Country Shows at the Flame Jimmy Wells
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ARSC Journal, Spring 1992 69 Sound Recording Reviews
SOUND RECORDING REVIEWS Chicago Symphony Orchestra: The First Hundred Years CS090/12 (12 CDs: monaural, stereo; ADD)1 Available only from the Chicago Symphony Orchestra, 220 S. Michigan Ave, Chicago, IL, for $175 plus $5 shipping and handling. The Centennial Collection-Chicago Symphony Orchestra RCA-Victor Gold Seal, GD 600206 (3 CDs; monaural, stereo, ADD and DDD). (total time 3:36:3l2). A "musical trivia" question: "Which American symphony orchestra was the first to record under its own name and conductor?" You will find the answer at the beginning of the 12-CD collection, The Chicago Symphony Orchestra: The First 100 Years, issued by the Chicago Symphony Orchestra (CSO). The date was May 1, 1916, and the conductor was Frederick Stock. 3 This is part of the orchestra's celebration of the hundredth anniversary of its founding by Theodore Thomas in 1891. Thomas is represented here, not as a conductor (he died in 1904) but as the arranger of Wagner's Triiume. But all of the other conductors and music directors are represented, as well as many guests. With one exception, the 3-CD set, The Centennial Collection: Chicago Symphony Orchestra, from RCA-Victor is drawn from the recordings that the Chicago Symphony made for that company. All were released previously, in various formats-mono and stereo, 78 rpm, 45 rpm, LPs, tapes, and CDs-as the technologies evolved. Although the present digital processing varies according to source, the sound is generally clear; the Reiner material is comparable to RCA-Victor's on-going reissues on CD of the legendary recordings produced by Richard Mohr. -
BEAR FAMILY RECORDS TEL +49 (4748) 8216-16 • FAX +49 (4748) 8216-20 • E-MAIL [email protected]
BEAR FAMILY RECORDS TEL +49 (4748) 8216-16 • FAX +49 (4748) 8216-20 • E-MAIL [email protected] Town Hall Party Die 'Town Hall Party' gehörte Anfang 1952 zu den ersten Country Music Shows, die im amerikanischen Fernsehen ausgestrahlt wurden und lief dort bis zum Beginn des Jahres 1961. Sie kam jeden Samstag aus einem Theater in Compton, einem Vorort von Los Angeles. Die Bühne war hergerichtet wie eine alte Scheune – dies sollte dieselbe Stimmung vermitteln, die schon drei Jahr- zehnte zuvor bei den Live-Shows vorherrschte, die über den Hörfunk gesendet worden waren. Obwohl sich Nashville sehr schnell als das kommerzielle Zentrum der Country Music etabliert hatte, gab es auch an der ameri- kanischen Westküste ein gewaltiges Fan-Potential für eine Show wie diese. In dieser Region lebten seit den 30er Jahren viele Men- schen, die es aus der Dust Bowl dorthin verschlagen hatte – während des Zweiten Weltkriegs kamen zusätzlich viele Arbeiter hinzu, die Jobs in den Munitions- und Waffenfabriken suchten. Sie alle liebten Country Music, und folglich entwickelte sich eine völlig neue Szene mit einem eigenen Sound, neuen Künstlern, Clubs, Plattenlabels, Radio-Shows und natürlich auch passenden Fernsehprogrammen. Die 'Town Hall Party' wurde rund um einen hauseigenen Interpretenstamm entwickelt, der einem 'Who's Who' der Westküsten- Szene glich – mit Künstlern wie Joe Maphis, Merle Travis, Skeets McDonald, Johnny Bond und Tommy Duncan. Gastgeber waren Jay Stewart (er präsentierte später auch die TV-Quiz-Show 'Let's Make A Deal') und Tex Ritter. In die wöchentlich ausgestrahlte Show wurden stets auch hochkarätige Gäste eingeladen – und die kamen gern, denn die Show war ungemein populär und das permanent wichtiger werdende Fernsehen erwies sich als perfektes Medium, um sich als Künstler völlig neuen Zuschauerschichten vorstellen zu können. -
TEXAS MUSIC SUPERSTORE Buy 5 Cds for $10 Each!
