12-3-19 Auction Ad (All 78'S)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Greenup County, You Have a of June in Pike County
J.D. Crowe Table of Contents US23CountryMusicHighway......................4 The Future Stars of Country Music.................5 “More Than Music” US 23 Driving Tour.............8 Billy Ray Cyrus........................................9 Greenbo Lake State Resort Park...................10 Jesse Stuart..........................................11 The Judds.............................................12 Boyd County Tourism.................................13 Ricky Skaggs.........................................15 Lawrence County Tourism............................16 Larry Cordle..........................................18 Loretta Lynn & Crystal Gayle.......................19 US 23: John Boy’s Country .....................20 Hylo Brown...........................................21 Johnson County Tourism..............................22 Dwight Yoakam.......................................23 Map....................................................24 The Jenny Wiley Story.............................27 Presonsburg Tourism..................................28 Elk in Eastern Kentucky..............................30 Patty Loveless.......................................33 Pikeville/Pike County Tourism........................37 The banjo on the cover of this year’s magazine is a Hatfields and McCoys...............................38 Gibson owned by JD Crowe.JDwasbornandraisedin Gary Stewart........................................39 Lexington, Kentucky, and was one of the most influential Marion Sumner.......................................39 bluegrass musicians. -
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 01/26/2012 03:58 Pm
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 01/26/2012 03:58 pm WNCU 90.7 FM Format: Jazz North Carolina Central University (Raleigh - Durham, NC) This Period (TP) = 01/19/2012 to 01/25/2012 Last Period (TP) = 01/12/2012 to 01/18/2012 TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 1 1 Jimmy Owens The Monk Project IPO 2012 12 14 -2 2 7 John Stein Hi Fly Whaling City Sound 2011 9 6 3 2 12 Chick Corea Further Explorations Concord Jazz 2012 9 4 5 4 9 Christian Tamburr Places Tamburr Worldwide 2011 8 5 3 4 25 Hendrik Meurkens Live At Bird's Eye Zoho 2011 8 3 5 6 9 Hal Galper Trip The Light Fantastic Origin 2011 7 5 2 7 2 Roy Haynes Roy-Alty Dreyfus 2011 6 7 -1 7 12 Vanguard Jazz Orchestra Forever Lasting - Live in Planet Arts 2011 6 4 2 Tokyo 7 25 North Carolina Central Slightly Blued Self-Released 2010 6 3 3 University Jazz Ensemble 7 25 Kenny Burrell Tenderly HighNote 2011 6 3 3 7 292 Etta James Tell Mama Cadet 1969 6 0 6 12 7 Mary Louise Knutson In The Bubble Meridian Jazz 2011 5 6 -1 12 42 Ken Fowser & Behn DuoTone Posi-Tone 2011 5 2 3 Gillece 12 75 James Moody & Hank Our Delight IPO 2008 5 1 4 Jones 12 292 Ann Hampton Callaway Blues In The Night Telarc Jazz 2006 5 0 5 12 292 Tim Mayer Resilience JLP 2011 5 0 5 12 292 Etta James At Last! Chess 1961 5 0 5 18 2 Houston Person So Nice HighNote 2011 4 7 -3 18 25 Christian McBride Big The Good Feeling Mack Avenue 2011 4 3 1 Band 18 25 Pat Martino Undeniable: Live At Blues HighNote 2011 4 3 1 Alley 18 25 Ed Reed Born To Be Blue Blue Shorts 2011 -
Study Buddy CASSETTE DION ELVIS GUITAR IPOD PHONOGRAPH RADIO RECORD RHYTHM ROCK ROLL Where The
