:30 p.m. All seats are $25 and tickets are available online at www.oceansidetheatre.org. Holmstrom is an electric blues and rhythm and blues guitarist, singer and songwriter who has worked with musical legends such as Jimmy Rogers, Billy Boy Arnold, R.L. Burnside, Smokey Wilson, Johnny Dyer, William Clarke and Rod Piazza. Holmstrom is currently the bandleader for the great Mavis Staples and can be heard on her Grammy-winning album “You Are Not Alone.” Holmstrom has numerous studio recordings to his credit with his groundbreaking third album “Hydraulic Groove” peaking at No. 9 on the Billboard Top Blues Albums chart. Internationally acclaimed blues guitarist and Oceanside resident Nathan James is a well respected and experienced guitarist in his field, having created a musical identity with his handcrafted washboard guitar, mastery of the Piedmont finger style and passion for blues and American roots music. James has worked with such well known artists as Jamie Wood, Johnny Dyer, Kim Wilson, Pinetop Perkins, Janiva Magness, Rick Holmstrom, Mark Hummel, Gary Primich and blues veteran James Harman. With his trio, The Rhythm Scratchers, James forges a distinct sound that combines elements of 1920's acoustic blues, amplified juke joint hill country, and 1950's uptown blues mixed with 1960's soulful R&B.
    [Show full text]
  • Taj Mahal Andyt & Nick Nixon Nikki Hill Selwyn Birchwood
    Taj Mahal Andy T & Nick Nixon Nikki Hill Selwyn Birchwood JOE BONAMASSA & DAVE & PHIL ALVIN NUMBER FIVE www.bluesmusicmagazine.com US $7.99 Canada $9.99 UK £6.99 Australia A$15.95 COVER PHOTOGRAPHY © ART TIPALDI NUMBER FIVE 6 KEB’ MO’ Keeping It Simple 5 RIFFS & GROOVES by Art Tipaldi From The Editor-In-Chief 24 DELTA JOURNEYS 11 TAJ MAHAL “Jukin’” American Maestro by Phil Reser 26 AROUND THE WORLD “ALife In The Music” 14 NIKKI HILL 28 Q&A with Joe Bonamassa A Knockout Performer 30 Q&A with Dave Alvin & Phil Alvin by Tom Hyslop 32 BLUES ALIVE! Sonny Landreth / Tommy Castro 17 ANDY T & NICK NIXON Dennis Gruenling with Doug Deming Unlikely Partners Thorbjørn Risager / Lazy Lester by Michael Kinsman 37 SAMPLER 5 20 SELWYN BIRCHWOOD 38 REVIEWS StuffOfGreatness New Releases / Novel Reads by Tim Parsons 64 IN THE NEWS ANDREA LUCERO courtesy of courtesy LUCERO ANDREA FIRE MEDIA SHORE © PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. “Leave your ego, play the music, PRESIDENT: Jack Sullivan love the people.” – Luther Allison EDITOR-IN-CHIEF: Art Tipaldi CUSTOMER SERVICE: Kyle Morris Last May, I attended the Blues Music Awards for the twentieth time. I began attending the GRAPHIC DESIGN: Andrew Miller W.C.Handy Awards in 1994 and attended through 2003. I missed 2004 to celebrate my dad’s 80th birthday and have now attended 2005 through 2014. I’ve seen it grow from its CONTRIBUTING EDITORS David Barrett / Michael Cote / Thomas J. Cullen III days in the Orpheum Theater to its present location which turns the Convention Center Bill Dahl / Hal Horowitz / Tom Hyslop into a dazzling juke joint setting.
    [Show full text]
  • PHOTO-ARCHIVE by Dragan Tasic Information and Order: Mailto:[email protected]
    BLUES PHOTO-ARCHIVE by Dragan Tasic Information and Order: mailto:[email protected] Name of Musician or Band Music Art Art of photograPlace Datum A Allison Bernard Blues B/W,Color Zug,Bell.LUZ 96,1,3,4 A Allison Luter Blues Color,B/W Luzern 95 A Arnold Billy Boy Blues B/W Luzern 97 A Adams Johnny & The New Orleans all Stars Blues B/W Belinzona 97 A Anderson Little Pink Blues B/W Lugano 98 A August Lynn & the Zydeco Knights Zydeco Color,B/W Belinzona 99 A Amundson Monti Blues B/W Luzern 0 A All Mighty Senators Rhythm 'n B/W Lugano 1 A Adams Arthur Blues B/W,Color Luzern 2 A Aeby Marcel Blues,Rock B/W,Color Belinzona 2,4 A Alexandre Nuno Boogie Color Lugano 5 A Arnold Billy Boy feat James Wheeler, B.Flynn, Bob Stroger... Blues Color Luz.Mx.Bd. 5,12,14 A Andersen Kid feat. Rick Estrin and The Nightcats Blues Color Bell.Luz. 10,13 A Amanda and La Banda Blues-Rock Color Rapp 10 A Armatrading Joan Rock-Blues Color Zh. 10 A Auger Brian Rock-Blues Color Zh. 11 A Andersen Mike Blues-Rock Color Luz. 11 A Allman Devon feat. Royal Southern Brotherhood Blues-Rock Color Vall. 12 A Arnold Mac Blues Color Rapp. 12 A Anderhub Fabian Rock-Blues Color Luz.Bd.Horg. 12,14,15 A A Contra Blues Blues Color Luz. 14 A Amine Faris Blues, World Color Bell. 16 A Alvin Dave and Phil Alvin Blues, Country Color Luz.
    [Show full text]