THOMAS FRASER I #79/168 AUGUST 2003 REVIEWS rQr> rÿ p rQ n œ œ œ œ (or not) Nancy Apple Big AI Downing Wayne Hancock Howard Kalish The 100 Greatest Songs Of REAL Country Music JOHN THE REVEALATOR FREEFORM AMERICAN ROOTS #48 ROOTS BIRTHS & DEATHS s_________________________________________________________ / TMRU BESTSELLER!!! SCRAPPY JUD NEWCOMB'S "TURBINADO ri TEXAS ROUND-UP YOUR INDEPENDENT TEXAS MUSIC SUPERSTORE Buy 5 CDs for $10 each! #1 TMRU BESTSELLERS!!! ■ 1 hr F .ilia C s TUP81NA0Q First solo release by the acclaimed Austin guitarist and member of ’90s. roots favorites Loose Diamonds. Scrappy Jud has performed and/or recorded with artists like the ' Resentments [w/Stephen Bruton and Jon Dee Graham), Ian McLagah, Dan Stuart, Toni Price, Bob • Schneider and Beaver Nelson. • "Wall delivers one of the best start-to-finish collections of outlaw country since Wayton Jennings' H o n k y T o n k H e r o e s " -Texas Music Magazine ■‘Super Heroes m akes Nelson's" d e b u t, T h e Last Hurrah’àhd .foltowr-up, üflfe'8ra!ftèr>'critieat "Chris Wall is Dyian in a cowboy hat and muddy successes both - tookjike.^ O boots, except that he sings better." -Twangzirtc ;w o tk s o f a m e re m o rta l.’ ^ - -Austin Chronlch : LEGENDS o»tw SUPER HEROES wvyw.chriswatlmusic.com THE NEW ALBUM FROM AUSTIN'S PREMIER COUNTRY BAND an neu mu - w™.mm GARY CLAXTON • acoustic fhytftm , »orals KEVIN SMITH - acoustic bass, vocals TON LEWIS - drums and cymbals sud Spedai td truth of Oerrifi Stout s debut CD is ContinentaUVE i! so much. -
SLS 19RS-33 ORIGINAL 2019 Regular Session SENATE
SLS 19RS-33 ORIGINAL 2019 Regular Session SENATE CONCURRENT RESOLUTION NO. 132 BY SENATOR PEACOCK COMMENDATIONS. Commends music legend James Burton of Shreveport, on the occasion of his eightieth birthday. 1 A CONCURRENT RESOLUTION 2 To commend James Burton for an outstanding career of over sixty years as a performer, 3 musician, and a Louisiana music legend and to congratulate him on the occasion of 4 his eightieth birthday. 5 WHEREAS, born in Dubberly, Louisiana, on August 21, 1939, James Edward Burton 6 grew up in Shreveport; he received his first guitar as a youngster and was playing 7 professionally by the age of fourteen; he was a self-taught musical phenomenon; and 8 WHEREAS, as he listened to KWKH radio, he was influenced by popular guitarists 9 of the day, such as Chet Atkins, Chuck Berry, Bo Diddley, Elmore James, Lightnin' Hopkins 10 and many others whose genres covered Rock and Roll, Delta Blues, and Country music; and 11 WHEREAS, James was required to obtain a special permit to play in nightclubs due 12 to his age, however, his guitar playing showed such promise that he was asked to join the 13 "staff band" of the legendary radio show, the Louisiana Hayride, and he played backup for 14 the likes of George Jones, Billy Walker, and Johnny Horton and within a few years, James 15 would be a headliner at the show; and 16 WHEREAS, he honed his craft on a variety of guitar types that included acoustic, 17 steel guitar, slide dobro, and electric styles like Fender Telecasters; no matter who played 18 lead guitar, James Burton had the guitar "licks" to complement the lead note for note; and Page 1 of 3 SLS 19RS-33 ORIGINAL SCR NO. -
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected]
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] KÜNSTLER George McCormick and Earl Aycock TITEL Better Stop, Look And Listen Gonna Shake This Shack Tonight LABEL Bear Family Records KATALOG # BCD 17121 PREIS-CODE AH EAN-CODE ÆxAKABMRy171214z ISBN-CODE 978-3-89916-541-8 FORMAT 1 CD Digipack mit 40-seitigem Booklet GENRE Country / Rockabilly ANZAHL TITEL 29 SPIELDAUER 66:06 G Endlich die erste CD-Wiederveröffentlichung von George und Earl, einem der klassischen Hillbilly-Duos! G 29 Top-Titel aus den 50ern, eingespielt in Nashville mit Musikern u.a. aus der Band von Hank Williams und des A-Teams! G Mit allen sechs 78er-Platten von George McCormick und Earl Aycock sowie sechs Singles von George McCormick. G Sweet Little Miss Blue Eyes und If You Got Anything Good werden häufig als zwei der besten Country-Duette aller Zeiten bezeichnet. G Drei der Songs sollte eigentlich Hank Williams aufnehmen, der dann aber starb. G George McCormick war musikalischer Kopf von Porter Wagoners Wagonmasters und Dolly Partons erster Duettpartner in Wagoners TV-Show. G Earl Aycock arbeitete später als DJ in Texas und Louisiana. G Zur CD gehört ein 40-seitiges Booklet von Martin Hawkins; es enthält unveröffentlichte Interviews mit George McCormick. INFORMATIONEN Diese CD präsentiert zwei sehr unterschiedliche Sänger und Musiker, die in nur zwei Jahren einige der besten und interessante- sten Aufnahmen der 1950er-Jahre eingespielt haben. Der damals noch vorherrschende Hank-Williams-Sound machte nur lang- sam Platz für neue Strömungen innerhalb der populären Country Music und des aufkommenden Rockabilly. -
