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December 2011
December 2011 Kilborn Alley Blues Band CD Release Party By Rich Cibelli What do you get when you cross one of the hottest local blues bands around just home from a great tour of Europe and a cold late November Tuesday night at The Iron Post in Urbana? Answer -- The Kilborn Alley Blues Band “Four” CD release party. The band, which actually returned the morning of the show, showed some signs of jet lag. But that didn’t stop them from putting on one of the best performances that this writer has seen. Blues fans, that is dedication from the heart -- a plain and simple fact. There is no way to teach this. You either have it or not. The Kilborn Alley Blues Band has it. Period! Andrew Duncanson and Abraham Johnson Courtesy Zack Widup Before I continue I’d like to take a minute and give a great big thank you to Paul Wirth and all the staff at the Iron Post for helping put on this event and for their continued support of live music in Champaign-Urbana. Most of all, a great thank you to the many fans who braved a cold Tuesday night to come see one of our own. I may have mentioned this in an earlier story, but for those of you new to the Prairie Crossroads Blues Society, The Kilborn Alley Blues Band was the first band to join our organization back almost a year and a half ago. Just like this event they took time from their show to thank us for the bond that we have. -
Blues a La Carta 1
Contenido PORTADA 1 CONTENIDO 2 EDITORIAL 3 DE LOS LECTORES 4 BLUES A LA CARTA 1. Conociendo a los nuevos integrantes del Salón de la Fama del Blues 2011 2. Ganadores de los premios a lo mejor del blues 2011 3. Festival de Blues en Chicago 2011 (1) 5 LAS FOTOS DE ROBERTO Festival de Blues de Chicago 2010. Parte 1 (2) 12 BLUES EN LA RADIO E INTERNET (1) 13 EL ESCAPE DEL CONVICTO No quiero ir a la guerra: J.B. Lenoir, el pacifista (3) 14 UNA IMAGEN, UN MOMENTO El Blues Inmortal de Mario Compañet, cumple 25 años (3) 17 EL BLUES Y LA PALABRA I be's troubled - I can't be satisfied (4) 20 UNA EXPERIENCIA Shinin´ Pistol Blues. Segunda parte (5) 26 SEMBLANZAS Charley Patton 1891-1934 (6) 29 DEL WEEKLY REVIEW (7) 32 HUELLA AZUL Yellow Dog en Vivo – Rumbo al quinto festival Pozos Blues (8) 38 QUINTO FESTIVAL POZOS BLUES (1) 46 MOSAICO DEL SEXTO FESTIVAL DE BLUES EN SANTA CRUZ XOCHITEPEC, XOCHIMILCO (9) 47 Cultura Blues. La revista electrónica “Un concepto distinto del blues y algo más…” www.culturablues.com.mx Año 1 Núm. 1 – junio de 2011 Derechos Reservados. Registro ante INDAUTOR en trámite Dirección y edición: José Luis García Fernández (1) Director asociado: Mario Martínez Valdez Administrador web y diseño de portada: José Luis García Vázquez ([email protected]) Colaboradores: Roberto Dueñas Puebla (2), Luis Eduardo Alcántara (3), Jesús Martín Camacho (4), Héctor Martínez González (5), Javier Caneda (6), Marco Antonio García Hernández (7), María Luisa Méndez (8) y Octavio Espinosa Cabrera (9). -
Austinmusicawards2017.Pdf
Jo Carol Pierce, 1993 Paul Ray, Stevie Ray Vaughan, and PHOTOS BY MARTHA GRENON MARTHA BY PHOTOS Joe Ely, 1990 Daniel Johnston, Living in a Dream 1990 35 YEARS OF THE AUSTIN MUSIC AWARDS BY DOUG FREEMAN n retrospect, confrontation seemed almost a genre taking up the gauntlet after Nelson’s clashing,” admits Moser with a mixture of The Big Boys broil through trademark inevitable. Everyone saw it coming, but no outlaw country of the Seventies. Then Stevie pride and regret at the booking and subse- confrontational catharsis, Biscuit spitting one recalls exactly what set it off. Ray Vaughan called just prior to the date to quent melee. “What I remember of the night is beer onto the crowd during “Movies” and rip- I Blame the Big Boys, whose scathing punk ask if his band could play a surprise set. The that tensions started brewing from the outset ping open a bag of trash to sling around for a classed-up Austin Music Awards show booking, like the entire evening, transpired so between the staff of the Opera House, which the