Rhythm, Blues and Clues I V J X F Y R D L Y W D U N H Searchin Michael Presser, Executive Director A Q X R O C K F V K K P D O P Help the musical note find it’s home B L U E S B Y X X F S F G I A Presents… Y C L C N T K F L V V E A D R Y A K O A Z T V E I O D O A G E S W R R T H K J P U P T R O U S I D H S O N W G I I U G N Z E G V A Y V F F F U E N G O P T V N L O T S C G X U Q E H L T G H B E R H O J H D N L P N E C S U W Q B M D W S G Y M Z O B P M R O Y F D G S R W K O F D A X E J X L B M O W Z K B P I D R V X T C B Y W P K P F Y K R Q R E Q F V L T L S G ALBUM BLUES BROADWAY Study Buddy CASSETTE DION ELVIS GUITAR IPOD PHONOGRAPH RADIO RECORD RHYTHM ROCK ROLL Where the 630 Ninth Avenue, Suite 802 Our Mission: Music Inside Broadway is a professional New York City based children’s theatre New York, NY 10036 12 company committed to producing Broadway’s classic musicals in a Music Lives Telephone: 212-245-0710 contemporary light for young audiences. -
Forefathers, Early Ihfluences and Nonperformers
FOREFATHERS, EARLY IHFLUENCES AND NONPERFORMERS When rock and roll itself was still a dream with music that would still be the freshest productions o f top-drawer materialfrom Doc \ baby, Jerry Leiber and Mike Stoller sound on the airwaves years later. ’ ’ Pomus andMort Shuman, Gerry Goffin and were among its youthful prodigies. More Robins sides followed on Spark, Carole King, and Barry Mann and Cynthia Beginning with their 1952 including “Framed” and “Smokey Joe’s Weil: “This Magic Moment,” “Save the Last breakthrough, a catchy blues romp Cafe. ’ ’ Atlantic Records soon signed Leiber and DanceforMe," “Up on the Roof,” “On called ‘ ‘K. C. Loving, ’ ’ Leiber and Stoller to one o f the industry’sfirst independent Broadway.” (Phil Spector, a young assistant of Stoller rapidly grew into one o f the most production deals. Their first Atlantic successes Leiber and Stoller, also worked on many o f prolific and creative teams in the were with the Coasters, a groupfeaturing two these records.) I m usic’s history. former members o f the Robins. In 1957, the first Red Bird Records was Leiber and Stoller’s Coasters smash appeared, ‘ ‘Searchin’, ’ ’ final and most successful attempt at running H ad they done nothing more than backed with ‘ ‘Young Blood’ ’; it both broke the their own record label. Their unerring ear for turn out a stream o fsongsfor Elvis Presley - group and established Leiber and Stoller as talent brought newcomers like Ellie Greenwich, 2“LoveMe,” “JailhouseRock,” “TreatMe maJor producers. In a sea o f doo-wop sound- Jeff Barry, Shadow Morton and Richard Perry Nice, ’ ’ ‘ 'You' re So Square (Baby 1 Don’t alikes, Coasters hits like “CharlieBrown,” into theRedBird nest. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
1950S Playlist
1/10/2005 MONTH YEAR TITLE ARTIST Jan 1950 RAG MOP AMES BROTHERS Jan 1950 WITH MY EYES WIDE OPEN I'M DREAMING PATTI PAGE Jan 1950 ENJOY YOURSELF (IT'S LATER THAN YOU THINK) GUY LOMBARDO Jan 1950 I ALMOST LOST MY MIND IVORY JOE HUNTER Jan 1950 THE WEDDING SAMBA EDMUNDO ROS Jan 1950 I SAID MY PAJAMAS (AND PUT ON MY PRAY'RS) TONY MARTIN/FRAN WARREN Jan 1950 SENTIMENTAL ME AMES BROTHERS Jan 1950 QUICKSILVER BING CROSBY/ANDREWS SISTERS Jan 1950 CHATTANOOGIE SHOE SHINE BOY RED FOLEY Jan 1950 BIBBIDI-BOBBIDI-BOO PERRY COMO Feb 1950 IT ISN'T FAIR SAMMY KAYE/DON CORNELL Feb 1950 RAG MOP LIONEL HAMPTON Feb 1950 THE THIRD MAN THEME ANTON KARAS Feb 1950 MY FOOLISH HEART GORDON JENKINS Feb 1950 THE CRY OF THE WILD GOOSE FRANKIE LAINE Feb 1950 THE FAT MAN FATS DOMINO Feb 1950 DADDY'S LITTLE GIRL MILLS BROTHERS