Lacy J. Dalton (Born Jill Lynne Byrem) on October 13, 1946 in Bloomsburg, Pennsylvania, Is an American Country Singer and Songwriter
BIO Lacy J. Dalton (born Jill Lynne Byrem) on October 13, 1946 in Bloomsburg, Pennsylvania, is an American country singer and songwriter. A career that has spanned many decades and touched the hearts of millions of music fans. In March 2017 Lacy J Dalton was inducted into the North American Country Music Association International Hall of Fame. She’s one of the most instantly recognizable voices in music – the woman People Magazine called “Country’s Bonnie Raitt”. From the first time Lacy J Dalton caught the public’s ear, that soulful delivery, full of texture and grit, has been a mainstay of Country Music. When you sit to listen to a Lacy J Dalton album, you find yourself pulled in by the very power and heart of this vocalist, because she’s not merely performing a ten-song set, she’s bringing each and every tune to life. It’s as if they were all written especially for her. Prior to signing with Harbor Records in 1978 as Jill Croston, she like many before her, held many jobs to survive and support her family. As a truck stop waitress and singer, she would wait tables and then jump on stage to sing a few songs. Her hard work and dedication paid off in 1979 when she was awarded the Academy of Country Music “Top New Female Vocalist of the Year”. Then in 1980 Lacy J Dalton was signed by Columbia Records and quickly rose to national prominence with "Crazy Blue Eyes", written together with her longest friend, Mary McFadden, a song that raced to #7 on the Billboard Country Charts. -
JAMES RAE “JIM” DENNY (1911-1963) Music Publisher
JAMES RAE “JIM” DENNY (1911•1963) Music publisher, booking agent, long•time manager of the Grand Ole Opry, and promoter of Nashville’s music industry, was born in Buffalo Valley, Putnam County, TN. As a young man, Denny found work as a mail clerk with the National Life and Accident Insurance Company, parent organization to WSM and the Grand Ole Opry. With growing interest in country music, Denny was running the WSM Artists Service Bureau by 1946, booking Opry talent and other WSM acts. Denny eventually managed the Grand Ole Opry itself. Denny, along with his predecessor, Jack Stapp, is responsible for updating the face of the Opry. As promoters and developers of talent, they helped to transform the Opry from a popular barn dance to a showcase of country superstars, ensuring its growth and long•term success. During their tenure, the cast grew enormously, most major stars became Opry members, and an Opry appearance became a must goal for many performers. In 1954 Denny and Opry star Webb Pierce formed Cedarwood Publishing Company, for a time the most important publishing house in Nashville. Driftwood Music, a companion firm, was a partnership between Denny and Carl Smith, another Opry star. These business interests led to conflict of interest allegations by WSM and eventually Denny’s dismissal. With his knowledge of WSM operations, Denny achieved immediate success as a booking agent. The Jim Denny Bureau served most of the artists Denny had signed while at the Opry. Billboard magazine estimated that, by 1961, the bureau was handling over 3,300 personal appearances worldwide. -
14Th Annual ACM Honors Celebrates Industry & Studio Recording Winners from 55Th & 56Th ACM Awards