stage as the mosh pit gains momentum audience visited the genre’s desired effect on casually that Moser had almost forgotten until was largely made up of older hippies of a Willie during “TV.” the era. Blame the security at the Austin Stevie Ray and Jimmie Vaughan walked in Nelson persuasion who didn’t take very kindly About 10 minutes in, as the quartet sears into Opera House, bikers and ex-Navy SEALs from with Double Trouble and to the Big Boys, and the Big “Complete Control,” security charges from the Willie Nelson’s road crew, who typical of the proceeded to unleash a dev- ANY HISTORY OF Boys themselves, who were stage wings at the first stage divers. -
Gary Clark, Jr
GARY CLARK, JR. 21st Century Blues The last two years have yielded a dizzying RISING FROM AUSTIN parade of triumphs for Gary Clark, Jr., the 28-year-old artist from Austin, Texas. With the by Tom Hyslop force of Warner Brothers Records behind him, Clark has received a promotional push that rivals that of any mainstream artist, one that certainly exceeds anything witnessed in the blues realm at least since the 1980s, with the mainstream breakouts of Stevie Ray Vaughan and Robert Cray, and possibly since the highly-publicized signing of Johnny Winter by Columbia Records in 1969. In the course of the blitz, Clark has performed at every major festival, including Coachella, SXSW, Made In America, Bonnaroo, Summerfest, Lollapalooza, Dave Mathews Band Caravan, Newport Folk Fest, Electric Forest, Sasquatch! Festival, Mountain Jam, and others, along with dates in the most coveted clubs; received ink in a dizzying variety of publications, from MOJO and SPIN to such unexpected settings as Esquire, Vanity Fair, and even the mainstream Entertainment Weekly, with recurring coverage in Rolling Stone, including a five- star rating for his debut EP on Warners, in a write-up that led off the review section; and made appearances on the major late-night shows: Conan, The Late Show with David Letterman, Late Night with Jimmy Fallon, The Tonight Show with Jay Leno. He has taped an episode of Austin City Limits as headliner. A fragment of “Bright Lights” provided the soundtrack to a major mobile phone provider’s ubiquitous TV advertisement, and the video for “Ain’t Messin’ ‘Round” received regular rotation on VH1, America’s almost univer- sally available cable music television channel. -
BOB MARGOLIN - Live at Brianza Blues Festival, 7 Luglio 2011
BOB MARGOLIN - Live at Brianza Blues Festival, 7 luglio 2011 STEADY ROLLIN’ BOB MARGOLIN - Bob Margolin nasce a Boston nel 1949, ma cresce a Brookline, Massachusetts. Comincia a impugnare la chitarra all’età di 15 anni e sin da ragazzo si ispira alla musica di Chuck Berris e Muddy Waters. Nel 1973 Bob assiste a un concerto di Muddy Waters e lo stesso Muddy gli propone di suonare nella sua band. Bob ha quindi la possibilità di imparare a suonare la chitarra non più ascoltando i dischi di Waters ma suonando con lui. L’amicizia con Muddy porta Bob a girare il mondo e a salire su molti palchi tra cui, nel 1976, quello del concerto di The Band The Last Waltz che il regista Martin Scorsese rende immortale nel film omonimo. Gli anni 80 vedono Bob collaborare con numerosi artisti tra cui Steve Jacobs, Big Joe Maher, Tom Principato, Fats Jackson, Sweet Betty e Nappy Brown. Il primo album da solista The Old School esce nel 1989 e due anni dopo viene pubblicato il secondo Chicago Blues che tra le altre vede la collaborazione della celebre leggenda della chitarra Jimmy Rogers. Nel 1994 l’artista partecipa a numerosi Blues festival e, tra agosto e settembre, intraprende un tour nazionale con The Muddy Waters Tribute Band, i musicisti che avevano suonato nella band di Waters ai tempi di Bob e che vede la partecipazione di B. B. King, Dr. John e Little Feat. Nel 1995 esce My Blues and My Guitar: Bob si trova costantemente in tour, protagonista di concerti e festival anche oltreoceano e viene nominato per un W.C. -
Chicago Blues Guitar