Feb 1950 MUSIC MUSIC MUSIC TERESA BREWER Mar 1950 THE THIRD MAN THEME GUY LOMBARDO Mar 1950 CANDY AND CAKE MINDY CARSON Mar 1950 MY FOOLISH HEART BILLY ECKSTINE Mar 1950 IF I KNEW YOU WERE COMIN' I'D'VE BAKED A CAKE EILEEN BARTON Mar 1950 WANDERIN' SAMMY KAYE Mar 1950 DEARIE GUY LOMBARDO Apr 1950 COUNT EVERY STAR HUGO WINTERHALTER Apr 1950 HOOP-DEE-DOO PERRY COMO Apr 1950 BEWITCHED BILL SNYDER Apr 1950 PETER COTTONTAIL GENE AUTRY Apr 1950 ARE YOU LONESOME TONIGHT BLUE BARRON May 1950 THE OLD PIANO ROLL BLUES HOAGY CARMICHAEL/CASS DALEY May 1950 BEWITCHED DORIS DAY May 1950 VALENCIA TONY MARTIN May 1950 I DON'T CARE IF THE SUN DON'T SHINE PATTI PAGE May 1950 I WANNA BE LOVED ANDREWS SISTERS May 1950 BONAPARTE'S RETREAT KAY STARR Jun 1950 MONA -
JOHNNY OTIS: That's Your Last Boogie: the Best
JOHNNY OTIS: That’s Your Last Boogie: The Best Of Johnny Otis 1945-1960 Fantastic Voyage FVTD120 (Three CDs: 79:00; 77:00; 77:00) CD One: BARRELHOUSE STOMP (1945-1950) – ILLINOIS JACQUET: Uptown Boogie; WYNONIE HARRIS: Cock A-Doodle-Doo; JIMMY RUSHING: Jimmy’s Round- The-Clock Blues; JOHNNY OTIS: Harlem Nocturne/ One O’Clock Jump/ Jeff-Hi Stomp/ Midnight In The Barrel House/ Barrel House Stomp/ Court Room Blues/ New Orleans Shuffle/ The Turkey Hop Parts 1 & 2; JOHNNY MOORE’S THREE BLAZERS: Drifting Blues/ Groovy; WYNONIE HARRIS: Yonder Goes My Baby; JOE TURNER: S.K. Blues; GEORGE WASHINGTON: Good Boogdi Googie; LESTER YOUNG: Jamming With Lester; THE FOUR BLUEBIRDS: My Baby Done Told Me; OLD MAN MOSE: Matchbox Blues; JOE SWIFT: That’s Your Last Boogie; THE ROBINS: Around About Midnight/ If I Didn’t Love You So/ If It’s So Baby; LITTLE ESTHER: Mean Ole Gal; LITTLE ESTHER & THE ROBINS: Double Crossing Blues; MEL WALKER & THE BLUE NOTES: Cry Baby CD Two: ROCKIN’ BLUES (1950-1952) – LITTLE ESTHER & THE BLUE NOTES: Lover’s Lane Boogie; LITTLE ESTHER: Misery/ Harlem Nocturne; MARYLYN SCOTT: Beer Bottle Boogie; LITTLE ESTHER & MEL WALKER: Mistrustin’ Blues/ Cupid’s Boogie/ Deceivin’ Blues/ Far Away Blues; MEL WALKER: Sunset To Dawn/ Rockin’ Blues/ Feel Like Cryin’ Again/ Gee Baby/ Call Operator 210/ The Candle’s Burnin’ Low; JOHNNY OTIS: Mambo Boogie/ All Nite Long/ Dreamin’ Blues/ Oopy-Doo/ One Nighter Blues/ Goomp Blues/ Harlem Nocturne (live); JOHNNY OTIS’ CONGREGATION: Wedding Boogie; LINDA HOPKINS: Doggin’ Blues; HUNTER HANCOCK: ‘Harlematinee’ -
GRASS CLIPPINGS Volume 18 Issue 3 August 2013/September 2013 Editor’S Note: I Received the Following As an Email from Mike on June 22Nd
DESERT BLUEGRASS ASSOCIATION GRASS CLIPPINGS Volume 18 Issue 3 August 2013/September 2013 Editor’s Note: I received the following as an email from Mike on June 22nd. Mike subsequently gave me permission to publish in the Newsletter. A CURVE IN THE ROAD By Mike Headrick Dear Friends, I have heard it said that life is what happens while you are making other plans. That certainly describes our last couple of weeks. We were planning to transition to our life in Portland for the summer - meeting friends & family at the Grass Valley Bluegrass festival on the way. Instead we are still here in Tucson. I have been diagnosed with colon cancer and will be getting treatment here. Friday June 8th started normally enough – I was scheduled to donate blood at the Red Cross before we left for Portland on the 12th. However, the hemoglobin screen showed that my iron level was too low to donate. I took that as a warning that I might be leaking blood and called my doctor. We very quickly arranged for