August 27, 2021 The MusicRow Weekly Friday, August 27, 2021 14th Annual ACM Honors Celebrates SIGN UP HERE (FREE!) Industry & Studio Recording Winners From 55th & 56th ACM Awards If you were forwarded this newsletter and would like to receive it, sign up here. THIS WEEK’S HEADLINES 14th Annual ACM Honors Beloved TV Journalist And Producer Lisa Lee Dies At 52 “The Storyteller“ Tom T. Hall Passes Luke Combs accepts the Gene Weed Milestone Award while Ashley McBryde Rock And Country Titan Don looks on. Photo: Getty Images / Courtesy of the Academy of Country Music Everly Passes Kelly Rich To Exit Amazon The Academy of Country Music presented the 14th Annual ACM Honors, Music recognizing the special award honorees, and Industry and Studio Recording Award winners from the 55th and 56th Academy of Country SMACKSongs Promotes Music Awards. Four The event featured a star-studded lineup of live performances and award presentations celebrating Special Awards recipients Joe Galante and Kacey Musgraves Announces Rascal Flatts (ACM Cliffie Stone Icon Award), Lady A and Ross Fourth Studio Album Copperman (ACM Gary Haber Lifting Lives Award), Luke Combs and Michael Strickland (ACM Gene Weed Milestone Award), Dan + Shay Reservoir Inks Deal With (ACM Jim Reeves International Award), RAC Clark (ACM Mae Boren Alabama Axton Service Award), Toby Keith (ACM Merle Haggard Spirit Award), Loretta Lynn, Gretchen Peters and Curly Putman (ACM Poet’s Award) Old Dominion, Lady A and Ken Burns’ Country Music (ACM Tex Ritter Film Award). Announce New Albums Also honored were winners of the 55th ACM Industry Awards, 55th & 56th Alex Kline Signs With Dann ACM Studio Recording Awards, along with 55th and 56th ACM Songwriter Huff, Sheltered Music of the Year winner, Hillary Lindsey. -
Texas Ruby Owens
Texas Ruby Owens Ruby Agnes “Texas Ruby” Owens. Country singer born in Wise County, Texas, on June 6, 1910, and died on March 3, 1963. She is buried at Franklin Cemetery in Franklin, Texas. Owens was raised in a musical family with nine sisters and two brothers. One of her brothers, Doie Hensley, went on to country music fame as “Tex” Owens, the radio cowboy. As a young girl, Ruby accompanied her father and brothers on a cattle drive to Fort Worth, Texas. One morning, as they sat waiting at one of the cattle buying centers, she and her brothers began singing some old cowboy songs to pass the time. During this impromptu sing-a-long, a crowd of cowboys and cattle buyers gathered around to listen. Soon, a radio station stock holder from Kansas City, who happened to be in the crowd, offered Owens her first spot on national radio. Texas Ruby, as she came to be called, would be a pioneering figure among female performers within a mostly male-dominated country music industry. Labeled the “Sophie Tucker of the Feminine Folk Singers,” she sang mostly honky-tonk material in a strong, distinct voice and wrote many of her own songs. In 1937, at the Texas Centennial Celebration in Wise County, Texas, Owens met famous “trick fiddler,” Curly Fox (born Arnim LeRoy Fox.) The couple married that same year and formed a popular husband-and-wife team that performed on stage and radio throughout the country and eventually signed with Columbia Records. From 1944 to 1948, the couple appeared frequently at the Grand Ole Opry and were regular stars of the nationally popular Saturday Night Grand Ole Opry. -
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Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams. -
Multimillion-Selling Singer Crystal Gayle Has Performed Songs from a Wide Variety of Genres During Her Award-Studded Career, B
MultiMillion-selling singer Crystal Gayle has performed songs from a wide variety of genres during her award-studded career, but she has never devoted an album to classic country music. Until now. You Don’t Know Me is a collection that finds the acclaimed stylist exploring the songs of such country legends as George Jones, Patsy Cline, Buck Owens and Eddy Arnold. The album might come as a surprise to those who associate Crystal with an uptown sound that made her a star on both country and adult-contemporary pop charts. But she has known this repertoire of hardcore country standards all her life. “This wasn’t a stretch at all,” says Crystal. “These are songs I grew up singing. I’ve been wanting to do this for a long time. “The songs on this album aren’t songs I sing in my concerts until recently. But they are very much a part of my history.” Each of the selections was chosen because it played a role in her musical development. Two of them point to the importance that her family had in bringing her to fame. You Don’t Know Me contains the first recorded trio vocal performance by Crystal with her singing sisters Loretta Lynn and Peggy Sue. It is their version of Dolly Parton’s “Put It Off Until Tomorrow.” “You Never Were Mine” comes from the pen of her older brother, Jay Lee Webb (1937-1996). The two were always close. Jay Lee was the oldest brother still living with the family when their father passed away.