McKinley Morganfield (April 4, 1913 – April 30, 1983), known as Muddy WatersWaters, was an American blues musician, generally considered the Father of modern Chicago blues. Blues musicians Big Bill Morganfield and Larry "Mud Morganfield" Williams are his sons. A major inspiration for the British blues explosion in the 1960s, Muddy was ranked #17 in Rolling Stone magazine's list of the 100 Greatest Artists of All Time. Although in his later years Muddy usually said that he was born in Rolling Fork, Mississippi in 1915, he was actually born at Jug's Corner in neighboring Issaquena County, Mississippi in 1913. Recent research has uncovered documentation showing that in the 1930s and 1940s he reported his birth year as 1913 on both his marriage license and musicians' union card. A 1955 interview in the Chicago Defender is the earliest claim of 1915 as his year of birth, which he continued to use in interviews from that point onward. The 1920 census lists him as five years old as of March 6, 1920, suggesting that his birth year may have been 1914. The Social Security Death Index, relying on the Social Security card application submitted after his move to Chicago in the mid '40s, lists him as being born April 4, 1915. His grandmother Della Grant raised him after his mother died shortly after his birth. His fondness for playing in mud earned him the nickname "Muddy" at an early age. He then changed it to "Muddy Water" and finally "Muddy Waters". He started out on harmonica but by age seventeen he was playing the guitar at parties emulating two blues artists who were extremely popular in the south, Son House and Robert Johnson. -
BOB CORRITORE a Blues Life Order Today Click Here! Four Print Issues Per Year
BOB CORRITORE A Blues Life Order Today Click Here! Four Print Issues Per Year Every January, April, July, and October get the Best In Blues delivered right t0 you door! Artist Features, CD, DVD Reviews & Columns. Award-winning Journalism and Photography! Order Today Click Here! 20-0913-Blues Music Magazine Full Page 4C bleed.indd 1 17/11/2020 09:17 BLUES MUSIC ONLINE December 01, 2020 - Issue 23 Table Of Contents 06 - BOB CORRITORE A Blues Life By Art Tipaldi 16 - SEVEN NEW CD REVIEWS By Various Writers 31 - BLUES MUSIC SAMPLER DOWNLOAD CD Sampler 26 - July 2020 Illustration by Tom Walbank COVER PHOTOGRAPHY © DAVE BLAKE Read The News Click Here! All Blues, All The Time, AND It's FREE! Get Your Paper Here! Read the REAL NEWS you care about: Blues Music News! FEATURING: - Music News - Breaking News - CD Reviews - Music Store Specials - Video Releases - Festivals - Artists Interviews - Blues History - New Music Coming - Artist Profiles - Merchandise - Music Business Updates BOB CORRITORE A Blues Life By Art Tipaldi PHOTOGRAPHY © JEFF FASANO lues Music Magazine: Primer/Bob Corritore collaborative The feature will include all release and I think this one is our aspects of your musical best so far. I’ve known John since Bcareer to include but not limited to: the mid-1970s from going to see musician, club owner, producer, Junior Wells at Theresa’s Lounge record label, newsletter writer, on the South Side. I’ve watched and founder of the Southwest John’s progression to the Muddy Musical Arts Foundation. Did I Waters band to Magic Slim & The miss anything? Teardrops to launching his own brilliant solo career. -
Samantha Fish Homemade Jamz Jarekus Singleton
Buddy GDamnUYRight... JONNYLANG Q&A SAMANTHA FISH HOMEMADE JAMZ JAREKUS SINGLETON JOHNNY WINTER MICHAEL BLOOMFIELD Reissues Reviewed NUMBER THREE www.bluesmusicmagazine.com US $5.99 Canada $7.99 UK £4.60 Australia A$15.95 COVER PHOTOGRAPHY © JOSH CHEUSE courtesy of RCA RECORDS NUMBER THREE 4 BUDDY GUY Best In Town by Robert Feuer 3 RIFFS & GROOVES From The Editor-In-Chief 8 TOM HAMBRIDGE Producing Buddy Guy 20 DELTA JOURNEYS “Catching Up” by Art Tipaldi 22 AROUND THE WORLD 10 SAMANTHA FISH “Blues Inspiration, Now And Tomorrow” Kansas City Bomber 24 Q&A with Jonny Lang by Vincent Abbate 26 BLUES ALIVE! 