a colonoscopy on Monday the 10th (yeah our 46th wedding anniversary). The colonoscopy showed a large mass in the ascending colon suspected to be cancer. This was a surprise since my last colonoscopy just 3 years ago was ok. We immediately canceled our travel plans and went into medical mode which is basically hurry up and wait. Eventually, the biopsy confirmed the doctor’s opinion – adenocarcinoma. It was “poorly differentiated” which tends to be a more aggressive subtype. In the mean time we had been arranging for a consultation with a surgeon, getting a CT scan and numerous blood tests. -
Cash Box, Music Page 1 November 19, 1949
4 The Cash Box, Music Page 1 November 19, 1949 SATURDAY THAT LUCKY SNEAKIN' BALTIMORE, MD. — NIGHT OLD SUN FAREWELL AROUND 1- Forgive And Forget (The Orioles) FISH FRY 2. If You Didn't Mean It Rudy Render Louis Armstrong Little Willie 3 . sportin' Life (Ralph Willis) Louis Jordan 4. Game Of Broken Hearts (Decca 24752) (Modern 709) (London) (FIo Wright) (Decca 24725) 5. Doby's Boogie (Freddie Mitchell) 6 . That Lucky Old Sun (Frankie Laine) SATURDAY 7. Cream Pie Daddy (Viola Watkins) I'LL BROKEN 8 Sparrow's Flight EMPTY ARMS GET ALONG (’‘’•’nny Sparrows) NIGHT . Saturday Night BLUES SOMEHOW |-| PARTED Fish Fry FISH FRY (Louis Jordan) ^ ^ orioies) Amos Milburn Larry Darnell Floyd Dixon Louis Jordan " (Supreme 1533) (Aladdin 3032) (Regal) (Decca 24725) HARTFORD, CONN. -1. Blueberry Hill (Steve Gibbson) SATURDAY QATIJPnAY 2. Numbers Boogie (Sugar Robinson) 1 1 THAT LUCKY NIGHT 3. As 1 Love You (Buddy Johnson) OLD SUN DOBrS BOOGIE NIGHT FISH FRY £"„ro?IXV5L‘iS"'"' FISH FRY (Flo 1 . , 1 Wright) Louis Armstrong Freddie Mitchell Louis Jordan 6 . Mitt's Boogie (Milt Buckner) Louis Jordan 7. Hucklebuck (Pearl Bailey) 8 . Tell Me So (The (Derby (Decca 24725) Orioles) (Decca 24752) 713) 9. Black (Decca 24725) Velvet (Illinois Jacquet) 10. 1 Do, 1 Do (Billy Eckstine) rLL GET ALONG FOR YOU JEALOUS SOMEHOW JACKSONVILLE, FLA. ^1^ MY LOVE GUESS WHO HEART L Why Don't You Haul Off And HRuf/> Brown , , ,, Larry Darnell Ivory Joe Hunter Ivory Joe Hunter l-ove Me (BuII Moose Jackson) (Atlantic 879) 2. Who Snuck The Wine In The Gravy (Earl Bostic) (Regal) (King 4306) (King) Larry Darnell 3. -
Clyde Mcphatter 1987.Pdf
Clyde McPhatter was among thefirst | singers to rhapsodize about romance in gospel’s emotionally charged style. It wasn’t an easy stepfor McP hatter to make; after all, he was only eighteen, a 2m inister’s son born in North Carolina and raised in New Jersey, when vocal arranger and talent manager Billy | Ward decided in 1950 that I McPhatter would be the perfect choice to front his latest concept, a vocal quartet called the Dominoes. At the time, quartets (which, despite the name, often contained more than four members) were popular on the gospel circuit. They also dominated the R&B field, the most popular being decorous ensembles like the Ink Spots and the Orioles. Ward wanted to combine the vocal flamboyance of gospel with the pop orientation o f the R&B quartets. The result was rhythm and gospel, a sound that never really made it across the R &B chart to the mainstream audience o f the time but reached everybody’s ears years later in the form of Sixties soul. As Charlie Gillett wrote in The Sound of the City, the Dominoes began working instinctively - and timidly. McPhatter said, ' ‘We were very frightened in the studio when we were recording. Billy Ward was teaching us the song, and he’d say, ‘Sing it up,’ and I said, 'Well, I don’t feel it that way, ’ and he said, ‘Try it your way. ’ I felt more relaxed if I wasn’t confined to the melody. I would take liberties with it and he’d say, ‘That’s great. -