13 THE HOMEMADE JAMZ Lonnie Brooks 80th Birthday Bash BLUES BAND Harpin’ For Kid Ramos Benefit It’s A Family Affair 28 REVIEWS by Michael Cala New Releases Box Sets 17 JAREKUS SINGLETON Film Files Trading Hoops For The Blues 62 DOWN THE ROAD by Art Tipaldi 63 SAMPLER 3 64 IN THE NEWS TONY KUTTER © PHOTOGRAPHY PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. PRESIDENT: Jack Sullivan “As the sun goes down and the shadows fall, EDITOR-IN-CHIEF: Art Tipaldi on theWestside of Chicago, the blues has come to call.” CUSTOMER SERVICE: Kyle Morris GRAPHIC DESIGN: Andrew Miller Though the temperatures in Memphis during January’s 30th International Blues Challenge were in the 20s with wind chills cutting to below zero, the music on Beale CONTRIBUTING EDITORS David Barrett / Michael Cote / ?omas J. Cullen III Street was hotter then ever. Over 250 bands, solo/duo, and youth acts participated Bill Dahl / Hal Horowitz / Tom Hyslop in this exciting weeklong showcase of the blues in 20 Beale Street clubs. -
On the Road to Memphis
Ottawa BLUES Society Winter 2008 MonkeyJunk In this issue: OBS AGM & Christmas Party 3 Save DAWG FM 4 Kat Danser’s Blues Pilgrimage 6 On the Road to Cisco Bluesfest News 8 Blues on the Rideau 10 International Blues Challenge 12 Memphis CD Reviews 13 Postcards From The Road 18 Corporate Directory 22 New and Renewing OBS Members – July-December 2008 We welcome two new Corporate Members to the Ottawa Blues Society Gerald Baillie, David Bedard, Pierre Brisson, Ross Brown & Lori Kerfoot, Colin Chesterman, Brian Clark, Bob Crane (family), Louise Dontigny, James Doran & Diane Leduc-Doran, Jean-Louis Dubé, Alison Edgar, Cleo Evans, Bernard Fournier, Robewrt Gowan, Mike Graham, Sandy Kusugak, Jeff Lockhart, Jack Logan, Annette Longchamps, Hugh MacEachern, Fraser Manson, Tom Morelli, Tom Morris, Gary and Vickie Paradis, Roxanne Pilon, Terry Perkins, Chris Pudney, Jeff Roberts, Mark Roberts, Tom Rowe, Jim Roy (benefactor), Bill Saunders, Ursula Scherfer, Ken Stasiak, John Swayze, Liz Sykes (benefactor), Ian Tomlinson, Chris & Linda Waite, Gord White, Larry Williams, Ross Wilson, Linda and Pat Yarema www.worksburger.com www.lorenzos.ca 2 OBScene Deadlines 3 OBS CONTACTS OBS Annual General Meeting Issue Copy Deadline Distribution Date Website: www.OttawaBluesSociety.com OBS Mission Spring March 15 Online in April & Christmas Party E-mail: Please use feedback form on website Summer June 15 Mailed in early July Saturday, December 6, 2008 CORRESPONDENCE AND ADDRESS CHANGES To foster appreciation, Ottawa Blues Society promotion, preservation P.O. Box 708, Station “B” The OBS AGM got underway at 8:15 pm with Cover charges for this event, along with money From the Editor … and enjoyment of the Ottawa, ON K1P 5P8 reports from the President and Board Members. -
Muddy Waters Screamin' and Cryin' the Blues Mp3, Flac, Wma
Muddy Waters Screamin' And Cryin' The Blues mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Blues Album: Screamin' And Cryin' The Blues Country: Europe Released: 2012 MP3 version RAR size: 1679 mb FLAC version RAR size: 1703 mb WMA version RAR size: 1952 mb Rating: 4.6 Votes: 987 Other Formats: WMA XM ADX VQF WAV DTS FLAC Tracklist Hide Credits Baby Please Don't Go 1 2:51 Written-By – McKinley Morganfield Soon Forgotten 2 4:55 Written-By – St. Louis Jimmy Oden Corrina, Corrina 3 3:40 Written-By – Bo Chatman, J. Mayo Williams After Hours 4 5:45 Written-By – Avery Parrish Hoochie Coochie Man 5 3:05 Written-By – Willie Dixon Junior Shuffle 6 4:44 Written-By – Amos Blakemore Howlin' Wolf 7 6:27 Written-By – McKinley Morganfield Floyd's Guitar Blues 8 7:49 Written-By – Floyd Smith Blow Wind Blow 9 3:53 Written-By – McKinley Morganfield Caldonia 10 6:00 Written-By – Fleecie Moore Screamin' And Cryin' 11 5:17 Written-By – McKinley Morganfield Got My Mojo Working 12 3:02 Written-By – Preston Foster Garbage Man 13 5:52 Written-By – Willie Hammond* J.P.'s Boogie 14 3:31 Written-By – Jerry Portnoy Goin' Down Slow 15 7:21 Written-By – St. Louis Jimmy Oden What's The Matter With The Mill? (Can't Get No Grindin') 16 4:53 Written-By – McKinley Morganfield Companies, etc. Phonographic Copyright (p) – Music Avenue (Europe) B.V.B.A. Copyright (c) – Music Avenue (Europe) B.V.B.A. Credits Bass – Calvin Jones Drums – Willie Smith Guitar – Bob Margolin, Luther Johnson Guitar, Vocals – Muddy Waters Harmonica – Jerry Portnoy Piano, Vocals – Pinetop Perkins Notes ℗ & © 2012 Recorded live on October 22, 1976 at the International Folk Music Festival & Jazz Jamboree in Warsaw, Poland. -
Formal Education Academic and Professional Positions Held
SONIA KHATCHADOURIAN CURRICULUM VITAE Formal Education Degree: Master of Arts, University of Hawaii-Manoa, Honolulu, HI, December 1987 Area: Creative Writing Thesis: What They Were Desperate For, collection of short fiction Degree: Bachelor of Arts, University of Wisconsin-Milwaukee, August 1984 Majors: Philosophy; English: Creative Writing concentration Academic and Professional Positions Held Senior Lecturer: English Department, University of Wisconsin-Milwaukee, August, 2002-present (with 50% Indefinite Status appointment granted January 2012) (Senior Lecturer Status granted in 2002) Lecturer: Lubar School of Business, University of Wisconsin-Milwaukee, August 2014-March 2015 Lecturer: English Department, University of Wisconsin-Milwaukee, September 1988-May 2002 Lecturer: Department of Learning Skills and Educational Opportunity/ Academic Opportunity Center, College of Allied Health-Health Care Opportunities Summer Program, Bridge Program, Upward Bound Program, University of Wisconsin-Milwaukee, August, 1988-August-1994 Visiting Lecturer: Institut fur Anglistik und Amerikanistik, Justus Liebig Universitat, Giessen, Germany, September 1994-August 1996 Lecturer: Milwaukee Institute of Arts and Design, August-December, 1996 Visiting Lecturer: Indiana University-Bloomington/Midwest Universities Consortium for International Activities at Institut Teknologi Mara, Shah Alam, Malaysia, January-June 1991 Lecturer: English Department, Marquette University, Milwaukee, WI, January 1989-December 1991 1 Copyeditor: Department of Religion, Buddhist-Christian Studies scholarly journal, University of Hawaii-Manoa, Honolulu, HI. January-May 1988 Professional Tutor: Learning Center, Chaminade University of Honolulu, Honolulu, HI, January-May 1988 Graduate Teaching Assistant: English Department, University of Hawaii-Manoa, August 1984-December 1987 Freelance Writer: August 1988-Present Awards, Research Grants, Honors, Certificates UWM Certificate in Online and Blended Teaching: April 2013 Learning Technology Center Open Education Resource Grant: Fall 2013. -
To Read/Download
1 President’s Column groups to attend our shows (with their membership cards) at SBS By Brandon Bentz, President member prices. My view is that we are one big community of Blues As we approach the New Year, it is time to lovers, and we need to be open-armed to each other. I also targeted sponsored shows at higher visibility venues, such as the Harmonica reflect on the past year. It is a useful exercise to undertake each year to critically evaluate Slapdown at the Harris Center. The Harris Center sends out their where you have been and where you want to seasonal mailers to 100,000+ members, and the advertising power go.I think this has been a great year, and could not be denied. In addition, their membership is a very affluent, I'd like to share with you how I became your educated, and involved group. We signed up 35 new individual and President. family memberships at that show. Our next show to be held there will be the Summer Soulstice 2019 with Wee Willie Walker, Terri I took over the Presidency a little less than a year ago, when Renee Odabi, and the Anthony Paule Soul Orchestra. Hope to see you Erickson was suddenly faced with a serious health problem. I had there. taken the Vice Presidency over just a few months earlier when the former VP stepped down. The Board voted me into the VP spot, to Next was the Board membership crisis. If we fell below a critical fill the vacancy and introduce new blood and new ideas.