Big Al's R&B, 1956-1959
The R & B Book S7 The greatest single event affecting the integration of rhythm and blues music Alone)," the top single of 195S, with crossovers "(YouVe Got! The Magic Touch" with the pop field occurred on November 2, 1355. On that date. Billboard (No. 4), "The Great Pretender" and "My Prayer" (both No. It. and "You'll Never magazine expanded its pop singles chart from thirty to a hundred positions, Never Know" b/w "It Isn't Bight" (No. 14). Their first album "The Platters" naming it "The Top 100." In a business that operates on hype and jive, a chart reached No. 7 on Billboard's album chart. position is "proof of a record's strength. Consequently, a chart appearance, by Frankie Lymon and the Teenagers, another of the year's consistent crossover itself, can be a promotional tool With Billboard's expansion to an extra seventy artists, tasted success on their first record "Why Do Fools Fall In Love" (No. 71, positions, seventy extra records each week were documented as "bonifide" hits, then followed with "I Want You To Be My Girl" (No. 17). "I Promise To and 8 & B issues helped fill up a lot of those extra spaces. Remember" (No. 57), and "ABCs Of Love" (No. 77). (Joy & Cee-BMI) Time: 2:14 NOT FOR S»U 45—K8592 If Um.*III WIlhORtnln A» Unl» SIM meant tea M. bibUnfmcl him a> a ronng Bnc«rtal««r to ant alonic la *n«l«y •t*r p«rjform«r. HI* » T«»r. Utcfo WIIII* Araraa ()•• 2m«B alnft-ng Th« WorM** S* AtUX prafautonaiiQ/ for on manr bit p«» throoghoQC ih« ib« SaiMt fonr Tun Faaturing coont^T and he •llhan«h 6. -
Jim Shumate and the Development of Bluegrass Fiddling
JIM SHUMATE AND THE DEVELOPMENT OF BLUEGRASS FIDDLING A Thesis by NATALYA WEINSTEIN MILLER Submitted to the Graduate School Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2018 Center for Appalachian Studies JIM SHUMATE AND THE DEVELOPMENT OF BLUEGRASS FIDDLING A Thesis by NATALYA WEINSTEIN MILLER May 2018 APPROVED BY: Sandra L. Ballard Chairperson, Thesis Committee Gary R. Boye Member, Thesis Committee David H. Wood Member, Thesis Committee William R. Schumann Director, Center for Appalachian Studies Max C. Poole, Ph.D. Dean, Cratis D. Williams School of Graduate Studies Copyright by Natalya Weinstein Miller 2018 All Rights Reserved Abstract JIM SHUMATE AND THE DEVELOPMENT OF BLUEGRASS FIDDLING Natalya Weinstein Miller, B.A., University of Massachusetts M.A., Appalachian State University Chairperson: Sandra L. Ballard Born and raised on Chestnut Mountain in Wilkes County, North Carolina, James “Jim” Shumate (1921-2013) was a pioneering bluegrass fiddler. His position at the inception of bluegrass places him as a significant yet understudied musician. Shumate was a stylistic co-creator of bluegrass fiddling, synthesizing a variety of existing styles into the developing genre during his time performing with some of the top names in bluegrass in the 1940s, including Bill Monroe in 1945 and Lester Flatt & Earl Scruggs in 1948. While the "big bang" of bluegrass is considered to be in 1946, many elements of the bluegrass fiddle style were present in Bill Monroe's Blue Grass Boys prior to 1945. Jim Shumate’s innovative playing demonstrated characteristics of this emerging style, such as sliding double-stops (fingering notes on two strings at once) and syncopated, bluesy runs.